Sami Habra (1935 - 03 Jul 2023)
Male Person - United Kingdom
Also known as (1)
Recordings by (29)
- Excerpt of Symphony no. 5 movement 1 (1954): Principal theme [bar 1-5] 0:16 (1998)
- Excerpt of Symphony no. 5 movement 1 (1937,43,54): Entry into the Recapitulation (ff) [bar 240-252] 0:57 (1998)
- Excerpt of Symphony no. 5 movement 1 (1937,43,54): Ending of Recapitulation (ff) [bar 469-482] 1:04 (1998)
- Excerpt of Symphony no. 5 movement 1 (1937,43,54): Comparison of basic tempo [bar 6-24] 1:11 (1998)
- Excerpt of Symphony no. 5 movement 1 (1937,43,54): [bar 25-62] 1:25 (1998)
- Excerpt of Symphony no. 5 movement 1 (1937,43,54): The rush into the abyss (development) [bar 158-193] 1:16 (1998)
- Excerpt of Symphony no. 5 movement 1 (1937,43,54): Peak of the movement (before the final peroration) [bar 365-397] 1:12 (1998)
- Excerpt of Symphony no. 5 movement 1 (1937,43,54): [bar 398-455] 1:53 (1998)
- Excerpt of Symphony no. 5 movement 1 (1937,43,54): Second theme [bar 59-90] 1:14 (1998)
- Excerpt of Symphony no. 5 movement 1 (1937,43,54): Adagio solo of the oboe [bar 253-268] 1:25 (1998)
- Excerpt of Symphony no. 5 movement 1 (1954): Silence following last recurrence of main theme [bar 469-end] 0:45 (1998)
- 5th symphony 1:14 (1998)
- here is the theme 1937 0:32 (1998)
- 37-43-54: now the wonderful theme that Berlioz called "l'idée fixe" shall always be tinted with a definite lyrical shade 1:44 (1998)
- Here is l'idée fixe 1937 0:17 (1998)
- 37-43-54: The tutti, acutely exhibit the fundamental differences between the three performances 0:53 (1998)
- 37-43-54: 1st fortissimo 1:46 (1998)
- 37: lyrical, noble-43: unbearably tense-54: senza espressione 1:34 (1998)
- 54: martellato, tempo of 3rd movement 0:41 (1998)
- 1954 0:36 (1998)
- 3rd Movement: 37-43-54 1st fortissimo 1:11 (1998)
- 2nd fortissimi 1954 0:31 (1998)
- Fugato: 37-beautifully sustained flight-43-vehement rebellion-54-supreme grandeur 1:46 (1998)
- 4th movement 37-43-54 0:56 (1998)
- 37: young and noble conqueror-43: magnificent stride-54: Roman conqueror 2:02 (1998)
- 37-43-54: Furt constant is crescendo which he always asks for twelve bars before the end of the development 3:17 (1998)
- 1954: The recapitulation by Furt is taken at a slightly faster tempo than the initial one. 0:58 (1998)
- Recurrence of Allegro / 1943: the initial Allegro 1:21 (1998)
- 37: great pace and arch-clear melodic line-43: sheer divine madness-54: the great farewell 3:05 (1998)