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Omit ( - )

Male Person - New Zealand New Zealand ambient experimental

Recordings by (312)

  1. Overcast the Water 30:43 (1990)
  2. Endless Thought 30:52 (1990)
  3. Left Side 33:00 (1990)
  4. Right Side 33:05 (1990)
  5. Section One, Part One 30:52 (1990)
  6. Section Two, Part Two 30:49 (1990)
  7. Unbuttoned Pig ?:?? (1991)
  8. Misunderstand ?:?? (1991)
  9. A State of Alarm Turned Onto Itself ?:?? (1991)
  10. End ?:?? (1991)
  11. Down ?:?? (1991)
  12. A Block of Face ?:?? (1991)
  13. Walking ?:?? (1991)
  14. Strong Denial ?:?? (1991)
  15. You Are ?:?? (1991)
  16. Something Is Always There ?:?? (1991)
  17. Breakdown ?:?? (1991)
  18. Shadow ?:?? (1991)
  19. In Here ?:?? (1991)
  20. Disadvantage Cut Open ?:?? (1991)
  21. Damage ?:?? (1991)
  22. Inception Part One: Passage to Annihilation ?:?? (1991)
  23. Inception Part Two: Threshold to the Edge of Oblivion That Will Encounter the Overwelming Force of Destruction ?:?? (1991)
  24. Inception Part Three: Mental Annihilation ?:?? (1991)
  25. Inception Part Four: Inception of a New Passage ?:?? (1991)
  26. Damn It ?:?? (1991)
  27. In Terms of Life and Death ?:?? (1991)
  28. Discs ?:?? (1991)
  29. High Density ?:?? (1991)
  30. Wavering Mind Part 3 ?:?? (1991)
  31. ?Excerpt From Tape Two ?:?? (1991)
  32. ?Excerpt From Tape One ?:?? (1991)
  33. One Afternoon ?:?? (1991)
  34. Wavering Mind Part One ?:?? (1991)
  35. The Jaw ?:?? (1991)
  36. Ten ?:?? (1991)
  37. Guts ?:?? (1991)
  38. Excerpt From Domestic Recordings ?:?? (1991)
  39. Excerpt From Metric Capacity of Nosie on Easter Monday ?:?? (1991)
  40. Ukelele Experiment ?:?? (1991)
  41. Quarter to 12 on a Saturday Night ?:?? (1991)
  42. Small Angry Insect ?:?? (1991)
  43. Excerpt From the Repetitve Industrial Nightmare (The Workers Dream) ?:?? (1991)
  44. Thixotropy (The Inners of My Skull Turn to a Thick Warm Fluid) 9:53 (1992)
  45. Agglutination 2:22 (1992)
  46. Floation to Rest (Absoprtion of the Liquid Mind) 2:54 (1992)
  47. Corrosive Liquids 9:04 (1992)
  48. Last Act Before Dissolving (In the Fall of Trapped Localization of an Awareness Becomes Even More Apparent) 5:50 (1992)
  49. Elluent Immersion 4:10 (1992)
  50. Drowning in Tubes 10:48 (1992)
  51. Bloated Swollen Liquid Vessels 2:08 (1992)
  52. The Rotating Cylinder (Container of Oppression to Which is Outwardly Denied) 4:11 (1992)
  53. Consuming Soft Matted Masses 2:36 (1992)
  54. The Sleepless Fluid (The Suffocation of the Restless This Process of Realization Was Never a Inhibition) 6:00 (1992)
  55. Tumult / Volution 32:47 (1992)
  56. Inert / Nympholepsy 32:46 (1992)
  57. Resupinate / Convection 32:51 (1992)
  58. Inflammation Ionospheres 32:25 (1992)
  59. The Misrepresentation. (Observation of the Primordial.) ?:?? (1993)
  60. Defusing the Infection of Control. ?:?? (1993)
  61. The Beginning of Compression Amplified by Dislocation. ?:?? (1993)
  62. The Crossover. (Unfed First Stage Larva.) / (The Descent Towards Total Metamorphosis as in the Elimination of Perspective. The Transformation Remains Incomplete. The Lives of the Living Are Lost. The Forcing of the Unfit. The Completion of the Lifeless Is to Be Dragged Away for the Establishment of Symbiosis.) ?:?? (1993)
  63. Symbiosis. (Living in the Remains.) ?:?? (1993)
  64. Hypermetamorphic Fragmented Realization. (a. Engorged First Stage. / b. Soliciting Proximity. / c. Regurgitation. (Second Stage Larva.) / d. Accretion. (Third Stage Larva.) / e. Reconstruction of the Final Resolution. / f. Upsurge/Below Verification.) ?:?? (1993)
  65. Infraction. (Active Fourth Stage Larva.) ?:?? (1993)
  66. Pupation. (Engorged Fifth Stage Larva. The Breaking Point of Metamorphosis.) ?:?? (1993)
  67. Interaction of the Cyclopoid Larva. ?:?? (1993)
  68. Inoculation. (Active Sixth Stage Larva Breeding Below the Representable Level of Awareness.) ?:?? (1993)
  69. Eclosion. ?:?? (1993)
  70. Sub‐Degradation. (First Grouping of Metamorphic Values.) ?:?? (1993)
  71. Incrustation. (Second Stronger Grouping Inducing Formation of a New Central Division.) ?:?? (1993)
  72. Enburrowment. (The Obligation/Rectification of the Primordial.) ?:?? (1993)
  73. Pre‐Gain. (The Rise of Disbelief.) ?:?? (1993)
  74. Low‐Depth. (Reclaiming the Lost Retribution.) ?:?? (1993)
  75. Down‐View. (Speculation to Replace the Main Transgression.) ?:?? (1993)
  76. Sub‐Retraction. Deduction From the Mind.) ?:?? (1993)
  77. Neo‐Traction. (Of the Beginning to the Point of End.) ?:?? (1993)
  78. Lost Strength 5:16 (1994)
  79. Negative Evaluation. (Towards the Instep of Location to Despair, to the Progressive Development of Parasitical Mind Forms of the Reprogressive Birth of Pathogenesis.) 4:03 (1995)
  80. The Edge of Pointlessness. (To the Moving of the Hollowed Floor Plane of an Internal Mind. There Flows Something Quite Undefinable.) 1:58 (1995)
  81. The Pretenence of Value. (I’ve Watched a Thousand Pointless Lives Fade From the Balance of Total Absurdity to the Great Edge of a Vast Downfall.) 1:48 (1995)
  82. Conscious Standpoint. (It Was Never Said, Never Stated. I Let It Get the Better of Me Again.) 4:12 (1995)
  83. Run‐Down Type; One 14:57 (1995)
  84. Run‐Down Type; Two 14:56 (1995)
  85. Run‐Down Type; Three 14:50 (1995)
  86. Run‐Down Type; Four 14:51 (1995)
  87. With The Aid Of An Automatic Weapon I Gun Down My Values 3:52 (Oct 1996)
  88. The Encompassing 4:28 (1996)
  89. Isolation Towards Over‐Kill ?:?? (1997)
  90. The Replacement of Yet Another Dying Afternoon ?:?? (1997)
  91. The Replacement of Yet Another Dying Afternoon (Continued) ?:?? (1997)
  92. Two Many Days Remain the Same in This Shallow Life‐Time ?:?? (1997)
  93. [untitled] ?:?? (1997)
  94. Odyssey to Fade Out (Mind Odyssey/State Three) (Standing From the Back of a Carpark to the Drop Out of All Life; The Systems of Compulsion, One Move Sucks to Another, the Self of Formations as to Point One’s Self in One Major Direction. It Is a Move to Total Inner Selfless Insight; The Meaningless Flow of Movement No One Vehicle Can Be Contained as a Factor to the End Drive of a Carpark. If Any Need Exists Then It Is a Need That Is Compounded. This Passage Can No Longer Be Sustained. Disillusioned by a Growing Emptiness That Invalidates All Past Reference. The Reconnection Now Becomes Impossible to a Point of Moving in or Straightening Out Now Becomes a Dimension of the Same Movement.) 23:08 (1997)
  95. The Fade Out (In the Black State All Direction Is Lost Void to All Extensions Inside the Four Walls of Selfless Contradiction, Closing Down All Aspects of Drive to a Point of Decimation. There Nothing Remains as Relevant.) 10:42 (1997)
  96. Gun‐Down (Objective Aggression With the Aid of a Rifle. The Taking Out of All Meaning, the Breaking of All Self Control.) 5:57 (1997)
  97. Sub‐Fadeback (The Loss of Control Now Takes Over; The Beginning of the Present Out‐State Cannot Continue Onward. There Will Be Only Decay.) 6:11 (1997)
  98. The Lost State (Entropy/Descent Back to the Carpark, as an Intervention to Dissolution. The Beginning of the Lost State Throughout One Long Transgression to Another; There Was No Real Different From One to the Other.) 12:24 (1997)
  99. Egress (Towards Retraction of All Points) 4:06 (1997)
  100. The Final Call (Resectioned Towards the Drive to Cross Fade, Before Absorption.) 6:10 (1997)
  101. The Cross Fade (The Turning Point to a Cross Fade in a Carpark) 12:29 (1997)
  102. The Outcast (Rejection Enforcement Takes Hold) 3:23 (1997)
  103. The Rut (The Point of Recall Is No Longer the Grasp of Stability as a Result Direction Can Never Be the Same) 7:04 (1997)
  104. Restraint (Point One) 2:00 (1997)
  105. Recess (Point Two) 3:51 (1997)
  106. Release (Point Three) (Myself Beyond the Point as a Real Person in Three Points) 2:15 (1997)
  107. Self‐Separation Through Dislocation (State One) 6:33 (1997)
  108. Self‐Separation Through Dislocation (State Two) 3:38 (1997)
  109. Release of Dislocation (State Three) (Absent Forms Without Any Resentment) 1:02 (1997)
  110. Release of Dislocation (Through Desperation) (State Four) (One Road Leads to Another but Never at the Same Forseeable Way; The Carpark Is a Lie, the Formation of the Release Is a Catch) 3:29 (1997)
  111. The Turning Point (The Cycle Continues in One Direction) 4:43 (1997)
  112. Towards the Centre (Out Across Both Ways Before or After There Is No Difference) 2:01 (1997)
  113. Birth of Fade Out (At 6am on a Sunday Morning) 3:41 (1997)
  114. Remission of Self‐Separation Through Dislocation 1:50 (1997)
  115. Seclusion (Outlook One) 1:45 (1997)
  116. Reclusion (Outlook Two) (From the Walls of Seclusion) 2:06 (1997)
  117. Reference Outside (Outlook Three) 3:30 (1997)
  118. 1st Divider (In the State of Three Doors the Bridging of One Thought Direction Is to Remain Yet to Another; To Each Former Outlook, the Perspective Becomes Even More Abstracted Beyond Any Internal Level) 2:58 (1997)
  119. The State of Change (Hallway to the Kitchen) 3:01 (1997)
  120. 2nd Divider (The Divider of the Hall Outside the Foundations of the Kitchen) 2:01 (1997)
  121. 8:30pm (On a Saturday Night the Kitchen Aids Remission in the Short Fall Into the Realm of Obscurity, Well Before Any Outside Interference) 3:17 (1997)
  122. The 1st Self‐Less Reflection 5:33 (1997)
  123. 9:26pm (Re‐Birth of Self Within the Lifeform of the Kitchen, Forgetting All Past Experienced Cycles) 2:29 (1997)
  124. The 2nd Self‐Less Reflection 6:33 (1997)
  125. Resectioned From Despair (Lost at the Opening From a Location Without Breathing) 3:28 (1997)
  126. The 3rd Self‐Less Reflection (The Breathing of One Extension Now Closes in on Itself, Beyond That Is Nothing) 5:22 (1997)
  127. End‐Dip (Mind Odyssey/State One) (Lost of Any Relation to a Degree of State, the Flow Moves Onwards) 5:10 (1997)
  128. The Act (Mind Odyssey/State Two) (Sub‐Movement Towards the Re‐Enactment Until a Point of Unrecognisable Sickness Overrides and the Premonition Breaks Down as Before Into a Mass of Unresolved Emotions) 8:47 (1997)
  129. Pathos (Seclusion) 4:20 (1998)
  130. Succumber Irresolution 1:08 (1998)
  131. Vexed Overthrow 2:05 (1998)
  132. Soliciting Disposition 2:18 (1998)
  133. Pathos Intemperate 1:05 (1998)
  134. Type One 14:38 (1998)
  135. Type Two 14:40 (1998)
  136. Type Three 14:59 (1998)
  137. Type Four 14:31 (1998)
  138. The Practice of Falling Apart Inside the River of Voices ?:?? (1998)
  139. Collapse to Drop‐Point Implosion 3:13 (1999) remixed
  140. Solitary Disembarkment 23:03 (1999)
  141. Type: One (Stationary Movement) 2:39 (1999)
  142. Type: Two (The Backdown) 7:44 (1999)
  143. Type: Three (Mimesis) 2:03 (1999)
  144. Type: Four (Overflow) 2:26 (1999)
  145. Type: Five (Unfaithful Resolution) 2:40 (1999)
  146. Type: Six (The Screw) 9:36 (1999)
  147. The Withdrawal 23:46 (1999)
  148. Decent Towards a Cycle Like Futility ?:?? (2001)
  149. Foothold Lost ?:?? (2001)
  150. The Exhalation of the Null Outline / Inline ?:?? (2001)
  151. Pre Zero ?:?? (2001)
  152. Null Matrix ?:?? (2001)
  153. Total Zero ?:?? (2001)
  154. The Falling First, Into Futility ?:?? (2001)
  155. From Zero to Nullism ?:?? (2001)
  156. Consumption 4:05 (12 Aug 2002)
  157. Bridge Rectifier 8:21 (24 Dec 2002)
  158. Uniselector 3:27 (24 Dec 2002)
  159. Full Relay 3:15 (24 Dec 2002)
  160. Timer‐Run 4:06 (24 Dec 2002)
  161. Divider 4:01 (24 Dec 2002)
  162. Isolator 6:21 (24 Dec 2002)
  163. A/D Unit 3:16 (24 Dec 2002)
  164. Pivot Cycle 3:43 (24 Dec 2002)
  165. Rejector 7:24 (24 Dec 2002)
  166. NanoPut 9:21 (24 Dec 2002)
  167. Shell 3:51 (24 Dec 2002)
  168. Ripple 6:48 (24 Dec 2002)
  169. Bistable 3:13 (24 Dec 2002)
  170. Sequester 20:53 (2003)
  171. De‐Trop 3:08 (2003)
  172. Hex‐Shader 2:34 (2003)
  173. Rhythm Shift 4:54 (2003)
  174. Decayer 3:01 (2003)
  175. Din Shader 2:48 (2003)
  176. Slip Link 3:10 (2003)
  177. Topper‐Flex 4:28 (2003)
  178. Mini‐Trop 2:09 (2003)
  179. Seq‐Viod 1:34 (2003)
  180. Rip Flex 3:04 (2003)
  181. Syn Flex Dump 9:09 (2003)
  182. Clicker 7:44 (2003)
  183. Din‐Cycle 2:55 (2003)
  184. Link‐Op 10:08 (2003)
  185. EQ‐Shader 3:20 (2003)
  186. Tapper Flex 8:53 (2003)
  187. Bug‐Capper 2:12 (2003)
  188. Pro‐Hiss 6:16 (2003)
  189. Flick 3:30 (2003)
  190. Dinker Trop 3:22 (2003)
  191. Eska‐Flex 2:16 (2003)
  192. HissTronic 9:05 (2003)
  193. Dip 4:15 (2003)
  194. Precaution 3:39 (2003)
  195. Electronic Suffercation 5:30 (2003)
  196. After 2:55 (2003)
  197. Down‐Lock 3:46 (2003)
  198. Cold Start 5:54 (2003)
  199. Dishonestest Track‐Down 3:04 (2003)
  200. Dereliction Type‐1 2:36 (2003)
  201. Dereliction Type‐2 4:21 (2003)
  202. Dereliction Type‐3 3:23 (2003)
  203. Junction 6:35 (2003)
  204. Assimilator Type‐1 3:25 (2003)
  205. Assimilator Type‐2 3:22 (2003)
  206. Slip‐Pulse 4:46 (2003)
  207. Renuncation 3:32 (2003)
  208. Dieying Convestion 2:24 (2003)
  209. Stop‐Click Deterioration 8:11 (2003)
  210. Machine Based Deterioration 3:48 (2003)
  211. Rejected Assimilation – Type 1 2:00 (2003)
  212. Rejected Assimilation – Type 2 4:14 (2003)
  213. Beyond Deterioration 2:47 (2003)
  214. Disrupter 5:29 (26 Aug 2008)
  215. DropSite 1:59 (26 Aug 2008)
  216. LockNut Shadow 9:47 (26 Aug 2008)
  217. Location Becon 10:02 (26 Aug 2008)
  218. UNstable Rotor 3:34 (26 Aug 2008)
  219. Lopper 5:32 (26 Aug 2008)
  220. ReBiluDer Unmounted 6:22 (26 Aug 2008)
  221. POD 4 Lander 5:17 (26 Aug 2008)
  222. Blanker 2:53 (26 Aug 2008)
  223. ReManagement SyStem 8:24 (26 Aug 2008)
  224. Soft Iron Core 6:37 (26 Aug 2008)
  225. InPut Lander 3:35 (26 Aug 2008)
  226. Loop ReBounder 3:28 (26 Aug 2008)
  227. DeKKcaPOD 3:20 (26 Aug 2008)
  228. OutPut Bender 3:03 (26 Aug 2008)
  229. SideBand 1:50 (26 Aug 2008)
  230. SkiMMer 3:42 (26 Aug 2008)
  231. HorZtial Tracking SyStem 13:26 (26 Aug 2008)
  232. Transmitter LoGGer 9:45 (26 Aug 2008)
  233. Drop PROcess Operator 8:26 (26 Aug 2008)
  234. ToTal Point Failure 4:04 (26 Aug 2008)
  235. Lander 4:33 (26 Aug 2008)
  236. WaveForm Rider 10:03 (26 Aug 2008)
  237. Ridged OutPut 3:06 (26 Aug 2008)
  238. Dropper 3:52 (Feb 2009)
  239. Turner 21:36 (2011)
  240. Faller 12:21 (2011)
  241. Failer 12:54 (2011)
  242. Breaker 22:55 (2011)
  243. ReTainer 13:17 (28 Oct 2012)
  244. OverLapper 12:29 (28 Oct 2012)
  245. FrontEnd 22:18 (28 Oct 2012)
  246. Construction (Front End System Loader) 12:34 (2012)
  247. Diffuser 11:54 (2012)
  248. Skull Lander (Enter the Compound) 12:35 (2012)
  249. Skinrow Lander (Channels Proceeding From the Idea of Modulation Outside Circuit Architecture) 12:49 (2012)
  250. Mind Borrower 13:11 (2012)
  251. Releaser (Neglect the Way Forward) 11:28 (2012)
  252. Echo Dot FrameWork: One (Ekka Dot) 15:32 (Aug 2014)
  253. Echo Dot FrameWork: Two (Side Fall) 17:11 (Aug 2014)
  254. Echo Dot FrameWork: Three (Break Dot) 14:46 (Aug 2014)
  255. Echo Dot FrameWork: One (Repeat Frame) 14:55 (Aug 2014)
  256. Enclosures One 17:29 (Mar 2015)
  257. Enclosures Two 17:22 (Mar 2015)
  258. Enclosures Three 16:19 (Mar 2015)
  259. Enclosures Four 17:53 (Mar 2015)
  260. Ignition 8:51 (2016)
  261. Diffusion Point 9:01 (2016)
  262. Return 2:39 (2016)
  263. Black Hem Fear 7:24 (2016)
  264. Buster Pod 5:04 (2016)
  265. Back Swing 7:20 (2016)
  266. Indicator 4:03 (2016)
  267. Splitter 4:01 (2016)
  268. Dis Tan Cer 8:04 (2016)
  269. Toll Block 4:26 (2016)
  270. Contours Parts 1 & 2 8:17 (2016)
  271. CycleDrop 8:43 (2016)
  272. Pulse Line Hopper 7:06 (24 Feb 2017)
  273. Block Hisser 2:14 (24 Feb 2017)
  274. Skipper Down 5:39 (24 Feb 2017)
  275. Klip Circle 2:45 (24 Feb 2017)
  276. Flow Pulser 6:49 (24 Feb 2017)
  277. Post Driver 4:06 (24 Feb 2017)
  278. Pulse Slipper 5:59 (24 Feb 2017)
  279. FlipBack 5:22 (24 Feb 2017)
  280. LockBack 6:45 (24 Feb 2017)
  281. PulseBlocker 11:43 (24 Feb 2017)
  282. Trench 5:44 (13 Aug 2018)
  283. First Quadrant: Visual Field Construction 18:14 (2018)
  284. Second Quadrant: Replacement Viewsite 19:58 (2018)
  285. Third Quadrant: Past Reduction Field 20:32 (2018)
  286. Fourth Quadrant: Restart Into Conclusion 20:22 (2018)
  287. Outer Layer One 20:17 (2019)
  288. Suspended Core 19:11 (2019)
  289. Suspension 19:31 (2019)
  290. Outer Layer Two 19:17 (2019)
  291. Introduction Schematic Landscape 10:54 (2021)
  292. Phase Two Schematic Landscape Infection 12:37 (2021)
  293. Double Modulator Sound Schematic 11:22 (2021)
  294. Logarithmic Sound Schematic in Landscape 12:55 (2021)
  295. Linear Sound Formation 12:04 (2021)
  296. Multiplex Landform Division 12:49 (2021)
  297. Schematic Topography Environment 11:39 (2021)
  298. Isometric Landform Erosion 12:53 (2021)
  299. Geographic Field Property Schematic 13:30 (2021)
  300. Gradient Scale Migration 12:23 (2021)
  301. Schematic Pulsescape Contamination 11:30 (2021)
  302. Schematic Landscape Contamination Final 13:02 (2021)
  303. Entering Double Repeat 9:59 (2022)
  304. Symmetric Low Grade 11:13 (2022)
  305. Double Repeat Channel 12:08 (2022)
  306. Infection of the Other Channel 11:49 (2022)
  307. Indifferent Channel Side 11:22 (2022)
  308. Parallel Situation 10:57 (2022)
  309. Dipvoid 20:03 (16 Jan 2024)
  310. PreSec 2:12 (16 Jan 2024)
  311. Segmentor 22:16 (16 Jan 2024)
  312. Sector Fade 3:31 (16 Jan 2024)