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Charlie Beale ( - )

Male Person - choral director, jazz educator and composer-arranger

Recordings by (65)

  1. Horace Silver, ‘Song for My Father’ 1:00 (1998)
  2. Duke Ellington, ‘C Jam Blues’ 1:00 (1998)
  3. Swing Groove 0:36 (1998)
  4. Straight 8s Groove: Josef Zawinul, ‘In a Silent Way’ 0:43 (1998)
  5. Scat Rhythms 0:46 (1998)
  6. Straight 8s and Swing Feels 0:45 (1998)
  7. Ten‐To‐Ten, Swing 0:42 (1998)
  8. Backbeat, Swing 0:23 (1998)
  9. Backbeat, Straight 8s 0:23 (1998)
  10. Swing Groove, Swing Feel: Milt Jackson, ‘Bag’s Groove’ 0:37 (1998)
  11. Rock Groove, Straight 8s Feel: Billy Taylor, ‘I Wish I Knew (How It Feels to Be Free)’ 0:46 (1998)
  12. Latin Groove, Straight 8s Feel: Antonio Carlos Jobim, ‘The Girl From Ipanema’ 1:12 (1998)
  13. Placing Each Beat 0:48 (1998)
  14. Placing Each Quaver (Swing) 1:26 (1998)
  15. Placing Two‐Quaver Phrase (Straight 8s) 1:25 (1998)
  16. Feeling a One‐Bar Space 0:35 (1998)
  17. Feeling a Two‐Bar Space 0:59 (1998)
  18. Question and Answer Rhythms, Swing Groove: Benny Golson, ‘Killer Joe’ 1:51 (1998)
  19. Question and Answer Rhythms, Medium Tempo Rock 1:35 (1998)
  20. Question and Answer Rhythms, Fast Latin 1:36 (1998)
  21. Question and Answer With Pitches, Swing 2:04 (1998)
  22. Question and Answer With Pitches, Rock 1:26 (1998)
  23. Question and Answer With Pitches, Latin 1:20 (1998)
  24. Twelve‐Bar Blues in G 1:29 (1998)
  25. Chord Progression: I‐IV‐V7 0:30 (1998)
  26. Chord Progressions: I‐V and I‐II‐V‐I 1:15 (1998)
  27. I‐II‐V‐I Progression: Roots, 3rds, 5ths 0:58 (1998)
  28. 7th and Major 7th Chords 2:05 (1998)
  29. All Types of 7th Chords 2:10 (1998)
  30. Twelve‐Bar Blues in C 1:52 (1998)
  31. II‐V‐I in C 0:57 (1998)
  32. Doodling: Some Hooks or Openings 1:21 (1998)
  33. Doodling: Vaguer Exploration 1:21 (1998)
  34. Doodling: Exploring Extremes 1:06 (1998)
  35. Doodling: Sonorities—Block Chords 1:04 (1998)
  36. Doodling: Sonorities—Melody and Bass‐Line 0:57 (1998)
  37. Doodling: Two Parts—Fixed Left Hand 0:59 (1998)
  38. Doodling: Two Parts—Fixed Right Hand 0:49 (1998)
  39. Phil Peskett, ‘Prove You Groove’: Left Hand Ideas 0:57 (1998)
  40. Polyrhythms 1:14 (1998)
  41. Rhythmic Placement: Two Notes, on the Beat 0:56 (1998)
  42. Rhythmic Placement: Two Notes, Off the Beat 0:56 (1998)
  43. Alternating Swing and Straight Grooves 0:50 (1998)
  44. Harry James, Duke Ellington, Johnny Hodges & Don George, ‘I’m Beginning to See the Light’: Opening 16 Bars, 2 Feel and 4 Feel 0:43 (1998)
  45. Billy Taylor, ‘I Wish I Knew (How It Feels to Be Free)’: 8‐Beat Rock Groove 0:30 (1998)
  46. Paul Jackson, Harvey Mason, Bennie Maupin & Herbie Hancock, ‘Chameleon’: 16‐Beat Rock Groove 0:30 (1998)
  47. Terry Seabrook, ‘Mambo Country’: 3 + 2 Clave 0:31 (1998)
  48. Moises Simon, ‘Peanut Vendor’: 2 + 3 Clave 0:31 (1998)
  49. Antonio Carlos Jobim, ‘One Note Samba’ 0:50 (1998)
  50. Improvisation Using Stepwise Movement 0:31 (1998)
  51. Improvisation Using Wide Leaps 0:31 (1998)
  52. Melodic and Harmonic Intervals Played and Named 3:54 (1998)
  53. Various 7 Chords 2:11 (1998)
  54. II‐V‐I in C With Inner Lines Played 0:49 (1998)
  55. III‐VI‐II‐V‐I in C With Inner Lines Played 1:10 (1998)
  56. II‐V‐I in C in Different Voicings 2:12 (1998)
  57. Example of Chord Inversion 0:17 (1998)
  58. Examples of Diminished 7ths 0:45 (1998)
  59. Billy Strayhorn, “Take the ‘A’ Train’: AABA Form Demonstrated 1:04 (1998)
  60. Billy Strayhorn, “Take the ‘A’ Train’: 3 ‘Minus One’ Choruses 2:35 (1998)
  61. Improvisation Contrasting the Dorian and Mixolydian Modes 1:52 (1998)
  62. Range of Voicings for Mixolydian on D 1:06 (1998)
  63. A Well‐Known Tune Played in the Dorian, Mixolydian and Lydian Modes 1:34 (1998)
  64. Extended Solo Demonstrating a Range of Blues Techniques 1:41 (1998)
  65. Twelve‐Bar Blues With Rich Bebop Substitutions 0:55 (1998)