MusicFactsDB.com (Pre-Beta)

Robert Greenberg (18 Apr 1954 - )

Male Person - United States

Recordings by (1,046)

  1. Lecture 10.1 - Fugue 5:06 (1998)
  2. Lecture 10.2 - Fugue 5:12 (1998)
  3. Lecture 10.3 - Fugue 5:01 (1998)
  4. Lecture 10.4 - Fugue 5:07 (1998)
  5. Lecture 10.5 - Fugue 5:10 (1998)
  6. Lecture 10.6 - Fugue 4:50 (1998)
  7. Lecture 10.7 - Fugue 4:51 (1998)
  8. Lecture 10.8 - Fugue 5:24 (1998)
  9. Lecture 10.9 - Fugue 6:04 (1998)
  10. Lecture 11.1 - Baroque Opera, Part 1 5:08 (1998)
  11. Lecture 11.2 - Baroque Opera, Part 1 5:04 (1998)
  12. Lecture 11.3 - Baroque Opera, Part 1 4:58 (1998)
  13. Lecture 11.4 - Baroque Opera, Part 1 4:57 (1998)
  14. Lecture 11.5 - Baroque Opera, Part 1 7:45 (1998)
  15. Lecture 11.6 - Baroque Opera, Part 1 5:00 (1998)
  16. Lecture 11.7 - Baroque Opera, Part 1 5:03 (1998)
  17. Lecture 11.8 - Baroque Opera, Part 1 4:19 (1998)
  18. Lecture 11.9 - Baroque Opera, Part 1 3:41 (1998)
  19. Lecture 12.1 - Baroque Opera, Part 2 5:16 (1998)
  20. Lecture 12.2 - Baroque Opera, Part 2 5:44 (1998)
  21. Lecture 12.3 - Baroque Opera, Part 2 5:09 (1998)
  22. Lecture 12.4 - Baroque Opera, Part 2 4:32 (1998)
  23. Lecture 12.5 - Baroque Opera, Part 2 6:29 (1998)
  24. Lecture 12.6 - Baroque Opera, Part 2 4:55 (1998)
  25. Lecture 12.7 - Baroque Opera, Part 2 5:09 (1998)
  26. Lecture 12.8 - Baroque Opera, Part 2 4:11 (1998)
  27. Lecture 12.9 - Baroque Opera, Part 2 3:26 (1998)
  28. Lecture 13.1- Baroque Sacred Music, Part 1 - The Oratorio 5:07 (1998)
  29. Lecture 13.2- Baroque Sacred Music, Part 1 - The Oratorio 5:08 (1998)
  30. Lecture 13.3- Baroque Sacred Music, Part 1 - The Oratorio 5:01 (1998)
  31. Lecture 13.4- Baroque Sacred Music, Part 1 - The Oratorio 5:17 (1998)
  32. Lecture 13.5- Baroque Sacred Music, Part 1 - The Oratorio 4:54 (1998)
  33. Lecture 13.6- Baroque Sacred Music, Part 1 - The Oratorio 5:04 (1998)
  34. Lecture 13.7- Baroque Sacred Music, Part 1 - The Oratorio 4:50 (1998)
  35. Lecture 13.8- Baroque Sacred Music, Part 1 - The Oratorio 5:00 (1998)
  36. Lecture 13.9- Baroque Sacred Music, Part 1 - The Oratorio 5:44 (1998)
  37. Lecture 14.1 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata 5:22 (1998)
  38. Lecture 14.2 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata 5:02 (1998)
  39. Lecture 14.3 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata 5:03 (1998)
  40. Lecture 14.4 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata 5:05 (1998)
  41. Lecture 14.5 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata 4:55 (1998)
  42. Lecture 14.6 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata 4:48 (1998)
  43. Lecture 14.7 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata 4:54 (1998)
  44. Lecture 14.8 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata 6:50 (1998)
  45. Lecture 14.9 - Baroque Sacred Music, Part 2--The Lutheran Church Cantata 4:27 (1998)
  46. Lecture 15.1 - Baroque Instrumental Forms, Part 1--Passacaglia 5:11 (1998)
  47. Lecture 15.2 - Baroque Instrumental Forms, Part 1--Passacaglia 5:01 (1998)
  48. Lecture 15.3 - Baroque Instrumental Forms, Part 1--Passacaglia 5:04 (1998)
  49. Lecture 15.4 - Baroque Instrumental Forms, Part 1--Passacaglia 5:01 (1998)
  50. Lecture 15.5 - Baroque Instrumental Forms, Part 1--Passacaglia 5:09 (1998)
  51. Lecture 15.6 - Baroque Instrumental Forms, Part 1--Passacaglia 4:59 (1998)
  52. Lecture 15.7 - Baroque Instrumental Forms, Part 1--Passacaglia 5:07 (1998)
  53. Lecture 15.8 - Baroque Instrumental Forms, Part 1--Passacaglia 1:55 (1998)
  54. Lecture 15.9 - Baroque Instrumental Forms, Part 1--Passacaglia 9:29 (1998)
  55. Lecture 16.1: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto 5:17 (1998)
  56. Lecture 16.2: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto 4:59 (1998)
  57. Lecture 16.3: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto 4:48 (1998)
  58. Lecture 16.4: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto 5:22 (1998)
  59. Lecture 16.5: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto 5:16 (1998)
  60. Lecture 16.6: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto 5:10 (1998)
  61. Lecture 16.7: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto 4:34 (1998)
  62. Lecture 16.8: Baroque Instrumental Forms, Part 2 - Ritornello Form & The Baroque Concerto 12:03 (1998)
  63. Lecture 16.9: Baroque Instrumental Forms, Part 2--Ritornello Form & The Baroque Concerto 0:57 (1998)
  64. Lecture 9.1 - The Rise of German Nationalism in Music 1:05 (1998)
  65. Lecture 9.2 - The Rise of German Nationalism in Music 4:52 (1998)
  66. Lecture 9.3 - The Rise of German Nationalism in Music 5:01 (1998)
  67. Lecture 9.4 - The Rise of German Nationalism in Music 5:04 (1998)
  68. Lecture 9.5 - The Rise of German Nationalism in Music 5:01 (1998)
  69. Lecture 9.6 - The Rise of German Nationalism in Music 5:25 (1998)
  70. Lecture 9.7 - The Rise of German Nationalism in Music 5:11 (1998)
  71. Lecture 9.8 - The Rise of German Nationalism in Music 5:00 (1998)
  72. Lecture 9.9 - The Rise of German Nationalism in Music 5:16 (1998)
  73. Lecture 9.10 - The Rise of German Nationalism in Music 6:18 (1998)
  74. Lecture 25.1 - Classical-Era Form - Sonata-Allegro Form II 5:03 (1998)
  75. Lecture 25.2 - Classical-Era Form - Sonata-Allegro Form II 5:04 (1998)
  76. Lecture 25.3 - Classical-Era Form - Sonata-Allegro Form II 5:20 (1998)
  77. Lecture 25.4 - Classical-Era Form - Sonata-Allegro Form II 4:53 (1998)
  78. Lecture 25.5 - Classical-Era Form - Sonata-Allegro Form II 8:20 (1998)
  79. Lecture 25.6 - Classical-Era Form - Sonata-Allegro Form II 4:59 (1998)
  80. Lecture 25.7 - Classical-Era Form - Sonata-Allegro Form II 4:23 (1998)
  81. Lecture 25.8 - Classical-Era Form - Sonata-Allegro Form II 8:09 (1998)
  82. Lecture 26.1 - Classical-Era Orchestral Genres - The Symphony - Music for Every Person 5:05 (1998)
  83. Lecture 26.2 - Classical-Era Orchestral Genres - The Symphony - Music for Every Person 5:14 (1998)
  84. Lecture 26.3 - Classical-Era Orchestral Genres - The Symphony - Music for Every Person 5:01 (1998)
  85. Lecture 26.4 - Classical-Era Orchestral Genres - The Symphony - Music for Every Person 4:54 (1998)
  86. Lecture 26.5 - Classical-Era Orchestral Genres - The Symphony - Music for Every Person 5:11 (1998)
  87. Lecture 26.6 - Classical-Era Orchestral Genres - The Symphony - Music for Every Person 5:01 (1998)
  88. Lecture 26.7 - Classical-Era Orchestral Genres - The Symphony - Music for Every Person 5:00 (1998)
  89. Lecture 27.1 - Classical-Era Orchestral Genres - The Concerto 5:08 (1998)
  90. Lecture 27.2 - Classical-Era Orchestral Genres - The Concerto 4:34 (1998)
  91. Lecture 27.3 - Classical-Era Orchestral Genres - The Concerto 4:54 (1998)
  92. Lecture 27.4 - Classical-Era Orchestral Genres - The Concerto 5:01 (1998)
  93. Lecture 27.5 - Classical-Era Orchestral Genres - The Concerto 5:31 (1998)
  94. Lecture 27.6 - Classical-Era Orchestral Genres - The Concerto 5:08 (1998)
  95. Lecture 27.7 - Classical-Era Orchestral Genres - The Concerto 4:36 (1998)
  96. Lecture 27.8 - Classical-Era Orchestral Genres - The Concerto 4:26 (1998)
  97. Lecture 27.9 - Classical-Era Orchestral Genres - The Concerto 6:42 (1998)
  98. Lecture 28.1 - Classical-Era Opera - The Development of Opera Buffa 5:10 (1998)
  99. Lecture 28.2 - Classical-Era Opera - The Development of Opera Buffa 5:03 (1998)
  100. Lecture 28.3 - Classical-Era Opera - The Development of Opera Buffa 5:05 (1998)
  101. Lecture 28.4 - Classical-Era Opera - The Development of Opera Buffa 4:59 (1998)
  102. Lecture 28.5 - Classical-Era Opera - The Development of Opera Buffa 5:00 (1998)
  103. Lecture 28.6 - Classical-Era Opera - The Development of Opera Buffa 5:00 (1998)
  104. Lecture 28.7 - Classical-Era Opera - The Development of Opera Buffa 8:24 (1998)
  105. Lecture 28.8 - Classical-Era Opera - The Development of Opera Buffa 5:18 (1998)
  106. Lecture 29.1 - Classical-Era Opera - Mozart and the Operatic Ensemble 5:00 (1998)
  107. Lecture 29.2 - Classical-Era Opera - Mozart and the Operatic Ensemble 5:03 (1998)
  108. Lecture 29.3 - Classical-Era Opera - Mozart and the Operatic Ensemble 5:12 (1998)
  109. Lecture 29.4 - Classical-Era Opera - Mozart and the Operatic Ensemble 5:32 (1998)
  110. Lecture 29.5 - Classical-Era Opera - Mozart and the Operatic Ensemble 4:54 (1998)
  111. Lecture 29.6 - Classical-Era Opera - Mozart and the Operatic Ensemble 9:08 (1998)
  112. Lecture 29.7 - Classical-Era Opera - Mozart and the Operatic Ensemble 6:04 (1998)
  113. Lecture 29.8 - Classical-Era Opera - Mozart and the Operatic Ensemble 6:07 (1998)
  114. Lecture 30.1 - The French Revolution and an Introduction to Beethoven 5:06 (1998)
  115. Lecture 30.2 - The French Revolution and an Introduction to Beethoven 5:37 (1998)
  116. Lecture 30.3 - The French Revolution and an Introduction to Beethoven 4:55 (1998)
  117. Lecture 30.4 - The French Revolution and an Introduction to Beethoven 4:42 (1998)
  118. Lecture 30.5 - The French Revolution and an Introduction to Beethoven 5:14 (1998)
  119. Lecture 30.6 - The French Revolution and an Introduction to Beethoven 4:58 (1998)
  120. Lecture 30.7 - The French Revolution and an Introduction to Beethoven 4:56 (1998)
  121. Lecture 30.8 - The French Revolution and an Introduction to Beethoven 5:03 (1998)
  122. Lecture 30.9 - The French Revolution and an Introduction to Beethoven 6:04 (1998)
  123. Lecture 31.1 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1 5:03 (1998)
  124. Lecture 31.2 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1 5:24 (1998)
  125. Lecture 31.3 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1 5:16 (1998)
  126. Lecture 31.4 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1 4:47 (1998)
  127. Lecture 31.5 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1 5:43 (1998)
  128. Lecture 31.6 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1 4:54 (1998)
  129. Lecture 31.7 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1 5:21 (1998)
  130. Lecture 31.8 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1 4:10 (1998)
  131. Lecture 31.9 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1 5:55 (1998)
  132. Lecture 32.1 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2 5:02 (1998)
  133. Lecture 32.2 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2 5:03 (1998)
  134. Lecture 32.3 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2 5:01 (1998)
  135. Lecture 32.4 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2 4:54 (1998)
  136. Lecture 32.5 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2 5:01 (1998)
  137. Lecture 32.6 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2 6:29 (1998)
  138. Lecture 32.7 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2 5:43 (1998)
  139. Lecture 32.8 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2 4:50 (1998)
  140. Lecture 32.9 - Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2 5:37 (1998)
  141. Lecture 33.1 - Introduction to Romanticism 4:58 (1998)
  142. Lecture 33.2 - Introduction to Romanticism 4:36 (1998)
  143. Lecture 33.3 - Introduction to Romanticism 5:11 (1998)
  144. Lecture 33.4 - Introduction to Romanticism 5:16 (1998)
  145. Lecture 33.5 - Introduction to Romanticism 4:58 (1998)
  146. Lecture 33.6 - Introduction to Romanticism 5:22 (1998)
  147. Lecture 33.7 - Introduction to Romanticism 5:12 (1998)
  148. Lecture 33.8 - Introduction to Romanticism 5:10 (1998)
  149. Lecture 33.9 - Introduction to Romanticism 6:39 (1998)
  150. Lecture 34.1 - Formal Challenges and Solutions in Early Romantic Music - Miniatures: Lieder and Chopin 5:03 (1998)
  151. Lecture 34.2 - Formal Challenges and Solutions in Early Romantic Music - Miniatures: Lieder and Chopin 5:00 (1998)
  152. Lecture 34.3 - Formal Challenges and Solutions in Early Romantic Music - Miniatures: Lieder and Chopin 5:29 (1998)
  153. Lecture 34.4 - Formal Challenges and Solutions in Early Romantic Music - Miniatures: Lieder and Chopin 6:11 (1998)
  154. Lecture 34.5 - Formal Challenges and Solutions in Early Romantic Music - Miniatures: Lieder and Chopin 4:56 (1998)
  155. Lecture 34.6 - Formal Challenges and Solutions in Early Romantic Music - Miniatures: Lieder and Chopin 5:17 (1998)
  156. Lecture 34.7 - Formal Challenges and Solutions in Early Romantic Music - Miniatures: Lieder and Chopin 4:52 (1998)
  157. Lecture 34.8 - Formal Challenges and Solutions in Early Romantic Music - Miniatures: Lieder and Chopin 4:51 (1998)
  158. Lecture 34.9 - Formal Challenges and Solutions in Early Romantic Music - Miniatures: Lieder and Chopin 5:42 (1998)
  159. Lecture 35.1 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 1 5:05 (1998)
  160. Lecture 35.2 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 1 5:00 (1998)
  161. Lecture 35.3 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 1 5:19 (1998)
  162. Lecture 35.4 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 1 4:59 (1998)
  163. Lecture 35.5 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 1 4:56 (1998)
  164. Lecture 35.6 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 1 5:14 (1998)
  165. Lecture 35.7 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 1 4:31 (1998)
  166. Lecture 35.8 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 1 5:15 (1998)
  167. Lecture 35.9 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 1 8:06 (1998)
  168. Lecture 36.1 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 2 4:55 (1998)
  169. Lecture 36.2 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 2 5:19 (1998)
  170. Lecture 36.3 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 2 7:53 (1998)
  171. Lecture 36.4 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 2 4:40 (1998)
  172. Lecture 36.5 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 2 4:36 (1998)
  173. Lecture 36.6 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 2 5:23 (1998)
  174. Lecture 36.7 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 2 4:31 (1998)
  175. Lecture 36.8 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 2 5:14 (1998)
  176. Lecture 36.9 - Formal Challenges and Solutions in Early Romantic Music - The Program Symphony: Berlioz' Symphonie Fantastique, Part 2 5:48 (1998)
  177. Lecture 17.1 - The Enlightenment and the Introduction to the Classical Era 5:33 (1998)
  178. Lecture 17.2 - The Enlightenment and the Introduction to the Classical Era 5:05 (1998)
  179. Lecture 17.3 - The Enlightenment and the Introduction to the Classical Era 5:09 (1998)
  180. Lecture 17.4 - The Enlightenment and the Introduction to the Classical Era 4:56 (1998)
  181. Lecture 17.5 - The Enlightenment and the Introduction to the Classical Era 5:00 (1998)
  182. Lecture 17.6 - The Enlightenment and the Introduction to the Classical Era 4:57 (1998)
  183. Lecture 17.7 - The Enlightenment and the Introduction to the Classical Era 5:06 (1998)
  184. Lecture 17.8 - The Enlightenment and the Introduction to the Classical Era 5:36 (1998)
  185. Lecture 17.9 - The Enlightenment and the Introduction to the Classical Era 7:08 (1998)
  186. Lecture 18.1 - The Viennese Classical Style, Homophony, and the Cadence 5:06 (1998)
  187. Lecture 18.2 - The Viennese Classical Style, Homophony, and the Cadence 5:06 (1998)
  188. Lecture 18.3 - The Viennese Classical Style, Homophony, and the Cadence 5:07 (1998)
  189. Lecture 18.4 - The Viennese Classical Style, Homophony, and the Cadence 5:04 (1998)
  190. Lecture 18.5 - The Viennese Classical Style, Homophony, and the Cadence 5:07 (1998)
  191. Lecture 18.6 - The Viennese Classical Style, Homophony, and the Cadence 3:49 (1998)
  192. Lecture 18.7 - The Viennese Classical Style, Homophony, and the Cadence 4:30 (1998)
  193. Lecture 18.8 - The Viennese Classical Style, Homophony, and the Cadence 5:06 (1998)
  194. Lecture 18.9 - The Viennese Classical Style, Homophony, and the Cadence 8:00 (1998)
  195. Lecture 19.1 - Classical-Era Form - Theme and Variations 5:17 (1998)
  196. Lecture 19.2 - Classical-Era Form - Theme and Variations 5:10 (1998)
  197. Lecture 19.3 - Classical-Era Form - Theme and Variations 5:28 (1998)
  198. Lecture 19.4 - Classical-Era Form - Theme and Variations 4:56 (1998)
  199. Lecture 19.5 - Classical-Era Form - Theme and Variations 4:46 (1998)
  200. Lecture 19.6 - Classical-Era Form - Theme and Variations 5:10 (1998)
  201. Lecture 19.7 - Classical-Era Form - Theme and Variations 5:21 (1998)
  202. Lecture 19.8 - Classical-Era Form - Theme and Variations 4:13 (1998)
  203. Lecture 19.9 - Classical-Era Form - Theme and Variations 6:52 (1998)
  204. Lecture 20.1 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents 5:20 (1998)
  205. Lecture 20.2 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents 5:07 (1998)
  206. Lecture 20.3 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents 4:59 (1998)
  207. Lecture 20.4 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents 5:01 (1998)
  208. Lecture 20.5 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents 5:02 (1998)
  209. Lecture 20.6 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents 4:55 (1998)
  210. Lecture 20.7 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents 5:07 (1998)
  211. Lecture 20.8 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents 4:57 (1998)
  212. Lecture 20.9 - Classical-Era Form - Minuet and Trio I - Baroque Antecedents 4:01 (1998)
  213. Lecture 21.1 - Classical-Era Form - Minuet and Trio II 5:03 (1998)
  214. Lecture 21.2 - Classical-Era Form - Minuet and Trio II 5:25 (1998)
  215. Lecture 21.3 - Classical-Era Form - Minuet and Trio II 4:48 (1998)
  216. Lecture 21.4 - Classical-Era Form - Minuet and Trio II 4:58 (1998)
  217. Lecture 21.5 - Classical-Era Form - Minuet and Trio II 5:11 (1998)
  218. Lecture 21.6 - Classical-Era Form - Minuet and Trio II 4:05 (1998)
  219. Lecture 21.7 - Classical-Era Form - Minuet and Trio II 5:05 (1998)
  220. Lecture 21.8 - Classical-Era Form - Minuet and Trio II 7:12 (1998)
  221. Lecture 21.9 - Classical-Era Form - Minuet and Trio II 1:45 (1998)
  222. Lecture 22.1 - Classical-Era Form - Rondo 5:03 (1998)
  223. Lecture 22.2 - Classical-Era Form - Rondo 5:25 (1998)
  224. Lecture 22.3 - Classical-Era Form - Rondo 5:16 (1998)
  225. Lecture 22.4 - Classical-Era Form - Rondo 5:36 (1998)
  226. Lecture 22.5 - Classical-Era Form - Rondo 6:23 (1998)
  227. Lecture 22.6 - Classical-Era Form - Rondo 5:04 (1998)
  228. Lecture 22.7 - Classical-Era Form - Rondo 4:29 (1998)
  229. Lecture 22.8 - Classical-Era Form - Rondo 5:07 (1998)
  230. Lecture 22.9 - Classical-Era Form - Rondo 5:43 (1998)
  231. Lecture 23.1 - Classical-Era Form - Sonata-Allegro Form I, Part 1 4:58 (1998)
  232. Lecture 23.2 - Classical-Era Form - Sonata-Allegro Form I, Part 1 5:17 (1998)
  233. Lecture 23.3 - Classical-Era Form - Sonata-Allegro Form I, Part 1 4:58 (1998)
  234. Lecture 23.4 - Classical-Era Form - Sonata-Allegro Form I, Part 1 5:06 (1998)
  235. Lecture 23.5 - Classical-Era Form - Sonata-Allegro Form I, Part 1 5:06 (1998)
  236. Lecture 23.6 - Classical-Era Form - Sonata-Allegro Form I, Part 1 5:01 (1998)
  237. Lecture 23.7 - Classical-Era Form - Sonata-Allegro Form I, Part 1 5:01 (1998)
  238. Lecture 23.8 - Classical-Era Form - Sonata-Allegro Form I, Part 1 5:10 (1998)
  239. Lecture 23.9 - Classical-Era Form - Sonata-Allegro Form I, Part 1 6:25 (1998)
  240. Lecture 24.1 - Classical-Era Form - Sonata-Allegro Form I, Part 2 5:08 (1998)
  241. Lecture 24.2 - Classical-Era Form - Sonata-Allegro Form I, Part 2 5:12 (1998)
  242. Lecture 24.3 - Classical-Era Form - Sonata-Allegro Form I, Part 2 5:37 (1998)
  243. Lecture 24.4 - Classical-Era Form - Sonata-Allegro Form I, Part 2 4:44 (1998)
  244. Lecture 24.5 - Classical-Era Form - Sonata-Allegro Form I, Part 2 4:58 (1998)
  245. Lecture 24.6 - Classical-Era Form - Sonata-Allegro Form I, Part 2 5:08 (1998)
  246. Lecture 24.7 - Classical-Era Form - Sonata-Allegro Form I, Part 2 5:00 (1998)
  247. Lecture 24.8 - Classical-Era Form - Sonata-Allegro Form I, Part 2 2:18 (1998)
  248. Lecture 24.9 - Classical-Era Form - Sonata-Allegro Form I, Part 2 8:52 (1998)
  249. Lecture 1.1 - Introduction 5:04 (1998)
  250. Lecture 1.2 - Introduction 5:01 (1998)
  251. Lecture 1.3 - Introduction 4:58 (1998)
  252. Lecture 1.4 - Introduction 4:59 (1998)
  253. Lecture 1.5 - Introduction 5:18 (1998)
  254. Lecture 1.6 - Introduction 5:01 (1998)
  255. Lecture 1.7 - Introduction 5:09 (1998)
  256. Lecture 1.8 - Introduction 5:18 (1998)
  257. Lecture 1.9 - Introduction 4:23 (1998)
  258. Lecture 2.1 - Sources - The Ancient World And The Early Church 5:03 (1998)
  259. Lecture 2.2 - Sources - The Ancient World And The Early Church 5:33 (1998)
  260. Lecture 2.3 - Sources - The Ancient World And The Early Church 5:17 (1998)
  261. Lecture 2.4 - Sources - The Ancient World And The Early Church 5:14 (1998)
  262. Lecture 2.5 - Sources - The Ancient World And The Early Church 5:05 (1998)
  263. Lecture 2.6 - Sources - The Ancient World And The Early Church 4:31 (1998)
  264. Lecture 2.7 - Sources - The Ancient World And The Early Church 5:17 (1998)
  265. Lecture 2.8 - Sources - The Ancient World And The Early Church 4:47 (1998)
  266. Lecture 3.1 - The Middle Ages - Darkness, Change, And Diversity 4:59 (1998)
  267. Lecture 3.2 - The Middle Ages - Darkness, Change, And Diversity 5:25 (1998)
  268. Lecture 3.3 - The Middle Ages - Darkness, Change, And Diversity 5:14 (1998)
  269. Lecture 3.4 - The Middle Ages - Darkness, Change, And Diversity 4:59 (1998)
  270. Lecture 3.5 - The Middle Ages - Darkness, Change, And Diversity 4:57 (1998)
  271. Lecture 3.6 - The Middle Ages - Darkness, Change, And Diversity 5:12 (1998)
  272. Lecture 3.7 - The Middle Ages - Darkness, Change, And Diversity 4:54 (1998)
  273. Lecture 3.8 - The Middle Ages - Darkness, Change, And Diversity 4:57 (1998)
  274. Lecture 3.9 - The Middle Ages - Darkness, Change, And Diversity 5:09 (1998)
  275. Lecture 4.1 - Introduction to the Renaissence 5:10 (1998)
  276. Lecture 4.2 - Introduction to the Renaissence 5:02 (1998)
  277. Lecture 4.3 - Introduction to the Renaissence 5:19 (1998)
  278. Lecture 4.4 - Introduction to the Renaissence 4:55 (1998)
  279. Lecture 4.5 - Introduction to the Renaissence 5:09 (1998)
  280. Lecture 4.6 - Introduction to the Renaissence 4:58 (1998)
  281. Lecture 4.7 - Introduction to the Renaissence 5:37 (1998)
  282. Lecture 4.8 - Introduction to the Renaissence 4:20 (1998)
  283. Lecture 4.9 - Introduction to the Renaissence 2:42 (1998)
  284. Lecture 5.1 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation 5:01 (1998)
  285. Lecture 5.2 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation 5:24 (1998)
  286. Lecture 5.3 - The Renaissance Mass - Josquin Des Prez, Palestrina, and The Counter-Reformation 5:08 (1998)
  287. Lecture 5.4 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation 5:03 (1998)
  288. Lecture 5.5 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation 5:00 (1998)
  289. Lecture 5.6 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation 4:52 (1998)
  290. Lecture 5.7 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation 5:07 (1998)
  291. Lecture 5.8 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation 5:05 (1998)
  292. Lecture 5.9 - The Renaissance Mass - Josquin Des Prez, Palestrina, And The Counter-Reformation 6:01 (1998)
  293. Lecture 6.1 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal 5:19 (1998)
  294. Lecture 6.2 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal 5:18 (1998)
  295. Lecture 6.3 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal 4:49 (1998)
  296. Lecture 6.4 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal 4:51 (1998)
  297. Lecture 6.5 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal 5:14 (1998)
  298. Lecture 6.6 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal 5:00 (1998)
  299. Lecture 6.7 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal 5:04 (1998)
  300. Lecture 6.8 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal 5:06 (1998)
  301. Lecture 6.9 - Secular Music In The Late Renaissance And The Search For Expression - The Madrigal 4:45 (1998)
  302. Lecture 7.1 - Introduction To The Baroque 4:40 (1998)
  303. Lecture 7.2 - Introduction To The Baroque 5:03 (1998)
  304. Lecture 7.3 - Introduction To The Baroque 5:03 (1998)
  305. Lecture 7.4 - Introduction To The Baroque 5:18 (1998)
  306. Lecture 7.5 - Introduction To The Baroque 5:03 (1998)
  307. Lecture 7.6 - Introduction To The Baroque 4:46 (1998)
  308. Lecture 7.7 - Introduction To The Baroque 5:00 (1998)
  309. Lecture 7.8 - Introduction To The Baroque 5:04 (1998)
  310. Lecture 7.9 - Introduction To The Baroque 5:45 (1998)
  311. Lecture 8.1 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture 5:03 (1998)
  312. Lecture 8.2 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture 5:03 (1998)
  313. Lecture 8.3 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture 4:58 (1998)
  314. Lecture 8.4 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture 4:58 (1998)
  315. Lecture 8.5 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture 5:08 (1998)
  316. Lecture 8.6 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture 5:01 (1998)
  317. Lecture 8.7 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture 5:02 (1998)
  318. Lecture 8.8 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture 4:55 (1998)
  319. Lecture 8.9 - Style Features Of Baroque Music And A Brief Tutorial On Pitch, Motive, Melody, And Texture 7:26 (1998)
  320. Lecture 9.1 - National Styles - Italy and Germany 4:57 (2006)
  321. Lecture 9.2 - National Styles - Italy and Germany 5:17 (2006)
  322. Lecture 9.3 - National Styles - Italy and Germany 4:49 (2006)
  323. Lecture 9.4 - National Styles - Italy and Germany 5:13 (2006)
  324. Lecture 9.5 - National Styles - Italy and Germany 4:36 (2006)
  325. Lecture 9.6 - National Styles - Italy and Germany 4:46 (2006)
  326. Lecture 9.7 - National Styles - Italy and Germany 5:18 (2006)
  327. Lecture 9.8 - National Styles - Italy and Germany 5:15 (2006)
  328. Lecture 9.9 - National Styles - Italy and Germany 5:48 (2006)
  329. Music as a Mirror ?:?? (2006)
  330. Sources — The Ancient World and the Early Church ?:?? (2006)
  331. The Middle Ages ?:?? (2006)
  332. Introduction to the Renaissance ?:?? (2006)
  333. The Renaissance Mass ?:?? (2006)
  334. The Madrigal ?:?? (2006)
  335. An Introduction to the Baroque Era ?:?? (2006)
  336. Style Features of Baroque-Era Music ?:?? (2006)
  337. National Styles — Italy and Germany ?:?? (2006)
  338. Fugue ?:?? (2006)
  339. Baroque Opera, Part 1 ?:?? (2006)
  340. Baroque Opera, Part 2 ?:?? (2006)
  341. The Oratorio ?:?? (2006)
  342. The Lutheran Church Cantata ?:?? (2006)
  343. Passacaglia ?:?? (2006)
  344. Ritornello Form and the Baroque Concerto ?:?? (2006)
  345. The Enlightenment and an Introduction to the Classical Era ?:?? (2006)
  346. The Viennese Classical Style, Homophony, and the Cadence ?:?? (2006)
  347. Classical-Era Form — Theme and Variations ?:?? (2006)
  348. Classical-Era Form — Minuet and Trio: Baroque Antecedents ?:?? (2006)
  349. Classical-Era Form — Minuet and Trio Form ?:?? (2006)
  350. Classical-Era Form — Rondo Form ?:?? (2006)
  351. Classical-Era Form — Sonata Form, Part 1 ?:?? (2006)
  352. Classical-Era Form — Sonata Form, Part 2 ?:?? (2006)
  353. Classical-Era Form — Sonata Form, Part 3 ?:?? (2006)
  354. The Symphony — Music for Every Person ?:?? (2006)
  355. The Solo Concerto ?:?? (2006)
  356. Classical-Era Opera — The Rise of Opera Buffa ?:?? (2006)
  357. Classical-Era Opera, Part 2: — Mozart and the Operatic Ensemble ?:?? (2006)
  358. The French Revolution and an Introduction to Beethoven ?:?? (2006)
  359. Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 1 ?:?? (2006)
  360. Beethoven's Symphony No. 5 in C Minor, Op. 67, Part 2 ?:?? (2006)
  361. Introduction to Romanticism ?:?? (2006)
  362. Formal Challenges and Solutions in Early Romantic Music ?:?? (2006)
  363. The Program Symphony — Berlioz's Symphonie Fantastique, Part 1 ?:?? (2006)
  364. The Program Symphony — Berlioz's Symphonie Fantastique, Part 2 ?:?? (2006)
  365. 19th-Century Italian Opera — Bel Canto Opera ?:?? (2006)
  366. 19th-Century Italian Opera — Giuseppe Verdi ?:?? (2006)
  367. 19th-Century German Opera — Nationalism and Experimentation ?:?? (2006)
  368. 19th-Century German Opera — Richard Wagner ?:?? (2006)
  369. The Concert Overture, Part 1 ?:?? (2006)
  370. The Concert Overture, Part 2 ?:?? (2006)
  371. Romantic-Era Musical Nationalism ?:?? (2006)
  372. Russian Nationalism ?:?? (2006)
  373. An Introduction to Early 20th-Century Modernism ?:?? (2006)
  374. Early 20th-Century Modernism — Claude Debussy ?:?? (2006)
  375. Early 20th-Century Modernism — Igor Stravinsky ?:?? (2006)
  376. Early 20th-Century Modernism — Arnold Schönberg ?:?? (2006)
  377. Lecture One: "The Language of Music", Part 1 5:54 (2007)
  378. Lecture One: "The Language of Music", Part 2 5:42 (2007)
  379. Lecture One: "The Language of Music", Part 3 5:56 (2007)
  380. Lecture One: "The Language of Music", Part 4 5:29 (2007)
  381. Lecture One: "The Language of Music", Part 5 5:55 (2007)
  382. Lecture One: "The Language of Music", Part 6 6:22 (2007)
  383. Lecture One: "The Language of Music", Part 7 6:03 (2007)
  384. Lecture One: "The Language of Music", Part 8 4:25 (2007)
  385. Lecture Two: "Timbre, Continued", Part 1 5:28 (2007)
  386. Lecture Two: "Timbre, Continued", Part 2 5:09 (2007)
  387. Lecture Two: "Timbre, Continued", Part 3 5:01 (2007)
  388. Lecture Two: "Timbre, Continued", Part 4 4:53 (2007)
  389. Lecture Two: "Timbre, Continued", Part 5 4:56 (2007)
  390. Lecture Two: "Timbre, Continued", Part 6 5:19 (2007)
  391. Lecture Two: "Timbre, Continued", Part 7 4:54 (2007)
  392. Lecture Two: "Timbre, Continued", Part 8 5:20 (2007)
  393. Lecture Two: "Timbre, Continued", Part 9 3:44 (2007)
  394. Lecture Three: "Timbre, Part 3", Part 1 4:52 (2007)
  395. Lecture Three: "Timbre, Part 3", Part 2 5:12 (2007)
  396. Lecture Three: "Timbre, Part 3", Part 3 5:03 (2007)
  397. Lecture Three: "Timbre, Part 3", Part 4 4:54 (2007)
  398. Lecture Three: "Timbre, Part 3", Part 5 5:16 (2007)
  399. Lecture Three: "Timbre, Part 3", Part 6 4:43 (2007)
  400. Lecture Three: "Timbre, Part 3", Part 7 5:47 (2007)
  401. Lecture Three: "Timbre, Part 3", Part 8 4:47 (2007)
  402. Lecture Three: "Timbre, Part 3", Part 9 7:48 (2007)
  403. Lecture Four: "Beat and Tempo", Part 1 5:04 (2007)
  404. Lecture Four: "Beat and Tempo", Part 2 5:00 (2007)
  405. Lecture Four: "Beat and Tempo", Part 3 5:21 (2007)
  406. Lecture Four: "Beat and Tempo", Part 4 5:03 (2007)
  407. Lecture Four: "Beat and Tempo", Part 5 4:54 (2007)
  408. Lecture Four: "Beat and Tempo", Part 6 5:20 (2007)
  409. Lecture Four: "Beat and Tempo", Part 7 5:15 (2007)
  410. Lecture Four: "Beat and Tempo", Part 8 4:48 (2007)
  411. Lecture Four: "Beat and Tempo", Part 9 3:46 (2007)
  412. Lecture Five: "Meter, Part 1", Part 1 4:43 (2007)
  413. Lecture Five: "Meter, Part 1", Part 2 5:08 (2007)
  414. Lecture Five: "Meter, Part 1", Part 3 4:50 (2007)
  415. Lecture Five: "Meter, Part 1", Part 4 4:47 (2007)
  416. Lecture Five: "Meter, Part 1", Part 5 5:12 (2007)
  417. Lecture Five: "Meter, Part 1", Part 6 4:56 (2007)
  418. Lecture Five: "Meter, Part 1", Part 7 5:22 (2007)
  419. Lecture Five: "Meter, Part 1", Part 8 4:49 (2007)
  420. Lecture Five: "Meter, Part 1", Part 9 7:42 (2007)
  421. Lecture Six: "Meter, Part 2", Part 1 4:57 (2007)
  422. Lecture Six: "Meter, Part 2", Part 2 5:24 (2007)
  423. Lecture Six: "Meter, Part 2", Part 3 5:18 (2007)
  424. Lecture Six: "Meter, Part 2", Part 4 5:23 (2007)
  425. Lecture Six: "Meter, Part 2", Part 5 5:03 (2007)
  426. Lecture Six: "Meter, Part 2", Part 6 5:27 (2007)
  427. Lecture Six: "Meter, Part 2", Part 7 4:50 (2007)
  428. Lecture Six: "Meter, Part 2", Part 8 4:57 (2007)
  429. Lecture Six: "Meter, Part 2", Part 9 4:10 (2007)
  430. Lecture Seven: "Pitch and Mode, Part 1", Part 1 5:09 (2007)
  431. Lecture Seven: "Pitch and Mode, Part 1", Part 2 5:02 (2007)
  432. Lecture Seven: "Pitch and Mode, Part 1", Part 3 6:58 (2007)
  433. Lecture Seven: "Pitch and Mode, Part 1", Part 4 4:57 (2007)
  434. Lecture Seven: "Pitch and Mode, Part 1", Part 5 4:49 (2007)
  435. Lecture Seven: "Pitch and Mode, Part 1", Part 6 4:29 (2007)
  436. Lecture Seven: "Pitch and Mode, Part 1", Part 7 4:56 (2007)
  437. Lecture Seven: "Pitch and Mode, Part 1", Part 8 5:01 (2007)
  438. Lecture Seven: "Pitch and Mode, Part 1", Part 9 2:05 (2007)
  439. Lecture Eight: "Pitch and Mode, Part 2", Part 1 4:54 (2007)
  440. Lecture Eight: "Pitch and Mode, Part 2", Part 2 4:55 (2007)
  441. Lecture Eight: "Pitch and Mode, Part 2", Part 3 5:12 (2007)
  442. Lecture Eight: "Pitch and Mode, Part 2", Part 4 4:54 (2007)
  443. Lecture Eight: "Pitch and Mode, Part 2", Part 5 5:11 (2007)
  444. Lecture Eight: "Pitch and Mode, Part 2", Part 6 4:55 (2007)
  445. Lecture Eight: "Pitch and Mode, Part 2", Part 7 5:09 (2007)
  446. Lecture Eight: "Pitch and Mode, Part 2", Part 8 4:56 (2007)
  447. Lecture Eight: "Pitch and Mode, Part 2", Part 9 5:46 (2007)
  448. Lecture Nine: "Intervals and Tunings", Part 1 ?:?? (2007)
  449. Lecture Nine: "Intervals and Tunings", Part 2 ?:?? (2007)
  450. Lecture Nine: "Intervals and Tunings", Part 3 ?:?? (2007)
  451. Lecture Nine: "Intervals and Tunings", Part 4 ?:?? (2007)
  452. Lecture Nine: "Intervals and Tunings", Part 5 ?:?? (2007)
  453. Lecture Nine: "Intervals and Tunings", Part 6 ?:?? (2007)
  454. Lecture Nine: "Intervals and Tunings", Part 7 ?:?? (2007)
  455. Lecture Nine: "Intervals and Tunings", Part 8 ?:?? (2007)
  456. Lecture Nine: "Intervals and Tunings", Part 9 ?:?? (2007)
  457. Lecture Ten: "Tonality, Key Signature, and the Circle of Fifths", Part 1 ?:?? (2007)
  458. Lecture Ten: "Tonality, Key Signature, and the Circle of Fifths", Part 2 ?:?? (2007)
  459. Lecture Ten: "Tonality, Key Signature, and the Circle of Fifths", Part 3 ?:?? (2007)
  460. Lecture Ten: "Tonality, Key Signature, and the Circle of Fifths", Part 4 ?:?? (2007)
  461. Lecture Ten: "Tonality, Key Signature, and the Circle of Fifths", Part 5 ?:?? (2007)
  462. Lecture Ten: "Tonality, Key Signature, and the Circle of Fifths", Part 6 ?:?? (2007)
  463. Lecture Ten: "Tonality, Key Signature, and the Circle of Fifths", Part 7 ?:?? (2007)
  464. Lecture Ten: "Tonality, Key Signature, and the Circle of Fifths", Part 8 ?:?? (2007)
  465. Lecture Ten: "Tonality, Key Signature, and the Circle of Fifths", Part 9 ?:?? (2007)
  466. Lecture Eleven: "Intervals Revisited and Expanded", Part 1 ?:?? (2007)
  467. Lecture Eleven: "Intervals Revisited and Expanded", Part 2 ?:?? (2007)
  468. Lecture Eleven: "Intervals Revisited and Expanded", Part 3 ?:?? (2007)
  469. Lecture Eleven: "Intervals Revisited and Expanded", Part 4 ?:?? (2007)
  470. Lecture Eleven: "Intervals Revisited and Expanded", Part 5 ?:?? (2007)
  471. Lecture Eleven: "Intervals Revisited and Expanded", Part 6 ?:?? (2007)
  472. Lecture Eleven: "Intervals Revisited and Expanded", Part 7 ?:?? (2007)
  473. Lecture Eleven: "Intervals Revisited and Expanded", Part 8 ?:?? (2007)
  474. Lecture Eleven: "Intervals Revisited and Expanded", Part 9 ?:?? (2007)
  475. Lecture Twelve: "Melody", Part 1 ?:?? (2007)
  476. Lecture Twelve: "Melody", Part 2 ?:?? (2007)
  477. Lecture Twelve: "Melody", Part 3 ?:?? (2007)
  478. Lecture Twelve: "Melody", Part 4 ?:?? (2007)
  479. Lecture Twelve: "Melody", Part 5 ?:?? (2007)
  480. Lecture Twelve: "Melody", Part 6 ?:?? (2007)
  481. Lecture Twelve: "Melody", Part 7 ?:?? (2007)
  482. Lecture Twelve: "Melody", Part 8 ?:?? (2007)
  483. Lecture Twelve: "Melody", Part 9 ?:?? (2007)
  484. Lecture Thirteen: "Melody, Continued", Part 1 ?:?? (2007)
  485. Lecture Thirteen: "Melody, Continued", Part 2 ?:?? (2007)
  486. Lecture Thirteen: "Melody, Continued", Part 3 ?:?? (2007)
  487. Lecture Thirteen: "Melody, Continued", Part 4 ?:?? (2007)
  488. Lecture Thirteen: "Melody, Continued", Part 5 ?:?? (2007)
  489. Lecture Thirteen: "Melody, Continued", Part 6 ?:?? (2007)
  490. Lecture Thirteen: "Melody, Continued", Part 7 ?:?? (2007)
  491. Lecture Thirteen: "Melody, Continued", Part 8 ?:?? (2007)
  492. Lecture Thirteen: "Melody, Continued", Part 9 ?:?? (2007)
  493. Lecture Fourteen: "Texture and Harmony, Part 1", Part 1 ?:?? (2007)
  494. Lecture Fourteen: "Texture and Harmony, Part 1", Part 2 ?:?? (2007)
  495. Lecture Fourteen: "Texture and Harmony, Part 1", Part 3 ?:?? (2007)
  496. Lecture Fourteen: "Texture and Harmony, Part 1", Part 4 ?:?? (2007)
  497. Lecture Fourteen: "Texture and Harmony, Part 1", Part 5 ?:?? (2007)
  498. Lecture Fourteen: "Texture and Harmony, Part 1", Part 6 ?:?? (2007)
  499. Lecture Fourteen: "Texture and Harmony, Part 1", Part 7 ?:?? (2007)
  500. Lecture Fourteen: "Texture and Harmony, Part 1", Part 8 ?:?? (2007)
  501. Lecture Fourteen: "Texture and Harmony, Part 1", Part 9 ?:?? (2007)
  502. Lecture Fifteen: "Harmony, Part 2—Function, Tendency, and Dominance", Part 1 ?:?? (2007)
  503. Lecture Fifteen: "Harmony, Part 2—Function, Tendency, and Dominance", Part 2 ?:?? (2007)
  504. Lecture Fifteen: "Harmony, Part 2—Function, Tendency, and Dominance", Part 3 ?:?? (2007)
  505. Lecture Fifteen: "Harmony, Part 2—Function, Tendency, and Dominance", Part 4 ?:?? (2007)
  506. Lecture Fifteen: "Harmony, Part 2—Function, Tendency, and Dominance", Part 5 ?:?? (2007)
  507. Lecture Fifteen: "Harmony, Part 2—Function, Tendency, and Dominance", Part 6 ?:?? (2007)
  508. Lecture Fifteen: "Harmony, Part 2—Function, Tendency, and Dominance", Part 7 ?:?? (2007)
  509. Lecture Fifteen: "Harmony, Part 2—Function, Tendency, and Dominance", Part 8 ?:?? (2007)
  510. Lecture Fifteen: "Harmony, Part 2—Function, Tendency, and Dominance", Part 9 ?:?? (2007)
  511. Lecture Sixteen: "Harmony, Part 3—Progression, Cadence, and Modulation", Part 1 ?:?? (2007)
  512. Lecture Sixteen: "Harmony, Part 3—Progression, Cadence, and Modulation", Part 2 ?:?? (2007)
  513. Lecture Sixteen: "Harmony, Part 3—Progression, Cadence, and Modulation", Part 3 ?:?? (2007)
  514. Lecture Sixteen: "Harmony, Part 3—Progression, Cadence, and Modulation", Part 4 ?:?? (2007)
  515. Lecture Sixteen: "Harmony, Part 3—Progression, Cadence, and Modulation", Part 5 ?:?? (2007)
  516. Lecture Sixteen: "Harmony, Part 3—Progression, Cadence, and Modulation", Part 6 ?:?? (2007)
  517. Lecture Sixteen: "Harmony, Part 3—Progression, Cadence, and Modulation", Part 7 ?:?? (2007)
  518. Lecture Sixteen: "Harmony, Part 3—Progression, Cadence, and Modulation", Part 8 ?:?? (2007)
  519. 1. The Language of Music 2:44 (2007)
  520. 1. The Language of Music: I.A.1. 5:29 (2007)
  521. 1. The Language of Music: I.C. 4:30 (2007)
  522. 1. The Language of Music: II. Timbre, Part 1 6:33 (2007)
  523. 1. The Language of Music: III. 10:19 (2007)
  524. 1. The Language of Music: V. 15:57 (2007)
  525. 2. Timbre, Continued 5:47 (2007)
  526. 2. Timbre, Continued: I.B. 7:10 (2007)
  527. 2. Timbre, Continued: II.B.3. 8:59 (2007)
  528. 2. Timbre, Continued: III. 7:12 (2007)
  529. 2. Timbre, Continued: IV. C. 8:18 (2007)
  530. 2. Timbre, Continued: V.I. 7:07 (2007)
  531. 3. Timbre, Part 3 4:38 (2007)
  532. 3. Timbre, Part 3: I.B. 1:05 (2007)
  533. 3. Timbre, Part 3: Andante in C major for Horn and Piano AV 86a 4:28 (2007)
  534. 3. Timbre, Part 3: II.A. 6:30 (2007)
  535. 3. Timbre, Part 3: V.C. 7:47 (2007)
  536. 3. Timbre, Part 3: III.B.3. 15:52 (2007)
  537. 3. Timbre, Part 3: VI.D.E. 7:46 (2007)
  538. 4. Beat and Tempo 3:05 (2007)
  539. 4. Beat and Tempo: I.B. 10:06 (2007)
  540. 4. Beat and Tempo: I.C. 12:54 (2007)
  541. 4. Beat and Tempo: II. 12:47 (2007)
  542. 4. Beat and Tempo: III.C. 5:31 (2007)
  543. 5. Meter, Part 1 3:51 (2007)
  544. 5. Meter, Part 1: I.2. 16:26 (2007)
  545. 5. Meter, Part 1: II. 22:19 (2007)
  546. 5. Meter, Part 1: III. 4:50 (2007)
  547. 6. Meter, Part 2 0:53 (2007)
  548. 6. Meter, Part 2: II. 11:04 (2007)
  549. 6. Meter, Part 2: III. 12:49 (2007)
  550. 6. Meter, Part 2: IV. 6:37 (2007)
  551. 6. Meter, Part 2: V. 14:00 (2007)
  552. 7. Pitch and Mode, Part 1 17:01 (2007)
  553. 7. Pitch and Mode, Part 1: II. 3:27 (2007)
  554. 7. Pitch and Mode, Part 1: II.B. 5:55 (2007)
  555. 7. Pitch and Mode, Part 1: II.D. 11:12 (2007)
  556. 7. Pitch and Mode, Part 1: II.F. 5:53 (2007)
  557. 8. Pitch and Mode, Part 2 13:22 (2007)
  558. 8. Pitch and Mode, Part 2: II. 13:25 (2007)
  559. 8. Pitch and Mode, Part 2: II.G. 8:19 (2007)
  560. 8. Pitch and Mode, Part 2: III. 10:49 (2007)
  561. 9. Intervals and Tunings 9:41 (2007)
  562. 9. Intervals and Tunings: I.F. 6:17 (2007)
  563. 9. Intervals and Tunings: III. 4:38 (2007)
  564. 9. Intervals and Tunings: IV. 2:59 (2007)
  565. 9. Intervals and Tunings: V. 12:52 (2007)
  566. 9. Intervals and Tunings: VI. 8:40 (2007)
  567. 10. Tonality, Key Signature and the Circle of Fifths 8:29 (2007)
  568. 10. Tonality, Key Signature and the Circle of Fifths: II. 7:40 (2007)
  569. 10. Tonality, Key Signature and the Circle of Fifths: III. 8:34 (2007)
  570. 10. Tonality, Key Signature and the Circle of Fifths: IV. 11:19 (2007)
  571. 10. Tonality, Key Signature and the Circle of Fifths: IV… 8:32 (2007)
  572. 11. Intervals Revisited and Expanded 3:22 (2007)
  573. 11. Intervals Revisited and Expanded: I. 13:05 (2007)
  574. 11. Intervals Revisited and Expanded: III. 5:20 (2007)
  575. 11. Intervals Revisited and Expanded: IV. 11:50 (2007)
  576. 11. Intervals Revisited and Expanded: VI. 3:56 (2007)
  577. 11. Intervals Revisited and Expanded: VII. 10:31 (2007)
  578. 12. Melody 9:33 (2007)
  579. 12. Melody: II. 10:37 (2007)
  580. 12. Melody: III. 11:20 (2007)
  581. 12. Melody: IV. 9:28 (2007)
  582. 12. Melody: V. 4:42 (2007)
  583. 13. Melody, continued 19:35 (2007)
  584. 13. Melody, continued: II. 9:21 (2007)
  585. 13. Melody, continued: III. 9:08 (2007)
  586. 13. Melody, continued: V. 1:22 (2007)
  587. 13. Melody, continued: VI. 6:09 (2007)
  588. 14. Texture and Harmony, Part 1 13:27 (2007)
  589. 14. Texture and Harmony, Part 1: II. 9:23 (2007)
  590. 14. Texture and Harmony, Part 1: III. 8:25 (2007)
  591. 14. Texture and Harmony, Part 1: V!. 4:27 (2007)
  592. 14. Texture and Harmony, Part 1: VIII. 5:50 (2007)
  593. 14. Texture and Harmony, Part 1: X. 5:19 (2007)
  594. 15. Harmony, Part 2: Function, Tendency and Dominance 2:08 (2007)
  595. 15. Harmony, Part 2: Function, Tendency and Dominance: I. 6:56 (2007)
  596. 15. Harmony, Part 2: Function, Tendency and Dominance: III. 8:23 (2007)
  597. 15. Harmony, Part 2: Function, Tendency and Dominance: IV. 11:59 (2007)
  598. 15. Harmony, Part 2: Function, Tendency and Dominance: V. 11:07 (2007)
  599. 16. Harmony, Part 3: Progression, Cadence and Modulation 23:28 (2007)
  600. 16. Harmony, Part 3: Progression, Cadence and Modulation: II. 4:06 (2007)
  601. 16. Harmony, Part 3: Progression, Cadence and Modulation: III. 5:37 (2007)
  602. 16. Harmony, Part 3: Progression, Cadence and Modulation: IV.C. 7:44 (2007)
  603. 16. Harmony, Part 3: Progression, Cadence and Modulation: IV.G. 6:36 (2007)
  604. Lecture 7: Exclusively for His Friends 5:02 ()
  605. Lecture 8: Duos for Violin and Viola 3:59 ()
  606. Beethoven and the Piano ?:?? ()
  607. Homage to Mozart ?:?? ()
  608. The Grand Sonata, Part 1 ?:?? ()
  609. The Grand Sonata, Part 2 ?:?? ()
  610. Meaning and Metaphor ?:?? ()
  611. The Striking and Subversive, Op. 10 Continued ?:?? ()
  612. The Pathétique and the Sublime ?:?? ()
  613. The Opus 14 Sonatas ?:?? ()
  614. Motives, Bach and a Farewell to the 18th Century ?:?? ()
  615. A Genre Redefined ?:?? ()
  616. Sonata Quasi Una Fantasia — The Moonlight ?:?? ()
  617. Lesser Siblings and a Pastoral (interlude) ?:?? ()
  618. The Tempest ?:?? ()
  619. A Quartet of Sonatas ?:?? ()
  620. The Waldstein and the Heroic Style ?:?? ()
  621. The Appassionata and the Heroic Style ?:?? ()
  622. They Deserve Better, Part 1 ?:?? ()
  623. They Deserve Better, Part 2 ?:?? ()
  624. The Farewell Sonata ?:?? ()
  625. Experiments in a Dark Time ?:?? ()
  626. The Hammerklavier, Part 1 ?:?? ()
  627. The Hammerklavier, Part 2 ?:?? ()
  628. In a World of His Own ?:?? ()
  629. Reconciliation ?:?? ()
  630. Introduction ?:?? ()
  631. Christmas, 1722 ?:?? ()
  632. Introduction to the Baroque Aesthetic ?:?? ()
  633. Historical Overview From Constantine Through the Great Thinkers of the Baroque ?:?? ()
  634. Style Features of High Baroque Music, Part I: A Musical Glossary ?:?? ()
  635. Style Features of High Baroque Music, Part II: A Musical Glossary ?:?? ()
  636. Style Features of High Baroque Music, Part III: A Musical Glossary ?:?? ()
  637. Bach's Inheritance, Part I: — The Protestant Reformation and the Rise of Lutheranism ?:?? ()
  638. Lutheranism, the Chorale and the Chorale Prelude ?:?? ()
  639. Bach's Inheritance, Part II: — The Development of the Italian Style ?:?? ()
  640. The Italian Style, the Operatic Ideal and Lutheran Spirituality Are Joined ?:?? ()
  641. Vivaldi, Bach and the Concerto, Part I: Vivaldi and the Venetian Opera ?:?? ()
  642. Vivaldi, Bach and the Concerto, Part II: Vivaldi's Model and Bach, Violin Concerto No. 2 in E Major ?:?? ()
  643. Vivaldi, Bach and the Concerto, Part II: Bach Violin Concerto No. 2 in E Major (continued) ?:?? ()
  644. Vivaldi, Bach and the Concerto, Part III: The Concerto Grosso and the Brandenburg Concerto No. 2 ?:?? ()
  645. Bach and the French Style, Part I: Dance and the Orchestral Suite ?:?? ()
  646. Dance and the Orchestral Suite (continued) ?:?? ()
  647. Bach and the French Style, Part II: The Keyboard Suite ?:?? ()
  648. The Keyboard Suite (continued) ?:?? ()
  649. Bach and Opera, Part I: — Cantata No. 140 Wachet Auf, Uns Ruft Die Stimme ?:?? ()
  650. Cantata No. 140 Wachet Auf, Uns Ruft Die Stimme (continued) ?:?? ()
  651. Bach and Opera, Part II: — Opera Buffa and the Secular Cantata, the Coffee Cantata ?:?? ()
  652. Opera Buffa and the Secular Cantata, the Coffee Cantata (continued) ?:?? ()
  653. Bach Transcendent — The Saint Matthew Passion, Part I ?:?? ()
  654. Bach Transcendent — The Saint Matthew Passion, Part II ?:?? ()
  655. Bach Transcendent — The Saint Matthew Passion, Part III ?:?? ()
  656. Bach Transcendent — The Saint Matthew Passion, Part IV ?:?? ()
  657. Bach Transcendent — The Goldberg Variations, Part I ?:?? ()
  658. Bach Transcendent — The Goldberg Variations, Part II ?:?? ()
  659. Bach Transcendent — The Goldberg Variations, Part III ?:?? ()
  660. Bach Transcendent — The Goldberg Variations, Part IV ?:?? ()
  661. Mozart — Piano Concerto No. 25 in C Major, I ?:?? ()
  662. Mozart — Piano Concerto No. 25 in C Major, II ?:?? ()
  663. Mozart — Piano Concerto No. 25 in C Major, III ?:?? ()
  664. Mozart — Piano Concerto No. 25 in C Major, IV ?:?? ()
  665. Beethoven — Piano Concerto No. 5 in E-Flat Major, I ?:?? ()
  666. Beethoven — Piano Concerto No. 5 in E-Flat Major, II ?:?? ()
  667. Beethoven — Piano Concerto No. 5 in E-Flat Major, III ?:?? ()
  668. Beethoven — Piano Concerto No. 5 in E-Flat Major, IV ?:?? ()
  669. Dvorák — Symphony No. 9 in E Minor, I ?:?? ()
  670. Dvorák — Symphony No. 9 in E Minor, II ?:?? ()
  671. Dvorák — Symphony No. 9 in E Minor, III ?:?? ()
  672. Dvorák — Symphony No. 9 in E Minor, IV ?:?? ()
  673. Strauss — Death and Transfiguration, I ?:?? ()
  674. Strauss — Death and Transfiguration, II ?:?? ()
  675. Strauss — Death and Transfiguration, III ?:?? ()
  676. Strauss — Death and Transfiguration, IV ?:?? ()
  677. Beethoven — Violin Concerto in D Major, I ?:?? ()
  678. Beethoven — Violin Concerto in D Major, II ?:?? ()
  679. Beethoven — Violin Concerto in D Major, III ?:?? ()
  680. Beethoven — Violin Concerto in D Major, IV ?:?? ()
  681. Brahms — Violin Concerto in D Major, I ?:?? ()
  682. Brahms — Violin Concerto in D Major, II ?:?? ()
  683. Brahms — Violin Concerto in D Major, III ?:?? ()
  684. Brahms — Violin Concerto in D Major, IV ?:?? ()
  685. Mendelssohn — Incidental Music and Overture to a Midsummer Night's Dream, I ?:?? ()
  686. Mendelssohn — Incidental Music and Overture to a Midsummer Night's Dream, II ?:?? ()
  687. Mendelssohn — Incidental Music and Overture to a Midsummer Night's Dream, III ?:?? ()
  688. Mendelssohn — Incidental Music and Overture to a Midsummer Night's Dream, IV ?:?? ()
  689. Liszt — Totentanz, I ?:?? ()
  690. Liszt — Totentanz, II ?:?? ()
  691. Liszt — Totentanz, III ?:?? ()
  692. Liszt — Totentanz, IV ?:?? ()
  693. A Blessing of Inconceivable Richness ?:?? ()
  694. "The Hunt" ?:?? ()
  695. "The Hunt", Part 2 ?:?? ()
  696. The Flute Quartet in D Major ?:?? ()
  697. Vienna ?:?? ()
  698. Haydn and Inspiration ?:?? ()
  699. Exclusively for His Friends ?:?? ()
  700. Duos for Violin and Viola ?:?? ()
  701. Not Just a Pretty Face ?:?? ()
  702. Blowin’ in the Winds ?:?? ()
  703. The Piano Trios ?:?? ()
  704. The Piano Quartets ?:?? ()
  705. String Quartet in a Major, K. 464 ?:?? ()
  706. The String Quintets ?:?? ()
  707. Dissonance — Musical and Financial ?:?? ()
  708. Basset Horns and Harmonicas ?:?? ()
  709. The Immortal Beloved ?:?? ()
  710. What Comes Down Must Go Up, 1813–1815 ?:?? ()
  711. What Goes Up Must Come Down, 1815 ?:?? ()
  712. Beethoven and His Nephew, 1815–1819 ?:?? ()
  713. Beethoven the Pianist ?:?? ()
  714. Beethoven the Composer, 1792–1802 ?:?? ()
  715. The Heroic Ideal ?:?? ()
  716. Two Concerts, 1808 and 1824 ?:?? ()
  717. J.B., We Hardly Knew You! ?:?? ()
  718. The Brothels of Hamburg ?:?? ()
  719. The Schumanns ?:?? ()
  720. The Vagabond Years ?:?? ()
  721. Mastery ?:?? ()
  722. The Tramp of Giants ?:?? ()
  723. Farewells ?:?? ()
  724. Introduction and Early Life ?:?? ()
  725. The Lean Years and the Pre-Classical Style ?:?? ()
  726. Haydn’s Marriage and Esterháza ?:?? ()
  727. Esterháza Continued ?:?? ()
  728. The Classical String Quartet and the Classical Symphony ?:?? ()
  729. London ?:?? ()
  730. Beethoven, London Again, and Breakthrough ?:?? ()
  731. The Creation, the Seasons, and the End ?:?? ()
  732. Le Concert, C'Est Moi — The Concert Is Me ?:?? ()
  733. A Born Pianist ?:?? ()
  734. Revelation ?:?? ()
  735. Transcendence ?:?? ()
  736. Weimar ?:?? ()
  737. The Music at Weimar ?:?? ()
  738. Rome ?:?? ()
  739. A Life Well Lived ?:?? ()
  740. Introduction and Childhood ?:?? ()
  741. Mahler the Conductor ?:?? ()
  742. Early Songs and Symphony No. 1 ?:?? ()
  743. The Wunderhorn Symphonies ?:?? ()
  744. Alma and Vienna ?:?? ()
  745. Family Life and Symphony No. 5 ?:?? ()
  746. Symphony No. 6, and Das Lied Von Der Erde ?:?? ()
  747. Das Lied, Final Symphonies, and the End ?:?? ()
  748. Leopold and the Grand Tour ?:?? ()
  749. Mozart the Composer — The Early Music ?:?? ()
  750. Paris ?:?? ()
  751. The Flight From Salzburg and Arrival in Vienna ?:?? ()
  752. Life in Vienna ?:?? ()
  753. Operas in Vienna ?:?? ()
  754. The Last Years ?:?? ()
  755. Isn't It Romantic! ?:?? ()
  756. A Pianist in Leipzig ?:?? ()
  757. Clara ?:?? ()
  758. Carnaval ?:?? ()
  759. Marriage and Songs ?:?? ()
  760. The Symphonic Year ?:?? ()
  761. Illness Takes Hold ?:?? ()
  762. Madness ?:?? ()
  763. Let the Controversy Begin ?:?? ()
  764. The Kid's Got Talent! ?:?? ()
  765. Lady MacBeth ?:?? ()
  766. Resurrection ?:?? ()
  767. The Great Patriotic War ?:?? ()
  768. Repression and Depression ?:?? ()
  769. The Thaw ?:?? ()
  770. Illness and Inspiration ?:?? ()
  771. Introduction and There’s No Place Like Home ?:?? ()
  772. From Student to Professional ?:?? ()
  773. The Rite of Spring ?:?? ()
  774. The War Years (WWI) ?:?? ()
  775. Neoclassicism ?:?? ()
  776. Maturity ?:?? ()
  777. A Citizen of the World ?:?? ()
  778. The New Stravinsky ?:?? ()
  779. A Career in Music ?:?? ()
  780. The First Masterworks ?:?? ()
  781. Three Women — Tatyana, Antonina, and Nadezhda ?:?? ()
  782. “My Great Friend” ?:?? ()
  783. “A Free Man” ?:?? ()
  784. The Last Years, or Don't Drink the Water ?:?? ()
  785. Introduction and Words and Music, I ?:?? ()
  786. Introduction and Words and Music, II ?:?? ()
  787. A Brief History of Vocal Expression in Music, I ?:?? ()
  788. A Brief History of Vocal Expression in Music, II ?:?? ()
  789. Invention of Opera and Monteverdi's Orfeo, I ?:?? ()
  790. Invention of Opera and Monteverdi's Orfeo, II ?:?? ()
  791. Invention of Opera and Monteverdi's Orfeo, III ?:?? ()
  792. Invention of Opera and Monteverdi's Orfeo, IV ?:?? ()
  793. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, I ?:?? ()
  794. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, II ?:?? ()
  795. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, III ?:?? ()
  796. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, IV ?:?? ()
  797. The Rise of Opera Buffa and Mozart's the Marriage of Figaro, I ?:?? ()
  798. The Rise of Opera Buffa and Mozart's the Marriage of Figaro, II ?:?? ()
  799. The Rise of Opera Buffa and Mozart's the Marriage of Figaro, III ?:?? ()
  800. The Rise of Opera Buffa and Mozart's the Marriage of Figaro, IV ?:?? ()
  801. The Bel Canto Style and Rossini's the Barber of Seville, I ?:?? ()
  802. The Bel Canto Style and Rossini's the Barber of Seville, II ?:?? ()
  803. Verdi and Otello, I ?:?? ()
  804. Verdi and Otello, II ?:?? ()
  805. Verdi and Otello, III ?:?? ()
  806. Verdi and Otello, IV ?:?? ()
  807. French Opera, I ?:?? ()
  808. French Opera, II ?:?? ()
  809. German Opera Comes of Age ?:?? ()
  810. Richard Wagner and Tristan Und Isolde, I ?:?? ()
  811. Richard Wagner and Tristan Und Isolde, II ?:?? ()
  812. Late Romantic German Opera — Richard Strauss and Salome ?:?? ()
  813. Russian Opera, I ?:?? ()
  814. Russian Opera, II ?:?? ()
  815. Verismo, Puccini, and Tosca, I ?:?? ()
  816. Verismo, Puccini, and Tosca, II ?:?? ()
  817. La Bell'Italia ?:?? ()
  818. Beginnings ?:?? ()
  819. Oberto ?:?? ()
  820. Nabucco ?:?? ()
  821. Nabucco, Conclusion and Risorgimento ?:?? ()
  822. I Lombardi ?:?? ()
  823. I Lombardi, Conclusion and Ernani ?:?? ()
  824. MacBeth ?:?? ()
  825. I Masnadieri ?:?? ()
  826. Luisa Miller and Rigoletto ?:?? ()
  827. Rigoletto, Act I Continued ?:?? ()
  828. Rigoletto, Acts I, II and III ?:?? ()
  829. Rigoletto, Act III Continued ?:?? ()
  830. Rigoletto, Conclusion and Il Trovatore ?:?? ()
  831. Il Trovatore, Conclusion and La Traviata ?:?? ()
  832. Un Ballo in Maschera ?:?? ()
  833. Un Ballo in Maschera, Conclusion ?:?? ()
  834. La Forza Del Destino ?:?? ()
  835. Don Carlo ?:?? ()
  836. Don Carlo, Conclusion ?:?? ()
  837. Aida ?:?? ()
  838. Aida, Conclusion ?:?? ()
  839. The Requiem ?:?? ()
  840. The Requiem, Conclusion ?:?? ()
  841. Otello ?:?? ()
  842. Otello, Conclusion; Falstaff ?:?? ()
  843. Falstaff, Act I, Sc. 1 ?:?? ()
  844. Falstaff, Act I, Sc. 1, Conclusion; Sc. 2 ?:?? ()
  845. Falstaff, Act I, Sc. 2, Conclusion; Act II, Sc. 1 ?:?? ()
  846. Falstaff, Act II, Sc. 1, Conclusion; Sc. 2 ?:?? ()
  847. Falstaff, Act II, Sc. 2 Continued ?:?? ()
  848. Falstaff, Act II, Conclusion; Act III ?:?? ()
  849. 1789 ?:?? ()
  850. Così Fan Tutte, Part One ?:?? ()
  851. Così Fan Tutte, Part Two ?:?? ()
  852. Così Fan Tutte, Part Three ?:?? ()
  853. Così Fan Tutte, Part Four ?:?? ()
  854. Così Fan Tutte, Part Five ?:?? ()
  855. Così Fan Tutte, Part Six ?:?? ()
  856. Così Fan Tutte, Part Seven ?:?? ()
  857. The First Works ?:?? ()
  858. The Italian Apprenticeship ?:?? ()
  859. The Professional, Part One ?:?? ()
  860. The Professional, Part Two ?:?? ()
  861. Vienna and Abduction ?:?? ()
  862. Salieri, da Ponte and the Marriage of Figaro ?:?? ()
  863. Don Giovanni, Part One ?:?? ()
  864. Don Giovanni, Part Two ?:?? ()
  865. Mozart, Masonry and the Magic Flute ?:?? ()
  866. The Magic Flute, Part Two ?:?? ()
  867. The Magic Flute, Part Three ?:?? ()
  868. The Magic Flute, Part Four ?:?? ()
  869. The Magic Flute, Part Five ?:?? ()
  870. The Magic Flute, Part Six ?:?? ()
  871. The Magic Flute, Part Seven ?:?? ()
  872. The Magic Flute, Part Eight ?:?? ()
  873. The Escape From Riga ?:?? ()
  874. London, Paris, and Rienzi ?:?? ()
  875. What to Do About Germany? ?:?? ()
  876. The Rise of German Opera ?:?? ()
  877. The Flying Dutchman, Part 1 ?:?? ()
  878. The Flying Dutchman, Part 2 ?:?? ()
  879. Dresden and Tannhäuser, Part 1 ?:?? ()
  880. Tannhäuser, Part 2 ?:?? ()
  881. Lohengrin, Part 1 ?:?? ()
  882. Lohengrin, Part 2 ?:?? ()
  883. The Escape From Dresden, Exile, and Essays ?:?? ()
  884. Tristan and Isolde, Part 1 ?:?? ()
  885. Tristan and Isolde, Part 2 ?:?? ()
  886. Miracles ?:?? ()
  887. The Mastersingers of Nuremberg, Part 1 ?:?? ()
  888. The Mastersingers of Nuremberg, Part 2 ?:?? ()
  889. The Ring, Part 1 ?:?? ()
  890. The Ring, Part 2 ?:?? ()
  891. The Ring, Part 3 ?:?? ()
  892. The Ring, Part 4 ?:?? ()
  893. The Ring, Part 5 ?:?? ()
  894. The Ring, Part 6 ?:?? ()
  895. Parsifal, Part 1 ?:?? ()
  896. Parsifal, Part 2 ?:?? ()
  897. "Loose Change" ?:?? ()
  898. Beethoven's Classical Inheritance ?:?? ()
  899. Beethoven Busts Out! ?:?? ()
  900. In Deference to His Masters ?:?? ()
  901. Something Old and Something New ?:?? ()
  902. Beethoven in 1805 ?:?? ()
  903. Opus 59, No. 1 — Revolution in Action, Part 1 ?:?? ()
  904. Opus 59, No. 1 — Revolution in Action, Part 2 ?:?? ()
  905. String Quartet in E Minor, Op. 59, No. 2 ?:?? ()
  906. String Quartet in C Major, Op. 59, No. 3 ?:?? ()
  907. Beethoven in 1809 ?:?? ()
  908. The "Harp" ?:?? ()
  909. The "Serioso" — Opus 95 ?:?? ()
  910. Beethoven in 1824 ?:?? ()
  911. Opus 127, Part 1 ?:?? ()
  912. Opus 127, Part 2 ?:?? ()
  913. String Quartet in a Minor, Op. 132, Part 1 ?:?? ()
  914. String Quartet in a Minor, Op. 132, Part 2 ?:?? ()
  915. Opus 130 and the Grand Fugue, Part 1 ?:?? ()
  916. Opus 130 and the Grand Fugue, Part 2 ?:?? ()
  917. String Quartet in C# Minor, Op. 131, Part 1 ?:?? ()
  918. String Quartet in C# Minor, Op. 131, Part 2 ?:?? ()
  919. String Quartet in C# Minor, Op. 131, Part 3 ?:?? ()
  920. Reconciliation — String Quartet in F Major, Op. 135 ?:?? ()
  921. Beethoven and the Heroic Style, I ?:?? ()
  922. Beethoven and the Heroic Style, II ?:?? ()
  923. Beethoven and the Heroic Style, III ?:?? ()
  924. Beethoven and the Heroic Style, IV ?:?? ()
  925. Symphony No. 1 — Beethoven as Classicist — Tradition and Innovation, I ?:?? ()
  926. Symphony No. 1 — Beethoven as Classicist — Tradition and Innovation, II ?:?? ()
  927. Symphony No. 2 — Beethoven at the Edge, I ?:?? ()
  928. Symphony No. 2 — Beethoven at the Edge, II ?:?? ()
  929. Symphony No. 3 — The "New Path" — Heroism and Self-Expression, I ?:?? ()
  930. Symphony No. 3 — The "New Path" — Heroism and Self-Expression, II ?:?? ()
  931. Symphony No. 3 — The "New Path" — Heroism and Self-Expression, III ?:?? ()
  932. Symphony No. 3 — The "New Path" — Heroism and Self-Expression, IV ?:?? ()
  933. Symphony No. 4 — Consolidation of the New Aesthetic, I ?:?? ()
  934. Symphony No. 4 — Consolidation of the New Aesthetic, II ?:?? ()
  935. Symphony No. 4 — Consolidation of the New Aesthetic, III ?:?? ()
  936. Symphony No. 4 — Consolidation of the New Aesthetic, IV ?:?? ()
  937. Symphony No. 5 — The Expressive Ideal Fully Formed, I ?:?? ()
  938. Symphony No. 5 — The Expressive Ideal Fully Formed, II ?:?? ()
  939. Symphony No. 5 — The Expressive Ideal Fully Formed, III ?:?? ()
  940. Symphony No. 6 — The Symphony as Program, I ?:?? ()
  941. Symphony No. 6 — The Symphony as Program, II ?:?? ()
  942. Symphony No. 6 — The Symphony as Program, III ?:?? ()
  943. Symphony No. 7 — The Symphony as Dance, I ?:?? ()
  944. Symphony No. 7 — The Symphony as Dance, II ?:?? ()
  945. Symphony No. 8 — Homage to Classicism, I ?:?? ()
  946. Symphony No. 8 — Homage to Classicism, II ?:?? ()
  947. Symphony No. 8 — Homage to Classicism, III ?:?? ()
  948. Symphony No. 9 — The Symphony as the World, I ?:?? ()
  949. Symphony No. 9 — The Symphony as the World, II ?:?? ()
  950. Symphony No. 9 — The Symphony as the World, III ?:?? ()
  951. Symphony No. 9 — The Symphony as the World, IV ?:?? ()
  952. Symphony No. 9 — The Symphony as the World, V ?:?? ()
  953. Game Plan and Preliminaries ?:?? ()
  954. Vivaldi — The Four Seasons ?:?? ()
  955. Bach — Brandenburg Concerto No. 2 ?:?? ()
  956. Bach — Violin Concerto in E Major ?:?? ()
  957. Haydn — Symphony No. 104 ?:?? ()
  958. Mozart — Piano Concerto No. 24 in C Minor ?:?? ()
  959. Mozart — Symphony in C Major, “jupiter” ?:?? ()
  960. Beethoven — Symphony No. 3 ?:?? ()
  961. Beethoven — Piano Concerto No. 4 ?:?? ()
  962. Beethoven — Symphony No. 9 ?:?? ()
  963. Schubert — Symphony No. 9 ?:?? ()
  964. Mendelssohn — “italian” Symphony ?:?? ()
  965. Schumann — Symphony No. 3 ?:?? ()
  966. Brahms — Symphony No. 4 ?:?? ()
  967. Brahms — Violin Concerto ?:?? ()
  968. Tchaikovsky — Symphony No. 4 ?:?? ()
  969. Tchaikovsky — Violin Concerto ?:?? ()
  970. Bedrich Smetana — Má Vlast ?:?? ()
  971. Dvorák — Symphony No. 8 ?:?? ()
  972. Dvorák — Concerto for ’Cello ?:?? ()
  973. Rimsky-Korsakov — Scheherazade ?:?? ()
  974. Richard Strauss — Thus Spoke Zarathustra ?:?? ()
  975. Mahler — Symphony No. 5 ?:?? ()
  976. Rachmaninoff — Symphony No. 2 ?:?? ()
  977. Debussy — La Mer ?:?? ()
  978. Stravinsky — The Rite of Spring ?:?? ()
  979. Ives — Three Places in New England ?:?? ()
  980. Holst — The Planets ?:?? ()
  981. Copland — Appalachian Spring ?:?? ()
  982. Shostakovich — Symphony No. 5 ?:?? ()
  983. Shostakovich — Symphony No. 10 ?:?? ()
  984. The Ones That Got Away ?:?? ()
  985. The Voice in the Wilderness ?:?? ()
  986. The Baroque Italian Concerto ?:?? ()
  987. Baroque Masters ?:?? ()
  988. Bach’s Brandenburg Concerti ?:?? ()
  989. Mozart, Part 1 ?:?? ()
  990. Mozart, Part 2 ?:?? ()
  991. The Romantic Concerto ?:?? ()
  992. Hummel and Chopin ?:?? ()
  993. Mendelssohn and Schumann ?:?? ()
  994. Romantic Masters ?:?? ()
  995. Tchaikovsky ?:?? ()
  996. Brahms and the Symphonic Concerto ?:?? ()
  997. Dvorak ?:?? ()
  998. Rachmaninoff ?:?? ()
  999. The Russian Concerto, Part 1 ?:?? ()
  1000. The Russian Concerto, Part 2 ?:?? ()
  1001. The Concerto in France ?:?? ()
  1002. Bartok ?:?? ()
  1003. Schönberg, Berg and the 12-Tone Method ?:?? ()
  1004. Twentieth-Century Masters ?:?? ()
  1005. Elliott Carter ?:?? ()
  1006. Servants to the Cause and Guilty Pleasures ?:?? ()
  1007. Let's Take It From the Top! ?:?? ()
  1008. The Concerto and the Orchestra ?:?? ()
  1009. The Pre-Classical Symphony ?:?? ()
  1010. Mannheim ?:?? ()
  1011. Classical Masters ?:?? ()
  1012. Franz Joseph Haydn, Part 1 ?:?? ()
  1013. Franz Joseph Haydn, Part 2 ?:?? ()
  1014. Mozart ?:?? ()
  1015. Beethoven ?:?? ()
  1016. Schubert ?:?? ()
  1017. Berlioz and the Symphonie Fantastique ?:?? ()
  1018. Franck, Saint-Saens, and the Symphony in France ?:?? ()
  1019. Nationalism and the Symphony ?:?? ()
  1020. Brahms, Bruckner, and the Viennese Symphony ?:?? ()
  1021. Gustav Mahler ?:?? ()
  1022. Nielsen and Sibelius ?:?? ()
  1023. The Symphony in Russia ?:?? ()
  1024. Charles Ives ?:?? ()
  1025. Aaron Copland and Samuel Barber ?:?? ()
  1026. Roy Harris and William Schuman ?:?? ()
  1027. The Twentieth-Century British Symphony ?:?? ()
  1028. Olivier Messiaen and Turangalila! ?:?? ()
  1029. Dmitri Shostakovich and His Tenth Symphony ?:?? ()
  1030. The Language of Music ?:?? ()
  1031. Timbre, Continued ?:?? ()
  1032. Timbre, Part 3 ?:?? ()
  1033. Beat and Tempo ?:?? ()
  1034. Meter, Part 1 ?:?? ()
  1035. Meter, Part 2 ?:?? ()
  1036. Pitch and Mode, Part 1 ?:?? ()
  1037. Pitch and Mode, Part 2 ?:?? ()
  1038. Intervals and Tunings ?:?? ()
  1039. Tonality, Key Signature, and the Circle of Fifths ?:?? ()
  1040. Intervals Revisited and Expanded ?:?? ()
  1041. Melody ?:?? ()
  1042. Melody, Continued ?:?? ()
  1043. Texture and Harmony, Part 1 ?:?? ()
  1044. Harmony, Part 2: — Function, Tendency, and Dominance ?:?? ()
  1045. Harmony, Part 3: — Progression, Cadence, and Modulation ?:?? ()
  1046. Holiday Music ?:?? ()