Arnold Weinstein
(10 Jun 1927 - 04 Sep 2005)
Male Person - New York
Recordings by (224)
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Introduction to Classics of American Literature
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Benjamin Franklin's Autobiography — The First American Story
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Washington Irving — The First American Storyteller
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Ralph Waldo Emerson Yesterday — America's Coming of Age
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Emerson Today — Architect of American Values
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Emerson Tomorrow — Deconstructing Culture and Self
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Henry David Thoreau — Countercultural Hero
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Thoreau — Stylist and Humorist Extraordinaire
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Walden — Yesterday, Today, and Tomorrow
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Edgar Allan Poe
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Poe — Ghost Writer
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Poe's Legacy — The Self as “haunted Palace”
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Nathaniel Hawthorne and the American Past
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The Scarlet Letter — Puritan Romance
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Hawthorne's “A” — Interpretation and Semiosis
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The Scarlet Letter — Political Tract or Psychological Study?
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Hawthorne Our Contemporary
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Herman Melville and the Making of Moby-Dick
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The Biggest Fish Story of Them All
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Ahab and the White Whale
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Moby-Dick — Tragedy of Perspective
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Melville's “benito Cereno” — American (Mis) Adventure at Sea
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“benito Cereno” — Theater of Power or Power of Theater?
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Walt Whitman — The American Bard Appears
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Whitman — Poet of the Body
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Whitman — Poet of the City
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Whitman — Poet of Death
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The Whitman Legacy
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Uncle Tom's Cabin — The Unread Classic
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Stowe's Representation of Slavery
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Freedom and Art in Uncle Tom's Cabin
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Emily Dickinson — in and Out of Nature
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Dickinson's Poetry — Language and Consciousness
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Dickinson — Devotee of Death
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Dickinson — "Amherst's Madame de Sade"
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Dickinson's Legacy
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The Adventures of Tom Sawyer — American Paradise Regained
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Huckleberry Finn — The Banned Classic
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Huckleberry Finn — a Child's Voice, a Child's Vision
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Huckleberry Finn, American Orphan
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Mark Twain's Pudd'Nhead Wilson — Black and White Charade
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Henry James and the Novel of Perception
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The Turn of the Screw — Do You Believe in Ghosts?
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Turning the Screw of Interpretation
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Stephen Crane and the Literature of War
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The Red Badge of Courage — Brave New World
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Stephen Crane — Scientist of Human Behavior
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Charlotte Perkins Gilman — War Against Patriarchy
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“the Yellow Wallpaper” — Descent Into Hell or Free at Last?
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Robert Frost and the Spirit of New England
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Robert Frost — “at Home in the Metaphor”
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Robert Frost and the Fruits of the Earth
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T.S. Eliot — Unloved Modern Classic
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T.S. Eliot — “the Waste Land” and Beyond
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(feat. Scott Fitzgerald's the Great Gatsby — American Romance)
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The Great Gatsby — a Story of Lost Illusions?
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Fitzgerald's Triumph — Writing the American Dream
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Ernest Hemingway's the Sun Also Rises — Novel of the Lost Generation
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The Sun Also Rises — Spiritual Quest
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Ernest Hemingway — Wordsmith
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Hemingway's the Garden of Eden — Female Desire Unleashed
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The Garden of Eden — Combat Zone
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William Faulkner's the Sound and the Fury — The Idiot's Tale
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The Sound and the Fury — Failed Rites of Passage
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The Sound and the Fury — Signifying Nothing?
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Absalom, Absalom! — Civil War Epic
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Absalom, Absalom! — The Language of Love
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Absalom, Absalom! — The Overpass to Love
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The Grapes of Wrath — American Saga
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John Steinbeck — Poet of the Little Man
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The Grapes of Wrath — Reconceiving Self and Family
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Invisible Man — Black Bildungsroman
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Invisible Man — Reconceiving History and Race
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Invisible Man — “what Did I Do, to Be So Black and Blue? ”
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Eugene O'Neill — Great God of American Theater
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Long Day's Journey Into Night — There's No Place Like Home
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Tennessee Williams — Managing Libido
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A Streetcar Named Desire — The Death of Romance
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Death of a Salesman — Death of an Ethos?
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Death of a Salesman — Tragedy of the American Dream
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Toni Morrison's Beloved — Dismembering and Remembering
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Beloved — a Story of “thick Love”
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Beloved — Morrison's Writing of the Body
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Conclusion to Classics of American Literature
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Meeting the Challenge of Great Literature
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Defoe — Moll Flanders
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Sterne — Tristram Shandy
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Laclos — Les Liaisons Dangereuses
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Laclos — Les Liaisons Dangereuses, Part 2
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Balzac — Père Goriot
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Balzac — Père Goriot, Part 2
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Brontë — Wuthering Heights
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Brontë — Wuthering Heights, Part 2
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Melville — Moby-Dick
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Melville — Moby-Dick, Part 2
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Dickens — Bleak House
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Dickens — Bleak House, Part 2
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Flaubert — Madame Bovary
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Flaubert — Madame Bovary, Part 2
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Tolstoy — War and Peace
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Tolstoy — War and Peace, Part 2
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Dostoevsky — The Brothers Karamazov
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Dostoevsky — The Brothers Karamazov, Part 2
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Conrad — Heart of Darkness
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Mann — Death in Venice
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Kafka — "The Metamorphosis"
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Kafka — The Trial
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Proust — Remembrance of Things Past
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Proust — Remembrance of Things Past, Part 2
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Proust — Remembrance of Things Past, Part 3
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Joyce — Ulysses
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Joyce — Ulysses, Part 2
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Joyce — Ulysses, Part 3
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Woolf — to the Lighthouse
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Woolf — to the Lighthouse, Part 2
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Faulkner — as I Lay Dying
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Faulkner — as I Lay Dying, Part 2
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García Márquez — One Hundred Years of Solitude
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One Hundred Years of Solitude, Part 2
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Ending the Course, Beginning the World
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The City as Container, the Artist as Mapmaker
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Lost in Space
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The Marketplace
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The Family Plot, or Municipal Bonds
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Urban Apocalypse
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Transmission and Storage
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The Industrialized City and the Machine Vision
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A Movable Feast
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American Fiction and the Individualist Creed
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The American Self — Ghost in Disguise
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What Produces "Nobody"?
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Sherwood Anderson's Winesburg, Ohio — Writing as the Talking Cure
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Winesburg — a New American Prose-Poetry
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Hemingway — Journalist, Writer, Legend
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Hemingway as Trauma Artist
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Hemingway's Cunning Art
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(feat. Scott Fitzgerald — Tender Is the Night — Fitzgerald's Second Act)
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Fitzgerald's Psychiatric Tale
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Dick's Dying Fall — an American Story
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Light in August — Midpoint of the Faulkner Career
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Light in August — Determinism vs. Freedom
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Light in August — Novel as Poem, Or, Beyond Holocaust
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Zora Neale Hurston's Their Eyes Were Watching God — Canon Explosion
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Their Eyes Were Watching God — From Romance to Myth
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Flannery O'Connor — Realist of Distances
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O'Connor — Taking the Measure of the Region
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Williams Burroughs — Bad Boy of American Literature
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Naked Lunch — The Body in Culture
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Naked Lunch — Power and Exchange in the Viral World
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Kurt Vonnegut's Slaughterhouse-Five — Apocalypse Now
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Vonnegut's World — Tralfamadore or Trauma?
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Robert Coover — Postmodern Fabulator
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The Public Burning — Execution at Times Square
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Robert Coover — Fiction as Fission
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Toni Morrison's Sula — From Trauma to Freedom
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Sula — New Black Woman
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Don Delillo — Decoder of American Frequencies
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White Noise — Representing the Environment
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Delillo and American Dread
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Conclusion — Nobody's Home
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Why Literature — Civilization and Its Discontents
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Oedipus the King and the Nature of Greek Tragedy
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Fate and Free Will — Reading the Signs in Oedipus
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Self-Making vs. Self-Discovery in Oedipus
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The Interpretive Afterlife of Oedipus
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Shakespeare's Othello — Tragedy of Marriage and State
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Poison in the Ear, or the Dismantling of Othello
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Rethinking Othello — Race, Gender and Subjectivity
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French Theater and Moliere's Comedy of Vices
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Tartuffe and Varieties of Imposture
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Religious Hypocrisy — Beyond Comedy
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Georg Büchner — Physician, Revolutionary, Playwright
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Woyzeck the Proletarian Murderer — "Unaccommodated Man"
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Woyzeck and Visionary Theater
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Strindberg's Father — Patriarchy in Trouble
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Marriage — Theatrical Agon or Darwinian Struggle?
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The Father — From Theater of Power to Power of Theater
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Beckett's Godot — Chaplinesque or Post-Nuclear?
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Beckett and the Comedy of Undoing
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Godot Absent — Didi and Gogo Present
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Study of Literature — Approaches, Encounters, Departures
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Shakespeare's Sonnets — The Glory of Poetry
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The Shape of Love and Death in Shakespeare's Sonnets
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Innocence and Experience in William Blake
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Blakean Fables of Desire
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Blake — Visionary Poet
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Whitman and the Making of an American Bard
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"Myself" as Whitman's Nineteenth-Century American Hero
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Form and Flux, Openness and Anxiety in Whitman's Poetry
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Emily Dickinson — The Prophetic Voice From the Margins
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Dickinson and the Poetry of Consciousness
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Dickinson — Death and Beyond
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Baudelaire — The Setting of the Romantic Sun
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Baudelaire's Poetry of Modernism and Metropolis
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Robert Frost — The Wisdom of the People
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Frost — The Darker View
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Wallace Stevens and the Modernist Movement
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Stevens and the Post-Romantic Imagination
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Adrienne Rich and the Poetry of Protest
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Rich's Project — Diving Into the Wreck of Western Culture
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The Lives of the Word — Reading Today
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Chretien de Troyes' Yvain — Growing Up in the Middle Ages
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Yvain's Theme — Ignorant Armies Clash by Night
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The Picaresque Novel — Satire, Filth and Hustling
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Francisco Quevedo's Swindler — The Word on the Street
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Daniel Defoe's Plain Style and the New World Order
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Moll Flanders and the Self-Made Woman
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Matter and Spirit in Defoe
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Dickens — The Novel as Moral Institution
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Pip's Progress — From Blacksmith to Snob and Back
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Riddles of Identity in Great Expectations
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Charlotte Brontë and the Bildungsroman
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Jane Eyre — Victorian Bad Girl Makes Good
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The Madwoman in the Attic — 19th Century Bills Coming Due
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Melville's "Bartleby" and the Genesis of Character
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"Bartleby" — Christ on Wall Street?
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Franz Kafka's "Metamorphosis" — Sacrifice or Power Game?
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Kafka's "In the Penal Colony" — The Writing Machine
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Faulkner's "The Bear" — Stories of White and Black
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"The Bear" — American Myth or American History?
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Tracking the Bear, or Learning to Read
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Alice Walker's Celie — The Untold Story
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Ideology as Vision in the Color Purple
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Reconceiving Center and Margin
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