Wolfgang Amadeus Mozart
(27 Jan 1756 - 05 Dec 1791)
Male Person - Austria
Works (5,235)
Arranged
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Fugue for Four Voices after J.S. Bach, K. 405 no. 2 in E-flat major (BWV 876)
(1782)
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Fugue for Four Voices after J.S. Bach, K. 405 no. 3 in E major (BWV 878)
(1782)
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Fugue for Four Voices after J.S. Bach, K. 405 no. 1 in C minor (BWV 871)
(1782)
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Fugue for Four Voices after J.S. Bach, K. 405 no. 5 in D major (BWV 874)
(1782)
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Fugue for Four Voices after J.S. Bach, K. 405 no. 4 in D minor (BWV 877)
(1782)
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Der Messias: 6b. Chor: O du, die Wonne verkündet in Zion
(1789)
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Der Messias: 7a. Rezitativ (Baß): Denn blick auf: Finsternis deckt alle Welt
(1789)
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Der Messias: 7b. Arie (Baß): Das Volk, das da wandelt im Dunkel
(1789)
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Der Messias: 29. Arie (Baß): Warum denn rasen und toben die Heiden
(1789)
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Der Messias: Part II
(1789)
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Der Messias: 30b. Rezitativ (Tenor): Der da wohnet im Himmel
(1789)
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Der Messias: 31. Arie (Tenor): Du zerschlägst sie mit dem eisernen Zepter
(1789)
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Der Messias: 32. Chor: Halleluja
(1789)
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Der Messias: 33. Arie (Sopran): Ich weiß, daß mein Erlöser lebet
(1789)
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Der Messias: 24b. Arie (Tenor): Doch du ließest ihn im Grabe nicht
(1789)
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Der Messias: 25a. Chor: Hoch tut euch auf
(1789)
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Der Messias: 25b. Rezitativ (Tenor): Zu welchen von den Engeln
(1789)
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Der Messias: 26. Chor: Der Herr gab das Wort
(1789)
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Der Messias: 27. Arie (Sopran): Wie lieblich ist der Boten Schritt
(1789)
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Der Messias: 28. Chor: Ihr Schall gehet aus in jedes Land
(1789)
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Der Messias: 20. Chor: Der Herde gleich, vom Hirten fern
(1789)
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Der Messias: 21. Rezitativ (Tenor): Und alle, die ihn sehen, sprechen ihm Hohn
(1789)
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Der Messias: 22. Chor: Er trauete Gott, dass er würd’ erretten ihn
(1789)
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Der Messias: 23a. Rezitativ (Tenor): Diese Schmach brach ihm sein Herz
(1789)
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Der Messias: 23b. Arioso (Tenor): Schau hin und sieh
(1789)
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Der Messias: 24a. Rezitativ (Tenor): Er ist dahin aus dem Lande des Lebens
(1789)
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Der Messias: 14. Duett (Sopran, Alt): Er weidet seine Herde
(1789)
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Der Messias: 15. Chor: Sein Joch ist sanft
(1789)
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Der Messias: 16. Chor: Seht an das Gotteslamm
(1789)
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Der Messias: 17. Arie (Alt): Er ward verschmähet und verachtet
(1789)
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Der Messias: 18. Chor: Wahrlich, er trug unsre Qual
(1789)
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Der Messias: 19. Chor: Durch seine Wunden sind wir geheilet
(1789)
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Der Messias: 8. Chor: Denn es ist uns ein Kind geboren
(1789)
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Der Messias: 9a. Hirtenmusik. Larghetto e mezzo piano
(1789)
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Der Messias: 9b. Rezitativ (Sopran): Es waren Hirten beisammen auf dem Felde
(1789)
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Der Messias: 12. Chor: Ehre sei Gott in der Höhe
(1789)
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Der Messias: 13a. Arie (Sopran): Erwach, frohlocke, o Tochter von Zion
(1789)
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Der Messias: 13b. Rezitativ (Alt): Dann wird das Auge des Blinden sich auftun
(1789)
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Der Messias: 5a. Chor: Und er wird reinigen und läutern das Volk des Bundes
(1789)
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Der Messias: 5b. Rezitativ (Alt): Denn sieh, der Verheißene des Herrn erscheint
(1789)
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Der Messias: 6a. Arie (Alt): O du, die Wonne verkündet in Zion
(1789)
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Der Messias: 1. Sinfonia. Grave - Allegro moderato
(1789)
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Der Messias: 2a. Arioso (Tenor): Tröste dich, mein Volk
(1789)
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Der Messias: 2b. Arie (Tenor): Alle Tale macht hoch erhaben
(1789)
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Der Messias: 3. Chor: Denn die Herrlichkeit Gottes
(1789)
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Der Messias: 4a. Rezitativ (Baß): So spricht der Herr, Gott Zebaoth
(1789)
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Der Messias: 4b. Arie (Alt): Doch wer wird ertragen den Tag seiner Ankunft
(1789)
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Der Messias: 37b. Recitative acc.: Wenn Gott ist für uns
(1789)
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Der Messias: 38a. Chor: Würdig ist das Lamm
(1789)
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Der Messias: 38b. Chor: Amen
(1789)
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Der Messias: 10. Rezitativ (Sopran): Und sieh, der Engel des Herrn
(1789)
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Der Messias: 11. Rezitativ (Sopran): Und alsobald war da bei dem Engel
(1789)
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Der Messias: 30a. Chor: Brecht entzwei die Ketten alle
(1789)
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Der Messias: 34. Chor: Wie durch Einen der Tod
(1789)
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Der Messias: 35a. Rezitativ (Baß): Vernehmt, ich künd’ ein Geheimnis an
(1789)
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Der Messias: 35b. Arie (Baß): Sie schallt, die Posaun’
(1789)
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Der Messias: 35c. Rezitativ (Alt): Dann wird erfüllt, was da geschrieben stehet
(1789)
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Der Messias: 36. Duet: O Tod, wo ist dein Pfeil
(1789)
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Der Messias: 37a. Chorus: Doch Dank dir, Dank sei dir, Gott
(1789)
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Die Zauberflöte: Terzetto "Du feines Täubchen, nur herein" (Monostatos, Pamina, Papageno)
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Die Zauberflöte, K. 620: Act I, Scene XVII. "Das klinget so herrlich" (Monostatos, Sklaven)
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Die Zauberflöte, K. 620: Act II, Scene VIII. no. 14 Aria “Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
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Sechs deutsche Tänze, K. 509
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Der Messias
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Ode auf St. Caecilia, K. 592
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Das Alexander-Fest, K. 591: Part I
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Das Alexander-Fest, K. 591: Part II
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Das Alexander-Fest, K. 591: Part I. Chorus: "Die ganze Schar erhebt ein Lobgeschrei"
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Das Alexander-Fest, K. 591: Part I. Aria: "Der Fürst, der Seine Glut umsonst vorhehlt"
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Das Alexander-Fest, K. 591: Part I. Chorus - da capo: "Die ganze Schar erhebt ein Lobgeschrei"
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Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Erschalle, goldnes Saitenspiel"
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Das Alexander-Fest, K. 591: Part II. Chorus: "Brich die Bande seines Schlummers"
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Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Sieh da! Der Donnerton hat ihn aufgeschrekt!"
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Das Alexander-Fest, K. 591: Part II. Aria: "Gib rach'! heult alles laut"
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Das Alexander-Fest, K. 591: Part II. Aria: "Ha! welche bleiche Schar"
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Das Alexander-Fest, K. 591: Part II. Aria - da capo: "Gib rach'! heult alles laut"
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Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Rache gib deinem wackern Heer!"
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Das Alexander-Fest, K. 591: Part II. Aria: "Es jauchzen die Krieger voll trunk'ner Wut"
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Das Alexander-Fest, K. 591: Part II. Aria: "Thaïs führt ihn an"
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Das Alexander-Fest, K. 591: Part II. Chorus: "Die Krieger, sie jauchzen voll trunk'ner Wut"
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Das Alexander-Fest, K. 591: Part II. Acc. Recit: "So stimmte vor, als Bälge noch nicht atmeten"
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Das Alexander-Fest, K. 591: Part II. Chorus: "Vom Himmel kam Caecilia"
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Das Alexander-Fest, K. 591: Part II. Recit: "Timotheus, entsag' dem Preis!"
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Das Alexander-Fest, K. 591: Part II. Chorus: "Timotheus, entsag' dem Preis!"
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Ode auf St. Caecilia, K. 592: Overture
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Ode auf St. Caecilia, K. 592: Recit: "Durch Harmonie"
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Ode auf St. Caecilia, K. 592: Acc. Recit: "Natur lag unter einer Last"
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Ode auf St. Caecilia, K. 592: Chorus: "Durch Harmonie"
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Ode auf St. Caecilia, K. 592: Aria: "Leidenschaften stillt und weckt Musik"
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Ode auf St. Caecilia, K. 592: Aria: "Trompete, dein Schmettern erweckt uns zum Streit"
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Ode auf St. Caecilia, K. 592: Chorus: "Trompete, dein Schmettern erweckt uns zum Streit"
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Ode auf St. Caecilia, K. 592: March
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Ode auf St. Caecilia, K. 592: Aria: "Der Flöte Klageton"
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Ode auf St. Caecilia, K. 592: Aria: "Scharf klingt der Geigenton"
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Ode auf St. Caecilia, K. 592: Aria: "Doch o! wer preiset ganz"
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Ode auf St. Caecilia, K. 592: Aria: "Orpheus gewann ein wildes Volk"
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Ode auf St. Caecilia, K. 592: Acc. Recit: "Doch Du, Caecilia"
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Ode auf St. Caecilia, K. 592: Chorus: "Wie durch die Macht des heil'gen Sang's"
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Ode auf St. Caecilia, K. 592: Chorus: "Was tot ist lebt"
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Das Alexander-Fest, K. 591: Part I. Overture
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Das Alexander-Fest, K. 591: Part I. Recit: "Am königlichen Fest"
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Das Alexander-Fest, K. 591: Part I. Aria: "Selig, selig, selig, Paar!"
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Das Alexander-Fest, K. 591: Part I. Chorus: "Selig, selig, selig, Paar!"
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Das Alexander-Fest, K. 591: Part I. Recit: "Der Sänger ragt hervor"
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Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Das Lied begann vom Zeus"
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Das Alexander-Fest, K. 591: Part I. Chorus: "Den stillen Trupp enzücht das hohe Lied"
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Das Alexander-Fest, K. 591: Part I. Aria: "Der König horcht mit stolzem Ohr"
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Das Alexander-Fest, K. 591: Part I. Recit: "Des Bacchus Lob stimmt nun der süße Künstler an"
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Das Alexander-Fest, K. 591: Part I. Aria: "Bacchus ewig jung und schön"
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Das Alexander-Fest, K. 591: Part I. Chorus: "Bacchus' Schlauch ist unser Erbteil"
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Das Alexander-Fest, K. 591: Part I. Recit: "Siegprandend fühlt der Held das Lied"
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Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Nun flößt sein Trauerton"
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Das Alexander-Fest, K. 591: Part I. Aria: "Er sang den Perser groß und gut"
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Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Gesenkt das Haupt sitzt traurig da der Held"
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Das Alexander-Fest, K. 591: Part I. Chorus: "Seht an, den Perser groß und gut"
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Das Alexander-Fest, K. 591: Part I. Recit: "Der Meister lächelt, weil er sieht"
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Das Alexander-Fest, K. 591: Part I. Aria: "Töne sanft, du lydisch Brautlied"
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Das Alexander-Fest, K. 591: Part I. Aria: "Krieg, O Held, ist Sorg' und Arbeit"
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3 Quartets, op. 79
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Messiah, KV 572
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Overture
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Trostet Zion!”
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “So spricht der Her” / Aria: “Doch wer mag” (bass)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Und er wird” / Recitativo: “Denn sieh!” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo, Aria & Coro: “Denn sieh!” / Aria: “O du, die Wonne” (soprano II, chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Blick auf!” / Aria: “Das Volk” (bass)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Pifa
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo: “Es waren Hirten” / Recitativo accompagnato: “Und sief!” / Coro: “Ehre sei Gott” (Angel, chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Aria: “Erwach' zu Liedern der Wonne” (tenor)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo ed Aria: “Dann tut das Auge des Blinden sich auf” / Aria: “Er weidet seine Herde” (soprano I)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wie Schafe geh'n” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Er ward verschmähet” (soprano II)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wahrlich” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Durch seine Wunden” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Und alle” (soprano I) / Coro: “Er trauete Gott” (chorus)
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Ridente la calma, K. 210a/152
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Acis und Galatea, K. 566
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Acis und Galatea, K. 566: Aufzug II
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Acis und Galatea, K. 566: Aufzug I
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Der Messias: Part I
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Der Messias: Part III
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Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique"
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Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro
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Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante
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Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio
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Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Die Schmach bricht ihm sein Herz” / Aria: “Schautr hin und sieh!” (soprano II)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Er ist dahin aus dem Lande der Lebenden” / Aria: “Doch du liessest ihn” (soprano I)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Zu welchen” / Aria: “Der Herr gab das Wort” (soprano II)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Warum entbrennen” (bass)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo accompagnato ed Aria: “Sie schallt” (bass)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Brecht entzwei” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Der da wohnet im Himmel” / Aria: “Du zerschlägst sie” (tenor)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Hallelujah” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Aria: “Ich weiß” (soprano I)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Wie durch Einen der Tod” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo ed Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Doch Dank sei Dir Gott” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Würdig ist das Lamm” / “Amen” (chorus)
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Timotheus oder die Gewalt der Musik, K. 591
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Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Drei Knaben)
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Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
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Die Zauberflöte, K. 620: Act II, Scene XVIII. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
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Die Zauberflöte, K. 620: Akt I, Scene XIV. (no. 7) Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
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Die Zauberflöte: "Der Vogelfänger bin ich ja" (Papageno)
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Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“
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Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
Previous Attribution
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Zehn Variationen über »Zu Steffen sprach im Traume«
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Convertentur sedentes, K. Anh C 3.09
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Lasst uns mit geschlungnen Händen
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Canon in 3 Parts in B-flat major, K. 382d/233: "Leck mir den Arsch fein recht schön sauber"
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Abendruhe, K. Anh. C 9.10
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6 Minuets for Orchestra, K. 61e/104: No. 1 in C major
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De profundis clamavi
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6 Minuets for Orchestra, K. 61e/104: No. 5 in G major
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Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): I. Serenade: Rondo. Larghetto. Le nozze di Figaro “Al descio, di che t’adora"
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Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): II. Serenade: Le Nozze di Figaro: "Voi che sapete"
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Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): III. Serenade: Le nozze di Figaro: "Non più andrai"
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Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano"
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Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): V. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Vedrai, carino"
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Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious)
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Violin Sonata in E-flat major, K 58 (Anh. C23.04): II. Menuetto (Moderato)
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Symphony no. 2 in B-flat major, K. 17: I. Allegro
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Symphony no. 2 in B-flat major, K. 17: II. Andante
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Symphony no. 2 in B-flat major, K. 17: III. Menuetto: I. & II
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Symphony no. 2 in B-flat major, K. 17: IV. Presto
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Violin Sonata in C minor, K 59: III. Allegro
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Schlafe mein Prinzchen
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Symphony in A minor “Odense”
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Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon and Orchestra, K. Anh. 9 / Anh. C 14.01
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Divertimento in C major, K. Anh. C 17.12/187
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Theme, Variations and Rondo Pastorale
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6 Minuets for Orchestra, K. 61e/104
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6 Minuets for Orchestra, K. 61f/105
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Violin Sonata in E-flat major, K 58 (Anh. C23.04): I. Adagio
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Violin Sonata in E-flat major, K 58 (Anh. C23.04): III. Rondo (Allegro assai)
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Violin Sonata in C minor, K 59: I. Andante
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Violin Sonata in C minor, K 59: II. Menuetto
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6 Minuets for Orchestra, K. 61f/105: No. 3 in D major
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6 Minuets for Orchestra, K. 61f/105: No. 4 in G major
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6 Minuets for Orchestra, K. 61f/105: No. 5 in G major
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6 Minuets for Orchestra, K. 61f/105: No. 6 in G major
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Minuet for Piano in B-flat major, K. Anh. C 25.05/(K3) 498a/Anh 137
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Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Essen, Trinken, das erhält"
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6 Minuets for Orchestra, K. 61e/104: No. 2 in F major
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6 Minuets for Orchestra, K. 61e/104: No. 3 in C major
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6 Minuets for Orchestra, K. 61e/104: No. 4 in A major
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6 Minuets for Orchestra, K. 61e/104: No. 6 in G major
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6 Minuets for Orchestra, K. 61f/105: No. 1 in D major
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6 Minuets for Orchestra, K. 61f/105: No. 2 in D major
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Land der Berge, Land am Strome
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Cibavit eos, K. 73u/44
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Vergiss mein nicht
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String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210
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Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a
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Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a: I. Allegro
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Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a: III. Allegro
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Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a: II. Adagio
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String Quartet in A major, K. Anh. C 20.01/Anh. 212: I. Allegro assai
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String Quartet in A major, K. Anh. C 20.01/Anh. 212: II. Thema con variazioni
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String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210: I. Allegro di molto
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String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210: II.Tempo di minuetto poco Andante
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String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210: III. Presto
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String Quartet in A major, K. Anh. C 20.01/Anh. 212
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La Tartine de beurre
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Divertimento in C major, K. Anh. C 17.12/187: I. Allegro moderato
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Divertimento in C major, K. Anh. C 17.12/187: II. Menuetto
-
Divertimento in C major, K. Anh. C 17.12/187: III. Adagio
-
Divertimento in C major, K. Anh. C 17.12/187: IV. Menuetto
-
Divertimento in C major, K. Anh. C 17.12/187: V. Allegro
-
Divertimento in C major, K. Anh. C 17.12/187: VI. Allegro moderato
-
Divertimento in C major, K. Anh. C 17.12/187: VII. Allegro molto
-
Divertimento in C major, K. Anh. C 17.12/187: VIII. Allegro non troppo
-
Symphony in E-flat major, op. 7 no. 6
-
Symphony in E-flat major, op. 7 no. 6: I. Allegro
-
Divertimento in C major "Kindersinfonie", Hob. II:47: III. Finale. Allegro
-
Sonata in B-flat major, K. 498a/Anh. 136
-
Allegro for Piano in B-flat major, K. Anh. C 25.04/(K3) 498a/Anh 137
-
Violin Sonata in C minor, K. 59
-
Divertimento in C major "Kindersinfonie", Hob. II:47
-
Divertimento in C major "Kindersinfonie", Hob. II:47: I. Allegro
-
Divertimento in C major "Kindersinfonie", Hob. II:47: II. Menuetto. Trio
-
Violin Concerto in E-flat major, K. 268/365b/Anh. C. 14.04
-
Symphony in A minor “Odense”: I. Allegro moderato
-
Symphony in A minor “Odense”: III. Rondo. Allegro moderato
-
Symphony in A minor “Odense”: II. Andantino
-
Symphony no. 2 in B-flat major, K. 17
-
Wiegenlied, K. 350
-
Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04
-
Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04: I. Allegro moderato
-
Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04: II. Un poco adagio
-
Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04: III. Rondo: Allegretto
-
Symphony in E-flat major, op. 7 no. 6: II. Andante
-
Symphony in E-flat major, op. 7 no. 6: III. Presto
-
Violin Sonata in E-flat major, K. 58 (Anh. C23.04)
-
Brüder reicht die Hand zum Bunde
-
Adoramus te
Wrote
-
Concerto for Horn no. 3 in E-flat major, K. 447
-
Voi Che Sapete
-
Non Piu Andrai
-
Al Desio Di Chi T'Adora
-
Sonata for Violin & Piano no. 29 in A major, K. 385e/402 (Maximilian Stadler completion)
-
Trois Divertimenti Sur Le Nozze Di Figaro
-
Welterusten goeienacht / De drommedaris
Revised
-
Serenade no. 11 for Winds in E-flat major, K. 375
(1782)
-
Serenade no. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso
(1782)
-
Serenade no. 11 for Winds in E-flat major, K. 375: II. Minuetto
(1782)
-
Serenade no. 11 for Winds in E-flat major, K. 375: III. Adagio
(1782)
-
Serenade no. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio
(1782)
-
Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro
(1782)
-
Sonata for Piano no. 15 in F major, K. 533: III. Rondeau
(1788)
-
Symphony no. 40 in G minor, K. 550 “Great”
-
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate
Composed
-
Andante in C major
(1761)
-
Allegro in C major
(1761)
-
Minuet for Keyboard in F major
(Jan 1762)
-
Allegro for Keyboard in B-flat major
(04 Mar 1762)
-
Menuett in F major
(11 May 1762)
-
Menuett in F major
(16 Jul 1762)
-
Violin Sonata in C major, K. 6
(1762 - 1764)
-
Violin Sonata in D major, K. 7
(1762 - 1764)
-
Andante in F major
(Oct 1763)
-
Menuett in C major, K. 6
(Oct 1763)
-
Allegro in B-flat major
(21 Nov 1763)
-
Menuett in D major
(30 Nov 1763)
-
Allegro in C major
(1763)
-
Violin Sonata in B-flat major, K. 8
(Jan 1764)
-
Violin Sonata in B-flat major, K. 10
(1764)
-
Violin Sonata in G major, K. 11
(1764)
-
Violin Sonata in A major, K. 12
(1764)
-
Violin Sonata in F major, K. 13
(1764)
-
Violin Sonata in C major, K. 14
(1764)
-
Violin Sonata in B-flat major, K. 15
(1764)
-
Violin Sonata in G major, K. 9: I. Allegro spiritoso
(1764)
-
Violin Sonata in G major, K. 9: II. Andante
(1764)
-
Violin Sonata in G major, K. 9: III. Minuet I & II
(1764)
-
Violin Sonata in G major, K. 9
(1764)
-
Symphony no. 1 in E-flat major, K. 16
(1764)
-
Andante in B-flat for Piano
(1764)
-
Symphony no. 1 in E-flat major, K. 16: II. Andante
(1764)
-
Symphony no. 1 in E-flat major, K. 16: III. Presto
(1764)
-
Symphony no. 1 in E-flat major, K. 16: I. Allegro molto
(1764)
-
The London Sketchbook, K. 15a-15ss
(1764 - 1765)
-
The London Sketchbook, K. 15a-15ss
(1764 - 1765)
-
Symphony no. 4 in D major, K. 19: III. Presto
(1765)
-
Symphony no. 4 in D major, K. 19: II. Andante
(1765)
-
Symphony in F major, K. 19a / Anh 223: I. Allegro assai
(1765)
-
Symphony no. 4 in D major, K. 19
(1765)
-
Symphony in F major, K. 19a / Anh. 223
(1765)
-
Symphony no. 5 in B-flat major, K. 22
(1765)
-
Symphony in C major
(1765)
-
Symphony in F major, K. 19a / Anh 223: II. Andante
(1765)
-
Symphony in F major, K. 19a / Anh 223: III. Presto
(1765)
-
Symphony no. 5 in B-flat major, K. 22: II. Andante
(1765)
-
Symphony no. 5 in B-flat major, K. 22: I. Allegro
(1765)
-
Symphony no. 5 in B-flat major, K. 22: III. Allegro molto
(1765)
-
Symphony no. 4 in D major, K. 19: I. Allegro
(1765)
-
Violin Sonata in E-flat major, K. 26
(Feb 1766)
-
Violin Sonata in G major, K. 27
(Feb 1766)
-
Violin Sonata in C major, K. 28
(Feb 1766)
-
Violin Sonata in D major, K. 29
(Feb 1766)
-
Violin Sonata in B-flat major, K. 31
(Feb 1766)
-
Violin Sonata in G major, K. 27: I. Andante poco Adagio
(Feb 1766)
-
Violin Sonata in G major, K. 27: II. Allegro
(Feb 1766)
-
Violin Sonata in F major, K. 30
(Feb 1766)
-
6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180: Menuetto Andante. Thema
(1766)
-
8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24
(1766)
-
7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25
(1766)
-
7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation II
(1766)
-
7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation III
(1766)
-
7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation IV
(1766)
-
7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation V Adagio
(1766)
-
7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VI
(1766)
-
7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VII
(1766)
-
8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation V
(1766)
-
8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VI
(1766)
-
8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VII Adagio
(1766)
-
8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VIII Tempo I
(1766)
-
7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Air - Allegro
(1766)
-
7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation I
(1766)
-
8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Tema. Allegretto
(1766)
-
8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation I
(1766)
-
8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation II
(1766)
-
8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation III
(1766)
-
8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation IV
(1766)
-
Ach, was müssen wir erfahren!, K. 43a/Anh. 24a
(15 Oct 1767)
-
Concerto for Piano no. 2 in B-flat major, K. 39
(1767)
-
Concerto for Piano no. 3 in D major, K. 40
(1767)
-
Apollo et Hyacinthus, K. 38
(1767)
-
Concerto for Piano no. 4 in G major, K. 41
(1767)
-
Apollo et Hyacinthus, K. 38: Act I
(1767)
-
Apollo et Hyacinthus, K. 38: Act II
(1767)
-
Apollo et Hyacinthus, K. 38: Act III
(1767)
-
Offertorium in Festo S. Benedicti „Scande coeli limina“
(1767)
-
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": IV. Aria "Betracht dies Herz" (Der Engel)
(1767)
-
Concerto for Piano no. 1 in F major, K. 37
(1767)
-
Violin Sonata in F major, K. 46e
(1768)
-
Serenade no. 1 for Orchestra in D major, K. 62a/100: I. Allegro
(1769)
-
Minuet in D major
(1769)
-
Serenade no. 1 for Orchestra in D major, K. 62a/100: VII. Minuetto
(1769)
-
Serenade no. 1 for Orchestra in D major, K. 62a/100: VIII. Allegro
(1769)
-
Cassation for Orchestra in G major, K. 63
(1769)
-
Cassation for Orchestra in B-flat major, K. 63a/99
(1769)
-
Serenade no. 1 for Orchestra in D major, K. 62a/100
(1769)
-
Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse"
(1769)
-
Cassation for Orchestra in G major, K. 63: V. Adagio
(1769)
-
Cassation for Orchestra in G major, K. 63: VI. Minuett
(1769)
-
Cassation for Orchestra in G major, K. 63: VII. Finale
(1769)
-
Serenade no. 1 for Orchestra in D major, K. 62a/100: III. Minuetto
(1769)
-
Serenade no. 1 for Orchestra in D major, K. 62a/100: IV. Allegro
(1769)
-
Serenade no. 1 for Orchestra in D major, K. 62a/100: VI. Andante
(1769)
-
Serenade no. 1 for Orchestra in D major, K. 62a/100: II. Andante
(1769)
-
Serenade no. 1 for Orchestra in D major, K. 62a/100: V. Minuetto
(1769)
-
Cassation for Orchestra in G major, K. 63: I. Marche
(1769)
-
Cassation for Orchestra in G major, K. 63: II. Allegro
(1769)
-
Cassation for Orchestra in G major, K. 63: IV. Minuett
(1769)
-
Cassation for Orchestra in G major, K. 63: III. Andante
(1769)
-
Molto Allegro in G, K. 72a
(06 Jan 1770)
-
Symphony no. 10 in G major, K. 74
(1770)
-
La Betulia liberata, K. 74c/118
(Mar 1771 - Jul 1771)
-
La Betulia liberata, K. 74c/118: Parte II
(Mar 1771 - Jul 1771)
-
La Betulia liberata, K. 74c/118: Parte I
(Mar 1771 - Jul 1771)
-
Ascanio in Alba, K. 111
(Aug 1771 - Sep 1771)
-
Symphony no. 14 in A major, K. 114
(30 Dec 1771)
-
Aria for Soprano & Orchestra in E major, K. 74b/deest: "Non curo l'affetto"
(1771)
-
Litaniae Lauretanae, K. 74e/109
(1771)
-
Litaniae Lauretanae, K. 74e/109: I. Kyrie eleison
(1771)
-
Litaniae Lauretanae, K. 74e/109: II. Sancta Maria
(1771)
-
Litaniae Lauretanae, K. 74e/109: III. Salus infirmorum
(1771)
-
Litaniae Lauretanae, K. 74e/109: IV. Regina Angelorum
(1771)
-
Litaniae Lauretanae, K. 74e/109: V. Agnus Dei
(1771)
-
Symphony no. 13 in F major, K. 112
(1771)
-
6 Minuets for Orchestra, K. 130a/164: No. 1 in D major
(Jun 1772)
-
6 Minuets for Orchestra, K. 130a/164: No. 2 in D major
(Jun 1772)
-
6 Minuets for Orchestra, K. 130a/164: No. 3 in D major
(Jun 1772)
-
6 Minuets for Orchestra, K. 130a/164: No. 4 in G major
(Jun 1772)
-
6 Minuets for Orchestra, K. 130a/164: No. 5 in G major
(Jun 1772)
-
6 Minuets for Orchestra, K. 130a/164: No. 6 in G major
(Jun 1772)
-
6 Minuets for Orchestra, K. 130a/164
(Jun 1772)
-
Symphony no. 19 in E-flat major, K. 132
(Jul 1772)
-
Symphony no. 21 in A major, K. 134: IV. Allegro
(Aug 1772)
-
Symphony no. 21 in A major, K. 134: III. Minuetto & trio
(Aug 1772)
-
Symphony no. 21 in A major, K. 134: I. Allegro
(Aug 1772)
-
Symphony no. 21 in A major, K. 134: II. Andante
(Aug 1772)
-
Quartet for Strings no. 4 in C major, K. 157 "Quartetti Milanesi"
(1772 - 1773)
-
Quartet for Strings no. 5 in F major, K. 158 "Quartetti Milanesi"
(1772 - 1773)
-
Adagio in F major, K. Anh. 206a [A 65]
(1772)
-
Symphony no. 15 in G major, K. 124
(1772)
-
Symphony no. 18 in F major, K. 130: I. Allegro
(1772)
-
Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony no. 2"
(1772)
-
Symphony no. 16 in C major, K. 128
(1772)
-
Symphony no. 17 in G major, K. 129
(1772)
-
Symphony no. 18 in F major, K. 130
(1772)
-
Symphony no. 20 in D major, K. 133
(1772)
-
Litaniae de venerabili altaris sacramento, K. 125: VIII. Pignus futurae gloriae
(1772)
-
Litaniae de venerabili altaris sacramento, K. 125: IX. Agnus Dei
(1772)
-
Symphony no. 17 in G major, K. 129: I. Allegro
(1772)
-
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: III. Presto
(1772)
-
Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony no. 2": III. Allegro assai
(1772)
-
Quartet for Strings no. 2 in D major, K. 134a/155 "Quartetti Milanesi"
(1772)
-
Symphony no. 20 in D major, K. 133: I. Allegro
(1772)
-
Symphony no. 20 in D major, K. 133: II. Andante
(1772)
-
Symphony no. 20 in D major, K. 133: III. Minuetto & trio
(1772)
-
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: I. Allegro
(1772)
-
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": I. Allegro
(1772)
-
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": III. Presto
(1772)
-
Symphony no. 17 in G major, K. 129: II. Andante
(1772)
-
Symphony no. 18 in F major, K. 130: II. Andantino grazioso
(1772)
-
Symphony no. 20 in D major, K. 133: IV. Allegro
(1772)
-
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": II. Andante
(1772)
-
Symphony no. 16 in C major, K. 128: I. Allegro maestoso
(1772)
-
Symphony no. 18 in F major, K. 130: III. Minuetto & Trio
(1772)
-
Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony no. 2": II. Allegro di molto
(1772)
-
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: II. Andante
(1772)
-
Symphony no. 16 in C major, K. 128: II. Andante grazioso
(1772)
-
Symphony no. 17 in G major, K. 129: III. Allegro
(1772)
-
Symphony no. 18 in F major, K. 130: IV. Molto allegro
(1772)
-
Regina coeli in B-flat major, K. 321b/127
(1772)
-
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
(1772)
-
Litaniae de venerabili altaris sacramento, K. 125
(1772)
-
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3"
(1772)
-
Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony no. 2": I. Andante
(1772)
-
Litaniae de venerabili altaris sacramento, K. 125: IV. Hostia sancta
(1772)
-
Litaniae de venerabili altaris sacramento, K. 125: V. Tremendum
(1772)
-
Litaniae de venerabili altaris sacramento, K. 125: VI. Panis omnipotentia
(1772)
-
Litaniae de venerabili altaris sacramento, K. 125: VII. Viaticum
(1772)
-
Litaniae de venerabili altaris sacramento, K. 125: I. Kyrie eleison
(1772)
-
Litaniae de venerabili altaris sacramento, K. 125: II. Panis vivus
(1772)
-
Litaniae de venerabili altaris sacramento, K. 125: III. Verbum caro factum
(1772)
-
Quartet for Strings no. 3 in G major, K. 134b/156 "Quartetti Milanesi"
(1772)
-
Sonata for Piano with 4 Hands in D major, K. 123a/381
(1772)
-
Symphony no. 16 in C major, K. 128: III. Allegro
(1772)
-
Missa brevis in G major, K. Anh. C 1.12/140: I. "Kyrie"
(Mar 1773)
-
Missa brevis in G major, K. Anh. C 1.12/140: II. "Gloria"
(Mar 1773)
-
Missa brevis in G major, K. Anh. C 1.12/140: III. "Credo"
(Mar 1773)
-
Missa brevis in G major, K. Anh. C 1.12/140: IV. "Sanctus"
(Mar 1773)
-
Missa brevis in G major, K. Anh. C 1.12/140: V. "Benedictus"
(Mar 1773)
-
Missa brevis in G major, K. Anh. C 1.12/140: VI. "Agnus Dei"
(Mar 1773)
-
Missa brevis in G major, K. Anh. C 1.12/140
(Mar 1773)
-
Symphony no. 22 in C major, K. 162
(Apr 1773)
-
Symphony no. 22 in C major, K. 162: I. Allegro assai
(Apr 1773)
-
Symphony no. 22 in C major, K. 162: III. Presto assai
(Apr 1773)
-
Symphony no. 22 in C major, K. 162: II. Andantino grazioso
(Apr 1773)
-
Symphony no. 27 in G major, K. 161b / K3 162a / 199
(Apr 1773)
-
Symphony no. 23 in D major, K. 162b/181
(May 1773)
-
March for Orchestra in D major, K. 167b/189
(Jul 1773 - Aug 1773)
-
Symphony no. 24 in B-flat major, K. 173dA / K3 166c / 182: I. Allegro spiritoso
(Oct 1773)
-
Symphony no. 24 in B-flat major, K. 173dA / K3 166c / 182: II. Andantino grazioso
(Oct 1773)
-
Symphony no. 24 in B-flat major, K. 173dA / K3 166c / 182: III. Allegro
(Oct 1773)
-
Symphony no. 26 in E‐flat major, K. 161a/184
(1773 - 30 Mar 1773)
-
Symphony no. 26 in E‐flat major, K. 161a/184: II. Andante
(1773 - 30 Mar 1773)
-
Symphony no. 26 in E‐flat major, K. 161a/184: I. Molto presto
(1773 - 30 Mar 1773)
-
Symphony no. 26 in E‐flat major, K. 161a/184: III. Allegro
(1773 - 30 Mar 1773)
-
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
(1773 - 05 Oct 1773)
-
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
(1773 - 05 Oct 1773)
-
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": II. Andante
(1773 - 05 Oct 1773)
-
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": III. Minuetto & Trio
(1773 - 05 Oct 1773)
-
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": IV. Allegro
(1773 - 05 Oct 1773)
-
6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation II
(1773)
-
6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation III
(1773)
-
6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation IV
(1773)
-
6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation V Adagio
(1773)
-
6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation VI Allegretto
(1773)
-
March for Orchestra in D major, K. 167AB/290
(1773)
-
6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180: Menuetto Andante. Thema
(1773)
-
Quartet for Strings no. 6 in B-flat major, K. 159 "Quartetti Milanesi"
(1773)
-
Concerto for Piano and Orchestra no. 5 in D major, K. 175
(1773)
-
16 Minuets for Orchestra, K. 176
(1773)
-
Quartet for Strings no. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi"
(1773)
-
Divertimento no. 4 for Wind Ensemble in B-flat major, K. 159b/186
(1773)
-
Exsultate, jubilate, K. 158a/165
(1773)
-
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: I. Allegro moderato
(1773)
-
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: II. Adagio
(1773)
-
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: III. Presto
(1773)
-
6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180
(1773)
-
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207
(1773)
-
6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, KV 173c/180: Variation I
(1773)
-
Thamos, König in Ägypten, K. 336a/345
(1773 - 1780)
-
Sonata for Piano no. 3 in B-flat major, K. 189f/281: I. Allegro
(1774)
-
Sonata for Piano no. 5 in G major, K. 189h/283
(1774)
-
Sonata for Piano no. 1 in C major, K. 189d/279
(1774)
-
Sonata for Piano no. 4 in E-flat major, K. 189g/282
(1774)
-
Sonata for Piano no. 4 in E-flat major, K. 189g/282: III. Allegro
(1774)
-
Sonata for Piano no. 4 in E-flat major, K. 189g/282: I. Adagio
(1774)
-
Sonata for Piano no. 4 in E-flat major, K. 189g/282: II. Minuetto I & II
(1774)
-
Litaniae Lauretanae B.M.V., K. 186d/195: IV. Regina angelorum
(1774)
-
Symphony no. 30 in D major, K. 186b/202
(1774)
-
Concertone for 2 Violins & Orchestra in C major, K. 186E/190: I. Allegro spiritoso
(1774)
-
Concertone for 2 Violins & Orchestra in C major, K. 186E/190: II. Andantino grazioso
(1774)
-
Concertone for 2 Violins & Orchestra in C major, K. 186E/190: III. Tempo di menuetto. Vivace
(1774)
-
Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio
(1774)
-
Sonata for Piano no. 1 in C major, K. 189d/279: II. Andante
(1774)
-
Sonata for Piano no. 2 in F major, K. 189e/280: I. Allegro assai
(1774)
-
Sonata for Piano no. 2 in F major, K. 189e/280: III. Presto
(1774)
-
Sonata for Piano no. 5 in G major, K. 189h/283: I. Allegro
(1774)
-
Sonata for Piano no. 1 in C major, K. 189d/279: III. Allegro
(1774)
-
Sonata for Piano no. 3 in B-flat major, K. 189f/281: II. Andante amoroso
(1774)
-
Sonata for Piano no. 5 in G major, K. 189h/283: II. Andante
(1774)
-
Litaniae Lauretanae B.M.V., K. 186d/195: II. Sancta Maria
(1774)
-
Litaniae Lauretanae B.M.V., K. 186d/195: III. Salus infirmorum
(1774)
-
Litaniae Lauretanae B.M.V., K. 186d/195: V. Agnus Dei
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, K. 189a/179
(1774)
-
Sonata for Piano no. 3 in B-flat major, K. 189f/281
(1774)
-
Sonata for Piano no. 2 in F major, K. 189e/280
(1774)
-
Concertone for 2 Violins & Orchestra in C major, K. 186E/190
(1774)
-
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358
(1774)
-
Litaniae Lauretanae B.M.V., K. 186d/195
(1774)
-
Sonata for Piano no. 2 in F major, K. 189e/280: II. Adagio
(1774)
-
Sonata for Piano no. 2 in F major, K. 189e/280: III. Presto
(1774)
-
Sonata for Piano no. 1 in C major, K. 189d/279: I. Allegro
(1774)
-
Sonata for Piano no. 2 in F major, K. 189e/280: II. Adagio
(1774)
-
Sonata for Piano no. 3 in B-flat major, K. 189f/281: III. Rondeau. Allegro
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Menuet
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation I
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation II
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation III
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation IV
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation V
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VI
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VII
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation VIII
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation IX
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation X
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation XI. Adagio
(1774)
-
12 Variations on J. C. Fischer: Minuet for Piano in C major, KV 189a/179: Variation XII. Allegro
(1774)
-
Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro
(1774)
-
Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto
(1774)
-
Sonata for Piano no. 2 in F major, K. 189e/280: I. Allegro assai
(1774)
-
Sonata for Piano no. 5 in G major, K. 189h/283: III. Presto
(1774)
-
Concerto for Bassoon in B-flat major, K. 186e/191
(1774)
-
Symphony no. 28 in C major, K. 189k/200: I. Allegro spiritoso
(1774 - 17 Nov 1774)
-
Symphony no. 28 in C major, K. 189k/200: II. Andante
(1774 - 17 Nov 1774)
-
Symphony no. 28 in C major, K. 189k/200: IV. Presto
(1774 - 17 Nov 1774)
-
Symphony no. 28 in C major, K. 189k/200: III. Minuetto. Allegretto & Trio
(1774 - 17 Nov 1774)
-
Symphony no. 28 in C major, K. 189k/200
(1774 - 17 Nov 1774)
-
Litaniae Lauretanae B.M.V., K. 186d/195: I. Kyrie eleison
(1774)
-
Symphony no. 29 for Orchestra in A major, K. 186a / 201
(1774 - 06 Apr 1774)
-
Symphony no. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato
(1774 - 06 Apr 1774)
-
Symphony no. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito
(1774 - 06 Apr 1774)
-
Symphony no. 29 for Orchestra in A major, K. 186a / 201: II. Andante
(1774 - 06 Apr 1774)
-
Symphony no. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio
(1774 - 06 Apr 1774)
-
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 2 in D major, K. 211
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 2 in D major, K. 211: I. Allegro moderato
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 2 in D major, K. 211: II. Andante
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro aperto
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - Allegro ma non troppo - Andante grazioso
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: I. Allegro aperto
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: III. Rondeau. Allegro – Andante – Allegretto
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro
(Apr 1775 - Dec 1775)
-
Concerto for Violin and Orchestra no. 2 in D major, K. 211: III. Rondeau. Allegro
(Apr 1775 - Dec 1775)
-
Serenade no. 5 for Orchestra in D major, K. 213a/204
(05 Aug 1775)
-
March for Orchestra in C major, K. 214
(20 Aug 1775)
-
March for Orchestra in D major, K. 213b/215
(Aug 1775)
-
La finta giardiniera, K. 196: Overture
(1775)
-
Serenade no. 5 for Orchestra in D major, K. 213a/204: II. Andante moderato
(1775)
-
Serenade no. 5 for Orchestra in D major, K. 213a/204: VII. Andantino - Allegro
(1775)
-
Song for Tenor, Men's Chorus & Piano in D major, K. 125h/148 "Lobgesang auf die feierliche Johannisloge": "O heiliges Band"
(1775 - 1776)
-
Violin Concerto no. 3: Allegro
(1775)
-
Serenade no. 5 for Orchestra in D major, K. 213a/204: I. Allegro assai
(1775)
-
Serenade no. 5 for Orchestra in D major, K. 213a/204: III. Allegro
(1775)
-
Serenade no. 5 for Orchestra in D major, K. 213a/204: IV. Minuetto & trio
(1775)
-
Serenade no. 5 for Orchestra in D major, K. 213a/204: V. Andante
(1775)
-
Serenade no. 5 for Orchestra in D major, K. 213a/204: VI. Minuetto & trio
(1775)
-
Sonata for Piano no. 6 in D major, K. 205b/284 "Dürnitz": I. Allegro
(1775)
-
Sonata for Piano no. 6 in D major, K. 205b/284 "Dürnitz": II. Rondeau en polonaise. Andante
(1775)
-
Concerto for Violin and Orchestra no. 4 in D major, K. 218
(1775)
-
Sonata for Piano no. 6 in D major, K. 205b/284 "Dürnitz": II. Rondeau en polonaise. Andante
(1775)
-
Sonata for Piano no. 6 in D major, K. 205b/284 "Dürnitz": III. Tema (Andante) and 12 Variations
(1775)
-
Sonata for Piano no. 6 in D major, K. 205b/284 "Dürnitz"
(1775)
-
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
(1775)
-
Symphony [no. 52] in C major, K. 208+102
(1775)
-
Sonata for Bassoon and Cello in B-flat major, K. 196c/292: I. Allegro
(1775)
-
Sonata for Bassoon and Cello in B-flat major, K. 196c/292: II. Andante
(1775)
-
Sonata for Bassoon and Cello in B-flat major, K. 196c/292: III. Rondo: Allegro
(1775)
-
Serenade no. 6 in D major, K. 239 “Serenata notturna”: I. Marcia. Maestoso
(Jan 1776)
-
Serenade no. 6 in D major, K. 239 “Serenata notturna”
(Jan 1776)
-
Serenade no. 6 in D major, K. 239 “Serenata notturna”: II. Menuetto
(Jan 1776)
-
Serenade no. 6 in D major, K. 239 “Serenata notturna”: III. Rondeau. Allegretto
(Jan 1776)
-
Concerto for Piano and Orchestra no. 6 in B-flat major, K. 238: I. Allegro aperto
(Jan 1776)
-
Concerto for Piano and Orchestra no. 6 in B-flat major, K. 238: II. Andante un poco adagio
(Jan 1776)
-
Concerto for Piano and Orchestra no. 6 in B-flat major, K. 238: III. Rondeau. Allegro
(Jan 1776)
-
Concerto for Piano and Orchestra no. 6 in B-flat major, K. 238
(Jan 1776)
-
Concerto for Piano and Orchestra no. 8 in C major, K. 246 “Lutzow”: III. Rondeau. Tempo di menuetto
(Apr 1776)
-
Concerto for Piano and Orchestra no. 8 in C major, K. 246 “Lutzow”: I. Allegro aperto
(Apr 1776)
-
Concerto for Piano and Orchestra no. 8 in C major, K. 246 “Lutzow”: II. Andante
(Apr 1776)
-
Concerto for Piano and Orchestra no. 8 in C major, K. 246 “Lutzow”
(Apr 1776)
-
March in D major, K. 249 "Haffner"
(20 Jul 1776)
-
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet"
(Jul 1776)
-
Rondeau for violin and orchestra in B-flat major, K. 261a/269
(1776)
-
Church Sonata no. 8 for 2 Violins, Bass & Organ in A major, K. 241b/225
(1776)
-
Litaniae de venerabili altaris sacramento, K. 243: I. Kyrie eleison
(1776)
-
Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”
(1776)
-
Litaniae de venerabili altaris sacramento, K. 243: V. Tremendum
(1776)
-
Litaniae de venerabili altaris sacramento, K. 243: IX. Agnus dei
(1776)
-
Adagio for Violin and Orchestra in E major, K. 261
(1776)
-
Litaniae de venerabili altaris sacramento, K. 243: II. Panis vivus
(1776)
-
Litaniae de venerabili altaris sacramento, K. 243: III. Verbum caro factum
(1776)
-
Litaniae de venerabili altaris sacramento, K. 243: IV. Hostia sancta
(1776)
-
Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium
(1776)
-
Litaniae de venerabili altaris sacramento, K. 243: VII. Viaticum
(1776)
-
Litaniae de venerabili altaris sacramento, K. 243: VIII. Pignus futurae gloriae
(1776)
-
Adagio for Violin and Orchestra in E major, K. 261
(1776)
-
Oboe Concerto in C major, K. 314 / 271k: I. Allegro aperto
(1777 - 1778)
-
Oboe Concerto in C major, K. 314 / 271k: II. Adagio non troppo
(1777 - 1778)
-
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto
(1777 - 1778)
-
Concerto for Flute no. 2 in D major, K. 285d/314: II. Adagio ma non troppo
(1777 - 1778)
-
Concerto for Flute no. 2 in D major, K. 285d/314: I. Allegro aperto
(1777 - 1778)
-
Concerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto
(1777 - 1778)
-
Sonata for Piano no. 9 in D major, K. 284c/311
(1777)
-
Church Sonata no. 14 in C major, K. 278/271e
(1777)
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade no. 2": IV. Adagio
(1777)
-
Sonata for Piano no. 9 in D major, K. 284c/311: I. Allegro con spirito
(1777)
-
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: I. Allegro
(1777)
-
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: II. Andantino
(1777)
-
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: III. Rondeau. Presto – Adagio & Menuetto. Cantabile – Tempo primo
(1777)
-
Oboe Concerto in C major, K. 314 / 271k
(1777)
-
Sonata for Piano no. 7 in C major, K. 284b/309
(1777)
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade no. 2"
(1777)
-
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
(1777)
-
Sonata for Piano no. 7 in C major, K. 284b/309: II. Andante un poco adagio
(1777)
-
Sonata for Piano no. 9 in D major, K. 284c/311: III. Rondeau. Allegro
(1777)
-
Sancta Maria, mater Dei, K. 273
(1777)
-
Trio in B-flat major, K. 271f/266: I. Adagio
(1777)
-
Trio in B-flat major, K. 271f/266: II. Menuetto
(1777)
-
Sonata for Piano no. 7 in C major, K. 284b/309: III. Rondeau. Allegretto grazioso
(1777)
-
Sonata for Piano no. 9 in D major, K. 284c/311: II. Andante con espressione
(1777)
-
Quartet for Flute, Violin, Viola & Cello no. 1 in D major, K. 285: I. Allegro
(1777)
-
Quartet for Flute, Violin, Viola & Cello no. 1 in D major, K. 285: II. Adagio
(1777)
-
Quartet for Flute, Violin, Viola & Cello no. 1 in D major, K. 285: III. Rondeau. Allegretto
(1777)
-
Trio in B-flat major, K. 271f/266
(1777)
-
Sonata for Piano no. 7 in C major, K. 284b/309: I. Allegro con spirito
(1777)
-
Violin Sonata in C major, K. 293c/303: I. Adagio - Allegro molto
(Feb 1778)
-
Violin Sonata in C major, K. 293c/303: II. Tempo di minuetto
(Feb 1778)
-
Violin Sonata in E-flat major, K. 293b/302: I. Allegro
(Feb 1778)
-
Violin Sonata in E-flat major, K. 293b/302: II. Rondo. Andante
(Feb 1778)
-
Violin Sonata in E-flat major, K. 293b/302
(Feb 1778)
-
Violin Sonata in C major, K. 293c/303
(Feb 1778)
-
Violin Sonata in G major, K. 293a/301: II. Allegro
(Mar 1778)
-
Violin Sonata in G major, K. 293a/301
(Mar 1778)
-
Violin Sonata in G major, K. 293a/301: I. Allegro con spirito
(Mar 1778)
-
Violin Sonata in G major, K. 293a/301: I. Allegro con spirito
(Mar 1778)
-
Violin Sonata in G major, K. 293a/301: II. Allegro
(Mar 1778)
-
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegro
(Apr 1778)
-
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
(Apr 1778)
-
Sinfonia concertante in E-flat major for Flute, Oboe, Horn, Bassoon and Orchestra, K. 297b
(Apr 1778)
-
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro
(Apr 1778)
-
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
(Apr 1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation IV
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation II
(1778)
-
12 Variations for Piano on “Je suis Lindor”
(1778)
-
Quartet for Flute, Violin, Viola & Cello no. 2 in G major, K. 285a/deest: I. Andante
(1778)
-
Quartet for Flute, Violin, Viola & Cello no. 2 in G major, K. 285a/deest: II. Tempo di minuetto - Allegro
(1778)
-
Violin Sonata in C major, K. 296: III. Rondo. Allegro
(1778)
-
Violin Sonata in A major, K. 293d/305: I. Allegro di molto
(1778)
-
Violin Sonata in A major, K. 293d/305: II. Tema. Andante grazioso
(1778)
-
Violin Sonata in A major, K. 293d/305: III. Variation I
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation XI
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation XII Molto Adagio
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Allegretto
(1778)
-
12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353
(1778)
-
Symphony no. 31 in D major, K. 300a/297 "Paris"
(1778)
-
Symphony no. 31 in D major, K. 300a/297 "Paris": III. Allegro
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation V
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VI
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VII
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation VIII Tempo di Menuetto
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation IX
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation X Allegretto
(1778)
-
Andante in C major, K. 285e/315
(1778)
-
Andante in C major for Flute and Orchestra, K. 285e/315
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Air Allegretto
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation III
(1778)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: Act I, Scene VI. "Je suis Lindor" for Piano in E-flat major, K. 299a/354: Variation I
(1778)
-
Sonata for Piano no. 8 in A minor, K. 300d/310
(1778)
-
Violin Sonata in D major, K. 300l/306
(1778)
-
Violin Sonata in A major, K. 293d/305
(1778)
-
Violin Sonata in C major, K. 296
(1778)
-
Violin Sonata in A major, K. 293d/305: II. Tema con variazioni (Andante grazioso)
(1778)
-
Symphony no. 31 in D major, K. 300a/297 "Paris": II. Andante
(1778)
-
Violin Sonata in C major, K. 296: I. Allegro vivace
(1778)
-
Violin Sonata in C major, K. 296: II. Andante sostenuto
(1778)
-
Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto
(1778)
-
Symphony no. 31 in D major, K. 300a/297 "Paris": II. Andante (alternate)
(1778)
-
Violin Sonata in E minor, K. 300c/304
(1778)
-
9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264
(1778)
-
Concerto for Flute and Orchestra in G major, K. 313/285c: I. Allegro maestoso
(1778)
-
Concerto for Flute and Orchestra in G major, K. 313/285c: II. Adagio ma non troppo
(1778)
-
Concerto for Flute and Orchestra in G major, K. 313/285c: III. Rondeau. Tempo de Menuetto
(1778)
-
Andante in C major for Flute and Orchestra, K. 285e/315
(1778)
-
Symphony no. 31 in D major, K. 300a/297 "Paris": I. Allegro assai
(1778)
-
Violin Sonata in D major, K. 300l/306: III. Allegretto
(1778)
-
Violin Sonata in E minor, K. 300c/304: II. Tempo di minuetto
(1778)
-
Sonata for Piano no. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione
(1778)
-
Violin Sonata in E minor, K. 300c/304: I. Allegro
(1778)
-
Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso
(1778)
-
Violin Sonata in A major, K. 293d/305: VII. Variation V
(1778)
-
Violin Sonata in A major, K. 293d/305: IV. Variation II
(1778)
-
Violin Sonata in A major, K. 293d/305: V. Variation III
(1778)
-
Violin Sonata in A major, K. 293d/305: VI. Variation IV
(1778)
-
Violin Sonata in A major, K. 293d/305: VIII. Variation VI. Allegro
(1778)
-
Violin Sonata in D major, K. 300l/306: I. Allegro con spirito
(1778)
-
Violin Sonata in D major, K. 300l/306: II. Andantino cantabile
(1778)
-
Serenade no. 9 in D major, K. 320 "Posthorn"
(03 Aug 1779)
-
Symphony no. 32 in G major, K. 318: I. Allegro spiritoso
(1779 - 26 Apr 1779)
-
Symphony no. 32 in G major, K. 318: II. Andante
(1779 - 26 Apr 1779)
-
Symphony no. 32 in G major, K. 318
(1779 - 26 Apr 1779)
-
Symphony no. 32 in G major, K. 318: III. Primo tempo
(1779 - 26 Apr 1779)
-
Symphony no. 32 in G major, K. 318: I. Allegro spiritoso
(1779 - 26 Apr 1779)
-
Minuet in G major, K. 315g/315a no. 2
(1779)
-
Minuet in C major, K. 315g/315a no. 4
(1779)
-
Minuet in B-flat major, K. 315g/315a no. 5
(1779)
-
Minuet in D major, K. 315g/315a no. 6
(1779)
-
Minuet in A major, K. 315g/315a no. 7
(1779)
-
Minuet in A major, K. 315g/315a no. 8
(1779)
-
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro
(1779)
-
Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321
(1779)
-
Sinfonia Concertante for Violin, Viola, Cello and Orchestra in A major, K. Anh 104/320e
(1779)
-
8 Minuets, K. 315g/315a
(1779)
-
Minuet in C major, K. 315g/315a no. 1
(1779)
-
Minuet in D major, K. 315g/315a no. 3
(1779)
-
Thamos, König in Ägypten, KV 345: 7a. Schlußmusik zum Fünften Akt
(1779)
-
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante
(1779)
-
Violin Sonata in B-flat major, K. 317d/378
(1779)
-
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365
(1779)
-
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro
(1779)
-
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante
(1779)
-
Violin Sonata in B-flat major, K. 317d/378: III. Rondo. Allegro
(1779)
-
Thamos, König in Ägypten, KV 345: 6a. Chor: "Gottheit, über alle mächtig!" (original version)
(1779)
-
Thamos, König in Ägypten, K. 336a / KV 345: I. Act I. Chorus "Schon weichet dir, Sonne"
(1779)
-
Thamos, König in Ägypten, K. 336a / KV 345: III. Act II. Interlude. Andante
(1779)
-
Thamos, König in Ägypten, K. 336a / KV 345: IV. Act III. Interlude. Allegro
(1779)
-
Thamos, König in Ägypten, K. 336a / KV 345: V. Act IV. Interlude. Allegro vivace assai
(1779)
-
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: II. Andante
(1779)
-
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto
(1779)
-
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro
(1779)
-
8 Minuets for Piano
(1779)
-
Violin Sonata in B-flat major, K. 317d/378: I. Allegro moderato
(1779)
-
Violin Sonata in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile
(1779)
-
Minuet in D major
(1779)
-
Minuet in A major
(1779)
-
Minuet in A major
(1779)
-
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
(1779)
-
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365
(1779)
-
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: I. Allegro maestoso
(1779)
-
Serenade no. 9 in D major, K. 320 "Posthorn": IIa. Minuetto. Allegro & Trio
(1779)
-
Minuet in C major
(1779)
-
Minuet in G major
(1779)
-
Minuet in D major
(1779)
-
Minuet in C major
(1779)
-
Minuet in B-flat major
(1779)
-
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro
(1779)
-
Thamos, König in Ägypten, KV 345: 1a. Chor: "Schon weichet dir, Sonne" (original version)
(1779)
-
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria
(1779)
-
Missa in C, K. 317 “Krönungs-Messe”: III. Credo
(1779)
-
Missa in C, K. 317 “Krönungs-Messe”: IV. Sanctus
(1779)
-
Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus
(1779)
-
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei
(1779)
-
Missa in C, K. 317 “Krönungs-Messe”: I. Kyrie
(1779)
-
Violin Sonata in B-flat major, K. 317d/378: I. Allegro moderato
(1779)
-
Violin Sonata in B-flat major, K. 317d/378: III. Rondo. Allegro
(1779)
-
Violin Sonata in B-flat major, K. 317d/378: II. Andantino sostenuto e cantabile
(1779)
-
Violin Sonata in B-flat major, K. 317d/378
(1779)
-
Thamos, König in Ägypten, K. 336a / KV 345: II. Act I. Interlude. Maestoso - allegro
(1779)
-
Thamos, König in Ägypten, K. 336a / KV 345: VI. Act V. Allegro moderato. Chorus with Soloists "Gottheit, über alle mächtig!"
(1779)
-
Thamos, König in Ägypten, K. 336a / KV 345: VII. Act V. Allegro moderato. Chorus, Solo "Ihr Kinder des Staubes, erzittert und betet" (Sethos)
(1779)
-
Serenade no. 9 in D major, K. 320 "Posthorn": I. Adagio maestoso - allegro con spirito
(1779 - 03 Aug 1779)
-
Serenade no. 9 in D major, K. 320 "Posthorn": V. Andantino
(1779 - 03 Aug 1779)
-
Serenade no. 9 in D major, K. 320 "Posthorn": II. Menuetto. Allegretto
(1779 - 03 Aug 1779)
-
Serenade no. 9 in D major, K. 320 "Posthorn": III. Concertante. Andante grazioso
(1779 - 03 Aug 1779)
-
Serenade no. 9 in D major, K. 320 "Posthorn": IV. Rondeau. Allegro ma non troppo
(1779 - 03 Aug 1779)
-
Serenade no. 9 in D major, K. 320 "Posthorn": VII. Finale. Presto
(1779 - 03 Aug 1779)
-
Serenade no. 9 in D major, K. 320 "Posthorn": VI. Menuetto - Trio I/II
(1779 - 03 Aug 1779)
-
Serenade no. 9 in D major, K. 320 "Posthorn"
(1779 - 03 Aug 1779)
-
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: Minuet
(1779 - 1780)
-
Symphony no. 33 for Orchestra in B-flat major, K. 319: I. Allegro assai
(1779 - 09 Jul 1779)
-
Symphony no. 33 for Orchestra in B-flat major, K. 319
(1779 - 09 Jul 1779)
-
Symphony no. 33 for Orchestra in B-flat major, K. 319: II. Andante moderato
(1779 - 09 Jul 1779)
-
Symphony no. 33 for Orchestra in B-flat major, K. 319: III. Minuetto & Trio
(1779 - 09 Jul 1779)
-
Symphony no. 33 for Orchestra in B-flat major, K. 319: IV. Allegro assai
(1779 - 09 Jul 1779)
-
Symphony no. 34 in C major, K. 338: I. Allegro vivace
(1780 - 29 Aug 1780)
-
Symphony no. 34 in C major, K. 338: III. Finale. Allegro vivace
(1780 - 29 Aug 1780)
-
Symphony no. 34 in C major, K. 338: II. Andante di molto più tosto allegretto
(1780 - 29 Aug 1780)
-
Minuet for Orchestra in C major, K. 383f/409
(1780 - 29 Aug 1780)
-
Vesperae solennes de confessore, K. 339: V. Laudate dominum
(1780)
-
Vesperae solennes de confessore, K. 339: VI. Magnificat
(1780)
-
Vesperae solennes de confessore, K. 339: I. Dixit dominus
(1780)
-
Vesperae solennes de confessore, K. 339
(1780)
-
Vesperae solennes de confessore, K. 339: V. Laudate dominum
(1780)
-
Vesperae solennes de confessore, K. 339: II. Confitebor
(1780)
-
Vesperae solennes de confessore, K. 339: III. Beatus vir
(1780)
-
Vesperae solennes de confessore, K. 339: IV. Laudate pueri
(1780)
-
Divertimento no. 17 in D major
(1780)
-
12 Variations in G on "La Bergère Célimène": 1. Theme
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation I
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation II
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation III
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation IV
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation V
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation XII ed ultima: Allegro
(Jun 1781)
-
12 Variations for Violin & Piano in G major, K. 374a/359 "La bergère Célimene"
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation VI
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation VII
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation VIII
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation IX
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation X –
(Jun 1781)
-
Variations in G major on “La bergère Célimène”, K359: Variation XI: Adagio
(Jun 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375
(Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: III. Adagio
(Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro
(Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio
(Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso
(Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: II. Minuetto
(Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375
(Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso
(Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro
(Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: III. Adagio
(Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: II. Minuetto
(Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio
(Oct 1781)
-
12 Variations on French Traditional: "Ah, vous dirai-je, Maman" for Piano in C major, K. 300e/265
(1781 - 1782)
-
12 Variations on French Traditional: "Ah, vous dirai-je, Maman" for Piano in C major, K. 300e/265
(1781 - 1782)
-
Serenade in B-flat major, K. 370a/361 “Gran Partita”
(1781 - 1782)
-
Serenade in B-flat major, K. 370a/361 “Gran Partita”
(1781 - 1782)
-
Rondo for Violin and Orchestra in C major, K. 373
(1781 - Apr 1781)
-
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
(1781 - 1782)
-
Violin Sonata in E-flat major, K. 374f/380
(1781)
-
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": I. Largo - Allegro molto
(1781)
-
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": II. Minuetto
(1781)
-
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": III. Adagio
(1781)
-
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": IV. Minuetto. Allegretto
(1781)
-
Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito
(1781)
-
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370: III. Rondeau. Allegro
(1781)
-
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": V. Romanze. Adagio
(1781)
-
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni
(1781)
-
Violin Sonata in E-flat major, K. 374f/380: I. Allegro
(1781)
-
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370: III. Rondeau. Allegro
(1781)
-
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370: II. Adagio
(1781)
-
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370: I. Allegro
(1781)
-
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370
(1781)
-
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370: I. Allegro
(1781)
-
Violin Sonata in E-flat major, K. 374f/380: III. Rondo. Allegro
(1781)
-
Violin Sonata in E-flat major, K. 374f/380: II. Andante con moto
(1781)
-
Idomeneo, rè di Creta, K. 366: Ouverture
(1781)
-
8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352
(1781)
-
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VII. Rondo
(1781)
-
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370: II. Adagio
(1781)
-
Violin Sonata in F major, K. 374d/376
(1781 - 08 Apr 1781)
-
Violin Sonata in F major, K. 374d/376: I. Allegro
(1781 - 08 Apr 1781)
-
Violin Sonata in F major, K. 374d/376: II. Andante
(1781 - 08 Apr 1781)
-
Violin Sonata in F major, K. 374d/376: III. Rondo. Allegretto
(1781 - 08 Apr 1781)
-
Violin Sonata in E-flat major, K. 374f/380: I. Allegro
(1781 - Jul 1781)
-
Violin Sonata in G major, K. 373a/379: I. Adagio - Allegro
(1781 - Jul 1781)
-
Violin Sonata in E-flat major, K. 374f/380: III. Rondo. Allegro
(1781 - Jul 1781)
-
Violin Sonata in E-flat major, K. 374f/380: II. Andante con moto
(1781 - Jul 1781)
-
Violin Sonata in E-flat major, K. 374f/380
(1781 - Jul 1781)
-
Violin Sonata in G major, K. 373a/379
(1781 - Jul 1781)
-
Violin Sonata in G major, K. 373a/379: II. Tema con variazioni
(1781 - Jul 1781)
-
Violin Sonata in F major, K. 374e/377: II. Tema con variazioni (Andante)
(1781 - 04 Jul 1781)
-
Violin Sonata in F major, K. 374e/377
(1781 - 04 Jul 1781)
-
Violin Sonata in F major, K. 374e/377
(1781 - 04 Jul 1781)
-
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique"
(Jul 1782)
-
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante
(Jul 1782)
-
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro
(Jul 1782)
-
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro
(Jul 1782)
-
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio
(Jul 1782)
-
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique"
(Jul 1782)
-
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro
(Jul 1782)
-
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante
(Jul 1782)
-
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio
(Jul 1782)
-
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro
(Jul 1782)
-
Concerto for Piano no. 12 in A major, K. 385p / K3 386a / KV 414
(1782)
-
3 Marches for Orchestra, K. 408
(1782)
-
Prelude and Fugue for Piano in C major, K. 383a/394
(1782)
-
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: I. Allegro con spirito
(1782)
-
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: III. Minuetto & Trio
(1782)
-
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: IV. Presto
(1782)
-
Quartet for Strings no. 14 in G major, K. 387 “Haydn Quartetti”, “Spring”
(1782)
-
Concerto for Piano no. 12 in A major, K. 385p / K3 386a / KV 414
(1782)
-
Concerto for Piano no. 12 in A major, K. 385p / K3 386a / KV 414: III. Rondo. Allegretto
(1782)
-
Die Entführung aus dem Serail, K. 384: Ouvertüre
(1782)
-
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
(1782)
-
Quintet for Horn, Violin, 2 Violas and Cello in E-flat major, K. 386c/407: II. Andante
(1782)
-
Quintet for Horn, Violin, 2 Violas and Cello in E-flat major, K. 386c/407: III. Allegro
(1782)
-
Quintet for Horn, Violin, 2 Violas and Cello in E-flat major, K. 386c/407: I. Allegro
(1782)
-
Fantasia for Piano in D minor, K. 397/385g
(1782)
-
Concerto for Piano no. 12 in A major, K. 385p / K3 386a / KV 414: I. Allegro
(1782)
-
Concerto for Piano no. 12 in A major, K. 385p / K3 386a / KV 414: II. Andante
(1782)
-
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: II. Andante
(1782)
-
Concerto for Piano no. 13 in C major, K. 387b/415: II. Andante
(1782 - 1783)
-
Concerto for Piano no. 13 in C major, K. 387b/415: III. Rondeau. Allegro
(1782 - 1783)
-
Concerto for Piano no. 11 in F major, K. 387a/413
(1782 - 1783)
-
Missa in c-Moll, K.427/417a ('Große Messe'): V. Benedictus
(1782 - 1783)
-
Concerto for Piano no. 13 in C major, K. 387b/415
(1782 - 1783)
-
Concerto for Piano no. 11 in F major, K. 387a/413
(1782 - 1783)
-
Missa in c-Moll, K.427/417a ('Große Messe')
(1782 - 1783)
-
Concerto for Piano no. 13 in C major, K. 387b/415
(1782 - 1783)
-
Concerto for Piano no. 13 in C major, K. 387b/415: I. Allegro
(1782 - 1783)
-
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est”
(1782 - 1783)
-
Concerto for Piano no. 13 in C major, K. 387b/415: II. Andante
(1782 - 1783)
-
Concerto for Piano no. 13 in C major, K. 387b/415: III. Rondeau. Allegro
(1782 - 1783)
-
Missa in c-Moll, K.427/417a ('Große Messe'): I. Kyrie
(1782 - 1783)
-
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
(1782 - 1783)
-
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
(1782 - 1783)
-
Missa in c-Moll, K.427/417a ('Große Messe'): IV. Sanctus
(1782 - 1783)
-
Concerto for Piano no. 11 in F major, K. 387a/413: II. Larghetto
(1782 - 1783)
-
Concerto for Piano no. 11 in F major, K. 387a/413: III. Tempo di menuetto
(1782 - 1783)
-
Concerto for Piano no. 11 in F major, K. 387a/413: I. Allegro
(1782 - 1783)
-
Concerto for Piano no. 13 in C major, K. 387b/415: I. Allegro
(1782 - 1783)
-
Violin Sonata in C major, K. 403/385c
(1782 - 1784)
-
Violin Sonata in C major, K. 403/385c: I. Allegro moderato
(1782 - 1784)
-
Violin Sonata in C major, K. 403/385c: II. Andante
(1782 - 1784)
-
Adagio in B-flat major, K. 411
(1783 - 1784)
-
5 Divertimentos
(1783 - 1788)
-
Sonata for Piano no. 10 in C major, K. 300h/330
(1783)
-
Sonata for Piano no. 12 in F major, K. 300k/332
(1783)
-
Duo for Violin & Viola no. 2 in B-flat major, K. 424
(1783)
-
Duo for Violin & Viola no. 1 in G major, K. 423
(1783)
-
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso
(1783)
-
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”: II. Andante
(1783)
-
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”: III. Minuetto & Trio
(1783)
-
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”: IV. Presto
(1783)
-
Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso
(1783)
-
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”: I. Adagio - Allegro spiritoso
(1783)
-
Sonata for Piano no. 13 in B-flat major, K. 315c/333
(1783)
-
Duo for Violin & Viola no. 1 in G major, K. 423: II. Adagio
(1783)
-
Duo for Violin & Viola no. 2 in B-flat major, K. 424: I. Adagio - Allegro
(1783)
-
Duo for Violin & Viola no. 2 in B-flat major, K. 424: II. Andante cantabile
(1783)
-
Duo for Violin & Viola no. 2 in B-flat major, K. 424: III. Tema con variazioni. Andante grazioso
(1783)
-
Sonata for Piano no. 10 in C major, K. 300h/330: II. Andante cantabile
(1783)
-
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
(1783)
-
6 Variations on Giovanni Paisiello: I filosofi immaginari: "Salve tu, Domine" for Piano in F major, K. 416e/398
(1783)
-
Duo for Violin & Viola no. 1 in G major, K. 423: III. Rondeau. Allegro
(1783)
-
Sonata for Piano no. 10 in C major, K. 300h/330: I. Allegro moderato
(1783)
-
Sonata for Piano no. 12 in F major, K. 300k/332: I. Allegro
(1783)
-
Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio
(1783)
-
Andantino for Piano in E-flat major, K. 588b/236
(1783)
-
Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile
(1783)
-
Symphony no. 36 for Orchestra in C major, K. 425 “Linz”
(1783)
-
Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante
(1783)
-
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
(1783)
-
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
(1783)
-
Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro
(1783)
-
Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro
(1783)
-
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso
(1783)
-
Sonata for Piano no. 10 in C major, K. 300h/330: III. Allegretto
(1783)
-
Sonata for Piano no. 12 in F major, K. 300k/332: III. Allegro assai
(1783)
-
Fugue for 2 Pianos in C minor, K. 426: Allegro moderato
(1783)
-
Duo for Violin & Viola no. 1 in G major, K. 423: I. Allegro
(1783)
-
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: II. Minuetto
(1783)
-
Violin Sonata in B-flat major, K. 454
(21 Apr 1784)
-
Sonata for Piano no. 14 in C minor, K. 457: I. Molto allegro
(1784 - 14 Oct 1784)
-
Concerto for Horn no. 3 in E-flat major, K. 447: I. Allegro
(1784 - 1787)
-
Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto
(1784 - 1787)
-
Concerto for Horn no. 3 in E-flat major, K. 447: III. Allegro
(1784 - 1787)
-
Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis": III. Allegro vivace
(1784 - 30 Sep 1784)
-
Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis": I. Allegro vivace
(1784 - 30 Sep 1784)
-
Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto
(1784 - 30 Sep 1784)
-
Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis"
(1784 - 30 Sep 1784)
-
Sonata for Piano no. 14 in C minor, K. 457: III. Allegro assai
(1784 - 14 Oct 1784)
-
Sonata for Piano no. 14 in C minor, K. 457
(1784 - 14 Oct 1784)
-
Concerto for Piano and Orchestra no. 19 in F major, K. 459: III. Allegro assai
(1784 - 11 Dec 1784)
-
Concerto for Piano and Orchestra no. 19 in F major, K. 459: I. Allegro
(1784 - 11 Dec 1784)
-
Concerto for Piano and Orchestra no. 19 in F major, K. 459
(1784 - 11 Dec 1784)
-
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
(1784 - 12 Apr 1784)
-
Sonata for Piano no. 14 in C minor, K. 457: II. Adagio
(1784 - 14 Oct 1784)
-
Concerto for Piano and Orchestra no. 19 in F major, K. 459: II. Allegretto
(1784 - 11 Dec 1784)
-
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto
(1784)
-
Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Rondo. Allegretto
(1784)
-
Concerto for Piano no. 14 in E-flat major, K. 449 "First Ployer"
(1784)
-
Concerto for Piano no. 16 in D major, K. 451
(1784)
-
Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: II. Larghetto
(1784)
-
8 Variations on G. Sarti: "Come un'agnello" from "Fra i due litiganti" for Piano in A major, K. 454a/460
(1784)
-
10 Variations on "Unser dummer Pöbel meint", K.455
(1784)
-
Concerto for Piano no. 14 in E-flat major, K. 449 "First Ployer": II. Andantino
(1784)
-
Concerto for Piano no. 16 in D major, K. 451: III. Rondo. Allegro di molto
(1784)
-
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": I. Allegro
(1784)
-
Quartet for Strings no. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt"
(1784)
-
Concerto for Piano no. 16 in D major, K. 451: I. Allegro assai
(1784)
-
Concerto for Piano no. 16 in D major, K. 451: II. Andante
(1784)
-
Concerto for Piano no. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace
(1784)
-
Concerto for Piano no. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo
(1784)
-
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro
(1784)
-
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante]
(1784)
-
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro
(1784)
-
Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452
(1784)
-
Quartet for Strings no. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": IV. Allegro assai
(1784)
-
Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: I. Largo - allegro moderato
(1784)
-
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": II. Andante
(1784)
-
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450
(1784)
-
Concerto for Piano no. 22 in E-flat major, K. 482
(Dec 1785 - 1785)
-
Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro
(Dec 1785)
-
Concerto for Piano no. 22 in E-flat major, K. 482
(Dec 1785)
-
Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante
(Dec 1785)
-
Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro
(Dec 1785)
-
Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro
(Dec 1785)
-
Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante
(Dec 1785)
-
Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro
(Dec 1785)
-
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": I. Allegro
(1785 - 1787)
-
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": II. Minuetto. Maestoso & Trio
(1785 - 1787)
-
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile
(1785 - 1787)
-
Divertimento for 2 Horns & Strings in F major, K. 522 “Ein musikalischer Spaß”: IV. Presto
(1785 - 1787)
-
Concerto for Piano no. 24 in C minor, K. 491: III. Allegretto
(1785 - 24 Mar 1786)
-
Concerto for Piano no. 24 in C minor, K. 491: I. Allegro
(1785 - 24 Mar 1786)
-
Concerto for Piano no. 24 in C minor, K. 491: II. Larghetto
(1785 - 24 Mar 1786)
-
Concerto for Piano no. 24 in C minor, K. 491
(1785 - 24 Mar 1786)
-
Concerto for Piano no. 24 in C minor, K. 491: III. Allegretto
(1785 - 24 Mar 1786)
-
Concerto for Piano no. 24 in C minor, K. 491: II. Larghetto
(1785 - 24 Mar 1786)
-
Concerto for Piano no. 24 in C minor, K. 491: I. Allegro
(1785 - 24 Mar 1786)
-
Concerto for Piano no. 24 in C minor, K. 491
(1785 - 24 Mar 1786)
-
Concerto for Piano no. 21 in C major, K. 467
(1785 - 09 Mar 1785)
-
Concerto for Piano no. 21 in C major, K. 467: I. Allegro
(1785 - 09 Mar 1785)
-
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai
(1785 - 09 Mar 1785)
-
Concerto for Piano no. 21 in C major, K. 467: II. Andante
(1785 - 09 Mar 1785)
-
Concerto for Piano no. 21 in C major, K. 467: I. Allegro
(1785 - 09 Mar 1785)
-
Concerto for Piano no. 21 in C major, K. 467: II. Andante
(1785 - 09 Mar 1785)
-
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai
(1785 - 09 Mar 1785)
-
Concerto for Piano no. 21 in C major, K. 467
(1785 - 09 Mar 1785)
-
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai
(1785 - 09 Mar 1785)
-
Concerto for Piano no. 21 in C major, K. 467: II. Andante
(1785 - 09 Mar 1785)
-
Concerto for Piano no. 21 in C major, K. 467: I. Allegro
(1785 - 09 Mar 1785)
-
Concerto for Piano no. 21 in C major, K. 467
(1785 - 09 Mar 1785)
-
Violin Sonata in E-flat major, K. 481
(1785)
-
Violin Sonata in E-flat major, K. 481: II. Adagio
(1785)
-
Violin Sonata in E-flat major, K. 481: IIIg. Variation VI. Allegro
(1785)
-
Fantasie Nr. 4 in c-Moll, KV 475
(1785)
-
Violin Sonata in E-flat major, K. 481
(1785)
-
Quartet for Piano no. 1 in G minor, K. 478: I.
(1785)
-
Violin Sonata in E-flat major, K. 481: I. Allegro molto
(1785)
-
Concerto for Piano no. 20 in D minor, K. 466
(1785)
-
Song for Voice & Piano in G major, K. 476 “Das Veilchen”: “Ein Veilchen auf der Wiese stand”
(1785)
-
Quartet for Piano no. 1 in G minor, K. 478: II. Andante
(1785)
-
Violin Sonata in E-flat major, K. 481: IIIb. Variation I
(1785)
-
Violin Sonata in E-flat major, K. 481: IIId. Variation III
(1785)
-
Violin Sonata in E-flat major, K. 481: IIIe. Variation IV
(1785)
-
Violin Sonata in E-flat major, K. 481: IIIf. Variation V
(1785)
-
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro
(1785)
-
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai
(1785)
-
Violin Sonata in E-flat major, K. 481: IIIa. Tema. Allegretto
(1785)
-
Violin Sonata in E-flat major, K. 481: IIIc. Variation II
(1785)
-
Quartet for Piano no. 1 in G minor, K. 478: III. Rondeau
(1785)
-
Maurerische Trauermusik für Orchester c-Moll, K. 479a/477
(1785)
-
Fantasia no. 4 in C minor, KV 475: I. Adagio
(1785)
-
Fantasia no. 4 in C minor, KV 475: II. Allegro
(1785)
-
Fantasia no. 4 in C minor, KV 475: III. Andantino
(1785)
-
Fantasia no. 4 in C minor, KV 475: V. Tempo Primo
(1785)
-
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
(1785)
-
Violin Sonata in E-flat major, K. 481: III. Theme and Variations
(1785)
-
Violin Sonata in E-flat major, K. 481: I. Allegro molto
(1785)
-
Quartet for Piano no. 1 in G minor, K. 478
(1785)
-
Einsam bin ich, meine Liebe in D minor, KV 475a, K. Anh.26
(1785)
-
Quartet for Piano no. 1 in G minor, K. 478: I. Allegro
(1785)
-
Fantasia no. 4 in C minor, KV 475: IV. Più Allegro
(1785)
-
Concerto for Piano no. 20 in D minor, K. 466
(1785)
-
Violin Sonata in E-flat major, K. 481: II. Adagio
(1785)
-
Violin Sonata in E-flat major, K. 481: III. Allegretto
(1785)
-
Eine kleine Nachtmusik, K. 525: II. Minuetto I & Trio
(1785 - 1786)
-
Quartet for Strings no. 20 in D major, K. 499 "Hoffmeister": III. Adagio
(1786)
-
Le nozze di Figaro, K. 492: Sinfonia
(1786)
-
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
(1786)
-
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Ouvertüre
(1786)
-
The Marriage of Figaro: Act IV
(1786)
-
The Marriage of Figaro: Act III
(1786)
-
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile
(1786)
-
Le nozze di Figaro, K. 492: Sinfonia
(1786)
-
Concerto for Horn no. 4 in E-flat major, K. 495: I. Allegro
(1786)
-
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante
(1786 - 02 Mar 1786)
-
Concerto for Piano and Orchestra no. 23 in A major, K. 488
(1786 - 02 Mar 1786)
-
Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro
(1786 - 02 Mar 1786)
-
Concerto for Piano and Orchestra no. 23 in A major, K. 488: III. Allegro assai
(1786 - 02 Mar 1786)
-
Concerto for Piano and Orchestra no. 23 in A major, K. 488: III. Allegro assai
(1786 - 02 Mar 1786)
-
Cadenza for the First Movement of the Piano Concerto in A major (K. 488), K. 626aI/61, KV 624/31
(1786 - 02 Mar 1786)
-
Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro
(1786 - 02 Mar 1786)
-
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio)
(1786 - 02 Mar 1786)
-
Concerto for Piano and Orchestra no. 23 in A major, K. 488
(1786 - 02 Mar 1786)
-
Le nozze di Figaro, K. 492: Sinfonia
(1786)
-
Le nozze di Figaro, K. 492: Sinfonia
(1786)
-
Rondo no. 2
(1786)
-
The Marriage of Figaro
(1786)
-
The Marriage of Figaro: Act I
(1786)
-
The Marriage of Figaro: Act II
(1786)
-
Le nozze di Figaro
(1786)
-
Le nozze di Figaro, K. 492
(1786)
-
Le nozze di Figaro, K. 492: Atto I
(1786)
-
Le nozze di Figaro, K. 492: Atto II
(1786)
-
Le nozze di Figaro, K. 492: Atto III
(1786)
-
Le nozze di Figaro, K. 492: Atto IV
(1786)
-
Quartet for Strings no. 20 in D major, K. 499 "Hoffmeister"
(1786)
-
Quartet for Piano no. 2 in E-flat major, K. 493: III. Allegretto
(1786)
-
12 Variations on an Unknown Allegro for Piano in B-flat major, K. 500
(1786)
-
Rondo D-Dur, KV 485. Allegro
(1786)
-
Quartet for Strings no. 20 in D major, K. 499 "Hoffmeister": I. Allegretto
(1786)
-
Quartet for Strings no. 20 in D major, K. 499 "Hoffmeister": II. Minuetto
(1786)
-
Quartet for Strings no. 20 in D major, K. 499 "Hoffmeister": IV. Allegro
(1786)
-
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
(1786)
-
Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": I. Andante
(1786)
-
Quartet for Piano no. 2 in E-flat major, K. 493: I. Allegro
(1786)
-
Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": II. Minuetto & Trio
(1786)
-
Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": III. Rondo. Allegretto
(1786)
-
Quartet for Piano no. 2 in E-flat major, K. 493: II. Larghetto
(1786)
-
Minuet for Piano in D major, K. 576b / (K3) 594a / KV 355 Fr *178X/c (fragment): Minuetto
(1786 - 1787)
-
Symphony no. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - allegro
(1786 - 06 Dec 1786)
-
Symphony no. 38 for Orchestra in D major, K. 504 "Prague": III. Presto
(1786 - 06 Dec 1786)
-
Symphony no. 38 for Orchestra in D major, K. 504 "Prague": II. Andante
(1786 - 06 Dec 1786)
-
Symphony no. 38 for Orchestra in D major, K. 504 "Prague"
(1786 - 06 Dec 1786)
-
Concerto for Piano and Orchestra no. 25 in C major, K. 503: III. (Allegretto)
(1786 - 04 Dec 1786)
-
Concerto for Piano and Orchestra no. 25 in C major, K. 503: I. Allegro maestoso
(1786 - 04 Dec 1786)
-
Concerto for Piano and Orchestra no. 25 in C major, K. 503: II. Andante
(1786 - 04 Dec 1786)
-
Sechs deutsche Tänze, K. 509: No. 2 in G major
(06 Feb 1787)
-
Sechs deutsche Tänze, K. 509: No. 3 in E-flat major
(06 Feb 1787)
-
Sechs deutsche Tänze, K. 509: No. 4 in F major
(06 Feb 1787)
-
Sechs deutsche Tänze, K. 509: No. 5 in A major
(06 Feb 1787)
-
Sechs deutsche Tänze, K. 509: No. 6 in C major
(06 Feb 1787)
-
Sechs deutsche Tänze, K. 509: No. 1 in D major
(06 Feb 1787 - 06 Feb 1878)
-
Il dissoluto punito, ossia il Don Giovanni, K. 527
(Mar 1787 - Oct 1787)
-
Don Giovanni, K. 527
(Mar 1787 - Oct 1787)
-
Il dissoluto punito, ossia il Don Giovanni, K. 527
(Mar 1787 - Oct 1787)
-
Don Giovanni: Atto I
(Mar 1787 - Oct 1787)
-
Don Giovanni: Atto II
(Mar 1787 - Oct 1787)
-
Don Giovanni
(Mar 1787 - Oct 1787)
-
Il dissoluto punito, ossia il Don Giovanni, K. 527
(Mar 1787 - Oct 1787)
-
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro
(1787)
-
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro
(1787)
-
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio
(1787)
-
Violin Sonata in A major, K. 526
(1787)
-
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
(1787)
-
Violin Sonata in A major, K. 526: I. Molto allegro
(1787)
-
Violin Sonata in A major, K. 526: I. Molto allegro
(1787)
-
Violin Sonata in A major, K. 526: II. Andante
(1787)
-
Violin Sonata in A major, K. 526: III. Presto
(1787)
-
Rondo for Piano no. 3 in A minor, K. 511: Andante
(1787)
-
Song for Voice & Piano in E-flat major, K. 530 "Das Traumbild": "Wo bist du, Bild"
(1787)
-
Don Giovanni: Ouvertura
(1787)
-
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
(1787)
-
Violin Sonata in A major, K. 526
(1787)
-
Violin Sonata in A major, K. 526: III. Presto
(1787)
-
Violin Sonata in A major, K. 526: II. Andante
(1787)
-
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
(1787)
-
String Quintet no. 3 in C major, K. 515
(1787 - 19 Apr 1787)
-
String Quintet no. 4 in G minor, K. 516
(1787 - 16 May 1787)
-
Quintet for 2 Violins, 2 Violas and Cello no. 2 in C minor, K. 516b / 406
(1787)
-
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro
(1787)
-
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
(1787)
-
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio
(1787)
-
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great”: I. Allegro molto
(1788 - 25 Jul 1788)
-
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great”: II. Andante
(1788 - 25 Jul 1788)
-
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great”: IIIb. Trio & IIIa. Minuetto. Allegretto
(1788 - 25 Jul 1788)
-
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante
(1788 - 25 Jul 1788)
-
Symphony no. 40 in G minor, K. 550 “Great”
(1788 - 25 Jul 1788)
-
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great”
(1788 - 25 Jul 1788)
-
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai
(1788 - 25 Jul 1788)
-
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great”: IV. Allegro assai
(1788 - 25 Jul 1788)
-
Divertimento for Violin, Viola & Cello in E-flat major, K. 563: IV. Andante
(1788 - 27 Sep 1788)
-
Divertimento for Violin, Viola & Cello in E-flat major, K. 563: V. Minuetto
(1788 - 27 Sep 1788)
-
Divertimento for Violin, Viola & Cello in E-flat major, K. 563
(1788 - 27 Sep 1788)
-
Divertimento for Violin, Viola & Cello in E-flat major, K. 563: I. Allegro
(1788 - 27 Sep 1788)
-
Divertimento for Violin, Viola & Cello in E-flat major, K. 563: II. Adagio
(1788 - 27 Sep 1788)
-
Divertimento for Violin, Viola & Cello in E-flat major, K. 563: III. Minuetto
(1788 - 27 Sep 1788)
-
Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro
(1788 - 27 Sep 1788)
-
Il dissoluto punito, ossia il Don Giovanni, K. Zu 527 NMA IV/11/10 (concert version): Ouverture. Andante - allegro molto
(1788)
-
Sonata for Piano no. 15 in F major, K. 533: III. Rondeau
(1788)
-
Klaviersonate Nr. 16 C-Dur, KV 545 „Sonata facile“: 2. Andante
(1788)
-
6 Variations on an Original Theme for Piano in F major, K. 547b/54
(1788)
-
Sonata for Piano no. 16 in C major, K. 545 “Sonata semplice”: I. Allegro
(1788)
-
Sonata for Piano no. 16 in C major, K. 545 “Sonata semplice”: II. Andante
(1788)
-
Sonata for Piano no. 16 in C major, K. 545 “Sonata semplice”: III. Rondo. Allegro
(1788)
-
Sonata for Piano no. 15 in F major, K. 533
(1788)
-
Sonata for Piano no. 15 in F major, K. 533: I. Allegro
(1788)
-
Sonata for Piano no. 15 in F major, K. 533: II. Andante
(1788)
-
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
(1788)
-
Adagio for Piano in B minor, K. 540
(1788)
-
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 3. Rondo
(1788)
-
Arietta for Bass and Orchestra in F major, K. 541: Allegretto "Un bacio di mano"
(1788)
-
Sonata for Piano no. 15 in F major, K. 533
(1788)
-
Sonata for Piano no. 16 in C major, K. 545 “Sonata semplice”
(1788)
-
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: 1. Allegro
(1788)
-
Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice"
(1788)
-
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 2. Andante
(1788)
-
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio
(1788 - 25 Jul 1788)
-
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto
(1788 - 25 Jul 1788)
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio
(1788 - 10 Aug 1788)
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
(1788 - 10 Aug 1788)
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
(1788 - 10 Aug 1788)
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
(1788 - 10 Aug 1788)
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
(1788 - 10 Aug 1788)
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio
(1788 - 10 Aug 1788)
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile
(1788 - 10 Aug 1788)
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace
(1788 - 10 Aug 1788)
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace
(1788 - 10 Aug 1788)
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile
(1788 - 10 Aug 1788)
-
Concerto for Piano no. 26 in D major, K. 537 "Coronation": I. Allegro
(1788 - 24 Feb 1788)
-
Concerto for Piano no. 26 in D major, K. 537 "Coronation"
(1788 - 24 Feb 1788)
-
Concerto for Piano no. 26 in D major, K. 537 "Coronation": III. Allegretto
(1788 - 24 Feb 1788)
-
Concerto for Piano no. 26 in D major, K. 537 "Coronation": II. Larghetto
(1788 - 24 Feb 1788)
-
Concerto for Piano no. 26 in D major, K. 537 "Coronation": III. Allegretto
(1788 - 24 Feb 1788)
-
Concerto for Piano no. 26 in D major, K. 537 "Coronation": II. Larghetto
(1788 - 24 Feb 1788)
-
Concerto for Piano no. 26 in D major, K. 537 "Coronation": I. Allegro
(1788 - 24 Feb 1788)
-
Concerto for Piano no. 26 in D major, K. 537 "Coronation"
(1788 - 24 Feb 1788)
-
Symphony no. 39 for Orchestra in E-flat major, K. 543
(1788 - 26 Jun 1788)
-
Symphony no. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto
(1788 - 26 Jun 1788)
-
Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio. Da capo
(1788 - 26 Jun 1788)
-
Symphony no. 39 for Orchestra in E-flat major, K. 543: I. Adagio - Allegro
(1788 - 26 Jun 1788)
-
Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro
(1788 - 26 Jun 1788)
-
9 Variations for Piano in D major on a Menuet by Duport, K. 573
(29 Apr 1789)
-
Quartet for Strings no. 21 in D major, K. 575 "Quartetti Prussian": I. Allegretto
(Jun 1789)
-
Quartet for Strings no. 21 in D major, K. 575 "Quartetti Prussian": II. Andante
(Jun 1789)
-
Quartet for Strings no. 21 in D major, K. 575 "Quartetti Prussian": III. Minuetto. Allegretto & Trio
(Jun 1789)
-
Quartet for Strings no. 21 in D major, K. 575 "Quartetti Prussian": IV. Allegretto
(Jun 1789)
-
Quartet for Strings no. 21 in D major, K. 575 "Quartetti Prussian"
(Jun 1789)
-
Adagio F‐Dur, KV Anh 94/580a
(Sep 1789)
-
Adagio for English Horn, 2 Horns & Bassoon in C major, K. 580a/Anh 94 (fragment): Adagio
(Sep 1789)
-
Adagio for Winds in F, K. 580a/Anh. 94
(Sep 1789)
-
Sonata for Piano no. 17 in B-flat major, K. 570
(1789)
-
Sonata for Piano no. 17 in B-flat major, K. 570: I. Allegro
(1789)
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
(1789)
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": IV. Allegretto con variazioni
(1789)
-
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt"
(1789)
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
(1789)
-
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda
(1789)
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegretto
(1789)
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
(1789)
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": III. Menuetto
(1789)
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": IV. Allegretto con Variazioni
(1789)
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
(1789)
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": III. Minuetto
(1789)
-
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio
(1789)
-
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto
(1789)
-
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro
(1789)
-
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda
(1789)
-
Sonata for Piano no. 17 in B-flat major, K. 570
(1789)
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro
(1789)
-
Sonata for Piano no. 17 in B-flat major, K. 570: II. Adagio
(1789)
-
Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto
(1789)
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
(1789)
-
Così fan tutte ossia La scuola degli amanti, K. 588
(1789 - 1790)
-
Così fan tutte
(1789 - 1790)
-
Fantasia for Mechanical Organ in F minor, K. 594: Adagio - Allegro
(1790)
-
Fantasia for Mechanical Organ in F minor, K. 594
(1790)
-
Fantasia for Mechanical Organ in F minor, K. 594
(1790)
-
Così fan tutte: Ouvertura
(1790)
-
Concerto for Clarinet in A major, K. 622: I. Allegro
(28 Sep 1791 - 07 Oct 1791)
-
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro
(28 Sep 1791 - 07 Oct 1791)
-
Concerto for Clarinet in A major, K. 622
(28 Sep 1791 - 07 Oct 1791)
-
Concerto for Clarinet in A major, K. 622: II. Adagio
(28 Sep 1791 - 07 Oct 1791)
-
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis
(1791)
-
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis
(1791)
-
Requiem in D minor, K. 626: VII. Communio: Lux aeterna
(1791)
-
Requiem in D minor, K. 626: V. Sanctus: a. Sanctus Dominus Deus Sabaoth
(1791)
-
6 German Dances for Orchestra, K. 606: No. 1 in B-flat major
(1791)
-
6 German Dances for Orchestra, K. 606: No. 2 in B-flat major
(1791)
-
6 German Dances for Orchestra, K. 606: No. 3 in B-flat major
(1791)
-
6 German Dances for Orchestra, K. 606: No. 4 in B-flat major
(1791)
-
6 German Dances for Orchestra, K. 606: No. 5 in B-flat major
(1791)
-
Fantasia for Mechanical Organ in F minor, K. 608
(1791)
-
3 German Dances for Orchestra, K. 605: No. 1 in D major. German Dance & Trio
(1791)
-
3 German Dances for Orchestra, K. 605: No. 2 in G major. German Dance & Trio
(1791)
-
6 German Dances for Orchestra, K. 606
(1791)
-
Contredanse for Orchestra in E-flat major, K. 605a / 607: "Il Trionfo delle Donne"
(1791)
-
Concerto for French Horn no. 1 in D major, K. 386b / KV 412: I. Allegro
(1791)
-
Concerto for French Horn no. 1 in D major, K. 386b / KV 514 (Süßmayr completion): II. Rondo. Allegro
(1791)
-
La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro)
(1791)
-
Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola & Cello in C minor, K. 617
(1791)
-
Requiem in D minor, K. 626: II. Kyrie eleison
(1791)
-
Requiem in D minor, K. 626: VI. Agnus Dei
(1791)
-
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher)
(1791)
-
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 19 Recitativi "Dove s'intese mai più contumace infedeltà? ... Publio. - Cesare." (Tito, Publio)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 20 Recitativo "Non giova lusingarsi" (Vitellia, Servilia, Annio)
(1791)
-
La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia)
(1791)
-
La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia)
(1791)
-
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos)
(1791)
-
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
(1791)
-
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro)
(1791)
-
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro)
(1791)
-
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib)
(1791)
-
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben)
(1791)
-
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno)
(1791)
-
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro)
(1791)
-
Die Zauberflöte: Akt I. Schlußchor „Wenn Tugend und Gerechtigkeit” (Chor)
(1791)
-
Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Papageno! Wo denkst du, daß wir uns befinden?" (Tamino, Papageno, Sprecher, Zweiter Sprecher)
(1791)
-
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester)
(1791)
-
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos)
(1791)
-
Die Zauberflöte: Akt I. Dialog „Haha... Pst... Was soll denn das Lachen?” (Drei Sklaven, Monostatos)
(1791)
-
Die Zauberflöte: Akt I. Monolog „Mutter! Mutter!” … „Wie? Noch schlägt dies Herz?” (Pamina)
(1791)
-
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno)
(1791)
-
Die Zauberflöte: Akt I. Rezitativ „Die Weisheitslehre dieser Knaben” (Tamino, Coro)
(1791)
-
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino)
(1791)
-
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino)
(1791)
-
8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613
(1791)
-
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam
(1791)
-
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
(1791)
-
Die Zauberflöte: Akt I. Dialog „Papageno!” ... „Aha! Das geht mich an” (Drei Damen, Papageno, Tamino)
(1791)
-
Die Zauberflöte: Akt I. Dialog „Rüste dich mit Mut und Standhaftigkeit, schöner Jüngling” (Drei Damen, Tamino)
(1791)
-
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen)
(1791)
-
Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie
(1791)
-
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum
(1791)
-
La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 15 Coro "Ah grazie si rendano" (Coro, Tito)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 16 Recitativo "No, così scellerato" (Tito, Annio, Publio)
(1791)
-
La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio)
(1791)
-
La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito) / Recitativi "Ingrato!" (Tito)
(1791)
-
La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Servilia! Augusta!" (Tito, Servilia)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 13 Recitativi "Partir deggio, o restar? ... Sesto! - Che chiedi?" (Sesto, Vitellia, Publio)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Annio, Sesto, Tito)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Del più sublime soglio" (Tito)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia)
(1791)
-
La clemenza di Tito, K. 621: Ouverture
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia) / "Chi ciecamente crede" (Vitellia)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene III. Recitativo "Amico, ecco il momento" (Annio, Sesto)
(1791)
-
Die Zauberflöte: Akt II. „Triumph! Triumph! Du edles Paar!” (Chor)
(1791)
-
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena)
(1791)
-
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro)
(1791)
-
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae
(1791)
-
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus
(1791)
-
Die Zauberflöte, K. 620
(1791)
-
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester)
(1791)
-
Die Zauberflöte, K. 620: Act I, Scene XV. "O ew'ge Nacht, wann wirst du schwinden?"
(1791)
-
Die Zauberflöte, K. 620: Act I, Scene XVII. "Wer viel wagt, gewinnt oft viel!"
(1791)
-
Die Zauberflöte: Akt I. „Führt diese beiden Fremdlinge” (Sarastro, Chor)
(1791)
-
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino)
(1791)
-
Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
(1791)
-
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen)
(1791)
-
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino)
(1791)
-
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)
(1791)
-
Die Zauberflöte: Akt I. „Könnte jeder brave Mann” (Pamina, Papageno)
(1791)
-
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester)
(1791)
-
Concerto Movement in G for Basset Horn, K. 621b/584b
(1791)
-
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro
(1791)
-
Requiem in D minor, K. 626 HV. 241
(1791)
-
Il flauto magico
(1791)
-
Requiem, K. 626
(1791)
-
Requiem, K. 626
(1791)
-
Requiem in D minor, K. 626: II. Dies irae
(1791)
-
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam
(1791)
-
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 21 Aria "S'altro che lagrime" (Servilia)
(1791)
-
6 German Dances for Orchestra, K. 606: No. 6 in B-flat major
(1791)
-
Die Zauberflöte, K. 620: Ouverture
(1791)
-
Requiem in D minor, K. 626
(1791)
-
Fantasia for Mechanical Organ in F minor, K. 608
(1791)
-
Andante for Mechanical Organ in F major, K. 616
(1791)
-
Requièm Mass in D minor, K. 626: IIIi. Sequenz: "Lacrimosa"
(1791)
-
Die Zauberflöte: Ouvertüre
(1791)
-
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino)
(1791)
-
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher)
(1791)
-
Die Zauberflöte: Akt I. „Nun, stolzer Jüngling; nur hierher!” (Monostatos, Pamina, Tamino, Gefolge, Sarastro)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 24 Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Servilia, Sesto, Annio, Publio)
(1791)
-
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito)
(1791)
-
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) / Recitativo "Sesto!" (Sesto, Annio, Servilia, Publio, Vitellia, Coro)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 12 Recitativo "Sesto, come tu credi" (Annio, Sesto)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 15 Recitativo "Già de' pubblici giuochi" (Publio, Tito)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 18 Recitativo "Odimi, oh Sesto; siam soli" (Tito, Sesto)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 13 Aria "Torna di Tito a lato" (Annio)
(1791)
-
Requiem in D minor, K. 626: II. Dies irae
(1791)
-
Requiem in D minor, K. 626: III. Tuba mirum
(1791)
-
Requiem in D minor, K. 626: IV. Rex tremendae
(1791)
-
Die Zauberflöte, K. 620: Act II, Scene XVIII. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
(1791)
-
Die Zauberflöte, K. 620: Ouverture
(1791)
-
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa
(1791)
-
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro
(1791)
-
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro
(1791)
-
Fantasia for Mechanical Organ in F minor, BV B 91
(1791)
-
La clemenza di Tito, K. 621: Ouverture
(1791)
-
The Magic Flute
(1791)
-
The Magic Flute: Act II
(1791)
-
The Magic Flute: Act I
(1791)
-
Die Zauberflöte
(1791)
-
Il flauto magico: Atto II
(1791)
-
Il flauto magico: Atto I
(1791)
-
Andante for Mechanical Organ in F major, K. 616
(1791)
-
Andante for Mechanical Organ in F major, K. 616
(1791)
-
Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola & Cello in C minor, K. 617
(1791)
-
Fantasia for Mechanical Organ in F minor, K. 608
(1791)
-
Die Zauberflöte, K. 620: Ouverture
(1791)
-
Motet in D major, K. 618: “Ave verum corpus”
(1791)
-
La clemenza di Tito, K. 621: Act II, Scene IX. Recitativo "Ma, Publio, ancora Sesto non viene?" (Publio, Tito)
(1791)
-
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro
(1791)
-
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro
(1791)
-
Requiem in D minor, K. 626
(1791)
-
Requiem in D minor, K. 626
(1791)
-
Requiem in D minor, K. 626: I. Introitus: “Requiem aeternam”
(1791)
-
Requiem in D minor, K. 626: II. “Kyrie eleison”
(1791)
-
Requiem in D minor, K. 626: IIIa. Sequenz: “Dies irae”
(1791)
-
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno)
(1791)
-
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa
(1791)
-
Die Zauberflöte, K. 620: Akt I: "Freue dich und fasse Mut, schöner Jungling!"
(1791)
-
Die Zauberflöte: Akt I. Dialog „Bin ich nicht ein Narr” (Papageno, Pamina)
(1791)
-
Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514 (Süßmayr completion)
(1791)
-
Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola & Cello in C minor, K. 617
(1791)
-
Die Zauberflöte, K. 620: Act I, Scene XIV. Monologue
(1791)
-
Die Zauberflöte: Akt II. No. 9 Marsch der Priester
(1791)
-
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester)
(1791)
-
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie
(1791)
-
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina)
(1791)
-
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino)
(1791)
-
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro)
(1791)
-
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena)
(1791)
-
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen)
(1791)
-
Die Zauberflöte: Akt I. Monolog „Wo bin ich?” (Tamino)
(1791)
-
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht)
(1791)
-
Die Zauberflöte: Akt I. Monolog „Ist’s denn auch Wirklichkeit, was ich sah?” (Tamino)
(1791)
-
Die Zauberflöte,: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino)
(1791)
-
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester)
(1791)
-
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino)
(1791)
-
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno)
(1791)
-
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher)
(1791)
-
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina)
(1791)
-
La clemenza di Tito, K. 621: Act II, No. 16 Aria "Tardi s'avvede" (Publio)
(1791)
-
Requiem in D minor, K. 626
(1791)
-
La clemenza di Tito, K. 621
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito)
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativi "Felice me! ...Ancora mi schernisce?" (Servilia, Vitellia, Sesto)
(1791)
-
Ave verum corpus, K. 618
(1791)
-
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven)
(1791)
-
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher)
(1791)
-
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina)
(1791)
-
La Flûte enchantée
(1791)
-
Requiem in D minor, K. 626: XI. Benedictus
(1791)
-
Requiem in D minor, K. 626: XII. Agnus Dei
(1791)
-
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae
(1791)
-
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces
(1791)
-
Requiem in D minor, K. 626: V. Recordare Jesu
(1791)
-
Requiem in D minor, K. 626: VI. Confutatis maledictis
(1791)
-
Requiem in D minor, K. 626: VII. Lacrimosa dies illa
(1791)
-
Requiem in D minor, K. 626: VIII. Domine Jesu Christe
(1791)
-
Requiem in D minor, K. 626: IX. Hostias et preces tibi
(1791)
-
Requiem in D minor, K. 626: X. Sanctus
(1791)
-
Requiem in D minor, K. 626
(1791)
-
Requiem in D minor, K. 626: I. Requiem aeternam
(1791)
-
Die Zauberflöte: "Der Vogelfänger bin ich ja"
(1791)
-
Fantasia for Mechanical Organ in F minor, K. 608
(1791)
-
Requièm Mass in D minor, K. 626: VI. "Agnus Dei"
(1791)
-
La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia da capo
(1791)
-
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam
(1791)
-
Requiem in D minor, K. 626: II. Kyrie eleison
(1791)
-
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis
(1791)
-
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis
(1791)
-
Requièm Mass in D minor, K. 626: IIIe. Sequenz: "Rex tremendae"
(1791)
-
Requièm Mass in D minor, K. 626: IIIf. Sequenz: "Recordare"
(1791)
-
Requièm Mass in D minor, K. 626: IIIg. Sequenz: "Ingemisco Tamquam"
(1791)
-
Requièm Mass in D minor, K. 626: IIIh. Sequenz: "Confutatis"
(1791)
-
Requièm Mass in D minor, K. 626: IV. Offertorium: "Domine Jesu"
(1791)
-
Requièm Mass in D minor, K. 626: V. "Sanctus"
(1791)
-
Requiem in D minor, K. 626
(1791)
-
Requièm Mass in D minor, K. 626: I. Introitus: "Requiem aeternam" / II. Kyrie
(1791)
-
Requièm Mass in D minor, K. 626: IIIa. Sequenz: "Dies irae"
(1791)
-
Requièm Mass in D minor, K. 626: IIIb. Sequenz: "Tuba mirum"
(1791)
-
Requièm Mass in D minor, K. 626: IIIc. Sequenz: "Liber scriptus"
(1791)
-
Requièm Mass in D minor, K. 626: IIId. Sequenz: "Quid Sum Miser"
(1791)
-
Requiem in D minor, K. 626: IVb. Offertorium: “Hostias”
(1791)
-
Requiem in D minor, K. 626: V. “Sanctus”
(1791)
-
Requiem in D minor, K. 626: VI. “Benedictus”
(1791)
-
Requiem in D minor, K. 626: VII. “Agnus Dei”
(1791)
-
Requiem in D minor, K. 626: VIII. Communio: “Lux aeterna”
(1791)
-
Requiem in D minor, K. 626
(1791)
-
Requiem in D minor, K. 626: IIIb. Sequenz: “Tuba mirum”
(1791)
-
Requiem in D minor, K. 626: IIIc. Sequenz: “Rex tremendae”
(1791)
-
Requiem in D minor, K. 626: IIId. Sequenz: “Recordare”
(1791)
-
Requiem in D minor, K. 626: IIIe. Sequenz: “Confutatis”
(1791)
-
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa”
(1791)
-
Requiem in D minor, K. 626: IVa. Offertorium: “Domine Jesu”
(1791)
-
Adagio and Rondo for Glass Armonica, Flute, Oboe, Viola & Cello in C minor, K. 617: II. Rondo
(1791)
-
Adagio and Rondo for Glass Armonica, Flute, Oboe, Viola & Cello in C minor, K. 617: I. Adagio
(1791)
-
Piano Concerto no. 20 in D minor, KV. 466: III. Allegro assai
-
Piano Concerto no. 25 in C major, KV. 503: I. Allegro maestoso
-
Piano Concerto no. 25 in C major, KV. 503: II. Andante
-
Piano Concerto no. 25 in C major, KV. 503: III. Allegretto
-
Piano Concerto no. 25 in C major, KV. 503
-
모짜르트 교향곡 40번 1악장
-
Serenade in B-flat major, K. 370a/361 “Gran Partita”: III. Adagio
-
Ave verum corpus de Mozart, S. 674d
-
Ballet Music for Idomeneo, rè di Creta, K. 367
-
Ballet Music for Idomeneo, rè di Creta in D major, K. 367: I. Chaconne
-
Le nozze di Figaro, K. 492: Recitativo and Aria “Giunse alfin il momento” - “Deh vieni, non tardar”
-
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9
-
Missa in C, K. 257 “Credo”
-
Adagio and Fugue in C minor, K. 546: I. Adagio
-
Adagio and Fugue in C minor, K. 546: II. Fugue
-
Adagio and Fugue in C minor, K. 546
-
Divertimento no. 16 in E-flat major, K. 289/271g
-
Divertimento no. 3 for Wind Ensemble in E-flat major, K. 159d/166
-
Meistermusik
-
Fantasia no. 4 in C minor, KV 475
-
Concertante Suite from "Idomeneo"
-
6 Preludes and Fugues, K. 404a
-
Grand Fantasia on Don Giovanni
-
Acht Deutsche Tänze für kleines Orchester
-
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great"
-
La clemenza di Tito, K. 621: Act II, Scene X. Recitativo "E pur mi fa pietà" (Tito, Sesto)
-
La clemenza di Tito, K. 621: Act II, Scene XII. Recitativo "Publio, ascolta!" (Vitellia, Publio)
-
La clemenza di Tito, K. 621: Act II, Scene XVI. Recitativo "Pria che principio" (Tito, Annio, Servilia)
-
Adagio and Fugue in C minor, K. 546
-
Ill Wind
-
Eine kleine Nachtmusik Cha Cha Cha
-
Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens": NMA no. 10 Allegro
-
Ballet Music in C major, K. 299b / KV Anh 10 (doubtful) "Les petits riens": NMA no. 14 -
-
Ballet Music in C major, K. 299b / KV Anh 10 (doubtful) "Les petits riens": NMA no. 5 Agite
-
Così fan tutte: Atto I. Recitativo “Fuor la spada” (Ferrando, Guglielmo, Don Alfonso)
-
La Flûte enchantée : Acte II. « Ah ! L’ingrat par son silence » (Pamina)
-
Fantasia no. 4 in C minor, KV 475: I. Adagio
-
Fantasia no. 4 in C minor, KV 475: II. Allegro
-
Minuet
-
Serenade no. 7 in D major, K. 248b/250 "Haffner": IV. Rondo
-
Divertimento no. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 289/271g: I. Adagio - Allegro
-
Divertimento no. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 289/271g: II. Minuetto & Trio
-
Divertimento no. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 289/271g: III. Adagio
-
Divertimento no. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 289/271g: IV. Finale: Presto
-
Concerto for Piano no. 20 in D minor, K. 466
-
Concerto for Piano no. 21 in C major, K. 467: II. Andante
-
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai
-
Concerto for Piano no. 21 in C major, K. 467
-
Divertimento no. 17 in D major, K. 334: III. Minuetto
-
Divertimento in C: II. [Allegro], K. 15a
-
Andantino in C major, K. 15b
-
Minuet in G major, K. 15c
-
Rondo in D major, K. 15d
-
Contredanse in G major, K. 15e
-
Minuet in C major, K. 15f
-
Contredanse in B-flat major, K. 15gg
-
Prelude in G major, K. 15g
-
Contredanse in F major, K. 15h
-
Minuet in A major, K. 15i
-
Andante in B-flat major, K. 15ii
-
Piano Sonata in E-flat major, K. 15kk
-
Sicilianos in D minor, K. 15u
-
Andante in E-flat major, K. 15mm
-
Contredanse in A major, K. 15l
-
Presto in B-flat major, K. 15ll
-
Andante in C major, K. 15n
-
Minuet in F major, K. 15m
-
Andante in D major, K. 15o
-
Piano Sonata in G minor, K. 15p
-
Piano Sonata in F major, K. 15x
-
Andante in B-flat major, K. 15q
-
Andante in G minor, K. 15r
-
Piano Sonata in D major, K. 15bb
-
Minore in A minor, K. 15k
-
Gigue in C minor, K. 15z
-
Piano Sonata in F major, K. 15t
-
Piano Sonata in F major, K. 15v
-
Minuet in E-flat major, K. 15qq
-
Sérénade KV 525 « Eine Kleine Nachtmusik » : Allegro
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) / No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) / Duetto “Fuggi, crudele, fuggi! Ah vendicar, se il puoi” (Donna Anna, Don Ottavio)
-
Symphony no. 37 in G major, K. 444/425a: I. Andante maestoso
-
Die Hochzeit des Figaro: Akt I. Rezitativ „Noch ist nicht alles verloren” (Marcellina, Susanna)
-
Die Hochzeit des Figaro: Akt I. Nr. 5 Duett „Nur vorwärts, ich bitte” (Susanna, Marcellina)
-
Die Hochzeit des Figaro: Akt I. Rezitativ „Fahr hin, du alte Törin” (Susanna, Cherubin)
-
Die Hochzeit des Figaro: Akt I. Nr. 6 Arie „Ach, ich weiß je nicht mehr” (Cherubin)
-
Die Hochzeit des Figaro: Akt I. Rezitativ „Ich bin verloren, der Graf!” (Cherubin, Graf, Susanna, Basilio)
-
Die Hochzeit des Figaro: Akt I. Nr. 7 Terzett „Wie, was hör ich?” (Graf, Basilio, Susanna)
-
Die Hochzeit des Figaro: Akt I. Rezitativ „Basilio, schnell hole Figaro” (Graf, Susanna, Cherubin, Basilio)
-
Die Hochzeit des Figaro: Akt I. Rezitativ und Chor „Was sollte die Komödie?” (Graf, Figaro, Susanna, Chor)
-
Die Hochzeit des Figaro: Akt I. Chor „Er lebe!” (Chor)
-
Die Hochzeit des Figaro: Akt I. Rezitativ „Nun, Herr Hauptmann” (Figaro)
-
Die Hochzeit des Figaro: Akt I. Nr. 9 Arie „Nun vergiß leises Flehn” (Figaro)
-
Oboe Concerto in C major, K. 314: I. Allegro aperto
-
Oboe Concerto in C major, K. 314: II. Andante ma non troppo
-
Oboe Concerto in C major, K. 314: III. Allegro - Cadenza - Allegro
-
Adagio and Fugue in C minor, K. 546
-
Adagio and Fugue in C minor, K. 546: I. Adagio
-
Adagio and Fugue in C minor, K. 546: II. Fugue
-
Quartet for Piano no. 2 in E-flat major, K. 493
-
Quartet for Piano no. 2 in E-flat major, K. 493: II. Larghetto
-
Quartet for Piano no. 2 in E-flat major, K. 493: I. Allegro
-
Quartet for Piano no. 2 in E-flat major, K. 493: III. Allegretto
-
In te Domine speravi Es-Dur
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, Scena XIV.
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Die Entführung aus dem Serail, K. 384: Akt I, Szene V. Dialog "Geschwind, geschwind auf die Seite" (Pedrillo)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "O, des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. Dialog "Wie traurig das gute Mädchen daherkommt!" (Blonde)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. Dialog "Ach mein bestes Fräulein" (Blonde, Konstanze)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Wahrhaftig, das muß ich gestehen" (Pedrillo, Osmin)
-
Die Entführung aus dem Serail, K. 384: Akt III, Szene I. Dialog "Hier, lieber Klaas" (Pedrillo, Klaas) / Akt III, Szene II. Dialog "Ach! — Ich muß Atem holen" (Pedrillo, Belmonte) / Akt III, Szene III. Dialog "O Konstanze, Konstanze! Wie schlägt mir das Herz!" (Belmonte)
-
Die Entführung aus dem Serail, K. 384: Akt III, Szene VIII. Dialog "Ach, Herr, wir sind hin!" (Pedrillo, Blonde)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. "Pst, Blondchen, pst!" (Pedrillo, Blonde)
-
Così fan tutte, K. 588: Atto I, Scena 1
-
Così fan tutte, K. 588: Atto I, Scena II
-
Così fan tutte, K. 588: Atto I, Scena III
-
Così fan tutte, K. 588: Atto I, Scena IV
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Così fan tutte, K. 588: Atto I, Scena V
-
Così fan tutte, K. 588: Atto I, Scena VI
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Così fan tutte, K. 588: Atto I, Scena XI
-
Così fan tutte, K. 588: Atto I, Scena XII
-
Così fan tutte, K. 588: Atto I, Scena XIV-XVI
-
Così fan tutte, K. 588: Atto II, Scena I
-
Così fan tutte, K. 588: Atto II, Scena II
-
Così fan tutte, K. 588: Atto II, Scena IV
-
Così fan tutte, K. 588: Atto II, Scena V
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Così fan tutte, K. 588: Atto II, Scena VII
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Così fan tutte, K. 588: Atto II, Scena VIII
-
Così fan tutte, K. 588: Atto II, Scena IX
-
Così fan tutte, K. 588: Atto II, Scena X
-
Così fan tutte, K. 588: Atto II, Scena XI-XII
-
Così fan tutte, K. 588: Atto II, Scena XIII
-
Così fan tutte, K. 588: Atto II, Scena XV-XVIII
-
Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella)
-
Koffie
-
Geklap
-
Menuett in F major
-
Der Stein der Weisen, act 2
-
Der Stein der Weisen
-
"Les Petits Riens", K. Anh. 10: V. Allegro
-
"Les Petits Riens", K. Anh. 10: VI. Gavotte joyeuse (Allegro)
-
"Les Petits Riens", K. Anh. 10: VII. Adagio
-
"Les Petits Riens", K. Anh. 10: VIII. Cornemuse
-
"Les Petits Riens", K. Anh. 10: IX. Gavotte gracieuse
-
"Les Petits Riens", K. Anh. 10: X. Pantomime
-
"Les Petits Riens", K. Anh. 10: XI. Passepied
-
"Les Petits Riens", K. Anh. 10: XII. Gavotte
-
"Les Petits Riens", K. Anh. 10: XIII. Andante
-
Variations and Coda in G for Piano Four-Hands
-
3 Trios for Flute, Violin, Chello: Trio No. 1: I. Allegro
-
3 Trios for Flute, Violin, Chello: Trio No. 1: II. Adagio
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3 Trios for Flute, Violin, Chello: Trio No. 1: III. Menuetto
-
3 Trios for Flute, Violin, Chello: Trio No. 1: IV. Rondo: Allegro
-
Trio No. 2: I. Allegro
-
Trio No. 2: II. Larghetto
-
Trio No. 2: III. Menuetto
-
Trio No. 2: IV. Allegro
-
Trio No. 3: I. Allegro
-
Trio No. 3: II. Larghetto
-
Trio No. 3: III. Polonaise
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1
-
Divertimento in B-flat major, K. Anh. 229/439b no. 2
-
Divertimento in B-flat major, K. Anh. 229/439b no. 3
-
Divertimento in B-flat major, K. Anh. 229/439b no. 5
-
Divertimento in B-flat major, K. Anh. 229/439b no. 4
-
Sonata no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
-
Menuett in C major
-
Die Zauberflöte: Akt II. „Pamina, wo bist du?” (Tamino, Papageno)
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Requiem in D minor, K. 626: III. Sequenz: g. Amen
-
Requiem in D minor, K. 626
-
Requiem in D minor, K. 626
-
Die Entführung aus dem Serail: Ouvertüre
-
Die Entführung aus dem Serail: Nr. 1. “Hier soll ich dich denn sehen”
-
Quartet for Strings no. 15 in D minor, K. 417b/421 "Haydn Quartetti"
-
Die Entführung aus dem Serail: Nr. 2. “Solche hergelauf'ne Laffen”
-
Die Entführung aus dem Serail: Nr. 3. “O wie ängstlich”
-
Die Entführung aus dem Serail: Nr. 4. “Doch wie schnell schwand meine Freude”
-
Die Entführung aus dem Serail: Nr. 5. “Durch Zärtlichkeit und Schmeicheln”
-
Die Entführung aus dem Serail: Nr. 6. “Ich gehe, doch rate ich dir”
-
Die Entführung aus dem Serail: Nr. 7. “Martern aller Arten”
-
Die Entführung aus dem Serail: Nr. 8. “Welche Wonne, welche Lust”
-
Die Entführung aus dem Serail: Nr. 9. “Frisch zum Kampfe!”
-
Die Entführung aus dem Serail: Nr. 10. “Vivat Bacchus! Bacchus lebe!”
-
Die Entführung aus dem Serail: Nr. 11. “Wenn der Freude Tränenflie ßen”
-
Die Entführung aus dem Serail: Nr. 12. “Ach Belmonte!”
-
Die Entführung aus dem Serail: Nr. 13. “Ich baue ganz auf Deine Stärke”
-
Die Entführung aus dem Serail: Nr. 14. “O, wie will ich triumphieren”
-
Die Entführung aus dem Serail: Nr. 15. “Welch ein Geschick! Oo Qual der Seele!”
-
Die Entführung aus dem Serail: Nr. 16. Finale
-
Wolfgang’s Big Night Out
-
Concerto for Violin and Orchestra no. 7 in D major, K. 271i/K2 271a: I. Allegro maestoso
-
Concerto for Violin and Orchestra no. 7 in D major, K. 271i/K2 271a
-
Don Giovanni: Atto I. “Su, svegliatevi, da bravi” (Don Giovanni, Servi)
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1: V. Rondo: Allegro
-
Divertimento in B-flat major, K.Anh.229/439b no. 2: I. Allegro
-
Divertimento in B-flat major, K.Anh.229/439b no. 2: III. Larghetto
-
Divertimento in B-flat major, K.Anh.229/439b no. 2: IV. Menuetto
-
Divertimento in B-flat major, K.Anh.229/439b no. 2: V. Rondo
-
Divertimento in B-flat major, K.Anh.229/439b no. 3: I. Allegro
-
Divertimento in B-flat major, K.Anh.229/439b no. 3: II. Menuetto
-
Divertimento in B-flat major, K.Anh.229/439b no. 3: III. Adagio
-
Divertimento in B-flat major, K.Anh.229/439b no. 3: IV. Menuetto
-
Divertimento in B-flat major, K.Anh.229/439b no. 3: V. Rondo: Allegro assai
-
Divertimento in B-flat major, K. Anh. 229/439b no. 4: I. Allegro
-
Divertimento in B-flat major, K. Anh. 229/439b no. 4: II. Larghetto
-
Divertimento in B-flat major, K. Anh. 229/439b no. 4: III. Menuetto
-
Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Vattene, prence" (Idomeneo, Idamante)
-
Divertimento in B-flat major, K. Anh. 229/439b no. 4: V. Allegretto
-
Divertimento in B-flat major, K.Anh.229/439b no. 5: I. Adagio
-
Divertimento in B-flat major, K.Anh.229/439b no. 5: II. Menuetto
-
Divertimento in B-flat major, K.Anh.229/439b no. 5: III. Adagio
-
Divertimento in B-flat major, K.Anh.229/439b no. 5: V. Polonaise
-
Die Entführung aus dem Serail
-
Divertimento in B-flat major, K. Anh. 229/439b no. 4: IV. Adagio
-
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
-
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum
-
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie
-
Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie
-
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces
-
Requiem in D minor, K. 626: V. Sanctus: a. Sanctus Dominus Deus Sabaoth
-
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus
-
Requiem in D minor, K. 626: VI. Agnus Dei
-
Requiem in D minor, K. 626: VII. Communio: Lux aeterna
-
Piano Concerto no. 10 in E-flat major, KV. 365: I. Allegro
-
Piano Concerto no. 10 in E-flat major, KV. 365: II. Andante
-
Piano Concerto no. 24 in C minor, KV. 491: I. Allegro
-
Piano Concerto no. 24 in C minor, KV. 491: II. Larghetto
-
Piano Concerto no. 24 in C minor, KV. 491: III. Allegretto
-
Piano Concerto no. 10 in E-flat major, KV. 365
-
Piano Concerto no. 24 in C minor, KV. 491
-
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto
-
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante
-
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio
-
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai
-
Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis"
-
Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis": I. Allegro vivace
-
Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto
-
Concerto for Piano no. 18 in B-flat major, K. 456 "Paradis": III. Allegro vivace
-
Piano Concerto no. 20 in D minor, KV. 466: II. Romanza
-
Requiem in D minor, K. 626
-
Le nozze di Figaro, K. 492: Overture
-
Papageno’s Song
-
Music to a Pantomime for Orchestra in D major, K. 416d / KV 446 (Franz Beyer completion): Adagio - allegro - allegro assai
-
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro)
-
Piano Solo 96
-
Die Hochzeit des Figaro: Akt II. Nr. 14 Duettino „Geschwind die Tür geöffnet“ (Susanna, Cherubino)
-
Rondo alla turca
-
Twinkle, Twinkle, Little Star
-
Violin Sonata in F major, K. 57
-
Violin Sonata in F major, K. 55
-
9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 : Variation 6
-
Sonata for Violin & Piano no. 31 in C major, K. 385d/404 (Julius André completion)
-
Requiem in D minor, K. 626: V. Sanctus
-
Requiem in D minor, K. 626: IV. Offertorium
-
Musik zu einer Pantomime, K. 446 "Pantalon et Colombine"
-
Musik zu einer Pantomime, K. 446 "Pantalon et Colombine": Pantomime No. 4
-
Musik zu einer Pantomime, K. 446 "Pantalon et Colombine": Pantomime No. 6
-
Musik zu einer Pantomime, K. 446 "Pantalon et Colombine": Pantomime No. 4 (Reprise)
-
Le nozze di Figaro : « Porgi amor »
-
Le nozze di Figaro : « E Susanna non vien… Dove Sono » / Récitatif « Io vi dico »
-
Le nozze di Figaro : Récitatif « Cosa mi narri!... » / Duettino « Che soave zeffiretto »
-
Cosi Fan Tutte : « Temerari! Sortite!... Come scoglio »
-
Don Giovanni : « Crudele!... Non di mir »
-
Don Giovanni : « In quali eccessi... Mi tradì »
-
Die Schlacht. Contretanz, KV 535
-
Theme, Interludes and Re-variations
-
O worship the King
-
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna)
-
Concerto for Horn no. 4 in E-flat major, K. 495
( - 26 Jun 1786)
-
Concerto for Horn no. 4 in E-flat major, K. 495
( - 26 Jun 1786)
-
Die Gärtnerin aus Liebe, K. 196: Akt I
-
Ave Verum Corpus
-
La Flûte enchantée : « Ah ! Venge‐moi »
-
La Flûte enchantée : Acte I. Air de la vision « Ne tremble pas »
-
Missa in C minor K. 427/417a: Sanctus: Sanctus
-
Missa in C minor K. 427/417a: Sanctus: Osanna
-
Eine kleine Freimaurer‐Cantate, KV 623
-
Die Hochzeit des Figaro: Akt I. Nr. 1 Duett „Fünfe, Zehne, Zwanzig” (Figaro, Susanna)
-
Die Hochzeit des Figaro: Akt I. Rezitativ „Sag, was hast du da zu messen?” (Susanna, Figaro)
-
Die Hochzeit des Figaro: Akt I. Nr. 2 Duett „Sollt einstens die Gräfin” (Figaro, Susanna)
-
Die Hochzeit des Figaro: Akt I. Rezitativ „Wohlan, so hör und schweige” (Susanna, Figaro)
-
Die Hochzeit des Figaro: Akt I. Rezitativ „Bravo mein gnäd’ger Gebieter” (Figaro)
-
Die Hochzeit des Figaro: Akt I. Nr. 3 Kavatine „Will der Herr Graf ein Tänzchen nun wagen” (Figaro)
-
Die Hochzeit des Figaro: Akt I. Rezitativ „Und sie konnten warten” (Bartolo, Marcellina)
-
Die Hochzeit des Figaro: Akt I. Nr. 4 Arie „Süße Rache, ja, süße Rache” (Bartolo)
-
Fantasia no. 4 in C minor, KV 475: III. Andantino
-
Fantasia no. 4 in C minor, KV 475: IV. Più Allegro
-
Fantasia no. 4 in C minor, KV 475: V. Tempo Primo
-
Andante in A-flat major, K. 15dd
-
Minuet in E-flat major, K. 15cc
-
Minuet in A-flat major, K. 15ff
-
Piano Sonata in B-flat major, K. 15aa
-
Minuet in E-flat major, K. 15ee
-
Minuet in B-flat major, K. 15pp
-
Fugue for 4 Voices in A minor, K. 15ss
-
Rondo in F major, K. 15hh
-
Piano Sonata in F major, K. 15nn
-
Minuet in F major, K. 15oo
-
Allemande in B-flat major, K. 15w
-
Minuet in C major, K. 15rr
-
O venerabilis barba capucinorum
-
Concert Rondo in E-flat, K. 371
-
Oy, Chuck and Katie
-
Rondo in E-flat major, K. 371
-
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro
-
Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514
-
Missa Brevis in B-flat major, K. 275
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena I.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena II.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena III.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena IV.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena VI.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena VII.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena X.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena XI.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena XII.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena XIV.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, Scena IX.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, Scena X.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, Scena XII.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, Scena XIII.
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, Scena XV.
-
Turkish March
-
Salve Regina, KV Anh. C 3.01
-
Quis te comprehendat Es-Dur
-
Notturni : Più non si trovano KV 549
-
Abendempfindung KV 523
-
Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: III. Minuetto
-
Larghetto and Allegro, K. deest: I. Larghetto
-
Larghetto and Allegro, K. deest: II. Allegro
-
Larghetto and Allegro, K. deest
-
Così fan tutte, K. 588: Atto II, Scena VI
-
Sonata for Piano no. 6 in D major, K. 205b/284 "Dürnitz": I.
-
Oboe Concerto in F major, K.293/416f
-
Die Entführung aus dem Serail, K. 384
-
Die Entführung aus dem Serail, K. 384: Act II, Scene IV. Dialog "Ist das ein Traum?" (Selim)
-
Die Entführung aus dem Serail, K. 384: Act III, Scene IX. Dialog "Nun,Sklave! Elender Sklave!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin)
-
Die Entführung aus dem Serail, K. 384: Act III, Scene V. Dialog "Was gibt's, Osmin, was gibt's?" (Selim, Osmin, Konstanze, Belmonte)
-
2 Fugues, K. 154a: No. 1 in G
-
2 Fugues, K. 154a: No. 2 in D
-
2 Fugues, K. 154a, Anh. A 61/62
-
Sechs deutsche Tänze, K. 509
-
20 Menuette, K. 61d/103
-
20 Menuette, K. 61d/103: No. 18 in A major
-
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam
-
Requiem in D minor, K. 626: II. Kyrie eleison
-
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae
-
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum
-
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae
-
Requiem in D minor, K. 626: III. Sequenz: d. Recordare
-
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis
-
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa
-
Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christe
-
Requiem in D minor, K. 626: V. Agnus Dei
-
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces
-
Requiem in D minor, K. 626: VI. Communio
-
Fugue for String Trio in G, K. 404b/443
-
Fugue for String Trio in G, K. 404b/443
-
Rondo for Clarinet and Strings in B-flat, K. 516d
-
Ah più tremar non voglio, K. 71
-
Laut verkünde unsre Freude, K. 623
-
Le nozze di Figaro, K. 492: Act III, Scene VI. No. 20 Aria “Dove sono i bei momenti” (La Contessa)
-
Die Zauberflöte, K. 620: Act I, Scene XVII. "Das klinget so herrlich" (Monostatos, Sklaven)
-
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5a. Marcia
-
Violin Sonata in C major, K. 404: I. Andante
-
Violin Sonata in C major, K. 404: II. Allegretto
-
Don Giovanni: “Là ci darem la mano”
-
Tantum ergo, K. Anh. C 3.04/142
-
12 Menuette, K. 61d/103
-
12 Menuette, K. 61d/103: Menuetto no. 1
-
12 Menuette, K. 61d/103: Menuetto no. 2
-
12 Menuette, K. 61d/103: Menuetto no. 3
-
12 Menuette, K. 61d/103: Menuetto no. 4
-
12 Menuette, K. 61d/103: Menuetto no. 5
-
12 Menuette, K. 61d/103: Menuetto no. 6
-
12 Menuette, K. 61d/103: Menuetto no. 7
-
12 Menuette, K. 61d/103: Menuetto no. 8
-
12 Menuette, K. 61d/103: Menuetto no. 9
-
12 Menuette, K. 61d/103: Menuetto no. 10
-
12 Menuette, K. 61d/103: Menuetto no. 11
-
12 Menuette, K. 61d/103: Menuetto no. 12
-
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide)
-
Die Zauberflöte, K. 620
-
Quintet no. 2 in C minor, K. 516b/406: I. Allegro
-
Quintet no. 2 in C minor, K. 516b/406: II. Andante
-
Quintet no. 2 in C minor, K. 516b/406: III. Menuetto in canone; Trio
-
Quintet no. 2 in C minor, K. 516b/406: IV. [Allegro]
-
Quintet no. 2 in C minor, K. 516b/406
-
Die Nacht ist finster, K. Anh. C 9.03/Anh. 441b
-
Die Singstunde, K. Anh. C 9.04/Anh. 441c
-
Stille, stille! Leise, still! (Terzett)
-
Verewigt glüht hier Herz und Sinn (Terzett)
-
Freundin! Ich komm mit der Zither (Terzett)
-
Quartet for Strings no. 12 in B-flat major, K. 172 "Quartetti Vienna": II. Adagio
-
Sonata for Piano no. 12 in F major, K. 300k/332: II. Adagio
-
Allegro assai in B major for 2 Clarinets and 3 Basset Horns, K. 484b / 440b / Anh. 95
-
Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro
-
Così fan tutte: Atto I. “Come si muovono” (Fiordiligi, Dorabella, Despina, Don Alfonso)
-
Minuet
-
Prelude (Fantasia) and Fugue in C major, K. 394 (383a): Adagio - Andante - Più adagio - Tempo I - Fuga. Andante maestoso
-
Concerto for Violin and Piano in D major, K. 315f/Anh. 56: I. Allegro
-
Concerto for Violin and Piano in D major, K. 315f/Anh. 56: II. Andantino cantabile
-
Concerto for Violin and Piano in D major, K. 315f/Anh. 56: III. Allegretto – Allegro
-
Concerto for Violin and Piano in D major, K. 315f/Anh. 56
-
Klavierstück in B-flat major, K. Deest
-
Menuett in C, K. 61g II
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Concerto for Cello and Orchestra in D major, K. 447: I. Allegro
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Concerto for Cello and Orchestra in D major, K. 447: II. Romanze
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Concerto for Cello and Orchestra in D major, K. 447: III. Rondo
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Concerto for Cello and Orchestra in D major, K. 447
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Divertimento in E-flat major, K. Anh. C 17.01/Anh. 226
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Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces
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Requiem in D minor, K. 626: V. Sanctus: a. Sanctus Dominus Deus Sabaoth
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Requiem in D minor, K. 626: V. Sanctus: b. Benedictus
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Requiem in D minor, K. 626: VI. Agnus Dei
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Requiem in D minor, K. 626: VII. Communio: Lux aeterna
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Ave verum corpus
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Canon for 4 Voices in 1 in F major, K. 554: Andante. "Ave Maria"
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Concerto after J. C. Bach no. 1 in D major, K. 107 no. 1
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Concerto after J. C. Bach no. 1 in D major, K. 107 no. 1: II. Andante
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Concerto after J. C. Bach no. 1 in D major, K. 107 no. 1: III. Tempo di menuetto
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Concerto after J. C. Bach no. 3 in E-flat major, K. 107 no. 3
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Concerto after J. C. Bach no. 3 in E-flat major, K. 107 no. 3: II. Allegretto
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Concerto after J. C. Bach no. 3 in E-flat major, K. 107 no. 3: I. Allegro
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Concerto after J. C. Bach no. 2 in G major, K. 107 no. 2
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Concerto after J. C. Bach no. 2 in G major, K. 107 no. 2: II. Allegretto
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Die Hochzeit des Figaro: Akt II. Rezitativ „Bravo, welch schöne Stimme” (Gräfin, Susanna, Cherubin)
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Die Hochzeit des Figaro: Akt II. „Gnäd’ger Herr, von Ihren Händen” (Marcelline, Bartolo, Basilio, Graf, Figaro, Gräfin, Susanna)
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Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": VI. Marcia alla francese
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Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: IV. Adagio
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Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: V. Finale. Presto
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Divertimento no. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: II. Andante
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Divertimento no. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: III. Minuetto
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Divertimento no. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: IV. Allegro
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Divertimento no. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: I. Allegro
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Divertimento no. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: III. Minuetto & Trio I & Trio II & Trio III & Coda
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Divertimento no. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: V. Minuetto & Trio I & Trio II & Coda
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Divertimento no. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: VI. Adagio - Allegro molto - Allegro assai
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Divertimento no. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: VIIc. Allegro assai
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Divertimento no. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": I. Allegro
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Divertimento no. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": III. Minuetto
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Divertimento no. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": V. Minuetto
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Serenade no. 8 in D major, K. 269a/286 "Notturno for Four Orchestras": II. Allegretto
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Serenade no. 8 in D major, K. 269a/286 "Notturno for Four Orchestras": III. Minuetto
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": I. Molto allegro
-
Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": II. Andante
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": III. Allegro
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": IV. Pastorella
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": V. Allegro
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": VII. Allegro
-
Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": VIII. Molto adagio
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": IX. Allegro
-
March for Orchestra in D major, K. 320a/335 no. 2
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Violin Sonata in F major, K. 374e/377: IIf. Variation V
-
Violin Sonata in F major, K. 374e/377: IIg. Variation VI. Siciliana
-
Allegro for Violin & Piano in B-flat major, K. 372: Allegro
-
Sonata for Violin & Piano no. 29 in A major, K. 385e/402 (fragment): I. Andante
-
Sonata for Violin & Piano no. 29 in A major, K. 385e/402 (fragment): II. Fugo
-
Sonata for Violin & Piano no. 31 in C major, K. 385d/404 (fragment): I. Andante
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Sonata for Violin & Piano no. 31 in C major, K. 385d/404 (fragment): II. Allegretto
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Sonata for Violin & Piano no. 27 in G major, K. 373a/379: IIe. Variation IV
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Sonata for Violin & Piano no. 27 in G major, K. 373a/379: IIf. Variation V. Adagio
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Violin Sonata in F major, K. 547 "For Beginners": IIIa. Tema. Andante
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Violin Sonata in F major, K. 547 "For Beginners": IIIb. Variation I
-
Violin Sonata in F major, K. 547 "For Beginners": IIIc. Variation II
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Violin Sonata in F major, K. 547 "For Beginners": IIId. Variation III
-
Violin Sonata in F major, K. 547 "For Beginners": IIIe. Variation IV
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Violin Sonata in F major, K. 547 "For Beginners": IIIf. Variation V
-
Violin Sonata in F major, K. 547 "For Beginners": IIIg. Variation VI
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Violin Sonata in E-flat major, K. 26: I. Allegro molto
-
Violin Sonata in E-flat major, K. 26: II. Adagio
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Violin Sonata in E-flat major, K. 26: III. Rondeaux. Allegro
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Sonata for Violin & Piano no. 13 in C major, K. 28: I. Allegro maestroso
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Sonata for Violin & Piano no. 13 in C major, K. 28: II. Allegro grazioso
-
Violin Sonata in D major, K. 29: I. Allegro molto
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Violin Sonata in D major, K. 29: II. Minuetto
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Violin Sonata in F major, K. 30: I. Adagio
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Violin Sonata in F major, K. 30: II. Rondeaux
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Violin Sonata in B-flat major, K. 31: I. Allegro
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Violin Sonata in B-flat major, K. 31: II. Tempo di minuetto
-
6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant"
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Church Sonata no. 2 for 2 Violins, Bass & Organ in B-flat major, K. 41i/68
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Church Sonata no. 3 for 2 Violins, Bass & Organ in D major, K. 41k/69
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Church Sonata no. 4 for 2 Violins, Bass & Organ in D major, K. 124a/144
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Church Sonata no. 5 for 2 Violins, Bass & Organ in F major, K. 124b/145
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La finta giardiniera, K. 196: Act II
-
Chorale Prelude from The Magic Flute "Der, welcher wandert diese Straße voll Beschwerden"
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“Soave sia il vento” from Così fan tutte
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 11] in F major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 12] in C major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 13] no. 1 in C major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 14] no. 15 in E-flat major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 15] no. 14 in B-flat major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 16] no. 19 in G major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 17] no. 16 in E major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 18] no. 9 in A major, K. 61d/103
-
19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 19] no. 17 in A major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 20] in C major, K. 61d/103
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March for Orchestra in D major, K. 62
-
March for Orchestra in F major, K. 248
-
Adagio and Fugue in C minor, K. 546
-
Divertimento no. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro assai
-
Divertimento no. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuetto
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Divertimento no. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso
-
Divertimento no. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio
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Divertimento no. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro
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Divertimento no. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai
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Divertimento no. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto
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La finta semplice, K. 46a / KV 51: Act I, Scene III. No. 5 Aria. Allegro moderato "Guarda la donna in viso" (Fracasso)
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Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt"
( - 05 Aug 1786)
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Divertimento no. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante
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Divertimento no. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio
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Divertimento no. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro
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Divertimento in E-flat major, K. Anh. C 17.01/Anh. 226: I. Allegro moderato
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Divertimento in E-flat major, K. Anh. C 17.01/Anh. 226: II. Minuetto
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Divertimento in E-flat major, K. Anh. C 17.01/Anh. 226: III. Romance
-
Divertimento in E-flat major, K. Anh. C 17.01/Anh. 226: IV. Minuetto
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Divertimento in E-flat major, K. Anh. C 17.01/Anh. 226: V. Rondo
-
Divertimento for Wind Ensemble in B-flat major, K. Anh. C 17.02/(K3) 196f/Anh. 227: I. Allegro
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Divertimento for Wind Ensemble in B-flat major, K. Anh. C 17.02/(K3) 196f/Anh. 227: II. Minuetto
-
Divertimento for Wind Ensemble in B-flat major, K. Anh. C 17.02/(K3) 196f/Anh. 227: III. Adagio
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Divertimento for Wind Ensemble in B-flat major, K. Anh. C 17.02/(K3) 196f/Anh. 227: IV. Minuetto
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Divertimento for Wind Ensemble in B-flat major, K. Anh. C 17.02/(K3) 196f/Anh. 227: V. Finale
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6 Minuets for Orchestra, K. 61h/deest: No. 3 in D major
-
6 Minuets for Orchestra, K. 61h/deest: No. 4 in B-flat major
-
16 Minuets for Orchestra, K. 176: No. 1 in C major
-
16 Minuets for Orchestra, K. 176: No. 3 in E-flat major
-
16 Minuets for Orchestra, K. 176: No. 4 in B-flat major
-
16 Minuets for Orchestra, K. 176: No. 6 in D major
-
16 Minuets for Orchestra, K. 176: No. 7 in A major
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16 Minuets for Orchestra, K. 176: No. 9 in G major
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16 Minuets for Orchestra, K. 176: No. 11 in F major
-
16 Minuets for Orchestra, K. 176: No. 13 in G major
-
16 Minuets for Orchestra, K. 176: No. 15 in F major
-
Serenade no. 2 for Orchestra, K. 250a/101: I. Contredanse in F major
-
Serenade no. 2 for Orchestra, K. 250a/101: II. Contredanse in G major
-
Serenade no. 2 for Orchestra, K. 250a/101: III. Contredanse in D major
-
4 Contredanses for Orchestra, K. 271c/267: No. 2 in E-flat major
-
4 Contredanses for Orchestra, K. 271c/267: No. 4 in D major
-
3 Minuets for Orchestra, K. 363: No. 2 in B-flat major
-
6 Minuets for Orchestra, K. 448a/461: No. 1 in C major
-
6 Minuets for Orchestra, K. 448a/461: No. 2 in E-flat major
-
Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216
-
German Dance no. 12 for Orchestra in C major, K. 567 no. 6
-
仲有最靚嘅豬腩肉
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Cherubino (Two Arias from The Marriage of Figaro): Non so più
-
Cherubino (Two Arias from The Marriage of Figaro): Voi che sapete
-
Cherubino (Two Arias from The Marriage of Figaro)
-
Don Giovanni (Serenade)
-
6 Minuets for Orchestra, K. 448a/461: No. 3 in G major
-
6 Minuets for Orchestra, K. 448a/461: No. 4 in B-flat major
-
6 Minuets for Orchestra, K. 448a/461: No. 5 in F major
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6 Contredanses for Orchestra, K. 448b/462: No. 1 in C major
-
6 Contredanses for Orchestra, K. 448b/462: No. 2 in E-flat major
-
6 Contredanses for Orchestra, K. 448b/462: No. 3 in B-flat major
-
6 Contredanses for Orchestra, K. 448b/462: No. 4 in D major
-
6 Contredanses for Orchestra, K. 448b/462: No. 5 in B-flat major
-
6 Contredanses for Orchestra, K. 448b/462: No. 6 in F major
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2 Minuets with Contredanse for Orchestra, K. 448c/463 "Quadrilles": No. 1 in F major
-
2 Minuets with Contredanse for Orchestra, K. 448c/463 "Quadrilles": No. 2 in B-flat major
-
Contredanse in D major, K. 534 “Das donnerwetter”
-
Contredanse for Orchestra in C major, K. 535 "La bataille"
-
German Dance for Orchestra in D major, K. 536 no. 4
-
German Dance for Orchestra in B-flat major, K. 567 no. 6
-
German Dance no. 9 for Orchestra in D major, K. 567 no. 3
-
12 Minuets for Orchestra, K. 568: No. 5 in G major
-
12 Minuets for Orchestra, K. 568: No. 8 in F major
-
12 Minuets for Orchestra, K. 568: No. 9 in B-flat major
-
Violin Sonata in B-flat major, K. 10: I. Allegro
-
Violin Sonata in B-flat major, K. 10: II. Andante
-
Violin Sonata in B-flat major, K. 10: III. Minuetto
-
Violin Sonata in G major, K. 11: I. Andante
-
Violin Sonata in G major, K. 11: II. Minuetto. Allegro
-
Violin Sonata in A major, K. 12: I. Andante
-
Violin Sonata in A major, K. 12: II. Allegro
-
Violin Sonata in F major, K. 13: I. Allegro
-
Violin Sonata in F major, K. 13: II. Andante
-
Violin Sonata in F major, K. 13: III. Minuetto
-
Violin Sonata in C major, K. 14: I. Allegro
-
Violin Sonata in C major, K. 14: II. Allegro
-
Violin Sonata in C major, K. 14: III. Minuetto
-
Violin Sonata in B-flat major, K. 15: I. Andante maestoso
-
Violin Sonata in B-flat major, K. 15: II. Allegro grazioso
-
6 Minuets for Orchestra, K. 599: No. 1 in C major
-
String Quintet in B-flat major, K. 46: IV. Rondo: Allegro molto
-
Vuodenajat
-
Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": III. Minuetto
-
"Les Petits Riens", K. Anh. 10: II. Gavotte
-
Clarinet Quintet, KV 581: IV. Allegretto con variazioni: Aria
-
6 Minuets for Orchestra, K. 599: No. 2 in G major
-
6 Minuets for Orchestra, K. 599: No. 3 in E-flat major
-
6 Minuets for Orchestra, K. 599: No. 4 in B-flat major
-
6 Minuets for Orchestra, K. 599: No. 5 in F major
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6 Minuets for Orchestra, K. 599: No. 6 in D major
-
2 Minuets for Orchestra, K. 604: No. 1 in B-flat major
-
2 Minuets for Orchestra, K. 604: No. 2 in E-flat major
-
4 German Dances for Orchestra, K. 602: No. 1 in B-flat major
-
4 German Dances for Orchestra, K. 602: No. 2 in F major
-
4 German Dances for Orchestra, K. 602: No. 3 in C major
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4 German Dances for Orchestra, K. 602: No. 4 in A major
-
Quartet Movement for Strings in G minor, K. 587a/Anh 74 (fragment) "Der Sieg vom Helen Koburg"
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Quartet for Flute, Violin, Viola & Cello no. 3 in C major, K. 285b/Anh 171: I. Allegro
-
Quartet for Flute, Violin, Viola & Cello no. 3 in C major, K. 285b/Anh 171: II. Tema con variazioni. Andantino
-
Quartet for Flute, Violin, Viola & Cello no. 4 in A major, K. 298: I. Tema (andantino) con variazione
-
Quartet for Flute, Violin, Viola & Cello no. 4 in A major, K. 298: II. Minuetto
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Quartet for Flute, Violin, Viola & Cello no. 4 in A major, K. 298: III. Rondeau
-
Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola & Cello in C minor, K. 617: I. Adagio
-
Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola & Cello in C minor, K. 617: II. Rondo
-
Trio for Piano no. 1 in B-flat major, K. 254: I. Allegro assai
-
Trio for Piano no. 3 in B-flat major, K. 502: I. Allegro
-
Trio for Piano no. 4 in E major, K. 542: I. Allegro
-
Trio for Piano no. 4 in E major, K. 542: II. Andante grazioso
-
Trio for Piano no. 4 in E major, K. 542: III. Allegro
-
Trio for Piano no. 5 in C major, K. 548: II. Andante cantabile
-
Trio for Piano no. 6 in G major, K. 564: III. Allegretto
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Violin Sonata in F major, K. 374e/377: IIa. Tema. Andante
-
Violin Sonata in F major, K. 374e/377: IIb. Variation I
-
Violin Sonata in F major, K. 374e/377: IIc. Variation II
-
Violin Sonata in F major, K. 374e/377: IId. Variation III
-
Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: I. Allegro
-
Violin Sonata in F major, K. 374e/377: III. Minuetto
-
Divertimento in B-flat major, K. Anh. 229/439b no. 4: V. Allegretto
-
Divertimento in B-flat major, K. Anh. 229/439b no. 4: IV. Adagio
-
Stay With Me ’til the Morning
-
Concerto after J. C. Bach no. 1 in D major, K. 107 no. 1: I. Allegro
-
Notturni : Mi lagnerò tacendo KV 437
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1: I. Allegro
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1: II. Minuetto. Allegretto & Trio
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1: IV. Menuetto
-
Divertimento in B-flat major, K.Anh.229/439b no. 2: II. Menuetto
-
Divertimento in B-flat major, K.Anh.229/439b no. 5: IV. Romance: Andante
-
An Admired Air by Mozart With Variations for the Pianoforte
-
Adagio on a Mozart Theme
-
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
-
Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo)
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Le nozze di Figaro, K. 492: Atto III, Scena X. Recitativo “Cosa mi narri” (La Contessa, Susanna)
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Le nozze di Figaro, K. 492: Atto III, Scena XII-XIII. Recitativo “Questo sono, Madama” (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro)
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Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Amanti costanti seguaci d’onor” (Coro di contadine)
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Le nozze di Figaro, K. 492: Atto III, Scena XIV. (no. 23) Finale. Fandango “Eh già solita usanza” (Il Conte, Figaro) / (no. 23) Finale. Allegretto “Amanti costanti seguaci d’onor” (Barbarina, Coro)
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Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio)
-
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello)
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Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira)
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Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina)
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Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
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Don Giovanni: Atto II. “L’ultima prova dell’amor mio” (Don Giovanni, Leporello, Donna Elvira)
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Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
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Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto)
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Symphony no. 6 in F major, K. 43: I. Allegro
-
Symphony no. 6 in F major, K. 43: III. Minuetto & trio
-
Symphony no. 6 in F major, K. 43: IV. Allegro
-
Symphony no. 7 in D major, K. 45: I. Allegro molto
-
Symphony no. 7 in D major, K. 45: III. Minuetto & trio
-
Symphony no. 8 in D major, K. 48: III. Minuetto & trio
-
Symphony no. 8 in D major, K. 48: IV. Allegro molto
-
Symphony no. 13 in F major, K. 112: IV. Allegro molto
-
Symphony no. 14 in A major, K. 114: IV. Allegro molto
-
Symphony no. 49 in D major, K. 111a/120 "Ascanio in Alba": I. Allegro assai
-
Symphony no. 49 in D major, K. 111a/120 "Ascanio in Alba": II. Andante grazioso
-
Symphony no. 49 in D major, K. 111a/120 "Ascanio in Alba": III. Presto
-
Symphony in D major, K. 207a/121: I. Allegro molto (Overture for La finta giardiniera, K. 196)
-
Symphony in D major, K. 207a/121: II. Andantino grazioso (Overture for La finta giardiniera, K. 196)
-
Symphony in D major, K. 207a/121: III. Allegro
-
Symphony no. 23 in D major, K. 162b/181: I. Allegro spiritoso
-
Symphony no. 23 in D major, K. 162b/181: II. Andantino grazioso
-
Symphony no. 23 in D major, K. 162b/181: III. Presto assai
-
Symphony no. 30 in D major, K. 186b/202: I. Allegro molto
-
Symphony no. 30 in D major, K. 186b/202: IV. Presto
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Concerto after J. C. Bach no. 1 in D major, K. 107 no. 1: I. Allegro
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Concerto after J. C. Bach no. 1 in D major, K. 107 no. 1: II. Andante
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Concerto after J. C. Bach no. 1 in D major, K. 107 no. 1: III. Tempo di menuetto
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Concerto after J. C. Bach no. 2 in G major, K. 107 no. 2: I. Allegro
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Concerto after J. C. Bach no. 2 in G major, K. 107 no. 2: II. Allegretto
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Concerto after J. C. Bach no. 3 in E-flat major, K. 107 no. 3: I. Allegro
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Concerto after J. C. Bach no. 3 in E-flat major, K. 107 no. 3: II. Allegretto
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Concerto for Piano no. 4 in G major, K. 41: III. Allegro molto
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Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: II. Adagio
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Concerto for Piano no. 1 in F major, K. 37: II. Andante
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Concerto for Piano no. 2 in B-flat major, K. 39: I. Allegro spiritoso
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Concerto for Piano no. 2 in B-flat major, K. 39: II. Andante staccato
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Concerto for Piano no. 3 in D major, K. 40: I. Allegro maestoso
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Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: I. Allegro
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Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: III. Andantino con variazioni
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Concerto for Horn in E major, K. 494a/K2 Anh. 98a (fragment): Allegro
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Cassation for Orchestra in B-flat major, K. 63a/99: II. Allegro moderato
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Cassation for Orchestra in B-flat major, K. 63a/99: IV. Minuett
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Cassation for Orchestra in B-flat major, K. 63a/99: VI. Minuett
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Cassation for Orchestra in B-flat major, K. 63a/99: VII. Allegro
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Don Giovanni: Atto II. “Or che tutti, o mio tesoro” … “Resti dunque quel birbon” (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro)
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Sérénade KV 286 « Notturno » : Andante
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Sérénade KV 286 « Notturno » : Allegro grazioso
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Die Entführung aus dem Serail, K. 384: Ouvertüre
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Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte)
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Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
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Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro
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Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio
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Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
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Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro
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Die Zauberflöte, K. 620: Akt I, Scene XIV. (no. 7) Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
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Die Zauberflöte: “Zum Ziele führt dich diese Bahn”
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Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester
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Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus “O Isis und Osiris” (Sarastro, Priester)
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Die Zauberflöte, K. 620: Act II, Scene VIII. no. 14 Aria “Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
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Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": X. Largo
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XII. Andante
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XIV. Menuet
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XV. Adagio
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XVII. Fuga
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Serenade no. 3 for Orchestra in D major, K. 167a/185 "Antretter": I. Allegro assai
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Serenade no. 3 for Orchestra in D major, K. 167a/185 "Antretter": II. Andante
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Serenade no. 3 for Orchestra in D major, K. 167a/185 "Antretter": V. Andante grazioso
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Serenade no. 3 for Orchestra in D major, K. 167a/185 "Antretter": VI. Minuetto
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Serenade no. 3 for Orchestra in D major, K. 167a/185 "Antretter": VII. Adagio - assai
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Serenade no. 4 for Orchestra in D major, K. 189b/203 "Colloredo": II. Andante
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Serenade no. 4 for Orchestra in D major, K. 189b/203 "Colloredo": VII. Minuetto & Trio
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Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": V. Minuetto galante
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Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": VI. Andante
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Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": VIII. Adagio - Allegro assai
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Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: II. Tema con variazioni. Andante
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Adagio for 2 Clarinets & 3 Bassett Horns in B-flat major, K. 484a/411: Adagio
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Notturno for 2 Sopranos, Bass & 3 Basset Horns, in B-flat major, K. 549 "Canzonetta": "Più non si trovano"
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Notturno for 2 Sopranos, Bass, 2 Clarinets & Basset Horn in G major, K. 437: "Mi lagnero tacendo"
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Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": III. Andante
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Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": VI. Minuetto
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Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": IX. Minuetto
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Bastien und Bastienne, K.50: No. 7 Duetto: "Auf den Rat, den ich gegeben" (Colas, Bastienne) Dialog "Na, versteck dich, Bastienne!" (Colas)
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Bastien und Bastienne, K.50: No. 8 Aria: "Großen Dank dir abzustatten" (Bastien) Dialog "es freut mich, daß du endlich zu dir selber kommst" (Colas, Bastien)
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Bastien und Bastienne, K.50: No. 13 Aria: "Geh hin! - Ich will mich in die Stadt begeben" (Bastien, Bastienne)
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Bastien und Bastienne, K.50: No. 14 Recitativo: "Dein Trotz vermehrt sich durch mein Leiden?" Dialog "Un sollte ich wohl ein solcher Narr sein" (Bastien, Bastienne)
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Bastien und Bastienne, K.50: No. 15 Duetto: "Geh! Herz von Flandern! (Bastienne, Bastien)
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Bastien und Bastienne, K.50: No. 16 Terzetto: "Kinder! Kinder!" (Colas, Bastien, Bastienne)
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Divertimento no. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: I. Allegro
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Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Drei Knaben)
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Die Zauberflöte, K. 620: Act II. No. 17 Aria "Ach, ich fühl's, es ist verschwunden"
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Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
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Die Hochzeit des Figaro
-
Die Hochzeit des Figaro: Akt I
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Die Hochzeit des Figaro: Akt IV
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Die Hochzeit des Figaro: Akt II
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Die Hochzeit des Figaro: Akt III
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Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": V. Larghetto
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Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": XII. Allegro
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Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: II. Allegro
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Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: V. Minuetto
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Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: VI. Gavotte
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Divertimento no. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: II. Andante
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Divertimento no. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: IV. Contredanse en rondeau
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Divertimento no. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: II. Andante grazioso
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Divertimento no. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: III. Minuetto
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Divertimento no. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: IV. Allegro
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Divertimento no. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: IV. Presto assai
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Divertimento no. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: II. Minuetto
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Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: I. Allegro molto
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Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: II. Andantino
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Contredanse for Orchestra in B-flat major, K. 73g/123
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 1] in C major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 2] in G major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 3] in D major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 4] in F major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 5] in C major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 6] no. 13 in G major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 7] in D major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 8] in F major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 9] in D major, K. 61d/103
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19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA no. 10] in G major, K. 61d/103
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Song for Solo Voice and Mandolin in G major, K. 367a / KV 349 "Die Zufriedenheit": (Treble) Mäßig. "Was frag' ich viel nach Geld und Gut"
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German Dance no. 11 for Orchestra in F major, K. 567 no. 5
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4 Contredanses for Orchestra, K. 271c/267: No. 1 in G major
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4 Contredanses for Orchestra, K. 271c/267: No. 3 in A major
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La chasse for Orchestra in A major, K. 299d/Anh 103 (Erik Smith completion)
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Gavotte for Orchestra in B major, K. 300
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3 Minuets for Orchestra, K. 363: No. 1 in D major
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3 Minuets for Orchestra, K. 363: No. 3 in D major
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Contredanse for Orchestra in C major, K. 535 "La Bataille": Parte Ima & Parte IIda & Parte IIIza & Parte IVta & Marcia turca
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3 Contredanses for Orchestra (Erik Smith orchestration), K. 535a / deest (doubtful): No. 1 in C major / no. 2 in G major / no. 3 in G major
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German Dance for Orchestra in C major, K. 536 no. 1
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German Dance for Orchestra in G major, K. 536 no. 2
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German Dance for Orchestra in B-flat major, K. 536 no. 3
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German Dance for Orchestra in F major, K. 536 no. 5
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German Dance no. 7 for Orchestra in E-flat major, K. 567 no. 1
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German Dance no. 8 for Orchestra in G major, K. 567 no. 2
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German Dance no. 10 for Orchestra in A major, K. 567 no. 4
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12 Minuets for Orchestra, K. 568: No. 1 in C major
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12 Minuets for Orchestra, K. 568: No. 2 in F major
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12 Minuets for Orchestra, K. 568: No. 3 in B-flat major
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12 Minuets for Orchestra, K. 568: No. 4 in E-flat major
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12 Minuets for Orchestra, K. 568: No. 6 in D major
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12 Minuets for Orchestra, K. 568: No. 7 in A major
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12 Minuets for Orchestra, K. 568: No. 10 in D major
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12 Minuets for Orchestra, K. 568: No. 9 in G major
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12 Minuets for Orchestra, K. 568: No. 12 in C major
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6 German Dances for Orchestra, K. 571: No. 1 in D major. German Dance & Trio
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6 German Dances for Orchestra, K. 571: No. 2 in A major. German Dance & Trio
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6 German Dances for Orchestra, K. 571: No. 3 in C major. German Dance & Trio
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6 German Dances for Orchestra, K. 571: No. 4 in G major. German Dance & Trio
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6 German Dances for Orchestra, K. 571: No. 5 in B-flat major. German Dance & Trio
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6 German Dances for Orchestra, K. 571: No. 6 in D major. German Dance & Trio & Coda
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12 Minuets for Orchestra, K. 585: No. 1 in D major
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12 Minuets for Orchestra, K. 585: No. 2 in F major
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Notturni : Se lontan, ben mio, tu sei KV 438
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Notturni : Duo pupillo ambili KV 439
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From Mozart With Love
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L'oca del Cairo, K. 422
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Don Giovanni: Finale Akt I. »Grazie di tanto onore«
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Le nozze di Figaro: Finale Atto I. »Mora, mora«
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Die Zauberflöte: Akt I. Dialog „He da!” … „Was da!” (Tamino, Papageno)
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Thamos, König in Ägypten, K. 336a/345
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12 Minuets for Orchestra, K. 585: No. 3 in B-flat major
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12 Minuets for Orchestra, K. 585: No. 4 in E-flat major
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12 Minuets for Orchestra, K. 585: No. 5 in G major
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12 Minuets for Orchestra, K. 585: No. 6 in C major
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12 Minuets for Orchestra, K. 585: No. 7 in A major
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12 Minuets for Orchestra, K. 585: No. 8 in F major
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12 Minuets for Orchestra, K. 585: No. 9 in B-flat major
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12 Minuets for Orchestra, K. 585: No. 10 in E-flat major
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12 Minuets for Orchestra, K. 585: No. 11 in G major
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12 Minuets for Orchestra, K. 585: No. 12 in G major
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12 German Dances for Orchestra, K. 586: No. 1 in C major. German Dance & Trio
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12 German Dances for Orchestra, K. 586: No. 2 in G major. German Dance & Trio
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12 German Dances for Orchestra, K. 586: No. 3 in B-flat major. German Dance & Trio
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12 German Dances for Orchestra, K. 586: No. 4 in F major. German Dance & Trio
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12 German Dances for Orchestra, K. 586: No. 5 in A major. German Dance & Trio
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12 German Dances for Orchestra, K. 586: No. 6 in D major. German Dance & Trio
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12 German Dances for Orchestra, K. 586: No. 7 in G major. German Dance & Trio
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12 German Dances for Orchestra, K. 586: No. 8 in E-flat major. German Dance & Trio
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12 German Dances for Orchestra, K. 586: No. 9 in B-flat major. German Dance & Trio
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12 German Dances for Orchestra, K. 586: No. 10 in F major. German Dance & Trio
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12 German Dances for Orchestra, K. 586: No. 11 in A major. German Dance & Trio
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12 German Dances for Orchestra, K. 586: No. 12 in C major. German Dance & Trio
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6 German Dances for Orchestra, K. 600: No. 1 in C major. German Dance & Trio
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6 German Dances for Orchestra, K. 600: No. 2 in F major. German Dance & Trio
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6 German Dances for Orchestra, K. 600: No. 3 in B-flat major. German Dance & Trio
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6 German Dances for Orchestra, K. 600: No. 4 in E-flat major. German Dance & Trio
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6 German Dances for Orchestra, K. 600: No. 5 in G major. German Dance & Trio
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6 German Dances for Orchestra, K. 600: No. 6 in D major. German Dance & Trio
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4 Minuets for Orchestra, K. 601: No. 1 in A major
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4 Minuets for Orchestra, K. 601: No. 2 in C major
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4 Minuets for Orchestra, K. 601: No. 3 in G major
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4 Minuets for Orchestra, K. 601: No. 4 in D major
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Die Entführung aus dem Serail / Il ratto dal seraglio: “Tutte le torture”
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Die Entführung aus dem Serail, K. 384: Ouvertüre
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2 Contredanses for Orchestra, K. 603: No. 1 in D major
-
2 Contredanses for Orchestra, K. 603: No. 2 in B-flat major. Contredanse - Andante - Allegro
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5 Contredanses for Orchestra, K. 609: No. 1 in C major
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5 Contredanses for Orchestra, K. 609: No. 2 in E-flat major
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5 Contredanses for Orchestra, K. 609: No. 3 in D major
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5 Contredanses for Orchestra, K. 609: No. 4 in C major
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5 Contredanses for Orchestra, K. 609: No. 5 in G major
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Contredanse for Orchestra in G major, K. 610 "Les filles malicieuses": Contredanse
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Le nozze di Figaro, KV 492: Atto IV. “Ah tutti contenti”
-
Rondo for Flute and Orchestra in D major, KV 184 Anh: Allegretto grazioso
-
Concerto for Orchestra in E-flat major, K. 371: Rondo. Allegro
-
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9: I. Allegro
-
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9: II. Adagio
-
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9: III. Andantino con variazioni
-
Concerto for Oboe no. 2 in D major, K. 271k (reconstruction from K. 285d/314): I. Allegro aperto (cadenza: Heinz Holliger)
-
Concerto for Oboe no. 2 in D major, K. 271k (reconstruction from K. 285d/314): II. Adagio ma non troppo (cadenza: Heinz Holliger)
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Concerto for Oboe no. 2 in D major, K. 271k (reconstruction from K. 285d/314): III. Rondo. Allegretto (cadenza: Heinz Holliger)
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Quintet for 2 Violins, 2 Violas & Cello no. 1 in B-flat major, K. 174: III. Trio (original discarded movement)
-
Quintet for 2 Violins, 2 Violas & Cello no. 1 in B-flat major, K. 174: IV. Finale. Allegro (original discarded movement)
-
Minuet for String Quartet in F major, K. 168a/deest
-
Church Sonata no. 1 for 2 Violins, Bass & Organ in E-flat major, K. 41h/67
-
Divertimento for Orchestra in F major, K. 246c/288: Allegro
-
Quartet Movement for Strings in B-flat major, K. 589a/Anh 68: Minuet
-
Movement for String Quartet in A major, K. 464a/Anh 72 (Erik Smith completion): Rondo
-
Movement for 2 Violins, 2 Violas, and Cello in B-flat major, K. 514a / Anh 80 (Erik Smith completion): Allegro
-
Quintet Movement in F major, K. 580b
-
Trio for Strings in G major, K. 562e/Anh 66 (fragment): Allegro
-
Quintet for Clarinet in B-flat, K. 516c/Anh 91 (fragment): Allegro
-
Quintet Movement for Strings in A minor, K. 515c/Anh 79 (fragment): Allegro moderato
-
Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": II. Andante
-
Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": III. Minuetto
-
Three Contredanses: In F, K. 15h
-
Three Contredanses: In F, K. 15x
-
Divertimento in C: I. [Maestoso], K. 15b
-
Divertimento in C: III. [Menuetto], K. 15f
-
Divertimento in G minor: I. [Allegro non troppo], K. 15p
-
Divertimento in G minor: II. [Andante], K. 15q
-
Divertimento in G minor: III. [Finale], K. 15r
-
Divertimento in D: I. [Marcia (Andantino)], K. 15o
-
Divertimento in D: II. [Notturno (Andantino)], K. 15bb
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Divertimento in D: III. [Contredance (Allegro)], K. 15l
-
Divertimento in D: IV. [Menuetto - Trio], K. 15i & 15k
-
Divertimento in D: V. [Finale (Allegro moderato)], K. 15d
-
Two Contredanses: In G, K. 15e
-
Two Contredanses: In C minor, K. 15z
-
Divertimento in F: I. [Allegro], K. 15t
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Divertimento in F: II. [Siciliana (Andantino)], K. 15u
-
Divertimento in F: III. [Finale (Allegro)], K. 15v
-
Divertimento in B-flat: I. [Marcia (Andantino)], K. 15ii
-
Divertimento in B-flat: II. [Presto], K. 15ll
-
Divertimento in B-flat: III. [Menuetto - Trio], K. 15p & 15qq
-
Divertimento in B-flat: V. [Cotillon (Allegro)], K. 15gg
-
Divertimento in E-flat: I. [Allegro assai], K. 15kk
-
Divertimento in E-flat: II. [Andante], K. 15dd
-
Rondo zu einem Quintet in A-Dur, K. 581a/Anh. 88
-
Andante and Rondeau, op. 167: Rondeau
-
Fantasia for Piano in C minor, K. 396 (385f)
-
Divertimento in E-flat: III. [Menuetto - Trio], K. 15cc & 15ff
-
Le nozze di Figaro, K. 492: Atto I, Scena I. Recitativo “Cosa stai misurando” (Susanna, Figaro)
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Le nozze di Figaro, K. 492: Atto I, Scena II. Recitativo “Or bene, ascolta e taci!” (Figaro, Susanna)
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Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettaste il giorno fissato a le sue nozze” (Bartolo, Marcellina)
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Le nozze di Figaro, K. 492: Atto I, Scena IV. Recitativo “Tutto ancor non ho perso” (Marcellina, Susanna)
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Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna)
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Le nozze di Figaro, K. 492: Atto I, Scena VI. Recitativo “Ah, son perduto!” (Cherubino, Susanna, Il Conte, Basilio)
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Le nozze di Figaro, K. 492: Atto I, Scena VII. Recitativo “Basilio, in traccia tosto di Figaro volate” (Il Conte, Susanna, Cherubino, Basilio)
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Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 9) Coro “Giovani liete” (Coro)
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Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
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Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
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Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quanto duolmi, Susanna” (La Contessa, Susanna, Cherubino)
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Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Bravo! che bella voce!” (La Contessa, Susanna, Cherubino)
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Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna)
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Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quante buffonerie” (Il Conte, La Contessa, Cherubino, Susanna)
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Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Dunque, voi non aprite?” (Il Conte, La Contessa)
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Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, La Contessa)
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Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Susanna! … Signore!” (Il Conte, La Contessa, Susanna)
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Le nozze di Figaro, K. 492: Atto II, Scena X. (no. 16) Finale “Ah signor… signor” (Antonio, Il Conte, La Contessa, Susanna, Figaro)
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Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro)
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Le nozze di Figaro, K. 492: Atto III, Scena II. Recitativo “Via, fatti core” (La Contessa, Il Conte, Susanna)
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Le nozze di Figaro, K. 492: Atto III, Scena III. Recitativo “E perchè fosti meco” (Il Conte, Susanna, Figaro)
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Le nozze di Figaro, K. 492: Atto III, Scena V. Recitativo “Andiam, andiam, bel paggio” (Barbarina, Cherubino)
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Fragment of a Sonata in B-Flat Major for Piano and Violin, Fr 1782c (Jones Completion 3)
-
Concerto after J. C. Bach no. 1 in D major, K. 107 no. 1
-
Concerto after J. C. Bach no. 2 in G major, K. 107 no. 2
-
Concerto after J. C. Bach no. 3 in E-flat major, K. 107 no. 3
-
Mitridate, rè di Ponto, K. 74a/87: Act III
-
Mitridate, rè di Ponto, K. 74a/87: Act II
-
Mitridate, rè di Ponto, K. 74a/87: Act I
-
Lucio Silla, K. 135: Act II
-
Lucio Silla, K. 135: Act I
-
La finta semplice, K. 46a / KV 51
-
La finta semplice, K. 46a / KV 51: Act I
-
La finta semplice, K. 46a / KV 51: Act II
-
La finta semplice, K. 46a / KV 51: Act III
-
La finta giardiniera, K. 196
-
La finta giardiniera, K. 196: Act I
-
La finta giardiniera, K. 196: Act III
-
Il sogno di Scipione, K. 126
-
Idomeneo, rè di Creta, K. 366: Act I
-
Idomeneo, rè di Creta, K. 366: Act II
-
Idomeneo, rè di Creta, K. 366: Act III
-
Die Gärtnerin aus Liebe, K. 196
-
Die Gärtnerin aus Liebe, K. 196: Akt II
-
Die Gärtnerin aus Liebe, K. 196: Akt III
-
Die Entführung aus dem Serail, K. 384
-
Die Entführung aus dem Serail, K. 384: Akt I
-
Die Entführung aus dem Serail, K. 384: Akt III
-
Bastien und Bastienne, K. 50
-
Andante and Variations for Piano with 4 Hands in G major, K. 501: Thema (Andante)
-
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation I
-
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation II
-
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation III
-
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation IV
-
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation V
-
Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro
-
Ein deutsche Kriegslied K. 539
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O Gotteslamm, K. 336c/343
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Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto
-
Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Canzona “Voi che sapete che cosa è amor” (Cherubino)
-
Symphony no. 8 in D major, K. 48
-
Sonata for Piano with 4 Hands in F major, K. 497
-
Twelve duos for 2 Horns in C major, K. 496a/487
-
Davide penitente, K. 469
-
2 Minuets with Contredanse for Orchestra, K. 448c/463 "Quadrilles"
-
6 Minuets for Orchestra, K. 448a/461
-
Concerto for Horn no. 2 in E-flat major, K. 417
-
Suite for Piano in C major, K. 385i/399 (fragment)
-
Sonata for 2 Pianos in D major, K. 375a/448
-
3 Minuets for Orchestra, K. 363
-
Symphony no. 34 in C major, K. 338
-
Missa in C, K. 337 “Solemnis”
-
2 German Church Songs, K. 336c/343
-
Quartet for Flute, Violin, Viola & Cello no. 4 in A major, K. 298
-
La ci darem la mano (from Don Giovanni)
-
Sonata for Piano and Violin in F, K. 46e
-
Quartet for Flute, Violin, Viola & Cello no. 2 in G major, K. 285a/deest
-
Quartet for Flute, Violin, Viola & Cello no. 3 in C major, K. 285b/Anh 171
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": IIa. Tema. Andante grazioso
-
4 Contredanses for Orchestra, K. 271c/267
-
Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270
-
Serenade no. 8 in D major, K. 269a/286 "Notturno for Four Orchestras"
-
Mass no. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse"
-
Divertimento no. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253
-
Trio for Piano no. 1 in B-flat major, K. 254
-
Serenade no. 2 for Orchestra, K. 250a/101
-
Divertimento no. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252
-
Divertimento no. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240
-
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188
-
Symphony in D major, K. 207a/121
-
Mass no. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse"
-
Mass no. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis"
-
Quartet for Strings no. 13 in D minor, K. 173 "Quartetti Vienna"
-
Quartet for Strings no. 12 in B-flat major, K. 172 "Quartetti Vienna"
-
Quartet for Strings no. 11 in E-flat major, K. 171 "Quartetti Vienna"
-
Quartet for Strings no. 10 in C major, K. 170 "Quartetti Vienna"
-
Quartet for Strings no. 9 in A major, K. 169 "Quartetti Vienna"
-
Quartet for Strings no. 8 in F major, K. 168 "Quartetti Vienna"
-
Symphony no. 50 in D major, K. 141a
-
Symphony no. 42 in F major, K. 75
-
Symphony no. 12 in G major, K. 75b/110
-
Symphony no. 9 in C major, K. 75a/73
-
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli
-
Symphony no. 47 in D major, K. 73m/97
-
Quartet for Strings no. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi"
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Symphony no. 11 in D major, K. 73q/84
-
Symphony no. 44 in D major, K. 73l/81
-
Symphony no. 45 in D major, K. 73n/95
-
Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus"
-
Dir, Seele des Weltalls, K. 468a/429
-
Mass no. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis"
-
Mass no. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis"
-
Symphony no. 7 in D major, K. 45
-
Symphony no. 7a in G major, K. 45a/Anh 221 "Alte Lambacher"
-
Symphony no. 6 in F major, K. 43
-
Symphony no. 43 in F major, K. 42a/76
-
Trio for Piano no. 2 in G major, K. 496
-
Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: II. Andante
-
Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: III. Minuet & trio
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Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: IV. Allegro molto
-
German Dance in C Dur, K 611 "Die Leyerer"
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Violin Sonata in F major, K 55: I. Vivace
-
Violin Sonata in F major, K 55: II. Adagio
-
Violin Sonata in F major, K 55: III. Tempo di menuetto
-
Violin Sonata in C major, K 56: I. Vivace
-
Violin Sonata in C major, K 56: II. Adagio con moto
-
Violin Sonata in C major, K 56: III. Rondo (Allegro)
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Violin Sonata in F major, K 57: I. Largo
-
Violin Sonata in F major, K 57: II. Menuetto
-
Violin Sonata in F major, K 57: III. Allegro
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Violin Sonata in E minor, K 60: I. Adagio - Allegro con spirito
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Violin Sonata in E minor, K 60: II. Rondo (Tempo di menuetto)
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Violin Sonata in A major, K 402: I. Andante ma un poco adagio
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Violin Sonata in A major, K 402: II. Fuga (Allegro moderato)
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Violin Sonata in C major, K. 404
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Itz isch fertig
-
Liebi, was isch das?
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Oh Meitschi, chumm ändlech a ds Fänschter
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse"
-
Le nozze di Figaro: Signor... la vostra sposa ha i soliti vapori
-
Mozart Piano Sonata in B-flat
-
Requièm Mass in D minor, K. 626: VII. Communio: "Lux aeterna"
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Così fan tutte: Atto II
-
Così fan tutte: Atto I
-
Die Zauberflöte, K. 620: Akt II
-
みじかくも美しく燃え
-
Moe Zart’s Turkey Trot
-
Die Zauberflöte, K. 620: Akt I
-
Der Schauspieldirektor, K. 486
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Requiem, K. 626: I. Introitus
-
Requiem, K. 626: II. Kyrie
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Requiem, K. 626: III. Sequenz: 1. Dies irae
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Requiem, K. 626: III. Sequenz: 2. Tuba mirum
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Requiem, K. 626: III. Sequenz: 3. Rex tremendae
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Requiem, K. 626: III. Sequenz: 4. Recordare
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Requiem, K. 626: III. Sequenz: 5. Confutatis
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Requiem, K. 626: III. Sequenz: 6. Lacrimosa
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Requiem, K. 626: IV. Offertorium: 1. Domine
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Requiem, K. 626: IV. Offertorium: 2. Hostias
-
Requiem, K. 626: V. Sanctus
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Requiem, K. 626: VI. Benedictus
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Requiem, K. 626: VII. Agnus Dei
-
Requiem, K. 626: VIII. Communio
-
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante]
-
Eine kleine Gutenachtmusik
-
Horn Concerto no. '0' in E-flat major: I. (Allegro) K.370b (arr. Tuckwell)
-
Horn Concerto no. '0' in E-flat major: II. Rondeau: Allegro K. 371
-
Horn Concerto no. 1 in D major, K. 386b / KV 412: II. Rondo. Allegro (arr. Tuckwell)
-
Rondo in E-flat major, K. 371: Allegro
-
Fantaisie pédagogique
-
Hosanna in C major, K. 166e/223
-
Idomeneo, rè di Creta, K. 366
-
Recitative and Aria for Soprano & Orchestra in B-flat major, K. 416
-
Recitative and Aria for Soprano and Orchestra in G major, K. 61c/70
-
Recitative and Aria for Soprano and Orchestra in F major, K. 368 "Ma che vi fece ... Sperai vicino il lido"
-
Zaide, K. 336b/344
-
Zaide, K. 336b/344: Akt I
-
Zaide, K. 336b/344: Akt II
-
Zwei Transcriptionen aus Mozarts Requiem, S. 550: 1. Confutatis maledictis
-
Zwei Transcriptionen aus Mozarts Requiem, S. 550: 2. Lacrimosa
-
Zwei Transcriptionen aus Mozarts Requiem, S. 550
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Lied der zwei geharnischten Männer aus Mozarts Oper "Die Zauberflöte" [Song of the Two Armed Men] "Der, welcher wandelt diese Straße", S634a
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": IX. Allegro
-
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
-
La finta giardiniera, K. 196: Act II, Scene IX. No. 18 Aria "Dolce d'amor compagna" (Ramiro)
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La finta giardiniera, K. 196: Act II, Scene XI. Recitativo "Credimi nipotina... Io lo difendo" (Il Podestà, Arminda, Serpetta, Il Contino, Sandrina)
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La finta giardiniera, K. 196: Act II, Scene XII. No. 19a+b Recitativo e aria "Ah non partir… m'ascolta... Già divento freddo" (Il Contino)
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La finta giardiniera, K. 196: Act II, Scene XIII. Recitativi "Oh poveretto me! Va pur, ma questa volta" (Nardo, Ramiro, Il Podestà, Serpetta)
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La finta giardiniera, K. 196: Act II, Scene XIV. No. 20 Aria "Chi vuol godere il mondo" (Serpetta)
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La finta giardiniera, K. 196: Act II, Scene XV. No. 21 Aria e recitativo "Crudeli, oh Dio! fermate... Dove son! ch m'avvenne!" (Sandrina)
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La finta giardiniera, K. 196: Act II, Scene XV. No. 22 Cavatina e recitativo "Ah dal pianto, dal singhiozzo... Ma qui niuno m'ascolta" (Sandrina)
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La finta giardiniera, K. 196: Act II, Scene XVI. No. 23 Finale II "Fra quest'ombre" (Sandrina, Serpetta, Arminda, Ramiro, Il Contino, Il Podestà, Nardo)
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La finta giardiniera, K. 196: Act II, Scene XVI. Recitativo "Qui fermate amici il piede" (Ramiro, Il Podestà, Arminda, Il Contino, Serpetta, Nardo, Sandrina)
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La finta giardiniera, K. 196: Act II, Scene XVI. Andantino "Mio Tirsi, deh senti le dolci sirene (Sandrina, Il Contino, Podestà, Ramiro, Arminda, Serpetta, Nardo)
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La finta giardiniera, K. 196: Act III, Scene I. Recitativi "Sentimi, Nardo mio... Dovrò dunque languire" (Serpetta, Nardo, Il Contino)
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La finta giardiniera, K. 196: Act III, Scene III. "Oh l'ho pensata bene... Vedete che sfacciata" (Il Podestà, Serpetta, Arminda, Ramiro)
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La finta giardiniera, K. 196: Act III, Scene IV. No. 25 Aria "Mio padrone, io dir volevo" (Il Podestà)
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La finta giardiniera, K. 196: Act III, Scene V. Recitativi "Ramiro, orsù, alle corte... E giunge a questo segno" (Arminda, Ramiro)
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La finta giardiniera, K. 196: Act III, Scene VI. No. 26 Aria "Va' pure ad altri in braccio" (Ramiro)
-
La finta giardiniera, K. 196: Act III, Scene VII. No. 27a+b Recitativo e duetto "Dove mai son! Tu mi lasci?" (Sandrina, Il Contino) / Andantino "Lei mi chiama?" (Il Contino, Sandrina)
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La finta giardiniera, K. 196: Act III, Scene VIII. Recitativo "Ma nipote, mia cara" (Il Podestà, Nardo, Arminda, Ramiro, Serpetta, Sandrina, Il Contino)
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La finta giardiniera, K. 196: Act III, Scene VIII. No. 28 Finale, Coro "Viva pur la Giardiniera" (Sandrina, Serpetta, Arminda, Ramiro, Il Contino, Il Podestà, Nardo)
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Die Gärtnerin aus Liebe, K. 196: Ouvertüre
-
Die Gärtnerin aus Liebe, K. 196: Akt I, Szene I. No. 1 Introduktion "Welches Vergnügen" (Chor, Ramiro, Podestà, Sandrina, Nardo, Serpetta)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene I. Dialog "Es lebe der gute Geschmack" (Podestà, Serpetta, Ramiro)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene I. No. 2 Arie "Scheu ist das freie Vöglein" (Ramiro)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene I. Dialog "Serpetta, Nardo, geschwind!" (Podestà, Sandrina)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene II. No. 3 Arie "Zu meinem Ohr erschallet" (Podestà)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene II. Dialog "Grausames Schicksal" (Sandrina, Nardo)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene III. No. 4 Kavatine "Wir Mädchen sind sehr übel dran" (Sandrina)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene IV. Monolog "Ach, zum Henker!" (Nardo)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene V. No. 5 Arie "Der Hammer zwingt das Eisen" (Nardo)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene V. Dialog "Arminda, liebe Nichte" (Podestà, Serpetta, Arminda)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene VI. No. 6 Arie "Welch ein Reiz in diesem Bilde" (Belfiore)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene VI. Dialog "Arminda, der Graf Belfiore" (Belfiore, Arminda, Podestà)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene VI. No. 7 Arie "Wenn die Männer sich verlieben" (Arminda)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene VI. Dialog "Ihr Feuer reißt mich hin!" (Belfiore, Podestà)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene VII. No. 8 Arie "Hier vom Osten bis zum Westen" (Belfiore)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene VII. Dialog "Ha, ha, ha, ha" (Serpetta)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene VIII. No. 9a Kavatine "Das Vergnügen in dem Eh'stand" (Serpetta) / No. 9b Kavatine "Das Vergnügen in dem Eh'stand" (Nardo) / Dialog "Vortreffich, Herr Spaßmacher!" (Serpetta, Nardo)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene VIII. No. 10 Arie "Sobald sie mich sehen" (Serpetta)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene IX. No. 11 Arie "Ferne von ihrem Neste" (Sandrina)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene IX. Dialog "Das wird wohl die Schöne sein!" (Arminda, Sandrina, Belfiore)
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Die Gärtnerin aus Liebe, K. 196: Akt I, Szene X. No. 12 Finale "Himmel, bin ich von Sinnen?" (Belfiore, Sandrina, Arminda, Ramiro, Serpetta, Podestà, Nardo)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene I. No. 13 Arie "Um deine Straf zu fühlen" (Arminda)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene II. Dialog "Meine Prinzessin, verzeih" (Nardo, Serpetta)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene II. No. 14 Arie "Nach der weischen Art und Weise" (Nardo)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene III. Dialog "Welch ein Zufall!" (Sandrina, Belfiore)
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Il rè pastore, K. 208: Act I
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene III. No. 15 Arie (Laß mich ins Auge dir schauen" (Belfiore)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene IV. Dialog "Was höre ich?" (Podestà, Sandrina)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene IV. No. 16 Arie "Es ertönt und spricht ganz leise" (Sandrina)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene V. Dialog "Oh, ich Dummkopf" (Podestà, Ramiro)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene V. No. 17 Arie "Wie? Was? Ein Fräulein?" (Podestà)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene VI. No. 18 Arie (Ach, schmeichelhafte Hoffnung" (Ramiro)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene VII. Dialog "Liebe Nichte" (Podestà, Arminda, Belfiore, Sandrina)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene VIII. No. 19 Arie "Verweil doch und hör' mich... Schon erstarren meine Glieder" (Belfiore)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene IX. Dialog "O Himmel, welch ein Unglück" (Serpetta, Podestà)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene IX. No. 20 Arie "Wer will die Welt genießen" (Serpetta)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene X. No. 21 Arie "Ach haltet, Barbaren" (Sandrina)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene X. No. 22 Kavatine "Ach, vor Tränen, Schluchzen, Seufzen" (Sandrina)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene XI. No. 23 Finale "Hier in diesen Finsternissen" (Belfiore, Nardo, Sandrina, Arminda, Podestà, Serpetta)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene XI. No. 23 Finale "Nun ihr Freunde!" (Ramiro, Podestà, Arminda, Belfiore, Serpetta, Nardo, Sandrina)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene XI. No. 23 Finale "Falscher Verräter" (Arminda, Podestà, Sandrina, Nardo, Serpetta, Ramiro, Belfiore)
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Die Gärtnerin aus Liebe, K. 196: Akt II, Szene XI. No. 23 Finale "Hörst du nict, mein Tirsis" (Sandrina, Belfiore, Podestà, Ramiro, Arminda, Serpetta, Nardo)
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Die Gärtnerin aus Liebe, K. 196: Akt III, Szene I. Monolog "O je! Meine liebe Herrin" (Nardo) / No. 24 Arie und Duett "Seht dort, wie Mond und Sonne" (Nardo, Belfiore, Sandrina)
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Die Gärtnerin aus Liebe, K. 196: Akt III, Szene II. Dialog "Ich habe die Sache" (Podestà, Arminda, Ramiro)
-
Die Gärtnerin aus Liebe, K. 196: Akt III, Szene II. No. 25 Arie "Nun mein Herr?" (Podestà)
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Die Gärtnerin aus Liebe, K. 196: Akt III, Szene III. Dialog "Ramiro, was können Sie" (Armindo, Ramiro)
-
Die Gärtnerin aus Liebe, K. 196: Akt III, Szene IV. No. 26 Arie "Wenn auch von dir verlassen" (Ramiro)
-
Die Gärtnerin aus Liebe, K. 196: Akt III, Szene V. No. 27 Rezitativ und Duett "Wo bin ich wohl?" (Sandrina, Belfiore)
-
Die Gärtnerin aus Liebe, K. 196: Akt III, Szene V. "Du mich fliehen! (Belfiore, Sandrina)
-
"Les Petits Riens", K. Anh. 10: I. Largo
-
"Les Petits Riens", K. Anh. 10: II. Gavotte
-
"Les Petits Riens", K. Anh. 10: III. Andantino
-
"Les Petits Riens", K. Anh. 10: IV. Larghetto
-
Missa brevis in C major, K. 259: III. Credo
-
Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante
-
L'oca del Cairo, K. 422: Act I
-
Allegro in C minor, K. 426a/Anh. 44
( - Dec 1783)
-
Später mal
-
Europa
-
Die Gärtnerin aus Liebe, K. 196: Akt III, Szene V. Duetto "Wie? du rufst mich?" (Belfiore, Sandrina)
-
Die Gärtnerin aus Liebe, K. 196: Akt III, Szene V. Dialog "O Glück über Glück!" (Nardo, Belfiore, Podestà, Sandrina, Arminda, Serpetta)
-
Die Gärtnerin aus Liebe, K. 196: Akt III, Szene VI. No. 28 Schlußchor "Liebe, Treue hat gesieget!" (chor)
-
Divertimento in B-flat major, K. Anh. 229, no. 2
-
Missa Brevis in B-flat major, K. 275: II. Gloria
-
Missa Brevis in B-flat major, K. 275: III. Credo
-
Missa Brevis in B-flat major, K. 275: IV. Sanctus
-
Missa brevis in C major, K. 259
-
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
-
Symphony in B-flat major, K. 45b / Anh 214
-
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370
-
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß"
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Violin Sonata in G major, K. 11: III. Menuetto (da capo Allegro)
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": VI. Allegretto
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XI. Allegro
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XIII. Allegro
-
Die Schuldigkeit des ersten Gebots in C major, K. 35
-
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik"
-
L'Année Mozart
-
Dir, Seele des Weltalls, K. 468a/429
-
Quartet for Piano no. 2 in E-flat major, K. 493
-
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate
-
Exsultate, jubilate, K. 158a/165: II. Tandem advenit hora
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Exsultate, jubilate, K. 158a/165: IV. Alleluia
-
Exsultate, jubilate, K. 158a/165
-
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli"
-
Menuet and Trio in C major, K485a
-
Quartet for Strings no. 18 in A major, K. 464 "Haydn Quartetti"
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Suite no. 4 in G major, op. 61 "Mozartiana": IV. Thème et variations: Allegro giusto
-
Trio for Piano no. 4 in E major, K. 542
-
Violin Sonata in F major, K. 547 "For Beginners"
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Sonata for Piano in F major, K. 547a/Anh 135
-
Die Hochzeit des Figaro: Akt II. Rezitativ „Komm nun, liebe Susanna” (Gräfin, Susanna, Figaro, Cherubin)
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Trio for Piano no. 5 in C major, K. 548
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Trio for Piano no. 6 in G major, K. 564
-
6 German Dances for Orchestra, K. 567
-
12 Minuets for Orchestra, K. 568
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6 German Dances for Orchestra, K. 571
-
12 Minuets for Orchestra, K. 585
-
12 German Dances for Orchestra, K. 586
-
Quartet for Strings no. 22 in B-flat major, K. 589 "Quartetti Prussian"
-
Quartet for Strings no. 23 in F major, K. 590 "Quartetti Prussian"
-
Quintet for 2 Violins, 2 Violas and Cello no. 5 in D major, K. 593
-
6 German Dances for Orchestra, K. 600
-
4 Minuets for Orchestra, K. 601
-
4 German Dances for Orchestra, K. 602
-
2 Contredanses for Orchestra, K. 603
-
2 Minuets for Orchestra, K. 604
-
3 German Dances for Orchestra, K. 605
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5 Contredanses for Orchestra, K. 609
-
Sonata for Piano with 4 Hands in C major, K. 521
-
Serenade no. 3 for Orchestra in D major, K. 167a/185 "Antretter"
-
Mass no. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe"
-
Quintet for 2 Violins, 2 Violas and Cello no. 1 in B-flat major, K. 174
-
Divertimento no. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213
-
Symphony no. 46 in C major, K. 111b/96
-
Recitative and Aria for Soprano & Orchestra in C major, K. 300b/316
-
Così fan tutte: “Un’aura amorosa”
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Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Che strana meraviglia" (Aceste)
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Ascanio in Alba, K. 111: Act II, Scene VI. No. 27 Aria e Recitativo "Sento, che il cor mi dice... Sì, Padre, alfin mi taccia" (Silvia, Aceste)
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Ascanio in Alba, K. 111: Act II, Scene VI. No. 28 Coro "Scendi, celeste Venere" (Coro di pastori e Ninfe o Pastorelle)
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Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ma s'allotani almen" (Silvia, Aceste, Ascanio)
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Ascanio in Alba, K. 111: Act II, Scene VI. No. 29 Coro e Recitativo "No, non possiamo vivere... Ecco, ingombran l'altare" (Coro di pastori e Pastorelle, Aceste) No. 30 Coro "Scendi celeste Venere" (Coro)
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Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Invoca, oh figlia" (Aceste, Silvia, Ascanio, Venere)
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Ascanio in Alba, K. 111: Act II, Scene VI. No. 31 Terzetto "Ah caro sposo, oh dio!" (Silvia, Ascanio, Aceste)
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Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Eccovi al fin di vostre pene" (Venere)
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Ascanio in Alba, K. 111: Act II, Scene VI. No. 32 Piccola parte del terzetto "Che bel piacer io sento" (Silvia, Ascanio, Aceste)
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Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ah chi nodi più forti" (Silvia, Ascanio, Aceste, Venere)
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Ascanio in Alba, K. 111: Act II, Scene VI. No. 33 Coro "Alma Dea, tutto il mondo governa" (Coro ultimo di geni, grazie, pastori e ninfe)
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Lucio Silla, K. 135: Ouverture. Molto allegro. Andante. Molto allegro
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Lucio Silla, K. 135: Act I, Scene I. Recitativo "Ah ciel l'amico cinna" (Cecilio, Cinna)
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Lucio Silla, K. 135: Act I, Scene I. No. 1 Aria "Vieni ov'amor t'invita" (Cinna)
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Lucio Silla, K. 135: Act I, Scene II. Recitativo accompagnato "Dunque sperar poss'io" (Cecilio)
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Lucio Silla, K. 135: Act I, Scene II. No. 2 Aria "Il tenero momento" (Cecilio)
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Lucio Silla, K. 135: Act I, Scene III. Recitativo "A te dell'amor mio" (Silla, Celia, Aufidio)
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Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia)
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Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia) / Lucio Silla, K. 135: Act I, Scene V. Recitativo "Sempre dovrò vederti" (Silla, Giunia)
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Lucio Silla, K. 135: Act I, Scene V. No. 4 Aria "Dalla sponda tenebrosa" (Giunia)
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Lucio Silla, K. 135: Act I, Scene VI. Recitativo accompagnato "E tollerare lo posso" (Silla)
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Lucio Silla, K. 135: Act I, Scene VI. No. 5 Aria "Il desio de vendetta" (Silla)
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Lucio Silla, K. 135: Act I, Scene VII. Recitativo accompagnato "Morte, morte fatal" (Cecilio)
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Lucio Silla, K. 135: Act III, Scene I. No. 19 Aria "Strider sento la procella" (Celia)
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Gigue for Piano in G major, K. 574 "Eine kleine Gigue". Allegro
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Adagio for Glass Armonica in C major, K. 617a/356
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Lucio Silla, K. 135: Act I, Scene VIII. No. 6 Coro è Arioso "Fuor di queste urne dolenti" (Coro) / Lucio Silla, K. 135: Act I, Scene VIII. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia)
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Lucio Silla, K. 135: Act I, Scene VIII-IX. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia) Recitativo "Eccomi, oh cara" (Giunia, Cecilio) No. 7 Duetto "D'Elisio in sen m'attendi" (Giunia, Cecilio)
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Lucio Silla, K. 135: Act II, Scene II. No. 8 Aria Guerrier, che d'un acciaro (Aufidio)
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Lucio Silla, K. 135: Act II, Scene II. Recitativi "Ah non mai non credea... Qual furor ti trasporta? Cecilio a che t'arresti... Al fiero suon... Ah corri, vola" (Celia, Silla, Cinna, Cecilio)
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Lucio Silla, K. 135: Act II, Scene III. No. 9 Aria "Quest'improvviso tremito" (Cecilio)
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Lucio Silla, K. 135: Act II, Scene IV. Recitativo "Ah sì, s'affretti il colpo" (Cinna, Celia)
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Lucio Silla, K. 135: Act II, Scene IV. No. 10 Aria "Se il labbro timido" (Celia)
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Lucio Silla, K. 135: Act II, Scene V. Recitativo "Di piegarsi capace" (Cinna, Giunia) Recitativo accompagnato "Vanne. T'affretta" (Cinna, Giunia)
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Lucio Silla, K. 135: Act II, Scene V. No. 11 Aria "Ah se il crudel periglio" (Giunia)
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Lucio Silla, K. 135: Act II, Scene VI. Recitativo accompagnato "Ah sì, scuotasi omai" (Cinna) / Lucio Silla, K. 135: Act II, Scene VI. No. 12 Aria "Nel fortunato istante" (Cinna)
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Lucio Silla, K. 135: Act II, Scene VII. Recitativo "Signor, ai cenni tuoi… Silla? L'odiato aspetto" (Aufidio, Silla)
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Lucio Silla, K. 135: Act II, Scene VIII. No. 13 Aria "D'ogni pietà mi spoglio" (Silla)
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Lucio Silla, K. 135: Act II, Scene IX. Recitativo "Che intesi, eterni Dei?" (Giunia, Cecilio) Recitativo accompagnato "Chi sa, che non sia questa" (Cecilio, Giunia)
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Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio)
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Lucio Silla, K. 135: Act II, Scene X. Recitativo "Perché mi balzi in seno" (Giunia, Celia)
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Lucio Silla, K. 135: Act II, Scene X. No. 15 Aria "Quando sugl'arsi campi" (Celia)
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Lucio Silla, K. 135: Act II, Scene XI. Recitativo accompagnato "In un istante oh come" (Giunia)
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Lucio Silla, K. 135: Act II, Scene XI. No. 16 Aria "Parto,m'affretto" (Giunia)
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Lucio Silla, K. 135: Act II, Scene XII. No. 17 Coro "Se gloria il crin ti cinse" (Coro)
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Lucio Silla, K. 135: Act II, Scene XII-XII. Recitativi "Padri Coscritti... Sposa ah no, non temer... Come? D'un ferro armato" (Silla, Giunnia, Aufidio, Cecillio, Cinna)
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Lucio Silla, K. 135: Act II, Scene XIV. No. 18 Terzetto "Quell'orgoglioso sdegno" (Cecilio, Giunia, Silla)
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Lucio Silla, K. 135: Act III, Scene I. Recitativo "Ah sì tu solo, amico" (Cecilia, Celia, Cinna)
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Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi"
( - 27 Feb 1778)
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Cadenza to Piano Concerto no. 27, K. 595: I. Allegro
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Cadenza to Piano Concerto no. 27, K. 595: III. Allegro
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Cadenzas to Piano Concerto no. 27, K. 595
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Cadenza to Concerto for 2 Pianos, K. 365: I. Allegro
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Cadenza to Concerto for 2 Pianos, K. 365: III. Rondo
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Cadenzas to Concerto for 2 Pianos, K. 365
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Duet for 2 Tenors in E-flat major, K. 384a/389 (Erik Smith completion): "Welch ängstliches Beben"
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Sonata for Piano and Violin in C, K. 46d
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Lucio Silla, K. 135: Act III, Scene II. Recitativo "Forse tu credi, amico" (Cecilio, Cinna)
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Lucio Silla, K. 135: Act III, Scene II. No. 20 Aria "De' più superbi il core" (Cinna)
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Piano Concerto no. 20 in D minor, KV. 466
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Il rè pastore, K. 208
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Lucio Silla, K. 135: Act III, Scene III-IV. Recitativi "Ah no, che il fato estremo... Tosto seguir tu dei" (Giunia, Cecilio, Aufidio)
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Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio)
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Lucio Silla, K. 135: Act III, Scene V. Recitativo accompagnato "Sposo... mia vita..." (Giunia)
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Lucio Silla, K. 135: Act III, Scene V. No. 22 Aria "Fra i pensier più funesti di morte" (Giunia)
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Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativi "Celia, Cinna, non più… Anima vil, da Giunia... Lo sposo mio? (Cinna, Silla, Celia, Giunia, Cecilio, Aufidio)
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Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro, Giunia, Cecilio, Cinna, Silla)
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La finta giardiniera, K. 196: Act I, Scene X. No. 11 Cavatina "Geme la tortorella" (Sandrina)
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La finta giardiniera, K. 196: Act I, Scene X. Recitativi "Io son la tortorella... Vi son io" (Sandrina, Arminda, Il Contino)
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La finta giardiniera, K. 196: Act I, Scene XII. No. 12 Finale "Numi! che incanto è questo... Ecco il liquor, prendete" (Il Contino, Sandrina, Arminda, Ramiro)
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La finta giardiniera, K. 196: Act I, Scene XII. No. 12 Finale "Che silenzio! fan lunari... Che tratto è questo" (Il Podestà, Sandrina, il Contino, Ramiro, Arminda, Serpetta, Nardo)
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La finta giardiniera, K. 196: Act I, Scene XII. No. 12 Finale "Ma voi, che pretendete" (Sandrina, Il Contino, Il Podestà, Nardo, Arminda, Ramiro)
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La finta giardiniera, K. 196: Act II, Scene I. Recitativo "Non fuggirmi spietata - Ah che son disperato!" (Ramiro, Arminda, Il Contino)
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La finta giardiniera, K. 196: Act II, Scene II. No. 13 Aria "Vorrei punirti indegno... Ma voi che pretendete" (Aminda, Sandrina, Il Contino, Serpetta, Il Podestà, Nardo, Ramiro)
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La finta giardiniera, K. 196: Act II, Scene III. Recitativi "Ah costei non e donna... Quanto lo compatisco" (Il Contino, Serpetta, Nardo)
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La finta giardiniera, K. 196: Act II, Scene IV. No. 14 Aria "Con un vezzo all'italiana" (Nardo)
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La finta giardiniera, K. 196: Act II, Scene IV. Recitativi "Costui mi dà piacere... Che strano caso è il mio!" (Serpetta, Sandrina, Il Contino)
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La finta giardiniera, K. 196: Act II, Scene V. No. 15 Aria "Care pupille belle" (Il Contino)
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La finta giardiniera, K. 196: Act II, Scene V. Recitativo "Va Conte disgraziato" (Il Podestà, Sandrina)
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La finta giardiniera, K. 196: Act II, Scene VI. No. 16 Aria "Una voce sento al core" (Sandrina)
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La finta giardiniera, K. 196: Act II, Scene VII. Recitativo "Ah che son stato un sciocco!" (Il Podestà, Arminda, Ramiro)
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La finta giardiniera, K. 196: Act II, Scene VII. No. 17 Aria "Una damina, una nipote" (Il Podestà)
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La finta giardiniera, K. 196: Act II, Scene VIII. Recitativi "Sappi Arminda, ben mio... Eppur dalla costanza" (Ramiro, Arminda)
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Il rè pastore, K. 208: Act II
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Così fan tutte: Atto I. Recitativo “Non son essi: è Don Alfonso” (Fiordiligi, Dorabella, Don Alfonso)
-
Jesu, Word of God Incarnate
-
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIa. Tema
-
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIb. Var. 1
-
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIc. Var. 2
-
German Dance for Orchestra in F major, K. 536 no. 6
-
Larghetto and Variations, op. 164
-
Mass no. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis"
-
Quintettsatz F-dur für Klarinette, Bassetthorn und Streichtrio : KV Anhang 90
-
Fragment of a Sonata in A Major for Piano and Violin, Fr 1784b (Jones Completion 4)
-
Fugue Fragment in C minor, K. 626b/27
-
Finger Exercises, K. 626b/48
-
Missa Brevis in B-flat major, K. 275: I. Kyrie
-
Sérénade KV 239 « Senerata Notturna » : Marcia (Maestoso)
-
Così fan tutte: Atto II. “Giusto ciel! Voi qui scriveste” … “Ah, signor, son rea di morte” … “A voi s’inchina” … “V’ingannai” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro)
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Concerto for Piano no. 20 in D minor, K. 466: I. Allegro
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Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
-
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo: Allegro assai
-
Concerto for Piano no. 21 in C major, K. 467: I. Allegro maestoso
-
Don Giovanni: Canzonetta “Deh vieni alla finestra” (Don Giovanni)
-
Quintet for Horn, Violin, 2 Violas and Cello in E-flat major, K. 386c/407
-
Ascanio in Alba, K. 111: Act I, Scene IV. No. 10 Coro "Venga, de' sommi eroi" (Coro di pastori) Recitativo "Di propria man la Dea a voi la donerà" (Aceste) No. 11 Coro "Venga, de' sommi eroi" (Coro di pastori)
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Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Oh mia gloria, oh mia cura" (Aceste)
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Ascanio in Alba, K. 111: Act I, Scene IV. No. 12 Aria "Per la gioia in questo seno" (Aceste)
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Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Misera! che farò?" (Silvia, Aceste)
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Ascanio in Alba, K. 111: Act I, Scene IV. No. 13 Cavatina "Sì, sì, ma d'un altro amore" (Silvia)
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Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Ah no, Silvia t'inganni" (Aceste, Silvia)
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Ascanio in Alba, K. 111: Act I, Scene IV. No. 14 Aria "Come è felice stato" (Silvia)
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Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Silvia, mira, che il sole omai s'avanza" (Aceste)
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Ascanio in Alba, K. 111: Act I, Scene IV. No. 15 Coro "Venga, de' sommi Eroi" (Coro di pastori)
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Ascanio in Alba, K. 111: Act I, Scene V. Recitativo "Cielo! che vidi mai?" (Ascanio, Venere)
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Ascanio in Alba, K. 111: Act I, Scene V. No. 16 Aria "Ah di sì nobil alma" (Ascanio)
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Ascanio in Alba, K. 111: Act I, Scene V. Recitativo "Un'altra prova a te mirar conviene" (Venere, Ascanio)
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Ascanio in Alba, K. 111: Act I, Scene V. No. 17 Aria "Al chiaror di que' bei rai" (Venere)
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Ascanio in Alba, K. 111: Act I, Scene V. No. 18 Coro "Di te più amabile, nè Dea maggiore" (Coro di geni e grazie)
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Ascanio in Alba, K. 111: Act II, Scene I. Recitativo "Star lontana non so" (Silvia)
-
Ascanio in Alba, K. 111: Act II, Scene I. No. 19 Aria "Spiega il desio, le piume" (Silvia)
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Ascanio in Alba, K. 111: Act II, Scene I. No. 20 Coro "Già l'ore sen volano" (Coro di pastorelle)
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Ascanio in Alba, K. 111: Act II, Scene II-III. Recitativi "Cerco di loco in loco... Silvia, ove sei?" (Ascanio, Silvia, Fauno)
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Ascanio in Alba, K. 111: Act II, Scene III. No. 21 Aria "Dal tuo gentil sembiante" (Fauno)
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Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo "Ahimè! Che veggio mai?" (Ascanio)
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Ascanio in Alba, K. 111: Act II, Scene IV. No. 22 Aria "Al mio ben mi veggio avanti" (Ascanio)
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Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo "Ferma, aspetta, ove vai?" (Silvia)
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Ascanio in Alba, K. 111: Act II, Scene IV. No. 23 Aria "Infelici affetti miei" (Silvia)
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Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo e Coro "Anima grande" No. 24 Coro "Che strano evento" Recitativo "Ahi la crudel" (Ascanio, Silvia, coro di pastorelle)
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Ascanio in Alba, K. 111: Act II, Scene V. No. 25 Aria "Torna mio bene, ascolta" (Ascanio)
-
Elvira Madigan
-
Rondo in E-flat major, K. 371
-
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great"
-
Waltz Rat
-
Gentle Giant
-
Octet in E-flat major, K. Anh. 228/Anh. C 17.03
-
Le nozze di Figaro, K. 492
-
Symphony no. 37 in G major, K. 444/425a
-
Così fan tutte, K. 588: Atto I, Scena IX
-
Così fan tutte: Atto II. Recitativo “L’abito di Ferrando sarà buono per me” (Fiordiligi, Guglielmo)
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Sonata for Piano with 4 Hands in C major, K. 19d/deest
-
Recitative and Aria for Soprano and Orchestra in F major, K. 368 "Ma che vi fece ... Sperai vicino il lido"
-
Divertimento (no. 6) in B-flat major, K. deest
-
Divertimento (no. 6) in B-flat major, K. deest: I. Andante
-
Divertimento (no. 6) in B-flat major, K. deest: II. Menuetto (Allegretto)
-
Divertimento (no. 6) in B-flat major, K. deest: III. Alla Polacca
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": Ia. "Kyrie eleison"
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Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIa. "Gloria in excelsis Deo"
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Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIIa. "Credo in unum Deum"
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Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VIa. "Agnus Dei"
-
7 Menuette, K. 61b
( - 26 Jan 1769)
-
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VId. Var. 3
-
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIe. Var. 4
-
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIf. Var. 5
-
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": VIg. Var. 6
-
Quartet in F major, K. 496: II. Andante sostenuto quasi larghetto
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile
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Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio
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Symphony no. 38 for Orchestra in D major, K. 504 "Prague"
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Symphony no. 38 for Orchestra in D major, K. 504 "Prague": II. Andante
-
Symphony no. 38 for Orchestra in D major, K. 504 "Prague": III. Presto
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Symphony no. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - allegro
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Serenade in B-flat major, K. 370a/361 “Gran Partita”: I. Largo – Allegro molto
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Serenade in B-flat major, K. 370a/361 “Gran Partita”: II. Menuetto
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Serenade in B-flat major, K. 370a/361 “Gran Partita”: IV. Menuetto
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Serenade in B-flat major, K. 370a/361 “Gran Partita”: V. Romance
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Serenade in B-flat major, K. 370a/361 “Gran Partita”: VI. Tema con variazioni. Andantino
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Serenade in B-flat major, K. 370a/361 “Gran Partita”: VII. Allegro molto
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Clarinet Quintet, KV 581: IV. Allegretto con variazioni: Variation I
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Clarinet Quintet, KV 581: IV. Allegretto con variazioni: Variation II
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Clarinet Quintet, KV 581: IV. Allegretto con variazioni: Variation III
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Clarinet Quintet, KV 581: IV. Allegretto con variazioni: Variation IV
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Clarinet Quintet, KV 581: IV. Allegretto con variazioni: Variation V
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Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, Scena VIII.
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Fragment of a Sonata in G Major for Piano and Violin, Fr 1789f (Jones Completion 1)
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Larghetto and Variations, op. 164: Larghetto
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Larghetto and Variations, op. 164: Variations
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Clarinet Quintet, KV 581: IV. Allegretto con variazioni: Variation VI
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Exsultate, jubilate, KV 165/158a: IV. Alleluia
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Fragment of a Fantasia in C Minor for Piano and Violin, Fr 1782l (Jones Completion 1)
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Fragment of a Sonata in B-Flat Major for Piano and Violin, Fr 1782c (Jones Completion 2)
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Fragment of a Sonata in A Major for Piano and Violin, Fr 1784b (Jones Completion 1)
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Fragment of a Sonata in G Major for Piano and Violin, Fr 1789f (Jones Completion 2)
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Ascanio in Alba, K. 111: Act II
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#janeinvielleicht
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Sonata for Bassoon and Cello in B-flat major, K. 196c/292
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Fugue in C minor, Fr.1782s
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Fugue in D minor, K. 417c
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Allegro in E minor, K. 417d
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Kyrie in D, K. 422a
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Allegro in C minor for Two Pianos (fragment), K. 426a
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Ja! Gruess dich Gott, mein liebes Schatzel, K. 441a
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Rondo in B-flat, K. 458b
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Adagio in F for Clarinet and 3 Basset Horns, K. 440c
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Sketch for an Allegro, K. 484e
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Piano Trio, K. 495a (realised version)
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Piano Trio Movement in B-flat major, K. 501a
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Sonata Movement for Keyboard & Violin in G major, K. 546a/Anh 47 Fr 1789f (fragment)
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Sonata Movement in B-flat for Piano (fragment), K. 569a
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Minuet in D for Piano (fragment), K. 576a
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Adagio Fragment in B minor, Fr 1788b
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Sonata Movement in F for Piano (fragment), K. 590a
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Sonata Movement in F for Piano (fragment), K. 590b
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Rondo in F for Piano (fragment), K. 590c
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Fantasy in F minor for Piano (fragment), K. 383C
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Fragment of First Movement of String Quintet in D, K. 592b
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Adagio in D minor for Piano or Organ (fragment), K. 593a
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String Quintet Movement (Allegro) in E-flat, K. 613a
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String Quintet Movement in E-flat, K. 613b
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Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VIII. No. 14 Aria "Nel grave tormento" (Aspasia)
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio)
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XII. No. 15 Aria "So quanto a te dispiace" (Ismene)
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. Recitativo "Ah, giacché son tradito" (Farnace)
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. No. 16 Aria "Son reo; l'error confesso" (Farnace)
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. Recitativo "E crederai, Signor" (Sifare, Mitridate, Aspasia)
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. No. 17 Aria "Già di pietà mi spoglio" (Mitridate)
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. Recitativi "Sifare, per pietà stringi l'acciaro... Io sposa di quel mostro" (Aspasia, Sifare)
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. No. 19 Aria "Tu sai per chi m'accese" (Ismene)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene II-III. Recitativi "Re crudel, Re spietato… Mio re, t'affretta" (Aspasia, Mitridate, Arbate)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. Recitativo "Lagrime internpestive" (Aspasia)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. No. 21 Recitativo accompagnato e Cavatina "Ah ben ne fui presaga!… Pallid'ombre, che scorgete" (Aspasia)
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Requiem in D minor, K. 626
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Quartet for Strings no. 14 in G major, K. 387 “Haydn Quartetti”, “Spring”: IV. Allegro molto
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene V-VI. Recitativi "Che fai, Regina?… Che mi val questa vita" (Sifare, Aspasia)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VI. No. 22 Aria "Se il rigor d'ingrata sorte" (Sifare)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VII-VIII. Recitativi "Sorte crudel, stelle inimiche… Tecco i patti, oh Farnace" (Farnace, Marzio)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VIII. No. 23 Aria "Se di regnar sei vago" (Marzio)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. Recitativo accompagnate "Vadasi… Oh ciel" (Farnace)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. No. 24 Aria "Gia darli occhi il velo e tolto" (Franace)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene)
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Quintetto "Non si ceda al Campidoglio" (Sifare, Asapasia, Farnace, Ismene, Arbate)
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Ascanio in Alba, K. 111: Ouvertura
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Ascanio in Alba, K. 111: Act I, Scene I. No. 1 Ballet. Andante grazioso
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Ascanio in Alba, K. 111: Act I, Scene I. No. 2 Coro "Di te più amabile, né Dea maggiore" (Coro di geni e grazie)
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Ascanio in Alba, K. 111: Act I, Scene I. Recitativo "Genie, grazie, ed amori, fermate il piè" (Venere, Ascanio)
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Ascanio in Alba, K. 111: Act I, Scene I. No. 3 Aria "L'ombra de' rami tuoi" (Venere)
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Ascanio in Alba, K. 111: Act I, Scene I. Recitativo "Ma la Ninfa gentil" (Ascanio, Venere)
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Ascanio in Alba, K. 111: Act I, Scene I. No. 4 Coro "Di te più amabile, nè Dea maggiore" (Coro di geni e grazie)
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Ascanio in Alba, K. 111: Act I, Scene II. Recitativo "Perché tacer degg'io?" (Ascanio)
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Ascanio in Alba, K. 111: Act I, Scene II. No. 5 Aria "Cara, lontano ancora" (Ascanio)
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Ascanio in Alba, K. 111: Act I, Scene III. No. 6 Coro "Venga, de' sommi eroi" (Coro di Pastore) Recitativo "Ma qual canto risona?" (Ascanio, Fauno) No. 7 Coro "Venga, de' sommi eroi" (Coro di pastori)
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Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma tu, chi sei, che ignoto qui t'aggiri fra noi? (Fauno, Ascanio)
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Ascanio in Alba, K. 111: Act I, Scene III. No. 8 Aria "Se il labbro più non dice" (Fauno)
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Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Quanto soavi al core de la tua stirpe" (Ascanio, Fauno)
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Ascanio in Alba, K. 111: Act I, Scene III-IV. No. 9 Coro "Hai di Diana il core" (Coro di pastori e Pastorelle) Recitativo "Oh generosa Diva" (Aceste)
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Ascanio in Alba, K. 111: Act II, Scene VI. No. 26 Coro "Venga, venga, de' sommi eroi" (Coro di pastori)
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Requièm Mass in D minor, K. 626: Communio: ii. Cum sanctis tuis
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Requièm Mass in D minor, K. 626: Sequenz: Lacrimosa
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Requièm Mass in D minor, K. 626: Sanctus
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Pastorale variée, K Anh. 209b
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Serenade from "Don Giovanni"
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Laut verkünde unsre Freude, K. 623: I. Coro - Recitativo "Laut Verkünde unsre Freude"
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Symphonie no. 39 en mi bémol majeur K 543 (arr. of Mozart by Hummel): Adagio - Allegro
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Symphonie no. 39 en mi bémol majeur K 543 (arr. of Mozart by Hummel): Andante
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Symphonie no. 39 en mi bémol majeur K 543 (arr. of Mozart by Hummel): Minuetto allegretto
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Symphonie no. 39 en mi bémol majeur K 543 (arr. of Mozart by Hummel): Finale allegro
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Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira)
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Theme with 6 Variations in F major, K. deest
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Parthia in F-major, K. Anh. C 17.08
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Parthia in F-major, K. Anh. C 17.08: I. Allegro
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Parthia in F-major, K. Anh. C 17.08: II. Menuetto
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Parthia in F-major, K. Anh. C 17.08: III. Polonaise
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Parthia in F-major, K. Anh. C 17.08: IV. Finale
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Eine Kleine Kat
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Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte)
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Cadenza to Piano Concerto no. 19, K. 459: I. Allegro vivace
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Cadenza to Piano Concerto no. 19, K. 459: III. Allegro assai
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Cadenzas to Piano Concerto no. 19, K. 459
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String Quintet in B-flat major, K. 46: I. Largo - Allegro molto
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String Quintet in B-flat major, K. 46: II. Menuetto
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String Quintet in B-flat major, K. 46: III. Adagio
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Il sogno di Scipione, K. 126: Overtura
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Così fan tutte: Atto II. Recitativo “Bravo, questa è costanza” (Don Alfonso, Ferrando, Guglielmo)
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Così fan tutte: Atto II. “Miei signori, tutto è fatto” … “Bella vita militar!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro)
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Lacrimosa (Wolfgang Amadeus Mozart - Reimagined)
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Symphony no. 40 in G minor, K. 550 “Great”: II. Andante
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Quintette à cordes n°3 (IV)
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Le nozze di Figaro ("Dove sono")
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Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio
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Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
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Requiem in D minor, K. 626
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Requiem in D minor, K. 626: I. Introitus: Requiem
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Requiem in D minor, K. 626: II. Kyrie
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Requiem in D minor, K. 626: III. Sequentia: 1. Dies irae
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Requiem in D minor, K. 626: III. Sequentia: 2. Tuba mirum
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Requiem in D minor, K. 626: III. Sequentia: 3. Rex tremendae
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Requiem in D minor, K. 626: III. Sequentia: 4. Recordare
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Requiem in D minor, K. 626: III. Sequentia: 5. Confutatis
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Requiem in D minor, K. 626: III. Sequentia: 6. Lacrimosa
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Requiem in D minor, K. 626: III. Sequentia: 7. Amen
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Requiem in D minor, K. 626: IV. Offertorium: 1. Domine Jesu
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Requiem in D minor, K. 626: IV. Offertorium: 2. Hostias
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Requiem in D minor, K. 626: V. Sanctus
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Requiem in D minor, K. 626: VI. Benedictus
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Requiem in D minor, K. 626: VII. Agnus Dei
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Requiem in D minor, K. 626: VIII. Lux aeterna
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Die Zauberflöte: Akt II. „Heil sei euch Geweihten” (Chor)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: I. Parte I. Sinfonia
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Quartet for Strings no. 14 in G major, K. 387 “Haydn Quartetti”, “Spring”: IV. Allegro molto
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Missa Brevis in B-flat major, K. 275: V. Benedictus
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Missa Brevis in B-flat major, K. 275: VI. Agnus Dei
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6 Contredanses for Orchestra, K. 448b/462
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Concerto Movement for Horn in E-flat major, K. 370b
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Rondo in E-flat for Horn and Orchestra, K. 371
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Double Canon in F major for 4 Voices, K. 228/515b: "Ach! zu kurz" / "Lebet wohl"
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Concerto for Piano no. 21 in C major, K. 467
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Concerto for Flute no. 2 in D major, K. 285d/314
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Menuett in G major
-
[unknown work by Mozart]
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet"
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Sonate in B für Violoncello (Fagott) und Klavier nach KV 292 (196c) oder für zwei Bassinstrumente KV 292 (196c)
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Sonate in B für Violoncello (Fagott) und Klavier nach KV 292 (196c): I. Allegro
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Sonate in B für Violoncello (Fagott) und Klavier nach KV 292 (196c): II. Andante
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Sonate in B für Violoncello (Fagott) und Klavier nach KV 292 (196c): III. Rondo: Allegro
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Il ratto dal serraglio
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Allegro for Piano in B-flat major, K. 372a/400 (fragment)
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Così fan tutte: Atto I. "Bella vita militar!"
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Andante and Variations for Piano with 4 Hands in G major, K. 501
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Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa
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Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa
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Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie
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Notturni : Luci care, luci belle KV 346/439a
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Violin Sonata in F major, K. 374e/377: III. Minuetto
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Die Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Könnt' ich mir doch noch so einen Schurken" (Osmin, Pedrillo)
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String Quintet in B-flat major, K. 46
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Missa in c-Moll, K.427/417a ('Große Messe'): IIc. Gloria: “Gratias agimus tibi”
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Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. Recitativo "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene)
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Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto
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It's the Phone
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La finta giardiniera, K. 196: Act III, Scene II. No. 24 Aria e duetto "Mirate che contrasto" (Nardo, Il Contino, Sandrina)
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Lieder, W. A. Mozart: Die Warnung
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Lieder, W. A. Mozart: Das Veilchen
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Lieder, W. A. Mozart: Die Verschweigung
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Die Zauberflöte: “Ein Mädchen oder Weibchen wünscht Papageno sich!”
-
In an Eighteenth-Century Drawing Room
-
March for Orchestra in D major, K. 385a/KV 408/2
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Così fan tutte: Atto II. Recitativo “Il tutto deponete” … “Cos’è tal mascherata?” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo)
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Così fan tutte: Atto II. Recitativo “Oh che bella giornata!” … “Passeggiamo anche noi” (Fiordiligi, Ferrando, Dorabella, Guglielmo)
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Quartet for Strings no. 12 in B-flat major, K. 172 "Quartetti Vienna": IV. Allegro assai
-
Variations on a Theme by Gluck, K. 455: Var. 2
-
The Magic Flute: Act II. no. 17 Aria “Now I Know That Love Can Vanish” (Pamina)
-
Larghetto and Allegro for 2 Pianos in E-flat major, K. deest NMA IX/24/Abt. 1/Nachtrag (Paul Badura-Skoda completion): Larghetto - allegro
-
5 Solfeggios, K.393/385b
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Solfeggio, K. 393: No. 2 in F Major
-
Don Giovanni: Ouverture
-
Concerto Movement for Horn in E-flat major, K. 370b
-
Rondo in E-flat for Horn and Orchestra, K. 371
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Lo sposo deluso, 424a/430
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Lo sposo deluso, 424a/430: Act I, Scene IV, No. 3 Aria "Dove mai trovai quel ciglio?" (Pulcherio)
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Lo sposo deluso, 424a/430: Act I, Scene IV, No. 3 Aria "Dove mai trovai quel ciglio?" (Pulcherio)
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Quartet in F major, K. 496: I. Allegro
-
Sérénade KV 239 « Senerata Notturna » : Rondeau (Allegro - Adagio - Allegro)
-
Die Zauberflöte: Appendix. Nr. 3a Arie: »So reizend hold, so zaubrisch schön« (Tamino)
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Die Zauberflöte: Appendix. Nr. 7a Duett: »Der Liebe holdes Glück empfinden« (Pamina, Papageno)
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Müßt ich auch durch tausend Drachen, K. 146b/435
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Müßt ich auch durch tausend Drachen, K. 146b/435
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Sérénade KV 239 « Senerata Notturna » : Menuetto - Trio
-
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
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Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: II. Andantino
-
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: I. Allegro
-
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: III. Rondeau. Presto – Adagio & Menuetto. Cantabile – Tempo primo
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Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
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Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": I. Allegro
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Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto
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Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": II. Andante
-
Concerto for Horn no. 3 in E-flat major, K. 447
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena IX.
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Ascanio in Alba, K. 111: Act I
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Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante
-
Concerto for Piano and Orchestra no. 25 in C major, K. 503
( - 04 Dec 1786)
-
Sechs deutsche Tänze, K. 509
( - 06 Feb 1787)
-
Divertimento No. 3 for 3 Basset Horns, K. 439b/3/KV Anh 229/3: II. Minuetto & Trio
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Divertimento No. 3 for 3 Basset Horns, K. 439b/3/KV Anh 229/3: III. Adagio
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Divertimento No. 3 for 3 Basset Horns, K. 439b/3/KV Anh 229/3: IV. Minuetto & Trio
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Divertimento No. 3 for 3 Basset Horns, K. 439b/3/KV Anh 229/3: V. Rondo. Allegro assai
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Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": II. Minuetto. Allegretto
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Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": XI. Minuetto
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Divertimento No. 2 for 3 Basset Horns, K. 439b/2/KV Anh 229/2: I. Allegro
-
Divertimento No. 2 for 3 Basset Horns, K. 439b/2/KV Anh 229/2: II. Minuetto
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Divertimento No. 2 for 3 Basset Horns, K. 439b/2/KV Anh 229/2: III. Larghetto
-
Divertimento No. 2 for 3 Basset Horns, K. 439b/2/KV Anh 229/2: IV. Minuetto & Trio
-
Divertimento No. 2 for 3 Basset Horns, K. 439b/2/KV Anh 229/2: V. Rondo
-
Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": VII. Adagio
-
Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": X. Andante
-
Divertimento No. 4 for 3 Basset Horns, K. 439b/4/KV Anh 229/4: I. Allegro
-
Divertimento No. 4 for 3 Basset Horns, K. 439b/4/KV Anh 229/4: II. Larghetto
-
Divertimento No. 4 for 3 Basset Horns, K. 439b/4/KV Anh 229/4: III. Minuetto & Trio
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Divertimento No. 4 for 3 Basset Horns, K. 439b/4/KV Anh 229/4: V. Allegretto
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Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": I. Allegro
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Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": VIII. Allegro
-
Divertimento No. 5 for 3 Basset Horns, K. 439b/5/KV Anh 229/5: I. Adagio
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1: III. Adagio
-
Missa in c-Moll, K.427/417a ('Große Messe'): IV. Sanctus
-
Divertimento No. 5 for 3 Basset Horns, K. 439b/5/KV Anh 229/5: II. Minuetto & Trio
-
Divertimento No. 5 for 3 Basset Horns, K. 439b/5/KV Anh 229/5: III. Adagio
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Divertimento No. 5 for 3 Basset Horns, K. 439b/5/KV Anh 229/5: IV. Romance. Andante
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Divertimento No. 5 for 3 Basset Horns, K. 439b/5/KV Anh 229/5: V. Polonaise
-
La finta giardiniera, K. 196: Act I, Scene X. No. 11 Cavatina "Geme la tortorella" (Sandrina)
-
Suite Divertissement: II. Sonata Allegro from Sym. 13
-
Incipit of "March in D 'Ein kleiner Marsch'", K. 544 (fragment)
( - 28 Jun 1788)
-
20 Menuette, K. 61d/103: No. 17 in E major
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20 Menuette, K. 61d/103: No. 19 in A major
-
20 Menuette, K. 61d/103: No. 20 in C major
-
6 Minuets for Orchestra, K. 61h/deest: No. 1 in C major
-
6 Minuets for Orchestra, K. 61h/deest: No. 2 in A major
-
6 Minuets for Orchestra, K. 61h/deest: No. 5 in G major
-
6 Minuets for Orchestra, K. 61h/deest: No. 6 in C major
-
16 Minuets for Orchestra, K. 176: No. 2 in G major
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16 Minuets for Orchestra, K. 176: No. 5 in F major
-
16 Minuets for Orchestra, K. 176: No. 8 in C major
-
16 Minuets for Orchestra, K. 176: No. 10 in B-flat major
-
16 Minuets for Orchestra, K. 176: No. 12 in D major
-
16 Minuets for Orchestra, K. 176: No. 14 in C major
-
16 Minuets for Orchestra, K. 176: No. 16 in D major
-
Serenade no. 2 for Orchestra, K. 250a/101: IV. Contredanse in F major
-
12 Contredanses for Orchestra in C major for Johann Rudolf Graf Czernin (Erik Smith orchestration), K. 269b / deest no. 3: Allegro
-
12 Contredanses for Orchestra in G major for Johann Rudolf Graf Czernin (Erik Smith orchestration), K. 269b / deest no. 1: Allegro
-
Queen of the Night
-
9 Variations for Piano in D major on a Menuet by Duport, K. 573: Var. I
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9 Variations for Piano in D major on a Menuet by Duport, K. 573: Var. II
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9 Variations for Piano in D major on a Menuet by Duport, K. 573: Var. III
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9 Variations for Piano in D major on a Menuet by Duport, K. 573: Var. IV
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9 Variations for Piano in D major on a Menuet by Duport, K. 573: Var. V
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9 Variations for Piano in D major on a Menuet by Duport, K. 573: Var. VI
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9 Variations for Piano in D major on a Menuet by Duport, K. 573: Var. VII
-
9 Variations for Piano in D major on a Menuet by Duport, K. 573: Var. VIII
-
9 Variations for Piano in D major on a Menuet by Duport, K. 573: Var. IX
-
Sonata for 2 Pianos in D major, K. 375a/448: II. Andante
-
Sonata for 2 Pianos in D major, K. 375a/448: III. Allegro molto & Coda
-
Angelic Hymns: Sonata for Two Pianos
-
Don Giovanni, K. 527: Deh vieni, al finestra
-
Così fan tutte, K. 588: Atto II, Scena IV. No. 21 Duetto con Coro "Secondate, aurette amiche"
-
Sechs deutsche Tänze, K. 509
-
Missa in c-Moll, K. 427/417a ('Große Messe'): IId. Gloria: "Domine Deus"
-
Missa in c-Moll, K. 427/417a ('Große Messe'): IIe. Gloria: "Qui tollis"
-
Missa in c-Moll, K. 427/417a ('Große Messe'): IIf. Gloria: "Quoniam tu solus"
-
Missa in c-Moll, K. 427/417a ('Große Messe'): IIg. Gloria: "Jesu Christe"
-
Missa in c-Moll, K. 427/417a ('Große Messe'): IIh. Gloria: "Cum Sancto Spiritu"
-
Missa in c-Moll, K.427/417a ('Große Messe'): IIIa. Credo: "Credo in unum Deum"
-
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: "Et incarnatus est"
-
Missa in c-Moll, K. 427/417a ('Große Messe'): V. Benedictus
-
Rondo for Piano & Orchestra in A major, K. 386
-
7 Menuette, K. 61b: No. 1 in G major
-
7 Menuette, K. 61b: No. 2 in D major
-
7 Menuette, K. 61b: No. 3 in A major
-
7 Menuette, K. 61b: No. 4 in F major
-
7 Menuette, K. 61b: No. 5 in C major
-
7 Menuette, K. 61b: No. 6 in G major
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7 Menuette, K. 61b: No. 7 in D major
-
Minuet for Orchestra in C major, K. 61g/II / KV deest no. 2 (Erik Smith orchestration): Minuetto & Trio, reduction of Michael Haydn: 12 Minuets for Orchestra, MH 136 no. 1
-
Minuet for Orchestra (Erik Smith orchestration) in D major, K. 73h/94: Minuet
-
Minuet for Orchestra in E-flat major, K. 73t/122
-
20 Menuette, K. 61d/103: No. 1 in C major
-
20 Menuette, K. 61d/103: No. 2 in G major
-
20 Menuette, K. 61d/103: No. 3 in D major
-
20 Menuette, K. 61d/103: No. 4 in F major
-
20 Menuette, K. 61d/103: No. 5 in C major
-
20 Menuette, K. 61d/103: No. 6 in G major
-
20 Menuette, K. 61d/103: No. 7 in D major
-
20 Menuette, K. 61d/103: No. 8 in F major
-
20 Menuette, K. 61d/103: No. 9 in D major
-
20 Menuette, K. 61d/103: No. 10 in G major
-
20 Menuette, K. 61d/103: No. 11 in F major
-
20 Menuette, K. 61d/103: No. 12 in C major
-
20 Menuette, K. 61d/103: No. 13 in C major
-
20 Menuette, K. 61d/103: No. 14 in E-flat major
-
20 Menuette, K. 61d/103: No. 15 in B-flat major
-
20 Menuette, K. 61d/103: No. 16 in G major
-
Die Hochzeit des Figaro: Akt II. Nr. 10 Kavatine „Hör mein Fleh’n“ (Gräfin)
-
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange"
-
Requiem in D minor, K. 626: I. Introitus: "Requiem aeternam"
-
Requiem in D minor, K. 626: II. Kyrie: "Kyrie"
-
Requiem in D minor, K. 626: IIIa. Sequenz: "Dies irae"
-
Requiem in D minor, K. 626: IIIb. Sequenz: "Tuba mirum"
-
Requiem in D minor, K. 626: IIIc. Sequenz: "Rex tremendae"
-
Requiem in D minor, K. 626: IIId. Sequenz: "Recordare"
-
Requiem in D minor, K. 626: IIIe. Sequenz: "Confutatis"
-
Requiem in D minor, K. 626: IIIf. Sequenz: "Lacrimosa"
-
Requiem in D minor, K. 626: IIIg. Sequenz: "Amen"
-
Requiem in D minor, K. 626: IVa. Offertorium: "Domine Jesu"
-
Requiem in D minor, K. 626: IVb. Offertorium: "Hostias"
-
Requiem in D minor, K. 626: Va. Sanctus et Benedictus: "Sanctus" / Vb. Sanctus et Benedictus: "Osanna I"
-
Requiem in D minor, K. 626: Vc. Sanctus et Benedictus: "Benedictus" / Vd. Sanctus et Benedictus: "Osanna II"
-
Requiem in D minor, K. 626: VI. "Agnus Dei"
-
Requiem in D minor, K. 626: VIIa. Communio: "Lux aeterna" / VIIb. Communio: "Cum sanctis tuis"
-
Lacrymosa
-
Concerto for Piano no. 3 in D major, K. 40: II. Andante
-
Concerto for Piano no. 3 in D major, K. 40: III. Presto
-
Mass no. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei"
-
Mass no. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie"
-
Mass no. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria"
-
Mass no. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo"
-
Mass no. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus"
-
Mass no. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei"
-
Missa in c-Moll, K. 427/417a ('Große Messe'): I. "Kyrie"
-
Missa in c-Moll, K. 427/417a ('Große Messe'): IIa. Gloria: "Gloria in excelsis"
-
Missa in c-Moll, K. 427/417a ('Große Messe'): IIb. Gloria: "Laudamus te"
-
Missa in c-Moll, K. 427/417a ('Große Messe'): IIc. Gloria: "Gratias agimus tibi"
-
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": II. Minuetto
-
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": I. Allegro molto
-
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": IV. Minuetto
-
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": V. Rondeau
-
Sonate KV 331 (Alla turca)
-
6 German Dances for Orchestra, K. 536
-
Sonate in C für Violin und Baß, K. 46d
-
Adagio and Fugue in C minor, K. 546: II. Fugue
-
Adagio and Fugue in C minor, K. 546: I. Adagio
-
Trio for Piano no. 3 in B-flat major, K. 502
-
Quartet for Strings no. 9 in A major, K. 169 "Quartetti Vienna": III. Minuetto
-
Three Concertos after J. C. Bach, K. 107
-
Quintet for 2 Violins, 2 Violas and Cello no. 6 in E-flat major, K. 614
-
Rondo C-Dur KV 373 I. Allegretto grazioso
-
Die Zauberflöte: “Dies Bildnis ist bezaubernd schön”
-
Die Zauberflöte: “Alles fühlt der Liebe Freuden”
-
Quintet for Clarinet in B-flat, K. 516c/Anh 91 (fragment): Allegro
-
Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens"
-
Piano Concerto no. 10 in E-flat major, KV. 365: III. Allegro giocoso
-
Don Giovanni: "Non mi dir, bell'idol mio"
-
Quintet for Horn, Violin, 2 Violas and Cello in E-flat major, K. 386c/407
-
Violin Sonata in A major, K. 402
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria “Vedrai, carino” (Zerlina)
-
Three Arias from Don Giovanni
-
Three Arias from Don Giovanni: No. 1. “Batti, batti, oh bel Masetto”
-
Three Arias from Don Giovanni: No. 2. “Deh vieni alla finestra”
-
Three Arias from Don Giovanni: No. 3. “Vedrai, carino”
-
Concerto for Piano no. 27 in B-flat major, K. 595
-
6 Minuets for Orchestra, K. 599
-
Quintet for 2 Violins, 2 Violas and Cello no. 5 in D major, K. 593: IV. Finale. Allegro (original version)
-
Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio Da capo
-
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio
-
Concerto for Piano no. 20 in D minor, K. 466
-
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro
-
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
-
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai
-
Thamos, Konig in Agypten, K. 345: Ne pulvis et cinis superbe
-
Quartet for Strings no. 18 in A major, K. 464 "Haydn Quartetti": III. Andante
-
Cor sincerum amore plenum, K. deest
-
Die Hochzeit des Figaro: Akt II. Rezitativ „O sieh den kleinen Teufel” (Susanna, Gräfin, Graf)
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Notturni : Ecco quel fiero istante K 436
-
Idomeneo, K. 366: Atto Secondo: Recitativo: “Siam soli; odimi Arbace” (Idomeneo, Arbace) / N. 10b Scena con Rondo [K. 490 - Vienna, 1788]
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Idomeneo, K. 366: Atto Secondo: Recitativo: “Non più. Tutto acoltai” (Ilia, Idamante)
-
Idomeneo, K. 366: Atto Secondo: Rondo: “Non Temer, amato bene” (Idamante)
-
Idomeneo, K. 366: Atto Terzo: N. 28a: “Idomeneo cessi eser re” (La Voce)
-
La clemenza di Tito
-
Quartet in F major, K. 496
-
3 Quartets, op. 79
-
Symphony no. 7 in D major, K. 45: II. Andante
-
Symphony in B-flat major, K. 45b / Anh 214: I. Allegro
-
Sérénade KV 525 « Eine Kleine Nachtmusik » : Romanza (Andante)
-
Divertimento no. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik"
-
Mass no. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa"
-
Così fan tutte
-
Il dissoluto punito, ossia il Don Giovanni
-
Requiem in D minor, K. 626
-
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam
-
Requiem in D minor, K. 626: II. Kyrie eleison
-
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae
-
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum
-
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis
-
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie
-
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis
-
Symphony no. 40 in G minor, K. 550 “Great”
-
Symphony no. 40 in G minor, K. 550 "Great": I. Allegro molto
-
Symphony no. 40 in G minor, K. 550 "Great": II. Andante
-
Symphony no. 40 in G minor, K. 550 "Great": III. Minuetto. Allegretto
-
Symphony no. 40 in G minor, K. 550 "Great": IV. Finale. Allegro assai
-
Die Zauberflöte, K. 620: Aria "Was hör' ich? Der Vogelfänger bin ich ja"
-
Quartet for Strings no. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": I. Allegro
-
Church Sonata in F major, K. 241a/224
-
Adagio in E‐Flat Major (Arr. Ólafsson from String Quintet No. 3 in G Minor, K. 516)
-
Alphabet
-
La finta semplice, K. 46a / KV 51: Act II, Scene VIII. Recitativo "Sciocca è la Baronessa" (Cassandro, Fracasso)
-
La finta semplice, K. 46a / KV 51: Act II, Scene VIII. No. 19 Duetto "Cospetton, cospettonaccio!" (Cassandro, Fracasso)
-
Allegro in G for Piano Four-Hands
-
Requiem in D Minor, K. 626
-
Requiem in D Minor, K. 626: I. Introitus et Kyrie: 1. Introitus
-
Requiem in D Minor, K. 626: I. Introitus et Kyrie: 2. Kyrie
-
Requiem in D Minor, K. 626: II. Sequentia: 3. Dies Irae
-
Requiem in D Minor, K. 626: II. Sequentia: 4. Tuba mirum
-
Requiem in D Minor, K. 626: II. Sequentia: 5. Rex Tremendae
-
Requiem in D Minor, K. 626: II. Sequentia: 6. Recordare
-
Requiem in D Minor, K. 626: II. Sequentia: 7. Confutatis
-
Requiem in D Minor, K. 626: II. Sequentia: 8. Lacrimosa
-
Requiem in D Minor, K. 626: III. Offertorium: 9. Domine Jesu
-
Requiem in D Minor, K. 626: III. Offertorium: 10. Hostias
-
Requiem in D Minor, K. 626: IV. Sanctus: 11. Sanctus
-
Requiem in D Minor, K. 626: IV. Sanctus: 12. Benedictus
-
Requiem in D Minor, K. 626: V. Agnus Dei et Communio: 13. Agnus Dei
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Requiem in D Minor, K. 626: V. Agnus Dei et Communio: 14. Lux aeterna
-
Piano Concerto no. 20 in D minor, KV. 466: I. Allegro
-
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella)
-
Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) Nos. a-x: (no tempo indication) - Andantino
-
Prelude and Fugue for Piano in C major, K. 383a/394: I. Fantasia
-
Prelude and Fugue for Piano in C major, K. 383a/394: II. Fugue
-
Sonata for Piano with 4 Hands in D major, K. 123a/381: I. Allegro
-
Sonata for Piano with 4 Hands in D major, K. 123a/381: III. Allegro molto
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale Minuetto “Da bravi, via, ballate!” (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Masetto, Zerlina, Don Giovanni)
-
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, Scena V.
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Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) / No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) / “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) / “Presto presto pria ch’ei venga” (Masetto)
-
Don Giovanni: Atto I. “Signor guardate un poco” (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello)
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Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. “Venite, pur avanti” / “Ricominciate il suono” / “No no, ballar non voglio” / “Vieni con me mia vita…” / “Gente aiuto, aiuto gente” / “Ecco il birbo che t'ha offesa”
-
Don Giovanni: Atto I. “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
-
Don Giovanni: Atto II. Recitativo “Ahi ahi! la testa mia” (Masetto, Zerlina)
-
Don Giovanni: Atto II. “Che grido è questo mai” … “Ah signor per carità” (Donna Elvira, Don Giovanni, Leporello)
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, Scena XVI.
-
Divertimento no. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131
-
Divertimento in B-flat (2)
-
Konzertrondo für Klavier und Orchester D-Dur, KV 382
-
Rondo für Klavier und Orchester A-Dur, KV 386
-
Konzertrondo für Klavier und Orchester D-Dur, KV 382: I. Allegretto grazioso
-
Konzertrondo für Klavier und Orchester D-Dur, KV 382: II. Adagio
-
Konzertrondo für Klavier und Orchester D-Dur, KV 382: III. Allegro
-
Quintet for 2 Violins, 2 Violas and Cello no. 6 in E-flat major, K. 614: II. Andante
-
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: IV. Andante
-
4 Riddle Canons no. 3 for 2 Mixed Voices and 1 additional Voice in C major, K. 73r / K2 89aII / KV deest "Clama ne cesses. Tertia pars si placet": Canon ad duodecimam. "Confitebor tibi Domine"
-
4 Riddle Canons no. 4 for 6 Mixed Voices in 2 in C major, K. 73r / K2 89aII / KV deest "Ter voce ciemus. Voce ter insonuit": Canon. "Thebana bella cantus / Troiana cantat"
-
Canon for 4 Instruments in 1 in C major, K. 562c / KV Anh 191: Canon
-
Canon for 3 in 1 in C major, K. 508A / KV deest: Canon
-
Canon for 4 Voices in 1 in A minor, K. 555: Adagio. "Lacrimoso son'io"
-
Canon for 4 Voices in 1 in F minor, K. 557: Adagio. "Nascoso è il mio sol"
-
4 Canons in F, K. deest Nos 11-14
-
Canon for 4 in 1 in B-flat major, K. 562a / KV deest: Canon
-
Canon in F, K.deest
-
Canon for 4 Voices in 1 in F major, K. 554: Andante. "Ave Maria"
-
Canon for 4 Voices in 1 in C major, K. 553: Allegro. "Alleluia"
-
La finta semplice, K. 46a / KV 51: Act II, Scene III. Recitativo "Non mi marito più" (Giacinta, Polidoro)
-
La finta semplice, K. 46a / KV 51: Act II, Scene III. No. 14 Aria. Allegro comodo "Se a maritarmi arrivo" (Giacinta)
-
La finta semplice, K. 46a / KV 51: Act II, Scene IV. Recitativo "Quando avro moglie anch'io" (Polidoro, Ninetta)
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La finta semplice, K. 46a / KV 51: Act II, Scene V. No. 15 Aria "Amoretti, che ascosi qui siete" (Rosina)
-
La finta semplice, K. 46a / KV 51: Act II, Scene V. Recitativo "Madama, è fatto tutto" (Polidoro, Rosina)
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La finta semplice, K. 46a / KV 51: Act II, Scene VI. No. 16 Aria. Allegro "Ubriaco non son io" (Cassandro)
-
La finta semplice, K. 46a / KV 51: Act II, Scene VI. Recitativo "L'ha coll'anello ancora" (Rosina, Cassandro, Polidoro)
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La finta semplice, K. 46a / KV 51: Act II, Scene VI. No. 17 Aria. Adagio - allegretto - moderato - allegretto - moderato "Sposa cara, sposa bella" (Polidoro)
-
La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "L'ho fatta grossa assai" (Cassandro, Rosina)
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La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo pantomima "Me ne vo' prender spasso" (Cassandro, Rosina)
-
Concerto for Violin and Orchestra no. 7 in D major, K. 271i/K2 271a: II. Andante
-
La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "Ehi... dormite, signore?" (Cassandro, Rosina)
-
La finta semplice, K. 46a / KV 51: Act II, Scene VII. No. 18 Aria. Allegro grazioso - allegretto - tempo primo - allegretto "Ho sentito a dir da tutte" (Rosina)
-
Den senile Don Juan
-
Concerto for Violin and Orchestra no. 7 in D major, K. 271i/K2 271a: III. Rondo: Allegro
-
Les Noces de Figaro
-
La Flûte enchantée : Acte II. Invocation « Isis, c'est l'heure… » (Sarastro)
-
Fantasia alla turca
-
Idomeneo: Act III: Ilia's Aria "Gentle zephyrs, soft caressing"
-
Konzert in D-Dur für Klavier, Violine und Orchester, KV Anh. 56 (315f): I.
-
Rondo no. 2, K. 494
-
Contredanse in D major, K. 534 “Das donnerwetter”
( - 14 Jan 1788)
-
Zaide, K. 336b/344 (fragment): Akt I. No. 5 Duett "Meine Seele hüpft vor Freuden" (Zaide, Gomatz)
-
Zaide, K. 336b/344 (fragment): Akt I. Dialog "Unglückseliger!" (Allazim, Gomatz)
-
Zaide, K. 336b/344 (fragment): Akt I. No. 6 Arie "Herr und Freund!" (Gomatz)
-
Zaide, K. 336b/344 (fragment): Akt I. Monolog "Weit weiche ich von meiner Pficht" (Allazim)
-
Zaide, K. 336b/344 (fragment): Akt I. No. 7 Arie "Nur mutig, mein Herze" (Allazim)
-
Zaide, K. 336b/344 (fragment): Akt I. Dialog "Eilt, Gomatz, ihr wißt den Weg!" (Allazim, Gomatz, Zaide)
-
Zaide, K. 336b/344 (fragment): Akt I. No. 8 Terzetto "O selige Wonne!" (Zaide, Gomatz, Allazim)
-
Zaide, K. 336b/344 (fragment): Akt II. No. 9 Melologo "Zaide entflohen!" (Soliman, Osmin)
-
Zaide, K. 336b/344 (fragment): Akt II. Arie "Der stolze Löw'" (Soliman)
-
Zaide, K. 336b/344 (fragment): Akt II. Monolog "Sun, so wären wir den Allazim los!" (Osmin)
-
Zaide, K. 336b/344 (fragment): Akt II. No. 10 Arie "Wer hungrig bei der Tafel sitzt" (Osmin)
-
Zaide, K. 336b/344 (fragment): Akt II. Dialog "Da steht ihr also vor mir" (Soliman, Zaide)
-
Zaide, K. 336b/344 (fragment): Akt II. No. 11 Arie "Ich bin so bös als gut" (Soliman)
-
Zaide, K. 336b/344 (fragment): Akt II. Monolog "Weshalb muß ich im dunklen Kerker schmachten?" (Zaide)
-
Zaide, K. 336b/344 (fragment): Akt II. No. 12 Arie "Trostlos schluchzet Philomele" (Zaide)
-
Zaide, K. 336b/344 (fragment): Akt II. Dialog "Hört, Zaide, ich werde euch die Freiheit schenken" (Soliman, Zaide)
-
Zaide, K. 336b/344 (fragment): Akt II. No. 13 Arie "Tiger! wetze nur die Klauen" (Zaide)
-
Zaide, K. 336b/344 (fragment): Akt II. Dialog "Nun zu dir, Allazim" (Soliman, Allazim)
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Zaide, K. 336b/344 (fragment): Akt II. No. 14 Arie "Ihr Mächtigen seht ungerührt" (Allazim)
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Zaide, K. 336b/344 (fragment): Akt II. Dialog "Es ist umsonst" (Soliman, Allazim)
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Zaide, K. 336b/344 (fragment): Akt II. No. 15 Quartett "Freundin! stille deine Tränen" (Gomatz, Allazim, Soliman, Zaide)
-
Zaide, K. 336b/344 (fragment): Akt II. Dialog "O großer Soliman" (Allazim, Soliman)
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Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 1 Ariette "Da schlägt die Abschiedsstunde" (Mme Herz)
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Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 2 Rondo "Bester Jüngling" (Mlle Silberklang)
-
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 3 Terzett "Ich bin die erste Sängerin" (Mlle Silberklang, Mme Herz, M. Vogelsang)
-
Symphony no. 40 in G minor, K. 550 “Great”
-
16 Minuets, K. 176
-
Klavierfassung, K. 7 (from the Salzburg Notebook): I. Allegro molto
-
Klavierfassung, K. 7 (from the Salzburg Notebook): II. Menuet & Trio
-
Don Giovanni: II. Akt "Folget der Heißgeliebten" (Il mio tesoro) (Don Ottavio)
-
Greife nach dem Wind
-
Il rè pastore, K. 208: No. 1 Overtura. Allegro molto
-
Il rè pastore, K. 208: Act I, Scene I. Scena "Intendo amico mio" (Aminta)
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Il rè pastore, K. 208: Act I, Scene I. No. 2 Aria "Alla selva, al prato, al fonte" (Elisa)
-
Il rè pastore, K. 208: Act I, Scene II. Recitativo "Compagne amene" (Aminta)
-
Il rè pastore, K. 208: Act I, Scene II. Recitativo accompagnato "Ditelo voi pastori" (Aminta)
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Il rè pastore, K. 208: Act I, Scene II. No. 3 Aria "Aer tranquillo e dì sereni" (Aminta)
-
Il rè pastore, K. 208: Act I, Scene III. Recitativo "Perdono amici Dei" (Aminta, Agenore, Alessandro)
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Il rè pastore, K. 208: Act I, Scene III. No. 4 Aria "Si spande al sole in faccia" (Alessandro)
-
Il rè pastore, K. 208: Act I, Scene IV. Recitativo "Agenore? T'arresta" (Tamiri, Agenore)
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Il rè pastore, K. 208: Act I, Scene IV. No. 5 Aria "Per me rispondete" (Agenore)
-
Lucio Silla, K. 135
-
Sonata Movement in C, K. 42 (Fr 1771a)
-
Die Entführung aus dem Serail, K. 384
-
Le nozze di Figaro, K. 492
-
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
-
Il rè pastore, K. 208: Act I, Scene V. Recitativo "No: voi non siete, oh Dei" (Tamiri)
-
Il rè pastore, K. 208: Act I, Scene V. No. 6 Aria "Di tante sue procelle" (Tamiri)
-
Il rè pastore, K. 208: Act I, Scene VI. Recitativo "Dove t'affretti, Elisa?" (Elisa, Aminta, Agenore)
-
Il rè pastore, K. 208: Act I, Scene VII. Recitativo accompagnato "Perdona Elisa" (Aminta, Elisa)
-
Il rè pastore, K. 208: Act I, Scene VIII. No. 7 Duetto "Vanne a regnar ben mio" (Elisa, Aminta)
-
Il rè pastore, K. 208: Act II, Scene I. Recitativo "Questa del campo greco e la tenda maggior" (Elisa, Agenore)
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Il rè pastore, K. 208: Act II, Scene I. No. 8 Aria "Barbaro, oh Dio! mi vedi divisa dal mio ben" (Elisa)
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Il rè pastore, K. 208: Act II, Scene II-III. Recitativo "La bella Elisa" (Aminta, Agenore, Alessandro)
-
Il rè pastore, K. 208: Act II, Scene IV. No. 9 Aria "Se vincendo vi rendo felici" (Alessandro)
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Il rè pastore, K. 208: Act II, Scene VI. Recitativo "Oimè! declina il sol" (Aminta)
-
Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)
-
Il rè pastore, K. 208: Act II, Scene VII-VIII. Recitativo "Uscite, alfine uscite" (Agenore, Elisa, Tamiri)
-
Il rè pastore, K. 208: Act II, Scene IX. No. 11 Aria "Se tu di me fai dono" (Tamiri)
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Il rè pastore, K. 208: Act II, Scene X. Recitativo "Misero cor!" (Agenore) / No. 12 Aria "Sol può dir, come si trova" (Agenore)
-
Il rè pastore, K. 208: Act II, Scene XI-XIII. No. 13 Aria "Voi che fausti ognor donate" (Alessandro)
-
Il rè pastore, K. 208: Act II, Scene XIII. Recitativo "Ola! che più si tarda?" (Alessandro, Tamiri, Agenore, Elisa, Aminta)
-
Il rè pastore, K. 208: Act II, Scene XIII. No. 14 Coro "Viva l'invitto duce" (Elisa, Tamiri, Aminta, Agenore, Alessandro)
-
Zaide, K. 336b/344 (fragment): Sinfonia in G, KV 318: Ouvertüre
-
Zaide, K. 336b/344 (fragment): Akt I. No. 1 Lied "Brüder, laßt uns lustig sein" (Vorsänger, Drei andere Sklaven)
-
Zaide, K. 336b/344 (fragment): Akt I. No. 2 Melologo "Unerforschliche Fügung" (Gomatz)
-
Zaide, K. 336b/344 (fragment): Akt I. Monolog "Noch nie war mir vegönnt" (Zaide)
-
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide)
-
Zaide, K. 336b/344 (fragment): Akt I. Monolog "Ah! So gut habe ich noch nie geschlafen" (Gomatz)
-
Zaide, K. 336b/344 (fragment): Akt I. No. 4 Arie "Rase, Schicksal, wüte immer" (Gomatz)
-
Zaide, K. 336b/344 (fragment): Akt I. Dialog "nichtswürdiger Sklave" (Zaide, Gomatz)
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Ağıt
-
Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XVI. Presto
-
Divertimento in E-flat major, K. Anh. C 17.04/Anh. 224
-
Divertimento in E-flat major, K. Anh. C 17.04/Anh. 224: I. Adagio: Allegro
-
Divertimento in E-flat major, K. Anh. C 17.04/Anh. 224: II. Menuetto (Allegretto)
-
Divertimento in E-flat major, K. Anh. C 17.04/Anh. 224: III. Adagio
-
Divertimento in E-flat major, K. Anh. C 17.04/Anh. 224: IV. Menuetto
-
Divertimento in E-flat major, K. Anh. C 17.04/Anh. 224: V. Adagio (Theme with Variations)
-
Divertimento in E-flat major, K. Anh. C 17.04/Anh. 224: VI. Rondo (Allegro)
-
Quartet Movement for Strings in B-flat major, K. 589a/Anh. 68: Minuet
-
Divertimento for Orchestra in F major, K. 246c/288: Allegro
-
La finta semplice, K. 46a / KV 51: Act II, Scene IX. Recitativo "Dove andate, signore?" (Rosina, Cassandro)
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La finta semplice, K. 46a / KV 51: Act II, Scene X. Recitativo "Siam quasi in porto adesso" (Rosina, Fracasso)
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La finta semplice, K. 46a / KV 51: Act II, Scene XI. Recitativo "Vieni a tempo, Simone" (Fracasso, Ninetta, Simone)
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La finta semplice, K. 46a / KV 51: Act II, Scene XI. No. 20 Aria. Grazioso - allegro "In voi, belle, è leggiadria" (Fracasso)
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La finta semplice, K. 46a / KV 51: Act II, Scene XII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone)
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La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 22 Aria. Un poco adagio "Vieni, vieni, oh mia Ninetta" (Simone)
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La finta semplice, K. 46a / KV 51: Act III, Scene I. Recitativo "Io non ho gran paura" (Ninetta, Simone)
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La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" (Ninetta)
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La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 24 Aria. Allegro "Che scompiglio, che flagello" (Giacinta)
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La finta semplice, K. 46a / KV 51: Act III, Scene II. Recitativo "Che smorfie, che paura!" (Fracasso, Giacinta)
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La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 25 Aria. Andante maestoso - tempo di menuetto - tempo primo "Nelle guerre d'amore" (Fracasso)
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La finta semplice, K. 46a / KV 51: Act III, Scene III. Recitativo "E così, Baronessa?" (Cassandro, Rosina)
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La finta semplice, K. 46a / KV 51: Act III, Scene IV. Recitativo "Eh ben, quando facciamo queste nozze, signora?" (Polidoro, Rosina)
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La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone)
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Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
-
Mitridate, rè di Ponto, K. 74a/87: Ouverture: Allegro, andante grazio, presto
-
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia)
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Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia)
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Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare)
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Divertimento (no. 7) in B-flat major, K. deest
-
Divertimento (no. 7) in B-flat major, K. deest: I. Allegro
-
Divertimento (no. 7) in B-flat major, K. deest: II. Menuetto
-
Divertimento (no. 7) in B-flat major, K. deest: III. Andante
-
Divertimento (no. 7) in B-flat major, K. deest: IV. Menuetto
-
Divertimento (no. 7) in B-flat major, K. deest: V. Adagio con espressione
-
Divertimento (no. 7) in B-flat major, K. deest: VI. Allegro
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Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. No. 2 Aria "Soffre il mio cor con pace" (Sifare)
-
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativi "Sin a quando, O Regina... Ferma, O germano... All'ire freno, Principi, olà" (Farnace, Aspasia, Silfare, Arbate)
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Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. No. 3 Aria "L'odio nel cor frenate" (Arbate)
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Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI-VII. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia) No. 4 Aria "Nel sen mi palpita" (Aspasia)
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Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. Recitativo "Un tale addio, germano, si spiega assai" (Farnace, Sifare)
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Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. No. 5 Aria "Parto: Nel gran cimento" (Sifare)
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Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" (Farnace, Marzio)
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Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace)
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Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 7 Marcia. Maestoso
-
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 8 Cavata "Se di lauri il crine adorno" (Mitridate)
-
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace)
-
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene)
-
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Cos’è questa commedia?” (Il Conte, Figaro, Susanna)
-
Concerto Movement for Horn in E-flat major, K. 371 (fragment): Rondo. Allegro
-
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII. Recitativo "Teme Ismene a ragion" (Mitridate, Arbate)
-
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. Recitativo accompagnato "Respira alfin" (Mitridate)
-
Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. No. 10 Aria "Quel ribelle e quell'ingrato" (Mitridate)
-
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. Recitativo "Questo è l'amor, Franace" (Ismene, Farnace)
-
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. No. 11 Aria "Va, l'error mio palesa" (Farnace)
-
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia, Sifare)
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IV. No. 12 Aria "Tu, che fedel mi sei" (Mitridate)
-
Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate)
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare)
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Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. Recitativo accompagnato "Grazie ai Numi parti" (Aspasia)
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Die Hochzeit des Figaro: Akt II. „Herr Graf, uns erwarten” (Figaro, Graf, Gräfin, Susanna)
-
Die Hochzeit des Figaro: Akt II. „Weißt du nicht, mein lieber Figaro” (Graf, Figaro, Gräfin, Susanna, Antonio)
-
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Il Conte)
-
Mass no. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus"
-
Così fan tutte: Atto I. Recitativo “Temerari! Sortite fuori di questo loco!” (Fiordiligi)
-
Concerto for Piano no. 27 in B-flat major, K. 595: II. Larghetto
-
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
-
Symphony in B-flat major, K. 45b / Anh 214: III. Menuetto & Trio
-
Symphony in B-flat major, K. 45b / Anh 214: IV. Allegro
-
Mass no. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": V. "Benedictus"
-
Symphony no. 8 in D major, K. 48: I. Allegro
-
Symphony no. 9 in C major, K. 75a/73: I. Allegro
-
Symphony no. 9 in C major, K. 75a/73: II. Andante
-
Symphony no. 9 in C major, K. 75a/73: III. Menuetto & Trio
-
Symphony no. 42 in F major, K. 75: III. Andantino
-
Symphony no. 13 in F major, K. 112: III. Menuetto & Trio
-
Symphony no. 14 in A major, K. 114: I. Allegro moderato
-
Symphony no. 14 in A major, K. 114: II. Andante
-
Menuetto, K. 61g
-
Symphony no. 15 in G major, K. 124: II. Andante
-
Symphony no. 19 in E-flat major, K. 132: IV. Allegro
-
Symphony no. 19 in E-flat major, K. Zu 132: Andantino grazioso
-
Symphony no. 50 in D major, K. 141a: III. Presto, K. 161/163
-
Symphony no. 27 in G major, K. 161b / K3 162a / 199: I. Allegro
-
Symphony no. 27 in G major, K. 161b / K3 162a / 199: II. Andantino grazioso
-
Symphony no. 27 in G major, K. 161b / K3 162a / 199: III. Presto
-
Così fan tutte: Atto I. Recitativo “Cessate di scherzar” (Ferrando, Guglielmo, Don Alfonso)
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Così fan tutte: Atto I. No. 6 Quintetto “Sento, oh Dio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
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Così fan tutte: Atto I. Recitativo “O cielo, questo è il tamburo funesto” (Ferrando, Don Alfonso, Fiordiligi, Dorabella)
-
Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro)
-
Così fan tutte: Atto I. Recitativo “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabello, Fiordiligi)
-
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina)
-
Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
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Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
-
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna)
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Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Che soave zeffiretto” (La Contessa, Susanna)
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Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze)
-
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro)
-
Symphony no. 6 in F major, K. 43: II. Andante
-
Herr Kern sieht fern
-
Per la ricuperata salute di Ofelia, K. 477a
-
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro)
-
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Tutto è tranquillo e placido” (Il Conte, Tutti)
-
Così fan tutte: Atto II. “Fortunato l’uom che prende” (Tutti)
-
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna)
-
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna)
-
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro)
-
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo)
-
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro)
-
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna)
-
Così fan tutte: Atto I. Recitativo “Che vita maledetta” (Despina, Fiordiligi, Dorabella)
-
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino)
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Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Signore, cos’è quel stupore?” (Il Conte, La Contessa, Susanna)
-
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Conoscete signor Figaro” (Il Conte, La Contessa, Susanna)
-
Overture to Lucio Silla, K. 135: I. Molto allegro
-
Overture to Lucio Silla, K. 135: II. Andante
-
Overture to Lucio Silla, K. 135: III. Molto allegro
-
Symphonia Concertante, 3. Satz
-
Rondo for Flute and Orchestra in C Major, KV 375
-
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: I. Allegro
-
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: II. Adagio
-
Modulating Prelude for Piano in F major to E minor, K. deest NMA IX/27/2 no. 2: (no tempo indication)
-
Symphony no. 39 in E-flat major: III. Minuetto
-
Divertimento no. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: II. Adagio
-
Divertimento in B-flat major, K. Anh. 229, no. 2: III. Larghetto
-
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 4 Schlußgesang "Jeder Künstler strebt nach Ehre" (Mlle Silberklang, Mme Herz, M. Vogelsang, Buff)
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Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
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Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Hör, Alter, trink nicht zu viel" (Pedrillo, Osmin, Belmonte, Konstanze)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde)
-
Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte)
-
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte)
-
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte)
-
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin)
-
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
-
Die Entführung aus dem Serail, K. 384: Akt III, Szene VI. Dialog "Was ist das für ein Lärm?" (Selim, Osmin, Konstanze, Belmonte)
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Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze)
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Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze)
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Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. Dialog "Nun, Belmonte Lostados!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin)
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Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen"
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Sonata for Piano no. 15 in F major, K. 533: II. Andante
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Sonata for Piano no. 17 in B-flat major, K. 570: II. Adagio
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March for Orchestra in D major, K. 320a/335 no. 1
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Violin Sonata in C major, K. 403/385c: III. Allegretto
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Missa in C minor K. 427/417a: Gloria: Gloria in excelsis
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Missa in C minor K. 427/417a: Gloria: Laudamus te
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Andante and Rondeau, op. 167: Andante
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Symphony no. 19 in E-flat major, K. 132: I. Allegro
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Symphony no. 21 in A major, K. 134
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Serenade no. 4 for Orchestra in D major, K. 189b/203 "Colloredo"
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La finta giardiniera, K. 196: Act I, Scene I. No. 1 Introduzione, Quintetto "Che lieto giorno" (Sandrina, Seretta, Ramiro, Il Podestà, Nardo)
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La finta giardiniera, K. 196: Act I, Scene I. Recitativo "Viva, viva il buon gusto" (Il Podestà, Ramiro, Serpetta, Nardo, Sandrina)
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La finta giardiniera, K. 196: Act I No. 2 Aria "Se l'augellin sen fugge" (Ramiro)
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La finta giardiniera, K. 196: Act I, Scene II. Recitativo "Presto Nardo, Serpetta andate" (Il Podestà, Serpetta, Nardo, Sandrina)
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La finta giardiniera, K. 196: Act I No. 3 Aria "Dentro il mio petto io sento" (Il Podestà)
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La finta giardiniera, K. 196: Act I. Recitativo "Della nemica sorte" (Sandrina, Nardo, Ramiro)
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La finta giardiniera, K. 196: Act I, Scene IV. No. 4 Aria "Noi donne poverine" (Sandrina)
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La finta giardiniera, K. 196: Act I, Scene V. Recitativi "Sarei felice appieno... Io per me non capisco" (Ramiro, Nardo)
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Die Hochzeit des Figaro: Duett „Wenn die sanften Abendwinde“ (Gräfin, Susanna)
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Die Hochzeit des Figaro: Rezitativ und Arie „Alles ist richtig“ – „Ach, öffnet eure Augen“ (Figaro)
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Die Hochzeit des Figaro: Akt IV. Rezitativ und Arie „Endlich naht sich die Stunde“ – „O säume länger nicht“ (Susanna)
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Die Hochzeit des Figaro: Rezitativ und Arie „Und Susanna kommt nicht“ – „Wohin flohen die Wonnestunden“ (Gräfin)
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Suite no. 4 in G major, op. 61 "Mozartiana"
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Don Giovanni: XVII. "Per queste tue manine"
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Don Giovanni: XVIII. "Mi tradí quell'alma ingrata"
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Don Giovanni: XX. "Già la mensa è preparata"
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Don Giovanni: XIX. "Non mi dir, bell'idol mio"
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Clarinet Quartet in B-flat major, III, K. 317
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Concerto for Flute and Orchestra in G major, K. 313/285c
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Quartet in F major, K. 496: III. Allegro non tanto
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Suite no. 4 in G major, op. 61 "Mozartiana": I. Gigue: Allegro
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Suite no. 4 in G major, op. 61 "Mozartiana": II. Menuet: Moderato
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Andante für eine Walze in eine kleine Orgel, KV 616
( - 04 May 1791)
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Missa in C minor K. 427/417a
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Missa in C minor K. 427/417a: Kyrie
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Missa in C minor K. 427/417a: Gloria
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Missa in C minor K. 427/417a: Credo
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Missa in C minor K. 427/417a: Sanctus
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Missa in C minor K. 427/417a: Benedictus
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Missa in C minor K. 427/417a: Credo: Credo in unum Deum
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Missa in C minor K. 427/417a: Credo: Et incarnatus est
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Missa in C, K. 337 “Solemnis”: III. Credo
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Missa brevis in D major, K. 186h/194: I. Kyrie
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Missa brevis in D major, K. 186h/194: II. Gloria
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Missa brevis in D major, K. 186h/194: III. Credo
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Missa brevis in D major, K. 186h/194: V. Benedictus
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Mass no. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie"
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Mass no. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus"
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Mass no. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei"
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Missa brevis in C major, K. 259: I. Kyrie
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Missa brevis in C major, K. 259: VI. Agnus Dei
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Mass no. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie"
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Mass no. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria"
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Mass no. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei"
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Serenade no. 4 for Orchestra in D major, K. 189b/203 "Colloredo": Minuetto
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Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: I. Largo
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Flute Concerto - Allegro
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Le nozze di Figaro, K. 492: "Salieri's March" Turned Into "Non più andrai"
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Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio)
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Sonata for Piano no. 15 in F major, K. 533: I. Allegro
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Sonata for Piano no. 17 in B-flat major, K. 570: I. Allegro
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Sonata for Piano no. 17 in B-flat major, K. 570: III. Allegretto
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Tema
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 1
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 2
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 3
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 4
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 5
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Nine Pieces for Piano, K. Anh. 207
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Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze)
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Die Entführung aus dem Serail, K. 384: Act II, Wein - das ist wahr - Wein / Pedrillo, ist Konstanze noch nicht hier?
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Die Entführung aus dem Serail, K. 384: Act II, Pedrillo! Pedrillo!
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9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 : Variation 3
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9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 : Variation 4
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9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 : Variation 5
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9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 : Variation 7
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9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 : Variation 8: Adagio
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9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 : Variation 9: Allegro
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9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 : Tempo di tema
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8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Tema.
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8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation I
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8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation II
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8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation III
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8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation IV
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8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation V
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8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VI
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8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VII. Adagio
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8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352: Variation VIII. Allegro
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6 Variations on Giovanni Paisiello: I filosofi immaginari: "Salve tu, Domine" for Piano in F major, K. 416e/398: Tema
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6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation I
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6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation II
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Andantino für Klavier und Violoncello, K. 374g/Anh. 46
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Quartet for Strings no. 16 in E-flat major, K. 421b/428 "Haydn Quartetti"
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Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace
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6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation III
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6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation IV
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6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation V
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6 Variations on Giovanni Paisiello: I filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398: Variation VI
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Variations on an Original Theme K. 450 - Var. 4
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6 Variations in F on an Original Theme, K. 54: Tema. Allegretto
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6 Variations in F on an Original Theme, K. 54: Variation 1
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6 Variations in F on an Original Theme, K. 54: Variation 2
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6 Variations in F on an Original Theme, K. 54: Variation 3
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6 Variations in F on an Original Theme, K. 54: Variation 4
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6 Variations in F on an Original Theme, K. 54: Variation 5
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6 Variations in F on an Original Theme, K. 54: Variation 6
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9 Variations for Piano in D major on a Menuet by Duport, K. 573: Thema
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9 Variations for Piano in D major on a Menuet by Duport, K. 573: (Tempo I)
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8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613: Tema
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8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613: Variation 1
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8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613: Variation 2
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8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613: Variation 3
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8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613: Variation 4
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8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613: Variation 5
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8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613: Variation 6
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8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613: Variation 7. Adagio
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8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613: Variation 8. Allegro
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8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613: (Tempo I)
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Concerto for Piano no. 27 in B-flat major, K. 595: I. Allegro
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Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro
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Le nozze di Figaro, K. 492: Atto I, Scena II. “Bravo, signor padrone” (Figaro)
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Le nozze di Figaro, K. 492: Atto I, Scena V. Recitativo “Va là, vecchia pedante” (Cherubino, Susanna)
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Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna)
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Le nozze di Figaro, K. 492: Atto II, Scena I. Recitativo “Vieni, cara Susanna” (La Contessa, Susanna, Figaro)
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Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa)
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Le nozze di Figaro, K. 492: Atto II, Scena IV. Recitativo “Oh guarda il demonietto!” (Susanna)
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Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna)
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Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Signore, di fuori” (Figaro, Il Conte, Susanna, La Contessa)
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Le nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna)
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Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
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Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro)
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Symphony no. 24 in B-flat major, K. 173dA / K3 166c / 182
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Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
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Violin Sonata in F major, K. 547 "For Beginners": II. Allegro
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Violin Sonata in F major, K. 547 "For Beginners": III. Theme and Variations
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Serenade no. 8 in D major, K. 269a/286 "Notturno for Four Orchestras": I. Andante
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Mozart Hymn (Theme from The Magic Flute)
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Concerto for Piano and Orchestra no. 5 in D major, K. 175: I. Allegro
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Concerto for Piano and Orchestra no. 5 in D major, K. 175: II. Andante ma un poco adagio
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Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: III. Rondo. Tempo di minuetto
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Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina)
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Le nozze di Figaro, K. 492: Atto IV, Scena II. Recitativo “Barbarina, cos’hai?” (Barbarina, Figaro, Marcellina) / Atto IV, Scena III. Recitativo “Madre!… Figlio!” (Figaro, Marcellina) / Atto IV, Scena IV. “Presto, avvertiam Susanna…” (Marcellina)
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Le nozze di Figaro, K. 492: Atto IV, Scena VI. (no. 25) Aria “Il capro e la capretta” (Marcellina)
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6 Minuets for Orchestra, K. 61h/deest
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Quintet Movement in F major, K. 580b
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Quintet Movement in F major, K. 580b
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Quintet Movement in F major, K. 580b
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Concerto for Piano no. 11 in F major, K. 387a/413: I. Allegro
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Concerto for Piano no. 11 in F major, K. 387a/413: III. Tempo di menuetto
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Concerto for Piano no. 11 in F major, K. 387a/413: II. Larghetto
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Concerto for Piano no. 12 in A major, K. 385p / K3 386a / KV 414: II. Andante
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Concerto for Piano no. 12 in A major, K. 385p / K3 386a / KV 414: III. Rondo. Allegretto
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Le nozze di Figaro, K. 492: Atto IV, Scena V. Recitativo “Nel padiglione a manca” (Barbarina) / Scena VI. Recitativo “È Barbarina…” (Figaro, Basilio, Bartolo) / Scena VII. Recitativo “Ha I diavoli nel corpo” (Basilio, Bartolo)
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Le nozze di Figaro, K. 492: Atto IV, Scena VII. (no. 26) Aria “In quegli anni in cui val poco” (Basilio)
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Le Nozze di Figaro, K. 492: Atto IV, Scena IX. Recitativo “Signora, ella mi disse” (La Contessa, Susanna, Marcellina, Figaro)
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Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
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Le nozze di Figaro, K. 492: Atto IV, Scenas XI-XIV. Recitativo “Perfida, e in quella forma meco mentia?” (Cherubino, Figaro, La Contessa)
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Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro)
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Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Il Conte, Tutti)
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Aria for Soprano & Orchestra in A major, K. 418: "Vorrei spiegarvi, oh Dio"
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Marriage of Figaro (Sort Of...)
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Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino)
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Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
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Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167a/205
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Symphony no. 12 in G major, K. 75b/110: II. Andante
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Symphony no. 12 in G major, K. 75b/110: III. Minuetto & trio
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Symphony no. 13 in F major, K. 112: I. Allegro
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Symphony no. 14 in A major, K. 114: III. Minuetto & trio (alternate)
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Symphony no. 19 in E-flat major, K. 132: II. Andante
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Symphony no. 50 in D major, K. 141a: I. Allegro moderato (Overture to Il sogno di Scipione, K. 126)
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Symphony no. 50 in D major, K. 141a: II. Andante (Overture to Il sogno di Scipione, K. 126)
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Variations on a Theme by Gluck, K. 455: Tema: Allegretto
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Variations on a Theme by Gluck, K. 455: Var. 1
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Variations on a Theme by Gluck, K. 455: Var. 3
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Variations on a Theme by Gluck, K. 455: Var. 4
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Variations on a Theme by Gluck, K. 455: Var. 5
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Variations on a Theme by Gluck, K. 455: Var. 6
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Variations on a Theme by Gluck, K. 455: Var. 7
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Variations on a Theme by Gluck, K. 455: Var. 8
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Variations on a Theme by Gluck, K. 455: Var. 9: Adagio
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Variations on a Theme by Gluck, K. 455: Var. 10: Allegro
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 6
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 7: Adagio
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 8
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 9
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 10
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 11: Adagio
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12 Variations on French Traditional: “Ah, vous dirai-je, Maman” for Piano in C major, K. 300e/265: Variation 12: Allegro
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Tema
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation I
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation II
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation III
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation IV
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation V
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VI
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VII
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation VIII
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation IX
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation X
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation XI. Adagio
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12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353: Variation XII. Presto
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9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 : Tema: Andante
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9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 : Variation 1
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9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 : Variation 2
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Quintet for 2 Violins, 2 Violas & Cello no. 3 in C major, K. 515: IV. Allegro
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Missa in C minor K. 427/417a: Gloria: Gratias
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Missa in C minor K. 427/417a: Gloria: Domine
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Missa in C minor K. 427/417a: Gloria: Qui Tollis
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Missa in C minor K. 427/417a: Gloria: Quoniam
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Missa in C minor K. 427/417a: Gloria: Jesu Christe
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Missa in C minor K. 427/417a: Gloria: Cum Sancto Spiritu
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La finta giardiniera, K. 196: Act I, Scene V. No. 5 Aria "A forza di martelli" (Nardo)
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La finta giardiniera, K. 196: Act I, Scene VI. Recitativo "Mia cara nipotina" (Il Podestà, Arminda, Serpetta)
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La finta giardiniera, K. 196: Act I, Scene VII. No. 6 Aria "Che beltà, che leggiadria" (Il Contino)
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La finta giardiniera, K. 196: Act I, Scene VII. Recitativo "Sposa, Arminda, mio sole" (Il Contino, Arminda, Il Podestà, Serpetta)
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La finta giardiniera, K. 196: Act I, Scene VII. No. 7 Aria "Si promette facilmente" (Arminda)
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La finta giardiniera, K. 196: Act I, Scene VIII. Recitativo "Che dite, Signor Conte" (Il Podestà, Il Contino)
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La finta giardiniera, K. 196: Act I, Scene VIII. No. 8 Aria "Da Scirocco a Tramontana" (Il Contino)
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La finta giardiniera, K. 196: Act I, Scene VIII. Recitativo "Evviva, evviva i consoli Romani... In questa casa non si può più stare" (Il Podestà, Serpetta)
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La finta giardiniera, K. 196: Act I, Scene IX. No. 9a+b Cavatina "Un marito, oh Dio, vorrei" (Serpetta, Nardo) / Recitativo "Come in questa canzone" (Nardo)
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La finta giardiniera, K. 196: Act I, Scene IX. Recitativo "Bravo, signor buffone" (Serpetta, Nardo)
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La finta giardiniera, K. 196: Act I, Scene IX. No. 10 Aria "Appena mi vedon" (Serpetta)
-
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello)
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Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: "Patrem omnipotentem"
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Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IV. Sanctus: "Sanctus Dominus"
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Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": V. Benedictus: "Benedictus qui venit"
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Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VI. Agnus Dei: "Agnus Dei qui tollis"
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Mass no. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": II. "Gloria"
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Mass no. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": III. "Credo in unuum Deum"
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Mass no. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VIII. "Sanctus"
-
Mass no. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria"
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Mass no. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus"
-
Quartet for Flute, Violin, Viola & Cello no. 1 in D major, K. 285
-
Missa in C, K. 337 “Solemnis”: I. Kyrie
-
Prelude in F minor, K. Anh. 32
-
Quintet for 2 Violins, 2 Violas and Cello no. 6 in E-flat major, K. 614: III. Minuetto. Allegretto & Trio
-
Missa in C, K. 317 “Krönungs-Messe”
( - 23 Mar 1779)
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Violin Sonata in E minor, K. 300c/304: I. Allegro
-
Violin Sonata in E minor, K. 300c/304: II. Tempo di minuetto
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Andante and Rondeau, op. 167
-
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta”
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Quartet for Strings no. 15 in D minor, K. 417b/421 "Haydn Quartetti": III. Minuetto. Allegretto & Trio
-
Libertà!: Thamos, König in Ägypten, K. 345: Ne pulvis et cinis, K. Anh 122
-
Quartet for Strings no. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance"
-
6 German Dances for Orchestra, K. 600
-
Concerto Movement for Horn in E-flat major, K. 371 (fragment): Rondo. Allegro
-
Serenade no. 13 in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro
-
Quartet in E-flat major, K. 374f/380
-
Quartet in B-flat major, K. 317d/378
-
Concerto after J. C. Bach no. 2 in G major, K. 107 no. 2: I. Allegro
-
Missa brevis in D major, K. 186h/194
( - 08 Aug 1774)
-
March for Orchestra in C major, K. 383e/KV 408/1
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String Quintet no. 4 in G minor, K. 516: III. Adagio ma non troppo
-
Die Entführung aus dem Serail, K. 384: Akt II
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Ave Verum Corpus, K. 618
-
Concerto for Clarinet in A major, K. 622: II. Adagio
-
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante
-
Sechs Ländlerische Tänze, K. 606
-
Quartet for Strings no. 8 in F major, K. 168 "Quartetti Vienna": I. Allegro
-
Quartet for Strings no. 8 in F major, K. 168 "Quartetti Vienna": II. Andante
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Quartet for Strings no. 8 in F major, K. 168 "Quartetti Vienna": IV. Allegro
-
Quartet for Strings no. 9 in A major, K. 169 "Quartetti Vienna": II. Andante
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Quartet for Strings no. 10 in C major, K. 170 "Quartetti Vienna": II. Minuetto
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Quartet for Strings no. 10 in C major, K. 170 "Quartetti Vienna": III. Un poco adagio
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Quartet for Strings no. 10 in C major, K. 170 "Quartetti Vienna": IV. Rondeaux. Allegro
-
Quartet for Strings no. 11 in E-flat major, K. 171 "Quartetti Vienna": I. Adagio - allegro assai
-
Quartet for Strings no. 11 in E-flat major, K. 171 "Quartetti Vienna": II. Minuetto
-
Quartet for Strings no. 12 in B-flat major, K. 172 "Quartetti Vienna": I. Allegro spiritoso
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Quartet for Strings no. 14 in G major, K. 387 “Haydn Quartetti”, “Spring”: III. Andante cantabile
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Quartet for Strings no. 15 in D minor, K. 417b/421 "Haydn Quartetti": I. Allegro moderato
-
Quartet for Strings no. 15 in D minor, K. 417b/421 "Haydn Quartetti": III. Minuetto. Allegretto & Trio
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Quartet for Strings no. 15 in D minor, K. 417b/421 "Haydn Quartetti": IV. Allegretto ma non troppo
-
Quartet for Strings no. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": IV. Allegro vivace
-
Quartet for Strings no. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": II. Minuetto. Moderato & Trio
-
Quartet for Strings no. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": III. Adagio
-
Quartet for Strings no. 18 in A major, K. 464 "Haydn Quartetti": I. Allegro
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Quartet for Strings no. 18 in A major, K. 464 "Haydn Quartetti": IV. Allegro ma non troppo
-
Lucio Silla, K. 135: Act III
-
Quartet for Strings no. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": I. Adagio - Allegro
-
Quartet for Strings no. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": IV. Allegro molto
-
Quartet for Strings no. 22 in B-flat major, K. 589 "Quartetti Prussian": II. Larghetto
-
Quartet for Strings no. 23 in F major, K. 590 "Quartetti Prussian": II. Andante
-
Symphony no. 7a in G major, K. 45a/Anh 221 "Alte Lambacher": II. Andante
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Symphony no. 7a in G major, K. 45a/Anh 221 "Alte Lambacher": III. Presto
-
Minuet for Orchestra in A major, K. 61g/1/KV deest
-
Symphony no. 9 in C major, K. 75a/73: IV. Allegro molto
-
Symphony no. 10 in G major, K. 74: II. Allegro
-
Symphony no. 42 in F major, K. 75: II. Minuetto & Trio
-
Symphony no. 43 in F major, K. 42a/76: I. Allegro maestoso
-
Symphony no. 43 in F major, K. 42a/76: II. Andante
-
Symphony no. 44 in D major, K. 73l/81: I. Allegro
-
Symphony no. 44 in D major, K. 73l/81: II. Andante
-
Symphony no. 44 in D major, K. 73l/81: III. Allegro molto
-
Symphony no. 11 in D major, K. 73q/84: I. Allegro
-
Symphony no. 11 in D major, K. 73q/84: II. Andante
-
Symphony no. 11 in D major, K. 73q/84: III. Allegro
-
Symphony no. 45 in D major, K. 73n/95: I. Allegro
-
Symphony no. 45 in D major, K. 73n/95: III. Minuetto & Trio
-
Symphony no. 45 in D major, K. 73n/95: IV. Allegro
-
Symphony no. 46 in C major, K. 111b/96: III. Minuetto & Trio
-
Symphony no. 30 in D major, K. 186b/202: III. Minuetto & Trio
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade no. 2": I. Allegro
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": IIb. Variation I
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": IIc. Variation II
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": IId. Variation III
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": IIe. Variation IV
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": IIf. Variation V
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": IIg. Variation VI
-
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
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Divertimento no. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": II. Andante grazioso
-
Divertimento no. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": IV. Adagio
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Divertimento no. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": VI. Andante - Allegro assai
-
Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: II. Minuetto
-
Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: III. Adagio
-
Divertimento no. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: IV. Menuetto
-
March for Orchestra in D major, K. 320c/445
-
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: I. Allegro
-
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: IV. Adagio
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Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: V. Minuetto
-
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: VI. Rondo. Allegro
-
Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: I. Andante
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Divertimento no. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: III. Minuetto
-
Divertimento no. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: I. Allegro spiritoso
-
Divertimento no. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: III. Minuetto
-
Divertimento no. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: I. Allegro
-
Divertimento no. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: I. Andante
-
Divertimento no. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: II. Minuetto & Trio
-
Divertimento no. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: III. Polonaise. Andante
-
Divertimento no. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: I. Tema. Andante con variazioni
-
Divertimento no. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: III. Allegro assai
-
Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto
-
Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: IV. Presto
-
Divertimento No. 1 for 3 Basset Horns, K. 439b/1/KV Anh 229/1: IV. Minuetto & Trio
-
Divertimento No. 1 for 3 Basset Horns, K. 439b/1/KV Anh 229/1: V. Rondo. Allegro
-
Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": IV. Polonaise
-
Sonata for Violin & Piano no. 30 in C major, K. 385c/403 (Maximilian Stadler completion)
-
Violin Sonata in F major, K. 374e/377: I. Allegro
-
Romanze in A-flat major, K. Anh. 205
-
Eine Kleine NOT Musik
-
Divertimento No. 3 for 3 Basset Horns, K. 439b/3/KV Anh 229/3: I. Allegro
-
Don Giovanni: V. "Giovinette, che fate all'amore"
-
Don Giovanni: VI."Là ci darem la mano"
-
Don Giovanni: VII. "Non ti fidar, o misera"
-
Don Giovanni: VIII. "Dalla sua pace"
-
Don Giovanni: IX. "Fin ch'han dal vino"
-
Don Giovanni: X. "Batti, batti o bel Masetto"
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Don Giovanni: XI. "Presto, presto pria ch'ei venga"
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Don Giovanni: XII. "Eh via buffone"
-
Don Giovanni: XIII. "Ah taci, ingiusto core"
-
Don Giovanni: XIV. "Deh vieni alla finestra"
-
Don Giovanni: XV. "Metà di voi qua vadano"
-
Don Giovanni: XVI. "Vedrai, carino"
-
Adagio and Fugue in C minor, K. 546: I. Adagio
-
Die Hochzeit des Figaro: Rezitativ und Arie „Der Prozeß schon gewonnen“ – „Ich soll ein Glück entbehren“ (Graf)
-
Turkish March
-
Contrapuntal Study in B minor (Ach Gott vom Himmel sieh darein), K. 620b
-
Cadenza for Piano Concerto AnhC K. 40, 1st movement (excerpt)
-
Sonata for Piano and Violin in C, K. 46d (version for solo piano): 1. Allegro
-
Sonata for Piano and Violin in C, K. 46d (version for solo piano): 2. Menuet I-II
-
Sonata for Piano and Violin in F, K. 46e (version for solo piano): 1. Allegro
-
Sonata for Piano and Violin in F, K. 46e (version for solo piano): 2. Menuet I-II
-
Sonata for Violin & Piano no. 27 in G major, K. 373a/379: IIb. Variation I
-
Sonata for Violin & Piano no. 27 in G major, K. 373a/379: IIc. Variation II
-
Sonata for Violin & Piano no. 27 in G major, K. 373a/379: IId. Variation III
-
The Magic Flute: Act I. Scene I. no. 2 Aria “I’m Sure That There Could Never Be” (Papageno)
-
La clemenza di Tito, K. 621: Act I
-
La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Che mi rechi in quel foglio?" (Tito, Publio)
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La clemenza di Tito, K. 621: Act II
-
Sérénade KV 525 « Eine Kleine Nachtmusik » : Menuetto (Allegretto)
-
Quartet for Strings no. 15 in D minor, K. 417b/421 "Haydn Quartetti": IV. Allegretto ma non troppo
-
Quatuor à cordes n° 21 (Allegretto)
-
Recitative and Aria for Soprano & Orchestra in C major, K. 528: “Bella mia fiamma, addio!… Resta, oh cara!”
( - 03 Nov 1787)
-
Serenade no. 11 for Winds in E-flat major, K. 375
( - 15 Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375
( - 15 Oct 1781)
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Serenade no. 11 for Winds in E-flat major, K. 375: II. Minuetto
( - 15 Oct 1781)
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Serenade no. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso
( - 15 Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro
( - 15 Oct 1781)
-
Le nozze di Figaro: “Non più andrai”
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1: I. Allegro
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1: II. Minuetto. Allegretto & Trio
-
Serenade no. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio
( - 15 Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: III. Adagio
( - 15 Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso
( - 15 Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: II. Minuetto
( - 15 Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: III. Adagio
( - 15 Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio
( - 15 Oct 1781)
-
Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro
( - 15 Oct 1781)
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1: III. Adagio
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1: IV. Menuetto
-
Divertimento in B-flat major, K. Anh. 229/439b no. 1: V. Rondo: Allegro
-
Don Giovanni: I. Ouvertura
-
Don Giovanni: II. Introduzione. "Notte e giorno faticar"
-
Don Giovanni: III. "Ah! chi mi dice mai"
-
3 Trios for Flute, Violin & Cello
-
Het recht om te leven
-
Symphony no. 48 in D major, K. 111a/120 "Ascanio in Alba"
-
Symphony [no. 52] in C major, K. 208+102: I. Molto Allegro
-
Symphony [no. 52] in C major, K. 208+102: II. Andantino
-
Symphony [no. 52] in C major, K. 208+102: III. Presto assai
-
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte)
-
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte)
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Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte)
-
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Allah sei Dank!" (Osmin, Pedrillo)
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Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin)
-
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte)
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Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte)
-
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen)
-
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze)
-
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze)
-
Die Entführung aus dem Serail, K. 384: Akt I, Szene VIII. Dialog "Undankbare! Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte, Osmin)
-
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "Ei seht doch mal" (Osmin, Blonde)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze)
-
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. Dialog "Nun, Konstanze, hast du dich entschieden?" (Selim, Konstanze)
-
Piano Quartet no. 1 in G minor: Andante
-
Symphony no. 43 in F major, K. 42a/76: III. Minuetto & Trio
-
Symphony no. 43 in F major, K. 42a/76: IV. Allegro
-
Symphony no. 7 in D major, K. 45: IV. Allegro molto
-
Symphony no. 7a in G major, K. 45a/Anh 221 "Alte Lambacher": I. Allegro maestoso
-
Symphony no. 8 in D major, K. 48: II. Andante
-
Symphony no. 45 in D major, K. 73n/95: II. Andante
-
Symphony no. 47 in D major, K. 73m/97: I. Allegro
-
Symphony no. 47 in D major, K. 73m/97: II. Andante
-
Symphony no. 47 in D major, K. 73m/97: III. Minuetto
-
Symphony no. 47 in D major, K. 73m/97: IV. Presto
-
Symphony no. 42 in F major, K. 75: I. Allegro
-
Symphony no. 42 in F major, K. 75: IV. Allegro
-
Symphony no. 12 in G major, K. 75b/110: I. Allegro
-
Symphony no. 12 in G major, K. 75b/110: IV. Allegro
-
Symphony no. 46 in C major, K. 111b/96: I. Allegro
-
Symphony no. 46 in C major, K. 111b/96: II. Andante
-
Symphony no. 46 in C major, K. 111b/96: IV. Allegro molto
-
Symphony no. 14 in A major, K. 114: III. Minuetto & trio
-
Symphony no. 15 in G major, K. 124: I. Allegro
-
Symphony no. 15 in G major, K. 124: III. Minuetto & trio
-
Symphony no. 19 in E-flat major, K. 132: III. Minuetto & Trio
-
Symphony no. 30 in D major, K. 186b/202: II. Andantino con moto
-
Divertimento no. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: IV. Allegretto
-
Cassation for Orchestra in B-flat major, K. 63a/99: I. Marcia
-
Cassation for Orchestra in B-flat major, K. 63a/99: III. Andante
-
Cassation for Orchestra in B-flat major, K. 63a/99: V. Andante
-
March for Orchestra in D major, K. 189c/237
-
Serenade no. 4 for Orchestra in D major, K. 189b/203 "Colloredo": I. Andante maestoso - Allegro assai
-
Serenade no. 4 for Orchestra in D major, K. 189b/203 "Colloredo": III. Minuetto & Trio
-
Serenade no. 4 for Orchestra in D major, K. 189b/203 "Colloredo": IV. Allegro
-
Così fan tutte, K. 588
-
Serenade no. 4 for Orchestra in D major, K. 189b/203 "Colloredo": V. Minuetto & Trio
-
Serenade no. 4 for Orchestra in D major, K. 189b/203 "Colloredo": VI. Andante
-
Serenade no. 4 for Orchestra in D major, K. 189b/203 "Colloredo": VIII. Prestissimo
-
Serenade no. 3 for Orchestra in D major, K. 167a/185 "Antretter": III. Allegro
-
Serenade no. 3 for Orchestra in D major, K. 167a/185 "Antretter": IV. Minuetto
-
Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": I. Allegro maestoso - Allegro molto
-
Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": IV. Rondo. Allegro
-
Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": VII. Minuetto
-
Quintet for 2 Violins, 2 Violas and Cello no. 5 in D major, K. 593: II. Adagio
-
Quintet for 2 Violins, 2 Violas and Cello no. 5 in D major, K. 593: III. Minuetto. Allegretto & Trio
-
Quintet for 2 Violins, 2 Violas and Cello no. 6 in E-flat major, K. 614: I. Allegro di molto
-
Quintet for 2 Violins, 2 Violas and Cello no. 6 in E-flat major, K. 614: IV. Allegro
-
Quintet for 2 Violins, 2 Violas and Cello no. 1 in B-flat major, K. 174: I. Allegro moderato
-
Quintet for 2 Violins, 2 Violas and Cello no. 1 in B-flat major, K. 174: II. Adagio con sordino & Coda
-
Quintet for 2 Violins, 2 Violas and Cello no. 1 in B-flat major, K. 174: III. Minuetto ma allegro & Trio
-
Quintet for 2 Violins, 2 Violas and Cello no. 1 in B-flat major, K. 174: IV. Allegro & Coda
-
Quintet for 2 Violins, 2 Violas and Cello no. 2 in C minor, K. 516b / 406: I. Allegro
-
Quintet for 2 Violins, 2 Violas and Cello no. 2 in C minor, K. 516b / 406: II. Andante
-
Quintet for 2 Violins, 2 Violas and Cello no. 2 in C minor, K. 516b / 406: III. Minuetto in canone & Trio in canone al roverscio
-
Quintet for 2 Violins, 2 Violas and Cello no. 2 in C minor, K. 516b / 406: IV. Allegro
-
Quartet for Strings no. 3 in G major, K. 134b/156 "Quartetti Milanesi": II. Adagio
-
Quartet for Strings no. 3 in G major, K. 134b/156 "Quartetti Milanesi": II. Adagio (original version)
-
Quartet for Strings no. 4 in C major, K. 157 "Quartetti Milanesi": I. Allegro
-
Quartet for Strings no. 4 in C major, K. 157 "Quartetti Milanesi": III. Presto
-
Quartet for Strings no. 6 in B-flat major, K. 159 "Quartetti Milanesi": I. Andante
-
Quartet for Strings no. 6 in B-flat major, K. 159 "Quartetti Milanesi": II. Allegro
-
Rondeau for violin and orchestra in B-flat major, K. 261a/269
-
The Blacksmith
-
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
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Don Giovanni: Atto I. “Ecco il birbo che t'ha offesa!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
-
Divertimento in B-flat major, K. Anh. 229, no. 2: I. Allegro
-
Divertimento in B-flat major, K. Anh. 229, no. 2: II. Menuetto
-
Divertimento in B-flat major, K. Anh. 229, no. 2: IV. Menuetto
-
Divertimento in B-flat major, K. Anh. 229, no. 2: V. Rondo: Allegro
-
Die Hochzeit des Figaro: Duett „Warum gabst du bis heute“ (Graf, Susanna)
-
Violin Sonata in F major, K. 374e/377: IIe. Variation IV
-
2 Fugues in E-flat major, K. deest
-
Sonate pour piano n° 1 (Allegro)
-
Litaniae de venerabili altaris sacramento, K. 243
( - Mar 1776)
-
Mens sancta, K. Anh. C 3.31
-
Jesu dulcis memoria, K. deest
-
Plasmator Deus, K. deest
-
Domine Deus salutis meae, K. deest
-
Jesu, amor meus, K. deest
-
Die Hoffnung dient zum Stabe, K. deest
-
Offertorium "Salve Regina", K. deest
-
Barber’s Hitch
-
Klavierstück in G (Nannerl Notebook no. 50)
-
Konzertstück in G (Nannerl Notebook no. 51)
-
Orchestersatz in G-sharp, Fr 1764e
-
Klavierstück in E-flat, Fr 1765a
-
Three Voice Instrumental Piece in C, Fr 1765b
-
Fugue in D, K. 73w
-
Sonata Movement in C, K. 42 (Fr 1771a)
-
Fugue Fragment in D minor, Fr 1771b
-
Kyrie in C, K. 166f
-
Kyrie in D, K. 166g
-
In te Domine speravi, K. 166h
-
Divertimento für Bläser F-Dur, K. Anh. C 17.05/Anh. 225
-
Divertimento für Bläser F-Dur, K. Anh. C 17.05/Anh. 225: I. Adagio: Allegro
-
Da Mozart
-
Kyrie in G, K. 196a
-
Divertimento (fragment) for 2 Violins, Viola, Cello & 2 Horns, K. 246b
-
Un dente guasto e gelato, K. 209a
-
Kyrie in C, K. 258a
-
Magnificat in C (fragment), K. 321a
-
Die neugeborne Ros' entzückt, K. 365a
-
Grave and Presto in B-flat for Two Pianos (fragment) K. 375b
-
Sonata Movement in B-flat for Two Pianos (fragment), K. 375c
-
Fugue in G for Two Pianos (fragment), K. 375d
-
Fugue Fragment in G, K. 375g
-
Fugue in F, K. 375h
-
Fugue in F, K. 383b
-
Theme in C for Variations on Piano or Organ, K. 383d
-
Fugue in C minor, K. 383c
-
Contrapuntal Sketch no. 1 in E-flat major, Sk 1782n
-
Contrapuntal Sketch no. 2 in C minor, Sk 1782n
-
Fugue Fragment in E minor (no. 1), Sk 1782i/01
-
Fugue Fragment in E minor (no. 6), Sk 1782i/01
-
Fugue Fragment no. 1 in E-Flat, Skb 1782i/02
-
Fugue Fragment no. 2 in E-Flat, Skb 1782i/03
-
Beginning of a Slow Movement in E-flat, K. 384B
-
Beginning of a March in B-flat, K. 384b
-
Beginning of an Allegro in B-flat, K. 196g
-
Sonata in A, K. 480a
-
Adagio in D, K. 385h
-
Sarabande in G minor for Piano (fragment), K. 399
-
Fugue in C, K. 385m
-
Movement of a String Quartet in E, Fr 1782r
-
Divertimento für Bläser F-Dur, K. Anh. C 17.05/Anh. 225: II. Andante: K. Anh. B zu 370a Menuetto e Rondo
-
Divertimento für Bläser F-Dur, K. Anh. C 17.05/Anh. 225: III. Menuetto (Allegretto)
-
Divertimento für Bläser F-Dur, K. Anh. C 17.05/Anh. 225: IV. Rondo
-
Sextett B-dur, K. Anh. C 17.09
-
Sextett B-dur, K. Anh. C 17.09: I. Allegro
-
Sextett B-dur, K. Anh. C 17.09: II. Menuetto
-
Sextett B-dur, K. Anh. C 17.09: III. Adagio
-
Sextett B-dur, K. Anh. C 17.09: IV. Menuetto
-
Sextett B-dur, K. Anh. C 17.09: V. Finale (Allegro)
-
Sonata for Piano no. 8 in A minor, K. 300d/310: I. Allegro maestoso
-
2 Marches, K. 320a/335
-
Theme From “Elvira Madigan”
-
Divertimento for Wind Ensemble in B-flat major, K. Anh. C 17.02/(K3) 196f/Anh. 227
-
Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella)
-
Così fan tutte: Atto II. No. 21 Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo, Chor)
-
Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina)
-
Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo)
-
Così fan tutte: Atto II. Recitativo “Barbara! Perché fuggi?” (Ferrando, Fiordiligi)
-
Così fan tutte: Atto II. No. 24. Aria “Ah lo veggio, quell’anima bella” (Ferrando)
-
Così fan tutte: Atto II. Recitativo “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi)
-
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi)
-
Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo)
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Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo)
-
Così fan tutte: Atto II. Recitativo “In qual fiero contrasto, in qual disordine” (Ferrando)
-
Così fan tutte: Atto II. No. 27 Cavatina “Tradito, schernito” (Ferrando)
-
Così fan tutte: Atto II. Recitativo “Ora vedo che siete” (Despina, Dorabella, Fiordiligi)
-
Così fan tutte: Atto II. No. 28 Aria “È amore un ladroncello” (Dorabella)
-
Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando)
-
Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Ferrando, Guglielmo)
-
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: II. Adagio
-
Il sogno di Scipione, K. 126: Act I No. 9 Aria "Biancheggia in mar lo scoglio" (Constanza)
-
Allegro for Piano in G minor, K. 590d/312
-
Eine kleine Nachtmusik
-
L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene XI. No. 5 Quartetto "S'oggi, oh dei, sperar mi fate" (Celidora, Biondello, Lavina, Calandrino)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, No. 5a Duetto "Ho un pensiero nel cervello" (Chichibio, Auretta)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene XV. No. 6 Finale "Su via putti, presto, presto!" (Calandrino, Biondello, Lavina, Celidora, Auretta, Chichibio, Don Pippo, Coro)
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Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Ouvertura
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Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene I. No. 1 Quartetto "Ah, ah che ridere! Voi siete sposo" (Pulcherio, Bocconio, Bettina, Don Asdrubale)
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Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene III, No. 2 Aria "Nacqui all'aria trionfale" (Eugenia)
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Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430: Act I, Scene IV, No. 3 Aria "Dove mai trovai quel ciglio?" (Pulcherio)
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Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IX. No. 4 Terzetto "Che accidenti! che tragedia!" (Bocconio, Don Asdrubale, Eugenia)
-
Apollo et Hyacinthus, K. 38: Intrada
-
Apollo et Hyacinthus, K. 38: Act I, Prologus. Recitativo "Amice! iam parata sunt omnia" (Hyacinthus, Zephyrus, Oebalus, Melia)
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Apollo et Hyacinthus, K. 38: Act I, Prologus. No. 1 Chorus et Oebalus "Numen o Latonium!" (Chrorus, Oebalus)
-
Apollo et Hyacinthus, K. 38: Act I, Prologus. Recitativo "Heu me! perimus!" (Melia, Oebalus, Hyacinthus, Zephyrus)
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Apollo et Hyacinthus, K. 38: Act I, Prologus. No. 2 Aria "Saepe terrent Numina" (Hyacinthus)
-
Apollo et Hyacinthus, K. 38: Act I, Prologus. Recitativo "Ah nate! vera loqueris" (Oebalus, Apollo, Hyacinthus, Melia, Zephyrus)
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Apollo et Hyacinthus, K. 38: Act I, Prologus. No. 3 Aria "Iam pastor Apollo" (Apollo)
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Apollo et Hyacinthus, K. 38: Act II, Chorus I. Recitativo "Amare numquid filia" (Oebalus, Melia)
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Apollo et Hyacinthus, K. 38: Act II, Chorus I. No. 4 Aria "Laetari, iocari" (Melia)
-
Apollo et Hyacinthus, K. 38: Act II, Chorus I. Recitativo "Rex! de salute filii est actum" (Zephyrus, Oebalus, Melia)
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Apollo et Hyacinthus, K. 38: Act II, Chorus I. No. 5 Aria "En! duos conspicis" (Zephyrus)
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Apollo et Hyacinthus, K. 38: Act II, Chorus I. Recitativo "Heu! Numen! ecce!" (Zephyrus, Melia, Apollo)
-
Apollo et Hyacinthus, K. 38: Act II, Chorus I. No. 6 Duetto "Discede crudelis!" (Melia, Apollo)
-
Apollo et Hyacinthus, K. 38: Act III, Chorus II. Recitativo "Non Est - Quis Ergo" (Hyacinthus, Oebalus)
-
Die Hochzeit des Figaro: Akt II. Nr. 15 Finale „Komm heraus, verworfner Knabe” (Graf, Gräfin, Susanna)
-
Concerto for Violin, Piano and Orchestra in D major, K. Anh. 56/315f: Allegro
-
Music to a Pantomime for Orchestra in D major, K. 416d / KV 446 (Franz Beyer completion): Overture. Allegro
-
Music to a Pantomime for Orchestra in D major, K. 416d / KV 446 (Franz Beyer completion): Allegro - maestoso - allegro
-
Music to a Pantomime for Orchestra in D major, K. 416d / KV 446 (Franz Beyer completion): Poco adagio - Andante molto
-
Music to a Pantomime for Orchestra in D major, K. 416d / KV 446 (Franz Beyer completion): Allegro maestoso - larghetto
-
Music to a Pantomime for Orchestra in D major, K. 416d / KV 446 (Franz Beyer completion): Allegro - maestoso
-
Music to a Pantomime for Orchestra in D major, K. 416d / KV 446 (Franz Beyer completion): Maestoso, quasi marcia funebre. Allegro - marcia
-
Music to a Pantomime for Orchestra in D major, K. 416d / KV 446 (Franz Beyer completion): Finale. Presto
-
Ballet Music for Idomeneo, rè di Creta, K. 367: Ia. Chaconne: Allegro in D major
-
Ballet Music for Idomeneo, rè di Creta, K. 367: Ib. Chaconne: Larghetto in B-flat major
-
Ballet Music for Idomeneo, rè di Creta, K. 367: Ic. Chaconne: Allegro in D major
-
Ballet Music for Idomeneo, rè di Creta in B-flat major, K. 367: III. Passepied
-
Menuett mit eingefügten Kontretänzen Nr. 2 B-Dur KV 463
-
Apollo et Hyacinthus, K. 38: Act III, Chorus II. Recitativo "Quocumque Me Converto" (Melia, Oebalus)
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Apollo et Hyacinthus, K. 38: Act III, Chorus II. No. 8 Duetto "Natus cadit" (Oebalus, Melia)
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Apollo et Hyacinthus, K. 38: Act III, Chorus II. Recitativo "Rex! Me Redire Cogit" (Apollo, Oebalus, Melia)
-
Apollo et Hyacinthus, K. 38: Act III, Chorus II. No. 9 Terzetto "Tandem post turbida fulmina" (Apollo, Melia, Oebalus)
-
La finta semplice, K. 46a / KV 51: Sinfonia. Molto allegro
-
La finta semplice, K. 46a / KV 51: Act I, Scene I. No. 1 Coro. Allegro "Bella cosa è far l'amore!" (Giacinta, Ninetta, Fracasso, Simone)
-
La finta semplice, K. 46a / KV 51: Act I, Scene I. Recitativo "Ritiriamoci, amici!" (Giacinta, Fracasso, Ninetta, Simone)
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La finta semplice, K. 46a / KV 51: Act I, Scene I. No. 2 Aria. Tempo ordinario - allegro - tempo primo - allegro - tempo primo "Troppa briga a prender moglie" (Simone)
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La finta semplice, K. 46a / KV 51: Act I, Scene II. Recitativo "L'un de' patroni è alzato" (Giacinta, Ninetta, Fracasso)
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La finta semplice, K. 46a / KV 51: Act I, Scene II. No. 3 Aria. Allegro grazioso - allegro - tempo primo - allegro "Marito io vorrei" (Giacinta)
-
La finta semplice, K. 46a / KV 51: Act I, Scene III. Recitativo "Oh, starem male insieme" (Fracasso)
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La finta semplice, K. 46a / KV 51: Act I, Scene III. No. 4 Aria. Allegro non molto "Non c'è al mondo altro che donne" (Cassandro)
-
La finta semplice, K. 46a / KV 51: Act I, Scene III. Recitativo "Con chi l'ha Don Cassandro?" (Cassandro, Fracasso)
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La finta semplice, K. 46a / KV 51: Act I, Scene III. Recitativo "Eh! ben ben, ci vedremo, e sua sorella" (Cassandro)
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La finta semplice, K. 46a / KV 51: Act I, Scene IV. No. 6 Aria. Andante "Colla bocca, e non col core" (Rosina)
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La finta semplice, K. 46a / KV 51: Act I, Scene IV. Recitativo "Sicche m'avete inteso?" (Ninetta, Polidoro, Rosina)
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La finta semplice, K. 46a / KV 51: Act I, Scene V. Recitativo "Oh, la prendo da vero" (Cassandro Polidoro)
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La finta semplice, K. 46a / KV 51: Act I, Scene V. No. 7 Aria. Allegro "Cosa ha mai la donna indosso" (Polidoro)
-
La finta semplice, K. 46a / KV 51: Act I, Scene VI. Recitativo "Grand'uomo che son io" (Cassandro, Rosina)
-
Song for Solo Voice and Mandolin in C major, K. 367b / KV 351: (Treble) "Komm, libe Zither, komm"
-
Così fan tutte: Atto I. No. 9 Quintetto e coro “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, coro)
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La finta semplice, K. 46a / KV 51: Act I, Scene VI. No. 8 Aria. Andante - tempo primo - adagio - tempo primo "Ella vuole ed io torrei" (Cassandro)
-
La finta semplice, K. 46a / KV 51: Act I, Scene VII. Recitativo "Eh ben, sorella mia?" (Fracasso, Rosina)
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La finta semplice, K. 46a / KV 51: Act I, Scene VII. No. 9 Aria. Andante un poco adagio - allegro grazioso - andante unn poco adagio - allegro grazioso "Senti l'eco, ove t'aggiri" (Rosina)
-
La finta semplice, K. 46a / KV 51: Act I, Scene VIII. Recitativo "Ninetta. - Che volete?" (Fracasso, Ninetta, Polidoro)
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La finta semplice, K. 46a / KV 51: Act I, Scene VIII. No. 10 Aria. Tempo di Minuetto "Chi mi vuol bene" (Ninetta)
-
La finta semplice, K. 46a / KV 51: Act I, Scene IX. Recitativo "Adesso è fatto tutto" (Polidoro)
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La finta semplice, K. 46a / KV 51: Act I, Scene IX. No. 11 Finale. Un poco adagio - allegro - Allegro - andante - molto allegro - tempo più moderato "Dove avete la creanza?" (Rosina, Fracasso, Polidoro, Ninetta, Cassandro, Simone, Giacinta)
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La finta semplice, K. 46a / KV 51: Act II, Scene I. Recitativo "Sono i padroni miei a pranzo ancor" (Ninetta, Simone)
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La finta semplice, K. 46a / KV 51: Act II, Scene I. No. 12 Aria. Allegretto "Un marito, donne care" (Ninetta)
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La finta semplice, K. 46a / KV 51: Act II, Scene II. Recitativo "Eh, quando sia mia sposa" (Giacinta, Simone)
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La finta semplice, K. 46a / KV 51: Act II, Scene II. No. 13 Aria. Allegro "Con certe persone vuol esser bastone" (Simone)
-
Idomeneo, rè di Creta, K. 366: Act I. Scene I. Recitativo "Ecco Idamante, ahimè!" (Ilia)
-
Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro)
-
Idomeneo, rè di Creta, K. 366: Act III, Scene VII-VIII. Recitativo "Qual risuona qui intorno" (Idomeneo, Arbace)
-
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate
-
Exsultate, jubilate, K. 158a/165: II. Fulget amica dies
-
Exsultate, jubilate, K. 158a/165: III. Tu virginum corona
-
Exsultate, jubilate, K. 158a/165: IV. Alleluia
-
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto
-
Così fan tutte: Atto I. Recitativo “Oh la saria da ridere” (Don Alfonso, Despina)
-
Così fan tutte: Atto I. No. 18 Finale “Ah, che tutta in un momento” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
-
Così fan tutte: Atto I. “Si mora sì, si mora” … “Ah che del sole il raggio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
-
Così fan tutte: Atto I. “Eccovi il medico” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
-
Così fan tutte: Atto II. Recitativo “Andate là, che siete” (Despina, Firodiligi, Dorabella)
-
Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina)
-
Menuett mit eingefügten Kontretänzen Nr. 1 F-Dur KV 463
-
Ballet Music for Idomeneo, rè di Creta in G major, K. 367: IV. Gavotte
-
Ballet Music for Idomeneo, rè di Creta in C major, K. 367: V. Passacaille
-
Aria for Tenor and Orchestra in C major, K. 19c / KV 21: Allegro "Va, dal furor portata"
-
Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso - allegretto "Conservati fedele"
-
Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante "Cara, se le mie pene"
-
Sonata for Piano with 4 Hands in C major, K. 19d/deest: II. Minuetto
-
Sonata for Piano with 4 Hands in C major, K. 19d/deest: III. Rondeau. Allegretto
-
Sonata for Piano with 4 Hands in F major, K. 497: I. Adagio. Allegro di molto
-
Sonata for Piano with 4 Hands in F major, K. 497: III. Allegro
-
Sonata for Keyboard with 4 Hands in G major, K. 497a/KV 357/1 (Julius André completion): Allegro
-
Variations and Coda for Keyboard with 4 Hands in G major, K. 500a/KV 357/2 (Julius André completion)
-
12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: "Je suis Lindor" for Piano in E-flat major, K. 299a/354
-
Piece for Keyboard in C major
-
Allegro in B-flat major, K. 372a/400 (Maximilian Stadler completion)
-
Allegro in F major
-
Minuet in F major
-
Minuet for Keyboard in G major, K. 1e / 1 (Minuet) "Notenbuch für Nannerl Mozart" no. 62: Minuet / Minuet for Keyboard in C major, K. 1f / 1 (Trio) "Notenbuch für Nannerl Mozart" no. 63: Minuet
-
Fantasia for Piano in D minor, K. 397/385g
-
Gigue for Piano in G major, K. 574 "Eine kleine Gigue". Allegro
-
Symphony no. 10 in G major, K. 74: I. Allegro - Andante
-
Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner"
-
Missa in c-Moll, K.427/417a ('Große Messe'): IIa. Gloria: “Gloria in excelsis”
-
Missa in c-Moll, K.427/417a ('Große Messe'): IIe. Gloria: “Qui tollis”
-
Missa in c-Moll, K.427/417a ('Große Messe'): IVa. Sanctus: “Sanctus”
-
Quintet Movement in B-flat major, K. 516c (K. Anh. 91): Allegro
-
Così fan tutte: Atto I. Recitativo “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso)
-
Così fan tutte: Atto I. Recitativo “Mi par che stamattina” (Fiordiligi, Dorabella)
-
Così fan tutte: Atto I. Recitativo “Stelle! Per carità, Signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella)
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Così fan tutte: Atto I. Recitativo “La commedia è graziosa” (Ferrando, Don Alfonso, Fiordiligi, Dorabella)
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Così fan tutte: Atto I. Recitativo “Non v’è più tempo, amici” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)
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Così fan tutte: Atto I. Recitativo “Dove son?… Son partiti” (Dorabella, Don Alfonso, Fiordiligi)
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Così fan tutte: Atto I. Recitativo “Non son cattivo comico” (Don Alfonso)
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Così fan tutte: Atto I. Recitativo “Madame, ecco la vostra colazione” (Despina, Fiordiligi, Dorabella)
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Così fan tutte: Atto I. Recitativo “Che silenzio: che aspetto di tristezza” (Don Alfonso, Despina)
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Così fan tutte: Atto II. Recitativo “Vittoria, padroncini!” (Despina, Ferrando, Don Alfonso, Guglielmo)
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Così fan tutte: Atto I. Recitativo “Ah non partite” (Don Alfonso, Ferrando, Guglielmo, Fiordiligi, Dorabella)
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Così fan tutte: Atto I. Recitativo “Si può sapere un poco la cagion di quel riso” (Don Alfonso, Ferrando, Guglielmo)
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Così fan tutte: Atto II. Recitativo “Ah, correte al giardino” (Don Alfonso, Dorabella)
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Così fan tutte: Atto I. No. 5 Aria “Vorrei dir e cor non ho” (Don Alfonso)
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Symphony no. 15 in G major, K. 124: IV. Presto
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Ei pea torti
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Piano Trio in G major: III. Allegro
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Bastien und Bastienne, K.50: Intrada
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Bastien und Bastienne, K.50: No. 1 Aria: "Mein liebster Freund hat mich verlassen" (Bastienne)
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Bastien und Bastienne, K.50: No. 2 Aria: "Ich geh jetzt auf die Weide" (Bastienne)
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Bastien und Bastienne, K.50: No. 3/4a Colas' Auftritt & Aria : "Befraget mich ein zartes Kind" (Orchestra)
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Bastien und Bastienne, K.50: No. 4b Dialog: "Guten Morgen, Herr Colas!" (Colas)
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Bastien und Bastienne, K.50: No. 5 Aria: "Wenn mein Bastien einst im Scherze" (Bastienne, Colas) Dialog "O, die Edelfrau vo Schloß" (Colas, Bastienne)
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Bastien und Bastienne, K.50: No. 6 Aria: "Würd ich auch, wie manche Buhlerinnen" (Bastienne) Dialog "Gib dich zufrieden!" (Colas, Bastienne)
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Bastien und Bastienne, K.50: No. 9 Aria: "Geh! du sagst mir eine Fabel" (Bastien) Dialog "Möglich! Trotzdem hat sie bereits" (Colas, Bastienne)
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Bastien und Bastienne, K.50: No. 10 Aria: "Diggi, daggi"(Colas) Dialog "Ist die Hexerei zu Endie?" (Bastien, Colas)
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Die Hochzeit des Figaro: Akt I. Nr. 8 Chor „Fröhliche Jugend” (Chor)
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Fantasia 3 , K. 379
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Bastien und Bastienne, K.50: No. 11 Aria: "Meiner Liebsten schöne Wangen" Dialog "Bastienne! Ja, warum redest du nicht?" (Bastien, Bastienne)
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Bastien und Bastienne, K.50: No. 12 Aria: "Er war mir sonst treu und ergeben" Dialog "Aber schau, Bastienne!" (Bastien, Bastienne)
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Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso)
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Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso)
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Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso)
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Così fan tutte: Atto I. No. 4 Duetto “Ah, guarda, sorella” (Fiordiligi, Dorabella)
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Così fan tutte: Atto I. Recitativo “Non piangere, idol mio” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
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Così fan tutte: Atto I. No. 7 Duettino “Al fato dan legge quegli occhi vezzosi” (Ferrando, Guglielmo)
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Così fan tutte: Atto I. No. 8a Coro “Bella vita militar!” (Coro)
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Così fan tutte: Atto I. Recitativo “Che sussurro! Che strepito” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
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Così fan tutte: Atto I. No. 15 Aria “Non siate ritrosi” (Guglielmo)
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Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene III. No. 1 Duetto "Così si fa" (Auretta, Chichibio)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene IV-VI. Recitativo "Auretta mia, Chichibio, vi saluto" (Calandrino, Auretta, Chichibio)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene VI. No. 2 Aria "Se fosse qui nascoso" (Auretta, Chichibio)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene VI. Recitativo "Buon pro', Signori" (Chichibio, Auretta, Calandrino)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act. I, Scene VI. No. 3 Aria "Ogni momento dicon le donne" (Chichibio)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I. Scene VIII. Recitativo "O pazzo, pazzissimo Biondello" (Don Pippo, Auretta)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene VIII. No. 4 Aria e Terzetto "Siano pronte alle gran nozze" (Don Pippo, Auretta, Chichibio)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene XI. Recitativo "L'ultima volta al fin, mura adorate" (Biondello)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene XI. No. 4a Aria "Che parli, che dica" (Biondello)
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L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene XI. Recitativo "Ma parmi là in quel lato" (Biondello)
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Apollo et Hyacinthus, K. 38: Act III, Chorus II. No. 7 Aria "Ut navis in aequore luxuriante" (Oebalus)
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Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?"
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Quartetto with Orchestra in E-flat major, K. 479: "Dite almeno, in che mancai" (Soprano, Tenor, 2 Basses)
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Aria for Trio and Orchestra in A major, K. 480: Andante (Soprano, Tenor, Bass) "Mandina amabile, questo danaro"
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Trio for Soprano, Bass and Tenor based on the Canzonetta "La Libertà a Nice" by M. Kelly, K. 532: "Grazie agl'inganni tuoi"
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Song for Solo Voice and Piano in A major, K. 552 "Leid beim Auszugin in das Feld": Mit Würde. "Dem hohen Kaiserworte treu"
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Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 (Erik Smith completion): (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck"
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Triple Canon for 12 Voices in 3 in G major, K. 382g / KV 348: Canon. "V'amo di core teneramente"
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Canon for 4 Voices in 1 in G major, K. 509a / KV 232: Canon. "Lieber Freistädtler, lieber Gaulimauli"
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Canon for 4 Voices in 1 in B-flat major, K. 558: Allegro. "Gehn wir im Prater, gehn wir in d'Hetz"
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Canon for 3 Voices in 1 in F major, K. 559: Canon. "Difficile lectu mihi mars"
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Canon for 4 Voices in 1 in F major, K. 559a / K3 560a / KV deest: Canon. "O du eselhafter Peierl"
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Canon (arranged for 4 Clarinets) in A major, K. 73i
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Canon for 3 Voices in 1 in A major, K. 562: Canon. "Caro bell'idol mio"
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Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest no. 1 "Canone a tre soprani": Canon. (3 Sopranos) / Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest no. 2 "Canone a tre soprani": Canon. (3 Sopranos)
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5 Canons in F major, K. deest Nos. 1-5 / Canon in F, K. 508a, no. 3 in F major
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Canon for 6 Voices in 1 in D major, K. 382f / KV 347: Canon. "Wo der perlende Wein im Glase blinkt"
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Canon for 3 Voices in 1 in F major, K. 507: Canon. "Heiterkeit und leichtes Blut"
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Canon for 3 Voices in 1 in F major, K. 508: Canon. "Auf das Wohl aller Freunde"
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Canon for 4 Voices in 1 in G major, K. 556: Allegretto. "Grechtelt's enk"
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Canon for 4 Voices in 1 in A major, K. 561: Canon. "Bona nox! bist a rechta Ox"
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"Interval" Canons Nos. 6-10 in F, K. deest - Canons Nos. 4-6 in F, K. 508a Nos. 4-6
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4 Riddle Canons no. 1 for 3 Male Voices in 1 in F major, K. 73r / K2 89aII / KV deest "Sit trium series una": Canon. "Incipe Menalios"
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4 Riddle Canons no. 2 for 9 Female Voices in 1 in C major, K. 73r / K2 89aII / KV deest "Ter ternis canite vocibus": Canon. "Cantate Domino"
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Quartet for Strings no. 15 in D minor, K. 417b/421 "Haydn Quartetti": I. Allegro moderato
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Quartet for Strings no. 15 in D minor, K. 417b/421 "Haydn Quartetti": II. Andante
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The Marriage of Figaro: Act 2 finale
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Recitative and Aria for Soprano & Orchestra in G major, K. 73a/143: "Ergo interest. Quaere superna"
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Offertorium for 2 Voices & Orchestra in F major, K. Anh C 3.08/K3 158b/198: "Sub tuum praesidium"
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Offertorium, Venerabili sacramento for Chorus & Orchestra in D major, K. 248a/260: "Venite populi"
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Offertorium de beata Maria virgine for Chorus & Orchestra in F major, K. 272a/277: "Alma Dei creatoris"
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Kyrie for Chorus & Orchestra in E-flat major, K. 296a/322 (Maximilian Stadler completion)
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Kyrie for Chorus & Orchestra in C major, K. 323/Anh 15 (Maximilian Stadler completion)
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Recitativo for Bass and Orchestra in F major, K. 512: Allegro molto - andante a tempo - tempo primo "Alcandro, Io confesso" / Aria for Bass and Orchestra in F major, K. 512: Andante - allegretto - tempo primo "Non so d'onde viene"
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Aria for Soprano and Orchestra in F major, K. 538: Allegro “Ah se in ciel, benigne stelle”
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German War Song for Bass and Orchestra in A major, K. 539: Allegro "Ich möchte wohl der Kaiser sein"
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Aria for Soprano and Orchestra in B-flat major, K. 578: Allegro "Alma grande e nobil core"
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Aria for Soprano and Orchestra in C major, K. 582: Andante "Chi sà, chi sà, qual sia"
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Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!”
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Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio"
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Ornamentation Cadenza for Johann Christian Bach: Adriano in Siria, T 211: Aria "Cara, la dolce fiamma", K. 293e/deest
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Reduction for Piano of Aria for Soprano and Orchestra in A major, K. 382h / KV 119: Allegro "Der Liebe himmlisches Gefühl"
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Aria for Soprano and Orchestra in C major, K. 383h / KV 440 (E. Reichert completion): "In te spero, oh sposo amato"
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Aria for Tenor and Orchestra in D major, K. 416b / KV 435: "Müßt ich auch durch tausend Drachen"
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Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) "Warnung": "Maenner suchen stets zu naschen"
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Reduction for Solo Voice and Piano of Aria for Solo Voice and Orchestra in A major, K. 417e / K3 125i / KV 178: Andante. (Soprano) "Ah, spiegarti, oh Dio"
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Aria for Soprano and Orchestra in B-flat major, K. 580 (Erik Smith completion): "Schon lacht der holde Fruhling"
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Così fan tutte: Atto I. Appendix. No. 15a Aria “Rivolgete a lui lo sguardo” (Guglielmo)
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Recitativo accompagnato for Solo Voice and Piano in D major, K. 386d / KV Anh 25 Skb 1782ε (sketch) "Gibraltar": (Tenor) "O Calpe! dir donnert's am Fuße"
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Aria for Trio and Orchestra in B-flat major, K. 480b / K3 424b / KV 434 (Erik Smith completion): "Del gran regno delle amazzoni"
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Divertimento no. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113
-
Casualty
-
Piano Quartet no. 2 in E-flat major, K. 493: Finale: Original Draft of Opening, K.493a
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Quartet for Strings no. 9 in A major, K. 169 "Quartetti Vienna": I. Allegro molto
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Quartet for Strings no. 10 in C major, K. 170 "Quartetti Vienna": I. Tema con variazioni. Andante
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Quartet for Strings no. 11 in E-flat major, K. 171 "Quartetti Vienna": III. Andante
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Quartet for Strings no. 12 in B-flat major, K. 172 "Quartetti Vienna": II. Adagio
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Quartet for Strings no. 12 in B-flat major, K. 172 "Quartetti Vienna": III. Minuetto
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Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze)
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Die Entführung aus dem Serail, K. 384: Akt II, Szene V. Dialog "Kein Bassa, keine Konstanze mehr da?" (Blonde, Pedrillo)
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Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde)
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Aria for Soprano and Orchestra in E-flat major, K. Zu 73p / KV Zu 83 (first version): Adagio - allegretto - tempo primo "Se tutti i mali miei"
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Recitativo and Aria for Contralto and Orchestra in F major, K. 255: "Ombra felice! ... Io ti lascio, e questo addio"
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Aria for Tenor and Orchestra in B-flat major, K. 295 (first version): Adagio - allegretto - primo tempo "Se al labbro mio non credi"
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Motet for Chorus in G minor, K. 20: (Soprano, Alto, Tenor, Bass) "God is our refuge"
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Kyrie for Chorus & Orchestra in F major, K. 33
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Offertorium in Festo Sti Benedicti for Soprano, Chorus, Orchestra & Organ in C major, K. 34: I. Aria "Scanda coeli limina". Andante
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Offertorium in Festo Sti Benedicti for Soprano, Chorus, Orchestra & Organ in C major, K. 34: II. Chorus "Cara o pignora". Allegro
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Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus"
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Antiphon for Chorus in D minor, K. 73v/86: "Quaerite primum regnum Dei"
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Kyrie for 4 Voices & Organ (in Figured Bass) in D minor, K. 90
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Kyrie in D major, K. 91 (Süßmayr completion)
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Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: III. Adagio un poco andante
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Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": II. "Aria"
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Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": III. "Jubilate"
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Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127: Regina coeli: I. Allegro maestoso
-
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127: Regina coeli: II. Andante
-
Te Deum for Chorus & Orchestra in C major, K. 66b/141
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Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa)
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Symphony no. 13 in F major, K. 112: II. Andante
-
Polonaise in F (Nannerl Notenbuch no. 44)
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Allegro molto in C
-
Fugue in E-flat, K. 153 (Simon Sechter)
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Fugue in G minor, K. 154 (Simon Sechter)
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Oboe Concerto Movement (Allegro) in F, K. 293 (Robert Levin)
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Quartet for Strings no. 15 in D minor, K. 417b/421 "Haydn Quartetti"
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade no. 2": III. Minuetto & Trio
-
Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade no. 2": V. Minuetto & Trio
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Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade no. 2": VI. Andante - Allegro molto
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Quintet in C minor, K. 516b (arr.): I. Allegro
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Quintet in C minor, K. 516b (arr.): II. Andante
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Quintet in C minor, K. 516b (arr.): III. Menuetto
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Quintet in C minor, K. 516b (arr.): IV. Allegro
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Concerto for Piano and Orchestra no. 5 in D major, K. 175: III. Allegro
-
Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: I. Allegro
-
Concerto for Piano no. 1 in F major, K. 37: I. Allegro
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Concerto for Piano no. 1 in F major, K. 37: III. Allegro
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Concerto for Piano no. 2 in B-flat major, K. 39: III. Allegro molto
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Concerto for Piano no. 4 in G major, K. 41: I. Allegro
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Concerto for Piano no. 4 in G major, K. 41: II. Andante
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Rondo for Piano & Orchestra in A major, K. 386 (Badura-Skoda & Charles Mackerras reconstruction)
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Violin Sonata in B-flat major, K. 454: I. Largo - Allegro
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Sonata for Violin & Piano no. 27 in G major, K. 373a/379: IIa. Tema. Andantino cantabile
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Quartet for Strings no. 22 in B-flat major, K. 589 "Quartetti Prussian": IV. Allegro assai
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Quartet for Strings no. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": III. Minuetto. Allegretto
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Quartet for Strings no. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": II. Un poco adagio
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Quartet for Strings no. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": III. Presto
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Quartet for Strings no. 8 in F major, K. 168 "Quartetti Vienna": III. Minuetto
-
Quartet for Strings no. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": III. Minuetto & Trio. Allegro
-
Quartet for Strings no. 18 in A major, K. 464 "Haydn Quartetti": II. Minuetto & Trio
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Quartet for Strings no. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": IV. Rondo
-
Quartet for Strings no. 3 in G major, K. 134b/156 "Quartetti Milanesi": III. Tempo di minuetto
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Quartet for Strings no. 5 in F major, K. 158 "Quartetti Milanesi": III. Tempo di minuetto
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Quartet for Strings no. 6 in B-flat major, K. 159 "Quartetti Milanesi": III. Rondo. Allegro grazioso
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Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia)
-
Ode to Amadeus
-
Cassation, K. Anh. C 17.11
-
Lacrimosa
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Le nozze di Figaro, K. 492: Atto II, (no. 16) Finale “Son confusa, son stordita”
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Le vozze di Figaro, K. 492: Atto II. (no. 16) Finale “Vostre dunque saran queste carte”
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Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina)
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Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
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Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello)
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Don Giovanni: Atto II. No. 21a Recitativo “Restati qua” (Zerlina, Leporello)
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Don Giovanni: Atto II. Anhang. No. 21a Duetto “Per queste tue manine” (Zerlina, Leporello) [K. 540b]
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Don Giovanni: Atto II. Anhang. Recitativo “Andiam, andiam, signora” (Zerlina, Donna Elvira, Masetto)
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Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna)
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Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
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Don Giovanni: Atto II. Recitativo “Ah, si segua il suo passo” (Don Ottavio)
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Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto)
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Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
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Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro)
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Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
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Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira)
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Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
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Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni)
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Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina)
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Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": III. Andantino
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Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina)
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Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna)
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Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni)
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Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
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Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello)
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Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni)
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Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna)
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Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira)
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Menuet from Divertimento, K 334
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Per la ricuperata salute di Ofelia, K. 477a: I. "Lascia la greggia". Andante pastorale
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Cassation, K. Anh. C 17.11: I. Adagio: Allegro
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Cassation, K. Anh. C 17.11: II. Menuetto (Allegretto)
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Cassation, K. Anh. C 17.11: III. Adagio
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Cassation, K. Anh. C 17.11: IV. Tempo di Polocca
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Cassation, K. Anh. C 17.11: V. Presto
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Così fan tutte: Atto II. Recitativo “Ah poveretto me! Cosa ho veduto!” (Guglielmo, Don Alfonso, Ferrando)
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Così fan tutte: Atto II. “E nel tuo, nel mio bicchiero” (Fiordiligi, Dorabella, Ferrando, Coro)
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Sonata in G major after KV 285a: I. Andante
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Sonata in G major after KV 285a: II. Tempo di menuetto
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Don Giovanni: Atto I. Recitativo “Leporello, ove sei?” (Don Giovanni, Leporello)
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Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio)
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Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira)
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Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
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Don Giovanni: Atto I. Recitativo “In questa forma dunque” (Donna Elvira)
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Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina)
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Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto)
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Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina)
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Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni)
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Don Giovanni: Atto I. Recitativo "Povera sventurata!" (Don Giovanni)
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Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
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Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna)
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Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio)
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Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
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Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto)
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Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
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Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro)
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Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio)
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Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
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Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello)
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Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni)
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Don Giovanni: Atto II. Recitativo “Eccomi a voi!” (Donna Elvira, Don Giovanni, Leporello)
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Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
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Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni)
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Mitridate, rè di Ponto, K. 74a/87
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March for Orchestra in C major, K. 383F/KV 408/3
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Die Hochzeit des Figaro: Akt II. Nr. 11 Kanzone „Euch, schöne Frauen” (Cherubin)
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Mozart and Salieri op.48: Act I, Scene II: Fragment of Mozart's Requiem
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Quartet for Strings no. 14 in G major, K. 387 “Haydn Quartetti”, “Spring”: I. Allegro vivace assai
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Il sogno di Scipione, K. 126: Act I Recitativo "Non più, bella Costanza" (Scipione, Fortuna)
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Die Entführung aus dem Serail, K. 384: Act I, Nun, wie steht's, Osmin?
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Die Entführung aus dem Serail, K. 384: Act I, Du bist so großmütig, so gut / Ha, Triumph, Triumph, Herr! / Wohin? ... Hinein!
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Così fan tutte: Atto II. No. 31 Finale “Fate presto, oh cari amici” (Despina, Coro, Don Alfonso)
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Così fan tutte: Atto II. “Benedetti i doppi coniugi” (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo)
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Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello)
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Così fan tutte: Atto II. “Sani e salvi agli amplessi” … “Richiamati da regio contrordine” … “No Signor, non è un notaio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro)
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Così fan tutte: Atto I. “Dove son! Che loco è questo!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
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Così fan tutte: Atto I. “Dammi un bacio, o mio tesoro” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
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Così fan tutte: Atto II. Recitativo “Sorella, cosa dici?” (Firodiligi, Dorabella)
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Così fan tutte: Atto II. Recitativo “Come tutto congiura” (Fiordiligi, Guglielmo, Despina, Don Alfonso)
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Trio for Piano no. 5 in C major, K. 548: III. Allegro
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Trio for Piano no. 6 in G major, K. 564: I. Allegro
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Trio for Piano no. 6 in G major, K. 564: II. Andante con variazioni
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Piano Trio Movement no. 1 in D minor, K. 442 Fr 1785e (Maximilian Stadler & Karl Marguerre completion): Allegro
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Piano Trio Movement no. 2 in G major, K. 442 Fr 1786c (Maximilian Stadler & Karl Marguerre completion):Tempo di minuetto
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Piano Trio Movement no. 3 in D major, K. 442 Fr 1787f (Maximilian Stadler & Karl Marguerre completion): Allegro
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Song for Voice & Piano in F major, K. 506 "Lied der Freiheit": "Wer unter eines Mädchens Hand"
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Song for Voice & Piano in E minor, K. 517 "Die Alte": "Zu meiner Zeit"
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Song for Voice & Piano in F major, K. 518 "Die Verschweigung": "Sobald Damötas Chloen sieht"
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Song for Voice & Piano in F minor, K. 519 “Das Lied der Trennung”: “Die Engel Gottes weinen”
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Song for Voice & Piano in C minor, K. 520 "Als Luise die Briefe ihres ungetreuen Liebhabers": "Erzeugt von heißer Phantasie"
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Song for Voice & Piano in F major, K. 523 “Abendempfindung an Laura”: “Abend ist’s”
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Song for Voice & Piano in E-flat major, K. 524 “An Chloë”: “Wenn die Lieb’ aus deinen blauen”
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Song for Voice & Piano in F major, K. 529 "Des kleinen Friedrichs Geburtstag": "Es war einmal, ihr Leute"
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Notturno for 2 Sopranos, Bass & 3 Basset Horns, in F major, K. 439: "Due pupille amabili"
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Notturno for 2 Sopranos, Bass, 2 Clarinets & Basset Horn in E-flat major, K. 438: "Se lontan, ben mio, tu sei"
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Notturno 2 Sopranos, Bass & 3 Basset Horns, in F major, K. 436 "La partenza": "Ecco quel fiero istante"
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Notturno for 2 Sopranos, Bass & 3 Basset Horns in F major, K. 439a/346: "Luci care, luci belle"
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Song for Voice & Piano in F major, K. 47e/53 "An die Freude": "Freude, Königin der Weisen"
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Wie unglücklich bin ich nit, K. 125g/147
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Song for Voice & Piano in C major, K. 284d/307 “Oiseaux, si tous les ans”
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Song for Voice & Piano in A-flat major, K. 295b/308 “Dans un bois solitaire”
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Song for Voice & Mandolin in G major, K. 367a/349 "Die Zufriedenheit": "Was frag' ich viel nach Geld und Gut"
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Adagio for Glass Armonica in C major, K. 617a/356
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Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento"
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Die Hochzeit des Figaro: Akt II. Rezitativ „Also Sie wollen nicht öffnen“ (Graf, Gräfin)
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Symphony in B-flat major, K. 45b / Anh 214: II. Andante
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Die Entführung aus dem Serail, K. 384: Ha, wie will ich triumphieren
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Die Entführung aus dem Serail, K. 384: Overtura
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Die Entführung aus dem Serail, K. 384: Hier soll ich dich denn sehen
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Die Entführung aus dem Serail, K. 384: Durch Zärtlichkeit und Schmeichen
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Die Entführung aus dem Serail, K. 384: Ich gehe, doch rate ich dir
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Die Entführung aus dem Serail, K. 384: Welche Wonne, welche Lust
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Die Entführung aus dem Serail, K. 384: Vivat Bacchus, Bacchus lebe
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Die Entführung aus dem Serail, K. 384: Wenn der Freude Tränen fließen
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Musical Dice Game in C minor, K. 516f/deest "Musikalisches Wurfelspiel"
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Contredanse in D, K. 565a (Erik Smith)
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Contredanse in B-flat, K. 535b (Erik Smith)
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Contredanse in B-flat major, K. 15gg
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Sonata for Violin & Piano no. 37 in A major, K. 385e/402 (Maximilian Stadler completion): I. Andante
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Sonata for Violin & Piano no. 37 in A major, K. 385e/402 (Maximilian Stadler completion): II. Fugo
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Sonata for Violin & Piano no. 38 in C major, K. 385c/403 (Maximilian Stadler completion): I. Allegro moderato
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Sonata for Violin & Piano no. 38 in C major, K. 385c/403 (Maximilian Stadler completion): II. Andante
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Sonata for Violin & Piano no. 38 in C major, K. 385c/403 (Maximilian Stadler completion): III. Allegretto
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Fantasia no. 2 in C minor, K. 385f / 396
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Sonate in C für Violin und Baß, K. 46d: I. Allegro
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Sonate in C für Violin und Baß, K. 46d: II. Menuet I & II
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Violin Sonata in F major, K. 46e: I. Allegro
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Violin Sonata in F major, K. 46e: II. Menuet I & II
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Small Funeral March for Piano in C minor, K. 453a / deest "Marche funèbre del Sigr Maestro Contrapunto": Marche funebre. Lento
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Piece for Piano in F major, K. 33B / deest: Contredanse. Allegro
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Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens": Ouverture. Allegro
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Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens": NMA no. 11 Larghetto
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Divertimento no. 15 in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade no. 2": II. Andante grazioso con variazioni
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Duet for Soprano and Tenor, K. 489: "Spiegarti non poss'io"
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Le nozze di Figaro, K. 492: Atto III, Scena IX: Recitativo "Io vi dico, signor" (Antonio / Il Conte)
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Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens": NMA no. 12 Gavotte. Allegro
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Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens": NMA no. 9 Andantino
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Ballet Music in C major, K. 299b / KV Anh 10 (doubtful) "Les petits riens": NMA no. 8 Vivo
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Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens": NMA no. 15 Gavotte gracieuse
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Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens": NMA no. 16 Pantomime D.C. al fine
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Ballet Music in C major, K. 299b / KV Anh 10 (doubtful) "Les petits riens": NMA no. 17 Passepied
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Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens"
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Ballet Music in C major, K. 299b / KV Anh 10 "Les petits riens": NMA no. 18 Gavotte
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Sketches of a Ballet Intermezzo, K. 299c / KV deest (Erik Smith completion): I. Allegro
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Sketches of a Ballet Intermezzo, K. 299c / KV deest (Erik Smith completion): II. Contredance
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Sketches of a Ballet Intermezzo, K. 299c / KV deest (Erik Smith completion): III. Moderato "Le forgeron travaille" - allegro "Pour la femme"
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Sketches of a Ballet Intermezzo, K. 299c / KV deest (Erik Smith completion): IV. Allegretto "Un petit travaille..." - allegretto "Il danse avec une autre danseuse" - andante - larghetto
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Sketches of a Ballet Intermezzo, K. 299c / KV deest (Erik Smith completion): V. Allegro come une cadenza "Pantomime avec le baton" - allegretto "Elle lui dit de se mettre en genoux"
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Sketches of a Ballet Intermezzo, K. 299c / KV deest (Erik Smith completion): VI. Gigue "Ils dansent ensemble"
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Sketches of a Ballet Intermezzo, K. 299c / KV deest (Erik Smith completion): VII. Largo "Elle lui prend par le nez" - Contredanse. Allegro agitato
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Sketches of a Ballet Intermezzo, K. 299c / KV deest (Erik Smith completion): VIII. Tambourin
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Song for Voice & Piano in D minor, K. 340c/390 "An die Hoffnung": "Ich würd auf meinem Pfad"
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Song for Voice & Piano in B-flat major, K. 340b/391 "An die Einsamkeit": "Sei du mein Trost"
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Song for Voice & Piano in F major, K. 340a/392 "Verdankt sei es dem Glanz der Großen"
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Aria for Bass in F major, K. 416c/433 (fragment) "Warnung": "Männer suchen stets zu naschen"
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Song for Voice & Piano in B-flat major, K. 468 "Gesellenreise": "Wenn den langen Weg durchs Leben"
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Song for Voice & Piano in G minor, K. 472 "Der Zauberer": "Ihr Mädchen, flieht Damöten ja!"
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Song for Voice & Piano in B-flat major, K. 473 "Die Zufriedenheit": "Wie sanft, wie ruhig fühl' ich hier"
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Song for Voice & Piano in G major, K. 474 "Die Betrogene Welt": "Der reiche Tor"
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Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 26 Cavatina con coro "Accogli, oh rè del mar" (Idomeneo, Sacerdote)
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Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Coro "Stupenda vittoria!" (Coro)
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Idomeneo, rè di Creta, K. 366: Act III, Scene IX. No. 27 Recitativo "Padre, mio caro padre!" (Idamante, Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act III, Scene X. "Ferma, oh sire, che fai?" (Ilia, Idomeneo, Idamante)
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Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28d La Voce "Ha vinto Amore" (La Voce)
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Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29 Recitativo "O ciel pietoso!" (Idomeneo, Idamante, Ilia, Arbace, Elettra)
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Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra)
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Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro)
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Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 8a "Ballo delle donne Cretesi"
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Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace)
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Idomeneo, rè di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace)
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Idomeneo, rè di Creta, K. 366: Act III, Scene IX. Allegro risoluto - Andante - Allegro - Largo - Presto "Deh vibra un colpo" (Idamante, Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act III, Scene IX. No. 27a Aria “No, la morte io non pavento” (Idamante)
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Ballet Music for Idomeneo, rè di Creta in D major, K. 367: II. Pas seul: Largo / Allegretto / Più allegro
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Idomeneo, rè di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo)
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Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: "Et in Spiritum Sanctum"
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Lacrimosa
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Ronda Alla Turca
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Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act II, Scene IV. Recitativo "Chi mai del mio provò" (Elettra)
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Idomeneo, rè di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra)
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Idomeneo, rè di Creta, K. 366: Act II, Scene V. No. 14 Marcia e Recitavio "Odo da lunge" (Elettra)
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Idomeneo, rè di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra)
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Idomeneo, rè di Creta, K. 366: Act II, Scene VI. No. 15 Coro "Placido è il mar" (Elettra)
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Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 16 Terzetto "Pria di partir, oh Dio!" (Idamante, Elettra, Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 17 Coro “Qual nuovo terrore!” (Coro)
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Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Eccoti in me, barbaro Nume!" (Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 18 Coro "Corriamo, fuggiamo" (Coro)
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Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia)
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Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Ei stesso vien... oh Dei!" (Ilia)
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Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia)
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Idomeneo, rè di Creta, K. 366: Act III, Scene II. No. 20a Duetto "S'io non moro a questi accenti" (Idamante, Ilia)
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Idomeneo, rè di Creta, K. 366: Act III, Scene III. Recitativo "Cieli! che vedo?" (Idomeneo, Ilia, Idamante, Elettra)
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Idomeneo, rè di Creta, K. 366: Act III, Scene III. No. 21 Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra)
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Idomeneo, rè di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia, Idomeneo, Elettra)
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Idomeneo, rè di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace)
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Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote)
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Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 25 Marcia
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Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia)
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Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia)
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Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante)
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Idomeneo, rè di Creta, K. 366: Act I, Scene II. No. 2 Aria "Non ho colpa" (Idamante)
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Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: "Et in unam Sanctam Catholicam"
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Die Zauberflöte: Terzetto "Du feines Täubchen, nur herein" (Monostatos, Pamina, Papageno)
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Die Zauberflöte, K. 620: Act I, Scene XVII. "Das klinget so herrlich" (Monostatos, Sklaven)
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Die Zauberflöte, K. 620: Act II, Scene VIII. no. 14 Aria “Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
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Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Drei Knaben)
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Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
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Die Zauberflöte, K. 620: Act II, Scene XVIII. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
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Die Zauberflöte, K. 620: Akt I, Scene XIV. (no. 7) Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
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Die Zauberflöte: "Der Vogelfänger bin ich ja" (Papageno)
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Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“
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Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
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Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Ecco il misero resto de' Troiani" (Ilia, Idamante)
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Idomeneo, rè di Creta, K. 366: Act I, Scene III. No. 3 Coro "Godiam la pace" (Coro de' Troiani e Cretesi, Due Cretesi)
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Idomeneo, rè di Creta, K. 366: Act I, Scene IV, Scene V. Recitativo "Prence, signor, tutta la Grecia oltraggi" (Elettra, Idomeneo, Arbace, Ilia)
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Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo "Estinto è Idomeneo?" (Elettra)
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Idomeneo, rè di Creta, K. 366: Act I, Scene VI. No. 4 Aria "Tutte nel cor vi sento" (Elettra)
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Idomeneo, rè di Creta, K. 366: Act I, Scene VII. No. 5 Coro "Pietà! Numi, pietà!" (Coro)
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Idomeneo, rè di Creta, K. 366: Act I, Scene VIII, Scene IX. Pantomima e Recitativo "Ecco salvi alfin" (Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act I, Scene IX. No. 6 Aria "Vedrommi intorno" (Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act I, Scene IX, Scene X. Recitativo "Cieli! che veggo!" (Idomeneo, Idamante)
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Idomeneo, rè di Creta, K. 366: Act I, Scene X. No. 7 Aria “Il padre adorato” (Idamante)
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Idomeneo, rè di Creta, K. 366: Act I, Scene XI. Intermezzo, No. 8 Marcia
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Idomeneo, rè di Creta, K. 366: Act II, Scene I. Recitativo "Tutto m'è noto" (Arbace, Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo apparse" (Ilia, Idomeneo)
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Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia)
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Violin Sonata in B-flat major, K. 454: II. Andante
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Violin Sonata in B-flat major, K. 454: III. Allegretto
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6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": I. Tema
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6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": II. Variazione I
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6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": III. Variazione II
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6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": IV. Variazione III
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6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": V. Variazione IV
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6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": VI. Variazione V
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6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": VII. Variazione VI
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Violin Sonata in F major, K. 547 "For Beginners": I. Andantino cantabile
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Sonata for Violin & Piano no. 39 in C major, K. 385d/404 (Julius André completion): I. Andante
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Sonata for Violin & Piano no. 39 in C major, K. 385d/404 (Julius André completion): II. Allegretto
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Die Schuldigkeit des ersten Gebots in C major, K. 35: III. Parte I. no. 1 Aria "Mit Jammer muß ich schauen" (Christgeist)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: IV. Parte I. Recitativo "So vieler Seelen Fall" (Barmherzigkeit, Gerechtigkeit)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: VII. Parte I. no. 3 Aria "Erwache, fauler Knecht" (Gerechtigkeit)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: VIII. Parte I. Recitativo "Er reget sich" (Christgeist, Barmherzigkeit, Gerechtigkeit)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: X. Parte I. no. 4 Aria "Hat der Schöpfer von Leben" (Weltgeist)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: XI. Parte I. Recitativo "Daß Träume Träume sind" (Christ)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: XII. Parte I. no. 5 Aria "Jener Donnerworte Kraft" (Christ)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: XIII. Parte I. Recitativo "Ist dieses, o so zweifle nimmermehr" (Weltgeist, Christ, Christgeist)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: XIV. Parte I. no. 6 Aria "Schildre einen Philosophen" (Weltgeist)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: XV. Parte I. Recitativo "Wen hör' ich nun hier in der Nähe" (Weltgeist, Christ, Christgeist)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: XVI. Parte I. no. 7 Aria "Manches Übel will zuweilen" (Christgeist)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: XVII. Parte I. Recitativo "Er halt mich einem Kranken gleich" (Christ, Christgeist, Weltgeist)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: XIX. Parte I. no. 8 Terzetto "Laßt mir euer Gnade Schein" (Christgeist, Barmherzigkeit, Gerechtigkeit)
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Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": I. Recitativo "Wo bin ich bittrer Schmerz" (Die Seele)
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Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": II. Aria "Felsen, spaltet euren Rachen" (Die Seele)
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Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel'" (Der Engel)
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Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": V. Recitativo "O Himmel, was ein traurig Licht" (Die Seele)
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Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele)
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Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VII. Recitativo "O lobenswerter Sinn!" (Der Engel)
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Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VIII. Coro "Jesu, wahrer Gottessohn" (Coro)
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Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna)
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Idomeneo, rè di Creta, K. 366: Act II, Scene IV: Recitativo Frettolosa E Giuliva Recitativo Sire,Da Arabace Intesi
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Idomeneo, rè di Creta, K. 366: Act III, Scene X: No.28c Recitativo Ha Vinto Amore...
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Idomeneo, rè di Creta, K. 366: Act III, Scene XI: No.32 Ballet. Chaconne
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Idomeneo, rè di Creta, K. 366: Act III, Scene XI: Larghetto
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Idomeneo, rè di Creta, K. 366: Act III, Scene XI: Le Chaconne, Qui Reprend
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Idomeneo, rè di Creta, K. 366: Act III, Scene XI: Pas Seul
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Appendix Idomeneo, rè di Creta, K. 366: Act III, Scene X: No. 28b Ha Vinto Amore
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Laut verkünde unsre Freude, K. 623: II. Aria "Dieser Gottheit Allmacht ruhet"
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Laut verkünde unsre Freude, K. 623: III. Recitativo "Wohlan, ihr Brüder"
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Laut verkünde unsre Freude, K. 623: IV. Duetto "Lange sollen diese Mauern"
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Laut verkünde unsre Freude, K. 623: V. Allegro "Laut verkünde unsre Freude"
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Adagio and Fugue in C minor, K. 546: I. Adagio
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Adagio and Fugue in C minor, K. 546: II. Fugue
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Song for Voice & Piano in B-flat major, K. 468 "Gesellenreise": "Die ihr einem neuen Grad"
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Dir, Seele des Weltalls, K. 468a/429: I. Choir "Dir, Seele des Weltalls"
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Dir, Seele des Weltalls, K. 468a/429: II. Aria "Dir danken wir die Freude"
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Song for Voice, Male Chorus & Piano in B-flat major, K. 483: "Zerfließet heut', geliebte Brüder"
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Song for Tenor, Men's Chorus & Organ in G major, K. 484: "Ihr unsre neuen Leiter"
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Cantata for Tenor, Men's Chorus & Orchestra in E-flat major, K. 471: "Die Maurerfreude": Aria "Sehen, wie dem starren Forscherauge"
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Cantata for Tenor, Men's Chorus & Orchestra in E-flat major, K. 471: "Die Maurerfreude": Aria and Coro "Drum singet und jauchzet, ihr Brüder!"
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Cantata for Tenor & Piano in C major, K. 619: "Die ihr des unermeßlichen Weltalls"
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Davide penitente, K. 469: I. Andante moderato: Soloist and Choir "Alzai le flebili voci al Signor"
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Davide penitente, K. 469: II. Allegro vivace: Choir "Cantiam le glorie"
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Davide penitente, K. 469: III. Allegro aperto: Aria "Lungi le cure"
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Davide penitente, K. 469: IV. Adagio: Choir "Sii pur sempre"
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Davide penitente, K. 469: V. Allegro moderato: Duetto "Sorgi, oh Signore"
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Davide penitente, K. 469: VI. Andante, allegro: Aria "A te, fra tanti affanni"
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Davide penitente, K. 469: VII. Largo: Double Choir "Se vuoi, puniscimi"
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Davide penitente, K. 469: VIII. Andante, allegro: Aria "Tra l'oscure ombre"
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Davide penitente, K. 469: IX. Allegro: Trio "Tutte le mie speranze"
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Davide penitente, K. 469: X. Adagio: Choir "Chi in Dio sol spera"
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XIX. Parte seconda: Recitativo "Troppo mal corrisponde" (Achior, Ozia)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XX. Parte seconda: No. 10 Aria "Se Dio veder tu vuoi" (Ozia)
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Requiem in D minor, K. 626
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Sérénade KV 525 « Eine Kleine Nachtmusik » : Rondo (Allegro)
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Violin Sonata in F major, K. 374e/377: II. Tema con variazioni (Andante)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXI. Parte seconda: Recitativo "Confuso io son" (Achior, Ozia, Amital)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXII. Parte seconda: No. 11 Aria "Quel nocchier che in gran procella" (Amital)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIII. Parte seconda: Recitativo "Lungamente non dura" (Ozia, Amital, Coro, Cabri, Giuditta, Achior)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIV. Parte seconda: No. 12 Aria "Prigionier che fa ritorno" (Giuditta)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXV. Parte seconda: Recitativo "Giuditta, Ozia, popoli, amici" (Achior)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVI. Parte seconda: No. 13 Aria "Te solo adoro" (Achior)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVII. Parte seconda: Recitativo "Di tua vittoria" (Ozia, Amital)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVIII. Parte seconda: No. 14 Aria "Con troppa rea viltà" (Amital)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIX. Parte seconda: Recitativo "Quanta cura hai di noi" (Cabri, Carmi, Ozia, Amital)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXX. Parte seconda: No. 15 Aria "Quei moti che senti" (Carmi)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXI. Parte seconda: Recitativo "Seguansi, oh Carmi" (Ozia, Amital, Cabri, Achior, Giuditta)
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Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXII. Parte seconda: No. 16 Aria con il Coro "Lodi al gran Dio" (Giuditta, Coro)
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La Betulia liberata, K. 74c/118: Parte I. Recitativo "Popoli di Betulia" (Ozia)
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La Betulia liberata, K. 74c/118: Parte I. No. 1. Aria "D’ogni colpa la colpa maggiore" (Ozia)
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La Betulia liberata, K. 74c/118: Parte I. Recitativo "E in che sperar?" (Cabri, Amital)
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La Betulia liberata, K. 74c/118: Parte I. No. 2. Aria "Ma qual virtù non cede" (Cabri)
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La Betulia liberata, K. 74c/118: Parte I. Recitativo "Già le memorie antiche" (Ozia, Cabri, Amital)
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La Betulia liberata, K. 74c/118: Parte I. No. 3. Aria "Non hai cor" (Amital)
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La Betulia liberata, K. 74c/118: Parte I. Recitativo "E qual pace sperate" (Ozia, Amital, Coro)
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La Betulia liberata, K. 74c/118: Parte I. No. 4. Aria con il Coro "Pietà, se irato sei" (Ozia, Coro)
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La Betulia liberata, K. 74c/118: Parte I. Recitativo "Chi è costei che qual sorgente aurora" (Cabri, Amital, Ozia, Giuditta)
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La Betulia liberata, K. 74c/118: Parte I. No. 5. Aria "Del pari infeconda" (Giuditta)
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La Betulia liberata, K. 74c/118: Parte I. Recitativo "Oh saggia, oh santa" (Ozia, Cabri, Giuditta)
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Larghetto and Allegro, K. deest
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Suite for Piano in C major, K. 385i/399 (fragment): II. Allemande
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Suite for Piano in C major, K. 385i/399 (fragment): III. Courante
-
Allegro for Piano in B-flat major, K. 372a/400 (fragment)
-
Sonata for Piano in F major, K. 547a/Anh 135: I. Allegro
-
Sonata for Piano in F major, K. 547a/Anh 135: II. Allegretto
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Sonata for Piano with 4 Hands in F major, K. 497: II. Andante
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Missa brevis in C major, K. 259: II. Gloria
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Missa brevis in C major, K. 259: IV. Sanctus
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Missa brevis in C major, K. 259: V. Benedictus
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Mass no. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie"
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Mass no. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria"
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Mass no. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo"
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Mass no. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus"
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Mass no. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus"
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Missa in C, K. 257 “Credo”: I. Kyrie
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Missa in C, K. 257 “Credo”: II. Gloria
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Missa in C, K. 257 “Credo”: III. Credo
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Missa in C, K. 257 “Credo”: IV. Sanctus
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Missa in C, K. 257 “Credo”: V. Benedictus
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Missa in C, K. 257 “Credo”: VI. Agnus Dei
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Mass no. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria"
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Mass no. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo"
-
Mass no. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus"
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Mass no. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus"
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Kyrie in D minor, K. 368a/341
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Missa in C, K. 337 “Solemnis”: II. Gloria
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Missa in C, K. 337 “Solemnis”: IV. Sanctus
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Missa in C, K. 337 “Solemnis”: V. Benedictus
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Missa in C, K. 337 “Solemnis”: VI. Agnus Dei
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Mass no. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": I. "Kyrie"
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Mass no. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IV. "Et incarnatus est"
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La Betulia liberata, K. 74c/118: Parte I. No. 6. Aria con il Coro "Pietà, se irato sei" (Ozia, Coro)
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La Betulia liberata, K. 74c/118: Parte I. Recitativo "Signor, Carmi a te viene" (Cabri, Amital, Carmi, Ozia, Achior)
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La Betulia liberata, K. 74c/118: Parte I. No. 7. Aria "Terribile d’aspetto" (Achior)
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La Betulia liberata, K. 74c/118: Parte I. Recitativo "Ti consola, Achior" (Ozia, Cabri, Achior, Giuditta)
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La Betulia liberata, K. 74c/118: Parte I. No. 8. Aria "Parto inerme, e non pavento" (Giuditta)
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La Betulia liberata, K. 74c/118: Parte I. No. 9. Coro "Oh prodigio! Oh stupor!" (Coro)
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Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello)
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Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
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Le nozze di Figaro, K. 492: Atto III, Scena VI. Recitativo “Eccovi, oh caro amico” (Marcellina, Bartolo, Figaro, Susanna)
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Sonata for Piano with 4 Hands in D major, K. 123a/381: II. Andante
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Sonata for Piano with 4 Hands in C major, K. 19d/deest: I. Allegro
-
Trio for Piano no. 3 in B-flat major, K. 502: II. Larghetto
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Trio for Piano no. 3 in B-flat major, K. 502: III. Allegretto
-
Trio for Piano no. 1 in B-flat major, K. 254: II. Adagio
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Trio for Piano no. 1 in B-flat major, K. 254: III. Rondeau. Tempo di minuetto
-
Trio for Piano no. 2 in G major, K. 496: I. Allegro
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Trio for Piano no. 2 in G major, K. 496: II. Andante
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Trio for Piano no. 2 in G major, K. 496: III. Thema. Allegretto. Variation I. Variation II. Variation III. Variation IV. Variation V. Adagio. Variation VI. Allegretto
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Violin Sonata in C major, K. 6: I. Allegro
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Violin Sonata in C major, K. 6: II. Andante
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Violin Sonata in C major, K. 6: III. Minuet I & II
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Violin Sonata in C major, K. 6: IV. Allegro molto
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Violin Sonata in D major, K. 7: I. Allegro molto
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Violin Sonata in D major, K. 7: II. Adagio
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Violin Sonata in D major, K. 7: III. Minuet I & II
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Violin Sonata in B-flat major, K. 8: I. Allegro
-
Violin Sonata in B-flat major, K. 8: II. Andante grazioso
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Violin Sonata in B-flat major, K. 8: III. Minuet I & II
-
Sonata for Violin & Piano no. 27 in G major, K. 373a/379: IIg. Tema. Allegretto
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Trio for Piano no. 5 in C major, K. 548: I. Allegro
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Queen of the Winter Night
-
Die Hochzeit des Figaro: Akt II. Nr. 12 Arie „Nur näher, knien Sie vor mir” (Susanna)
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Die Hochzeit des Figaro: Akt II. Rezitativ „Ende nun diese Possen!” (Gräfin, Susanna, Cherubin)
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Die Hochzeit des Figaro: Akt II. Rezitativ „Was ist denn das?” (Gräfin, Susanna, Cherubin, Graf)
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Die Hochzeit des Figaro: Akt II. Nr. 13 Terzett „Wohlan, wird's bald geschehen?“ (Graf, Gräfin, Susanna)
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Divertimento in B-flat: IV. [Adagio], K. 15mm
-
Missa in c-Moll, K.427/417a ('Große Messe'): IId. Gloria: “Domine Deus”
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Missa in c-Moll, K.427/417a ('Große Messe'): IIf. Gloria: “Quoniam tu solus”
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Missa in c-Moll, K.427/417a ('Große Messe'): IIg. Gloria: “Jesu Christe”
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Missa in c-Moll, K.427/417a ('Große Messe'): IIh. Gloria: “Cum Sancto Spiritu”
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Missa in c-Moll, K.427/417a ('Große Messe'): IIIa. Credo: “Credo in unum Deum”
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Missa in c-Moll, K.427/417a ('Große Messe'): IVb. Sanctus: “Hosanna”
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Quartet for Strings no. 22 in B-flat major, K. 589 "Quartetti Prussian": I. Allegro
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Quartet for Strings no. 22 in B-flat major, K. 589 "Quartetti Prussian": III. Minuetto & trio. Moderato
-
Quartet for Strings no. 23 in F major, K. 590 "Quartetti Prussian": I. Allegro moderato
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Quartet for Strings no. 23 in F major, K. 590 "Quartetti Prussian": III. Minuetto & trio. Allegretto
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Quartet for Strings no. 23 in F major, K. 590 "Quartetti Prussian": IV. Allegro
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Quartet for Strings no. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": I. Adagio
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Quartet for Strings no. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": II. Allegro
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Quartet for Strings no. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": III. Minuetto
-
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: III. Molto presto
-
Quartet for Strings no. 18 in A major, K. 464 "Haydn Quartetti": III. Andante
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Quartet for Strings no. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": II. Andante cantabile
-
Fugue for Piano G minor, K. 385k/154 (fragment)
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Fugue for Piano E-flat major, K. 375f/153 (fragment)
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Fugue for Piano G minor, K. 375e/401
-
Quartet for Strings no. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": I. Allegro non troppo
-
Quartet for Strings no. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": II. Andante con moto
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Quartet for Strings no. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": I. Allegro vivace assai
-
Andante and Variations for Piano with 4 Hands in G major, K. 501
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Sonata for Piano with 4 Hands in C major, K. 521: I. Allegro
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Sonata for Piano with 4 Hands in C major, K. 521: II. Andante
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Sonata for Piano with 4 Hands in C major, K. 521: III. Allegretto
-
March for Orchestra in C major, K. 383e/KV 408/1
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Suite for Piano in C major, K. 385i/399 (fragment): I. Overture
-
Rondo in C major, K. 15s
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Minuet in G major, K. 15y
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Don Giovanni: Akt I, Szene IX. Nr. 7 Duett "Reich mir die Hand, mein Leben"
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Church Sonata no. 6 for 2 Violins, Bass & Organ in B-flat major, K. 212
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Church Sonata no. 9 for 2 Violins, Bass & Organ in G major, K. 241
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Church Sonata no. 10 for 2 Violins, Bass & Organ in F major, K. 244
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Church Sonata no. 11 for 2 Violins, Bass & Organ in D major, K. 245
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Church Sonata no. 13 for 2 Violins, Bass & Organ in G major, K. 271d/274
-
Church Sonata no. 15 for 2 Violins, Bass & Organ in C major, K. 317c/328
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Church Sonata no. 17 for 2 Violins, Bass & Organ in C major, K. 336d/336
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Church Sonata no. 16 for Orchestra in C major, K. 317a/329
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Sonata for Violin & Piano no. 30 in C major, K. 385c/403 (fragment): I. Allegro moderato
-
Sonata for Violin & Piano no. 30 in C major, K. 385c/403 (fragment): II. Andante - allegretto
-
Quintet for 2 Violins, 2 Violas & Cello no. 3 in C major, K. 515: I. Allegro
-
Quintet for 2 Violins, 2 Violas & Cello no. 3 in C major, K. 515: II. Andante
-
Quintet for 2 Violins, 2 Violas & Cello no. 3 in C major, K. 515: III. Minuetto. Allegretto
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Quintet for 2 Violins, 2 Violas and Cello no. 5 in D major, K. 593: I. Larghetto - Allegro
-
Quintet for 2 Violins, 2 Violas and Cello no. 5 in D major, K. 593: IV. Finale. Allegro
-
Adagio for 2 Basset Horns & Bassoon in F major, K. 484d/410
-
Canon in 4 Parts in G major, K. 509a/232: "Lieber Freistädtler, lieber Gaulimauli"
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Canon in 3 Parts in F major, K. 508a/1/KV deest
-
Canon for 4 Voices in 1 in F major, K. 560: "O du eselhafter Martin"
-
Canon in 3 Parts in F major, K. 508a/2/KV deest
-
Canon in 6 Parts in B-flat major, K. 382c/231: "Leck mich im Arsch"
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Canon in 2 Parts in F major, K. 508a/3/KV deest
-
Kyrie for 5 Sopranos in G major, K. 73k/89
-
Canonical Study in B-flat major, K. deest: "Dona nobis pacem"
-
Canon in 2 parts in F major, K. 508a/4/KV deest
-
Canon in 3 parts in F major, K. 507: "Heiterkeit und leichtes"
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Canon for 4 Clarinets (retexted on 5 Voices) in A major, K. 73i/(K2) 89aI (spurious retexted version): "G'rectel's enk"
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Canon in 2 Parts in F major, K. 508a/5/KV deest
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Canon in 3 Parts in G major, K. 382e/234: ""Bei der Hitz im Sommer ess ich""
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Canon in 3 Parts in F major, K. 508: "Auf das Wohl aller Freunde"
-
Canon in 2 Parts in F major, K. 508a/6/KV deest
-
Don Giovanni: Aria “Fin ch’han dal vino” (Don Giovanni)
-
Larghetto and Allegro, K. deest: II. Allegro
-
Larghetto and Allegro, K. deest: I. Larghetto
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Puzzle Canon for Chorus No. 1, K. 73r/1/(K2) 89aII/1: "Incipe menalios mecum"
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Church Sonata no. 12 for 2 Violins, Bass, 2 Trumpets & Organ in C major, K. 263
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Puzzle Canon for Chorus No. 2, K. 73r/2/(K2) 89aII/2: "Cantata Domino omnis"
-
Puzzle Canon for Chorus No. 3, K. 73r/3/(K2) 89aII/3: "Confitebor tibi Domine"
-
Puzzle Canon for Chorus No. 4, K. 73r/4/(K2) 89aII/4: "Tebana bella cantus"
-
Canon in 2 Parts in F major, K. 508a/7/KV deest
-
Canon in 2 Parts in F major, K. 508a/8/KV deest
-
Canon in 12 Parts in G major, K. 382g/348 (Maximilian Stadler completion): "V'amo di core teneramente"
-
Canon for 3 Voices (on Wind Trio) in C major, K. 508A/deest (spurious arrangement for winds)
-
Canon in 3 Parts in C minor, K. 382a/229: "Sie ist dahin"
-
Canon in 2 Parts in C major, K. 382b/230: "Selig, selig alle"
-
Canon in 6 Parts in D major, K. 382f/347: "Laß uns ziehn"
-
Canonical Study, K. deest: "Sinkt die Nacht"
-
String Quintet no. 4 in G minor, K. 516: I. Allegro
-
String Quintet no. 4 in G minor, K. 516: II. Minuetto. Allegretto & Trio
-
String Quintet no. 4 in G minor, K. 516: IV. Adagio - Allegro
-
Sonata for Piano no. 15 in F major, K. 533: III. Rondeau
-
Quartet for Strings no. 9 in A major, K. 169 "Quartetti Vienna": IV. Rondeaux. Allegro
-
Quartet for Strings no. 11 in E-flat major, K. 171 "Quartetti Vienna": IV. Allegro assai
-
Quartet for Strings no. 13 in D minor, K. 173 "Quartetti Vienna": I. Allegro ma molto moderato
-
Quartet for Strings no. 13 in D minor, K. 173 "Quartetti Vienna": II. Andantino grazioso
-
Quartet for Strings no. 13 in D minor, K. 173 "Quartetti Vienna": III. Minuetto
-
Quartet for Strings no. 13 in D minor, K. 173 "Quartetti Vienna": IV. Allegro
-
Allegro for Piano in G major, K. 72a/deest (fragment)
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Allegro in F major, K. 15a
-
Allegro for Piano in F major, K. 15m/(K2) A109b/4/KV deest "London Sketchbook no. 12"
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Minuet for Piano (on 2 Flutes & Strings) in C major, K. 61g/2/KV deest
-
Minuet for Piano in D major, K. 73h/94
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Sérénade KV 286 « Notturno » : Menuetto
-
Violin Sonata in F major, K. 374e/377: I. Allegro
-
Allegro for Piano in G minor, K. 590d/312
-
Präludium in C, K. 284a
-
Antiphon for Soloists, Chorus & Orchestra in C major, K. 47: "Veni sancte Spiritus"
-
Te Deum for Chorus & Orchestra in C major, K. 66b/141: I. "Te Deum laudamus"
-
Te Deum for Chorus & Orchestra in C major, K. 66b/141: II. "Te ergo quaesumus"
-
Te Deum for Chorus & Orchestra in C major, K. 66b/141: III. "Aeterna fac"
-
Te Deum for Chorus & Orchestra in C major, K. 66b/141: IV. "In te Domino speravi"
-
Aria for Soprano & Orchestra in B-flat major, K. 317b/146: "Kommet her, ihr frechen Sünder"
-
Dixit et Magnificat, K. 193/186g: I. Dixit Dominus Domino meo
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Dixit et Magnificat, K. 193/186g: II. Magnificat anima mea
-
Contredanse for 4 Voices and Orchestra in D major, K. Anh. C 3.05/(K3) Anh. 186e/197 (possibly spurious) "Tantum ergo"
-
Prelude & Fugue for Violin, Viola, & Bass no. 1 in D minor, K. 404a/deest
-
Prelude & Fugue for Violin, Viola, & Bass no. 2 in G minor, K. 404a/deest
-
Prelude & Fugue for Violin, Viola, & Bass no. 3 in F major, K. 404a/deest
-
Prelude & Fugue for Violin, Viola, & Bass no. 4 in F major, K. 404a/deest
-
Prelude & Fugue for Violin, Viola, & Bass no. 5 in E-flat major, K. 404a/deest
-
Prelude & Fugue for Violin, Viola, & Bass no. 6 in F minor, K. 404a/deest
-
Quartet for Strings no. 2 in D major, K. 134a/155 "Quartetti Milanesi": I. Allegro
-
Quartet for Strings no. 2 in D major, K. 134a/155 "Quartetti Milanesi": II. Andante
-
Quartet for Strings no. 2 in D major, K. 134a/155 "Quartetti Milanesi": III. Allegro molto
-
Quartet for Strings no. 3 in G major, K. 134b/156 "Quartetti Milanesi": I. Presto
-
Quartet for Strings no. 4 in C major, K. 157 "Quartetti Milanesi": II. Andante
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Quartet for Strings no. 5 in F major, K. 158 "Quartetti Milanesi": I. Allegro
-
Quartet for Strings no. 5 in F major, K. 158 "Quartetti Milanesi": II. Andante un poco allegretto
-
Quartet for Strings no. 14 in G major, K. 387 “Haydn Quartetti”, “Spring”: II. Minuetto & trio
-
Quartet for Strings no. 15 in D minor, K. 417b/421 "Haydn Quartetti": II. Andante
-
Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: I. "Dixit dominus"
-
Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: II. "Confitebor"
-
Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: III. "Beatus vir"
-
Larghetto and Allegro, K. deest
-
Larghetto and Allegro, K. deest: II. Allegro
-
Larghetto and Allegro, K. deest: I. Larghetto
-
Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: IV. "Laudate pueri"
-
Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: V. "Laudate dominus"
-
Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: VI. "Magnificat"
-
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: I. Allegro
-
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: II. Tempo moderato
-
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: IV. Allegro
-
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli": I. Allegro maestoso "Regina coeli laetare"
-
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli": II. Andante "Quia quem meruisti" - Adagio "Ora pro nobis"
-
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli": III. Allegro "Alleluia"
-
Offertorium for Chorus & Orchestra in G major, K. 74f/72 "Inter natos mulierum"
-
Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": I. "Benedictus sit Deus"
-
Offertorium for 2 Voices & Orchestra in F major, K. Anh C 3.08/(K3) 158b/198: "Sub tuum praesidium"
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Misericordias Domini, K. 205a/222
-
Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": I. "Miserere"
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Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": II. "Et secundum"
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Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": III. "Quoniam"
-
Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": IV. "Ecce"
-
Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": V. "Asperges"
-
Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VI. "Averte"
-
Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VII. "Ne projicias"
-
Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VIII. "Docebo"
-
2 German Church Songs, K. 336c/343: No. 1 in F major "O Gottes Lamm"
-
2 German Church Songs, K. 336c/343: No. 2 in C major "Als aus Ägypten"
-
Missa in c-Moll, K.427/417a ('Große Messe'): IIb. Gloria: “Laudamus te”
-
Regina coeli, K. 321b/276
-
Minuet for Piano in F major, K. 5
-
Lucio Silla, K. 135: Act II, Scene I. Recitativo "Tel' predissi, oh Signor, che la superba" (Silla, Aufidio)
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Requiem in D minor, K. 626: III. Sequenz
-
Mass no. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": V. "Et in Spiritum Sanctum"
-
Mass no. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VI. "Et unam Sanctam Catholicam"
-
Mass no. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VII. "Et vitam venturi saeculi"
-
Mass no. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IX. "Benedictus"
-
Mass no. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": X. "Agnus Dei"
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Mass no. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo"
-
Mass no. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus"
-
Missa brevis in D major, K. 186h/194: IV. Sanctus
-
Missa brevis in D major, K. 186h/194: VI. Agnus Dei
-
Mass no. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie"
-
Mass no. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria"
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Mass no. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo"
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Mass no. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus"
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Mass no. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus"
-
Mass no. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei"
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Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": I. Kyrie: "Kyrie"
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Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria: "Gloria in excelsis Deo"
-
Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria: "Laudamus te"
-
Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria: "Gratias agimus tibi"
-
Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria: "Domine Deus"
-
Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria: "Qui tollis"
-
Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria: "Quoniam tu solus sanctus"
-
Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": II. Gloria: "Cum sancto Spiritu"
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Dixit et Magnificat, K. 193/186g
( - Jul 1774)
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Violin Sonata in E minor, K. 60
-
Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Credo. Intonation. "Credo in unum Deum"
-
Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: "Et incarnatus est"
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Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: "Crucifixus"
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Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: "Et resurrexit"
-
Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": III. Credo: "Et vitam venturi saeculi"
-
Mass no. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": I. "Kyrie"
-
Mass no. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": II. "Gloria"
-
Mass no. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": III. "Credo"
-
Mass no. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": IV. "Sanctus"
-
Mass no. 1 for Soloists, Chorus & Orchestra in G major, K. 47d/49 "Missa brevis": VI. "Agnus Dei"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": I. "Kyrie"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": Ib. "Christe eleison"
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Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": Ic. "Kyrie eleison"
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Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": II. "Gloria"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIb. "Laudamus te"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIc. "Gratias agimus tibi"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IId. "Domine Deus"
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Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIe. "Qui tollis"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIf. "Quoniam tu solus sanctus"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIg. "Cum Sancto Spiritu"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": III. "Credo"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIIb. "Et incarnatus est"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIIc. "Crucifixus"
-
Concerto Movement for Horn in E-flat major, K. 370b/K2 Anh. 98b/KV Anh. 97+Anh. 98 (fragment): Allegro
-
Harmoniemusik on Mozart’s “Le nozze di Figaro”: Sinfonia. Presto
-
Harmoniemusik on Mozart’s “Le nozze di Figaro”
-
Missa in c-Moll, K. 427/417a ('Große Messe')
-
Missa in c-Moll, K. 427/417a ('Große Messe'): II. Gloria
-
Missa in c-Moll, K. 427/417a ('Große Messe'): III. Credo
-
Violin Sonata in C major, K. 56
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIId. "Et resurrexit"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIIe. "Et in Spiritum Sanctum"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIIf. "Et unam Sanctam Catholicam"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IIIg. "Et vitam venturi saeculi"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": IV. "Sanctus"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": V. "Benedictus"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VI. "Agnus Dei"
-
Mass no. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a/139 "Missa solemnis", "Waisenhausmesse": VIb. "Dona nobis pacem"
-
Mass no. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie"
-
Mass no. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo"
-
Mass no. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": V. "Benedictus"
-
Mass no. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": VI. "Agnus Dei"
-
La Betulia liberata, K. 74c/118: Overtura
-
Die Schuldigkeit des ersten Gebots in C major, K. 35: XVIII. Parte I. Recitativo "Hast du nunmehr erfahren" (Barmherzigkeit, Christgeist, Gerechtigkeit)
-
Die Schuldigkeit des ersten Gebots in C major, K. 35: V. Parte I. no. 2 Aria "Ein ergrimmter Löwe brüllet" (Barmherzigkeit)
-
Die Schuldigkeit des ersten Gebots in C major, K. 35: VI. Parte I. Recitativo "Was glaubst du" (Bermherzigkeit, Gerechtigkeit, Christgeist)
-
Die Schuldigkeit des ersten Gebots in C major, K. 35: IX. Parte I. Recitativo "Wie, wer erwecket mich" (Christ, Weltgeist)
-
Cantata for Tenor, Men's Chorus & Orchestra in E-flat major, K. 471: "Die Maurerfreude"
-
Dir, Seele des Weltalls, K. 468a/429: III. Choir "Dir, Sonne des Weltalls"
-
Aria for Soprano & Orchestra in A major, K. 382h/119: "Der Liebe himmlisches Gefühl"
-
Aria for Soprano & Orchestra in E-flat major, K. 73p/83: "Se tutti i mali miei"
-
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 294: "Alcandro, Io confesso… Non só d'onde viene"
-
Aria for Soprano & Orchestra in F major, K. 73o/82: "Se ardire, e speranza"
-
Aria for Soprano & Orchestra in A major, K. 417e/178: "Ah, spiegarti, o Dio"
-
Quintet in B-flat, K. 452a/Anh. 54: Larghetto
-
Harmoniemusik on Mozart’s “Le nozze di Figaro”: Duettino. Allegro
-
Harmoniemusik on Mozart’s “Le nozze di Figaro”: Duettino. Allegro
-
Harmoniemusik on Mozart’s “Le nozze di Figaro”: Cavatina “Se vuol ballare, signor Contino”. Allegretto – Presto – Primo tempo – Presto
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Harmoniemusik on Mozart’s “Le nozze di Figaro”: Aria “Non più andrai”. Allegro
-
Harmoniemusik on Mozart’s “Le nozze di Figaro”: Terzetto “Susanna or via sortite”. Allegro di molto
-
Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene"
-
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 374: "A questo seno deh vieni… Or che il cielo"
-
Aria for Soprano & Orchestra in F major, K. 577: "Al desio di chi t'adora"
-
Recitative and Aria for Soprano & Orchestra in G major, K. 217: “Voi avete un cor fedele”
-
Aria for Soprano & Orchestra in B-flat major, K. 73e/77: "Misero me!… Misero pargoletto"
-
Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner"
-
Recitative and Aria for Tenor & Orchestra in C major, K. 33i/36: "Or che il dover… Tali e cotanti sono"
-
Aria for Tenor & Orchestra in D major, K. 209: "Si mostra la sorte"
-
Aria for Tenor & Orchestra in C major, K. 210: "Con ossequio, con rispetto"
-
Aria for Tenor & Orchestra in D major, K. 256: "Clarice cara mia sposa"
-
Aria for Tenor & Orchestra in B-flat major, K. 295: "Se al labbro… Il cor dolente"
-
Aria for Tenor & Orchestra in E-flat major, K. 420: "Per pietà, non ricercate"
-
Recitative and Aria for Tenor & Orchestra in E-flat major, K. 425b/431: "Misero! oh sogno… Aura che intorno spiri"
-
Recitative and Aria for Bass & Orchestra in F minor, K. 421a/432 (fragment): "Così dunque tradisci… Aspri rimorsi atroci"
-
Quartet for Mezzo-Soprano, Tenor, 2 Basses & Orchestra in E-flat major, K. 479: "Dite almeno, in che mancai"
-
Trio for Mezzo-Soprano, Tenor, Bass & Orchestra in A major, K. 480: "Mandina amabile"
-
Recitative and Aria for Bass & Orchestra in F major, K. 512: "Alcandro, Io confesso… Non so d'onde viene"
-
Aria for Bass & Orchestra in E-flat major, K. 513: "Mentre ti lascio, oh figlia"
-
Aria for Bass, Double Bass & Orchestra in D major, K. 612: "Per questa bella mano"
-
Recitative and Aria for Soprano & Orchestra in C major, K. 300b/316: I. "Popoli di Tessaglia"
-
Recitative and Aria for Soprano & Orchestra in C major, K. 300b/316: II. "Io non chiedo"
-
Song for Voice & Piano in C major, K. 531 "Die kleine Spinnerin": "Was spinnst du?"
-
Song for Voice & Piano in F major, K. 596 "Sehnsucht nach dem Frühling": "Komm, lieber Mai"
-
Song for Voice & Piano in E-flat major, K. 597 "Im Frühlingsanfang": "Erwacht zum neuen Leben"
-
Song for Voice & Piano in A major, K. 598 "Das Kinderspiel": "Wir Kinder, wir schmecken"
-
Song for Voice & Piano in G major, K. 367a/349 "Die Zufriedenheit": "Was frag ich viel"
-
Ave verum corpus de Mozart, S. 461a
-
Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più, tutto ascoltai” … “Non temer, amato bene”
-
Aria for Soprano & Orchestra in E-flat major, K. 73b/78: "Per pietà, bell'idol mio"
-
Recitative and Aria for Soprano & Orchestra in B-flat major, K. 73d/79: "O temerario Arbace!… Per quel paterno"
-
Recitative and Aria for Soprano & Orchestra in C minor, K. 272: "Ah, lo previdi… Ah, t'invola agl'occhi miei"
-
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 369: "Misera, dove son… Ah! non son io"
-
Recitative and Aria for Soprano & Orchestra in B-flat major, K. 416: I. "Mia speranza adorata"
-
Recitative and Aria for Soprano & Orchestra in B-flat major, K. 416: II. "Ah, non sai qual pena"
-
Aria for Soprano & Orchestra in C major, K. 73c/88: "Fra cento affanni e cento"
-
Recitative and Aria for Soprano and Orchestra in G major, K. 61c/70: I. "A Berenice"
-
Recitative and Aria for Soprano and Orchestra in G major, K. 61c/70: II. "Sol nascente"
-
Recitative and Aria for Soprano and Orchestra in F major, K. 368: I. "Ma che vi fece"
-
Recitative and Aria for Soprano and Orchestra in F major, K. 368: II. "Sperai vicino il lido"
-
Aria for Soprano & Orchestra in C major, K. 419: "No no, che non sei capace"
-
Prelude & Fugue for Violin, Viola, & Bass no. 1 in D minor, K. 404a/deest: I. Adagio
-
Prelude & Fugue for Violin, Viola, & Bass no. 1 in D minor, K. 404a/deest: II. Fuga
-
Prelude & Fugue for Violin, Viola, & Bass no. 2 in G minor, K. 404a/deest: I. Adagio
-
Prelude & Fugue for Violin, Viola, & Bass no. 2 in G minor, K. 404a/deest: II. Fuga
-
Prelude & Fugue for Violin, Viola, & Bass no. 3 in F major, K. 404a/deest: I. Adagio
-
Prelude & Fugue for Violin, Viola, & Bass no. 3 in F major, K. 404a/deest: II. Fuga
-
Prelude & Fugue for Violin, Viola, & Bass no. 4 in F major, K. 404a/deest: I. Adagio
-
Prelude & Fugue for Violin, Viola, & Bass no. 4 in F major, K. 404a/deest: II. Fuga
-
Prelude & Fugue for Violin, Viola, & Bass no. 5 in E-flat major, K. 404a/deest: I. Largo
-
Prelude & Fugue for Violin, Viola, & Bass no. 5 in E-flat major, K. 404a/deest: II. Fuga
-
Prelude & Fugue for Violin, Viola, & Bass no. 6 in F minor, K. 404a/deest: I. Adagio
-
Prelude & Fugue for Violin, Viola, & Bass no. 6 in F minor, K. 404a/deest: II. Fuga
-
Exsultate, jubilate, K. 158a/165: III. Tu virginum corona
-
Il sogno di Scipione, K. 126: Act I Recitativo "Vieni e segui i mici passi" (Fortuna, Constanza, Scipione)
-
Il sogno di Scipione, K. 126: Act I No. 1 Aria "Risolver non osa" (Scipione)
-
Il sogno di Scipione, K. 126: Act I Recitativo "Giusta è la tua richiesta" (Constanza, Fortuna)
-
Il sogno di Scipione, K. 126: Act I No. 2 Aria "Lieve sono al par del vento" (Fortuna)
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Il sogno di Scipione, K. 126: Act I Recitativo "Dunque ove son?" (Scipione, Constanza, Fortuna)
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Il sogno di Scipione, K. 126: Act I No. 3 Aria "Ciglio che al sol si gira" (Constanza)
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Il sogno di Scipione, K. 126: Act I Recitativo "E quali abitatori" (Scipione, Fortuna, Constanza)
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Il sogno di Scipione, K. 126: Act I No. 4 Coro "Germe di cento eroi" (Coro)
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Il sogno di Scipione, K. 126: Act I Recitativo "Numi, è vero o m'inganno?" (Scipione, Publio)
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Il sogno di Scipione, K. 126: Act I No. 5 Aria "Se vuoi che te raccolgano" (Publio)
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Il sogno di Scipione, K. 126: Act I Recitativo "Se qui vivon gli eroi" (Scipione, Fortuna, Constanza, Publio, Emilio)
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Il sogno di Scipione, K. 126: Act I No. 6 Aria "Voi colaggiù ridete" (Emilio)
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Il sogno di Scipione, K. 126: Act I Recitativo "Publio, padre, ah lasciate" (Scipione, Fortuna, Constanza, Publio, Emilio)
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Il sogno di Scipione, K. 126: Act I No. 7 Aria "Quercia annosa su l'erte pendici" (Publio)
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Il sogno di Scipione, K. 126: Act I Recitativo "Giacche al voler de' Fati" (Scipione, Constanza, Fortuna, Publio, Emilio)
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Il sogno di Scipione, K. 126: Act I No. 8 Aria "A chi serena io miro" (Fortuna)
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Il sogno di Scipione, K. 126: Act I Recitativo "E a sì enorme possanza" (Scipione, Costanza)
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Il sogno di Scipione, K. 126: Act I No. 10 Aria "Di che sei l'arbitra del mondo intero" (Scipione)
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Il sogno di Scipione, K. 126: Act I Recitativo accompagnato "E v'è mortal" (Fortuna, Scipione)
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Il sogno di Scipione, K. 126: Act I Recitativo "Non è Scipio" (La Licenza)
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Il sogno di Scipione, K. 126: Act I No. 11a+b Aria "Ah, perché cercar degg'io" (La Licenza)
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Il sogno di Scipione, K. 126: Act I No. 12 Coro "Cento volte con lieto sembiante" (Coro)
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Il sogno di Scipione, K. 126: Act I Recitativo "Non è Scipio" (La Licenza)
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Il sogno di Scipione, K. 126: Act I No. 11a+b Aria "Ah, perché cercar degg'io" (La Licenza)
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Il sogno di Scipione, K. 126: Act I No. 12 Coro "Cento volte con lieto sembiante" (Coro)
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Die Schuldigkeit des ersten Gebots in C major, K. 35: II. Parte I. Recitativo "Die Löblich' und gerechte bitte" (Gerechtigkeit, Christgeist, Barmherzigkeit)
Lyrics
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Don Giovanni: IV. "Madamina, il catalogo è questo"
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Letters from Composers: II. W. A. Mozart to his father
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Concerto for Piano no. 12 in A major, K. 385p / K3 386a / KV 414: I. Allegro
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Greife nach dem Wind
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Symphony no. 40 in G minor, K. 550 “Great”
Libretto
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Vogelstar
(1797)
Arranged
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12 Menuette, K. 61d/103
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12 Menuette, K. 61d/103: Menuetto no. 1
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12 Menuette, K. 61d/103: Menuetto no. 2
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12 Menuette, K. 61d/103: Menuetto no. 3
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12 Menuette, K. 61d/103: Menuetto no. 4
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12 Menuette, K. 61d/103: Menuetto no. 5
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12 Menuette, K. 61d/103: Menuetto no. 6
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12 Menuette, K. 61d/103: Menuetto no. 7
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12 Menuette, K. 61d/103: Menuetto no. 8
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12 Menuette, K. 61d/103: Menuetto no. 9
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12 Menuette, K. 61d/103: Menuetto no. 10
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12 Menuette, K. 61d/103: Menuetto no. 11
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12 Menuette, K. 61d/103: Menuetto no. 12
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Die Entführung aus dem Serail: Nr. 6. “Ich gehe, doch rate ich dir”
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Die Entführung aus dem Serail: Nr. 7. “Martern aller Arten”
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Die Entführung aus dem Serail: Nr. 8. “Welche Wonne, welche Lust”
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Die Entführung aus dem Serail: Nr. 9. “Frisch zum Kampfe!”
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Die Entführung aus dem Serail: Ouvertüre
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Die Entführung aus dem Serail: Nr. 1. “Hier soll ich dich denn sehen”
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Die Entführung aus dem Serail: Nr. 2. “Solche hergelauf'ne Laffen”
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Die Entführung aus dem Serail: Nr. 3. “O wie ängstlich”
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Die Entführung aus dem Serail: Nr. 16. Finale
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Die Entführung aus dem Serail
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Die Entführung aus dem Serail: Nr. 10. “Vivat Bacchus! Bacchus lebe!”
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Die Entführung aus dem Serail: Nr. 11. “Wenn der Freude Tränenflie ßen”
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Die Entführung aus dem Serail: Nr. 12. “Ach Belmonte!”
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Die Entführung aus dem Serail: Nr. 13. “Ich baue ganz auf Deine Stärke”
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Die Entführung aus dem Serail: Nr. 14. “O, wie will ich triumphieren”
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Die Entführung aus dem Serail: Nr. 15. “Welch ein Geschick! Oo Qual der Seele!”
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Die Entführung aus dem Serail: Nr. 4. “Doch wie schnell schwand meine Freude”
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Die Entführung aus dem Serail: Nr. 5. “Durch Zärtlichkeit und Schmeicheln”
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Die Entführung aus dem Serail, K. 384: Ouvertüre
Orchestrated
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Requiem in D minor, K. 626: II. Kyrie eleison
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Violin Concerto in E minor, K. 470a
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Violin Concerto in E minor, K. 470a: I. Adagio non troppo
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Violin Concerto in E minor, K. 470a: III. Rondo. Allegro
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Violin Concerto in E minor, K. 470a: II. Adagio
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Requiem in D minor, K. 626: I. Introitus: Requiem aeternam
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Comical Duet for Soprano & Bass in D major, K. 592a/625: "Nun, liebes Weibchen"
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo accompagnato ed Aria: “Sie schallt” (bass)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Brecht entzwei” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Der da wohnet im Himmel” / Aria: “Du zerschlägst sie” (tenor)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Hallelujah” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Aria: “Ich weiß” (soprano I)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Wie durch Einen der Tod” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo ed Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Doch Dank sei Dir Gott” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Würdig ist das Lamm” / “Amen” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Overture
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Trostet Zion!”
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “So spricht der Her” / Aria: “Doch wer mag” (bass)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Und er wird” / Recitativo: “Denn sieh!” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo, Aria & Coro: “Denn sieh!” / Aria: “O du, die Wonne” (soprano II, chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Blick auf!” / Aria: “Das Volk” (bass)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Pifa
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo: “Es waren Hirten” / Recitativo accompagnato: “Und sief!” / Coro: “Ehre sei Gott” (Angel, chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Aria: “Erwach' zu Liedern der Wonne” (tenor)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo ed Aria: “Dann tut das Auge des Blinden sich auf” / Aria: “Er weidet seine Herde” (soprano I)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wie Schafe geh'n” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Er ward verschmähet” (soprano II)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wahrlich” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Durch seine Wunden” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Und alle” (soprano I) / Coro: “Er trauete Gott” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Die Schmach bricht ihm sein Herz” / Aria: “Schautr hin und sieh!” (soprano II)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Er ist dahin aus dem Lande der Lebenden” / Aria: “Doch du liessest ihn” (soprano I)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Zu welchen” / Aria: “Der Herr gab das Wort” (soprano II)
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Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Warum entbrennen” (bass)