Сергей Сергеевич Прокофьев
(27 Apr 1891 - 05 Mar 1953)
Male Person - Russia
Works (1,332)
Arranged
-
Schubert Waltzes
(1920)
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Andante, op. 50bis
(1930)
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Гадкий утëнок, op. 18
(1932)
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Lieutenant Kijé Suite, op. 60
(1934 - 08 Jul 1934)
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A Summer Day, op. 65b: III. Waltz
(1941)
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A Summer Day, op. 65b: IV. Repentance
(1941)
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A Summer Day, op. 65b: V. March
(1941)
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A Summer Day, op. 65b: VI. Evening
(1941)
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A Summer Day, op. 65b: VII. The Moon is Over the Meadows
(1941)
-
A Summer Day, op. 65b
(1941)
-
A Summer Day, op. 65b: I. Morning
(1941)
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A Summer Day, op. 65b: II. Tip and Run
(1941)
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Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro
-
Six Pieces, op. 52: VI. Scherzo
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Six Pieces, op. 52: V. Andante
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Six Pieces, op. 52: IV. Scherzino
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Six Pieces, op. 52: III. Etude
-
Six Pieces, op. 52: II. Rondo
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Six Pieces, op. 52: I. Intermezzo
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Six Pieces, op. 52
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Scherzo humoristique, op. 12bis
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March and Scherzo from The Love for Three Oranges, op. 33ter
-
Scherzo for Violin and Piano
-
Adagio "Cinderella and the Prince", op. 97bis
-
Ivan the Terrible: May He Live Forever
Revised
-
Piano Sonata no. 1, op. 1
(1909)
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Piano Concerto no. 2 in G minor, op. 16
(1923)
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Sinfonietta, op. 48: III. Intermezzo: Vivace
(1929)
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Sinfonietta, op. 48: IV. Scherzo: Allegro risoluto
(1929)
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Sinfonietta, op. 48: V. Allegro giocoso
(1929)
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Sinfonietta, op. 48
(1929)
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Sinfonietta, op. 48: I. Allegro giocoso
(1929)
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Sinfonietta, op. 48: II. Andante
(1929)
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Symphony no. 4 in C major, op. 112: I. Andante - Allegro eroico
(1947)
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Symphony no. 4 in C major, op. 112: II. Andante tranquillo
(1947)
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Symphony no. 4 in C major, op. 112: III. Moderato, quasi allegretto
(1947)
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Symphony no. 4 in C major, op. 112: IV. Allegro risoluto
(1947)
-
Symphony no. 4 in C major, op. 112
(1947)
-
Piano Sonata no. 5, op. 135
(1952 - 1953)
-
Piano Sonata no. 5, op. 135: I. Allegro tranquillo
(1952 - 1953)
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Piano Sonata no. 5, op. 135: II. Andantino
(1952 - 1953)
-
Piano Sonata no. 5, op. 135: III. Un poco allegretto
(1952 - 1953)
Composed
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Tarantella in D minor
(1901)
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Pesenki, Series 2: No. 7. Melody in E-flat major
(1903)
-
Pesenki, Series 2
(1903)
-
Pesenki, Series 3: No. 4. Presto in C major
(1904)
-
Pesenki, Series 3: No. 7. March IV in F major
(1904)
-
Pesenki, Series 3: No. 8. Vivo in G minor
(1904)
-
Pesenki, Series 3
(1904)
-
Allegretto for piano in A minor
(1904 - 1905)
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Pesenki, Series 4: No. 11. Minuet in F minor
(1905)
-
Pesenki, Series 4
(1905)
-
Pesenki, Series 4: No. 2. Romance III in D minor
(1905)
-
Pesenki, Series 4: No. 3. Allegretto in A minor
(1905)
-
Pesenki, Series 4: No. 5. Allegretto in C minor
(1905)
-
Pesenki, Series 4: No. 6 Allegro in A-flat majr
(1905)
-
Ten Small Pieces, op. 12: X. Scherzo
(1906 - 1913)
-
Ten Small Pieces, op. 12
(1906 - 1913)
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Ten Small Pieces, op. 12: IV. Mazurka
(1906 - 1913)
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Ten Small Pieces, op. 12: V. Caprice
(1906 - 1913)
-
Ten Small Pieces, op. 12: VI. Légende
(1906 - 1913)
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Ten Small Pieces, op. 12: VII. Prelude
(1906 - 1913)
-
Ten Small Pieces, op. 12: VIII. Allemande
(1906 - 1913)
-
Ten Small Pieces, op. 12: IX. Scherzo humoristique
(1906 - 1913)
-
Ten Small Pieces, op. 12: I. Marche
(1906 - 1913)
-
Ten Small Pieces, op. 12: II. Gavotte
(1906 - 1913)
-
Ten Small Pieces, op. 12: III. Rigaudon
(1906 - 1913)
-
Pesenki, Series 5: No. 4. Allegro non troppo in D minor
(1906)
-
Pesenki, Series 5: No. 5. Waltz in G minor
(1906)
-
Pesenki, Series 5: No. 6. March in F minor
(1906)
-
Pesenki, Series 5: No. 7. Prestissimo in C major
(1906)
-
Pesenki, Series 5: No. 12. Étude - Scherzo in C major
(1906)
-
Pesenki, Series 5
(1906)
-
Pesenki, Series 5: No. 2. Scherzo in C major
(1906)
-
Piano Sonata no. 3 in A minor, op. 28
(1907)
-
Piano Sonata no. 1, op. 1
(1907)
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Four Pieces, op. 4: IV. Temptation (Suggestion diabolique)
(1908)
-
Four Pieces, op. 4
(1908)
-
Examination Fugue in D major
(1908)
-
Four Pieces, op. 4: I. Reminiscences
(1908)
-
Four Pieces, op. 4: II. Ardour
(1908)
-
Four Pieces, op. 4: III. Despair
(1908)
-
Piano Sonata no. 4 in C minor, op. 29
(1908 - 1917)
-
Etudes for piano, op. 2: No. 1. Allegro in D minor
(1909)
-
Etudes for piano, op. 2
(1909)
-
Sinfonietta, op. 48: III. Intermezzo: Vivace
(1909)
-
Sinfonietta, op. 48: IV. Scherzo: Allegro risoluto
(1909)
-
Sinfonietta, op. 48: V. Allegro giocoso
(1909)
-
Sinfonietta, op. 48
(1909)
-
Etudes for piano, op. 2: No. 4. Presto energico in C minor
(1909)
-
Etudes for piano, op. 2: No. 2. Moderato in E minor
(1909)
-
Etudes for piano, op. 2: No. 3. Andante semplice in C minor
(1909)
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Sinfonietta, op. 48: I. Allegro giocoso
(1909)
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Sinfonietta, op. 48: II. Andante
(1909)
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Two Poems for Female Chorus and Orchestra, op. 7: 1. White Swan
(1909 - 1910)
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Dreams, op. 6
(1910)
-
Autumnal Sketch, op. 8
(1910)
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Dumka
(1910)
-
Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai
(1911 - 1912)
-
Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando
(1911 - 1912)
-
Piano Concerto no. 1 in D-flat major, op. 10
(1911 - 1912)
-
Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso
(1911 - 1912)
-
Four Pieces, op. 3
(1911)
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Sarcasms, op. 17
(1912 - 1914)
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Sarcasms, op. 17: I. Tempestoso
(1912 - 1914)
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Sarcasms, op. 17: II. Allegro rubato
(1912 - 1914)
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Sarcasms, op. 17: III. Allegro precipitato
(1912 - 1914)
-
Sarcasms, op. 17: IV. Smanioso
(1912 - 1914)
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Sarcasms, op. 17: V. Precipitosissimo
(1912 - 1914)
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Toccata in D minor, op. 11
(1912)
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Ballade in C minor, for cello and piano, op. 15
(1912)
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Piano Sonata no. 2 in D minor, op. 14: III. Andante
(1912)
-
Piano Sonata no. 2 in D minor, op. 14: IV. Vivace - Moderato
(1912)
-
Piano Sonata no. 2 in D minor, op. 14: I. Allegro, ma non troppo
(1912)
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Piano Sonata no. 2 in D minor, op. 14: II. Scherzo - Allegro marcato
(1912)
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Piano Sonata no. 2 in D minor, op. 14
(1912)
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Piano Concerto no. 2 in G minor, op. 16: IV. Finale. Allegro tempestoso
(1912 - 1913)
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Piano Concerto no. 2 in G minor, op. 16
(1912 - 1913)
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Piano Concerto no. 2 in G minor, op. 16
(1912 - 1913)
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Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto
(1912 - 1913)
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Piano Concerto no. 2 in G minor, op. 16: II. Scherzo. Vivace
(1912 - 1913)
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Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo. Allegro moderato
(1912 - 1913)
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Гадкий утëнок, op. 18
(1914)
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Гадкий утëнок, op. 18
(1914)
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Visions fugitives, op. 22
(1915 - 1917)
-
Visions fugitives, op. 22: No. 2. Andante
(1915 - 1917)
-
Visions fugitives, op. 22: No. 4. Animato
(1915 - 1917)
-
Visions fugitives, op. 22: No. 7. Pittoresco
(1915 - 1917)
-
Visions fugitives, op. 22: No. 8. Commodo
(1915 - 1917)
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Visions fugitives, op. 22: No. 12. Assai moderato
(1915 - 1917)
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Visions fugitives, op. 22: No. 13. Allegretto
(1915 - 1917)
-
Visions fugitives, op. 22: No. 17. Poetico
(1915 - 1917)
-
Visions fugitives, op. 22: No. 18. Con una dolce lentezza
(1915 - 1917)
-
Visions fugitives, op. 22: No. 3. Allegretto
(1915 - 1917)
-
Visions fugitives, op. 22: No. 6. Con eleganza
(1915 - 1917)
-
Visions fugitives, op. 22: No. 9. Allegretto tranquillo
(1915 - 1917)
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Visions fugitives, op. 22: No. 1. Lentamente
(1915 - 1917)
-
Visions fugitives, op. 22: No. 5. Molto giocoso
(1915 - 1917)
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Visions fugitives, op. 22: No. 10. Ridicolosamente
(1915 - 1917)
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Visions fugitives, op. 22: No. 11. Con vivacità
(1915 - 1917)
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Visions fugitives, op. 22: No. 16. Dolente
(1915 - 1917)
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Visions fugitives, op. 22: No. 18. Con una dolce lentezza
(1915 - 1917)
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Visions fugitives, op. 22: No. 20. Lento irrealmente
(1915 - 1917)
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Visions fugitives, op. 22: No. 7. Pittoresco
(1915 - 1917)
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Visions fugitives, op. 22: XVIII. Con una dolce lentezza
(1915 - 1917)
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Visions fugitives, op. 22: XIX. Presto agitatissimo e molto accentuato
(1915 - 1917)
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Visions fugitives, op. 22: XX. Lento irrealmente
(1915 - 1917)
-
Visions fugitives, op. 22
(1915 - 1917)
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Visions fugitives, op. 22: No. 17. Poetico
(1915 - 1917)
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Visions fugitives, op. 22: No. 19. Presto agitatissimo e molto accentuato
(1915 - 1917)
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Visions fugitives, op. 22: XII. Assai moderato
(1915 - 1917)
-
Visions fugitives, op. 22: XIII. Allegretto
(1915 - 1917)
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Visions fugitives, op. 22: XIV. Feroce
(1915 - 1917)
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Visions fugitives, op. 22: XV. Inquieto
(1915 - 1917)
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Visions fugitives, op. 22: XVI. Dolente
(1915 - 1917)
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Visions fugitives, op. 22: XVII. Poetico
(1915 - 1917)
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Visions fugitives, op. 22: VI. Con eleganza
(1915 - 1917)
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Visions fugitives, op. 22: VII. Pittoresco
(1915 - 1917)
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Visions fugitives, op. 22: VIII. Commodo
(1915 - 1917)
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Visions fugitives, op. 22: IX. Allegretto tranquillo
(1915 - 1917)
-
Visions fugitives, op. 22: X. Ridicolosamente
(1915 - 1917)
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Visions fugitives, op. 22: XI. Con vivacità
(1915 - 1917)
-
Visions fugitives, op. 22
(1915 - 1917)
-
Visions fugitives, op. 22: I. Lentamente
(1915 - 1917)
-
Visions fugitives, op. 22: II. Andante
(1915 - 1917)
-
Visions fugitives, op. 22: III. Allegretto
(1915 - 1917)
-
Visions fugitives, op. 22: IV. Animato - Più sostenuto
(1915 - 1917)
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Visions fugitives, op. 22: V. Molto giocoso
(1915 - 1917)
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Visions fugitives, op. 22: No. 14. Feroce
(1915 - 1917)
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Visions fugitives, op. 22: No. 15. Inquieto
(1915 - 1917)
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Visions fugitives, op. 22: No. 19. Presto agitatissimo e molto accentuato
(1915 - 1917)
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Visions fugitives, op. 22: No. 20. Lento irrealmente
(1915 - 1917)
-
Visions fugitives, op. 22
(1915 - 1917)
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Доверься мне, op. 23 no. 3
(1915)
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В моем саду, op. 23 no. 4
(1915)
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5 Poems, op. 23
(1915)
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Кудесник, op. 23 no 5
(1915)
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Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness
(1915)
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Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness
(1915)
-
Scythian Suite, op. 20: III. Night
(1915)
-
Scythian Suite, op. 20
(1915)
-
Scherzo humoristique, op. 12bis
(1915)
-
Под крышей, op. 23 no. 1
(1915)
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Серое платице, op. 23 no. 2
(1915)
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Scythian Suite, op. 20: I. The Adoration of Veles and Ala
(1915)
-
Scythian Suite, op. 20: IV. The Glorious Departure of Lolly and Procession of the Sun
(1915)
-
Symphony no. 1 in D major, op. 25 “Classical”
(1916 - 10 Sep 1917)
-
Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro
(1917)
-
Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace
(1917)
-
Symphony no. 1 in D major, op. 25 “Classical”
(1917)
-
Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace
(1917)
-
Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro
(1917)
-
Andante from Piano Sonata no. 4, op. 29bis
(1917)
-
Piano Sonata no. 3 in A minor, op. 28
(1917)
-
Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro
(1917)
-
Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto
(1917)
-
Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto
(1917)
-
Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro
(1917)
-
Piano Concerto no. 3 in C major, op. 26: IIiv. Var III. Allegro moderato
(1917 - 1921)
-
Piano Concerto no. 3 in C major, op. 26: IIv. Var IV. Andante meditativo
(1917 - 1921)
-
Piano Concerto no. 3 in C major, op. 26: IIvi. Var V. Allegro giusto
(1917 - 1921)
-
Piano Concerto no. 3 in C major, op. 26: IIvii. Tema. L'istesso tempo
(1917 - 1921)
-
Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro
(1917 - 1921)
-
Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo
(1917 - 1921)
-
Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino)
(1917 - 1921)
-
Piano Concerto no. 3 in C major, op. 26: IIi. Tema. Andantino
(1917 - 1921)
-
Piano Concerto no. 3 in C major, op. 26: IIii. Var I. L'istesso tempo
(1917 - 1921)
-
Piano Concerto no. 3 in C major, op. 26: IIiii. Var II. Allegro
(1917 - 1921)
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Tales of an Old Grandmother, op. 31: III. Andante assai
(1918)
-
Tales of an Old Grandmother, op. 31: II. Andantino
(1918)
-
Tales of an Old Grandmother, op. 31: I. Moderato
(1918)
-
Tales of an Old Grandmother, op. 31
(1918)
-
4 Pieces for Piano, op. 32
(1918)
-
Tales of an Old Grandmother, op. 31: IV. Sostenuto
(1918)
-
Suite from "Love for Three Oranges", op. 33A: VI. La fuite
(1919)
-
Overture on Hebrew Themes, op. 34
(1919)
-
Overture on Hebrew Themes, op. 34b
(1919)
-
Suite from "Love for Three Oranges", op. 33A
(1919)
-
Overture on Hebrew Themes, op. 34b
(1919)
-
Suite from "Love for Three Oranges", op. 33A: I. Les ridicules
(1919)
-
Suite from "Love for Three Oranges", op. 33A: II. Scène infernale
(1919)
-
Suite from “Love for Three Oranges”, op. 33A: III. Marche
(1919)
-
Suite from "Love for Three Oranges", op. 33A: IV. Scherzo
(1919)
-
Suite from "Love for Three Oranges", op. 33A: V. Le prince et la princesse
(1919)
-
Cinq Mélodies, op. 35: No. 3. Animato, ma non allegro
(1920)
-
Cinq Mélodies, op. 35
(1920)
-
Cinq Mélodies, op. 35: No. 1. Andante
(1920)
-
Cinq Mélodies, op. 35: No. 4. Andantino, un poco scherzando
(1920)
-
Cinq Mélodies, op. 35: No. 5. Andante non troppo
(1920)
-
Cinq Mélodies, op. 35: No. 2. Lento, ma non troppo
(1920)
-
Piano Concerto no. 3 in C major, op. 26
(1921)
-
Chout (The Buffoon) Suite, op. 21b (excerpts)
(1922)
-
Piano Sonata no. 5, op. 135: II. Andantino
(1923)
-
Piano Sonata no. 5, op. 135: III. Un poco allegretto
(1923)
-
Piano Sonata no. 5, op. 38
(1923)
-
Piano Sonata no. 5, op. 135: I. Allegro tranquillo
(1923)
-
Trapèze
(1924)
-
Quintet in G minor, op. 39
(1924)
-
Quintet in G minor, op. 39: I. Tema: Moderato – Var. 1 – Var. 2 – Tema
(1924)
-
Quintet in G minor, op. 39: II. Andante energico
(1924)
-
Quintet in G minor, op. 39: III. Allegro sostenuto, ma con brio
(1924)
-
Quintet in G minor, op. 39: IV. Adagio pesante
(1924)
-
Quintet in G minor, op. 39: V. Allegro precipitato, ma non troppo presto
(1924)
-
Quintet in G minor, op. 39: VI. Andantino
(1924)
-
Symphony no. 2 in D minor, op. 40
(1924 - 1925)
-
Symphony no. 2 in D minor, op. 40: II. Theme and variations
(1924 - 1925)
-
Symphony no. 2 in D minor, op. 40: I. Allegro ben articolato
(1924 - 1925)
-
Five Melodies for Violin and Piano, op. 35 bis: V. Andante non troppo
(1925)
-
Five Melodies for Violin and Piano, op. 35bis
(1925)
-
Five Melodies for Violin and Piano, op. 35 bis: I. Andante
(1925)
-
Five Melodies for Violin and Piano, op. 35 bis: II. Lento, ma non troppo
(1925)
-
Five Melodies for Violin and Piano, op. 35 bis: III. Animato, ma non allegro
(1925)
-
Five Melodies for Violin and Piano, op. 35 bis: IV. Allegretto leggero e scherzando
(1925)
-
Divertimento, op. 43: IV. Allegro non troppo e pesante
(1925 - 1929)
-
Divertimento, op. 43: II. Larghetto (non troppo lento)
(1925 - 1929)
-
Divertimento, op. 43: I. Moderato, molto ritmato
(1925 - 1929)
-
Divertimento, op. 43: III. Allegro energico
(1925 - 1929)
-
Divertimento, op. 43
(1925 - 1929)
-
The Steel Step Suite, op. 41bis: II. The Officials
(1926)
-
The Steel Step Suite, op. 41bis: I. Entry of the People
(1926)
-
The Steel Step Suite, op. 41bis
(1926)
-
Overture in B-flat major, for 17 instruments (or orchestra) ("American"), op. 42
(1926)
-
Le Pas d'acier
(1926)
-
The Steel Step Suite, op. 41bis: IV. The Factory
(1926)
-
The Steel Step Suite, op. 41bis: III. The Sailor and the Factory-worker
(1926)
-
The Prodigal Son, op. 46: Scene II. Awakening and Remorse
(1928 - 1929)
-
The Prodigal Son, op. 46: Scene III. The Return
(1928 - 1929)
-
The Prodigal Son, op. 46: Scene III. Sharing the Spoils (interlude)
(1928 - 1929)
-
The Prodigal Son, op. 46
(1928 - 1929)
-
The Prodigal Son, op. 46: Scene I. Meeting Friends
(1928 - 1929)
-
The Prodigal Son, op. 46: Scene I. The Siren
(1928 - 1929)
-
The Prodigal Son, op. 46: Scene I. The Dancers
(1928 - 1929)
-
The Prodigal Son, op. 46: Scene II. The Prodigal Son and the Siren
(1928 - 1929)
-
The Prodigal Son, op. 46: Scene II. Drunkenness
(1928 - 1929)
-
The Prodigal Son, op. 46: Scene II. The Despoiling
(1928 - 1929)
-
The Prodigal Son, op. 46: Scene I. The Departure
(1928 - 1929)
-
Symphony no. 3 in C minor, op. 44: II. Andante
(1928)
-
Things in Themselves, op. 45: I. Allegro moderato
(1928)
-
Things in Themselves, op. 45: II. Moderato scherzando
(1928)
-
Things in Themselves, op. 45
(1928)
-
Symphony no. 3 in C minor, op. 44: III. Allegro agitato
(1928)
-
Symphony no. 3 in C minor, op. 44: I. Moderato
(1928)
-
Symphony no. 3 in C minor, op. 44: IV. Andante mosso - Allegro moderato
(1928)
-
Symphony no. 3 in C minor, op. 44
(1928)
-
Symphony no. 4 in C major, op. 112: I. Andante - Allegro eroico
(1929)
-
Symphony no. 4 in C major, op. 112: II. Andante tranquillo
(1929)
-
Symphony no. 4 in C major, op. 112: III. Moderato, quasi allegretto
(1929)
-
Symphony no. 4 in C major, op. 112: IV. Allegro risoluto
(1929)
-
Symphony no. 4 in C major, op. 47
(1929)
-
Symphony no. 4 in C major, op. 112
(1929)
-
Symphony no. 4 in C major, op. 47: I. Andante - Allegro eroico
(1929)
-
Symphony no. 4 in C major, op. 47: II. Andante tranquillo
(1929)
-
Symphony no. 4 in C major, op. 47: III. Moderato, quasi allegretto
(1929)
-
Symphony no. 4 in C major, op. 47: IV. Allegro risoluto
(1929)
-
On the Dnieper, op. 51: Scene 2: The quarrel
(1930)
-
On the Dnieper, op. 51: Scene 2: Mimic scene
(1930)
-
On the Dnieper, op. 51: Conclusion
(1930)
-
On the Dnieper, op. 51: Scene 1: Pas de deux
(1930)
-
On the Dnieper, op. 51: Scene 1: Male variation and finale
(1930)
-
On the Dnieper, op. 51: Scene 2: Engagement
(1930)
-
On the Dnieper, op. 51: Scene 2: Dance of the groom
(1930)
-
On the Dnieper, op. 51: Scene 2: Dance of the bride
(1930)
-
On the Dnieper, op. 51: Scene 2: Dance of the men
(1930)
-
The Prodigal Son, Concert Suite From the Ballet, op. 46b: IV. Andante assai
(1930)
-
The Prodigal Son, Concert Suite From the Ballet, op. 46b: V. Andante pomposo
(1930)
-
The Prodigal Son, Concert Suite From the Ballet, op. 46b
(1930)
-
On the Dnieper, op. 51: Introduction
(1930)
-
On the Dnieper, op. 51: Scene 1: Meeting
(1930)
-
On the Dnieper, op. 51: Scene 1: Mimic scene
(1930)
-
Andante, op. 50bis
(1930)
-
On the Dnieper, op. 51
(1930)
-
The Prodigal Son, Concert Suite From the Ballet, op. 46b: I. Adagio
(1930)
-
The Prodigal Son, Concert Suite From the Ballet, op. 46b: II. Allegro fastoso
(1930)
-
The Prodigal Son, Concert Suite From the Ballet, op. 46b: III. Presto
(1930)
-
Six Pieces, op. 52
(1930 - 1931)
-
Sonatina in G major, op. 54 no. 2: II. Andante amabile
(1931 - 1932)
-
Sonatina in G major, op. 54 no. 2: I. Allegro sostenuto
(1931 - 1932)
-
Sonatinas for piano, op. 54: No. 2 in G major
(1931 - 1932)
-
Sonatinas for piano, op. 54
(1931 - 1932)
-
Sonatina in E minor, op. 54 no. 1: I. Allegro moderato
(1931 - 1932)
-
Sonatina in E minor, op. 54 no. 1: II. Adagietto
(1931 - 1932)
-
Sonatina in E minor, op. 54 no. 1: III. Allegretto
(1931 - 1932)
-
Sonatina in G major, op. 54 no. 2: III. Allegro, ma non troppo
(1931 - 1932)
-
Piano Concerto no. 5 in G major, op. 55: II. Moderato ben accentuato
(1931 - 1932)
-
Piano Concerto no. 5 in G major, op. 55: III. Toccata. Allegro con fuoco
(1931 - 1932)
-
Piano Concerto no. 5 in G major, op. 55: IV. Larghetto
(1931 - 1932)
-
Piano Concerto no. 5 in G major, op. 55: V. Vivo
(1931 - 1932)
-
Piano Concerto no. 5 in G major, op. 55
(1931 - 1932)
-
Sonatinas for piano, op. 54: No. 1 in E minor
(1931 - 1932)
-
Piano Concerto no. 5 in G major, op. 55: I. Allegro con brio
(1931 - 1932)
-
Piano Concerto no. 4 in B-flat major, op. 53: III. Moderato
(1931)
-
Piano Concerto no. 4 in B-flat major, op. 53: IV. Vivace
(1931)
-
String Quartet no. 1 in B minor, op. 50
(1931)
-
Piano Concerto no. 4 in B-flat major, op. 53
(1931)
-
Piano Concerto no. 4 in B-flat major, op. 53: I. Vivace
(1931)
-
Piano Concerto no. 4 in B-flat major, op. 53: II. Andante
(1931)
-
Sonata for Two Violins in C major, op. 56
(1932)
-
Sonata for Two Violins in C major, op. 56: I. Andante cantabile
(1932)
-
Sonata for Two Violins in C major, op. 56: II. Allegro
(1932)
-
Sonata for Two Violins in C major, op. 56: III. Commodo (quasi Allegretto)
(1932)
-
Sonata for Two Violins in C major, op. 56: IV. Allegro con brio
(1932)
-
Pensées, op. 62: I. Moderato
(1933 - 1934)
-
Pensées, op. 62: II.Lento
(1933 - 1934)
-
Three Pieces for piano, op. 59: II. Landscape
(1933 - 1934)
-
Three Pieces for piano, op. 59: I. Promenande
(1933 - 1934)
-
Three Pieces for piano, op. 59: III. Pastoral Sonatina
(1933 - 1934)
-
Three Pieces for piano, op. 59
(1933 - 1934)
-
Pensées, op. 62
(1933 - 1934)
-
Pensées, op. 62: III. Andante
(1933 - 1934)
-
Cello Concerto in E minor, op. 58: I. Andante – Poco meno mosso (Andante assai) – Adagio
(1933 - 1938)
-
Cello Concerto in E minor, op. 58: II. Allegro giusto
(1933 - 1938)
-
Cello Concerto in E minor, op. 58: III. Tema e variazioni - Coda
(1933 - 1938)
-
Cello Concerto in E minor, op. 58
(1933 - 1938)
-
Lieutenant Kijé Suite, op. 60: V. The Burial of Kijé
(1933)
-
Lieutenant Kijé Suite, op. 60: II. Romance
(1933)
-
Lieutenant Kijé Suite, op. 60: III. Kijé's Wedding
(1933)
-
Lieutenant Kijé Suite, op. 60
(1933)
-
Lieutenant Kijé Suite, op. 60: IV. Troika
(1933)
-
Symphonic Song, op. 57
(1933)
-
Lieutenant Kijé Suite, op. 60: I. The Birth of Kijé
(1933)
-
A Summer Day, op. 65b: III. Waltz
(1935)
-
A Summer Day, op. 65b: IV. Repentance
(1935)
-
A Summer Day, op. 65b: V. March
(1935)
-
A Summer Day, op. 65b: VI. Evening
(1935)
-
A Summer Day, op. 65b: VII. The Moon is Over the Meadows
(1935)
-
A Summer Day, op. 65b
(1935)
-
Music for Children, op. 65: II. Promenade
(1935)
-
Music for Children, op. 65: I. Matin
(1935)
-
Music for Children, op. 65
(1935)
-
Music for Children, op. 65: X. Marche
(1935)
-
A Summer Day, op. 65b: I. Morning
(1935)
-
A Summer Day, op. 65b: II. Tip and Run
(1935)
-
Music for Children, op. 65: VIII. La Pluie et L'Arc-en-ciel
(1935)
-
Music for Children, op. 65: VII. Cortège de sauterelles
(1935)
-
Music for Children, op. 65: V. Repentirs
(1935)
-
Music for Children, op. 65: VI. Valse
(1935)
-
Music for Children, op. 65: IV. Tarantelle
(1935)
-
Music for Children, op. 65: III. Historiette
(1935)
-
Violin Concerto no. 2 in G minor, op. 63
(1935)
-
Music for Children, op. 65: XII. Sur les prés la lune se promène
(1935)
-
Music for Children, op. 65: XI. Soir
(1935)
-
Music for Children, op. 65: X. Marche
(1935)
-
Music for Children, op. 65: IX. Attrape qui peut
(1935)
-
Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato
(1935)
-
Violin Concerto no. 2 in G minor, op. 63: II. Andante assai
(1935)
-
Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato
(1935)
-
Romeo and Juliet, op. 64: Act I
(1935 - 1936)
-
Romeo and Juliet, op. 64: Act II
(1935 - 1936)
-
Romeo and Juliet, op. 64: Act III
(1935 - 1936)
-
Romeo and Juliet, op. 64
(1935 - 1936)
-
Peter and the Wolf, op. 67
(1936)
-
Russian Overture, op. 72
(1936)
-
Peter and the Wolf, op. 67
(1936)
-
Romeo and Juliet: Suite no. 2, op. 64ter
(1936)
-
Romeo and Juliet Suite no. 1, op. 64bis
(1936)
-
The Queen of Spades, op. 70
(1936)
-
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IX. Symphony. Allegro energico – Meno mosso
(1936 - 1937)
-
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: X. The Constitution. Andante assai – Andante molto
(1936 - 1937)
-
Кантата к двадцатилетию Октября, соч. 74
(1936 - 1937)
-
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: III. Interlude. Allegro – Andante – Adagio
(1936 - 1937)
-
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: IV. "A tight little band". Allegretto
(1936 - 1937)
-
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: V. Interlude. Tempestoso
(1936 - 1937)
-
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VI. Revolution. Andante non troppo – Più mosso – Allegro moderato – Precipitato – Adagio molto
(1936 - 1937)
-
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VII. Victory. Andante
(1936 - 1937)
-
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: VIII. The Oath. Andante pesante
(1936 - 1937)
-
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: I. Prelude. Moderato – Allegro
(1936 - 1937)
-
Cantata for the Twentieth Anniversary of the October Revolution, op. 74: II. The Philosophers. Andante assai
(1936 - 1937)
-
Hamlet, op. 77
(1937 - 1938)
-
Songs of Our Days, op. 76
(1937)
-
Songs of Our Days, op. 76: V. Brother for Brother
(1937)
-
Songs of Our Days, op. 76: I. March
(1937)
-
Songs of Our Days, op. 76: VII. A Twenty-year-old
(1937)
-
Songs of Our Days, op. 76: VI. Girls
(1937)
-
Songs of Our Days, op. 76: VIII. Lullaby
(1937)
-
Songs of Our Days, op. 76: IX. October Flame
(1937)
-
On the Dnieper, op. 51: Scene 2: The quarrel
(1937)
-
On the Dnieper, op. 51: Scene 2: Mimic scene
(1937)
-
On the Dnieper, op. 51: Conclusion
(1937)
-
Songs of Our Days, op. 76: II. Over the Bridge. Cavalry Song
(1937)
-
Songs of Our Days, op. 76: III. Goodbye!
(1937)
-
Songs of Our Days, op. 76: IV. Golden Ukraine. Folksong
(1937)
-
On the Dnieper, op. 51: Scene 1: Pas de deux
(1937)
-
On the Dnieper, op. 51: Scene 1: Male variation and finale
(1937)
-
On the Dnieper, op. 51: Scene 2: Engagement
(1937)
-
On the Dnieper, op. 51: Scene 2: Dance of the groom
(1937)
-
On the Dnieper, op. 51: Scene 2: Dance of the bride
(1937)
-
On the Dnieper, op. 51: Scene 2: Dance of the men
(1937)
-
10 Pieces from Romeo and Juliet, op. 75
(1937)
-
On the Dnieper, op. 51: Introduction
(1937)
-
On the Dnieper, op. 51: Scene 1: Meeting
(1937)
-
On the Dnieper, op. 51: Scene 1: Mimic scene
(1937)
-
The Tale of the Stone Flower, op. 118: Act 3, Scene 7: No. 35: Katerina's Entry and Severyan's Act of Violence
(1938 - 1953)
-
Alexander Nevsky, op. 78
(1938 - 1939)
-
Alexander Nevsky, op. 78: V. The Battle on the Ice
(1938 - 1939)
-
Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke
(1938 - 1939)
-
Alexander Nevsky, op. 78: II. Song About Alexander Nevsky
(1938 - 1939)
-
Alexander Nevsky, op. 78: IV. Arise, Ye Russian People
(1938 - 1939)
-
Alexander Nevsky, op. 78: VI. The Field of the Dead
(1938 - 1939)
-
Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov
(1938 - 1939)
-
Alexander Nevsky, op. 78: III. The Crusaders in Pskov
(1938 - 1939)
-
Sonata for Violin and Piano no. 1 in F minor, op. 80
(1938 - 1946)
-
Sonata for Violin and Piano no. 1 in F minor, op. 80: I. Andante assai
(1938 - 1946)
-
Sonata for Violin and Piano no. 1 in F minor, op. 80: III. Andante
(1938 - 1946)
-
Sonata for Violin and Piano no. 1 in F minor, op. 80: II. Allegro brusco
(1938 - 1946)
-
Sonata for Violin and Piano no. 1 in F minor, op. 80: IV. Allegrissimo
(1938 - 1946)
-
Piano Sonata no. 8 in B-flat major, op. 84: I. Andante dolce - Allegro moderato - Andante - Andante dolce come prima - Allegro
(1939 - 1944)
-
Piano Sonata no. 8 in B-flat major, op. 84: II. Andante sognando
(1939 - 1944)
-
Piano Sonata no. 8 in B-flat major, op. 84: III. Vivace - Allegro ben marcato - Andantino - Vivace
(1939 - 1944)
-
Piano Sonata no. 8 in B-flat major, op. 84
(1939 - 1944)
-
Piano Sonata no. 6 in A major, op. 82: III. Tempo di valzer lentissimo
(1939 - 1940)
-
Piano Sonata no. 6 in A major, op. 82: IV. Vivace
(1939 - 1940)
-
Piano Sonata no. 6 in A major, op. 82
(1939 - 1940)
-
Piano Sonata no. 6 in A major, op. 82: I. Allegro moderato
(1939 - 1940)
-
Piano Sonata no. 6 in A major, op. 82: II. Allegretto
(1939 - 1940)
-
Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto - Andantino
(1939 - 1942)
-
Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso
(1939 - 1942)
-
Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato
(1939 - 1942)
-
Piano Sonata no. 7 in B-flat major, op. 83
(1939 - 1942)
-
Suite from the Ballet "Cinderella", op. 87: VII. Gallop: Presto
(1940 - 1944)
-
Suite from the Ballet "Cinderella", op. 87: VIII. Valse lente: Adagio
(1940 - 1944)
-
Suite from the Ballet "Cinderella", op. 87: IX. Finale: Allegro moderato
(1940 - 1944)
-
Suite from the Ballet "Cinderella", op. 87
(1940 - 1944)
-
Cinderella, op. 87
(1940 - 1944)
-
Suite from the Ballet "Cinderella", op. 87: I. Introduction: Andante dolce
(1940 - 1944)
-
Suite from the Ballet "Cinderella", op. 87: II. Quarrel: Allegretto
(1940 - 1944)
-
Suite from the Ballet "Cinderella", op. 87: III. Winter: Adagio
(1940 - 1944)
-
Suite from the Ballet "Cinderella", op. 87: IV. Spring: Vivace con brio
(1940 - 1944)
-
Suite from the Ballet "Cinderella", op. 87: V. Cinderella's Waltz: Andante - Allegretto
(1940 - 1944)
-
Suite from the Ballet "Cinderella", op. 87: VI. Gavotte: Presto
(1940 - 1944)
-
The Year 1941, op. 90
(1941)
-
String Quartet no. 2 in F major, op. 92, on Kabardian themes: II. Adagio
(1941)
-
String Quartet no. 2 in F major, op. 92, on Kabardian themes: III. Allegro. Andante molto
(1941)
-
String Quartet no. 2 in F major, op. 92, on Kabardian themes
(1941)
-
The Year 1941, op. 90: I. In the Struggle
(1941)
-
The Year 1941, op. 90: II. In the Night
(1941)
-
The Year 1941, op. 90: III. For the Brotherhood of Man
(1941)
-
String Quartet no. 2 in F major, op. 92, on Kabardian themes: I. Allegro sostenuto
(1941)
-
3 Pieces for Piano, op. 96
(1941 - 1942)
-
War and Peace, op. 91
(1941 - 1943)
-
Three Pieces from Cinderella, op. 95
(1942)
-
Sonata for Violin and Piano no. 2 in D major, op. 94a: IV. Allegro con brio
(1943)
-
Sonata for Violin and Piano no. 2 in D major, op. 94a: I. Moderato
(1943)
-
Sonata for Violin and Piano no. 2 in D major, op. 94a: II. Scherzo. Presto
(1943)
-
Sonata for Violin and Piano no. 2 in D major, op. 94a: III. Andante
(1943)
-
Ten Pieces from Cinderella, op. 97: V. Grasshoppers and Dragonflies
(1943)
-
Ten Pieces from Cinderella, op. 97: VI. Oriental Dance
(1943)
-
Ten Pieces from Cinderella, op. 97: VII. Passepied
(1943)
-
Ten Pieces from Cinderella, op. 97: VIII. Capriccio
(1943)
-
Ten Pieces from Cinderella, op. 97: IX. Bourrée
(1943)
-
Ten Pieces from Cinderella, op. 97: X. Adagio
(1943)
-
Sonata for Flute and Piano in D major, op. 94: IV. Allegro con brio
(1943)
-
Ten Pieces from Cinderella, op. 97
(1943)
-
Ten Pieces from Cinderella, op. 97: I. Spring Fairy
(1943)
-
Ten Pieces from Cinderella, op. 97: II. Summer Fairy
(1943)
-
Ten Pieces from Cinderella, op. 97: III. Autumn Fairy
(1943)
-
Ten Pieces from Cinderella, op. 97: IV. Winter Fairy
(1943)
-
Sonata for Violin and Piano no. 2 in D major, op. 94a
(1943)
-
Sonata for Flute and Piano in D major, op. 94
(1943)
-
Sonata for Flute and Piano in D major, op. 94: I. Moderato
(1943)
-
Sonata for Flute and Piano in D major, op. 94: II. Scherzo: Presto
(1943)
-
Sonata for Flute and Piano in D major, op. 94: III. Andante
(1943)
-
Six Pieces (from the ballet "Cinderella"), op. 102: VI. Amoroso
(1944)
-
Six Pieces (from the ballet "Cinderella"), op. 102
(1944)
-
На горе-то калина, op. 104 no. 3
(1944)
-
12 Russian Folksongs, op. 104
(1944)
-
Снежки белые, op. 104 no. 5
(1944)
-
Symphony no. 5 in B-flat major, op. 100
(1944)
-
Six Pieces (from the ballet "Cinderella"), op. 102: I. Waltz (Cinderella and the Prince)
(1944)
-
Six Pieces (from the ballet "Cinderella"), op. 102: II. Cinderella's Variation
(1944)
-
Six Pieces (from the ballet "Cinderella"), op. 102: III. The Quarrel
(1944)
-
Six Pieces (from the ballet "Cinderella"), op. 102: IV. Waltz (Cinderella's Departure for the Ball)
(1944)
-
Six Pieces (from the ballet "Cinderella"), op. 102: V. Pas de Châle
(1944)
-
Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato
(1944)
-
Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso
(1944)
-
Symphony no. 5 in B-flat major, op. 100: I. Andante
(1944)
-
Adagio, op. 97b, from Cinderella
(1944)
-
Symphony no. 5 in B-flat major, op. 100: III. Adagio
(1944)
-
Ode to the End of the War, op. 105
(1945)
-
War and Peace, op. 91
(1946 - 1952)
-
Cinderella Suite no. 3, op. 109: V. Orientalia. Andante dolce
(1946)
-
Cinderella Suite no. 3, op. 109: VIII. Amoroso (Finale)
(1946)
-
Cinderella Suite no. 1, op. 107
(1946)
-
Cinderella Suite no. 1, op. 107: V. Mazurka
(1946)
-
Cinderella Suite no. 3, op. 109: I. Pavane. Andante grazioso
(1946)
-
Cinderella Suite no. 3, op. 109: II. Cinderella and the Prince. Adagio
(1946)
-
Cinderella Suite no. 3, op. 109: III. Three Oranges. Moderato
(1946)
-
Cinderella Suite no. 3, op. 109: IV. Southern Countries. Moderato
(1946)
-
Cinderella Suite no. 1, op. 107: II. Pas de châle
(1946)
-
Cinderella Suite no. 1, op. 107: III. Quarrel
(1946)
-
Cinderella Suite no. 1, op. 107: IV. Fairy Godmother and Fairy Winter
(1946)
-
Cinderella Suite no. 1, op. 107: VI. Cinderella Goes to the Ball
(1946)
-
Cinderella Suite no. 1, op. 107: VII. Cinderella’s Waltz
(1946)
-
Cinderella Suite no. 1, op. 107: VIII. Midnight
(1946)
-
Cinderella Suite no. 1, op. 107: I. Introduction
(1946)
-
The Story of a Real Man, op. 117: Act III
(1947 - 1948)
-
The Story of a Real Man, op. 117: Act II
(1947 - 1948)
-
The Story of a Real Man, op. 117: Act I
(1947 - 1948)
-
The Story of a Real Man, op. 117
(1947 - 1948)
-
Piano Sonata no. 9, op. 103
(1947)
-
Расцветай, могучий край, op. 114
(1947)
-
Sonata for Solo Violin in D major, op. 115: II. Theme and Variations: Andante dolce
(1947)
-
Sonata for Solo Violin in D major, op. 115: I. Moderato
(1947)
-
Piano Sonata no. 9, op. 103: I. Allegretto
(1947)
-
Piano Sonata no. 9, op. 103: II. Allegro strepitoso
(1947)
-
Piano Sonata no. 9, op. 103: III. Andante tranquillo
(1947)
-
Piano Sonata no. 9, op. 103: IV. Allegro
(1947)
-
Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato
(1947)
-
Symphony no. 6 in E-flat minor, op. 111: II. Largo
(1947)
-
Symphony no. 6 in E-flat minor, op. 111: III. Vivace
(1947)
-
Symphony no. 6 in E-flat minor, op. 111
(1947)
-
Sonata for Solo Violin in D major, op. 115
(1947)
-
Sonata for Solo Violin in D major, op. 115: III. Con brio - Allegro precipitato
(1947)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 4: No. 19. Scene and Waltz of the Diamonds
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 4: No. 21. Waltz
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Prologue: No. 1. The Mistress of the Copper Mountain
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3, no. 29. Ural Rhapsody
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 4, Scene 8: No. 39. Katerina sits by the fire
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 4, Scene 9: No. 44: Joyful Reunion of Katerina and Danila
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 4, Scene 9: No. 45: The Mistress of the Copper Mountain Gives Presents to Katerina and Danila
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 4, Scene 9: No. 46: Epilogue
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3, Scene 7: No. 36: The Mistress's Entry and Scene: Severyan Is Rooted to the Spot
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3, Scene 7: No. 37: Severyan Pursues His Mistress
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3, Scene 7: No. 38: Death of Severyan
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 4, Scene 8: No. 41: Katerina Follows Ognevushka-Poskakushka
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 4, Scene 9: No. 42: Dialogue of Katerina and the Mistress
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 4, Scene 9: No. 43: Danila Turned to Stone
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 4: No. 24: Severyan and the Wolves. Mistress's Warning
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 5: No. 25: Katerina's Scene and Dance (Thoughts of Danila)
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 5: No. 26: Severyan's Arrival
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 5: No. 27: Where Are You, Danilushka?
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 5: No. 28: The Appearance of the Mistress and Katerina's Joy
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3, Scene 6: No. 30: Intermezzo 2
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 2 : No. 15: Danila's Thoughts
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 4: No. 17: The Mistress of the Copper Mountain Shows Danila Treasures of the Earth
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 4: No. 18: Duet Mistress - Danila (First Temptation)
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 4: No. 20: Dance of the Russian Gemstones (Third Temptation)
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 4: No. 22: Danila's Monologue and the Mistress's Answer
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 4: No. 23: The Mistress Shows Danila the Stone Flower
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 2 : No. 7: Khorovod: Round Dance
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 2 : No. 8: Katerina Bids Farewell To Her Friends
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 2 : No. 9: Maidens' Dance
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 2 : No. 12: Severyan's Arrival
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 2 : No. 13: Dispute About the Stone Flower
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 2 : No. 14: Lyric Scene Katerina and Danila
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Prologue: No. 2. Danila and His Work
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Prologue
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 1 : No. 3: Danila in Search of the Flower
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 1 : No. 4: Danila Meets His Fellow Villagers
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 1 : No. 5: Scene and Lyric Duet of Katerina and Danila
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 1 : No. 6: Intermezzo I: Scene of Severyan and the Workers
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3, Scene 6
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3, Scene 7
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 4, Scene 8
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 4, Scene 9
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 4
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 2
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 3: No. 16: Danila Is Enticed Away By the Mistress of the Copper Mountain
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 4
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2, Scene 5
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 2
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 4, Scene 8: No. 40. Scene and Dance of Katerina
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3, Scene 6: No. 31. Russian Dance
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3, Scene 7, No. 32. Gypsy Dance
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3, Scene 7: No. 33. Severyan’s Dance
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 3, Scene 7: No. 34. Solo of the Gypsy Girl and Coda
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 1
(1948 - 1953)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 2 : No. 10: Danila's Dance
(1948 - 1952)
-
The Tale of the Stone Flower, op. 118: Act 1, Scene 2 : No. 11: Dance of the Unmarried Men
(1948 - 1952)
-
Sonata for Violin and Piano no. 2 in D major, op. 94a: I. Moderato
(1949)
-
Sonata for Violin and Piano no. 2 in D major, op. 94a: II. Scherzo. Presto
(1949)
-
Sonata for Violin and Piano no. 2 in D major, op. 94a: III. Andante
(1949)
-
Sonata for Violin and Piano no. 2 in D major, op. 94a: IV. Allegro con brio
(1949)
-
Sonata for Cello and Piano in C major, op. 119: I. Andante grave - Moderato animato
(1949)
-
Sonata for Cello and Piano in C major, op. 119: II. Moderato
(1949)
-
Sonata for Cello and Piano in C major, op. 119: III. Allegro ma non troppo
(1949)
-
Sonata for Cello and Piano in C major, op. 119
(1949)
-
Symphony-Concerto for Cello and Orchestra in E minor, op. 125
(1950 - 1952)
-
On Guard for Peace, op. 124: VII. Lullaby
(1950)
-
On Guard for Peace, op. 124: VIII. At the Festival of Peace
(1950)
-
On Guard for Peace, op. 124: IX. Radio Conversation
(1950)
-
On Guard for Peace, op. 124: X. The whole world is ready for war against war
(1950)
-
On Guard for Peace, op. 124
(1950)
-
On Guard for Peace, op. 124: I. Scarce has the Earth recovered
(1950)
-
On Guard for Peace, op. 124: II. Those who are ten today
(1950)
-
On Guard for Peace, op. 124: III. Stalingrad - City of Glory
(1950)
-
On Guard for Peace, op. 124: IV. Let enduring peace on Earth be the heroes' reward
(1950)
-
On Guard for Peace, op. 124: V. We do not want war
(1950)
-
On Guard for Peace, op. 124: VI. Dove of Peace
(1950)
-
Symphony no. 7 in C-sharp minor, op. 131: IV. Vivace
(1951 - 1952)
-
Symphony no. 7 in C-sharp minor, op. 131
(1951 - 1952)
-
Symphony no. 7 in C-sharp minor, op. 131: I. Moderato
(1951 - 1952)
-
Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto
(1951 - 1952)
-
Symphony no. 7 in C-sharp minor, op. 131: III. Andante espressivo
(1951 - 1952)
-
Wedding Suite, op. 126: V. Wedding Dance
(1951)
-
Wedding Suite, op. 126: IV. Ceremonial Dance
(1951)
-
Wedding Suite, op. 126: III. Maidens' Dance
(1951)
-
Wedding Suite, op. 126: II. Dance of the Fiancée's Girl-Friends
(1951)
-
Wedding Suite, op. 126: I. Amorous Dance
(1951)
-
Wedding Suite, op. 126
(1951)
-
Piano Sonata no. 5, op. 135
(1952 - 1953)
-
Symphony-Concerto for Cello and Orchestra in E minor, op. 125: III. Andante con moto
(1952)
-
Symphony-Concerto for Cello and Orchestra in E minor, op. 125: I. Andante
(1952)
-
Symphony-Concerto for Cello and Orchestra in E minor, op. 125: II. Allegro giusto
(1952)
-
Symphony-Concerto for Cello and Orchestra in E minor, op. 125: III. Andante con moto
(1952)
-
Intro (Opus 32 No. 3)
-
I Believe in Father Christmas
-
March no. 1, op. 12
-
Violin Concerto no. 1 in D major, op. 19: I. Andantino — Andante assai
-
Violin Concerto no. 1 in D major, op. 19: II. Scherzo. Vivacissimo
-
Violin Concerto no. 1 in D major, op. 19: III. Moderato — Allegro moderato — Moderato — Piú tranquillo
-
The Queen of Spades Symphonic Suite: I. Introduction and Allegro
-
Gata Borralheira - Fairy of Spring-Fairy of Summer
-
Gata Borralheira - Cinderella Goes to the Ball
-
Gata Borralheira - Cinderella in the Castle
-
Gata Borralheira - Cinderella and the Prince
-
Gata Borralheira - Cinderella's Waltz-Midnight
-
Gata Borralheira - Apotheosis-Finale
-
Ivan The Terrible, op. 116: I. Overture and Chorus
-
Ivan The Terrible, op. 166: The Holy Fool
-
Ivan The Terrible, op. 166: The Storming of Kazan
-
Ivan The Terrible, op. 166: Ivan's Illness
-
Ivan The Terrible, op. 116: XXIII. The song of Feodor Basmanov and the Tsar's men
-
Ivan The Terrible, op. 166: Dance of the Oprichniki
-
Ivan The Terrible, op. 116: XXXIV. Finale
-
Romeo and Juliet, op. 64: Act I. Scene I. No. 1. Introduction
-
Romeo and Juliet, op. 64: Act I. Scene I. No. 2. Romeo
-
Romeo and Juliet, op. 64: Act II. Scene III. No. 34. Mercutio dies
-
Romeo and Juliet, op. 64: Act II. Scene III. No. 35. Romeo decides to avenge Mercutio's death
-
Romeo and Juliet, op. 64: Act II. Scene III. No. 36. Finale
-
Romeo and Juliet, op. 64: Act III. Scene I. No. 37. Introduction
-
Romeo and Juliet, op. 64: Act III. Scene I. No. 38. Romeo and Juliet (Juliet's Bedroom)
-
Romeo and Juliet, op. 64: Act III. Scene I. No. 39. The last farewell
-
Romeo and Juliet, op. 64: Act III. Scene I. No. 40. The nurse
-
Romeo and Juliet, op. 64: Act III. Scene I. No. 41. Juliet refuses to marry Paris
-
Romeo and Juliet, op. 64: Act III. Scene I. No. 42. Juliet alone
-
Romeo and Juliet, op. 64: Act III. Scene I. No. 43. Interlude
-
Romeo and Juliet, op. 64: Act III. Scene II. No. 44. At Friar Laurence's
-
Romeo and Juliet, op. 64: Act III. Scene II. No. 45. Interlude
-
Romeo and Juliet, op. 64: Act III. Scene III. No. 46. Juliet's bedroom
-
Romeo and Juliet, op. 64: Act III. Scene III. No. 47. Juliet alone
-
Romeo and Juliet, op. 64: Act III. Scene III. No. 48. Morning serenade
-
Romeo and Juliet, op. 64: Act III. Scene III. No. 49. Dance of the girls with the lilies
-
Romeo and Juliet, op. 64: Act III. Scene III. No. 50. At Juliet's bedside
-
Romeo and Juliet, op. 64: Act III. Epilogue. No. 51. Juliet's funeral
-
Romeo and Juliet, op. 64: Act III. Epilogue. No. 52. Death of Juliet
-
String Quartet no. 1 in B minor, op. 50: III. Andante
-
Romeo and Juliet, op. 64: Act I. Scene I. No. 3. The street awakens
-
Romeo and Juliet, op. 64: Act I. Scene I. No. 4. Morning Dance
-
Romeo and Juliet, op. 64: Act I, Scene I, no. 5. The Quarrel
-
Romeo and Juliet, op. 64: Act I. Scene I. No. 6. The fight
-
Romeo and Juliet, op. 64: Act I. Scene I. No. 7. The prince gives his order
-
Romeo and Juliet, op. 64: Act I. Scene I. No. 8. Interlude
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 9. Preparing for the ball (Juliet and the nurse)
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 10. Juliet as a young girl
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 11. Arrival of the guests (Minuet)
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 12. Masks
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 13. Dance of the Knights
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 14. Juliet's variation
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 15. Mercutio
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 16. Madrigal
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 17. Tybalt recognizes Romeo
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 18. Departure of the guests (Gavotte)
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 19. Balcony scene
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 20. Romeo's variation
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 21. Love dance
-
Romeo and Juliet, op. 64: Act II. Scene I. No. 22. Folk dance
-
Romeo and Juliet, op. 64: Act II. Scene I. No. 23. Romeo and Mercutio
-
Romeo and Juliet, op. 64: Act II. Scene I. No. 24. Dance of the five couples
-
Romeo and Juliet, op. 64: Act II. Scene I. No. 25. Dance with the mandolins
-
Romeo and Juliet, op. 64: Act II. Scene I. No. 26. The nurse
-
Romeo and Juliet, op. 64: Act II. Scene I. No. 27. The nurse gives Romeo the note from Juliet
-
Romeo and Juliet, op. 64: Act II. Scene II. No. 28. Romeo with Friar Lawrence
-
Romeo and Juliet, op. 64: Act II. Scene II. No. 29. Juliet with Friar Lawrence
-
Romeo and Juliet, op. 64: Act II. Scene III. No. 30. The people continue to make merry
-
Romeo and Juliet, op. 64: Act II. Scene III. No. 31. Folk dance
-
Romeo and Juliet, op. 64: Act II. Scene III. No. 32. Tybalt meets Mercutio
-
Ivan the Terrible: Overture
-
Ivan the Terrible: Death of Glinskaya
-
Ivan the Terrible: Young Ivan's March
-
Ivan the Terrible: The Azure Main
-
Ivan the Terrible: The Azure Main (instrumental)
-
Ivan the Terrible: Shulsky and the Keepers of the Hounds
-
Ivan the Terrible: The Death of the Glinskaya II
-
Ivan the Terrible: The Song of Praise
-
Ivan the Terrible: The Swan
-
Ivan the Terrible: The Simpleton
-
Ivan the Terrible: Riot
-
Ivan the Terrible: Entrance of the Tartars
-
Ivan the Terrible: The Cannons Are Brought to Kazan
-
Ivan the Terrible: Kurbsky's Trumpets
-
Ivan the Terrible: Ivan's Tent
-
Ivan the Terrible: Tartar Steppes
-
Ivan the Terrible: The Cannoneers
-
Ivan the Terrible: The Tartars
-
Ivan the Terrible: Kurbsky's Trumpets II
-
Ivan the Terrible: The Attack
-
Ivan the Terrible: Malyouta's Jealousy
-
Ivan the Terrible: Kazan Has Fallen
-
Ivan the Terrible: Ivan Pleads With the Boyars
-
Ivan the Terrible: Anastasia's Illness
-
Ivan the Terrible: Anastasia Is Poisoned
-
Ivan the Terrible: Anastasia's Illness (Frag)
-
Ivan the Terrible: Ivan at Anastasia's Coffin
-
Ivan the Terrible: The Oath of Oprichniki
-
Ivan the Terrible: Come Back!
-
Ivan the Terrible: Fanfares
-
Ivan the Terrible: Polonaise
-
Ivan the Terrible: Shulsky, Find the Keeper of the Hounds
-
Ivan the Terrible: The Song of the Young Men
-
Ivan the Terrible: The Song of the Beaver
-
Ivan the Terrible: Dances of the Oprichniki 1
-
Ivan the Terrible: Dances of the Oprichniki 2
-
Ivan the Terrible: The Song of Oprichniki
-
Ivan the Terrible: My Soul III
-
Ivan the Terrible: Songs of Oprichniki 1
-
Ivan the Terrible: Songs of Oprichniki 2
-
Ivan the Terrible: Vladimir's Murder
-
Ivan the Terrible: The Entrance of Ivan
-
Ivan the Terrible: The Oath of Oprichniki and Come Back
-
Peter and the Wolf, op. 67: “Early one morning Peter opened the gate”
-
Peter and the Wolf, op. 67: “Something caught Peter's attention” (The Cat • Die Katze)
-
Peter and the Wolf, op. 67: “Peter, in the meantime, stood behind the closed gate”
-
March in B-flat major, op. 99
-
The Mistress of the Copper Mountain, op. 129
-
Gypsy Fantasy, op. 127: I. Introduction
-
Gypsy Fantasy, op. 127: II. Gypsy Dance
-
Gypsy Fantasy, op. 127: III. Severian's Dance
-
Gypsy Fantasy, op. 127: IV. Dance of the Gypsy Girl
-
Gypsy Fantasy, op. 127: V. Mass Dance
-
Gypsy Fantasy, op. 127
-
Romeo and Juliet: Introduction
-
Romeo and Juliet: The Street Awakens
-
Romeo and Juliet: Dance of the Knights
-
Romeo and Juliet: Mercutio
-
Romeo and Juliet: The Young Juliet
-
Romeo and Juliet: Juliet’s Death
-
Romeo and Juliet: Balcony Scene
-
Romeo and Juliet
-
Cello Concerto in E minor, op. 58: III. Tema e variazioni - Coda
-
Chout (The Buffoon) Suite, op. 21a: I. The Buffoon and His Wife
-
Chout (The Buffoon) Suite, op. 21a: II. Dance of the Wives
-
Chout (The Buffoon) Suite, op. 21a: III. The Buffoons Kill Their Wives (Fugue)
-
Chout (The Buffoon) Suite, op. 21a: IV. The Buffoon as a Young Woman
-
Chout (The Buffoon) Suite, op. 21a: V. Third Entr'acte
-
Chout (The Buffoon) Suite, op. 21a: VI. Dance of the Buffoons' Daughters
-
Chout (The Buffoon) Suite, op. 21a: VII. Entry of the Merchant and His Welcome
-
Chout (The Buffoon) Suite, op. 21a: VIII. In the Merchant's Bedroom
-
Chout (The Buffoon) Suite, op. 21a: IX. The Young Woman Becomes a Goat
-
Chout (The Buffoon) Suite, op. 21a: X. Fifth Entr'acte and the Goat's Burial
-
Chout (The Buffoon) Suite, op. 21a: XI. The Buffoon and the Merchant Quarrel
-
Chout (The Buffoon) Suite, op. 21a: XII. Final Dance
-
Chout (The Buffoon) Suite, op. 21a
-
Six Pieces, op. 52: VI. Scherzo
-
Six Pieces, op. 52: V. Andante
-
Six Pieces, op. 52: IV. Scherzino
-
Six Pieces, op. 52: III. Etude
-
Six Pieces, op. 52: II. Rondo
-
Six Pieces, op. 52: I. Intermezzo
-
Romeo and Juliet: Suite no. 3, op. 101: V. Aubade
-
Romeo and Juliet: Suite no. 3, op. 101
-
Ivan the Terrible, Concert Scenario: I. Overture
-
Ivan the Terrible, Concert Scenario: II. Russian Sea
-
Ivan the Terrible, Concert Scenario: III. Wedding: i. Allegro fastoso
-
Ivan the Terrible, Concert Scenario: III. Wedding: ii. Andante
-
Ivan the Terrible, Concert Scenario: III. Wedding: iii. Allegro fastoso
-
Ivan the Terrible, Concert Scenario: IV. Fire
-
Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: i. Allegro moderato
-
Ivan the Terrible, Concert Scenario: V. Tartars and Cannoneers: ii. Moderato energico
-
Ivan the Terrible, Concert Scenario: VI. The Storming of Kazan
-
Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: i. Adagio
-
Ivan the Terrible, Concert Scenario: VII. Ivan's Sickness: ii. Andante sostenuto
-
Ivan the Terrible, Concert Scenario: VIII. At the Polish Court
-
Ivan the Terrible, Concert Scenario: IX. Anastasia
-
Ivan the Terrible, Concert Scenario: X. Song of the Beaver (Ephrosynia's Lullaby)
-
Ivan the Terrible, Concert Scenario: XI. The Banquet: i. Allegro ben ritmato, feroce
-
Ivan the Terrible, Concert Scenario: XI. The Banquet: ii. Allegro moderato
-
Ivan the Terrible, Concert Scenario: XI. The Banquet: iii. Allegro ben ritmato
-
Ivan the Terrible, Concert Scenario: XII. Murder in the Cathedral
-
Ivan the Terrible, Concert Scenario: XIII. Final (Coda)
-
Ivan the Terrible, Concert Scenario
-
Ivan the Terrible, op. 116
-
Five Poems of Anna Akhmatova, op. 27: No. 1. Sunshine Has Filled the Room
-
Five Poems of Anna Akhmatova, op. 27: No. 2. True Tenderness
-
Five Poems of Anna Akhmatova, op. 27: No. 3. Memories of the Sunlight
-
Five Poems of Anna Akhmatova, op. 27: No. 4. Greeting
-
Five Poems of Anna Akhmatova, op. 27: No. 5. The King with Grey Eyes
-
Three Romances, op. 73: No. 1. Pine Trees
-
Three Romances, op. 73: No. 2. Crimson Dawn
-
Three Romances, op. 73: No. 3. In Your Chamber
-
Two Poems, op. 9: No. 1. There Are Other Planets
-
Two Poems, op. 9: No. 2. The Drifting Boat
-
Five Poems of Konstantin Balmont, op. 36: No. 1. Incantation for Fire and Water
-
Five Poems of Konstantin Balmont, op. 36: No. 2. Birdsong
-
Five Poems of Konstantin Balmont, op. 36: No. 3. The Butterfly
-
Five Poems of Konstantin Balmont, op. 36: No. 4. Remember Me
-
Five Poems of Konstantin Balmont, op. 36: No. 5. The Pillars
-
Five Poems of Anna Akhmatova, op. 27
-
Three Romances, op. 73
-
Five Poems of Konstantin Balmont, op. 36
-
Two Poems, op. 9
-
Boris Godunov, op. 70 bis: Fountain Scene and Polonaise
-
Eugene Onegin, op. 71: I. Minuet -
-
Eugene Onegin, op. 71: II. Dance (Polka) -
-
Eugene Onegin, op. 71: III. Mazurka
-
Eugene Onegin, op. 71
-
Symphonic Suite from "War and Peace": I. The Ball: i. Fanfare and Polonaise. Maestoso e brioso
-
Symphonic Suite from "War and Peace": I. The Ball: ii. Waltz. Allegro, ma non troppo
-
Symphonic Suite from "War and Peace": I. The Ball: iii. Mazurka. Animato
-
Symphonic Suite from "War and Peace": II. Intermezzo – May Night
-
Symphonic Suite from "War and Peace": III. Finale: i. Snowstorm. Tempestoso
-
Symphonic Suite from "War and Peace": III. Finale: ii. Battle. Allegro
-
Symphonic Suite from "War and Peace": III. Finale: iii. Victory. Allegro fastoso – Andante maestoso
-
Summer Night Suite from "The Duenna", op. 123: I. Introduction. Moderato, ma con brio – Più animato
-
Summer Night Suite from "The Duenna", op. 123: II. Serenade. Adagio
-
Summer Night Suite from "The Duenna", op. 123: III. Minuet. Allegro ma non troppo
-
Summer Night Suite from "The Duenna", op. 123: IV. Dreams. Andante tranquillo
-
Summer Night Suite from "The Duenna", op. 123: V. Dance. Allegretto
-
Symphonic Suite from "War and Peace"
-
Summer Night Suite from "The Duenna", op. 123
-
10 Pieces from Romeo and Juliet, op. 75: No. 10. Romeo and Juliet Before Parting
-
10 Pieces from Romeo and Juliet, op. 75: No. 9. Dance of the Girls With the Lilies
-
10 Pieces from Romeo and Juliet, op. 75: No. 8. Mercutio
-
10 Pieces from Romeo and Juliet, op. 75: No. 7. Friar Lawrence
-
10 Pieces from Romeo and Juliet, op. 75: No. 6. Montagues and Capulets
-
10 Pieces from Romeo and Juliet, op. 75: No. 5. Masks
-
10 Pieces from Romeo and Juliet, op. 75: No. 3. The Arrival of the Guests (Minuet)
-
10 Pieces from Romeo and Juliet, op. 75: No. 2. The Street Wakens (Scene)
-
10 Pieces from Romeo and Juliet, op. 75: No. 1. National Dance
-
3 Pieces for Piano, op. 96: No. 1. Waltz from War and Peace
-
3 Pieces for Piano, op. 96: No. 3. Mephisto-Waltz from Lermontov
-
3 Pieces for Piano, op. 96: No. 2. Contredanse from Lermontov
-
Violin Sonata no. 2 in D, op. 94bis: I. Moderato
-
Violin Sonata no. 2 in D, op. 94bis
-
Violin Sonata no. 2 in D, op. 94bis: II. Presto - Poco più mosso del-Tempo I
-
Violin Sonata no. 2 in D, op. 94bis: III. Andante
-
Violin Sonata no. 2 in D, op. 94bis: IV. Allegro con brio - Poco meno mosso-Tempo I
-
Cinderella: Gavotte
-
Sonata for Solo Cello in C-sharp minor, op. 134
-
Andante in G minor, from the Cello Concertino, op. 132
-
Fragments from the Ballet "Chout", op. 21: Chout and Choutikha
-
Fragments from the Ballet "Chout", op. 21: The Merchant Is Dreaming
-
Fragments from the Ballet "Chout", op. 21: Choutikha
-
Fragments from the Ballet "Chout", op. 21: The Merchant in Despair
-
Fragments from the Ballet "Chout", op. 21: Dance of the Buffoons' Daughters
-
Fragments from the Ballet "Chout", op. 21
-
Ivan the Terrible, op. 116: Dance of the Oprichniks
-
Boris Godunov, op. 70bis
-
Suite from "Love for Three Oranges", op. 33A: III. Marche
-
Danza, op. 32 no. 1
-
Minuet, op. 32 no. 2
-
Waltz, op. 32 no. 4
-
Athletic Festival March, op. 69, no. 1
-
Cinderella Suite no. 2, op. 108: I. Cinderella’s Dreams
-
Cinderella Suite no. 2, op. 108: II. Dancing Lesson and Gavotte
-
Cinderella Suite no. 2, op. 108: III. Spring Fairy and Summer Fairy
-
Cinderella Suite no. 2, op. 108: IV. Bourrée
-
Cinderella Suite no. 2, op. 108: V. Cinderella Arrives at the Ball
-
Le pas d'acier, Op. 41: X. Les marteaux
-
Le pas d'acier, Op. 41: XI. Finale
-
The Queen of Spades Symphonic Suite: II. Adagio
-
The Queen of Spades Symphonic Suite: III. Scherzo
-
The Queen of Spades Symphonic Suite: IV. Finale
-
The Queen of Spades Symphonic Suite: V. Epilogue - Dumka
-
The Queen of Spades Symphonic Suite
-
Peter And The Wolf: Musical March: 'Each character in this tale...'
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Peter And The Wolf: Andantino (Early One Morning, Peter Opened The Gate)
-
Peter And The Wolf: The Bird (At Once, Peter Noticed Something)
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Peter And The Wolf: The Duck (And Indeed!)
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Peter And The Wolf: The Cat (Suddenly Something Caught Peter's Attention)
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Peter And The Wolf: The Grandfather (Just then the Hunters Came Out of the Woods)
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Peter And The Wolf: The Wolf (And There, Imagine The Triumphant Procession!)
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Peter and the Wolf, op. 67: I'm going to tell you the story of Peter and the Wolf
-
Peter and the Wolf, op. 67: No sooner had Peter and his grandfather disappeared into the cottage
-
Peter and the Wolf, op. 67: Grandfather came out (Grandfather)
-
Peter and the Wolf, op. 67: And now, this is how things stood
-
Piano Sonata no. 1 in A minor “From Old Notebooks”, op. 28: Allegro tempestoso - Moderato - Allegro tempestoso - Moderato - Più lento - Più animato - Allegro I - Poco più mosso
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Peter and the Wolf, op. 67: On a branch of a big tree (The Bird)
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Peter and the Wolf, op. 67: Just then, a duck came waddling round (The Duck)
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Chout op. 21: IV. Tableau: Entr’acte IV
-
Chout op. 21: V. Tableau: Le Marchand Tire Le Drap
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Chout op. 21: V. Tableau: Entr’acte V
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Chout op. 21: VI. Tableau: Le Bouffon Réclame Sa Soeur
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Chout op. 21: VI. Tableau: Le Marchand S’éloigne
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Chout, op. 21
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War and Peace, op. 91: Overture
-
War and Peace, op. 91: Scene 1: The radiance of the sky in spring … (Prince Andrey)
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War and Peace, op. 91: Scene 1: I won’t, I can’t sleep (Natasha)
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War and Peace, op. 91: Scene 1: O God, my God! What a shame to sleep! (Natasha)
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War and Peace, op. 91: Scene 2
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War and Peace, op. 91: Scene 2: Chorus! Let the chorus begin! (Host)
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War and Peace, op. 91: Scene 2: Look, the colonel’s dancing the mazurka (Peronskaya, Akhrosimova, Helene, Anatoly, Count Rostov)
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War and Peace, op. 91: Scene 2: Will no one choose me as a partner? (Natasha)
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War and Peace, op. 91: Scene 2: When I was at Otradnoye in May (Prince Andrey)
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War and Peace, op. 91: Scene 3: The young Prince’s fiancee (Old Footman)
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War and Peace, op. 91: Scene 3: Ah, Madam, young lady … (Prince Nikolay Bolkonsky)
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War and Peace, op. 91: Scene 4: The charming, delightful Natasha (Helene)
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War and Peace, op. 91: Scene 4: She's wonderful and so beautiful (Natasha)
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War and Peace, op. 91: Scene 5: At 10 o'clock in the evening, she'll be waiting (Anatoly)
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War and Peace, op. 91: Scene 5: Balaga! (Dolokhov)
-
War and Peace, op. 91: Scene 6: Oh, my dear Miss Natasha, all is lost, it seems (Dunyasha)
-
War and Peace, op. 91: Scene 6: A fine young lady you are! (Akhrosimova)
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War and Peace, op. 91: Scene 6: I've sought to avoid her (Pierre)
-
War and Peace, op. 91: Scene 7: Picture the scene, Countess (Metivier)
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War and Peace, op. 91: Epigraph: The forces of 2 and 10 European nations (Chorus)
-
War and Peace, op. 91: Scene 8: Come on lads! That's the way! (Volunteers, Tikhon)
-
War and Peace, op. 91: Scene 8: Denisov, her first fiancee (Prince Andrey)
-
War and Peace, op. 91: Scene 8: It's the master, look at him! (Fyodor)
-
War and Peace, op. 91: Scene 8: Hurrah! Hurrah! (Chorus of Soldiers)
-
War and Peace, op. 91: Scene 8: There is no people greater than ours (Kutuzov)
-
Pieces for Viola and Piano from “Romeo and Juliet”
-
War and Peace, op. 91: Scene 9: The wine is uncorked; we must drink it (Napoleon)
-
War and Peace, op. 91: Scene 10: And so, gentlemen, the question is … (Benigsen)
-
War and Peace, op. 91: Scene 10: The enemy bears down on us with fire and steel (Soldier)
-
War and Peace, op. 91: Scene 10: When, oh when was this dreadful business decided? (Kutuzov)
-
War and Peace, op. 91: Scene 11: Moscow's deserted! (Ramballe)
-
War and Peace, op. 91: Scene 11: I must do the deed, or die (Pierre)
-
War and Peace, op. 91: Scene 11: Where did you get such a good going-over, lads? (Jacqueau)
-
War and Peace, op. 91: Scene 11: Davout, the cruel Davout, the emperor Napoleon's hatchet man! (Pierre)
-
War and Peace, op. 91: Scene 11: Nothing matters now, nothing (Pierre)
-
War and Peace, op. 91: Scene 11: What a dreadful scene! (Napoleon)
-
War and Peace, op. 91: Scene 12: It's stretching higher and further (Prince Andrey)
-
War and Peace, op. 91: Scene 12: Has fate really brought us together so strangely today … (Prince Andrey)
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War and Peace, op. 91: Scene 13: We've burnt our bridges … (Ramballe)
-
War and Peace, op. 91: Scene 13: Hey! Hey! Hey! (Voice Off-Stage)
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War and Peace, op. 91: Scene 13: Dolokhov said that Helene had passed away (Pierre)
-
War and Peace, op. 91: Scene 13: The Commander-in-chief is coming! (Adjutant)
-
War and Peace, op. 91: Scene 13: The enemy has been put to rout (Kutuzov)
-
Juvenilia
-
Игрок, op. 24
-
Ivan the Terrible: Many Years!
-
Peter and the Wolf, op. 67: 1. Introduction
-
Peter and the Wolf, op. 67: 2. The Story Begins
-
Peter and the Wolf, op. 67: 3. The Bird
-
Peter and the Wolf, op. 67: 4. The Duck; Dialogue With The Birds; Attack Of The Cat
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Peter and the Wolf, op. 67: 5. Grandfather
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Peter and the Wolf, op. 67: 6. The Wolf
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Peter and the Wolf, op. 67: 7. The Duck Is Caught
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Peter and the Wolf, op. 67: 8. The Wolf Stalks The Bird And Cat
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Peter and the Wolf, op. 67: 9. Peter Prepares To Catch The Wolf
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Peter and the Wolf, op. 67: 10. The Bird Diverts The Wolf
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Peter and the Wolf, op. 67: 11. Peter Catches The Wolf
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Peter and the Wolf, op. 67: 12. The Hunters Arrive
-
Peter and the Wolf, op. 67: 13. The Procession To The Zoo
-
Ten Pieces from Cinderella, op. 97: IV. Winter Fairy
-
Adagio "Cinderella and the Prince", op. 97bis
-
Suite from the Ballet “On the Dnieper”, op. 51 bis: VI. Epilogue
-
Suite from the Ballet “On the Dnieper”, op. 51 bis: V. Scene
-
Suite from the Ballet “On the Dnieper”, op. 51 bis: IV. The Quarrel
-
Suite from the Ballet “On the Dnieper”, op. 51 bis: II. Variation of the First Dancer
-
Suite from the Ballet “On the Dnieper”, op. 51 bis: I. Prelude
-
Suite from the Ballet “On the Dnieper”, op. 51 bis: III. The Betrothal
-
Suite from the Ballet “On the Dnieper”, op. 51 bis
-
War and Peace, op.91: Part II (War), Scene 13
-
Славься, наш могучий край!
-
Cinderella Suite no. 2, op. 108: VI. Grand Waltz
-
2 Songs from Lieutenant Kijé, Op. 60bis: No. 1, My Grey Dove Is Full of Sorrow
-
2 Choruses, Op. 66a: No. 2, Anyutka (Version for Voice & Piano)
-
3 Children's Songs, Op. 68: No. 1, The Chatterbox
-
3 Songs from Alexander Nevsky, Op. 78bis: No. 2, Mark, Ye Bright Falcons
-
12 Russian Folksongs, Op. 104: No. 6, Katerina
-
2 Songs from Lieutenant Kijé, Op. 60bis
-
2 Choruses, Op. 66a
-
3 Songs from Alexander Nevsky, Op. 78bis
-
Concerto for Flute and Orchestra
-
Overture
-
Romeo and Juliet, op. 64: Act III. Scene III. No. 49. Dance of the girls with the lilies
-
Party Like a Russian
-
Le pas d'acier, Op. 41: I. Entrée des personnages
-
Le pas d'acier, Op. 41: II. Train des paysans-ravitailleurs
-
Le pas d'acier, Op. 41: III. Les commissaires
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Le pas d'acier, Op. 41: IV. Le petits camelots
-
Le pas d'acier, Op. 41: V. L'orateur
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Le pas d'acier, Op. 41: VI. Matelot à bracelets et ouvrière
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Le pas d'acier, Op. 41: VII. Changement de décors
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Le pas d'acier, Op. 41: VIII. Le matelot devient un ouvrier
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Le pas d'acier, Op. 41: IX. L'usine
-
Toccata in D minor, op. 11
-
The Dazzling Bright Cylindrical Object Which Had Crashed Into Tunguska, Siberia
-
Gavotte, op. 32 no. 3
-
Piano Sonata No. 10 in C minor, op. 137
-
Cello Concertino, op. 132
-
Cello Concertino, op. 132: I. Andante mosso - Cadenza
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Cello Concertino, op. 132: II. Andante
-
March from The Love for Three Oranges
-
Masque
-
Visions Fugitives, op. 22: No. 1. Lentamente
-
Visions Fugitives, op. 22: No. 2. Andante
-
Visions Fugitives, op. 22: No. 3. Allegretto
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Visions Fugitives, op. 22: No. 4. Animato
-
Visions Fugitives, op. 22: No. 5. Molto giocoso
-
Visions Fugitives, op. 22: No. 6. Con eleganza
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Visions Fugitives, op. 22: No. 7. Pittoresco (Arpa)
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Visions Fugitives, op. 22: No. 8. Commodo
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Visions Fugitives, op. 22: No. 9. Allegretto tranquillo
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Visions Fugitives, op. 22: No. 10. Ridicolosamente
-
Visions Fugitives, op. 22: No. 11. Con vivacità
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Visions Fugitives, op. 22: No. 12. Assai moderato
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Visions Fugitives, op. 22: No. 13. Allegretto
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Visions Fugitives, op. 22: No. 14. Feroce
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Visions Fugitives, op. 22: No. 15. Inquieto
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Visions Fugitives, op. 22: No. 16. Dolente
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Visions Fugitives, op. 22: No. 17. Poetico
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Visions Fugitives, op. 22: No. 18. Con una dolce lentezza
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Visions Fugitives, op. 22: No. 19. Presto agitatissimo e molto accentuato
-
Visions Fugitives, op. 22: No. 20. Lento irrealmente
-
March in B-flat major, op. 99
-
They Are Seven, Cantata op. 30
-
Divertissement, op. 43bis: I. Divertissement
-
Divertissement, op. 43bis: II. Nocturne
-
Divertissement, op. 43bis: III. Dance
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Divertissement, op. 43bis: IV. Épilogue
-
Divertissement, op. 43bis
-
3 Pieces for Piano, op. 96: No. 1. Waltz from War and Peace
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Five Dances from Cinderella: I. Grand Waltz
-
Five Dances from Cinderella: II. Gavotte
-
Five Dances from Cinderella: III. Passepied
-
Five Dances from Cinderella: IV. Winter Fairy
-
Five Dances from Cinderella: V. Mazurka
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Five Dances from Cinderella
-
Masks from Romeo and Juliet
-
Scherzo for Violin and Piano
-
Marsch
-
War and Peace, op.91: Part I (Peace)
-
War and Peace, op.91: Epigraph
-
War and Peace, op.91: Part II (War)
-
War and Peace, op.91: Part I (Peace), Scene 1
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War and Peace, op.91: Part I (Peace), Scene 2
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War and Peace, op.91: Part I (Peace), Scene 3
-
War and Peace, op.91: Part I (Peace), Scene 4
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War and Peace, op.91: Part I (Peace), Scene 5
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War and Peace, op.91: Part I (Peace), Scene 6
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War and Peace, op.91: Part I (Peace), Scene 7
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War and Peace, op.91: Part II (War), Scene 8
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War and Peace, op.91: Part II (War), Scene 9
-
War and Peace, op.91: Part II (War), Scene 10
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War and Peace, op.91: Part II (War), Scene 11
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War and Peace, op.91: Part II (War), Scene 12
-
War and Peace, op. 91: Part II. Scene IV. "Čudo, kak khorša ona, krasavica takaya" (Nataša, Anatol', Sonya, Graf Rostov)
-
The Love for Three Oranges, op. 33A: III. March
-
Suite from the Ballet “Romeo and Juliet”: I. Introduction: The Montagues and Capulets
-
Suite from the Ballet “Romeo and Juliet”: II. Tableau: The Streets Awakens
-
Suite from the Ballet “Romeo and Juliet”: III. Morning Dance
-
Suite from the Ballet “Romeo and Juliet”: IV. At Friar Laurence’s
-
Suite from the Ballet “Romeo and Juliet”: V. Departure of the Guests (Gavotte)
-
Suite from the Ballet “Romeo and Juliet”: VI. The Montagues and Capulets
-
Suite from the Ballet “Romeo and Juliet”
-
Cinderella, op. 87: Act II. No. 37. Waltz-Coda
-
Scherzo in D major
-
Cello Concertino, op. 132
-
Cello Concertino, op. 132: I. Andante mosso
-
Cello Concertino, op. 132: II. Andante
-
Cello Concertino, op. 132: III. Allegretto
-
Cello Concertino, op. 132
-
Romeo and Juliet, op. 64: Act I. Scene II. No. 13. Dance of the knights
-
Cinderella op. 87: Act 2: Grand Waltz - Allegretto
-
The Love for Three Oranges, op. 33: Grand March
-
Chout op. 21: I. Tableau: Beginning
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Chout op. 21: I. Tableau: Premier Pas Indécis
-
Chout op. 21: I. Tableau: Entr’acte I
-
Chout op. 21: II. Tableau: Beginning
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Chout op. 21: II. Tableau: Danse Des Bouffonnes
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Chout op. 21: II. Tableau: Les Bouffonnes Decident De Tuer Leurs Femmes
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Chout op. 21: II. Tableau: Coups De Fouet Désordonnés
-
Chout op. 21: II. Tableau: Cortège Funèbre — Entr’acte II
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Chout op. 21: III. Tableau: Complete Tableau — Entr’acte III
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Chout op. 21: IV. Tableau: Beginning
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Chout op. 21: IV. Tableau: Dans Des Filles
-
Chout op. 21: IV. Tableau: Sortie Marchand
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Ambience 4-6-22 01
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Cinderella, op. 87: Act I. No. 10. Gavotte
-
Cinderella, op. 87: Act I. No. 11. Second Appearance of the Fairy Godmother
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Cinderella, op. 87: Act I. No. 12. Spring Fairy
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Cinderella, op. 87: Act I. No. 13. Summer Fairy
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Cinderella, op. 87: Act I. No. 14. Grasshoppers and Dragonflies
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Cinderella, op. 87: Act I. No. 15. Autumn Fairy
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Cinderella, op. 87: Act I. No. 16. Winter Fairy
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Cinderella, op. 87: Act I. No. 17. The Interrupted Departure
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Cinderella, op. 87: Act I. No. 18. The Clock
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Cinderella, op. 87: Act I. No. 19. Cinderella's Departure for the Ball
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Cinderella, op. 87: Act II. No. 20. Dance of the Courtiers
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Cinderella, op. 87: Act II. No. 21. Court Dance (Passepied)
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Cinderella, op. 87: Act II. No. 22. Cavaliers' Dance (Bourrée)
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Cinderella, op. 87: Act II. No. 23. Skinny's Variation
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Cinderella, op. 87: Act II. No. 24. Dumpy's Variation
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Cinderella, op. 87: Act II. No. 25. Dance of the Courtiers (repeat)
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Cinderella, op. 87: Act II. No. 26. Mazurka and Entrance of the Prince
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Cinderella, op. 87: Act II. No. 27. Dance of the Prince's Four Companions
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Pieces for Viola and Piano from “Romeo and Juliet”: The Young Juliet
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Pieces for Viola and Piano from “Romeo and Juliet”: Dance of the Knights
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Cinderella, op. 87: Act II. No. 28. Mazurka (repeat)
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Cinderella, op. 87: Act II. No. 29. Cinderella's Arrival at the Ball
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Cinderella, op. 87: Act II. No. 30. Grand Waltz
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Cinderella, op. 87: Act II. No. 31. Promenade
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Cinderella, op. 87: Act II. No. 32. Cinderella's Dance
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Cinderella, op. 87: Act II. No. 33. Dance of the Prince
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Cinderella, op. 87: Act II. No. 34. Refreshments for the Guests
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Cinderella, op. 87: Act II. No. 35. Duet of the Sisters with the Oranges
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Cinderella, op. 87: Act II. No. 36. Duet of the Prince and Cinderella
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Cinderella, op. 87: Act II. No. 37. Waltz-Coda
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Cinderella, op. 87: Act II. No. 38. Midnight
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Cinderella, op. 87: Act III. No. 39. The Prince and the Cobblers
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Cinderella, op. 87: Act III. No. 40. First Galop of the Prince
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Cinderella, op. 87: Act III. No. 41. Temptation
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Cinderella, op. 87: Act III. No. 42. Second Galop of the Prince
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Cinderella, op. 87: Act III. No. 43. Oriental Dance
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Cinderella, op. 87: Act III. No. 44. Third Galop of the Prince
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Cinderella, op. 87: Act III. No. 45. Cinderella's Awakening
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Cinderella, op. 87: Act III. No. 46. The Morning After the Ball
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Cinderella, op. 87: Act III. No. 47. The Prince's Visit
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Cinderella, op. 87: Act III. No. 48. The Prince Recognises Cinderella
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Cinderella, op. 87: Act III. No. 49. Waltz
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Cinderella, op. 87: Act III. No. 50. Amoroso: The Prince and Cinderella
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Cinderella, op. 87: Act I
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Cinderella, op. 87: Act II
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Cinderella, op. 87: Act III
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Поручик Киже
-
Огненный ангел, op. 37
-
Здравица, op. 85
-
March and Scherzo from The Love for Three Oranges, op. 33ter
-
Cinderella Suite no. 2, op. 108: VII. Galop
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Suite from the Ballet “On the Dnieper”, op. 51 bis: I. Prelude
-
Suite from the Ballet “On the Dnieper”, op. 51 bis: II. Variation of the First Dancer
-
Suite from the Ballet “On the Dnieper”, op. 51 bis: III. The Betrothal
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Suite from the Ballet “On the Dnieper”, op. 51 bis: IV. The Quarrel
-
Suite from the Ballet “On the Dnieper”, op. 51 bis: V. Scene
-
Suite from the Ballet “On the Dnieper”, op. 51 bis: VI. Epilogue
-
Cinderella Suite no. 2, op. 108
-
Suite from the Ballet “On the Dnieper”, op. 51 bis
-
Peter and the Wolf, op. 67
-
Peter and the Wolf, op. 67
-
Ivan the Terrible, op. 116
-
Visions fugitives, op. 22: No. 1. Lentamente
-
Visions fugitives, op. 22: No. 2. Andante
-
Visions fugitives, op. 22: No. 3. Allegretto
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Visions fugitives, op. 22: No. 4. Animato
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Visions fugitives, op. 22: No. 5. Molto giocoso
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Visions fugitives, op. 22: No. 6. Con eleganza
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Visions fugitives, op. 22: No. 8. Commodo
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Visions fugitives, op. 22: No. 12. Assai moderato
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Visions fugitives, op. 22: No. 13. Allegretto
-
Visions fugitives, op. 22: No. 11. Con vivacità
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Visions fugitives, op. 22: No. 10. Ridicolosamente
-
Visions fugitives, op. 22: No. 9. Allegretto tranquillo
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Visions fugitives, op. 22: No. 16. Dolente
-
Visions fugitives, op. 22: No. 15. Inquieto
-
Visions fugitives, op. 22: No. 14. Feroce
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Cinderella, op. 87: Act I. No. 1. Introduction
-
Cinderella, op. 87: Act I. No. 2. Shawl Dance
-
Cinderella, op. 87: Act I. No. 3. Cinderella
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Cinderella, op. 87: Act I. No. 4. The Father
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Cinderella, op. 87: Act I. No. 5. The Fairy Godmother
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Cinderella, op. 87: Act I. No. 6. The Sisters' New Clothes
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Cinderella, op. 87: Act I. No. 7. The Dancing Lesson
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Cinderella, op. 87: Act I. No. 8. Departure of the Stepmother and Sisters for the Ball
-
Cinderella, op. 87: Act I. No. 9. Cinderella Dreams of the Ball
-
Pieces for Viola and Piano from “Romeo and Juliet”: Introduction
-
Pieces for Viola and Piano from “Romeo and Juliet”: The Street Awakens
-
Pieces for Viola and Piano from “Romeo and Juliet”: Mercutio
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Pieces for Viola and Piano from “Romeo and Juliet”: Juliet’s Death
-
Pieces for Viola and Piano from “Romeo and Juliet”: Balcony Scene
-
3 детские песни, op. 68
-
3 детские песни, op. 68, no. 2: Сладкая песенка
-
Three Pieces from Cinderella, op. 95: No. 1. Intermezzo
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Three Pieces from Cinderella, op. 95: No. 3. Valse lente
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Three Pieces from Cinderella, op. 95: No. 2. Gavotte
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Waltz Suite, op. 110
-
Waltz Suite, op. 110: V. New Year's Eve Ball
-
Waltz Suite, op. 110: IV. End of the Fairy Tale
-
Waltz Suite, op. 110: II. In the Palace
-
Waltz Suite, op. 110: I. Since We Met
-
"The Gambler", four portraits, op. 49: V. Dénouement. Allegro
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"The Gambler", four portraits, op. 49: IV. Pauline. Moderato
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"The Gambler", four portraits, op. 49: III. Le Général. Moderato
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"The Gambler", four portraits, op. 49: II. La grand' mère. Moderato
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"The Gambler", four portraits, op. 49: I. Alexis. Allegro passionato
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Semyon Kotko, symphonic suite, op. 81bis: VIII. Ours Have Come. Vivace
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Semyon Kotko, symphonic suite, op. 81bis: VII. Funeral. Andante
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Semyon Kotko, symphonic suite, op. 81bis: VI. The Village Is Burning. Andante - Moderato
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Semyon Kotko, symphonic suite, op. 81bis: V. Execution. Allegro moderato
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Semyon Kotko, symphonic suite, op. 81bis: IV. The Southern Night. Adagio
-
Semyon Kotko, symphonic suite, op. 81bis: III. The Betrothal. Moderato
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Semyon Kotko, symphonic suite, op. 81bis: II. Semyon and His Mother. Moderato
-
Semyon Kotko, symphonic suite, op. 81bis: I. Introduction. Andante
-
"The Gambler", four portraits, op. 49
-
Semyon Kotko, symphonic suite, op. 81bis
-
Prelude in C major for harp, op. 12 no. 7
-
Cinderella Suite no. 3, op. 109
-
Cinderella Suite no. 3, op. 109: VI. The Prince Finds his Cinderella
-
Cinderella Suite no. 3, op. 109: VII. Lingering Waltz
-
Pushkin Waltzes, op. 120: No. 1. Allegro espressivo
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Pushkin Waltzes, op. 120: No. 2. Allegro meditativo
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Pushkin Waltzes, op. 120
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Winter Bonfire, op. 122
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Winter Bonfire: I. Departure
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Winter Bonfire: II. Snow on the Window
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Winter Bonfire: III. Waltz on the Ice
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Winter Bonfire: IV. The Bonfire
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Winter Bonfire: V. Assembly of the Pioneers
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Winter Bonfire: VI. Winter Evening
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Winter Bonfire: VII. March of the Pioneers
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Winter Bonfire: VIII. The Return
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L'Amour des trois oranges, op. 33: Acte II. Marche
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L'Amour des trois oranges, op. 33
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L'Amour des trois oranges, op. 33: Acte I
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L'Amour des trois oranges, op. 33: Acte II
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L'Amour des trois oranges, op. 33: Prologue
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L'Amour des trois oranges, op. 33: Acte III
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L'Amour des trois oranges, op. 33: Acte IV
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Music for Children, op. 65: X. March
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Four Pieces, op. 3: IV. Phantom
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Four Pieces, op. 3: III. March
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Four Pieces, op. 3: II. Jest
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Four Pieces, op. 3: I. Story
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Piano Sonata no. 5, op. 38: I. Allegro tranquillo
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Piano Sonata no. 5, op. 38: II. Andantino
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Piano Sonata no. 5, op. 38: III. Un poco allegretto
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Romeo and Juliet, op. 64: Act II. Scene III. No. 33. Tybalt and Mercutio fight
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Romeo and Juliet: Suite no. 3, op. 101: II. Morning Dance
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Romeo and Juliet: Suite no. 3, op. 101: III. Juliet
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Romeo and Juliet: Suite no. 3, op. 101: IV. The Nurse
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Romeo and Juliet Suite no. 1, op. 64bis: IV. Minuet (the Arrival of the Guests)
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Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets
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Romeo and Juliet Suite no. 1, op. 64bis: VI. Romeo and Juliet
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Romeo and Juliet Suite no. 1, op. 64bis: VII. Death of Tybalt
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Romeo and Juliet: Suite no. 2, op. 64ter: III. Friar Laurence
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Romeo and Juliet: Suite no. 2, op. 64ter: V. Romeo and Juliet Before Parting
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Romeo and Juliet: Suite no. 2, op. 64ter: VII. Romeo at Juliet's Grave
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Romeo and Juliet: Suite no. 3, op. 101: VI. The Death of Juliet...
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String Quartet no. 1 in B minor, op. 50: I. Allegro
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String Quartet no. 1 in B minor, op. 50: II. Andante molto. Vivace
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Waltz Suite, op. 110: VI. Happiness
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10 Pieces from Romeo and Juliet, op. 75: No. 4. Juliet as a Young Girl
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Cello Concertino, op. 132: III. Allegretto
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Waltz Suite, op. 110: III. Mephisto Waltz
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Pierre et le Loup
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Violin Concerto no. 1 in D major, op. 19
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Peter and the Wolf
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Romeo and Juliet: Suite no. 2, op. 64ter: II. The child Juliet
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Romeo and Juliet: Suite no. 2, op. 64ter: IV. Dance
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Romeo and Juliet: Suite no. 2, op. 64ter: VI. Dance of the Girls with Lilies
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3 детские песни, op. 68, no. 3: Поросята
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Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro
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Gavotte, op. 32 no. 3
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Pekka ja susi, op. 67: Esittely: "Tämän sadun jokaista henkilöä ja eläintä esittää määrätty orkesterin soitin"
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Pekka ja susi, op. 67: "Aamulla varhain pikku Pekka avasi veräjän ja tuli suurelle, vihreälle niitylle."
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Pekka ja susi, op. 67: "Korkeassa puussa istui pieni lintu, joka oli Pekan ystävä."
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Pekka ja susi, op. 67: "Yhtäkkiä tepasteli niitylle ankka."
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Pekka ja susi, op. 67: "Yhtäkkiä Pekka häristi korviaan: hän huomasi, että ruohikossa hiiviskeli kissa."
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Pekka ja susi, op. 67: "Mutta nytpä ilmestyi isoisä veräjälle."
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Pekka ja susi, op. 67: "Jo olikin aika, sillä samalla ilmestyi metsänreunaan suuri, harmaa susi."
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Pekka ja susi, op. 67: "Muuta silloin ilmestyi metsän reunasta näkyviin joukko metsästäjiä."
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Pekka ja susi, op. 67: "Ja niinpä siitä tulikin komeata katseltavaa."
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Romeo and Juliet Suite no. 1, op. 64bis: I. Folk Dance: Allegro giocoso
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Romeo and Juliet Suite no. 1, op. 64bis: III. Madrigal: Andante tenero - Andante assai
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Romeo and Juliet Suite no. 1, op. 64bis: V. Masks: Andante marciale
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Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, op. 64 A und Nr. 2, op. 64 B: Szene: Im Haus der Capulets
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Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, op. 64 A und Nr. 2, op. 64 B: Julia
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Romeo und Julia: Auszüge aus der Orchestersuite Nr. 1, op. 64 A und Nr. 2, op. 64 B: Tanz der Männer aus dem Hause Monague
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Piano Sonata no. 4 in C minor, op. 29: I. Allegro molto sostenuto
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Piano Sonata no. 4 in C minor, op. 29: II. Andante assai
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Piano Sonata no. 4 in C minor, op. 29: III. Allegro con brio, ma non leggiero
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Romeo and Juliet: Suite no. 3, op. 101: I. Romeo at the Fountain
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Romeo and Juliet Suite no. 1, op. 64bis: II. Scene (the Street Awakens)
Lyrics
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Огненный ангел, op. 37
Libretto
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Peter and the Wolf, op. 67
(1936)
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War and Peace, op. 91: Part II. Scene IV. "Čudo, kak khorša ona, krasavica takaya" (Nataša, Anatol', Sonya, Graf Rostov)
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Peter and the Wolf, op. 67
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War and Peace, op. 91
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The Story of a Real Man, op. 117: Act III
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The Story of a Real Man, op. 117: Act II
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The Story of a Real Man, op. 117: Act I
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The Story of a Real Man, op. 117
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L'Amour des trois oranges, op. 33
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L'Amour des trois oranges, op. 33: Acte I
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L'Amour des trois oranges, op. 33: Acte II
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L'Amour des trois oranges, op. 33: Prologue
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L'Amour des trois oranges, op. 33: Acte III
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L'Amour des trois oranges, op. 33: Acte IV
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Alexander Nevsky, op. 78
Arranged
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Peter and the Wolf, op. 67
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Divertissement, op. 43bis: I. Divertissement
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Divertissement, op. 43bis: II. Nocturne
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Divertissement, op. 43bis: III. Dance
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Divertissement, op. 43bis: IV. Épilogue
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Divertissement, op. 43bis
Orchestrated
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Overture on Hebrew Themes, op. 34b
(1934)
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Andante from Piano Sonata no. 4, op. 29bis
(1934)
Dedicated Works
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Studi di virtuosità e di trascendenza: No. 12. Omaggio a Prokofiev
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In Memory of Sergei Prokofiev, op. 79