Benjamin Britten
(22 Nov 1913 - 04 Dec 1976)
Male Person - United Kingdom
Works (1,269)
Arranged
-
What the Wild Flowers Tell Me
(1941)
-
Folksong Arrangements, Volume I: The Salley Gardens
(1943)
-
The Deaf Woman's Courtship
(1952)
-
God Save the Queen
(1961)
-
Lachrymae: Reflections on a song of Dowland, op. 48a
(Feb 1976)
-
Folksong Arrangements, Volume I: The Trees They Grow So High
-
Folksong Arrangements, Volume III: British Isles, for high voice & piano
-
Folksong Arrangements, Volume III: British Isles, for medium voice & piano
-
Folksong Arrangements, Volume III: British Isles, for voice & piano
-
Folksong Arrangements, Volume III: The Plough Boy
-
Folksong Arrangements, Volume III: There's None to Sooth
-
Folksong Arrangements, Volume III: The Miller of Dee
-
Folksong Arrangements, Volume I: British Isles, for medium voice & piano
-
Folksong Arrangements, Volume I: British Isles, for high voice & piano
-
Folksong Arrangements, Volume I: British Isles, for voice & piano
-
Folksong Arrangements, Volume III: The Foggy, Foggy Dew
-
Folksong Arrangements, Volume I: Little Sir William
-
Folksong Arrangements, Volume III: O Waly, Waly
-
Folksong Arrangements, Volume I: O Can Ye Sew Cushions?
-
Folksong Arrangements, Volume III: Come You Not From Newcastle?
-
Folksong Arrangements, Volume I: The Ash Grove
-
Folksong Arrangements, Volume I: Oliver Cromwell
-
Folksong Arrangements, Volume I: The Bonny Earl o' Moray
-
The Salley Gardens, folk song for solo voice, bassoon or cello, harp or piano & strings
-
The Salley Gardens, folk song for solo voice & strings
-
Folksong Arrangements, Volume II: 5. La belle est au jardin d'amour
-
Folksong Arrangements, Volume II: France, for voice & piano
-
Folksong Arrangements, Volume II: 1. La Noël passée
-
I Wonder as I Wander
-
There Is a Willow Grows Aslant a Brook
-
Folksong Arrangements, Volume II: 7. Eho! Eho!
-
Eight Folk Song Arrangements, for High Voice and Harp: 3. Lemady
-
Eight Folk Song Arrangements, for High Voice and Harp
-
Bonny at morn
-
Sailor Boy
-
Eight Folk Song Arrangements, for High Voice and Harp: 1. Lord! I Married Me a Wife
-
Eight Folk Song Arrangements, for High Voice and Harp: 2. She's Like the Swallow
-
Eight Folk Song Arrangements, for High Voice and Harp: 4. Bonny at Morn
-
Eight Folk Song Arrangements, for High Voice and Harp: 5. Bugeilio'r Gwenith Gwyn
-
Eight Folk Song Arrangements, for High Voice and Harp: 6. Dafydd y Garreg Wen
-
Eight Folk Song Arrangements, for High Voice and Harp: 7. The False Knight upon the Road
-
Eight Folk Song Arrangements, for High Voice and Harp: 8. Bird Scarer's Song
-
The Twelve Apostles, for solo voice, unison chorus and piano
-
The Holly and the Ivy
-
King Herod and the Cock
-
The Bitter Withy, for tenor, boys' chorus and piano (unfinished)
-
Folksong Arrangements, Volume II: 6. Il est quelqu’un sur terre
-
Folksong Arrangements, Volume II: 2. Voici le Printemps
-
Folksong Arrangements, Volume II: 3. Fileuse
-
Folksong Arrangements, Volume II: 4. Le roi s'en va-t'en chasse
-
Folksong Arrangements, Volume II: 8. Quand j'étais chez mon père
-
French Folk Songs, for baritone and orchestra: Le roi s'en va-t'en chasses
-
French Folk Songs, for baritone and orchestra: Fileuse
-
French Folk Songs, for baritone and orchestra: Eho! Eho!
-
French Folk Songs, for baritone and orchestra: La belle est un jardin d'amour
-
French Folk Songs, for baritone and orchestra: Quand j'étais chez mon père
-
French Folk Songs, for baritone and orchestra
-
Folksong Arrangements, Volume IV: The Minstrel Boy
-
Six Songs: Madd Bess
-
Six Songs: If music be the food of love
-
Six Songs: There's not a swain of the plain
-
Six Songs: Not all my torments
-
Six Songs: Man is for the Woman made
-
Six Songs: Sweeter than roses
-
O Solitude
-
Five Songs: I attempt from Love's sickness to fly
-
Five Songs: I take no pleasure
-
Five Songs: Hark the ech'ing air
-
Five Songs: Take not a woman's anger ill
-
Five Songs: How blest are Shepherds
-
Celemene
-
Six Duets: Sound the Trumpet
-
Six Duets: I spy Celia
-
Six Duets: Lost is my quiet
-
Six Duets: What can we poor females do
-
Six Duets: No, resistance is but vain
-
Six Duets: Shepherd, leave decoying
-
The Queen's Epicedium
-
The Blessed Virgin's Expostulation
-
Saul and the Witch at Endor
-
Three Divine Hymns: Lord, what is man?
-
Three Divine Hymns: We sing to him
-
Three Divine Hymns: Evening Hymn
-
Job's Curse
-
Two Divine Hymns and Alleluia: A Morning Hymn
-
Two Divine Hymns and Alleluia: Alleluia
-
Two Divine Hymns and Alleluia: In the black dismal dungeon of despair
-
Dulcibella
-
When Myra sings
-
Let the dreadful engines of eternal will
-
The Fairy Queen, Z. 629
-
Master Kilby
-
Folksong Arrangements
-
The Knotting Song
-
Seven Songs: Fairest Isle
-
Seven Songs: If music be the food of love
-
Seven Songs: Turn then thine eyes
-
Seven Songs: Music for a while
-
Seven Songs: Pious Celinda
-
Seven Songs: I'll sail upon the Dog-star
-
Seven Songs: On the brow of Richmond Hill
-
Chacony in G minor
-
The Last Rose of Summer
-
Folksong Arrangements, Volume III: Sweet Polly Oliver
-
Folksong Arrangements, Volume V: Ca' the Yowes
-
Eight Folk Song Arrangements: 6. David of the White Rock
-
Eight Folk Song Arrangements: 8. Bird Scarer's Song
-
The Crocodile
-
Greensleeves
-
Tom Bowling
-
Eight Folk Song Arrangements: 2. She's Like the Swallow
-
Eight Folk Song Arrangements: 3. Lemady
-
Folksong Arrangements, Volume V: The Lincolnshire Poacher
-
A Hymn on Divine Musick
-
Hymn to God the Father
-
Folksong Arrangements, Volume V: The Brisk Young Widow
-
Eight Folk Song Arrangements, for High Voice and Harp: 6. David of the White Rock
-
Sail on, sail on
-
Six Dukes Went a-Fishing
-
The Stream in the Valley
-
Come You Not From Newcastle? (Hullah's Song-Book)
-
Lord, I Have Sinned
Wrote
-
The soldier and the sailor
Revised
-
Concerto for Piano, op. 13
(1945)
-
Billy Budd
(1960)
-
The Beggar’s Opera
Composed
-
Five Waltzes: No. 2. Quick, with wit
(1923 - 1925)
-
Five Waltzes: No. 4. Rhythmic: not fast
(1923 - 1925)
-
Five Waltzes: No. 5. Variations: Quiet and simple; Flowing, slow and sad
(1923 - 1925)
-
Five Waltzes
(1923 - 1925)
-
Five Waltzes: No. 3. Dramatic
(1923 - 1925)
-
Five Waltzes: No. 1. Rather fast and nervous
(1923 - 1925)
-
String Quartet in F
(02 Apr 1928 - 11 Apr 1928)
-
String Quartet in F: I. Allegro vivace e con brio
(02 Apr 1928 - 11 Apr 1928)
-
String Quartet in F: II. Andante
(02 Apr 1928 - 11 Apr 1928)
-
String Quartet in F: III. Allegro vivace
(02 Apr 1928 - 11 Apr 1928)
-
String Quartet in F: IV. Allegro molto
(02 Apr 1928 - 11 Apr 1928)
-
Elegy for Strings
(16 Apr 1928 - 23 Apr 1928)
-
Tit for Tat: III. Silver
(13 Jun 1928)
-
Chanson d'automne
(1928)
-
Sagesse
(1928)
-
L'Enfance
(1928)
-
Quatre chansons françaises
(1928)
-
Nuits de juin
(1928)
-
Rhapsody
(28 Jan 1929 - 06 Feb 1929)
-
Tit for Tat: I. A song of enchantment
(Jan 1929)
-
Tit for Tat: V. Tit for tat
(Jan 1929)
-
Miniature Suite: IV. Gavotte
(1929)
-
Miniature Suite: I. Novelette
(1929)
-
Miniature Suite: II. Menuetto
(1929)
-
Miniature Suite
(1929)
-
Miniature Suite: III. Romanza
(1929)
-
Quartettino
(03 Jan 1930 - 17 Apr 1930)
-
A Hymn to the Virgin
(09 Jul 1930 - 29 Apr 1934)
-
Tit for Tat: IV. Vigil
(23 Dec 1930)
-
A Little Idyll
(1930)
-
Three Character Pieces: No. 1. John
(1930)
-
Three Character Pieces: No. 3. Michael
(1930)
-
Three Character Pieces: No. 2. Daphne
(1930)
-
Three Character Pieces
(1930)
-
Movement for Wind Sextet
(1930)
-
Two Portraits
(1930)
-
Two Portraits: No. 2. "E.B.B.". Poco lento
(1930)
-
Two Portraits: No. 1. "David Layton". Poco presto
(1930)
-
Untitled Fragment for Strings
(1930)
-
Rondo concertante
(1930)
-
Rondo concertante: I. Allegro molto
(1930)
-
Rondo concertante: II. Lento
(1930)
-
Quartettino: II. Poco adagio ma con moto
(1930)
-
Quartettino: III. Allegro molto vivace
(1930)
-
Elegy for viola solo
(1930)
-
Quartettino: I. Andante
(1930)
-
Tit for Tat: II. Autumn
(28 Jan 1931)
-
Plymouth Town
(1931)
-
Twelve Variations on a Theme
(1931)
-
String Quartet in D major: II. Lento ed espressivo
(1931)
-
String Quartet in D major: III. Allegro giocoso
(1931)
-
String Quartet in D major
(1931)
-
String Quartet in D major: I. Allegro maestoso
(1931)
-
Christ’s Nativity: III. Preparations
(1931)
-
Christ’s Nativity: IV. New Prince, New Pomp
(1931)
-
Christ’s Nativity: V. Carol of King Cnut
(1931)
-
Christ’s Nativity
(1931)
-
Christ’s Nativity: I. Christ’s Nativity
(1931)
-
Christ’s Nativity: II. Sweet was the Song
(1931)
-
Sinfonietta, op. 1
(Jun 1932 - Jul 1932)
-
Three Two-Part Songs: No. 1. The Ride-by-nights
(1932)
-
Three Two-Part Songs: No. 2. The Rainbow
(1932)
-
Three Two-Part Songs: No. 3. The Ship of Rio
(1932)
-
Three Two-Part Songs
(1932)
-
Sinfonietta, op. 1: II. Variations
(1932)
-
Sinfonietta, op. 1: III. Tarantella
(1932)
-
Sinfonietta, op. 1: I. Poco presto ed agitato
(1932)
-
A Boy Was Born, op. 3: Variation III. Jesu, as Thou art our Saviour
(1932 - 1933)
-
A Boy Was Born, op. 3: Variation IV. The three kings
(1932 - 1933)
-
Phantasy in F minor
(1932)
-
A Boy Was Born, op. 3: Variation V. In the bleak mid-winter
(1932 - 1933)
-
A Boy Was Born, op. 3: Variation VI (Finale). Noel!
(1932 - 1933)
-
A Boy Was Born, op. 3: Theme. A boy was born
(1932 - 1933)
-
A Boy Was Born, op. 3: Variation I. Lullay, Jesu
(1932 - 1933)
-
A Boy Was Born, op. 3: Variation II. Herod
(1932 - 1933)
-
A Boy Was Born, op. 3
(1932 - 1933)
-
Phantasy Quartet, op. 2
(1932)
-
Simple Symphony, op. 4
(Dec 1933 - Feb 1934)
-
Simple Symphony, op. 4: II. Playful Pizzicato
(Dec 1933 - Feb 1934)
-
Simple Symphony, op. 4: III. Sentimental Saraband
(Dec 1933 - Feb 1934)
-
Simple Symphony, op. 4: IV. Frolicsome Finale
(Dec 1933 - Feb 1934)
-
Simple Symphony, op. 4: I. Boisterous Bourrée
(Dec 1933 - Feb 1934)
-
Friday Afternoons, op. 7
(1933 - 1935)
-
Alla Marcia
(1933)
-
Te Deum in C major
(11 Jul 1934 - 17 Sep 1934)
-
Suite for Violin and Piano, op. 6: Introduction -
(1934 - 1935)
-
Suite for Violin and Piano, op. 6: I. March
(1934 - 1935)
-
Suite for Violin and Piano, op. 6: II. Moto perpetuo
(1934 - 1935)
-
Suite for Violin and Piano, op. 6: III. Lullaby
(1934 - 1935)
-
Suite for Violin and Piano, op. 6: IV. Waltz
(1934 - 1935)
-
Suite for Violin and Piano, op. 6
(1934 - 1935)
-
Friday Afternoons, op. 7: No. 5. A New Year Carol
(1934)
-
Holiday Diary, op. 5: IV. Night
(1934)
-
Holiday Diary, op. 5
(1934)
-
Holiday Diary, op. 5: I. Early Morning Bath
(1934)
-
Holiday Diary, op. 5: II. Sailing
(1934)
-
Holiday Diary, op. 5: III. Fun-Fair
(1934)
-
A Poison Tree
(02 Mar 1935)
-
Two Insect Pieces for Oboe and Piano, Op. posth.: II. The Wasp
(1935)
-
Two Insect Pieces for Oboe and Piano, Op. posth.: I. The Grasshopper
(1935)
-
Two Insect Pieces for Oboe and Piano, op. posth.
(1935)
-
Two Insect Pieces for Oboe and Piano, op. posth.: II. The Wasp
(1935)
-
Two Insect Pieces for Oboe and Piano, op. posth.: I. The Grasshopper
(1935)
-
Two Insect Pieces for Oboe and Piano, op. posth.
(1935)
-
Love From a Stranger
(Nov 1936)
-
Three Divertimenti for String Quartet: I. March
(1936)
-
Temporal Variations for Oboe and Piano, op. posth.: IX. Resolution: Maestoso (non troppo lento)
(1936)
-
Temporal Variations for Oboe and Piano, op. posth.: VIII. Polka: Tempo di polka - Allegro
(1936)
-
Temporal Variations for Oboe and Piano, op. posth.: VII. Waltz: Allegretto rubato
(1936)
-
Temporal Variations for Oboe and Piano, op. posth.: VI. Chorale: Molto lento
(1936)
-
Temporal Variations for Oboe and Piano, op. posth.: V. Commination: Adagio con fuoco
(1936)
-
Temporal Variations for Oboe and Piano, op. posth.: IV. Exercises: Allegro molto e con fuoco
(1936)
-
Temporal Variations for Oboe and Piano, op. posth.: III. March: Alla marcia
(1936)
-
Temporal Variations for Oboe and Piano, op. posth.: II. Oration: Lento quasi recitativo
(1936)
-
Temporal Variations for Oboe and Piano, op. posth.: I. Theme: Andante rubato
(1936)
-
Three Divertimenti for String Quartet
(1936)
-
Two Lullabies for Piano Duo: II. Lullaby for a Retired Colonel
(1936)
-
Two Lullabies for Piano Duo: I. Lullaby
(1936)
-
Two Lullabies for Piano Duo
(1936)
-
Irish Reel
(1936)
-
Three Divertimenti for String Quartet: II. Waltz
(1936)
-
Three Divertimenti for String Quartet: III. Burlesque
(1936)
-
The Company of Heaven: Part 3 "Angels in Common Life, and at our Death": Whoso dwelleth under the defence of the most High
(08 Aug 1937 - 22 Sep 1937)
-
The Company of Heaven
(08 Aug 1937 - 22 Sep 1937)
-
Cabaret Songs
(1937 - 1939)
-
Cabaret Songs: No. 1. Tell me the truth about love
(1937 - 1939)
-
Cabaret Songs: No. 2. Funeral Blues
(1937 - 1939)
-
Cabaret Songs: No. 3. Johnny
(1937 - 1939)
-
Cabaret Songs: No. 4. Calypso
(1937 - 1939)
-
Night Covers Up the Rigid Land
(1937)
-
Variations on a Theme by Frank Bridge, op. 10
(1937)
-
Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo. Allegro molto
(1937)
-
Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march. Andante ritmico
(1937)
-
Variations on a Theme by Frank Bridge, op. 10: IV. Romance. Allegretto grazioso
(1937)
-
Variations on a Theme by Frank Bridge, op. 10: XI. Fugue and Finale. Allegro molto vivace - Lento e solenne
(1937)
-
Variations on a Theme by Frank Bridge, op. 10: I. Introduction and Theme. Lento maestoso
(1937)
-
Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana. Allegro brillante
(1937)
-
Variations on a Theme by Frank Bridge, op. 10: VII. Wiener Walzer. Lento - Vivace
(1937)
-
Variations on a Theme by Frank Bridge, op. 10: X. Chant. Lento
(1937)
-
Variations on a Theme by Frank Bridge, op. 10: III. March. Presto alla marcia
(1937)
-
Variations on a Theme by Frank Bridge, op. 10: VI. Bourrée classique. Allegro e pesante
(1937)
-
Variations on a Theme by Frank Bridge, op. 10: II. Adagio
(1937)
-
Prelude on "They Walk Alone"
(1938)
-
Concerto for Piano, op. 13: III. Recitative and Aria
(1938)
-
Concerto for Piano, op. 13
(1938)
-
Advance Democracy
(1938)
-
Concerto for Piano, op. 13
(1938)
-
Concerto for Piano, op. 13: II. Waltz
(1938)
-
Concerto for Piano, op. 13: IV. March
(1938)
-
Concerto for Piano, op. 13: I. Toccata
(1938)
-
Violin Concerto, op. 15: II. Vivace - Cadenza
(1938 - 1939)
-
Violin Concerto, op. 15: I. Moderato con moto
(1938 - 1939)
-
Violin Concerto, op. 15
(1938 - 1939)
-
Violin Concerto, op. 15: III. Passacaglia - Andante lento
(1938 - 1939)
-
A.M.D.G.: Heaven-Haven
(Aug 1939)
-
A.M.D.G.: O deus, ego amo te
(Aug 1939)
-
A.M.D.G.: Rosa Mystica
(Aug 1939)
-
A.M.D.G.: The Soldier
(Aug 1939)
-
A.M.D.G.: Prayer II
(Aug 1939)
-
A.M.D.G.: God’s Grandeur
(Aug 1939)
-
A.M.D.G.: Prayer I
(Aug 1939)
-
A.M.D.G.
(Aug 1939)
-
Ballad of Heroes, op. 14
(1939)
-
Les Illuminations, op. 18: IIIa. Phrase
(1939)
-
Les Illuminations, op. 18: IIIb. Antique
(1939)
-
Les Illuminations, op. 18: IV. Royauté
(1939)
-
Les Illuminations, op. 18: V. Marine
(1939)
-
Les Illuminations, op. 18: VI. Interlude
(1939)
-
Les Illuminations, op. 18: VII. Being Beauteous
(1939)
-
Les Illuminations, op. 18: VIII. Parade
(1939)
-
Les Illuminations, op. 18: IX. Départ
(1939)
-
Les Illuminations, op. 18
(1939)
-
Les Illuminations, op. 18: II. Villes
(1939)
-
Les Illuminations, op. 18: I. Fanfare
(1939)
-
The Sword in the Stone
(1939)
-
The Sword in the Stone: I. Introduction & Boys' Tunes
(1939)
-
The Sword in the Stone: II. Merlyn's Tune & Tree Music
(1939)
-
The Sword in the Stone: III. Merlyn's Spell & Witch Tune
(1939)
-
The Sword in the Stone: IV. Bird Music
(1939)
-
The Sword in the Stone: V. Lullaby
(1939)
-
The Sword in the Stone: VI. Water Theme & End Music
(1939)
-
Ballad of Heroes, op. 14: I. Funeral March
(1939)
-
Ballad of Heroes, op. 14: II. Scherzo: Dance of Death
(1939)
-
Ballad of Heroes, op. 14: III. Recitative and Choral
(1939)
-
Sonatina romantica
(1940)
-
Introduction and Rondo alla burlesca, op. 23 no. 1
(1940)
-
Sonatina romantica: I. Moderato
(1940)
-
Sonatina romantica: II. Nocturne
(1940)
-
Sonatina romantica: III. Burlesque
(1940)
-
Sonatina romantica: IV. Toccata
(1940)
-
Hymn to St. Cecilia, op. 27
(1940 - 1942)
-
Hymn to St. Cecilia, op. 27: I. In a Garden Shady
(1940 - 1942)
-
Hymn to St. Cecilia, op. 27: II. I Cannot Grow
(1940 - 1942)
-
Hymn to St. Cecilia, op. 27: III. O Ear Whose Creatures Cannot Wish to Fall
(1940 - 1942)
-
Hymn to St. Cecilia, op. 27: IV. O Cry Created as the Bow of Sin
(1940 - 1942)
-
Introduction and Rondo alla burlesca, op. 23 no. 1: I. Grave
(1940)
-
Introduction and Rondo alla burlesca, op. 23 no. 1: II. Allegro moderato, ma con spirito
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Theme
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque
(1940)
-
Diversions for Piano Left Hand and Orchestra, op. 21
(1940)
-
Seven Sonnets of Michelangelo, op. 22: 6. Sonetto XXXII: S'un casto amor, s'una pieta superna
(1940)
-
Seven Sonnets of Michelangelo, op. 22: 7. Sonetto XXIV: Spirto ben nato, in cui si specchia e vede
(1940)
-
Seven Sonnets of Michelangelo, op. 22
(1940)
-
Seven Sonnets of Michelangelo, op. 22: 1. Sonetto XVI: Si come nella penna e nell'inchiostro
(1940)
-
Seven Sonnets of Michelangelo, op. 22: 2. Sonetto XXXI: A che piu debb'io mai l'intensa voglia
(1940)
-
Seven Sonnets of Michelangelo, op. 22: 3. Sonetto XXX: Veggio co' be' vostri occhi un dolce lume
(1940)
-
Seven Sonnets of Michelangelo, op. 22: 4. Sonetto LV: Tu sa' ch'io so, signior mie, che tu sai
(1940)
-
Seven Sonnets of Michelangelo, op. 22: 5. Sonetto XXXVIII: Rendete a gli occhi miei, o fonte o fiume
(1940)
-
Sinfonia da Requiem, op. 20: II. Dies irae. Allegro con fuoco
(1940)
-
Sinfonia da Requiem, op. 20: III. Requiem aeternam. Andante molto tranquillo
(1940)
-
Sinfonia da Requiem, op. 20: I. Lachrymosa. Andante ben misurato
(1940)
-
Sinfonia da Requiem, op. 20
(1940)
-
String Quartet no. 1 in D major, op. 25
(1941)
-
Mazurka elegiaca, op. 23 no. 2
(1941)
-
Occasional Overture, op. 38
(1941)
-
Occasional Overture, op. 38
(1941)
-
Pieces for 2 pianos, op. 23
(1941)
-
Occasional Overture, op. 27 "An American Overture"
(1941)
-
String Quartet no. 1 in D major, op. 25: I. Andante sostenuto
(1941)
-
String Quartet no. 1 in D major, op. 25: II. Allegretto con slancio
(1941)
-
String Quartet no. 1 in D major, op. 25: III. Andante calmo
(1941)
-
String Quartet no. 1 in D major, op. 25: IV. Molto vivace
(1941)
-
A Ceremony of Carols, op. 28
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: Introduction
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: Willkumm, Jul!
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: Est ist kein Ros
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: Wann hub dies Kindlein
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: Bubaideli
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: Hodie Christus natus est
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: Wie Tau im Aprill
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: Der kleine Knab
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: Intermezzo
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: In kalter Wintersnacht
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: Frühlingschor
(Mar 1942 - 1943)
-
A Ceremony of Carols, op. 28: Adam lag gebunden
(Mar 1942 - 1943)
-
Peter Grimes: Act II Scene I: "Fool to let it come to this!" (Auntie)
(1942 - 1945)
-
Peter Grimes: Act II Scene I: "What is it?" (Chorus)
(1942 - 1945)
-
Peter Grimes: Act II Scene I: "We planned that their lives should have a new start" (Ellen)
(1942 - 1945)
-
Peter Grimes: Act II Scene I: "Swallow! Shall we go and see Grimes in his hut?" (Rector)
(1942 - 1945)
-
Peter Grimes: Act II Scene I: "Now is gossip put on trial," (Mrs Sedley, Boles, Rector, Keene, Swallow and Chorus)
(1942 - 1945)
-
Peter Grimes: Act III Scene I: "Pah! Ahoy!" (Swallow and Keene)
(1942 - 1945)
-
Peter Grimes: Act III Scene II: "To those who pass the Borough" (Chorus)
(1942 - 1945)
-
Peter Grimes: Act III Scene I: "Mister Swallow! Mister Swallow!" (Mrs Sedley)
(1942 - 1945)
-
Peter Grimes: Act III Scene I: "Come along, Doctor!" (First Burgess)
(1942 - 1945)
-
Balulalow
(1942)
-
A Ceremony of Carols, op. 28: V. As dew in Aprille
(1942)
-
A Ceremony of Carols, op. 28: X. Deo gracias!
(1942)
-
A Ceremony of Carols, op. 28: VI. This little babe
(1942)
-
A Ceremony of Carols, op. 28: VII. Interlude. Andante pastorale
(1942)
-
A Ceremony of Carols, op. 28: XI. Recession
(1942)
-
A Ceremony of Carols, op. 28: I. Procession
(1942)
-
A Ceremony of Carols, op. 28: II. Wolcum Yole!
(1942)
-
A Ceremony of Carols, op. 28: III. There is no Rose
(1942)
-
A Ceremony of Carols, op. 28: IX. Spring Carol
(1942)
-
A Ceremony of Carols, op. 28: IV. (a) That yongë child
(1942)
-
A Ceremony of Carols, op. 28: IV. (b) Balulalow
(1942)
-
A Ceremony of Carols, op. 28: VIII. In Freezing Winter Night
(1942)
-
Peter Grimes: Prologue: "You sailed your boat round the coast" (Swallow)
(1942 - 1945)
-
Peter Grimes: Prologue: "Peter Grimes: I here advise you!" (Swallow)
(1942 - 1945)
-
Peter Grimes: Prologue: "The truth...the pity...and the truth" (Peter)
(1942 - 1945)
-
Peter Grimes: Prologue: Interlude I
(1942 - 1945)
-
Peter Grimes: Act I Scene I: "Oh! hang at open doors the net, the cork," (Women and Fishermen)
(1942 - 1945)
-
Peter Grimes: Act III Scene I: "Assign your prettiness to me" (Swallow)
(1942 - 1945)
-
Peter Grimes: Act III Scene I: "Embroidery in childhood was a luxury of idleness" (Ellen)
(1942 - 1945)
-
Peter Grimes: Act III Scene I: "Who holds himself apart, lets his pride rise" (Chorus)
(1942 - 1945)
-
Peter Grimes: Act III: Interlude VI Fog
(1942 - 1945)
-
Peter Grimes: Act III Scene II: "Grimes! Grimes!" (Chorus, Peter)
(1942 - 1945)
-
Peter Grimes: Act III Scene II: "Peter, we've come to take you home" (Ellen)
(1942 - 1945)
-
Peter Grimes: Act II Scene I: "From the gutter, why should we trouble at their ribaldries?" (Nieces)
(1942 - 1945)
-
Peter Grimes: Act II: Scene I: Interlude IV. Passacaglia
(1942 - 1945)
-
Peter Grimes: Act II Scene II: "Go there!" (Peter)
(1942 - 1945)
-
Peter Grimes: Act II Scene II: "Now!... Now!..." (Boles, Rector, Swallow, Keene and Chorus)
(1942 - 1945)
-
Peter Grimes: Act II Scene II: "Peter Grimes! Nobody here?" (Rector)
(1942 - 1945)
-
Peter Grimes: Act III: Interlude V. Evening
(1942 - 1945)
-
Peter Grimes: Act I Scene II: "The bridge is down, we half swam over" (Hobson)
(1942 - 1945)
-
Peter Grimes: Act II: Interlude III
(1942 - 1945)
-
Peter Grimes: Act II Scene I: "Glitter of waves and glitter of sunlight" (Ellen)
(1942 - 1945)
-
Peter Grimes: Act II Scene I: "Let this be a holiday" (Ellen)
(1942 - 1945)
-
Peter Grimes: Act II Scene I: "This unrelenting work" (Ellen)
(1942 - 1945)
-
Peter Grimes: Act II Scene I: "People!... No! I will speak!" (Boles)
(1942 - 1945)
-
Peter Grimes: Act I: Interlude II The Storm
(1942 - 1945)
-
Peter Grimes: Act I Scene II: "Past time to close!" (Auntie)
(1942 - 1945)
-
Peter Grimes: Act I Scene II: "We live and let live" (Balstrode)
(1942 - 1945)
-
Peter Grimes: Act I Scene II: "Have you heard? The cliff is down" (Keene)
(1942 - 1945)
-
Peter Grimes: Act I Scene II: "Now the Great Bear and Pleiades" (Peter)
(1942 - 1945)
-
Peter Grimes: Act I Scene II: "Old Joe has gone fishing" (Keene)
(1942 - 1945)
-
Peter Grimes: Act I Scene I: "Hi! Give us a hand!" (Peter)
(1942 - 1945)
-
Peter Grimes: Act I Scene I: "I have to go from pub to pub" (Hobson)
(1942 - 1945)
-
Peter Grimes: Act I Scene I: "Let her among you without fault cast the first stone" (Ellen)
(1942 - 1945)
-
Peter Grimes: Act I Scene I: "Look, the storm cone!" (Balstrode)
(1942 - 1945)
-
Peter Grimes: Act I Scene I: "And do you prefer the storm" (Balstrode)
(1942 - 1945)
-
Peter Grimes: Act I Scene I: "What harbour shelters peace" (Peter)
(1942 - 1945)
-
Peter Grimes: Prologue: "Peter Grimes!" (Hobson)
(1942 - 1945)
-
Rejoice in the Lamb, op. 30
(May 1943 - 17 Jul 1943)
-
Serenade for Tenor, Horn and Strings, op. 31: II. Pastoral
(1943)
-
Serenade for Tenor, Horn and Strings, op. 31: VII. Sonnet
(1943)
-
Serenade for Tenor, Horn and Strings, op. 31: VI. Hymn
(1943)
-
Serenade for Tenor, Horn and Strings, op. 31: I. Prologue
(1943)
-
Serenade for Tenor, Horn and Strings, op. 31
(1943)
-
Serenade for Tenor, Horn and Strings, op. 31: IV. Elegy
(1943)
-
Serenade for Tenor, Horn and Strings, op. 31: V. Dirge
(1943)
-
Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne
(1943)
-
Serenade for Tenor, Horn and Strings, op. 31: VIII. Epilogue
(1943)
-
The Ballad of Little Musgrave and Lady Barnard
(1943)
-
Prelude and Fugue for 18-Part String Orchestra, op. 29
(1943)
-
Festival Te Deum, op. 32
(08 Nov 1944 - 09 Nov 1944)
-
This Way to the Tomb
(1944 - 1945)
-
This Way to the Tomb: I. Evening
(1944 - 1945)
-
This Way to the Tomb: II. Morning
(1944 - 1945)
-
This Way to the Tomb: III. Night
(1944 - 1945)
-
Chorale After an Old French Carol
(1944)
-
The Holy Sonnets of John Donne, op. 35: Oh my blacke Soule!
(Aug 1945)
-
The Holy Sonnets of John Donne, op. 35: Batter my heart
(Aug 1945)
-
The Holy Sonnets of John Donne, op. 35: Oh might those sighes and teares
(Aug 1945)
-
The Holy Sonnets of John Donne, op. 35: Oh, to vex me
(Aug 1945)
-
The Holy Sonnets of John Donne, op. 35: What if this present
(Aug 1945)
-
The Holy Sonnets of John Donne, op. 35: Since she whom I loved
(Aug 1945)
-
The Holy Sonnets of John Donne, op. 35: At the round earth's imagin'd corners
(Aug 1945)
-
The Holy Sonnets of John Donne, op. 35: Thou hast made me
(Aug 1945)
-
The Holy Sonnets of John Donne, op. 35: Death be not proud
(Aug 1945)
-
Deus in adjutorium meum
(1945)
-
Concerto for Piano, op. 13: III. Impromptu
(1945)
-
String Quartet no. 2 in C major, op. 36: I. Allegro calmo senza rigore
(1945)
-
String Quartet no. 2 in C major, op. 36: II. Vivace
(1945)
-
String Quartet no. 2 in C major, op. 36: III. Chacony
(1945)
-
String Quartet no. 2 in C major, op. 36
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a
(1945)
-
The Holy Sonnets of John Donne, op. 35
(1945)
-
Peter Grimes op. 33
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: I. Dawn: Lento e tranquillo
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: II. Sunday Morning: Allegro spiritoso
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: III. Moonlight: Andante comodo e rubato
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: IV. Storm: Presto con fuoco
(1945)
-
Passacaglia from Peter Grimes, op. 33b
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: III. Moonlight: Andante comodo e rubato
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: II. Sunday Morning: Allegro spiritoso
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: I. Dawn: Lento e tranquillo
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: I. Dawn: Lento e tranquillo
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: II. Sunday Morning: Allegro spiritoso
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: III. Moonlight: Andante comodo e rubato
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: IV. Storm: Presto con fuoco
(1945)
-
Four Sea Interludes from 'Peter Grimes', op. 33a: IV. Storm: Presto con fuoco
(1945)
-
Albert Herring, op. 39: Act I, Scene I. "Flor-ence!...tell the midwife!" (Lady Billows)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene I. "Doctor Jessop's midwife" (Florence)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene I. “I hope we’re not too early, Florence?” (Miss Wordsworth)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene I. "Stuffy!" (Lady Billows)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene I. "Now then! Notebook, Florence!" (Lady Billows)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene I. "The first suggestion on my list" (Vicar)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act III. "Fools! Fools! Blundering fools!" (Lady Billows)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act III. "In the midst of life is death" (All)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act III. "Albert...!" (All)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act III. "I'm sorry about that" (Albert)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act III. "I can't remember everything" (Albert)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act III. "Albert's come back to stay" (Nancy, Sid, Emmie, Cis, Harry)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene II. "Heaven helps those who help themselves!" (Albert)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act III. Introduction
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act III. "Is she asleep?" (Emmie)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act III. "I'm hungry, I'm tired" (Sid)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act III. "Give me a decent murder with a corpse!" (Superintendent Budd)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act III. "Have you found him?" (Mum)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene I. "My heart leaps up with joy" (Miss Wordsworth)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene I. "Er-humph! Er-humph! I'm no great shakes" (Superintendent Budd)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene I. "Well tried, Albert!" (Vicar)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene I. Interlude
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene II. "Albert the Good!" (Albert)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene II. "You oughtn't to whistle!" (Nancy)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene I. "For three precious weeks" (Florence)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene I. "Quickly, quickly, come along!" (Miss Wordsworth)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene I. "Here they are dears!" (Miss Wordsworth)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene I. "My flowers are few" (Harry)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene I. "I'm full of happiness" (Lady Billows)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene I. "As representing the local Council" (Mayor)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene II. "Tickling a trout" (Sid)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene II. "Meet me at a quarter past eight" (Sid)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene II. "He's much too busy" (Albert)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene II. "Good morning, young man" (Florence)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene II. "We bring great news to you" (Lady Billows)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act II, Scene I. "Isn't he here?" (Florence)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene I. "Is this all you can bring?" (Lady Billows)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene I. "Beggin' your pardon" (Superintendent Budd)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene I. "Right! We'll have him!" (Lady Billows)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene I. Interlude
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene II. "Bounce me high" (Kids)
(Dec 1946 - Apr 1947)
-
Albert Herring, op. 39: Act I, Scene II. "Shop! Hi! Albert!" (Sid)
(Dec 1946 - Apr 1947)
-
Prelude and Fugue on a Theme of Vittoria
(1946)
-
Prelude and Fugue on a Theme of Vittoria: Fugue
(1946)
-
Prelude and Fugue on a Theme of Vittoria: Prelude
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Collatinus is politically astute" (Male Chorus, Junius, Collatinus, Tarquinius)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Goodnight!....There goes a happy man!" (Collatinus, Tarquinius, Junius)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Tarquinius does not dare" (Male Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "My horse! My horse!" (Tarquinius, Male Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "When Tarquinius desires" (Male Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "Within this frail crucible of light" (Tarquinius, Female Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene II. "The oatmeal slippers of sleep" (Female Chorus, Male Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene II. "Lucia runs to the door" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "The prosperity of the Etruscans" (Female Chorus, Male Chorus, Collatinus, Lucia, Junius, Bianca)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "She sleeps as a rose" (Female Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Who reaches heaven first is the best philosopher" (Collatinus, Male Chorus, Junius, Tarquinius)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Maria was unmasked at a masked ball" (Junius, Tarquinius, Collatinus, Male Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Rome is now ruled by the Etruscan upstart" (Male Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "It is an axiom among kings" (Female Chorus, Male Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Here the thirsty ev'ning has drunk the wine of light" (Male Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene II. "Their spinning wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene II. "Listen! I heard a knock" (Lucretia, Bianca, Lucia)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene II. "Time treads upon the hands of women" (Lucia, Bianca, Female Chorus, Lucretia)
(1946)
-
The Rape of Lucretia, op. 37: Act II
(1946)
-
The Rape of Lucretia, op. 37
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin)
(1946)
-
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Never again must we two dare to part" (Collatinus, Lucretia)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Last night Tarquinius ravished me" (Lucretia, Collatinus)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "This dead hand lets fall" (Collatinus, Junius, Bianca, Lucia, Female Chorus, Male Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Epilogue: Is it all?" (Female Chorus, Male Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act I
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "Lucretia!...What do you want?" (Tarquinius, Lucretia, Male Chorus, Female Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "Interlude: Here in this scene you see virtue" (Female Chorus, Male Chorus)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Oh! What a lovely day!" (Lucia, Bianca)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Good morning my Lady" (Bianca, Lucia, Lucretia)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Flowers bring to every year" (Lucretia, Bianca)
(1946)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "You were right. Tarquinius took one of the horses" (Lucia, Bianca, Collatinus, Junius)
(1946)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Maria was unmasked at a masked ball" (Junius, Tarquinius, Collatinus, Male Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Collatinus is politically astute" (Male Chorus, Junius, Collatinus, Tarquinius)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Goodnight!....There goes a happy man!" (Collatinus, Tarquinius, Junius)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Tarquinius does not dare" (Male Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "She sleeps as a rose" (Female Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "When Tarquinius desires" (Male Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "Within this frail crucible of light" (Tarquinius, Female Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "Lucretia!...What do you want?" (Tarquinius, Lucretia, Male Chorus, Female Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "Interlude: Here in this scene you see virtue" (Female Chorus, Male Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Oh! What a lovely day!" (Lucia, Bianca)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Good morning my Lady" (Bianca, Lucia, Lucretia)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Flowers bring to every year" (Lucretia, Bianca)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "You were right. Tarquinius took one of the horses" (Lucia, Bianca, Collatinus, Junius)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Never again must we two dare to part" (Collatinus, Lucretia)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Last night Tarquinius ravished me" (Lucretia, Collatinus)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "This dead hand lets fall" (Collatinus, Junius, Bianca, Lucia, Female Chorus, Male Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene II. "Epilogue: Is it all?" (Female Chorus, Male Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act I
(1947)
-
The Rape of Lucretia, op. 37
(1947)
-
The Rape of Lucretia, op. 37: Act II
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Rome is now ruled by the Etruscan upstart" (Male Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "It is an axiom among kings" (Female Chorus, Male Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Here the thirsty ev'ning has drunk the wine of light" (Male Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "My horse! My horse!" (Tarquinius, Male Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene II. "Their spinning wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene II. "Listen! I heard a knock" (Lucretia, Bianca, Lucia)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene II. "Time treads upon the hands of women" (Lucia, Bianca, Female Chorus, Lucretia)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene II. "The oatmeal slippers of sleep" (Female Chorus, Male Chorus)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene II. "Lucia runs to the door" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia)
(1947)
-
The Rape of Lucretia, op. 37: Act II, Scene I. "The prosperity of the Etruscans" (Female Chorus, Male Chorus, Collatinus, Lucia, Junius, Bianca)
(1947)
-
The Rape of Lucretia, op. 37: Act I, Scene I. "Who reaches heaven first is the best philosopher" (Collatinus, Male Chorus, Junius, Tarquinius)
(1947)
-
Men of Goodwill: Variations on a Christmas Carol
(1947)
-
A Charm of Lullabies, op. 41: No. 3. Sephestia’s Lullaby
(1947)
-
A Charm of Lullabies, op. 41: No. 4. A Charm
(1947)
-
A Charm of Lullabies, op. 41: No. 5. The Nurse’s Song
(1947)
-
A Charm of Lullabies, op. 41
(1947)
-
A Charm of Lullabies, op. 41
(1947)
-
A Charm of Lullabies, op. 41: No. 1. A Cradle Song
(1947)
-
A Charm of Lullabies, op. 41: No. 2. The Highland Balou
(1947)
-
A Charm of Lullabies, op. 41: No. 2. The Highland Balou
(1947)
-
A Charm of Lullabies, op. 41: No. 3. Sephestia’s Lullaby
(1947)
-
A Charm of Lullabies, op. 41: No. 4. A Charm
(1947)
-
A Charm of Lullabies, op. 41: No. 5. The Nurse’s Song
(1947)
-
A Charm of Lullabies, op. 41: No. 1. A Cradle Song
(1947)
-
Canticle I, op. 40 "My Beloved Is Mine"
(1947)
-
Spring Symphony, op. 44: Part 1: 2. The Merry Cuckoo
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 2: 6. Welcome, Maids of Honour
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 2: 7. Waters Above!
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 2: 8. Out on the lawn I Lie in bed
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 3: 11. Sound the Flute!
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 3: 9. When will my May Come?
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 3: 10. Fair and Fair
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 4
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 4: 12. Finale: London, to Thee I do Present
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 1
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 1: 1. Introduction: Shine Out
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 1: 3. Spring, the Sweet Spring
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 1: 4. The Driving Boy
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 1: 5. The Morning Star
(Oct 1948 - Jun 1949)
-
Spring Symphony, op. 44: Part 3
(Oct 1948 - Jun 1949)
-
St. Nicolas, op. 42: VIII. His piety and marvellous works
(1948)
-
St. Nicolas, op. 42: I. Introduction
(1948)
-
St. Nicolas, op. 42: II. The Birth of Nicolas
(1948)
-
St. Nicolas, op. 42: III. Nicolas devotes himself to God
(1948)
-
St. Nicolas, op. 42: IV. He journeys to Palestine
(1948)
-
St. Nicolas, op. 42: V. He comes to Myra and is chosen Bishop
(1948)
-
St. Nicolas, op. 42
(1948)
-
St. Nicolas, op. 42: IX. The death of Nicolas
(1948)
-
St. Nicolas, op. 42: VI. Nicolas from prison
(1948)
-
St. Nicolas, op. 42: VII. Nicolas and the pickled boys
(1948)
-
Billy Budd: Act I, Scene II. "Gentlemen, the King!"
(1949 - 1960)
-
Billy Budd: Act I, Scene II. "Ay, at Spithead"
(1949 - 1960)
-
Billy Budd: Act I, Scene II. "We are, sir. Claggart is an able one"
(1949 - 1960)
-
Billy Budd: Act I, Scene III. "Blow her away"
(1949 - 1960)
-
Billy Budd: Act I, Scene III. "We're off to Samoa"
(1949 - 1960)
-
Billy Budd: Act I, Scene III. "Hi! You...a...a..."
(1949 - 1960)
-
Billy Budd: Act I, Scene III. "Over the water"
(1949 - 1960)
-
Billy Budd: Act I, Scene III. "Come here. Remember your promise"
(1949 - 1960)
-
Billy Budd: Epilogue. "We committed his body to the deep."
(1949 - 1960)
-
Billy Budd: Act II
(1949 - 1960)
-
Billy Budd: Act I, Scene I. "Your name?"
(1949 - 1960)
-
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!"
(1949 - 1960)
-
Billy Budd: Act I, Scene I. "I heard, your honour!"
(1949 - 1960)
-
Billy Budd: Act I, Scene I. "Come along kid! Come along!"
(1949 - 1960)
-
Billy Budd: Act I, Scene I. "Christ! the poor chap"
(1949 - 1960)
-
Billy Budd: Act I, Scene I. "What's that? What's those whistles?"
(1949 - 1960)
-
Billy Budd: Act I, Scene I. "Starry Vere we call him"
(1949 - 1960)
-
Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!"
(1949 - 1960)
-
Billy Budd: Act I, Scene III. "Dansker, old friend, glad to see you"
(1949 - 1960)
-
Billy Budd: Act II, Scene I. "I don't like the look of the mist"
(1949 - 1960)
-
Billy Budd: Act II, Scene I. "With great regret I must disturb your honour"
(1949 - 1960)
-
Billy Budd: Act II, Scene I. "Who'll volunteer to board 'em"
(1949 - 1960)
-
Billy Budd: Act II, Scene I. "There you are again, Master-at-arms"
(1949 - 1960)
-
Billy Budd: Act II, Scene I. "O this cursed mist!"
(1949 - 1960)
-
Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!"
(1949 - 1960)
-
Billy Budd: Act II, Scene II. "Master-at-arms and foretopman"
(1949 - 1960)
-
Billy Budd: Act II, Scene II. "God o' mercy!"
(1949 - 1960)
-
Billy Budd: Act II, Scene II. "Gentlemen, William Budd here"
(1949 - 1960)
-
Billy Budd: Act II, Scene II. "William Budd, you are accused"
(1949 - 1960)
-
Billy Budd: Act II, Scene II. "Poor fellow, who could save him?"
(1949 - 1960)
-
Billy Budd: Act II, Scene II. "I accept their verdict"
(1949 - 1960)
-
Billy Budd: Act II, Scene III. “Look!”
(1949 - 1960)
-
Billy Budd: Act II, Scene III. "Here! Baby!"
(1949 - 1960)
-
Billy Budd: Act II, Scene III. "And farewell to ye, old Rights o' Man!"
(1949 - 1960)
-
Billy Budd: Act II, Scene III. Interlude
(1949 - 1960)
-
Billy Budd: Act II, Scene IV. "According to the Articles of War"
(1949 - 1960)
-
Billy Budd: Act II, Scene IV. "Down all hands!"
(1949 - 1960)
-
Billy Budd: Act I, Scene II. "Boy!"
(1949 - 1960)
-
A Wedding Anthem, op. 46
(1949)
-
Billy Budd: Act I, Scene I. "Guard boat! Indomitable!"
(1949 - 1961)
-
Billy Budd: Act I
(1949 - 1961)
-
Billy Budd: Prologue. "I am an old man"
(1949 - 1960)
-
Billy Budd: Act I, Scene I. "Pull, my bantams!"
(1949 - 1960)
-
Billy Budd: Act I, Scene I. "First man forward!"
(1949 - 1960)
-
Billy Budd: Act II, Scene I. "Deck ahoy!"
(1949 - 1960)
-
Five Flower Songs, op. 47
(1950)
-
Five Flower Songs, op. 47: No. 4. The Evening Primrose
(1950)
-
Five Flower Songs, op. 47: No. 3. Marsh Flowers
(1950)
-
Five Flower Songs, op. 47: No. 5. Ballad of Green Broom
(1950)
-
Five Flower Songs, op. 47: No. 2. The Succession of the Four Sweet Months
(1950)
-
Five Flower Songs, op. 47: No. 1. To Daffodils
(1950)
-
Lachrymae: Reflections on a song of Dowland, op. 48a
(1950)
-
Lachrymae: Reflections on a song of Dowland, op. 48
(1950)
-
Six Metamorphoses after Ovid for Oboe Solo, op. 49: II. Phaeton - Vivace ritmico
(1951)
-
Six Metamorphoses after Ovid for Oboe Solo, op. 49: I. Pan - Senza misura
(1951)
-
Six Metamorphoses after Ovid for Oboe Solo, op. 49
(1951)
-
Six Metamorphoses after Ovid for Oboe Solo, op. 49: VI. Arethusa - Largamente
(1951)
-
Six Metamorphoses after Ovid for Oboe Solo, op. 49: V. Narcissus - Lento piacevole
(1951)
-
Six Metamorphoses after Ovid for Oboe Solo, op. 49: IV. Bacchus - Allegro paesante
(1951)
-
Six Metamorphoses after Ovid for Oboe Solo, op. 49: III. Niobe - Andante
(1951)
-
Canticle II, op. 51 "Abraham and Isaac"
(1952)
-
Symphonic Suite from "Gloriana", op. 53a: III. The Courtly Dances
(1953)
-
Symphonic Suite from "Gloriana", op. 53a: IV. Gloriana Moritura
(1953)
-
Winter Words, op. 52: 7. At the Railway Station, Upway
(1953)
-
Winter Words, op. 52: 8. Before Life and After
(1953)
-
Winter Words, op. 52: 1. At Day-close in November
(1953)
-
Winter Words, op. 52: 2. Midnight on the Great Western
(1953)
-
Winter Words, op. 52: 3. Wagtail and Baby
(1953)
-
Winter Words, op. 52: 4. The Little Old Table
(1953)
-
Winter Words, op. 52: 5. The Choirmaster's Burial
(1953)
-
Symphonic Suite from "Gloriana", op. 53a: I. The Tournament
(1953)
-
Symphonic Suite from "Gloriana", op. 53a: II. The Lute Song
(1953)
-
Winter Words, op. 52: 6. Proud Songsters
(1953)
-
Winter Words, op. 52
(1953)
-
Symphonic Suite from “Gloriana”, op. 53a
(1953)
-
Canticle III, op. 55 "Still Falls the Rain - the Raids, 1940, Night and Dawn"
(1954)
-
Scherzo for Recorder Quartet
(1954)
-
The Turn of the Screw: Prologue (The Prologue)
(1954)
-
The Turn of the Screw: Act I, Theme / Act I, Scene 1. Recitative "The Journey" (Governess)
(1954)
-
The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess)
(1954)
-
The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess)
(1954)
-
The Turn of the Screw: Act I, Variation III / Act I, Scene 4. Air "The Tower" (Governess)
(1954)
-
The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose)
(1954)
-
The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess)
(1954)
-
The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles)
(1954)
-
The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose)
(1954)
-
The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess)
(1954)
-
The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess
(1954)
-
The Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel)
(1954)
-
The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint)
(1954)
-
The Turn of the Screw: Act II, Variation XII / Act II, Scene 5. "Quint" (Quint)
(1954)
-
The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora)
(1954)
-
The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora)
(1954)
-
The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint)
(1954)
-
Timpani Piece for Jimmy
(08 Dec 1955 - 09 Dec 1955)
-
Alpine Suite for Recorder Trio: I. Arrival at Zermatt
(1955)
-
Alpine Suite for Recorder Trio: II. Swiss Clock (Romance)
(1955)
-
Alpine Suite for Recorder Trio: III. Nursery Slopes
(1955)
-
Alpine Suite for Recorder Trio: IV. Alpine Scene
(1955)
-
Alpine Suite for Recorder Trio: V. Moto Perpetuo: Down the Piste
(1955)
-
Alpine Suite for Recorder Trio: VI. Farewell to Zermatt
(1955)
-
Alpine Suite
(1955)
-
Hymn to St. Peter, op. 56a
(1955)
-
The Prince of the Pagodas, op. 57: Act III
(1956)
-
The Prince of the Pagodas, op. 57: Act I
(1956)
-
The Prince of the Pagodas, op. 57: Act II
(1956)
-
The Prince of the Pagodas, op. 57
(1956)
-
Antiphon, op. 56b
(1956)
-
The Prince of the Pagodas: Prelude and Dances, op. 57b: 5. Variation of Belle Rose
(1956)
-
The Prince of the Pagodas: Prelude and Dances, op. 57b: 6. Finale
(1956)
-
The Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the East
(1956)
-
The Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the West
(1956)
-
The Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the South
(1956)
-
The Prince of the Pagodas: Prelude and Dances, op. 57b: 4. Belle Epine
(1956)
-
The Prince of the Pagodas: Prelude and Dances, op. 57b: 4. Belle Rose
(1956)
-
The Prince of the Pagodas: Prelude and Dances, op. 57b: 5. Variation of the Prince
(1956)
-
The Prince of the Pagodas: Prelude and Dances, op. 57b: 1. Prelude
(1956)
-
The Prince of the Pagodas: Prelude and Dances, op. 57b: 2. March and Gavotte
(1956)
-
The Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the North
(1956)
-
Songs from the Chinese, op. 58
(1957)
-
Nocturne, op. 60: II. Below the thunders of the upper deep
(1958)
-
Nocturne, op. 60: III. Encinctured
(1958)
-
Nocturne, op. 60: IV. Midnight's bell
(1958)
-
Nocturne, op. 60: V. But that night
(1958)
-
Nocturne, op. 60: VI. She sleeps
(1958)
-
Nocturne, op. 60: VII. What is more gentle
(1958)
-
Nocturne, op. 60
(1958)
-
Nocturne, op. 60: I. On a poet's lips I slept
(1958)
-
Nocturne, op. 60: VIII. When most I wink, then do mine eyes best see
(1958)
-
Elegy for Violin and Orchestra
(1958)
-
Um Mitternacht
(1959)
-
Cantata academica, op. 62
(1959)
-
Fanfare for St. Edmondsbury
(1959)
-
Fanfare for St. Edmundsbury
(1959)
-
Missa Brevis in D major, op. 63
(1959)
-
Missa Brevis in D major, op. 63: II. Gloria
(1959)
-
Missa Brevis in D major, op. 63: III. Sanctus and Benedictus
(1959)
-
Missa Brevis in D major, op. 63: IV. Agnus Dei
(1959)
-
Missa Brevis in D major, op. 63: I. Kyrie
(1959)
-
A Midsummer Night's Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "When my cue comes, call me" (Bottom)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "Have you sent to Bottom's house?" (Rustics)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue)
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia)
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius)
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. "This is thy negligence" (Oberon, Puck)
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia)
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. "On the ground, sleep sound" (Fairies)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "My gentle Robin, see'st thou this sweet sight?" (Oberon, Puck, Tytania)
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck)
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies)
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania)
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania)
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. "I have a reas'nable good ear in music" (Bottom, Tytania)
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "Through the forest I have gone" (Puck)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "You spotted snakes with double tongue" (Yaogd;)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "Asleep, my love?" (Flute/Thisby)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "Come, your Bergomask" (Theseus)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "O grim-look'd night, o night with hue so black" (Bottom/Pyramus)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus)
(1960)
-
A Midsummer Night's Dream, op. 64: Act III
(1960)
-
A Midsummer Night's Dream, op. 64: Act II
(1960)
-
A Midsummer Night's Dream, op. 64: Act I
(1960)
-
A Midsummer Night’s Dream, op. 64
(1960)
-
A Midsummer Night's Dream, op. 64: Act II. Introduction: the Wood
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "Well, go thy way" (Oberon, Puck)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "How now, my love" (Lysanda, Hermia)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "Is all our company here?" (Rustics)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "Fair love, you faint with wand'ring in the wood" (Lysander, Hermia)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "Over hill, over dale" (Fairies, Puck)
(1960)
-
A Midsummer Night's Dream, op. 64: Act I. "Oberon is passing fell and wrath" (Fairies, Oberon, Tytania)
(1960)
-
War Requiem, op. 66
(1961 - Jan 1962)
-
Jubilate Deo in C major
(1961)
-
Cello Sonata in C major, op. 65: II. Scherzo: pizzicato
(1961)
-
Cello Sonata in C major, op. 65: IV. Marcia
(1961)
-
Cello Sonata in C major, op. 65
(1961)
-
Cello Sonata in C major, op. 65: I. Dialogo
(1961)
-
Cello Sonata in C major, op. 65: III. Elegia
(1961)
-
Cello Sonata in C major, op. 65: V. Moto perpetuo
(1961)
-
War Requiem, op. 66: I. Requiem aeternam
(1961 - 20 Dec 1961)
-
War Requiem, op. 66: II. Dies irae
(1961 - 20 Dec 1961)
-
War Requiem, op. 66: III. Offertorium
(1961 - 20 Dec 1961)
-
War Requiem, op. 66: IV. Sanctus
(1961 - 20 Dec 1961)
-
War Requiem, op. 66: V. Agnus Dei
(1961 - 20 Dec 1961)
-
War Requiem, op. 66: VI. Libera me
(1961 - 20 Dec 1961)
-
Psalm 150, op. 67
(1962)
-
A Hymn of St Columba
(1962)
-
Fancie
(1962)
-
Symphony for Cello and Orchestra, op. 68
(1963)
-
Cantata misericordium, op. 69
(1963)
-
Night Piece "Notturno"
(1963)
-
Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso
(1963)
-
Symphony for Cello and Orchestra, op. 68: II. Presto inquieto
(1963)
-
Symphony for Cello and Orchestra, op. 68: III. Adagio – Cadenza ad lib
(1963)
-
Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro
(1963)
-
Cello Suite no. 1, op. 72
(1964)
-
Cello Suite no. 1, op. 72: III. Canto terzo. Sostenuto
(1964)
-
Cello Suite no. 1, op. 72: 6. Moto perpetuo e canto quarto. Presto
(1964)
-
Cello Suite no. 1, op. 72: II. Canto secondo. Sostenuto
(1964)
-
Cello Suite no. 1, op. 72: 3. Serenata. Allegretto pizzicato
(1964)
-
Cello Suite no. 1, op. 72: 5. Bordone. Moderato quasi recitativo
(1964)
-
Cello Suite no. 1, op. 72: 1. Fuga. Andante moderato
(1964)
-
Cello Suite no. 1, op. 72: 2. Lamento. Lento rubato
(1964)
-
Cello Suite no. 1, op. 72: 4. Marcia. Alla marcia moderato
(1964)
-
Cello Suite no. 1, op. 72: I. Canto Primo. Sostenuto e largamente
(1964)
-
Songs and Proverbs of William Blake, op. 74: The pride of the peacock...London
(1965)
-
Songs and Proverbs of William Blake, op. 74: Prisons are built... The Chimney sweeper
(1965)
-
Songs and Proverbs of William Blake, op. 74: The bird a nest... A poison tree
(1965)
-
Songs and Proverbs of William Blake, op. 74: Think in the morning... The Tyger
(1965)
-
Songs and Proverbs of William Blake, op. 74: The tygers of wrath... The Fly
(1965)
-
Songs and Proverbs of William Blake, op. 74: The hours of folly... Ah, Sun-flower
(1965)
-
Songs and Proverbs of William Blake, op. 74: To see a World... Every night & every morn
(1965)
-
Gemini Variations, Twelve Variations and Fugue on an Epigram of Zoltàn Kodaly, op. 73
(1965)
-
Gemini Variations, op. 73: Theme - Maestoso
(1965)
-
Gemini Variations, op. 73: Variation I - Prestissimo scherzando
(1965)
-
Gemini Variations, op. 73: Variation II - Moderato
(1965)
-
Gemini Variations, op. 73: Variation IX - Fanfara - Allegro
(1965)
-
Gemini Variations, op. 73: Variation X - Marcia - Lo stesso tempo (Allegro)
(1965)
-
Gemini Variations, op. 73: Variation XI - Specchio II - Misterioso
(1965)
-
Gemini Variations, op. 73: Variation III - Allegro con brio
(1965)
-
Gemini Variations, op. 73: Variation IV - Grazioso
(1965)
-
Gemini Variations, op. 73: Variation V - Canone - Vivace
(1965)
-
Gemini Variations, op. 73: Variation VI - Specchio I - Lento tranquillo
(1965)
-
Gemini Variations, op. 73: Variation VII - Cadenza
(1965)
-
Gemini Variations, op. 73: Variation VIII - Appassionato
(1965)
-
Gemini Variations, op. 73: Variation XII - Romanza - Andante rubato
(1965)
-
Gemini Variations, op. 73: Fugue - Molto moderato
(1965)
-
Voices for Today, op. 75
(1965)
-
Variations
(1965)
-
Variations: I. Like an improvisation
(1965)
-
Variations: II.
(1965)
-
Variations: III.
(1965)
-
Variations: IV.
(1965)
-
Variations: V.
(1965)
-
Variations: VI.
(1965)
-
The Burning Fiery Furnace, op. 77
(1966)
-
The Building of the House, op. 79
(Jan 1967 - 16 Mar 1967)
-
The Oxen
(1967)
-
Cello Suite no. 2, op. 80
(1967)
-
Cello Suite no. 2, op. 80: II. Fuga. Andante
(1967)
-
Cello Suite no. 2, op. 80: I. Declamato. Largo
(1967)
-
Cello Suite no. 2, op. 80: IV. Andante lento
(1967)
-
Cello Suite no. 2, op. 80: III. Scherzo. Allegro molto
(1967)
-
Cello Suite no. 2, op. 80: V. Ciaccona. Allegro
(1967)
-
Children's Crusade, op. 82
(1968)
-
Suite for Harp Solo, op. 83: V. Hymn (St. Denio) - Slow and solemn
(1969)
-
Suite for Harp Solo, op. 83: III. Nocturne - Slow and quiet
(1969)
-
Suite for Harp Solo, op. 83: I. Overture - Majestic
(1969)
-
Suite for Harp Solo, op. 83
(1969)
-
Suite for Harp Solo, op. 83: IV. Fugue - Lively
(1969)
-
Suite for Harp Solo, op. 83: II. Toccata - Fast and gay
(1969)
-
Who Are These Children?, op. 84: The Larky Lad
(1969)
-
Who Are These Children?, op. 84: Who Are These Children?
(1969)
-
Who Are These Children?, op. 84: Supper
(1969)
-
Who Are These Children?, op. 84: The Children
(1969)
-
Who Are These Children?, op. 84: The Auld Aik
(1969)
-
Who Are These Children?, op. 84: A Laddie’s Sang
(1969)
-
Who Are These Children?, op. 84: Nightmare
(1969)
-
Who Are These Children?, op. 84: Black Day
(1969)
-
Who Are These Children?, op. 84: Bed-Time
(1969)
-
Who Are These Children?, op. 84: Slaughter
(1969)
-
Who Are These Children?, op. 84: A Riddle (The Child You Were)
(1969)
-
Who Are These Children?, op. 84
(1969)
-
Who Are These Children?, op. 84: A Riddle (The Earth)
(1969)
-
Canticle IV, op. 86 "The Journey of the Magi"
(1971)
-
Cello Suite no. 3, op. 87: III. Canto
(1971)
-
Cello Suite no. 3, op. 87: IV. Barcarola
(1971)
-
Cello Suite no. 3, op. 87: IX. Passacaglia
(1971)
-
Cello Suite no. 3, op. 87: VII. Recitativo
(1971)
-
Cello Suite no. 3, op. 87: VI. Fuga
(1971)
-
Cello Suite no. 3, op. 87: VIII. Moto perpetuo
(1971)
-
Cello Suite no. 3, op. 87
(1971)
-
Cello Suite no. 3, op. 87: V. Dialogo
(1971)
-
Cello Suite no. 3, op. 87: I. Introduzione
(1971)
-
Cello Suite no. 3, op. 87: II. Marcia
(1971)
-
A Suite on English Folk Tunes, op. 90 "A Time There Was": II. The Bitter Withy
(1974)
-
A Suite on English Folk Tunes, op. 90 "A Time There Was": III. Hankin Booby
(1974)
-
A Suite on English Folk Tunes, op. 90 "A Time There Was": IV. Hunt the Squirrel
(1974)
-
A Suite on English Folk Tunes, op. 90 "A Time There Was": V. Lord Melbourne
(1974)
-
A Suite on English Folk Tunes, op. 90 "A Time There Was": I. Cakes and Ale
(1974)
-
Canticle V, op. 89 "The Death of Saint Narcissus"
(1974)
-
A Suite on English Folk Tunes, op. 90 "A Time There Was"
(1974)
-
Sacred and Profane, op. 91: No. 3. Lenten is come
(1974 - 1975)
-
Sacred and Profane, op. 91: No. 4. The long night
(1974 - 1975)
-
Sacred and Profane, op. 91: No. 5. Yif ic of luve can
(1974 - 1975)
-
Sacred and Profane, op. 91: No. 6. Carol
(1974 - 1975)
-
Sacred and Profane, op. 91: No. 7. Ye that pasen by
(1974 - 1975)
-
Sacred and Profane, op. 91: No. 8. A death
(1974 - 1975)
-
Sacred and Profane, op. 91
(1974 - 1975)
-
Sacred and Profane, op. 91: No. 1. St. Godric's Hymn
(1974 - 1975)
-
Sacred and Profane, op. 91: No. 2. I mon waxe wod
(1974 - 1975)
-
String Quartet no. 3, op. 94: V. Recitative and Passacaglia (La serenissima)
(1975)
-
String Quartet no. 3, op. 94: II. Ostinato: Very Fast
(1975)
-
String Quartet no. 3, op. 94: III. Solo: Very Calm
(1975)
-
String Quartet no. 3, op. 94: IV. Burlesque: Fast – con fuoco
(1975)
-
Four Burns Songs, op. 92 no. 5 "A Birthday Hansel": Afton Water
(1975)
-
Four Burns Songs, op. 92 no. 3 "A Birthday Hansel": Wee Willie
(1975)
-
Four Burns Songs, op. 92 no. 6 "A Birthday Hansel": The Winter
(1975)
-
Four Burns Songs, op. 92 no. 4 "A Birthday Hansel": My Hoggie
(1975)
-
String Quartet no. 3, op. 94: I. Duets: With Moderate Movement
(1975)
-
Four Burns Songs
(1975)
-
A Birthday Hansel, op. 92
(1975)
-
Phaedra, op. 93
(1975)
-
String Quartet no. 3, op. 94
(1975)
-
Tema "Sacher"
(1976)
-
The Second Lute Song of the Earl of Essex
-
On the Frontier
-
On the Frontier: The Clock on the Wall
-
Tit for Tat
-
Matinées musicales, op. 24
-
Matinées musicales, op. 24: I. March
-
Matinées musicales, op. 24: II. Nocturne
-
Matinées musicales, op. 24: III. Waltz
-
Matinées musicales, op. 24: IV. Pantomime
-
Matinées musicales, op. 24: V. Moto perpetuo (solfeggi e gorgheggi)
-
The Sun Shines Down
-
What's in Your Mind?
-
Underneath the Abject Willow
-
The Sycamore Tree
-
The Shooting Of His Dear
-
Nocturnal after John Dowland, op. 70: IX. Slow and Quiet
-
Reveille
-
Phrase
-
Aube
-
À une raison
-
Friday Afternoons, op. 7: No. 12. Old Abram Brown
-
Friday Afternoons, op. 7: No. 3. Cuckoo!
-
Double Concerto for Violin and Viola in B minor: I. Allegro ma non troppo
-
Double Concerto for Violin and Viola in B minor: II. Rhapsody. Poco lento
-
Double Concerto for Violin and Viola in B minor: III. Allegro scherzando - Allegro non troppo
-
The Spirit of the Lord (The World of the Spirit)
-
The Heart of the Matter
-
Tradition
-
The Gully
-
Dawtie’s Devotion
-
Variations on an Elizabethan Theme: Variation 4. Quick and Gay
-
Venite exultemus domino
-
At the Mid Hour of Night
-
Folk Song Arrangements, Vol. 4, "Moore's Irish Melodies": No. 1. Avenging and Bright
-
Fanfare "The Eagle has two Heads"
-
Friday Afternoons, op. 7: No. 1. Begone, Dull Care!
-
Friday Afternoons, op. 7: No. 2. A Tragic Story
-
Friday Afternoons, op. 7: No. 4. “Ee‐oh!”
-
Friday Afternoons, op. 7: No. 6. I Mun Be Married on Sunday
-
Friday Afternoons, op. 7: No. 7. There Was a Man of Newington
-
Friday Afternoons, op. 7: No. 8. Fishing song
-
Friday Afternoons, op. 7: No. 9. The Useful Plough
-
Friday Afternoons, op. 7: No. 10. Jazz‐Man
-
Friday Afternoons, op. 7: No. 11. There Was a Monkey
-
A Wealden Trio: Christmas song of the women
-
A Hymn To The Virgin
-
Folk Song Arrangements, Vol. 4, "Moore's Irish Melodies": No. 6. Rich and Rare
-
Movements for a Clarinet Concerto: III. Finale
-
Movements for a Clarinet Concerto: I. Molto allegro
-
Movements for a Clarinet Concerto: II. Mazurka elegiaca
-
Movements for a Clarinet Concerto
-
Johnson over Jordan Suite: III. Spider Dance, Spider and the Fly. Lento quasi Blues
-
Fish in the Unruffled Lakes
-
To Lie Flat on the Back With the Knees Flexed
-
When You’re Feeling Like Expressing Your Affection
-
Not Even Summer Yet
-
The Red Cockatoo
-
Wild With Passion
-
If Thou Wilt Ease Thine Heart
-
Cradle Song for Eleanor
-
Birthday Song for Erwin
-
Johnson over Jordan Suite: I. Ouverture. Andante maestoso
-
Johnson over Jordan Suite: IV. Approach of Death and Finale
-
Scottish Ballad, op. 26
-
Paul Bunyan, op. 17
-
Canadian Carnival, op. 19
-
Billy Budd
-
Billy Budd
-
Gloriana
-
Noye's Fludde, op. 59
-
The Golden Vanity, op. 78
-
Mont Juic
-
Death in Venice
-
Suite from Death in Venice
-
Curlew River, op. 71
-
Johnson over Jordan Suite: II. Introduction and Incinerator’s Dance
-
Paul Bunyan, op. 17: Introduction
-
The Turn of the Screw
-
Owen Wingrave
-
Paul Bunyan, op. 17: Prologue. In the forest (4 Young Trees, 2 Wild Geese, Semichorus of Old Trees, Chorus)
-
Paul Bunyan, op. 17: First Ballad Interlude (Narrator)
-
Paul Bunyan, op. 17: Act I
-
Paul Bunyan, op. 17: Act II
-
Paul Bunyan, op. 17: Act I. Scene 1
-
Paul Bunyan, op. 17: Act I. Scene 2
-
Paul Bunyan, op. 17: Act II. Scene 1
-
Paul Bunyan, op. 17: Act II. Scene 2
-
Paul Bunyan, op. 17: Prologue. Since the birth of the earth
-
Paul Bunyan, op. 17: Prologue. No. No. We do not want life to be slow
-
Paul Bunyan, op. 17: Prologue. Ooh! Ooh! O how terrible to be as old fashioned as a tree
-
Paul Bunyan, op. 17: Prologue. You are all to leave here
-
Paul Bunyan, op. 17: Prologue. It isn't very often the conservatives are wrong...
-
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Greeting (Voice of Paul Bunyan)
-
Paul Bunyan, op. 17: Act I. Scene 1. Call of Lumberjacks (Lumberjacks' Chorus)
-
Paul Bunyan, op. 17: Act I. Scene 1. Lumberjacks' Chorus (First Solo, Lumberjacks' Chorus, Second Solo, Third Solo, Fourth Solo, Chorus)
-
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Welcome (Paul Bunyan)
-
Paul Bunyan, op. 17: Act I. Scene 1. Quartet of Swedes (4 Swedes, Paul Bunyan, Chorus)
-
Paul Bunyan, op. 17: Act I. Scene 1. Western Union Boy's Song (Western Union Boy, Paul Bunyan, Hel Helson, Sam Sharkey, Ben Benny, Chorus)
-
Paul Bunyan, op. 17: Act I. Scene 1. Cooks' Duet (Sam Sharkey, Ben Benny, Inkslinger, Paul Bunyan, Chorus)
-
Paul Bunyan, op. 17: Act I. Scene 1. Animal Trio (Fido, Moppet, Poppet)
-
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Goodnight (1) (Paul Bunyan)
-
Paul Bunyan, op. 17: Act I. Scene 1. Exit of Lumberjacks (Lumberjacks' Chorus)
-
Paul Bunyan, Op. 17: Act I. Scene 1. The Blues - Quartet of the Defeated (Paul Bunyan, The Defeated, Insklinger)
-
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Goodnight (2) (Paul Bunyan)
-
Paul Bunyan, op. 17: Act I. Scene 1. Second Ballad Interlude (Narrator, Inkslinger, Chorus)
-
Paul Bunyan, op. 17: Act I. Scene 2. Food Chorus (Inkslinger, Sam Sharkey, Ben Benny, Chorus)
-
Paul Bunyan, op. 17: Act I. Scene 2. Chorus Accusation (Cross, Inkslinger, Jen, Pete, Andy, Chorus)
-
Paul Bunyan, op. 17: Act I. Scene 2. Slim's Song (Slim, Inkslinger, Fido, Moppet, Poppet, Chorus)
-
Paul Bunyan, op. 17: Act I. Scene 2. Bunyan's Return (Chorus)
-
Paul Bunyan, op. 17: Act I. Scene 2. Inkslinger's Song (Inkslinger)
-
Paul Bunyan, op. 17: Act I. Scene 2. Entrance of Chorus (Pete, Andy, Jen, Cross, John)
-
Paul Bunyan, op. 17: Act I. Scene 2. Tiny's Entrance (Ben, Sam, Cross, Andy, John)
-
Paul Bunyan, op. 17: Act I. Scene 2. Tiny's Song (Tiny, Inkslinger, Slim, Chorus)
-
Paul Bunyan, Op. 17: Act I. Scene 2. Inkslinger's Regret (Inkslinger, Voice of Paul Bunyan, Chorus)
-
Paul Bunyan, op. 17: Act I. Scene 2. Bunyan's Goodnight (3) (Paul Bunyan)
-
Paul Bunyan, op. 17: Act II. Scene 1. Bunyan's Good Morning (Voice of Paul Bunyan)
-
Paul Bunyan, op. 17: Act II. Scene 1. Shears's Song (John Shears, Farmer's Chorus, Paul Bunyan, Hel Helson)
-
Paul Bunyan, op. 17: Act II. Scene 1. Bunyan's Warning (Paul Bunyan)
-
Paul Bunyan, op. 17: Act II. Scene 1. Farmers' Song (John Shears, Second Solo, Chorus)
-
Paul Bunyan, op. 17: Act II. Scene 1. Farmers' Exit (Cronies, Hel Helson)
-
Paul Bunyan, op. 17: Act II. Scene 1. The Mocking of Hel Helson (Hel Helson, Heron, Moon, Wind, Beetie, Squirrel, Fido, Chorus)
-
Paul Bunyan, op. 17: Act II. Scene 1. Fido's Sympathy (Fido)
-
Paul Bunyan, op. 17: Act II. Scene 1. Cats' Creed (Moppet, Poppet, Voice of Paul Bunyan, Cronies, Hel Helson)
-
Paul Bunyan, op. 17: Act II. Scene 1. The Fight (Chorus)
-
Paul Bunyan, op. 17: Act II. Scene 1. Love Duet (Tiny, Slim, Chorus)
-
Paul Bunyan, op. 17: Act II. Scene 1. Mock Funeral March (Cronies, Hel Helson, Paul Bunyan, Chorus)
-
Paul Bunyan, op. 17: Act II. Scene 1. Hymn (Paul Bunyan, Hel Helson, Tiny, Slim, Chorus)
-
Paul Bunyan, op. 17: Act II. Scene 1. Third Ballad Interlude (Narrator)
-
A Shepherd's Carol
-
The Little Sweep, op. 45
-
Voluntary on Tallis' Lamentation
-
The Prodigal Son, op. 81
-
Suite from The Prince of the Pagodas
-
Night Mail
-
Albert Herring, op. 39: Act I
-
Albert Herring, op. 39: Act II
-
Albert Herring, op. 39: Act III
-
Albert Herring, op. 39
-
The Way to the Sea
-
In memoriam Dennis Brain
-
Double Concerto for Violin and Viola in B minor
-
Choral Dances from Gloriana
-
Johnson over Jordan Suite
-
Paul Bunyan, op. 17: Act II. Scene 2. The Christmas Party (Fido, Moppet, Poppet, Inkslinger, 3 Solos from Chorus, John Shears, Western Union Boy, Chorus)
-
Paul Bunyan, op. 17: Act II. Scene 2. Bunyan's Farewell (Voice of Paul Bunyan)
-
Paul Bunyan, op. 17: Act II. Scene 2. Litany (Fido, Moppet, Poppet, Tiny, Slim, Paul Bunyan, Hel Helson, Inkslinger, Chorus)
-
Songs from the Chinese, op. 58: III. The Autumn Wind
-
Songs from the Chinese, op. 58: II. The Old Lute
-
Songs from the Chinese, op. 58: IV. The Herd-Boy
-
Songs from the Chinese, op. 58: I: The Big Chariot
-
Songs from the Chinese, op. 58: V. Depression
-
Songs from the Chinese, op. 58: VI. Dance Song
-
Folk Song Arrangements, Vol. 4, "Moore's Irish Melodies": No. 5. At the Mid Hour of Night
-
Folk Song Arrangements, Vol. 4, "Moore's Irish Melodies": No. 9. The Last Rose of Summer
-
Soirées musicales, op. 9: II. Canzonetta
-
The Sally Gardens
-
The Sally Gardens
-
Choral Dances from “Gloriana”: Time
-
Choral Dances from “Gloriana”: Concord
-
Choral Dances from “Gloriana”: Time and Concord
-
Choral Dances from “Gloriana”: Country Girls
-
Choral Dances from “Gloriana”: Rustics and Fishermen
-
Choral Dances from “Gloriana”: Final Dance of Homage
-
Soirées musicales, op. 9: IV. Bolero
-
Soirées musicales, op. 9: V. Tarantella
-
Folk Song Arrangements, Vol. 4, "Moore's Irish Melodies": No. 3. How Sweet the Answer
-
Folk Song Arrangements, Vol. 5, "British Isles": IV. Early One Morning
-
Soirées musicales, op. 9: III. Tirolese
-
Soirées musicales, op. 9
-
Prelude and Fugue for 18-Part String Orchestra, op. 29: Prelude. Grave
-
Prelude and Fugue for 18-Part String Orchestra, op. 29: Fugue. Allegro energico - Coda
-
Russian Funeral
-
Sechs Hölderlin‐Fragmente
-
Welcome Ode, op. 95
-
Gloriana: Act I
-
Britten's Blues: I. The Spider and the Fly (from Johnson Over Jordan)
-
Britten's Blues: II. Blues (from Paul Bunyan)
-
Britten's Blues: III. The Clock on the Wall (from On the Frontier)
-
Britten's Blues: IV. Boogie-Woogie (from This Way to the Tomb)
-
Britten's Blues
-
Voluntary on Tallis' Lamentations
-
Village Organist's Piece
-
Corpus Christi Carol
-
Nocturnal after John Dowland, op. 70: I. Musingly
-
Nocturnal after John Dowland, op. 70: II. Very agitated
-
Nocturnal after John Dowland, op. 70: III. Restless
-
Nocturnal after John Dowland, op. 70: IV. Uneasy
-
Nocturnal after John Dowland, op. 70: V. March-like
-
Nocturnal after John Dowland, op. 70: VI. Dreaming
-
Nocturnal after John Dowland, op. 70: VII. Gently rocking
-
Nocturnal after John Dowland, op. 70: VIII. Passacaglia
-
Noye's Fludde, op. 59: I. Lord Jesus, think on me
-
Noye's Fludde, op. 59: II. I God, that all this worlde hath wroughte
-
Noye's Fludde, op. 59: III. Have done, you men and wemen all
-
Noye's Fludde, op. 59: IV. Now in the name of God I will begyne
-
Noye's Fludde, op. 59: V. Noye, Noye, take thou thy company
-
Noye's Fludde, op. 59: VI. Wiffe, come in! why standes thou their?
-
Noye's Fludde, op. 59: VII. Ha! Children, me thinkes my botte removes
-
Noye's Fludde, op. 59: VIII. Now forty dayes are fullie gone
-
Noye's Fludde, op. 59: IX. Noye, take thy wife anone
-
Noye's Fludde, op. 59: X. Noye, heare I behette thee a heste
-
Noye's Fludde, op. 59: XI. The spacious firmament on high
-
The Golden Vanity, op. 78: I. There was a ship came from the North Country
-
The Golden Vanity, op. 78: II. Then up spake the cabin-boy
-
The Golden Vanity, op. 78: III. Casting his clothes off, he dived into the sea
-
The Golden Vanity, op. 78: IV. They laid him on the deck
-
Now Sleeps the Crimson Petal
-
Let the Florid Music Praise!
-
Now the Leaves Are Falling Fast
-
Seascape
-
Nocturne
-
As It Is, Plenty
-
A Sweet Lullaby
-
The Children and Sir Nameless
-
If it's ever Spring again
-
Spring Symphony, op. 44: Part 2
-
Songs and Proverbs of William Blake, op. 74
-
Lacrymae, op. 48a
-
Reflection
-
Temporal Variations for Oboe and Piano, op. posth.
( - 12 Dec 1936)
-
Our Hunting Fathers, op. 8: Prologue
-
Our Hunting Fathers, op. 8: A. Rats Away!
-
Our Hunting Fathers, op. 8: B. Messalina
-
Our Hunting Fathers, op. 8: C. Dance of Death
-
Our Hunting Fathers, op. 8: Epilogue and Funeral March
-
Jubilate Deo in E-flat
-
I Lov'd a Lass
-
Lift Boy
-
Somnus
-
The Turn of the Screw: Act I
-
The Turn of the Screw: Act II
-
The Prodigal Son: Jam lucis orto sidere
-
The Prodigal Son: Ah - you people (Tempter)
-
The Prodigal Son: The Ceremony
-
The Prodigal Son: I am father to you all (Father)
-
The Prodigal Son: Forgive my asking you (Tempter)
-
The Prodigal Son: Father, may I speak to you? (Younger Son)
-
The Prodigal Son: Take your due portion (Father)
-
The Prodigal Son: Go, if you must go (Servants)
-
The Prodigal Son: Welcome, welcome, stranger! (Parasites)
-
The Prodigal Son: You are tired from a long journey (Tempter)
-
The Prodigal Son: Nights are days (Parasites)
-
The Prodigal Son: You have gambled and lost (Tempter)
-
The Prodigal Son: You it was taught me (Son)
-
The Prodigal Son: Now - I have done what I said (Tempter)
-
The Prodigal Son: With joy I sowed (Younger Son)
-
The Prodigal Son: My son (Father)
-
The Prodigal Son: O sing unto the Lord (Servants)
-
The Prodigal Son: My children, you have seen (Abbot)
-
Suite from King Arthur
-
The Birds
-
Le Petit Ramoneur, op. 45
-
Le Petit Ramoneur, op. 45 : Prologue – Scène 1. « Ramoneur ! Ramoneur ! Ramonez ici et ramonez là, … » (The Sweep’s Song)
-
Le Petit Ramoneur, op. 45 : Scène 1. Quartet « Ramonez ici, vite, vite, puis passez au corridor ! »
-
Le Petit Ramoneur, op. 45 : Scène 1. Duet « Aouh ! Le visage blanc ! »
-
Le Petit Ramoneur, op. 45 : Scène 1. Hide and Seek « Quarant‐six ! … Quarant‐sept ! … Quarante‐huit ! … »
-
Le Petit Ramoneur, op. 45 : Scène 1. Shanty « Tire la corde, vas‐y doucement, vas‐y ! »
-
Le Petit Ramoneur, op. 45 : Scène 1. Ensemble « Il s’est fait mal ? »
-
Le Petit Ramoneur, op. 45 : Scène 1. Marching Song
-
Le Petit Ramoneur, op. 45 : Scène 1. Trio « Attends qu’on t’attrapera. Comme on t’écorchera ! »
-
Le Petit Ramoneur, op. 45 : Scène 1. Air « Cours mon petit gars ! »
-
Le Petit Ramoneur, op. 45 : Scène 2. Le Bain de Sam
-
Le Petit Ramoneur, op. 45 : Scène 2. Ensemble « Il pleure sa peine tout le long du jour. »
-
Le Petit Ramoneur, op. 45 : Scène 2. Pantomime et scène
-
Le Petit Ramoneur, op. 45 : Scène 2. Finale « A l’aide, au secours ! A l’aide, au secours ! »
-
Le Petit Ramoneur, op. 45 : Interlude. Le Chant de la nuit
-
Le Petit Ramoneur, op. 45 : Scène 3. Air « Bientôt la voiture t’emportera. »
-
Le Petit Ramoneur, op. 45 : Scène 3. Ensemble « Bonjour Sam »
-
Le Petit Ramoneur, op. 45 : Scène 3. Trio et ensemble « Tu y’es, Alfred ? »
-
Le Petit Ramoneur, op. 45 : Scène 3. Finale – Coaching Song
-
The Poet’s Echo, op. 76: VI. Lines Written During a Sleepless Night
-
Young Apollo, op. 16
( - 1939)
-
The Poet’s Echo
-
The Poet’s Echo, op. 76: I. Echo
-
The Poet’s Echo, op. 76: II. I Thought That the Heart Had Forgotten
-
The Poet’s Echo, op. 76: III. Angel
-
The Poet’s Echo, op. 76: IV. The Nightingale and the Rose
-
The Poet’s Echo, op. 76: V. Epigram
-
Nocturnal after John Dowland, op. 70
( - 1963)
-
Johnson over Jordan
-
Our Hunting Fathers, op. 8
-
Soirées musicales, op. 9: I. March
-
On This Island
-
On This Island: I. Let the Florid Music Praise!
-
On This Island: II. Now the Leaves Are Falling Fast
-
On This Island: III. Seascape
-
On This Island: IV. Nocturne
-
On This Island: V. As It Is, Plenty
-
I Will Give My Love an Apple
Libretto
-
A Midsummer Night’s Dream, op. 64
-
A Midsummer Night's Dream, op. 64: Act I
-
A Midsummer Night's Dream, op. 64: Act III
-
A Midsummer Night's Dream, op. 64: Act II
Orchestrated
-
Die Forelle, D. 550
-
Orpheus Britannicus: "Let sullen discorn smile"
-
Orpheus Britannicus: "Why should men quarrel?"
-
Orpheus Britannicus: "So when the glittering Queen of Night"
-
Orpheus Britannicus: "Thou tun'st this world"
-
Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet"
-
Die Forelle, D. 550
-
Liederkreis, op. 39, no. 12 "Frühlingsnacht"
-
Rossini Suite: I. March. Allegro brillante
-
Rossini Suite: II. Canzonetta. Allegretto
-
Rossini Suite: III. Allegretto
-
Rossini Suite: IV. Bolero. Allegro moderato
-
Rossini Suite: V. Allegro con brio
Dedicated Works
-
Symphony no. 14, op. 135