Edward Elgar
(02 Jun 1857 - 23 Feb 1934)
Male Person - United Kingdom
Works (760)
Arranged
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Salut d’amour, op. 12
(1888)
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May Song
(1901)
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Romance, op. 62
(1910)
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Rosemary (“That’s for Remembrance”)
(1915)
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Salut d’amour, op. 12
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Te Deum and Benedictus, op. 34
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Three Bavarian Dances: No. 1. The Dance
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Three Bavarian Dances: No. 2. Lullaby
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Three Bavarian Dances: No. 3. The Marksmen
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Jerusalem
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Dream Children, op. 43: II. Allegretto piacevole
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Dream Children, op. 43: I. Andante
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Dream Children, op. 43
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Three Characteristic Pieces, op. 10: No. 2. Sérénade mauresque
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Variations on an Original Theme, op. 36 “Enigma”
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Enigma Variations, op. 36: Theme
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Enigma Variations, op. 36: I. C.A.E.
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Enigma Variations, op. 36: II. H.D.S.-P.
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Enigma Variations, op. 36: III. R.B.T.
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Enigma Variations, op. 36: IV. W.M.B.
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Enigma Variations, op. 36: V. R.P.A.
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Enigma Variations, op. 36: VI. Ysobel
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Enigma Variations, op. 36: VII. Troyte
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Enigma Variations, op. 36: VIII. W.N.
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Enigma Variations, op. 36: IX. Nimrod
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Enigma Variations, op. 36: X. Dorabella
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Enigma Variations, op. 36: XI. G.R.S.
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Enigma Variations, op. 36: XII. B.G.N.
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Enigma Variations, op. 36: XIII. ? ? ?
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Enigma Variations, op. 36: XIV. E.D.U. Finale
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When the Spring Comes Round
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God Save the King
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Jehova, quam multi sunt hostes mei
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Benedictus, op. 34 no. 2
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Civic Fanfare and National Anthem
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O God, our help in ages past
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Three Bavarian Dances, op. 27a
Wrote
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:0228
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Land van hoop en glorie
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Go..On Till Tomorrow
Revised
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Sonatina in G major
(1931)
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Sonatina in G major: I. Andantino
(1931)
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Sonatina in G major: II. Allegro
(1931)
Composed
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The Language of Flowers
(1872)
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The Self-Banished
(1875)
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Reminiscences
(1877)
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Étude-Caprice
(1878)
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Romance, op. 1
(1878)
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Two Polonaises
(07 Mar 1879)
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Polonaise in D minor
(07 Mar 1879)
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Polonaise in F minor
(07 Mar 1879)
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Polonaise in D minor
(07 Mar 1879)
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O Salutaris hostia
(1880)
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Three Movements for Pianoforte Trio: II. Menuetto and Trio
(1882)
-
Rosemary (“That’s for Remembrance”)
(1882)
-
Rosemary (“That’s for Remembrance”)
(1882)
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O Salutaris hostia
(1882)
-
3 Pieces for Violin and Piano, op. 4
(1883 - 1884)
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Virelai, op. 4 no. 3
(1883)
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Fugue in D minor
(1883)
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Pastourelle, op. 4 no. 2
(1883)
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Sevillaña (Scène Espagnole), op. 7
(1884 - 1889)
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Idylle, op. 4 no. 1
(1884)
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Idylle, op. 4 no. 1
(1884)
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Idylle, op. 4 no. 1
(1884)
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Gavotte
(1885)
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Valse on Themes by Elgar
(1886)
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March in D major
(05 Aug 1887)
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Three Motets/Anthems, op. 2: II. Ave Maria
(1887)
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Laura Valse
(1887)
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Ave verum corpus, op. 2, no. 1
(1887)
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3 Motets, op. 2
(1887)
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Elévation
(1887 - 1894)
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Salut d’amour, op. 12
(1888)
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Salut d’amour, op. 12
(1888)
-
Salut d’amour, op. 12
(1888)
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As I laye a-thynkynge
(1888)
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Allegretto: Duet on a Theme of Allegretto on G.E.D.G.E
(1888)
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Salut d’amour, op. 12
(1888)
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Salut d’amour, op. 12
(1888)
-
Salut d’amour, op. 12
(1888)
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Ecce sacerdos magnus
(1888)
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The Black Knight, op. 25
(1889 - 1893)
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The Black Knight, op. 25: Scene I "The Tournament"
(1889 - 1893)
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The Black Knight, op. 25: Scene II "The Entry of the Black Knight"
(1889 - 1893)
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The Black Knight, op. 25: Scene III "The Dance"
(1889 - 1893)
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The Black Knight, op. 25: Scene IV "The Banquet"
(1889 - 1893)
-
Vesper Voluntaries, op. 14
(1889)
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Vesper Voluntaries, op. 14: I. Introduction and Andante
(1889)
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Vesper Voluntaries, op. 14: II. Allegro
(1889)
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Vesper Voluntaries, op. 14: VIII. Poco allegro and Coda
(1889)
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Vesper Voluntaries, op. 14: III. Andantino
(1889)
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Vesper Voluntaries, op. 14: IV. Allegretto piacevole (Intermezzo)
(1889)
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Vesper Voluntaries, op. 14: V. Poco lento
(1889)
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Vesper Voluntaries, op. 14: VI. Moderato
(1889)
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Vesper Voluntaries, op. 14: VII. Allegretto pensoso
(1889)
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Sonatina in G major
(1889)
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Sonatina in G major: I. Andantino
(1889)
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Sonatina in G major: II. Allegro
(1889)
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2 pieces, op. 13
(1889)
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Bizarrerie, op. 13 no. 2
(1889)
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Mot d'amour, op. 13 no. 1
(1889)
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Froissart Overture, op. 19
(1890)
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La Capricieuse, op. 17
(1891)
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La Capricieuse, op. 17
(1891)
-
La Capricieuse, op. 17
(1891)
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Serenade for Strings in E minor, op. 20: II. Larghetto
(1892)
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Serenade for Strings in E minor, op. 20: III. Allegretto
(1892)
-
Serenade for Strings in E minor, op. 20: I. Allegro piacevole
(1892)
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Serenade for Strings in E minor, op. 20
(1892)
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Larghetto from Serenade for Strings, op. 20
(1892)
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Études caractéristiques, op. 24
(1892)
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Sursum corda, op. 11
(1894)
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From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
(1895)
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Organ Sonata in G major, op. 28: II. Allegretto
(1895)
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Organ Sonata in G major, op. 28: III. Andante espressivo
(1895)
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Organ Sonata in G major, op. 28: IV. Presto
(1895)
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After, op. 31 no. 1
(1895)
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Organ Sonata in G major, op. 28
(1895)
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Organ Sonata in G major, op. 28: I. Allegro maestoso
(1895)
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Organ Sonata in G major, op. 28: II. Allegretto
(1895)
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Organ Sonata in G major, op. 28: IV. Presto
(1895)
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Organ Sonata in G major, op. 28: III. Andante espressivo
(1895)
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Scenes from the Saga of King Olaf, op. 30
(1895 - 1896)
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Organ Sonata in G major, op. 28
(1895)
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Organ Sonata in G major, op. 28: I. Allegro maestoso
(1895)
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The Light of Life, op. 29
(Mar 1896)
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Imperial March, op. 32
(1896 - 1897)
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Imperial March, op. 32
(1896 - 1897)
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Imperial March, op. 32
(1896 - 1897)
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Bavarian Dance no. 1
(1896)
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Bavarian Dance no. 3
(1896)
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From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl)
(1896)
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From the Bavarian Highlands, op. 27: II. False Love (Wamberg)
(1896)
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From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
(1896)
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From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton)
(1896)
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Three Bavarian Dances, op. 27a
(1896)
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From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp)
(1896)
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From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau)
(1896)
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From the Bavarian Highlands, op. 27
(1896)
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Caractacus, op. 35
(1897 - 1898)
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The Banner of St. George, op. 33: Epilogue
(1897)
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The Banner of St. George, op. 33: Scene II
(1897)
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The Banner of St. George, op. 33: Scene I
(1897)
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The Banner of St. George, op. 33
(1897)
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Benedictus, op. 34 no. 2
(1897)
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“Roundel: The little eyes that never knew Light”
(1897)
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Te Deum and Benedictus, op. 34
(1897)
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Te Deum and Benedictus, op. 34
(1897)
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Cockaigne (In London Town), op. 40
(1897)
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O Salutaris hostia
(1898)
-
Enigma Variations, op. 36: X. Dorabella
(1898 - 1899)
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Enigma Variations, op. 36: XI. G.R.S.
(1898 - 1899)
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Enigma Variations, op. 36: XII. B.G.N.
(1898 - 1899)
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Enigma Variations, op. 36: XIII. ? ? ?
(1898 - 1899)
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Enigma Variations, op. 36: XIV. E.D.U. Finale
(1898 - 1899)
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Enigma Variations, op. 36: IV. W.M.B.
(1898 - 1899)
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Enigma Variations, op. 36: V. R.P.A.
(1898 - 1899)
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Enigma Variations, op. 36: VI. Ysobel
(1898 - 1899)
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Enigma Variations, op. 36: VII. Troyte
(1898 - 1899)
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Enigma Variations, op. 36: VIII. W.N.
(1898 - 1899)
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Enigma Variations, op. 36: IX. Nimrod
(1898 - 1899)
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Variations on an Original Theme, op. 36 “Enigma”
(1898 - 1899)
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Enigma Variations, op. 36: Theme
(1898 - 1899)
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Enigma Variations, op. 36: I. C.A.E.
(1898 - 1899)
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Enigma Variations, op. 36: II. H.D.S.-P.
(1898 - 1899)
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Enigma Variations, op. 36: III. R.B.T.
(1898 - 1899)
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Variations on an Original Theme (‘Enigma’), op. 36
(1898 - 1899)
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The Pipes of Pan
(1899)
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Sea Pictures, op. 37: I. Sea Slumber Song
(1899)
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Sea Pictures, op. 37: III. Sabbath Morning at Sea
(1899)
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Three Characteristic Pieces, op. 10
(1899)
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Sérénade lyrique
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro)
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo)
(1899)
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Sea Pictures, op. 37: II. In Haven (Capri)
(1899)
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Sea Pictures, op. 37: V. The Swimmer
(1899)
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Nimrod
(1899)
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Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
(1899)
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Three Characteristic Pieces, op. 10: No. 1. Mazurka
(1899)
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Mazurka, op. 10 no. 1
(1899)
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Dry Those Fair, Those Crystal Eyes
(1899)
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Sea Pictures, op. 37
(1899)
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Sea Pictures, op. 37: IV. Where Corals Lie
(1899)
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The Dream of Gerontius, op. 38: Part II, II. It is a member of that family
(1900)
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The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits
(1900)
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The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near
(1900)
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The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul
(1900)
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The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub
(1900)
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The Dream of Gerontius, op. 38: Part II, I. I went to sleep
(1900)
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The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus
(1900)
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The Dream of Gerontius, op. 38: Part II, VII. I go before my judge
(1900)
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The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul
(1900)
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The Dream of Gerontius, op. 38
(1900)
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The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony
(1900)
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The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana
(1900)
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The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death
(1900)
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The Dream of Gerontius, op. 38: Part I, I. Prelude
(1900)
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Prelude from The Dream of Gerontius
(1900)
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Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
(1901)
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Pomp and Circumstance Military Marches, op. 39: March no. 2 in A minor
(1901)
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In the Dawn, op. 41 no. 1
(1901)
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Always and Everywhere
(1901)
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Come, Gentle Night
(1901)
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Pomp and Circumstance Marches, op. 39: March no. 1 in D major
(1901)
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Concert Allegro, op. 46
(1901)
-
May Song
(1901)
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May Song
(1901)
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May Song
(1901)
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Grania and Diarmid, op. 42: I. Incidental Music
(1901)
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Grania and Diarmid, op. 42: III. "There are seven that pull the thread"
(1901)
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Grania and Diarmid, op. 42
(1901)
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Grania and Diarmid, op. 42: II. Funeral March
(1901)
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The Kingdom, op. 51: II. At the Beautiful Gate
(1901 - 1906)
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The Kingdom, op. 51: IV. The Sign of Healing
(1901 - 1906)
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The Kingdom, op. 51: V. The Upper Room
(1901 - 1906)
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The Kingdom, op. 51: Prelude
(1901 - 1906)
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The Kingdom, op. 51: I. In the Upper Room
(1901 - 1906)
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The Kingdom, op. 51
(1901 - 1906)
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The Kingdom, op. 51: III. Pentecost
(1901 - 1906)
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The Kingdom, op. 51: Prelude
(1901 - 1906)
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Pomp and Circumstance Military Marches, op. 39
(1901 - 1930)
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O mightiest of the mighty
(1902)
-
Coronation Ode, op. 44: V. Peace, Gentle Peace
(1902)
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Coronation Ode, op. 44: I. Crown the King
(1902)
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Coronation Ode, op. 44: IIa. The Queen
(1902)
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Coronation Ode, op. 44: IIb. Daughter of Ancient Kings
(1902)
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Coronation Ode, op. 44: III. Britain, Ask of Thyself
(1902)
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Coronation Ode, op. 44: IV. Hark, Upon the Hallowed Air... Only Let the Heart Be Pure
(1902)
-
Land of Hope and Glory
(1902)
-
Dream Children, op. 43
(1902)
-
Dream Children, op. 43: I. Andante
(1902)
-
Dream Children, op. 43: II. Allegretto piacevole
(1902)
-
Coronation Ode, op. 44
(1902)
-
Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory”
(1902)
-
Dream Children, op. 43: I. Andante
(1902)
-
Dream Children, op. 43
(1902)
-
Dream Children, op. 43: II. Allegretto piacevole
(1902)
-
In the South (Alassio), op. 50
(1903 - 1904)
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A War Song, op. 5 no. 1
(1903)
-
Speak, my Heart!
(1903)
-
Offertoire, op. 11
(1903)
-
Symphony no. 2 in E-flat major, op. 63
(1903 - 1911)
-
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente
(1903 - 1911)
-
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso
(1903 - 1911)
-
Symphony no. 2 in E-flat major, op. 63: II. Larghetto
(1903 - 1911)
-
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto
(1903 - 1911)
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Canto popolare
(1904)
-
In Moonlight
(1904)
-
Canto popolare
(1904)
-
Pomp and Circumstance Military Marches, op. 39: March no. 3 in C minor
(1904)
-
Violin Concerto in B minor, op. 61
(1905 - 1910)
-
Violin Concerto in B minor, op. 61: I. Allegro
(1905 - 1910)
-
Violin Concerto in B minor, op. 61: II. Andante
(1905 - 1910)
-
Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (Accompagnata: Lento) - Allegro Molto
(1905 - 1910)
-
In Smyrna
(1905)
-
Introduction and Allegro for Strings and Orchestra, op. 47: Introduction
(1905)
-
Introduction and Allegro for Strings and Orchestra, op. 47: Allegro
(1905)
-
Introduction and Allegro for Strings, op. 47
(1905)
-
Symphony no. 1 in A-flat major, op. 55
(1907 - 1908)
-
Symphony no. 1 in A-flat major, op. 55: II. Allegro molto
(1907 - 1908)
-
Symphony no. 1 in A-flat major, op. 55: III. Adagio
(1907 - 1908)
-
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro
(1907 - 1908)
-
Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice
(1907 - 1908)
-
Deep in My Soul, op. 53 no. 2
(1907)
-
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major
(1907)
-
Pomp and Circumstance Marches, op. 39: March no. 4 in G major
(1907)
-
A Christmas Greeting, op. 52
(1907)
-
Pomp and Circumstance Marches, op. 39: March no. 4 in G major
(1907)
-
Pleading, op. 48
(1908)
-
Elegy, op. 58
(1909)
-
Go, Song of Mine, op. 57
(1909)
-
2 Songs, op. 60
(1909)
-
The River, op. 60 no. 2
(1909)
-
The Torch, op. 60 no. 1
(1909)
-
Romance, op. 62
(1910)
-
Romance, op. 62
(1910)
-
Romance, op. 62
(1910)
-
Romance, op. 62
(1910)
-
A Child asleep
(1910)
-
The King's Way
(1910)
-
Coronation March, op. 65
(1911)
-
Coronation March, op. 65
(1911)
-
O hearken thou, op. 64
(1911 - Mar 1911)
-
Crown of India, op. 66: Interlude
(1911 - 1912)
-
The Crown of India, op. 66: Tableau II "Ave Imperator". No. 12. Ave Imperator! (Chorus)
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 5a. Entrance of St. George
(1912)
-
The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10a. The Homage of Ind (India)
(1912)
-
The Crown of India - Suite, op. 66: I. Introduction - Dance of the Nautch Girls
(1912)
-
The Crown of India - Suite, op. 66: II. Menuetto
(1912)
-
The Crown of India - Suite, op. 66: III. Warrior's Dance
(1912)
-
The Crown of India - Suite, op. 66: IV. Intermezzo
(1912)
-
The Crown of India - Suite, op. 66: V. March of the Mogul Emperors
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 1b. Sacred measure
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 2. Dance of Nautch Girls
(1912)
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The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 2a. India greets her Cities
(1912)
-
Crown of India Suite, op. 66
(1912)
-
The Music Makers, op. 69
(1912)
-
The Crown of India, op. 66: No. 7. Interlude
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind"
(1912)
-
The Crown of India, op. 66
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 1a. Introduction
(1912)
-
The Crown of India, op. 66: Tableau II "Ave Imperator"
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3. Hail, Immemorial India! (Agra)
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3a. Entrance of Calcutta
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3b. Entrance of Delhi
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 4a. Introduction
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 4b. March of the Mogul Emperors
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 5. Entrance of John Company
(1912)
-
The Crown of India, op. 66: Tableau I "The Cities of Ind". No. 6. The Rule of England (St. George)
(1912)
-
The Crown of India, op. 66: Tableau II "Ave Imperator". No. 8a. Introduction
(1912)
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The Crown of India, op. 66: Tableau II "Ave Imperator". No. 8b. Warriors' Dance
(1912)
-
The Crown of India, op. 66: Tableau II "Ave Imperator". No. 9. The Cities of Ind
(1912)
-
The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10. March, The Crown of India (Chorus)
(1912)
-
The Crown of India, op. 66: Tableau II "Ave Imperator". No. 10a. The Homage of Ind (Agra, Chorus)
(1912)
-
The Crown of India, op. 66: Tableau II "Ave Imperator". No. 11. The Crowning of Delhi (Chorus)
(1912)
-
Carissima
(Dec 1913)
-
Carissima
(Dec 1913)
-
Carissima
(Dec 1913)
-
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
(1913)
-
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London
(1913)
-
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death
(1913)
-
Falstaff, op. 68
(1913)
-
Falstaff, op. 68: I. Falstaff and Prince Henry
(1913)
-
Give Unto the Lord, op. 74
(Feb 1914)
-
Sospiri, op. 70
(1914)
-
Sospiri, op. 70
(1914)
-
Arabian Serenade
(1914)
-
Death on the Hills, op. 72
(1914)
-
The Chariots of the Lord
(1914)
-
Sospiri, op. 70
(1914)
-
The Spirit of England, op. 80: I. The Fourth of August
(1915 - 1917)
-
The Spirit of England, op. 80: II. To Women
(1915 - 1917)
-
The Spirit of England, op. 80: III. For the Fallen
(1915 - 1917)
-
For the Fallen
(1915 - 1917)
-
The Spirit of England, op. 80
(1915 - 1917)
-
Polonia, op. 76
(1915)
-
Sonata for Violin and Piano in E minor, op. 82: III. Allegro non troppo
(1918)
-
Sonata for Violin and Piano in E minor, op. 82: I. Allegro
(1918)
-
String Quartet in E minor, op. 83: I. Allegro moderato
(1918)
-
String Quartet in E minor, op. 83: II. Piacevole (poco andante)
(1918)
-
String Quartet in E minor, op. 83: III. Allegro molto
(1918)
-
String Quartet in E minor, op. 83
(1918)
-
Sonata for Violin and Piano in E minor, op. 82
(1918)
-
Sonata for Violin and Piano in E minor, op. 82: II. Romance: Andante
(1918)
-
Piano Quintet in A minor, op. 84
(1918 - 1919)
-
Piano Quintet in A minor, op. 84: II. Adagio
(1918 - 1919)
-
Piano Quintet in A minor, op. 84: I. Moderato
(1918 - 1919)
-
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
(1918 - 1919)
-
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo
(1918 - 1919)
-
Piano Quintet in A minor, op. 84
(1918 - 1919)
-
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto
(1918 - 1919)
-
Piano Quintet in A minor, op. 84: III. Andante – Allegro
(1918 - 1919)
-
Cello Concerto in E minor, op. 85: III. Adagio
(1918 - 1919)
-
Smoking Cantata
(1919)
-
Cello Concerto in E minor, op. 85
(1919)
-
Three Movements for Pianoforte Trio: I. Lento assai - Allegro moderato
(1920)
-
Pomp and Circumstance Military Marches, op. 39: March no. 6 in G minor
(1924)
-
Empire March
(1924)
-
Three Movements for Pianoforte Trio: III. March
(1924)
-
Empire March
(1924)
-
Beau Brummel
(1928)
-
Five Piano Improvisations
(06 Nov 1929)
-
Five Piano Improvisations: No. 1
(06 Nov 1929)
-
Five Piano Improvisations: No. 2
(06 Nov 1929)
-
Five Piano Improvisations: No. 3
(06 Nov 1929)
-
Five Piano Improvisations: No. 4
(06 Nov 1929)
-
Five Piano Improvisations: No. 5
(06 Nov 1929)
-
Pomp and Circumstance Military Marches, op. 39: March no. 5 in C major
(1930)
-
It isnae me
(1930)
-
The Severn Suite, op. 87: V. Coda
(1930)
-
The Severn Suite, op. 87: III. Fugue (The Cathedral)
(1930)
-
The Severn Suite, op. 87
(1930)
-
The Severn Suite, op. 87: I. Introduction (Worcester Castle)
(1930)
-
The Severn Suite, op. 87: II. Toccata (Tournament)
(1930)
-
Adieu
(1932)
-
Adieu
(1932)
-
Serenade
(1932)
-
Serenade
(1932)
-
Impromptu
(1932)
-
The Sketches for Symphony no. 3 elaborated by Anthony Payne
(1933 - 1934)
-
Symphony no. 3 in C minor: III. Adagio solenne
(1933 - 1934)
-
Symphony no. 3 in C minor: I. Allegro molto maestoso
(1933 - 1934)
-
Symphony no. 3 in C minor: IV. Allegro
(1933 - 1934)
-
Soliloquy
(1933)
-
Mina
(1933)
-
Symphony no. 3 in C minor: II. Scherzo: Allegretto
(1933 - 1934)
-
Caractacus, op. 35: Scene I, British Camp on the Malvern Hills: “Father! Sire and King” (Eigen, Caractacus, Orbin)
-
Caractacus, op. 35: Scene VI, Rome: “Grace From the Roman!” (Eigen, Orbin, Caractacus, Claudius)
-
Caractacus, op. 35: Scene VI, Rome: “The Clang of Arms is Over” (Chorus)
-
Caractacus, op. 35: Scene I, British Camp on the Malvern Hills: “Watchmen, Alert! The King is Here” (Caractacus)
-
Caractacus, op. 35: Scene I, British Camp on the Malvern Hills: “At Eve to the Greenwood” (Eigen)
-
Speak, Music, op. 41 no. 2
-
Pansies
-
Spanish Serenade, op. 23
-
Caractacus, op. 35: Scene VI, Rome: “Slay, Slay the Briton!” (Chorus, Claudius)
-
Caractacus, op. 35: Scene VI, Rome: “I Plead Not for Myself” (Caractacus)
-
Caractacus, op. 35: Scene VI, Rome: “Unbind His Hands” (Claudius)
-
Caractacus, op. 35: Scene VI, Rome: “Heap Torment Upon Torment” (Caractacus)
-
4 Litanies for the Blessed Virgin Mary, op. 2: No. 2. Ave Maria
-
Nimrod
-
The Spanish Lady, op. 89
-
Chanson de matin, op. 15 no. 2
-
Caractacus, op. 35: Scene I, British Camp on the Malvern Hills: “On the Ocean and the River” (Eigen, Orbin, Caractacus)
-
Organ Sonata no. 2 in B-flat major, op. 87a: I. Introduction
-
Organ Sonata no. 2 in B-flat major, op. 87a: III. Fugue
-
Organ Sonata no. 2 in B-flat major, op. 87a: II. Toccata
-
Organ Sonata no. 2 in B-flat major, op. 87a: IV. Coda
-
Organ Sonata no. 2 in B-flat major, op. 87a: IV. Coda
-
Organ Sonata no. 2 in B-flat major, op. 87a: II. Toccata
-
Organ Sonata no. 2 in B-flat major, op. 87a: III. Fugue
-
Organ Sonata no. 2 in B-flat major, op. 87a: I. Introduction
-
O Salutaris hostia
-
The Viking Song
-
Very Easy Melodious Exercises in the First Position for Violin With Pianoforte Accompaniment, op. 22 no. 1: Andante
-
Two Choral Songs, op. 71
-
Variation 15 (Dunkirk)
-
End Titles
-
We will remember them
-
3 Songs, op. 16
-
Salut d’amour
-
Spanish Serenade, op. 23 “Stars of the Summer Night”
-
The Reveille, Op. 54
-
The Wanderer
-
The Wind at Dawn
-
Ave Maria, op. 2 no. 2
-
Ave maris stella, op. 2 no. 3
-
Angelus
-
I sing the birth
-
Lo! Christ the Lord is born
-
Ecce sacerdos magnus
-
Fear not, o land
-
The Dream of Gerontius, op. 38: Part Two. V. “A presage falls” (Angel, Soul)
-
The Fountain, op. 71 no. 2
-
The Angel's Farewell from The Dream of Gerontius
-
The Dream of Gerontius: Part 1: Kyrie eleison
-
The Dream of Gerontius: Part 1: Be merciful, be gracious
-
The Dream of Gerontius: Part 1: I Can no more; for now it comes again
-
The Dream of Gerontius: Part 1: Rescue him, O Lord
-
The Dream of Gerontius: Part 1: Novissima hora est
-
The Dream of Gerontius: Part 1: Go, in the name of Angels
-
The Dream of Gerontius: Part 2: Introduction
-
The Dream of Gerontius: Part 2: My work is done, my task is o'er
-
The Dream of Gerontius: Part 2: Low-born clods of brute earth
-
The Dream of Gerontius: Part 2: The mind bold and independent
-
The Dream of Gerontius: Part 2: Praise to the holiest
-
The Dream of Gerontius: Part 2: Glory to him
-
The Dream of Gerontius: Part 2: And now the threshold as we traverse it
-
The Dream of Gerontius: Part 2: Praise to the Holiest in the height
-
The Dream of Gerontius: Part 2: Jesu! by that shuddering dread which fell on Thee
-
The Dream of Gerontius: Part 2: Praise to His name!
-
The Dream of Gerontius: Part 2: Take me away
-
The Dream of Gerontius: Part 2: Lord, Thou hast been our refuge
-
The Music Makers, op. 69: Moderato e nobilmente
-
The Music Makers, op. 69: Larghetto. "We are the music makers"
-
The Music Makers, op. 69: Allegro. "With wonderful deathless ditties"
-
The Music Makers, op. 69: Allegretto. "We, in the ages lying"
-
The Music Makers, op. 69: Molto tranquillo. "A breath of our inspiration"
-
The Music Makers, op. 69: Contralto solo, lento, quasi recitativo. "They had no vision amazing"
-
The Music Makers, op. 69: Allegro molto. "And therefor today is thrilling"
-
The Music Makers, op. 69: Andantino. "But we, with our dreaming and singing"
-
The Music Makers, op. 69: Come prima. "For we are afar with the dawning"
-
The Music Makers, op. 69: Allegro. "Great hail! we cry to the comers"
-
Pageant of Empire, No. 6: Merchant Adventurers
-
Chanson de matin, op. 15 no. 2
-
Big Steamers
-
Nederland en Oranje
-
Pageant of Empire, No. 7: The Immortal Legions
-
Introduction and Allegro for Strings, op. 47: I. Moderato -
-
Introduction and Allegro for Strings, op. 47: II. Allegro -
-
Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro
-
The Apostles, op. 49: Prologue
-
The Fringes of the Fleet
-
Sospiri, op. 70
-
The Fringes of the Fleet: I. The Lowestoft Boat
-
The Fringes of the Fleet: II. Fate's Discourtesy
-
The Fringes of the Fleet: III. Submarines
-
Pomp and Circumstance
-
The Fringes of the Fleet: IV. The Sweepers
-
The Fringes of the Fleet: V. Inside the Bar
-
There Is Sweet Music, op. 53 no. 1
-
Caractacus, op. 35: Scene IV, The Malven Hills: “Wild Rumours Shake Our Calm Retreat” (Chorus of Maidens)
-
Caractacus, op. 35: Scene VI, Rome: “The March Triumphal Thunders” (Orchestra and Chorus)
-
Pageant of Empire, No. 1: Shakespeare's Kingdom
-
Pageant of Empire, No. 2: The Islands: A Song of New Zealand
-
Distant lover
-
Psalm 48 “Great is the Lord”, op. 67
-
Pageant of Empire, No. 3: The Blue Mountains: A Song of Australia
-
Nursery Suite: I. Aubade
-
Nursery Suite: II. The Serious Doll
-
Nursery Suite: III. Busy-Ness
-
Nursery Suite: IV. The Sad Doll
-
Nursery Suite: V. The Wagon (Passes)
-
Nursery Suite: VI. The Merry Doll
-
Nursery Suite: VII. Dreaming
-
Pageant of Empire, No. 4: The Heart of Canada
-
Caractacus, op. 35: Scene IV, The Malven Hills: “When the Glow of the Evening” (Eigen)
-
Very Easy Melodious Exercises in the First Position for Violin With Pianoforte Accompaniment, op. 22
-
Caractacus, op. 35: Scene IV, The Malven Hills: “We Were Gather’d by the River” (Chorus of Soldiers)
-
Three Movements for Piano Trio
-
来て来てあたしンち
-
Very Easy Melodious Exercises in the First Position for Violin With Pianoforte Accompaniment, op. 22 no. 3: Andante
-
The Tide
-
Regimental Brothers
-
Home
-
La Capricieuse, op. 17
-
The Dream of Gerontius, op. 38: Part Two. VII. “Dispossessed, aside thrust” (chorus)
-
The Light of Life, op. 29 no. 1: Meditation
-
Chanson de matin, op. 15 no. 2
-
Sanctus Dei
-
The Wand of Youth Suite no. 1, op. 1a: VII. Fairies and Giants
-
The Apostles, op. 49: Part I: I. The Calling of the Apostles
-
The Apostles, op. 49: Part I: III. By the Sea of Galilee
-
The Apostles, op. 49: Part I
-
The Apostles, op. 49: Part II: IV. The Betrayal
-
The Apostles, op. 49: Part II
-
The Apostles, op. 49: Part II: VII. The Ascension
-
Caractacus, op. 35: Scene IV, The Malven Hills: “O My Warriors” (Caractacus, Chorus)
-
Chanson de matin, op. 15 no. 2
-
The Wand of Youth Suite no. 1, op. 1a: VI. Slumber Scene
-
Yea, Cast me from Heights of the Mountains , op. 45 no. 1
-
Whether I Find Thee, op. 45 no. 2
-
After many a Dusty Mile, op. 45 no. 3
-
It's oh! to be a Wild Wind, op. 45 no. 4
-
In Moonlight
-
Echo's Dance
-
Three Characteristic Pieces, op. 10: No. 2. Sérénade mauresque
-
Pageant of Empire, No. 5: Sailing Westward
-
The Wand of Youth Suite no. 1, op. 1a
-
When the Spring Comes Round
-
Agnus Dei
-
Chanson de matin, op. 15 no. 2
-
Nursery Suite: VIII. Envoy (Coda)
-
Carillon, op. 75
-
To Her Beneath Whose Steadfast Star
-
The Spanish Lady Suite: I. Burlesco
-
The Spanish Lady Suite: II. Sarabande
-
The Spanish Lady Suite: III. Bourrée
-
The Spanish Lady Suite
-
Viola Concerto
-
Four Part-Songs, op. 53
-
Organ Sonata no. 2 in B-flat major, op. 87a
-
Scenes from the Saga of King Olaf, op. 30: Introduction. "There is a wondrous book"
-
Scenes from the Saga of King Olaf, op. 30: No. 1. Introduction. Recitative "Summon now the God of Thunder"
-
Scenes from the Saga of King Olaf, op. 30: No. 2. The Challenge of Thor. Chorus "I am the God Thor"
-
Scenes from the Saga of King Olaf, op. 30: No. 3. King Olaf's Return. Solo "And King Olaf heard the cry"
-
Scenes from the Saga of King Olaf, op. 30: No. 4. King Olaf's Return. Recitative "Tell how Olaf bore the Cross"
-
Scenes from the Saga of King Olaf, op. 30: No. 5. Conversation. Scene. Chorus "King Olaf's prows at Nidaros"
-
Scenes from the Saga of King Olaf, op. 30: No. 6. The Conversion. Recitative "Now the child of Ironbeard dead"
-
Scenes from the Saga of King Olaf, op. 30: No. 7. Gudrun. Scene. Soprano "On King Olaf's bridal night"
-
Scenes from the Saga of King Olaf, op. 30: No. 8. Gudrun. Recitative "How the Wraith of Odin old"
-
Scenes from the Saga of King Olaf, op. 30: No. 9. The Wraith of Odin. Chorus "The guests were loud, the ale was strong"
-
Scenes from the Saga of King Olaf, op. 30: No. 10. The Wraith of Odin. Recitative "Sisters, sing ye now the song"
-
Chanson de Matin, op. 15 no. 2
-
Scenes from the Saga of King Olaf, op. 30: No. 11. Sigrid. Scene. Chorus "Sigrid sits in her high abode"
-
Scenes from the Saga of King Olaf, op. 30: No. 12. Recitative "Hark! She flies from Wendland forth"
-
Scenes from the Saga of King Olaf, op. 30: No. 13. Thyri. Chorus "A little bird in the air"
-
Scenes from the Saga of King Olaf, op. 30: No. 14. Thyri. Duet "The gray land breaks to lively green"
-
Scenes from the Saga of King Olaf, op. 30: No. 15. Thyri. Choral Recitative “After Queen Gunhild’s death”
-
Scenes from the Saga of King Olaf, op. 30: No. 16. The Death of Olaf. Chorus “King Olaf’s dragons take the sea”
-
Scenes from the Saga of King Olaf, op. 30: Epilogue. Soli and Chorus. Recitative “In the convent of Drontheim”
-
Original Finale to Enigma Variations
-
Caractacus, op. 35: Scene III, The Forest Near the Severn: “Come! Beneath Our Woodland Bow’rs – They Gather the Wreaths” (Chorus, Orbin, Eigen)
-
We Will Stand Together
-
The Sanguine Fan, op. 81
-
Light Eternal (Lux aeterna)
-
Caractacus, op. 35: Scene III, The Forest Near the Severn: “Come! Beneath Our Woodland Bowers” (Chorus)
-
Caractacus, op. 35: Scene III, The Forest Near the Severn: “O’er‐arch’d by Leaves” (Eigen)
-
The Wand of Youth Suite no. 1, op. 1a: IV. Sun Dance
-
The Wand of Youth Suite no. 1, op. 1a: V. Fairy Pipers
-
The Wand of Youth Suite no. 1, op. 1a: III. Minuet (Old Style)
-
Pageant of Empire, No. 8: A Song of Union
-
Chanson de nuit, op. 15 no. 1
-
Chanson de nuit, op. 15 no. 1
-
Chanson de nuit and Chanson de matin, op. 15
-
The Wand of Youth Suite no. 2, op. 1b: I. March
-
The Wand of Youth Suite no. 2, op. 1b: VI. The Wild Bears
-
Caractacus, op. 35: Scene II, The Sacred Oak Grove by the Tomb of the Kings: “Bard, What Read Ye?” (Arch‐Druid, Orbin, Caractacus)
-
Caractacus, op. 35: Scene II, The Sacred Oak Grove by the Tomb of the Kings: “Leap to Light” (Caractacus, Chorus)
-
Une voix dans le désert, op. 77
-
Le drapeau belge, op. 79
-
The Light of Life, op. 29 no. 1: Meditation
-
The Light of Life, op. 29 no. 2: Seek Him that maketh the seven stars
-
The Light of Life, op. 29 no. 3: As Jesus passed by
-
The Light of Life, op. 29 no. 4: Be not extreme, O Lord
-
The Light of Life, op. 29 no. 5: Neither hath this man sinned
-
The Light of Life, op. 29 no. 6: Light out of the darkness
-
The Light of Life, op. 29 no. 7: And when He had thus spoken
-
The Light of Life, op. 29 no. 9: He went his therefore
-
The Light of Life, op. 29 no. 8: Doubt not thy Father's care
-
The Light of Life, op. 29 no. 10: As a spirit didst Thou pass before mine eyes
-
The Light of Life, op. 29 no. 12: Thou only hast the words of life
-
The Light of Life, op. 29 no. 11: They brought him to the Pharisees
-
The Light of Life, op. 29 no. 15a: Jesus heard that they had cast him out
-
The Light of Life, op. 29 no. 13: But the Jews did not believe
-
The Light of Life, op. 29 no. 14: Woe to the shepherds of the flock
-
The Light of Life, op. 29 no. 16: Light of the World, we know Thy praise
-
The Light of Life, op. 29 no. 15b: I am the Good Shepard
-
Songs, op. 59
-
Caractacus, op. 35: Scene II, The Sacred Oak Grove by the Tomb of the Kings: “Hence – Ere the Druid’s Wrath is Woke” (Chorus)
-
Caractacus, op. 35: Scene III, The Forest Near the Severn: Introduction
-
The Apostles, op. 49: Part I: I. The Calling of the Apostles: Andante "And it came to pass in those days"
-
The Apostles, op. 49: Part I: I. The Calling of the Apostles: In the mountain, — Night
-
The Apostles, op. 49: Part I: I. The Calling of the Apostles: The Dawn
-
The Apostles, op. 49: Part I: I. The Calling of the Apostles: Morning Psalm (within the Temple)
-
The Apostles, op. 49: Part I: I. The Calling of the Apostles: Chorus. "The Lord hath chosen them"
-
The Apostles, op. 49: Part I: II. By the Wayside
-
The Apostles, op. 49: Part I: III. By the Sea of Galilee: Moderato. "And straightway Jesus constraind his disciples"
-
The Apostles, op. 49: Part I: III. By the Sea of Galilee: In the Tower of Magdala
-
The Apostles, op. 49: Part I: III. By the Sea of Galilee: Fantasy
-
The Apostles, op. 49: Part I: III. By the Sea of Galilee: In Cæsarea Philippi
-
The Apostles, op. 49: Part II: Introduction
-
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass"
-
The Apostles, op. 49: Part II: IV. The Betrayal: The Temple
-
The Apostles, op. 49: Part II: IV. The Betrayal: Without the Temple
-
The Apostles, op. 49: Part II: V. Golgotha
-
The Apostles, op. 49: Part II: VI. At the Sepulchre
-
The Apostles, op. 49: Part II: VII. The Ascension: Moderato. "We trusted that it had ben He"
-
The Apostles, op. 49: Part II: VII. The Ascension: In Heaven / On Earth
-
Viola Concerto: I. Adagio - Moderato
-
Viola Concerto: II. Lento - Allegretto molto
-
Love's Tempest, op. 73 no. 1
-
Serenade, op. 73 no. 2
-
The Wand of Youth Suite no. 1, op. 1a: II. Serenade
-
Three Part-Songs, op. 18
-
Love, op. 18 no. 2
-
My Love dwelt in a Northern Land, op. 18 no. 3
-
O Wild West Wind!, op. 53 no. 3
-
Owls (An Epitaph), op. 53 no. 4
-
The Prince of Sleep
-
Evening Scene
-
How Calmly the Evening
-
Weary Wind of the West
-
2 Choral Songs, op. 73
-
Three Characteristic Pieces, op. 10: No. 3. Contrasts: The Gavotte
-
Pomp and Circumstance March no. 1
-
King Arthur: 1. The King and Sir Bedivere
-
King Arthur: 2. Elaine Asleep
-
King Arthur: 3. The Banqueting Hall at Westminster
-
King Arthur: 4. The Queen's Tower at Night
-
King Arthur: 5. Battle Scene
-
King Arthur: 6. Arthur's Passage to Avalon
-
Three Bavarian Dances: No. 1. The Dance
-
Chanson de matin, op. 15 no. 2
-
Chanson de nuit, op. 15 no. 1
-
La capricieuse, op. 17
-
O Salutaris hostia
-
Beau Brummel: Minuet
-
Very Easy Melodious Exercises in the First Position for Violin With Pianoforte Accompaniment, op. 22 no. 4: Andantino
-
Caractacus, op. 35: Scene II, The Sacred Oak Grove by the Tomb of the Kings: Lord of Dread, and Lord of Pow’r (Chorus)
-
The Mole
-
Feasting I Watch, op. 45 no. 5
-
Five Part-songs from The Greek Anthology, op. 45
-
Very Easy Melodious Exercises in the First Position for Violin With Pianoforte Accompaniment, op. 22 no. 5: Allegretto
-
Sanctus
-
The Wand of Youth Suite no. 2, op. 1b: II. The Little Bells (Scherzino)
-
Caractacus, op. 35: Scene I, British Camp on the Malvern Hills: “Rest, Weary Monarch” (Chorus)
-
Very Easy Melodious Exercises in the First Position for Violin With Pianoforte Accompaniment, op. 22 no. 6: Allegro
-
Caractacus, op. 35: Scene II, The Sacred Oak Grove by the Tomb of the Kings: Tread the Mystic Circle Round (Arch‐Druid, Chorus)
-
The Starlight Express
-
Nursery Suite
-
The Wand of Youth Suite no. 2, op. 1b
-
The Wand of Youth Suite no. 2, op. 1b: V. The Tame Bear
-
Ave maris stella
-
They are at rest
-
Caractacus, op. 35: Scene I, British Camp on the Malvern Hills: “Watchmen, Alert!” (Chorus)
-
The Snow, op. 26 no. 1
-
Fly, Singing Bird, Fly, op. 26 no. 2
-
Chanson de nuit, op. 15 no. 1
-
O Happy Eyes, op. 18 no. 1
-
Love, op. 18 no. 2
-
Two Songs, op. 41
-
The Apostles, op. 49
-
2 Partsongs, op. 26
-
Lux aeterna
-
Chanson de matin
-
The Starlight Express, op. 78: O children, open your arms to me
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The Starlight Express, op. 78: There's a fairy that hides
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The Starlight Express, op. 78: I'm everywhere
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The Starlight Express, op. 78: Wake up, you little night winds
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The Starlight Express, op. 78: O stars, shine brightly!
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The Starlight Express, op. 78: We shall meet the morning spiders
-
The Starlight Express, op. 78: My old tunes are rather broken
-
The Starlight Express, op. 78: O, think beauty
-
The Starlight Express, op. 78: Dustman, laughter, tramp and busy sweep
-
Cantique, op. 3 no. 1
-
Chanson de matin, op. 15 no. 2
-
Very Easy Melodious Exercises in the First Position for Violin With Pianoforte Accompaniment, op. 22 no. 2: Allegretto
-
Tantum ergo
( - 1876)
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Caractacus, op. 35: Scene III, The Forest Near the Severn: “Last Night Beneath the Sacred Oak” (Orbin)
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The Wand of Youth Suite no. 2, op. 1b: IV. Fountain Dance
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The Wand of Youth Suite no. 2, op. 1b: III. Moths and Butterflies (Dance)
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Twilight, op. 59 no. 6
-
The Blue-Eyes Fairy, op. 78
-
Minuet, op. 21
-
Three Characteristic Pieces, op. 10: No. 2. Sérénade mauresque
-
Three Bavarian Dances: No. 2. Lullaby
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Three Bavarian Dances: No. 3. The Marksmen
-
Viola Concerto: III. Adagio
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Viola Concerto: IV. Allegro
-
The Shower, op. 71 no. 1
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Pageant of Empire
-
The Wand of Youth Suite no. 1, op. 1a: I. Overture
-
The Wild Bears
-
Caractacus, op. 35: Scene V, The Severn: “Captive Britons, See Them!” (A Bard, Chorus)
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Pomp and Circumstance Marches, op. 39: March no. 1 in D major
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Mot d'amour, op. 13 no. 1
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Salut d’amour
-
Was It Some Golden Star?, op. 59 no. 5
-
Like to the Damask Rose
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Queen Mary's Song
-
A Song of Autumn
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Song of Flight, op. 31 no. 2
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Oh, Soft Was the Song, op. 59 no. 3
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The Poet's Life
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Through the Long Days, op. 16 no. 2
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Rondel, op. 16 no. 3
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Shepherd's Song, op. 16 no. 1
-
Is She Not Passing Fair?
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Chanson de nuit, op. 15 no. 1
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Chanson de matin, op. 15 no. 2
Lyrics
-
Owls (An Epitaph), op. 53 no. 4
-
Foreword
Libretto
-
The Apostles, op. 49
-
The Kingdom, op. 51: IV. The Sign of Healing
-
The Kingdom, op. 51: V. The Upper Room
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The Kingdom, op. 51: I. In the Upper Room
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The Kingdom, op. 51: II. At the Beautiful Gate
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The Kingdom, op. 51: III. Pentecost
-
The Kingdom, op. 51
Arranged
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Petite Reine
(1886)
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Three Movements for Pianoforte Trio: III. March
(1924)
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Carissima
-
From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
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Carissima
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May Song
-
Mazurka, op. 10 no. 1
Orchestrated
-
Overture in D minor
(1923)
-
Funeral March
(1933)
-
Chanson de matin, op. 15 no. 2
-
Fantasia and Fugue in C minor, op. 86, BWV 537
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Fantasia and Fugue in C minor, op. 86, BWV 537: Fantasia
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Jerusalem
-
Chanson de nuit, op. 15 no. 1
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Fantasia and Fugue in C minor, op. 86, BWV 537: Fugue
Published
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Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
-
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major