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Johann David Heinichen (17 Apr 1683 - 16 Jul 1729)

Male Person - Germany

Works (168)

Composed

  1. Warum toben die Heiden S. 39 (1715)
  2. Alma mater redemptoris S.22 (1726)
  3. L’aride tempie ignude, S. 30: Aria “Di Giesù tenere viscere”
  4. 3 Lamentationes Jeremiae in Coena Domini, S.71-73
  5. Pastorale per la notte di natale, SeiH 242
  6. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Coro “Come? S’imbrune il ciel”
  7. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Coro “E lumi e cor non ha chi lagrimar”
  8. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Ben ha cor di Giudeo”
  9. Les Lamentations du Prophète Jérémie - Lamentatio I: Incipit Lamentatio Jeremiae (Seibel 71; 1724)
  10. Les Lamentations du Prophète Jérémie - Lamentatio II: Vau. Et egressus est (Seibel 72; 1724)
  11. Les Lamentations du Prophète Jérémie - Lamentatio III: Jod. Manum suam misit hostis (Seibel 73; 1724)
  12. Concerto for Oboe in G minor, S. 237
  13. Come? S’imbruna il ciel! Occhi piangete!, S. 29
  14. Ouvertüre in G-dur, Seibel 205: V. Rigadon alternativ
  15. Concerto Grosso in F major, S. 234: IV. Allegro
  16. Concerto Grosso in F major, S. 234
  17. Concerto Grosso in F major, S. 234: II. Adagio
  18. Concerto Grosso in F major, S. 234: I. Vivace
  19. Concerto Grosso in F major, S. 234: III. Un poco Allegro
  20. Ouvertüre in G-dur, Seibel 205: IV. Air
  21. L’aride tempie ignude, S. 30: Recitativo “L’aride tempie ignude”
  22. L’aride tempie ignude, S. 30: Aria “Di mia vittoria su questa tomba”
  23. L’aride tempie ignude, S. 30: Recitativo “Non dir superbo Gloria dell’armi tue d’un dio la morte”
  24. Nisi Dominus, S.99
  25. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Miseri ch’habbiam fatto?”
  26. De profundis, S.35
  27. Oratorio todesco al sepolcro santo, S.20
  28. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Nicht das Band, das dich bestricket"
  29. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Récitatif "So schleppt man dich zum Richthaus fort"
  30. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Coro "Kommt, schauet Petrus' Tränen an"
  31. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Ruchbarer Geist, verräterischer Sinn"
  32. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Ach mein Mund, ach meine Zunge"
  33. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Was nützt mir's nun,dass ich so rein an Füssen"
  34. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Min Herz, quille Blut"
  35. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "O weh! Die ganze Schar schnaubt voller Grimm"
  36. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Die Sporne, die meinen Erlöser durch stechen"
  37. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Jetzt Lösen sie dich auf"
  38. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Der Abgrund muss erzittern"
  39. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "So leidet selbst die Unschuld so viel Qualen"
  40. Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Coro "Ich wünsche mir, Jesu, die einzig zum Ruhme"
  41. Pastorale A-Dur
  42. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Piani popolo mio”
  43. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Coro “Alla croce alme redente”
  44. L’aride tempie ignude, S. 30: Sinfonia
  45. Concerto Grosso in F major, S. 233
  46. L’aride tempie ignude, S. 30
  47. Concerto for 2 Oboes & Orchestra in E minor, S.222: I. Vivace
  48. Concerto for 2 Oboes & Orchestra in E minor, S.222: II. Adagio
  49. Concerto for 2 Oboes & Orchestra in E minor, S.222: III. Allegro
  50. Concerto for Flute & Orchestra in D major, S.225: I. (Untitled)
  51. Concerto for Flute & Orchestra in D major, S.225: II. Andante
  52. Concerto for Flute & Orchestra in D major, S.225: III. Allegro
  53. Concerto for Flute, Violin & Orchestra in E minor, S.218: I. Allegro
  54. Concerto for Flute, Violin & Orchestra in E minor, S.218: II. Adagio
  55. Concerto for Flute, Violin & Orchestra in E minor, S.218: III. Presto - Adagio
  56. Concerto for Flute, Violin & Orchestra in E minor, S.218: IV. Allegro
  57. Concerto for Oboe & Orchestra in A minor, S.212: I. (Untitled)
  58. Concerto for Oboe & Orchestra in A minor, S.212: II. Largo - Adagio
  59. Concerto for Oboe & Orchestra in A minor, S.212: III. Allegro
  60. Concerto for Oboe, Flute & Orchestra in G minor, S.238: I. Allegro
  61. Concerto for Oboe, Flute & Orchestra in G minor, S.238: II. Largo
  62. Concerto for Oboe, Flute & Orchestra in G minor, S.238: III. (Untitled)
  63. Concerto for 2 Oboes & Orchestra in E minor, S.222
  64. Concerto for Oboe, Flute & Orchestra in G minor, S.238
  65. Concerto for Oboe & Orchestra in A minor, S.212
  66. Concerto for Flute, Violin & Orchestra in E minor, S.218
  67. Concerto for Flute & Orchestra in D major, S.225
  68. Concerto for Oboe in G minor, S. 237: I. Allegro
  69. Concerto for Oboe in G minor, S. 237: II. Pizzicato
  70. Concerto for Oboe in G minor, S. 237: III. Vivace
  71. Dresden Concerto in F major, S. 235: I. Vivace
  72. Dresden Concerto in F major, S. 235: II. Andante
  73. Dresden Concerto in F major, S. 235: III. Presto
  74. Dresden Concerto in F major, S. 235: IV. Alla breve
  75. Dresden Concerto in F major, S. 235: V. Allegro
  76. Dresden Concerto in G major, S. 215: I. Andante e staccato
  77. Dresden Concerto in G major, S. 215: II. Vivace
  78. Dresden Concerto in G major, S. 215: III. Largo
  79. Dresden Concerto in G major, S. 215: IV. Allegro
  80. Dresden Concerto in G major, S. 214 (Darmstadt 1715): I. Vivace
  81. Dresden Concerto in G major, S. 214 (Darmstadt 1715): II. Largo
  82. Dresden Concerto in G major, S. 214 (Darmstadt 1715): III. Allegro
  83. Dresden Concerto in D major, S. 226: I. Allegro molto
  84. Dresden Concerto in D major, S. 226: II. Adagio
  85. Dresden Concerto in D major, S. 226: III. Allegro
  86. Dresden Concerto in G major, S. 213: I. Allegro
  87. Dresden Concerto in G major, S. 213: II. Larghetto
  88. Dresden Concerto in G major, S. 213: III. Allegro
  89. Dresden Concerto in G major, S. 213: IV. Entrée
  90. Dresden Concerto in G major, S. 213: V. Loure: Cantabile
  91. Dresden Concerto in G major, S. 213: VI. Tempo de Menuet - Air italienne
  92. Dresden Concerto in F major, S. 233: I. Allegro
  93. Dresden Concerto in F major, S. 233: II. Andante più tosto un poco allegro
  94. Dresden Concerto in F major, S. 233: III. Presto
  95. Dresden Concerto in C major, S. 211: I. Allegro
  96. Dresden Concerto in C major, S. 211: II. Pastorell
  97. Dresden Concerto in C major, S. 211: III. Adagio
  98. Dresden Concerto in C major, S. 211: IV. Allegro assai
  99. Dresden Concerto in F major, S. 231: I. Vivace
  100. Dresden Concerto in F major, S. 231: II. Arioso
  101. Dresden Concerto in F major, S. 231: III. Allegro
  102. Dresden Concerto in F major, S. 232: I. Allegro
  103. Dresden Concerto in F major, S. 232: II. Andante
  104. Dresden Concerto in F major, S. 232: III. Allegro
  105. Dresden Concerto in G major, S. 217: I. Allegro
  106. Dresden Concerto in G major, S. 217: II. Largo e staccato
  107. Dresden Concerto in G major, S. 217: III. Grave
  108. Dresden Concerto in G major, S. 217: IV. Allegro
  109. Dresden Concerto in G major, S. 214 (Venezia 1715): I. Vivace
  110. Dresden Concerto in G major, S. 214 (Venezia 1715): II. Andante e staccato
  111. Dresden Concerto in G major, S. 214 (Venezia 1715): III. Vivace
  112. Serenata di Moritzburg in F major, S. 204
  113. Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: I. Allegro
  114. Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: II. Adagio e staccato
  115. Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: III. Allegro
  116. Concert Movement for oboe, violin & strings in C minor, S. 240
  117. Dresden Concerto in C major, S. 211
  118. Dresden Concerto in D major, S. 226
  119. Dresden Concerto in F major, S. 231
  120. Dresden Concerto in F major, S. 232
  121. Dresden Concerto in F major, S. 235
  122. Dresden Concerto in G major, S. 213
  123. Dresden Concerto in G major, S. 214
  124. Dresden Concerto in G major, S. 214
  125. Dresden Concerto in G major, S. 215
  126. Dresden Concerto in G major, S. 217
  127. Sonata for 3 oboes, 2 flutes & strings in A major, S. 208
  128. L’aride tempie ignude, S. 30: Aria “E non ti sfacci cuor dispietato”
  129. L’aride tempie ignude, S. 30: Accompagnato “Marmi, ch’estino il sommo ben chiudete”
  130. L’aride tempie ignude, S. 30: Recitativo “Lagrime avventurose”
  131. L’aride tempie ignude, S. 30: Aria “Qual pianta”
  132. L’aride tempie ignude, S. 30: Recitativo accompagnato “Erger ti ardisci al favellar di spene”
  133. L’aride tempie ignude, S. 30: Recitativo “Per accendere altrui del vivo zelo”
  134. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Addolorata ed adorate Madre”
  135. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Aria “Madre, non isdegnar”
  136. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Madre in Amor”
  137. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Aria “Lato, mani, piè forati”
  138. Ouvertüre in G-dur, Seibel 205: I. Ouvertüre
  139. Ouvertüre in G-dur, Seibel 205: II. Air
  140. Ouvertüre in G-dur, Seibel 205: III. Bourrée alternativ
  141. Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater"
  142. Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti"
  143. Alma Redemptoris Mater, S. 22: III. "Gabrielis ab ore"
  144. Concerto in F major, S.209: III. Réjouissance
  145. Concerto in F major, S.209
  146. Concerto in F major, S.209: I. Allegro — Adagio — Allegro
  147. Concerto in F major, S.209: II. Sarabande
  148. Concerto in F major, S.209: IV. La Chasse
  149. Concerto in F major, S.209: V. Aimable
  150. Concerto in F major, S.209: VI. Allegro
  151. Concerto in F major, S.209: VII. Tempo di Menuetto
  152. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Aria “Mio Gesù, dolce adorato”
  153. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Che miro?”
  154. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo accompagnato “O qual dura penar!”
  155. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Aria “Genti, genti”
  156. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Aria “Mia Sion, che facesti?”
  157. Ouvertüre in G-dur, Seibel 205
  158. Beatus vir S. 26
  159. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “O ciel?”
  160. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Duetto “Croce mal nata”
  161. Come? S’imbruna il ciel! Occhi piangete!, S. 29: Recitativo “Qual rigore di padre!”
  162. Trio Sonata in B-flat major, S. 257
  163. Trio Sonata in B-flat major, S. 257: I. Affetuoso
  164. Trio Sonata in B-flat major, S. 257: II. Allegro
  165. Trio Sonata in B-flat major, S. 257: III.
  166. Trio Sonata in B-flat major, S. 257: IV. Allegro
  167. L’aride tempie ignude, S. 30: Coro “Quel core sincere sol giunge”
  168. Ouvertüre in G-dur, Seibel 205: VI. Air viste