Gavin Bryars
(16 Jan 1943 - )
Male Person - United Kingdom
Works (159)
Wrote
-
Laude Cortonese
(2002)
-
She Can’t Love You
Revised
-
Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra II (low strings)
(1993)
-
Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra III (no strings)
(1993)
-
Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra IV (full strings)
(1993)
-
Jesus’ Blood Never Failed Me Yet: Tramp and Tom Waits With Full Orchestra
(1993)
-
Jesus’ Blood Never Failed Me Yet: Coda: Tom Waits With High Strings
(1993)
-
Jesus' Blood Never Failed Me Yet
(1993)
-
Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra I (string quartet)
(1993)
Composed
-
The Squirrel and the Ricketty Racketty Bridge
(1971)
-
Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra I (string quartet)
(1971)
-
Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra III (no strings)
(1971)
-
Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra IV (full strings)
(1971)
-
Jesus’ Blood Never Failed Me Yet: Tramp and Tom Waits With Full Orchestra
(1971)
-
Jesus’ Blood Never Failed Me Yet: Coda: Tom Waits With High Strings
(1971)
-
Jesus' Blood Never Failed Me Yet
(1971)
-
Jesus’ Blood Never Failed Me Yet: Tramp With Orchestra II (low strings)
(1971)
-
Ponukelian Melody
(Apr 1975 - May 1975)
-
On Photography
(1983)
-
String Quartet no. 1 "Between the National and the Bristol"
(1985)
-
Sub Rosa
(1986)
-
Glorious Hill
(1988)
-
Incipit Vita Nova
(Feb 1989)
-
Cadman Requiem
(Feb 1989 - May 1989)
-
String Quartet no. 2
(1990)
-
Four Elements
(1990)
-
String Quartet no. 2
(1990)
-
The Black River
(1991)
-
The Archangel Trip
(1992)
-
Die Letzten Tage ("The Last Days"): Intermezzo I
(1992)
-
Die Letzten Tage ("The Last Days"): Intermezzo II
(1992)
-
Die Letzten Tage ("The Last Days"): Prelude (The Roman Ending)
(1992)
-
Die Letzten Tage ("The Last Days"): I. The Venetian Beginning
(1992)
-
Die Letzten Tage ("The Last Days"): II. The Corinthian Middle
(1992)
-
Three Elegies for Nine Clarinets: No. 1
(1993)
-
Three Elegies for Nine Clarinets
(1993)
-
Three Elegies for Nine Clarinets: No. 3
(1993)
-
Three Elegies for Nine Clarinets: No. 2
(1993)
-
One Last Bar Then Joe Can Sing
(1994)
-
Epilogue from Wonder Lawn
(1994)
-
After Handel's Vesper
(1995)
-
Adnan Songbook: Song III
(1996)
-
Adnan Songbook: Song IV
(1996)
-
Adnan Songbook: Song V
(1996)
-
Adnan Songbook: Song VI
(1996)
-
Adnan Songbook: Song VII
(1996)
-
Adnan Songbook: Song VIII
(1996)
-
Adnan Songbook: Song I
(1996)
-
Adnan Songbook: Song II
(1996)
-
Adnan Songbook
(1996)
-
Cadman Requiem: V. In Paradisium
(Sep 1997 - Nov 1997)
-
Cadman Requiem: I. Requiem
(Sep 1997 - Nov 1997)
-
Cadman Requiem
(Sep 1997 - Nov 1997)
-
Cadman Requiem: II. Caedmon Paraphrase (Bede)
(Sep 1997 - Nov 1997)
-
Cadman Requiem: III. Agnus Dei
(Sep 1997 - Nov 1997)
-
Cadman Requiem: IV. Caedmon's "Creation Hymn"
(Sep 1997 - Nov 1997)
-
Three Poems of Cecco Angiolieri: No. 2. S'i' fosse foco
(1997)
-
Three Poems of Cecco Angiolieri: No. 3. La stremità
(1997)
-
Three Poems of Cecco Angiolieri
(1997)
-
And So Ended Kant's Travelling in this World
(1997)
-
Three Poems of Cecco Angiolieri: No. 1. La mia malinconia
(1997)
-
String Quartet no. 3
(1998)
-
Super flumina
(2000)
-
Double Bass Concerto "Farewell to St Petersburg"
(2002)
-
Silva Caledonia
(2006)
-
Tre Laude Dolce
(2007)
-
Tre Laude Dolce: I.
(2007)
-
Tre Laude Dolce: II.
(2007)
-
Tre Laude Dolce: III.
(2007)
-
Memento
(2008)
-
The Summons
(2008)
-
Ian in the Broch
(2008)
-
After the Underworlds
(2012)
-
The Other Side of the River
(2015)
-
With Miriam by the River
-
1,2,1-2-3-4
-
The Sinking of the Titanic
-
White's S.S.
-
On Photography: I. Expressa solis spiculo
-
On Photography: II. Expressa solis... Tersa, perfetta imagine
-
On Photography: III. Resonare fibris
-
Lauda 29 "O divina virgo, flore"
-
Lauda 13 "Stomme allegro"
-
Lauda 19 "Omne homo"
-
No. 1 from Tre Laude Dolçe
-
Lauda 4 "Oi me lasso"
-
Lauda 35 "L'alto prençe archangelo"
-
Lauda 37 "Ciascun ke fede sente"
-
Lauda (con sordino)
-
Lauda 36 "Gloria in cielo"
-
Lauda 28 "Amor dolçe sença pare"
-
Woodblocks
-
Last Hymn
-
Coda
-
The Sinking of the Titanic
-
Ave regina gloriosa (Lauda VII)
-
Ave donna santissima (Lauda III)
-
Laude novella (Lauda II)
-
Raising the Titanic
-
Love Songs
-
A Native Hill
-
A Native Hill: No. 1, The Sense of the Past
-
A Native Hill: No. 2, The Path
-
A Native Hill: No. 3, Sea Level
-
A Native Hill: No. 4, The Pool
-
A Native Hill: No. 5, The Road
-
A Native Hill: No. 6, The Music of Streams
-
A Native Hill: No. 7, Questions
-
A Native Hill: No. 8, Top Soil
-
A Native Hill: No. 9, The Hill
-
A Native Hill: No. 10, Animals and Birds
-
A Native Hill: No. 11, Shadow
-
A Native Hill: No. 12, At Peace
-
A Listening Room ("Chambre d'écoute")
( - 1993)
-
Espace de la cour
-
Cage du grand escalier
-
Salon des emigres
-
Galerie des peintures
-
Tour des Ondes
-
Cuisine
-
Vestibule
-
Salle d'armes
-
Salle des Faïences / Salon Gris
-
Ramble on Cortona
-
Irma: Second Interlude
-
Irma: Chorus "Love Is Help Mate"
-
Irma: Postlude
-
Irma
-
Irma: Introduction
-
Irma: Overture and Aria "I Tell You That's Irma Herself"
-
Irma: First Interlude
-
Irma: Aria "Irma You Will Be Mine"
-
The Voice of St Columba: II. On Hinba
-
The Voice of St Columba: I. Colum's Voice
-
The Voice of St Columba
-
The Squirrel and the Ricketty-Racketty Bridge
-
Credo
-
Benedicamus Domino
-
Hi-Tremolo
-
The Fifth Century for choir and saxophone quartet: I. We see the heavens with our eyes
-
The Fifth Century for choir and saxophone quartet: II. As sure as there is a space infinite
-
The Fifth Century for choir and saxophone quartet: III. Infinity of space is like a painter's table
-
The Fifth Century for choir and saxophone quartet: IV. Eternity is a mysterious absence of times and ages
-
The Fifth Century for choir and saxophone quartet: V. Eternity magnifies our joys exceedingly
-
The Fifth Century for choir and saxophone quartet: VI. His omnipresence is our field of joys
-
The Fifth Century for choir and saxophone quartet: VII. Our bridegroom and our king being everywhere
-
Two Love Songs for female choir a cappella: I. Io amai sempre
-
Two Love Songs for female choir a cappella: II. Solo et pensoso
-
Opening Part I
-
Titanic Hymn (Autumn) All Strings
-
Hymn II
-
Interlude
-
Hymn III
-
Hymn IV (Aughton)
-
Opening Part II
-
Titanic Lament
-
Venite a laudare (Lauda I)
-
The Fifth Century
-
1, 2, 1–2–3–4