Charles Ives
(20 Oct 1874 - 19 May 1954)
Male Person - United States
Works (488)
Arranged
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The See'r, S. 344
(1920)
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In the Mornin', S. 441
(1929)
Wrote
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The Celestial Country, S. 143: III. Quartet, unaccompanied
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That’s New England
Composed
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Minuetto, Op. 4, S. 119
(1886)
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Slow March, S. 349
(1887 - 1888)
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Psalm 42, S. 149
(1888)
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A Song--For Anything, S. 355
(1889)
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Abide With Me, S. 205
(1890 - 1891)
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Rock of Ages, S. 335
(1892)
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Far from my Heavenly Home, S. 246
(1893 - 1894)
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March no. 1 for Piano, with "Year of Jubilee", S. 109
(1894 - 1895)
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A Christmas Carol, S. 228
(1894)
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Psalm 24, S. 147
(1894)
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Psalm 150, S. 155
(1894)
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My Lou Jennine, S. 302
(1894)
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Psalm 54, S. 150
(1894)
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Psalm 90, S. 152 “Lord, thou hast been”
(1894)
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Psalm 67, S. 151 “God be merciful unto us”
(1894)
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A Christmas Carol, S. 228
(1894)
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Songs My Mother Taught Me, S. 361
(1895)
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March no. 3, with "My Old Kentucky Home", S. 31
(1895)
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March "Intercollegiate," with "Annie Lisle", S. 54
(1895)
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March, “A Son of a Gambolier”
(1895)
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March no. 2 for Piano, with "Son of a Gambolier", S. 110
(1895)
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Son of a Gambolier, S. 353
(1895)
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March No. 5 for Piano, with "Annie Lisle", S. 112
(1895)
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March No. 3 for Piano, with "Omega Lambda Chi", S. 111
(1895 - 1896)
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Canon [I], S. 223 "Not only in my lady's eyes"
(1895 - 1896)
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When Stars are in the Quiet Skies, S. 389
(1896 - 1900)
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There is a Certain Garden, S. 369
(1896 - 1898)
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In Autumn, S. 276
(1896)
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In the Alley, S. 279
(1896)
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William Will, S. 396
(1896)
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Amphion, S. 210
(1896)
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The All-Enduring, S. 209
(1896)
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March in F and C, with "Omega Lambda Chi", S. 53
(1896)
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An Old Flame, S. 314 (K. 6B23c)
(1896)
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March in G and C for Piano, with "See the Conquering Hero Comes", S. 114
(1896 - 1897)
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Her Gown Was Vermilion Silk, S. 264
(Jul 1897)
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No More, S. 312
(Dec 1897)
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Through Night and Day, S. 375
(1897 - 1898)
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The Bells of Yale, S. 192
(1897)
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Memories, S. 297
(1897)
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Adeste fidelis
(1897)
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Dreams, S. 238
(1897)
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String Quartet no. 1, S. 57 "From the Salvation Army": IV. Postlude. Adagio marziale
(1897 - 1900)
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At Parting, S. 212
(1897 - 1900)
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My Native Land [I], S. 303
(1897 - 1900)
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String Quartet no. 1, S. 57 "From the Salvation Army"
(1897 - 1900)
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String Quartet no. 1, S. 57 "From the Salvation Army": I. Chorale. Andante con moto
(1897 - 1900)
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String Quartet no. 1, S. 57 "From the Salvation Army": II. Prelude. Allegro
(1897 - 1900)
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String Quartet no. 1, S. 57 "From the Salvation Army": III. Offertory. Adagio cantabile
(1897 - 1900)
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Fugue in C
(1897 - 1900)
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The Celestial Country, S. 143: IV. Intermezzo for String Quartet
(1898 - 1902)
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We Melodien zieht es mir, S. 394
(1898 - 1900)
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Symphony no. 1, S. 1: II. Adagio molto (sostenuto)
(1898 - 1901)
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Symphony no. 1, S. 1: III. Scherzo. Vivace
(1898 - 1901)
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Symphony no. 1, S. 1: IV. Allegro molto
(1898 - 1901)
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Symphony no. 1, S. 1
(1898 - 1901)
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Symphony no. 1, S. 1: I. Allegro
(1898 - 1901)
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Ich Grolle Nicht / I'll Not Complain, S. 271
(1898 - 1901)
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Friendship, S. 253
(1898 - 1899)
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I Knew and Loved a Maid, S. 269
(1898 - 1899)
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March for Piano: The Circus Band, S. 115
(1898 - 1899)
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Invention in D, S. 118
(1898)
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Because of You, S. 218
(1898)
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Widmung, S. 393
(1898)
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Song of the Dead, S. 357
(1898)
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Frühlingslied, S. 254
(1898)
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God Bless and Keep Thee, S. 256
(1898)
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Her Eyes, S. 263
(1898)
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World's Wanderers, S. 398
(1898)
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Feldeinsamkeit / In Summer Fields, S. 250
(1898)
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March: The Circus Band
(1899)
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March: The Circus Band, S. 33
(1899)
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Symphony no. 2, S. 2
(1899 - 1909)
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Symphony no. 2, S. 2: V. Allegro molto vivace
(1899 - 1909)
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Symphony no. 2, S. 2: III. Adagio cantabile
(1899 - 1909)
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Symphony no. 2, S. 2: IV. Lento maestoso
(1899 - 1909)
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Symphony no. 2, S. 2: I. Andante moderato
(1899 - 1909)
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Symphony no. 2, S. 2: II. Allegro
(1899 - 1909)
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Lento maestoso from Symphony no. 2
(1899 - 1909)
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Finale from Symphony no. 2
(1899 - 1909)
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The Love Song of Har Dyal, S. 292
(1899 - 1903)
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The Circus Band, S. 229
(1899)
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My Native Land [II], S. 304
(1900 - 1901)
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Ein Ton / I hear a tone, S. 241
(1900)
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Allegro, S. 208
(1900)
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Kären, S. 285
(1900)
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Flag Song, S. 251
(1900)
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Wiegenlied, S. 395
(1900)
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Walking, S. 383
(1900)
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From the Steeples and the Mountains, S. 65
(1901)
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Élégie, S. 242
(1901)
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On Judges' Walk, S. 318
(1901 - 1902)
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Marie, S. 296 No. 1
(1901 - 1902)
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Because Thou Art, S. 219
(1901 - 1902)
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Psalm 25, S. 148
(1901)
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I Travelled Among Unknown Men, S. 270
(1901)
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Minnelied, S. 298
(1901)
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Processional "Let There Be Light", S. 176
(1901)
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Mirage, S. 299
(Dec 1902)
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Tarrant Moss, S. 367
(1902)
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Psalm 100, S. 153
(1902)
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Weil' auf mir / Eyes so Dark, S. 387
(1902)
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Du alte Mutter / My dear old mother, S. 239
(1902)
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Slugging a Vampire, S. 350
(1902)
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Psalm 14, S. 146
(1902)
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Psalm 135, S. 154
(1902)
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There Is a Lane, S. 370
(1902)
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Rough Wind, S. 339
(1902)
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Omens and Oracles, S. 317
(1902)
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Harpalus, S. 261
(1902)
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A Perfect Day, S. 326
(1902)
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Three Harvest Home Chorales, S. 145
(1902 - 1915)
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The Sea of Sleep, S. 343
(04 Jan 1903)
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Scherzo for String Quartet, S. 83
(1903 - 1904)
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Ilmenau / Over all the treetops, S. 272
(1903)
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The Light That Is Felt, S. 287
(1903)
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Berceuse, S. 220
(1903)
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Symphony no. 3, S. 3 "The Camp Meeting": III. Communion. Largo
(1904 - 1911)
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Symphony no. 3, S. 3 "The Camp Meeting": I. Old Folks Gatherin'. Andante maestoso
(1904 - 1911)
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Symphony no. 3, S. 3 "The Camp Meeting": II. Children's Day. Allegro
(1904 - 1911)
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Symphony no. 3, S. 3 "The Camp Meeting"
(1904 - 1911)
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"Country Band" March, S. 36
(1905 - 1911)
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The General Slocum, S. 37
(Jun 1906)
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A Farewell to Land, S. 248
(Dec 1906)
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Where the Eagle Cannot See, S. 390
(1906)
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The Cage, S. 221
(1906)
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Central Park in the Dark, S. 34
(1906)
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The Unanswered Question, S. 50
(1906)
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Pictures, S. 327
(1906)
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Set of Five Take-Offs, S. 122: II. Rough and Ready et al.
(1906 - 1909)
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Set of Five Take-Offs, S. 122: III. Song without (good) Words or The Good & the Bad (new & old)
(1906 - 1909)
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Set of Five Take-Offs, S. 122: IV. Scene Episode
(1906 - 1909)
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Set of Five Take-Offs, S. 122: V. Bad Resolutions [and] Good WAN! (Jan 1, 190[7])
(1906 - 1909)
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Set of Five Take-Offs, S. 122
(1906 - 1909)
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Set of Five Take-Offs, S. 122: I. The Seen and Unseen?
(1906 - 1909)
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The World's Highway, S. 397
(1906 - 1907)
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The Pond, S. 40
(1906 - 1913)
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Spring Song, S. 363
(Aug 1907)
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Those Evening Bells, S. 374
(1907)
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Scherzo: All the Way Around and Back, S. 81
(1907 - 1908)
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Study no. 4: Allegro moderato, S. 92
(1907 - 1908)
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South Wind, S. 362
(Apr 1908)
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Largo Risoluto No. 1, S. 74
(1908 - 1909)
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Autumn, S. 217
(1908)
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A Set of Three Short Pieces, S. 84: III. Adagio cantabile: The Innate
(1908)
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Study No. 18: Sunrise Cadenza (Adagio), S. 102
(1908)
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A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday
(1909 - 1913)
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A Symphony: New England Holidays, S. 5
(1909 - 1916)
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Nature's Way, S. 306
(1909 - 1910)
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Largo Risoluto No. 2, S. 75
(1909 - 1910)
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Symphony no. 4, S. 4: I. Prelude. Maestoso
(1910 - 1916)
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Symphony no. 4, S. 4: II. Comedy. Allegretto
(1910 - 1916)
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Symphony no. 4, S. 4
(1910 - 1916)
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Symphony no. 4, S. 4: III. Fugue. Andante moderato (con moto)
(1910 - 1916)
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Symphony no. 4, S. 4: IV. Finale. Very slowly – Largo maestoso
(1910 - 1916)
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Emerson Concerto, S. 22
(1910 - 1921)
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Emerson Concerto, S. 22: I.
(1910 - 1921)
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Emerson Concerto, S. 22: II.
(1910 - 1921)
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Emerson Concerto, S. 22: III.
(1910 - 1921)
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Emerson Concerto, S. 22: IV.
(1910 - 1921)
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Three-Page Sonata, S. 89
(1910 - 1911)
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Study No. 2: Andante moderato--Allegro molto, S. 91
(1910 - 1911)
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Study no. 1: Allegro, S. 90
(1910 - 1911)
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Evidence, S. 245
(1910)
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Religion, S. 331
(1910)
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Requiem, S. 333
(Nov 1911)
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A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day
(1911 - 1916)
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String Quartet no. 2, S. 58: I. Discussions. Andante moderato - Andante con spirito - Adagio molto
(1911 - 1913)
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String Quartet no. 2, S. 58
(1911 - 1913)
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String Quartet no. 2, S. 58: II. Arguments. Allegro con spirito
(1911 - 1913)
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String Quartet no. 2, S. 58: III. The Call of the Mountains. Adagio - Andante - Adagio
(1911 - 1913)
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A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July
(1911 - 1913)
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Waltz-Rondo, S. 125
(1911)
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Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
(1911 - 1915)
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A Concord Symphony
(1911 - 1915)
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A Concord Symphony: I. Emerson
(1911 - 1915)
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A Concord Symphony: II. Hawthorne
(1911 - 1915)
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A Concord Symphony: III. The Alcotts
(1911 - 1915)
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A Concord Symphony: IV. Thoreau
(1911 - 1915)
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Romanzo (di Central Park), S. 336
(1911)
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Vote for Names! Names! Names!, S. 381
(Nov 1912)
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Study No. 8: Trio (Allegro moderato - Presto), S. 96
(1912 - 1913)
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Study No. 7: Andante cantabile, S. 95
(1912 - 1913)
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The Children's Hour, S. 227
(1912 - 1913)
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Study No. 9: The Anti-Abolitionist Riots in the 1830's and 1840's, S. 97
(1912 - 1913)
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A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day
(1912 - 1913)
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Study No. 6: Andante, S. 94
(1912 - 1913)
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Study No. 5: Moderato con anima, S. 93
(1912 - 1913)
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Paracelsus, S. 324
(1912 - 1921)
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The Camp Meeting, S. 222
(1912)
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His Exaltation, S. 265
(1913)
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Tolerance, S. 377
(1913)
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Chromâtimelôdtune, S. 35
(1913)
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General William Booth Enters into Heaven, S. 255
(1914)
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Hallowe'en, S. 71
(1914)
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The Rainbow, S. 45
(1914)
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General William Booth Enters into Heaven, S. 181
(1914)
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Study no. 16/19, S. 101/103
(1914 - 1918)
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Study No. 11: Andante, S. 99
(1915 - 1916)
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In Re Con Moto et al., S. 72
(1915 - 1916)
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Thoreau, S. 373
(1915)
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Swimmers, S. 366
(1915)
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At the River, S. 214
(1916)
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A Night Thought, S. 311
(1916)
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The Innate, S. 284
(1916)
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Piano Sonata no. 1, S. 87: I. Adagio con moto - Andante con moto - Allegro risoluto - Adagio cantabile
(1916 - 1917)
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Piano Sonata no. 1, S. 87: V. Andante maestoso - Adagio cantabile - Allegro - Andante
(1916 - 1917)
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Piano Sonata no. 1, S. 87: IIa. Allegro moderato - Andante
(1916 - 1917)
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Piano Sonata no. 1, S. 87: IIb. In the Inn. Allegro
(1916 - 1917)
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Piano Sonata no. 1, S. 87: III. Largo - Allegro - Largo
(1916 - 1917)
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Piano Sonata no. 1, S. 87: IVa. [no tempo heading]
(1916 - 1917)
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Piano Sonata no. 1, S. 87
(1916 - 1917)
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Piano Sonata no. 1, S. 87: IVb. Allegro - Presto - Slow
(1916 - 1917)
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Soliloquy, S. 352
(1916 - 1917)
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Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: I. Emerson. Slowly
(1916 - 1919)
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Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: II. Hawthorne. Very fast
(1916 - 1919)
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Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: III. The Alcotts. Moderately
(1916 - 1919)
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Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: IV. Thoreau. Starting slowly and quietly
(1916 - 1919)
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The Alcotts
(1916 - 1919)
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Study No. 15: Allegro moderato, S. 100
(1917 - 1918)
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Study No. 20: March (Slow Allegro or Fast Andante), S. 104
(1917 - 1919)
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Four Transcriptions from "Emerson", S. 123: I. Slowly
(1917)
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In Flanders Fields, S. 277
(1917)
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Tom Sails Away, S. 378
(1917)
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They Are There!, S. 371
(1917)
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The Things Our Fathers Loved, S. 372
(1917)
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In Flanders Fields, S. 277
(1917)
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He Is There!, S. 262
(1917)
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Study No. 22: Andante maestoso - Allegro vivace, S. 106
(1918 - 1923)
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Study No. 21: Some Southpaw Pitching, S. 105
(1918 - 1919)
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Afterglow, S. 207
(1919)
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Cradle Song, S. 233
(1919)
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To Edith, S. 376
(1919)
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Down East, S. 236
(1919)
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September, S. 346
(1919 - 1920)
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On the Counter, S. 320
(1920)
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Like a Sick Eagle, S. 288
(1920)
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Maple Leaves, S. 295
(1920)
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Varied Air and Variations, S. 124
(1920 - 1922)
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Study No. 23: Allegro, S. 107
(1920 - 1922)
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Charlie Rutlage, S. 226
(1920 - 1921)
-
Charlie Rutlage
(1920 - 1921)
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Luck and Work, S. 293
(1920)
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Grantchester, S. 258
(1920)
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August, S. 216
(1920)
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December, S. 234
(1920)
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La fede, S. 249
(1920)
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Old Home Day, S. 315
(1920)
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An Election, S. 180
(1920)
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The Collection, S. 230
(1920)
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The White Gulls, S. 391
(1920 - 1921)
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Charlie Rutlage, S. 14/iii
(1920 - 1921)
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Immortality, S. 273
(Mar 1921)
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The Housatonic at Stockbridge, S. 266
(1921)
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Premonitions, S. 328
(1921)
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Remembrance, S. 332
(1921)
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The New River, S. 308
(1921)
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Walt Whitman, S. 384
(1921)
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The "Incantation", S. 280
(1921)
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The Indians, S. 283
(1921)
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"1, 2, 3", S. 321
(1921)
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Disclosure, S. 235
(1921)
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Two Little Flowers, S. 379
(1921)
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Hymn, S. 267
(1921)
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Two Slants (Christian and Pagan), S. 380 No. 1: Duty
(1921)
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Two Slants (Christian and Pagan), S. 380 No. 2: Vita
(1921)
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Two Slants (Christian and Pagan), S. 380
(1921)
-
Nov. 2, 1920 (An Election), S. 313
(1921)
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At Sea, S. 213
(1921)
-
The Last Reader, S. 286
(1921)
-
Resolution, S. 334
(1921)
-
The Rainbow (So May It Be!), S. 330
(1921)
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Evening, S. 244
(1921)
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The Side Show, S. 348
(1921)
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Ann Street, S. 211
(1921)
-
West London, S. 388
(1921)
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The Greatest Man, S. 259
(1921)
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Aeschylus and Sophocles, S. 206
(1922 - 1924)
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On the Antipodes, S. 319
(1922 - 1923)
-
The One Way, S. 322
(1922 - 1923)
-
Peaks, S. 325
(Sep 1923)
-
Yellow Leaves, S. 399
(1923)
-
Three Quarter-Tone Pieces, S. 128: I. Largo
(1923 - 1924)
-
Three Quarter-Tone Pieces, S. 128
(1923 - 1924)
-
Three Quarter-Tone Pieces, S. 128: II. Allegro
(1923 - 1924)
-
Three Quarter-Tone Pieces, S. 128: III. Chorale. Adagio, very slowly
(1923 - 1924)
-
A Sea Dirge, S. 342
(Jan 1925)
-
The Celestial Railroad, S. 116
(1925)
-
Sunrise, S. 365
(Aug 1926)
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The Unanswered Question, S. 50
(1930 - 1935)
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Three Improvisations, S. 117
(11 May 1938)
-
Three Improvisations, S. 117: Improvisation I
(11 May 1938)
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Three Improvisations, S. 117: Improvisation II
(11 May 1938)
-
Three Improvisations, S. 117: Improvisation III
(11 May 1938)
-
Mists, S. 301
-
March No. 6 for Piano, with "Here's to Good Old Yale", S. 113
-
Largo for Violin, Clarinet and Piano, S. 73
-
Three Outdoor Scenes
-
Du bist wie eine Blume, S. 240
-
The Unanswered Question, S. 50
-
Waltz, S. 385
-
Waltz, S. 385
-
They Are There! (A War Song March), S. 188
-
Tone Roads No. 3, S. 49/iii
-
Set No. 2, S. 11: II. "Gyp the Blood" or Hearst!? Which is Worst?!
-
The See'r, S. 344
-
Five Songs
-
Five Songs: Thoreau
-
Five Songs: Down East
-
Five Songs: Cradle Song
-
Five Songs: At the River
-
Set no. 7, S. 16
-
Orchestral Set No. 3, S. 9: I. [Andante moderato]
-
Orchestral Set No. 3, S. 9: II. During Camp Meetin' Week - One Secular Afternoon (In Bethel)
-
Orchestral Set No. 3, S. 9: III. [Andante]
-
The Gong on the Hook and Ladder or Firemen's Parade on Main Street, S. 38
-
Tone Roads No. 1, S. 49/i
-
A Set of Three Short Pieces, S. 84: I. Largo cantabile: Hymn
-
Set for Theatre Orchestra, S. 20: I. In the Cage
-
Set for Theatre Orchestra, S. 20: II. In the Inn (Potpourri)
-
Five Songs: Serenity
-
Ann Street, S. 14/iv
-
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9)
-
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Fragment: Earth Alone
-
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Prelude # 1: Pulse of The Cosmos
-
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Section A: Wide Valleys and Clouds
-
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Prelude # 2: Birth of the Oceans
-
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Section B: Earth and the Firmament
-
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Prelude # 3: And Lo, Now It Is Night
-
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Section C: Earth Is of the Heavens
-
Set No. 1, S. 10: III. The Ruined River
-
Set No. 1, S. 10
-
A Set of Three Short Pieces, S. 84: II. Scherzo: Holding Your Own!
-
Variations on "America", S. 140
-
Robert Browning Overture, S. 27
-
Orchestral Set No. 2, S. 8: I. An Elegy to Our Forefathers. Very slowly
-
Orchestral Set No. 2, S. 8: II. The Rockstrewn Hills Join in the People's Outdoor Meeting. Allegro
-
Orchestral Set No. 2, S. 8: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose. Very slowly
-
Set No. 3, S. 12: I. Adagio sostenuto "At Sea"
-
Mists, S. 15/i
-
Set for Theatre Orchestra, S. 20: III. In the Night
-
Yale-Princeton Football Game, S. 51
-
Set No. 1, S. 10: V. Calcium Light Night
-
Postlude in F, S. 41
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Four Ragtime Dances, S. 43: No. 1. Allegro moderato
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Four Ragtime Dances, S. 43: No. 2. Allegro moderato
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Four Ragtime Dances, S. 43: No. 3. Allegro
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Four Ragtime Dances, S. 43: No. 4. Allegro
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Universe Symphony, S. 6
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The “Saint-Gaudens” in Boston Common
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Set No. 1, S. 10: I. The See'r
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Set No. 1, S. 10: II. A Lecture
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Sonata for Violin and Piano no. 2, S. 61: III. The Revival (Largo - Allegretto)
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Sonata for Violin and Piano no. 3, S. 62: I. Adagio
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Sonata for Violin and Piano no. 3, S. 62: II. Allegro
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Sonata for Violin and Piano no. 3, S. 62: III. Adagio cantabile
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Sonata for Violin and Piano no. 1, S. 60: I. Andante - Allegro vivace
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Sonata for Violin and Piano no. 1, S. 60: II. Largo cantabile
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Sonata for Violin and Piano no. 1, S. 60: III. Allegro
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Sonata for Violin and Piano no. 2, S. 61: I. Autumn (Adagio maestoso - Allegro moderato)
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Sonata for Violin and Piano no. 2, S. 61: II. In the Barn (Presto - Allegro moderato)
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Sonata for Violin and Piano no. 4 "Children's Day at the Camp Meeting", S. 63: I. Allegro
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Sonata for Violin and Piano no. 4 "Children's Day at the Camp Meeting", S. 63: II. Largo
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Sonata for Violin and Piano no. 4 "Children's Day at the Camp Meeting", S. 63: III. Allegro
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Orchestral Set No. 1, S. 7 "Three Places in New England"
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Sonata for Violin and Piano no. 2, S. 61
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Four Transcriptions from "Emerson", S. 123
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The Celestial Country, S. 143
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A Set of Three Short Pieces, S. 84
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Four Ragtime Dances, S. 43
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Four Transcriptions from "Emerson", S. 123: II. Moderato
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Four Transcriptions from "Emerson", S. 123: III. Largo
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Sonata for Violin and Piano no. 3, S. 62
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Four Transcriptions from "Emerson", S. 123: IV. Allegro agitato - Broadly
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Orchestral Set No. 2, S. 8
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Orchestral Set No. 3, S. 9
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Set for Theatre Orchestra, S. 20
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Sonata for Violin and Piano no. 4 "Children's Day at the Camp Meeting", S. 63
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Set No. 2, S. 11: III. The Last Reader
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Set No. 2, S. 11
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Set No. 3, S. 12: III. Premonitions
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Trio for Violin, Cello and Piano, S. 86
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Set No. 3, S. 12: II. Luck and Work
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Set No. 3, S. 12
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Sonata for Violin and Piano no. 1, S. 60
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Tone Roads, S. 49
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Set no. 5, S. 14 "The Other Side of Pioneering, or Side Lights on American Enterprise"
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Set no. 6, S. 15 "From the Side Hill"
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Variations on "America", S. 140
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Fugue in Four Keys on "The Shining Shore", S. 69
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Variations on "America", S. 140
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Orchestral Set No. 1, S. 7 "Three Places in New England": I. The "St. Gaudens" in Boston Common
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Variations on "America", S. 140
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Serenity, S. 347
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Trio for Violin, Cello and Piano, S. 86: I. Moderato
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Trio for Violin, Cello and Piano, S. 86: II. "TSIAJ". Presto
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Trio for Violin, Cello and Piano, S. 86: III. Moderato con moto
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Set No. 2, S. 11: I. The Indians
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Orchestral Set No. 1, S. 7 "Three Places in New England": II. Putnam's Camp, Redding, Connecticut
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Orchestral Set No. 1, S. 7 "Three Places in New England": III. The Housatonic at Stockbridge
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Old Home Days, Suite for Band
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Overture and March “1776”, S. 24
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Variations on “Jerusalem the Golden”, S. 52
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Runaway Horse on Main Street, S. 55
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March no. 6, “Here’s to Good Old Yale”
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Old Home Days, Suite for Band: 1. Waltz
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Old Home Days, Suite for Band: 2. The Opera House / Old Home Day
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Old Home Days, Suite for Band: 3. The Collection
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Old Home Days, Suite for Band: 4. Slow March
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Old Home Days, Suite for Band: 5. London Bridge Is Fallen Down!
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Holiday Quickstep
( - 25 Dec 1887)
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Easter Carol
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Turn Ye, Turn Ye
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Crossing the Bar
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Lord God, The Sea Is Mighty
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I Come To Thee
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All-Forgiving, Look On Me
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Bread of the World
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Benedictus in E
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The Celestial Country, S. 143: I. Prelude, Trio, and Chorus
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The Celestial Country, S. 143: II. Aria for Baritone
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The Celestial Country, S. 143: V. Double Quartet, a cappella
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The Celestial Country, S. 143: VI. Aria for Tenor
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The Celestial Country, S. 143: VII. Chorale and Finale
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The Masses (Majority), S. 185
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Majority, S. 294
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Lincoln, the Great Commoner, S. 184
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Lincoln, the Great Commoner, S. 289
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A Night Song, S. 310
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A Scotch Lullaby, S. 341
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Set No. 1, S. 10: IV. Like a Sick Eagle
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Set No. 1, S. 10: VI. Allegretto sombreoso
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Scherzo: Over the Pavements, S. 82
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Song, S. 354 "She Is Not Fair"
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Watchman!, S. 386
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Chanson de Florian, S. 225
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Rosamunde, S. 337
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Qu'il m'irait bien, S. 329
Lyrics
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A Song--For Anything, S. 355
(1889)
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A Christmas Carol, S. 228
(1894)
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A Christmas Carol, S. 228
(1894)
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In the Alley, S. 279
(1896)
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Through Night and Day, S. 375
(1897 - 1898)
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Memories, S. 297
(1897)
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The Circus Band, S. 229
(1899)
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March: The Circus Band, S. 33
(1899)
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Walking, S. 383
(1900)
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Allegro, S. 208
(1900)
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There Is a Lane, S. 370
(1902)
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Berceuse, S. 220
(1903)
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The Cage, S. 221
(1906)
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The Pond, S. 40
(1906)
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Remembrance, S. 332
(1906)
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Nature's Way, S. 306
(1909 - 1910)
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Evidence, S. 245
(1910)
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Vote for Names! Names! Names!, S. 381
(Nov 1912)
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The Camp Meeting, S. 222
(1912)
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The Innate, S. 284
(1916)
-
Soliloquy, S. 352
(1916 - 1917)
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Tom Sails Away, S. 378
(1917)
-
The Things Our Fathers Loved, S. 372
(1917)
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On the Counter, S. 320
(1920)
-
Old Home Day, S. 315
(1920)
-
Nov. 2, 1920 (An Election), S. 313
(1920)
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An Election, S. 180
(1920)
-
Immortality, S. 273
(Mar 1921)
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"1, 2, 3", S. 321
(1921)
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The New River, S. 308
(1921)
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Disclosure, S. 235
(1921)
-
Two Little Flowers, S. 379
(1921)
-
Resolution, S. 334
(1921)
-
The Side Show, S. 348
(1921)
-
On the Antipodes, S. 319
(1922 - 1923)
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The One Way, S. 322
(1922 - 1923)
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Sunrise, S. 365
(Aug 1926)
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Slugging a Vampire, S. 350
(1935)
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They Are There!, S. 371
(1942)
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They Are There! (A War Song March), S. 188
(1942)
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Waltz, S. 385
-
The See'r, S. 344
-
The Masses (Majority), S. 185
-
Majority, S. 294
Dedicated Works
-
Three Pieces for Drum Quartet: Wake for Charles Ives
-
Chamber Concerto no. 2