Robin Holloway
(19 Oct 1943 - )
Male Person - United Kingdom
Works (102)
Arranged
-
C’est l’extase, op. 118: III. L’ombre des arbres
-
C’est l’extase, op. 118: IV. Green
-
C’est l’extase, op. 118: V. Le son du cœur s’afflige vers les bois
-
C’est l’extase, op. 118: VI. L’échelonnement des haies
-
C’est l’extase, op. 118: VII. Spleen
-
C’est l’extase, op. 118: I. C’est l’extase langoureuse
-
C’est l’extase, op. 118: VIII. Chevaux de bois
-
C’est l’extase, op. 118: IX. Mandoline
-
C’est l’extase, op. 118: X. La mer est plus belle
-
C’est l’extase, op. 118: II. Il pleure dans mon cœur
Composed
-
Scenes from Schumann, op. 13
(1970)
-
Fantasy-Pieces on Schumann's Liederkreis, op. 16: III. Adagio
(1971)
-
Fantasy-Pieces on Schumann's Liederkreis, op. 16: IV. Scherzo ostinato
(1971)
-
Fantasy-Pieces on Schumann's Liederkreis, op. 16: V. Finale. Roses – Thorns and Flowers
(1971)
-
Fantasy-Pieces on Schumann's Liederkreis, op. 16: I. Praeludium
(1971)
-
Fantasy-Pieces on Schumann's Liederkreis, op. 16: II. Half Asleep
(1971)
-
Fantasy-Pieces on Schumann's Liederkreis, op. 16
(1971)
-
Domination of Black, op. 23
(1973 - 1974)
-
Romanza, op. 31
(1976)
-
Serenade in C, op. 41: Menuetto and Trio
(1978 - 1979)
-
Serenade in C, op. 41: Finale
(1978 - 1979)
-
Serenade in C, op. 41
(1978 - 1979)
-
Serenade in C, op. 41: Marcia
(1978 - 1979)
-
Serenade in C, op. 41: Menuetto alla tarantella
(1978 - 1979)
-
Serenade in C, op. 41: Andante
(1978 - 1979)
-
Second Concerto for Orchestra, op. 40
(1978 - 1979)
-
Horn Concerto, op. 43: II. Adagio
(1979 - 1980)
-
Horn Concerto, op. 43: I. Sonata
(1979 - 1980)
-
Horn Concerto, op. 43: IV. Rondo
(1979 - 1980)
-
Horn Concerto, op. 43: III. Cadenza
(1979 - 1980)
-
Horn Concerto, op. 43
(1979 - 1980)
-
War Memorials, op. 50: No. 1. Men Marching
(1981 - 1982)
-
War Memorials, op. 50
(1981 - 1982)
-
War Memorials, op. 50: No. 2. From Hills and Valleys
(1981 - 1982)
-
Viola Concerto, op. 56
(1983 - 1984)
-
Organ Fantasy, op. 65
(1986)
-
Brass Quintet (Divertimento no. 5), op. 67: II. Lament & Hymn
(1987)
-
Brass Quintet (Divertimento no. 5), op. 67: III. Scherzino
(1987)
-
Brass Quintet (Divertimento no. 5), op. 67: IV. Funeral March
(1987)
-
Brass Quintet (Divertimento no. 5), op. 67: V. Quodlibet en Rondeau
(1987)
-
Brass Quintet (Divertimento no. 5), op. 67
(1987)
-
Brass Quintet (Divertimento no. 5), op. 67: I. Fanfares & Questions
(1987)
-
Variations on "Sumer is icumen in": Robin Holloway
(1987)
-
Violin Concerto, op. 70
(1987 - 1990)
-
Hymn to the Senses, op. 72
(1990)
-
Concertino no. 5, op. 74 "Summer Music"
(1991)
-
Lord, what is man?, op. 77
(1991)
-
Gilded Goldbergs, Part I, First Set: Aria: G major
(1992 - 1997)
-
Gilded Goldbergs, op. 86
(1992 - 1997)
-
Gilded Goldbergs, Part I, First Set: Variation 1: expanding the theme: G
(1992 - 1997)
-
Gilded Goldbergs, Part I, First Set: Variation 2: simple tonal cubism: G-D
(1992 - 1997)
-
Gilded Goldbergs, Part I, First Set: Variation 3: canon at the unison: G
(1992 - 1997)
-
Gilded Goldbergs, Part I, First Set: Variation 4: simply through some keys: G-G
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fifth Set: Variation 28: 'Summer afternoon' – hazy trills and tremolos: G
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fifth Set: Variation 29: Toccata with clusters: F-sharp
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fifth Set: Variation 30: Quodlibet: traversing all twelve keys, ending D
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fifth Set: Aria da capo: G
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fourth Set: Variation 23: diatonic scrunches (homage to Tippett): F
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fifth Set: Variation 24: canon at the octave: complex journey through some keys: G/G minor-B-flat
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fifth Set: Variation 25: Cantilena II: G minor
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fifth Set: Variation 26a: Sarabande: G
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fifth Set: Variation 27: 'Trio' – canon at the ninth: F
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fifth Set: Variation 26b: Sarabande resumed: A major/A minor, Rückblick – homage to Schumann – linking to
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fourth Set: Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor doïna – homage to Enescu – linking to
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fourth Set: Variation 18: canon in sixths: D-flat
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fourth Set: Variation 19: Ländler and trio (brief history of Austro-German music in triple time): B-flat
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fourth Set: Variation 20: vivace con brio: D
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fourth Set: Variation 21: canon at the seventh: G minor
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fourth Set: Variation 22: churchy counterpoint in antiphony: A-flat
(1992 - 1997)
-
Gilded Goldbergs, Part I, Second Set: Variation 11: dreaming: homage to Schubert and Brahms: G
(1992 - 1997)
-
Gilded Goldbergs, Part I, Third Set: Variation 12: canon at the fourth: E
(1992 - 1997)
-
Gilded Goldbergs, Part I, Third Set: Variation 13: Cantilena I: double variation with homage to Dowland: G/E-flat minor
(1992 - 1997)
-
Gilded Goldbergs, Part I, Third Set: Variation 14: energico: A-flat minor
(1992 - 1997)
-
Gilded Goldbergs, Part I, Third Set: Variation 15: canon at the fifth: G minor
(1992 - 1997)
-
Gilded Goldbergs, Part II, Fourth Set: Variation 16: French Overture and homage to Nancarrow: G sharp minor
(1992 - 1997)
-
Gilded Goldbergs, Part I, Second Set: Variation 5: vivace à la Scarlatti: C
(1992 - 1997)
-
Gilded Goldbergs, Part I, Second Set: Variation 6: canon at the second: C-A-flat
(1992 - 1997)
-
Gilded Goldbergs, Part I, Second Set: Variation 7: gigue in antiphony: A-flat/C
(1992 - 1997)
-
Gilded Goldbergs, Part I, Second Set: Variation 8: enhanced replay of Variation 1: G
(1992 - 1997)
-
Gilded Goldbergs, Part I, Second Set: Variation 9: canon at the third: homage to Granger: E-flat
(1992 - 1997)
-
Gilded Goldbergs, Part I, Second Set: Variation 10: 'robust and a bit gormless' (wrong-note music): B
(1992 - 1997)
-
Trio for Clarinet, Viola and Piano, op. 79
(1994)
-
Symphony, op. 88
(1998 - 1999)
-
Fifth Concerto for Orchestra, op. 109
(2009)
-
Trio for Horn, Cello and Piano
(2010 - 2011)
-
Trio for Horn, Cello and Piano: I. Liberamente
(2010 - 2011)
-
Trio for Horn, Cello and Piano: II. Poco allegro
(2010 - 2011)
-
Reliquary, op. 111
(2010)
-
Since I Believe
-
Horn Quintet, op. 135: I. Allegro: bold and pronounced –
-
Horn Quintet, op. 135: II. Canzona
-
Horn Quintet, op. 135: III. Scherzo: Presto
-
Horn Quintet, op. 135: IV. Rondo: Allegro commodo
-
C’est l’extase, op. 118: XI. Épilogue
-
Trumpet Concerto
-
Horn Quintet, op. 135
-
C’est l’extase, op. 118
Orchestrated
-
En blanc et noir: II. Lent, sombre
(2002)
-
En blanc et noir: III. Scherzando
(2002)
-
En blanc et noir: I. Avec emportement
(2002)
-
En blanc et noir
(2002)
-
Liederkreis, op. 39: Nr. 3. Waldesgespräch
(2020)