George Frideric Handel
(23 Feb 1685 - 14 Apr 1759)
Male Person - United Kingdom
Works (5,266)
Arranged
-
Pupille sdegnose, sareste pietose, HWV 482 no. 4
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Come, se ti vedrò, cara, partir, potrò, HWV 482 no. 5
-
Sventurato godi o core abbandonato, HWV 482 no. 2
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Ombra cara de mia sposa, HWV 482 no. 3
Previous Attribution
-
Passion nach dem Evangelisten Johannes, IGB 6: Part I. Arioso "Was ich geschrieben habe" (Pilatus)
-
Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Die Kriegsknechte aber" (Evangelist)
-
Passion nach dem Evangelisten Johannes, IGB 6: Part I. Aria "Du musst den Rock verlieren" (tenore)
-
Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Der Rock aber war ungenäht" (Evangelist)
-
Passion nach dem Evangelisten Johannes, IGB 6: Part I. Chorus "Lasset uns den nicht zerteilen"
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Die Hohenpriester antworteten" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Chorus "Wir haben keinen König"
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Da überantwortet er ihn" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Aria "Getrost, mein Herz" (alto)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Pilatus aber schrieb eine Überschrift" (Evangelist)
-
Passion nach dem Evangelisten Johannes, IGB 6: Part I. Chorus "Schreib' nicht der Juden König"
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Arioso "Sehet, das ist euer König!" (Pilatus)
-
Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Sie schrieen alle" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Chorus "Weg, weg mit dem"
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Aria "Erschüttere mit Krachen" (basso)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Spricht Pilatus zu ihnen" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Arioso "Soll ich euren König kreuzigen?" (Pilatus)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Aria "Du hättest kein Maht über mir" (Jesus)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Von dem an trachtet Pilatus" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Aria "Durch dein Gefängnis" (soprano)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Die Juden aber schrieen" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Chorus "Lässest du diesen los"
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Da Pilatus das Wort höret" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Arioso "Nehmet ihr ihn hin" (Pilatus)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Die Juden antworteten ihm" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Chorus "Wir haben ein Gesetze"
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Da Pilatus das Wort höret" (Pilatus, Evangelist)
-
Passion nach dem Evangelisten Johannes, IGB 6: Part I. Arioso "Redest du nicht mit mir?" (Pilatus)
-
Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Jesus antwortet" (Evangelist)
-
Passion nach dem Evangelisten Johannes, IGB 6: Part I. Duet "Schauet, mein Jesus ist Rosen zu gleichen" (soprano I, soprano II)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Und er spricht zu ihnen" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Arioso "Sehet, welch ein Mensch" (Pilatus)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Da ihn die Hohenpriester" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Chorus "Kreuzige, kreuzige!"
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Pilatus spricht zu ihnen" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Aria "Unsre Bosheit ohne Zahl" (soprano)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Und die Kriegsknechte" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Chorus "Sei gegrüsset, lieber Judenkönig"
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Und gaben ihm Backenstreiche" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Arioso "Sehet, ich führe ihn heraus" (Pilatus)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Also ging Jesus heraus" (Evangelist)
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Theme and Variations for Harp
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Passion nach dem Evangelisten Johannes, IGB 6
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Passion nach dem Evangelisten Johannes, IGB 6: Part I
-
Passion nach dem Evangelisten Johannes, IGB 6: Part II
-
Passion nach dem Evangelisten Johannes, IGB 6: Part I. Sinfonia
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Da nahm Pilatus Jesum" (Evangelist)
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Trio Sonata in E minor, HWV 395
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Viola da Gamba Sonata in C major: II. Allegro
-
Viola da Gamba Sonata in C major: I. Adagio
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Viola da Gamba Sonata in C major: IV. Allegro
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Viola da Gamba Sonata in C major: III. Adagio
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Viola da Gamba Sonata in C major
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Dank sei Dir, Herr
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Il pianto di Maria, HWV 234
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Kyrie eleison, HWV 244
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Gloria in excelsis deo, HWV 245
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O Praise the Lord, Ye Angels of His, HWV 257
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The Famous Water Peice (sic.) in D major, HWV 341
-
Suite in D major, HWV 341 "The Famous Water Piece": I. Overture
-
Suite in D major, HWV 341 "The Famous Water Piece": II. Gigue: Allegro
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Suite in D major, HWV 341 "The Famous Water Piece": III. Air
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Suite in D major, HWV 341 "The Famous Water Piece": IV. March (Bourrée)
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Suite in D major, HWV 341 "The Famous Water Piece": V. March
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Recitative "Und der es gesehen hat" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Duet "Ich gehe mit in's Grab" (soprano, basso)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Recitative "Es war aber an der Stätte" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Chorus "Schlafe wohl nach deinen Leiden"
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Arioso "Es ist vollbracht!" (Jesus)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Aria "O grosses Werk" (basso)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Recitative "Und neigte das Haupt und verschied" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Aria "Bebet, ihr Berge" (soprano)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Recitative "Die Juden aber" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Duet "War das Wasser denn zu schlecht" (soprano, basso)
-
Passion nach dem Evangelisten Johannes, IGB 6: Part II. Recitative "Darnach spricht er zu dem Jünger" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Arioso "Siehe, das ist deine Mutter" (Jesus)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Recitative "Und von Stund an" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Arioso "Mich Dürstet!" (Jesus)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Aria "Jesu, wonach dürstet dich" (soprano)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Recitative "Da stund ein Gefäss voll Essig" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Auf dass erfüllet würde die Schrift" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Accompagnato "Sie haben meine Kleider unter sich getheilet" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Solches taten die Kriegsknechte" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Duet "Welche sind des Heilands Erben?" (tenore I, tenore II)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Recitative "Es stund aber bei dem Kreuz" (Evangelist)
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Passion nach dem Evangelisten Johannes, IGB 6: Part II. Arioso "Weib, siehe, das ist dein Sohn" (Jesus)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Recitative "Pilatus antwortet" (Evangelist)
Wrote
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Brockes Passion, HWV 48, no. 7: Aria "Weil ich den Hirten schlagen werde" (Jesus)
(1715 - 1716)
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Flavio, re de' longobardi, HWV 16: Act I, Scene V. Aria "Benchè povera donzella" (Teodata)
( - 07 May 1723)
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Joy to the World
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Hold On
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Faramondo, HWV 39: Ouverture
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Gia Nel Seno
Composed
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Trio Sonata in G minor, op. 2 no. 2, HWV 387
(1699)
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German Church Cantatas, HWV 229
(1700 - 1703)
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Das gantze Haupt ist krank à 8, HWV 229 no. 1
(1700 - 1703)
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Es ist der alte Bund, Mensch à 12, HWV 229 no. 2
(1700 - 1703)
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Führwahr, er trug unsere Krankheit à 15, HWV 229 no. 3
(1700 - 1703)
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Thue Rechnung von deinem Haußhalten à 13, HWV 229 no. 4
(1700 - 1703)
-
Victoria. Der Tod ist verschlungen à 14, HWV 229 no. 5
(1700 - 1703)
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Was werden wir essen à 10/12, HWV 229 no. 6
(1700 - 1703)
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Wer ist der, so von Edom kömmt à 12, HWV 229 no. 7
(1700 - 1703)
-
Suite in C major, HWV 443
(1700 - 1703)
-
Prelude in D minor, HWV 563
(1700 - 1703)
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Partita in G major, HWV 450
(1700 - 1705)
-
Chaconne with 49 variations in C major, HWV 484
(1700 - 1705)
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Sonata (Fantasia) pour le clavecin, in C major, HWV 577
(1703 - 1705)
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Suite de pièce in G minor, Vol. 2 no. 6, HWV 439
(1703 - 1706)
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Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
(1703 - 1706)
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Suite for 2 keyboards in C minor, HWV 446
(1703 - 1706)
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Suite de pièce in G major, Vol. 2 no. 9, HWV 442
(1703 - 1706)
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Suite de pièce in G major, Vol. 2 no. 8, HWV 441
(1703 - 1706)
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Suite de pièce in B-flat major, Vol. 2 no. 7, HWV 440
(1703 - 1706)
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Partita in A major, HWV 454
(1703 - 1706)
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Suite in G minor, HWV 451
(1703 - 1706)
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Fantasie pour le clavecin, in C major, HWV 490
(1703 - 1706)
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Capriccio in F major, HWV 481
(1703 - 1706)
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Prelude and Capriccio in G major, HWV 571
(1703 - 1706)
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Passion nach dem Evangelisten Johannes, IGB 6: Part I. Chorus "Lässest du diesen los"
(1704)
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Oboe Concerto no. 3 in G minor, HWV 287
(1704 - 1705)
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Gigue in G minor; 2 versions, HWV 493
(1704 - 1705)
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Menuet in G minor, HWV 540b
(1704 - 1705)
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Menuet in G minor, HWV 540a
(1704 - 1705)
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Prelude in D minor, HWV 564
(1705)
-
Passepied in A major, HWV 560
(1705)
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Prelude and Allegro (Sonata) in G minor; 2 movements, HWV 574
(1705)
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Prelude (Harpeggio) in G minor, HWV 573
(1705)
-
Sonatina in D minor, HWV 581
(1705)
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Suite in D minor, HWV 449
(1705)
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Allemande in A minor, HWV 478
(1705)
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Allegro in C major, HWV 472
(1705)
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Gavotte in G major, HWV 491
(1705)
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Chaconne in G minor, HWV 486
(1705)
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Chaconne for Harpsichord with 2 Sets of Keys in F major, HWV 485
(1705)
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Fugue in F major, HWV 611
(1705)
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Suite in B-flat major, HWV 455
(1705)
-
Impertinence (Bourée) in G minor, HWV 494
(1705)
-
Suite de pièce in G major, Vol. 2 no. 9, HWV 442
(1705 - 1707)
-
Suite in C minor, HWV 445
(1705 - 1706)
-
Partita in C minor, HWV 444
(1705 - 1706)
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Suite in G minor, HWV 453
(1705 - 1706)
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Suite in D minor, HWV 448
(1705 - 1706)
-
Suite in G minor, HWV 453: III. Menuet I
(1705 - 1706)
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Suite in G minor, HWV 453: II. Entrée
(1705 - 1706)
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Suite in G minor, HWV 453: I. Overture
(1705 - 1706)
-
Suite in D minor, HWV 448: IV. Sarabande I
(1705 - 1706)
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Suite in D minor, HWV 448: III. Courante
(1705 - 1706)
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Suite in D minor, HWV 448: II. Allemande
(1705 - 1706)
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Suite in D minor, HWV 448: I. Ouverture
(1705 - 1706)
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Suite in G minor, HWV 453: V. Chaconne
(1705 - 1706)
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Suite in G minor, HWV 453: IV. Menuet II
(1705 - 1706)
-
Prelude in D minor, HWV 561
(1705 - 1706)
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Prelude and Allegro in A minor, HWV 576
(1705 - 1706)
-
Menuet in D major, HWV 502
(1705 - 1706)
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Menuet in B-flat major, HWV 550
(1705 - 1706)
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Suite in D minor, HWV 448: V. Sarabande II
(1705 - 1706)
-
Suite in D minor, HWV 448: VI. Chaconne
(1705 - 1706)
-
Lesson in D minor, HWV 495
(1705 - 1710)
-
Suite de pièce in G major, Vol. 2 no. 2, HWV 435
(1705 - 1717)
-
Laudate pueri, HWV 236
(1706)
-
Suite in B-flat major, HWV 352
(1706)
-
Suite in G major, HWV 353
(1706)
-
Sonatina in A minor, HWV 584
(1706 - 1708)
-
Sinfonia in B-flat major, HWV 339: I.
(1706 - 1707)
-
Sinfonia in B-flat major, HWV 339: II. Adagio
(1706 - 1707)
-
Sinfonia in B-flat major, HWV 339: III.
(1706 - 1707)
-
Trio Sonata in F major, HWV 392
(1706 - 1707)
-
Chi rapì la pace al core, HWV 90
(1706 - 1707)
-
Figlio d'alte speranze, HWV 113
(1706 - 1707)
-
Chi rapì la pace al core, HWV 90: III. Aria: Pupilla lucente
(1706 - 1707)
-
Fra tante pene, HWV 116
(1706 - 1707)
-
Sarai contenta un di, HWV 156
(1706 - 1707)
-
Tu fedel? Tu costante?, HWV 171
(1706 - 1707)
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Sinfonia in B-flat major, HWV 339
(1706 - 1707)
-
Chi rapì la pace al core, HWV 90: I. Aria: Chi rapì la pace al core?
(1706 - 1707)
-
Chi rapì la pace al core, HWV 90: II. Recitative: Figlio d'un fabbro, e amore
(1706 - 1707)
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Dixit Dominus in G minor, HWV 232
(Apr 1707)
-
Nella stagion che di viole e rose, HWV 137
(Apr 1707 - May 1707)
-
Udite il mio consiglio, HWV 172
(Apr 1707 - May 1707)
-
O qualis de cœlo sonus, HWV 239
(May 1707 - Jun 1707)
-
Diana cacciatrice or Alla caccia, HWV 79
(May 1707)
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Aure soavi, e lieti, HWV 84
(May 1707)
-
Armida abbandonata, HWV 105
(Jun 1707)
-
Un' alma innamorata, HWV 173
(Jun 1707)
-
Un’ alma innamorata, HWV 173: I. Recitative: Un' alma innamorata
(Jun 1707)
-
Un’ alma innamorata, HWV 173: II. Aria: Quel povero core
(Jun 1707)
-
Un’ alma innamorata, HWV 173: III. Recitative: E pur benche egli veda
(Jun 1707)
-
Un’ alma innamorata, HWV 173: IV. Aria: Io godo, rido e spero
(Jun 1707)
-
Un’ alma innamorata, HWV 173: V. Recitative: In quanto a me ritrove
(Jun 1707)
-
Un’ alma innamorata, HWV 173: VI. Aria: Ben impari come se ama
(Jun 1707)
-
Clori, Tirsi e Fileno, HWV 96
(Jul 1707 - Sep 1707)
-
Clori, vezzosa Clori, HWV 95
(Jul 1707 - Aug 1707)
-
Ne' tuoi lumi, o bella Clori, HWV 133
(Sep 1707)
-
Nò se emenderá jamás, HWV 140
(Sep 1707)
-
Qualor l'egre pupille, HWV 152
(Sep 1707)
-
Sans y penser, HWV 155
(Sep 1707)
-
Quando in calma ride il mare, HWV 191
(1707 - 1711)
-
Giù nei Tartarei regni, HWV 187
(1707)
-
Sonata a 5 in B-flat major, HWV 288
(1707)
-
Se per fatal destino, HWV 159
(1707)
-
Un sospir a chi si muore, HWV 174
(1707)
-
Partenza di G. B., HWV 168
(1707)
-
Haec est Regina virginum, HWV 235
(1707)
-
Saeviat tellus inter rigores, HWV 240
(1707)
-
Te decus virgineum, HWV 243
(1707)
-
Clori, degli occhi miei, HWV 91a
(1707)
-
Non sospirar, non piangere, HWV 141
(1707)
-
Ero e Leandro, HWV 150
(1707)
-
Poichè giuraro amore, HWV 148
(1707)
-
Sarei troppo felice, HWV 157
(1707)
-
La bianca rosa, HWV 160a
(1707)
-
Nisi Dominus, HWV 238: IV. Sicut sagittae in manu potentis
(1707)
-
Nisi Dominus, HWV 238: V. Beatus vir
(1707)
-
Nisi Dominus, HWV 238: VI. Gloria Patri
(1707)
-
Il trionfo del Tempo e del Disinganno, HWV 46a
(1707)
-
Ah che pur troppo è vero, HWV 77
(1707)
-
Alpestre monte, HWV 81
(1707)
-
Tra le fiamme, HWV 170: VI. Recitativo "L'uomo, che nacque per salire al cielo"
(1707)
-
Flute Sonata in D major, HWV 378
(1707)
-
Nisi Dominus, HWV 238
(1707)
-
Nisi Dominus, HWV 238: I. Nisi Dominus
(1707)
-
Nisi Dominus, HWV 238: II. Vanum est
(1707)
-
Nisi Dominus, HWV 238: III. Cum dederit dilectis suis somnum
(1707)
-
Tra le fiamme, HWV 170: III. Aria "Pien di nuovo e bel diletto"
(1707)
-
Tra le fiamme, HWV 170: I. Aria "Tra le fiamme tu scherzi"
(1707)
-
Salve Regina, HWV 241
(1707)
-
Cœlestis dum spirat aura, HWV 231
(1707)
-
Tra le fiamme, HWV 170: II. Recitativo "Dedalo già le fortunate penne"
(1707)
-
Tra le fiamme, HWV 170: IV. Recitativo "Sì, sì, pur troppo è vero"
(1707)
-
Delirio amoroso, HWV 99: IX. Entrée
(1707)
-
Delirio amoroso, HWV 99: X. Arietta e Recitativo "In queste amene piagge serene" ... "Sì, disse Clori"
(1707)
-
Delirio amoroso, HWV 99
(1707)
-
Tra le fiamme, HWV 170
(1707)
-
Tra le fiamme, HWV 170: VII. Aria da capo "Tra le fiamme tu scherzi"
(1707)
-
Tra le fiamme, HWV 170: V. Aria "Voli per l'aria chi può volate"
(1707)
-
Delirio amoroso, HWV 99: II. Recitativo "Da quel giorno fatale"
(1707)
-
Delirio amoroso, HWV 99: III. Aria "Un pensiero voli in ciel"
(1707)
-
Delirio amoroso, HWV 99: IV. Recitativo "Ma fermati pensier"
(1707)
-
Delirio amoroso, HWV 99: V. Aria "Per te lasciai la luce"
(1707)
-
Delirio amoroso, HWV 99: VI. Recitativo "Non ti bastava, ingrato"
(1707)
-
Delirio amoroso, HWV 99: VII. Aria "Lascia omai le brune vele"
(1707)
-
Il trionfo del Tempo e del Disinganno, HWV 46a: Come nembo che fugge col vento (Part II)
(1707)
-
Delirio amoroso, HWV 99: I. Introduzione
(1707)
-
Filli adorata e cara, HWV 114
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: IV. Aria "Se infelice al mondo vissi"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: IVa. Recitativo "Trema l'ingrao figlio"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: V. Aria "Su lacerate il seno"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: Va. Recitativo "Ecco a morte gia corro"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: IIIb. Arioso "Si, s'uccida, la sdegno grida"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: IIIc. Arioso "Ame sol giunga la morte"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: IIId. Recitativo "In canta e che mai dissi?"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: IIIe. Arioso "Cada lacero e svenato"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: IIIf. Recitativo "Sparga quel sangue istesso"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: IIIg. Arioso "Come, o Dio! bramo la morte"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: I. Aria "Orrida, oscura, l'etra si renda"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: Ia. Recitativo "Ma pria che d'empia morte"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: II. Aria "Renda cenere il tiranno un tuo fulmine crudel"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: IIa. Recitativo "Si, si, del gran tiranno"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: III. Arioso e recitativo "Come, o Dio! bramo la morte"
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: IIIa. Recitativo "Forsennata che parli?"
(1707 - 1708)
-
Vedendo Amor, HWV 175
(1707 - 1708)
-
Torna il core al suo diletto, HWV 169
(1707 - 1708)
-
Amore uccellatore, HWV 176
(1707 - 1708)
-
Ah! che troppo ineguali, HWV 230
(1707 - 1708)
-
Menuet in B minor, HWV 558
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110: 0a. Recitativo "Dunque sara pur vero"
(1707 - 1708)
-
Fra pensieri quel pensiero, HWV 115
(1707 - 1708)
-
Pensieri notturni di Filli or Nel dolce dell'oblio, HWV 134
(1707 - 1708)
-
Notte placida e cheta, HWV 142
(1707 - 1708)
-
Occhi miei che faceste?, HWV 146
(1707 - 1708)
-
Stanco di più soffrire, HWV 167a
(1707 - 1708)
-
Spande ancor a mio dispetto, HWV 165
(1707 - 1708)
-
Care selve, aure grate, HWV 88
(1707 - 1708)
-
Clori, ove sei?, HWV 93
(1707 - 1708)
-
Clori, mia bella Clori, HWV 92
(1707 - 1708)
-
Agrippina condotta a morire, HWV 110
(1707 - 1708)
-
O luceniti, o sereni occhi, HWV 144
(1707 - 1709)
-
Allor ch'io dissi: Addio, HWV 80
(1707 - 1709)
-
Dimmi, o mio cor, HWV 106
(1707 - 1709)
-
Air in F major, HWV 463
(1707 - 1709)
-
Caro autor di mia doglia, HWV 182a
(1707 - 1709)
-
Amor, gioje mi porge, HWV 180
(1707 - 1709)
-
Zeffiretto, arresta il volo, HWV 177
(1707 - 1709)
-
Che via pensando, folle pensier, HWV 184
(1707 - 1709)
-
Tacete, ohimè, tacete, HWV 196
(1707 - 1709)
-
Quel fior che all'alba ride, HWV 200
(1707 - 1709)
-
Figli del mesto cor, HWV 112
(1707 - 1709)
-
E partirai, mia vita?, HWV 111a
(1707 - 1709)
-
Irene, idolo mio, HWV 120a
(1707 - 1709)
-
Lungi da me, pensier tiranno, HWV 125a
(1707 - 1709)
-
Ninfe e pastori, HWV 139a
(1707 - 1709)
-
The Alchymist, HWV 43
(1707 - 1710)
-
Oboe Sonata ("Fitzwilliam") in B-flat major, HWV 357
(1707 - 1710)
-
Recorder or Violin Sonata in G major, HWV 358
(1707 - 1710)
-
Trio Sonata in F major, HWV 405
(1707 - 1710)
-
Sonata (Fantasia) for a Harpsichord with Double Keys in G major, HWV 579
(1707 - 1710)
-
Sonata (Larghetto) in G minor, HWV 580
(1707 - 1710)
-
Recorder or Violin Sonata in G major, HWV 358: I. Allegro
(1707 - 1710)
-
Recorder or Violin Sonata in G major, HWV 358: II. Adagio
(1707 - 1710)
-
Recorder or Violin Sonata in G major, HWV 358: III. Allegro
(1707 - 1710)
-
Nell' Africane selve, HWV 136a
(Jun 1708 - Jul 1708)
-
Nel dolce tempo, HWV 135a
(Jun 1708 - Jul 1708)
-
Quando sperasti, o core, HWV 153
(Jun 1708 - Jul 1708)
-
Ditemi, o piante, HWV 107
(Jul 1708 - Aug 1708)
-
Lungi da voi, che siete poli, HWV 126a
(Jul 1708 - Aug 1708)
-
Manca pur quanto sai, HWV 129
(Jul 1708 - Aug 1708)
-
Stanco di più soffrire, HWV 167b
(Jul 1708 - Aug 1708)
-
La Lucrezia, HWV 145: III. Recitativo "Ma voi forse nel cielo"
(Aug 1708)
-
La Lucrezia, HWV 145: VII. Aria "Alla salma infedel porga la pena"
(Aug 1708)
-
La Lucrezia, HWV 145: I. Recitativo "O Numi eterni!"
(Aug 1708)
-
La Lucrezia, HWV 145: II. Aria "Già superbo del mio affanno"
(Aug 1708)
-
La Lucrezia, HWV 145: IV. Aria "Il suol che preme"
(Aug 1708)
-
La Lucrezia, HWV 145: V. Recitativo "Ah! che ancor nell'abisso"
(Aug 1708)
-
Mentre il tutto è in furore, HWV 130
(Aug 1708)
-
La Lucrezia, HWV 145: VIII. Recitativo "A voi, a voi, padre, consorte"
(Aug 1708)
-
La Lucrezia, HWV 145: IX. Arioso "Gia nel seno comincia a compir"
(Aug 1708)
-
La Lucrezia, HWV 145
(Aug 1708)
-
Ah! crudel, nel pianto mio, HWV 78
(Aug 1708)
-
Amarilli vezzosa, HWV 82
(Aug 1708)
-
Lungi n'andò Fileno, HWV 128
(Aug 1708)
-
Olinto pastore, Tebro fiume, Gloria, HWV 143
(Aug 1708 - Sep 1708)
-
Se pari è la tua fè, HWV 158a
(1708)
-
Se tu non lasci amore, HWV 201b
(1708)
-
Chorus amd Minuet in B-flat major, HWV 344
(1708)
-
Suite in B-flat major, HWV 354
(1708)
-
La resurrezione, HWV 47: Part I
(1708)
-
La resurrezione, HWV 47: Part II
(1708)
-
La resurrezione, HWV 47
(1708)
-
Aminta e Fillide, HWV 83
(1708)
-
Cuopre tal volta il cielo, HWV 98
(1708)
-
Lungi da voi, che siete poli, HWV 126b
(1708)
-
Da sete ardente afflitto, HWV 100
(1708 - 1709)
-
Dalla guerra amorosa, HWV 102a
(1708 - 1709)
-
Dalla guerra amorosa, HWV 102b
(1708 - 1709)
-
Del bel idolo mio, HWV 104
(1708 - 1709)
-
Sento là che ristretto, HWV 161a
(1708 - 1709)
-
Apollo e Dafne, HWV 122
(1709 - 1710)
-
Recorder Sonata in D minor, HWV 367a: I. Largo
(1709 - 1715)
-
Recorder Sonata in D minor, HWV 367a: II. Vivace
(1709 - 1715)
-
Recorder Sonata in D minor, HWV 367a: III. Presto
(1709 - 1715)
-
Recorder Sonata in D minor, HWV 367a: IV. Adagio
(1709 - 1715)
-
Recorder Sonata in D minor, HWV 367a: V. Alla breve
(1709 - 1715)
-
Recorder Sonata in D minor, HWV 367a: VI. Andante
(1709 - 1715)
-
Recorder Sonata in D minor, HWV 367a: VII. A tempo di minuet
(1709 - 1715)
-
Recorder Sonata in D minor, op. 1 no. 9a, HWV 367a
(1709 - 1715)
-
Suite de pièce in B-flat major, Vol. 2 no. 1, HWV 434
(1710 - 1717)
-
Suite de pièce in E minor, Vol. 2 no. 5, HWV 438
(1710 - 1717)
-
Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: III. Allegro
(1710)
-
Concerto grosso in B-flat major, op. 3 no. 1, HWV 312
(1710)
-
Languia di bocca lusinghiera, HWV 123
(1710)
-
Nice, che fa? che pensa?, HWV 138
(1710)
-
Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: I. Allegro
(1710)
-
Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: II. Largo
(1710)
-
Menuet in A major, HWV 547
(1710 - 1717)
-
Menuet in A major, HWV 546
(1710 - 1717)
-
Non so se avrai mai bene, HWV 219
(1710 - 1718)
-
Concerti Grossi, op. 3, HWV 312–317
(1710 - 1718)
-
Prelude in G minor, HWV 572
(1710 - 1717)
-
Menuet in D major, HWV 503
(1710 - 1717)
-
Menuet in F major, HWV 511
(1710 - 1717)
-
Menuet in G minor, HWV 538a
(1710 - 1717)
-
Menuet in G minor, HWV 538b
(1710 - 1717)
-
Menuet in G minor, HWV 539b
(1710 - 1717)
-
Menuet in G minor, HWV 539a
(1710 - 1717)
-
Sono liete, fortunate, HWV 194
(1710 - 1711)
-
Echeggiate, festeggiate, numi eterni, HWV 119
(1710 - 1712)
-
Caro autor di mia doglia, HWV 183
(1710 - 1712)
-
Clori, degli occhi miei, HWV 91b
(1710)
-
Lungi da me, pensier tiranno, HWV 125b
(1710)
-
Hornpipe aria in C minor, HWV 355
(1710 - 1715)
-
Allegro in G major, HWV 340
(1710 - 1715)
-
Lungi dal mio bel nume, HWV 127b
(1710)
-
Mi palpita il cor, HWV 132c
(1710)
-
Mi palpita il cor, HWV 132a
(1710)
-
Menzognere speranze, HWV 131
(1710)
-
Solitudini care, amata libertà, HWV 163
(1710)
-
Nell' Africane selve, HWV 136b
(1710)
-
Nel dolce tempo, HWV 135b
(1710)
-
Ninfe e pastori, HWV 139b
(1710)
-
Qualor crudele, sì ma vaga Dori, HWV 151
(1710)
-
Partì, l'idolo mio, HWV 147
(1710)
-
Se pari è la tua fè, HWV 158b
(1710)
-
Menuet in F major, HWV 517
(1710 - 1720)
-
Menuet in A major, HWV 545
(1710 - 1720)
-
Menuet in B-flat major, HWV 556
(1710 - 1720)
-
Menuet in B-flat major, HWV 557
(1710 - 1720)
-
Menuet in B-flat major, HWV 551
(1710 - 1720)
-
Menuet in B-flat major, HWV 552
(1710 - 1720)
-
Menuet in B-flat major, HWV 553
(1710 - 1720)
-
Menuet in B-flat major, HWV 554
(1710 - 1720)
-
Menuet in B-flat major, HWV 555a
(1710 - 1720)
-
Menuet in B-flat major, HWV 555b
(1710 - 1720)
-
Menuet in A minor, HWV 549
(1710 - 1720)
-
Menuet in A minor, HWV 548
(1710 - 1720)
-
Menuet in A major, HWV 544
(1710 - 1720)
-
Menuet in G minor, HWV 543
(1710 - 1720)
-
Menuet in G minor, HWV 542
(1710 - 1720)
-
Menuet in G minor, HWV 541
(1710 - 1720)
-
Menuet in G minor, HWV 534b
(1710 - 1720)
-
Menuet in G minor, HWV 535a
(1710 - 1720)
-
Menuet in G minor, HWV 535b
(1710 - 1720)
-
Menuet in G minor, HWV 536
(1710 - 1720)
-
Menuet in G minor, HWV 537a
(1710 - 1720)
-
Menuet in G minor, HWV 537b
(1710 - 1720)
-
Menuet in G major, HWV 528
(1710 - 1720)
-
Menuet in G major, HWV 529
(1710 - 1720)
-
Menuet in G major, HWV 530
(1710 - 1720)
-
Menuet in G minor, HWV 532
(1710 - 1720)
-
Menuet in G minor, HWV 533
(1710 - 1720)
-
Menuet in G minor, HWV 534a
(1710 - 1720)
-
Menuet in F major, HWV 515a
(1710 - 1720)
-
Menuet in G major, HWV 523
(1710 - 1720)
-
Menuet in G major, HWV 524
(1710 - 1720)
-
Menuet in G major, HWV 525
(1710 - 1720)
-
Menuet in G major, HWV 526
(1710 - 1720)
-
Menuet in G major, HWV 527
(1710 - 1720)
-
Menuet in F major, HWV 519
(1710 - 1720)
-
Menuet in F major, HWV 518
(1710 - 1720)
-
Menuet in F major, HWV 516c
(1710 - 1720)
-
Menuet in F major, HWV 516b
(1710 - 1720)
-
Menuet in F major, HWV 516a
(1710 - 1720)
-
Menuet in G major, HWV 515b
(1710 - 1720)
-
Menuet in F major, HWV 513a
(1710 - 1720)
-
Menuet in F major, HWV 512
(1710 - 1720)
-
Menuet in F major, HWV 509
(1710 - 1720)
-
Menuet in G major, HWV 522
(1710 - 1720)
-
Menuet in G major, HWV 521
(1710 - 1720)
-
Menuet in F major, HWV 520
(1710 - 1720)
-
Menuet in D major, HWV 506
(1710 - 1720)
-
Menuet in D minor, HWV 507a
(1710 - 1720)
-
Menuet in E minor, HWV 507b
(1710 - 1720)
-
Menuet in G major, HWV 514b
(1710 - 1720)
-
Menuet in F major, HWV 514a
(1710 - 1720)
-
Menuet in G major, HWV 513b
(1710 - 1720)
-
Preludium in F major, HWV 567
(1710 - 1720)
-
Prelude in E major, HWV 566
(1710 - 1720)
-
Prelude in D minor, HWV 565
(1710 - 1720)
-
Toccata in G minor, HWV 586
(1710 - 1720)
-
Menuet in C major, HWV 498
(1710 - 1720)
-
Menuet in D major, HWV 505
(1710 - 1720)
-
Air and 2 Doubles in F major, HWV 465
(1710 - 1720)
-
Allegro in D minor, HWV 475
(1710 - 1720)
-
Air in B-flat major, HWV 471
(1710 - 1720)
-
Air for 2-rowed harpsichord in B-flat major, HWV 470
(1710 - 1720)
-
Preludium in F minor or Arpeggio del Cook, HWV 569
(1710 - 1720)
-
Preludium in F minor, HWV 568
(1710 - 1720)
-
Air Lentement in G minor, HWV 467
(1710 - 1720)
-
Concerto in G major, HWV 487: II. Andante
(1710 - 1720)
-
Marche nos. 1-6, HWV 419
(1710 - 1720)
-
Air in C minor, HWV 459
(1710 - 1720)
-
Air in C minor, HWV 458
(1710 - 1720)
-
Air for 2-rowed harpsichord in G minor, HWV 466
(1710 - 1720)
-
Irene, idolo mio, HWV 120b
(1710)
-
Lungi da voi, che siete poli, HWV 126c
(1710)
-
Rinaldo, HWV 7a
(Jan 1711)
-
Va', speme infida, HWV 199
(1711)
-
Rinaldo, HWV 7a: Ouverture
(1711)
-
Rinaldo, HWV 7a: Atto III, Scene XI, no. 38. Battaglia
(1711)
-
Venus and Adonis, HWV 85
(1711)
-
A mirarvi io son intento, HWV 178
(1711)
-
Conservate, raddoppiate, HWV 185
(1711)
-
Troppo cruda, troppo fiera, HWV 198
(1711)
-
Tanti strali al sen mi scocchi, HWV 197
(1711)
-
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
(1711)
-
Rinaldo, HWV 7a: Atto I
(1711)
-
Rinaldo, HWV 7a: Atto II
(1711)
-
Rinaldo, HWV 7a: Atto III
(1711)
-
Rinaldo, HWV 7a: Atto I, Scene IX, no. 17. Aria "Venti, turbini, prestate" (Rinaldo)
(1711)
-
Rinaldo, HWV 7a: Atto III, Scene IX, no. 37. Aria "Or la tromba in suon festante" (Rinaldo)
(1711)
-
Rinaldo, HWV 7a: Atto I, Scene VI, no. 12. Duetto "Scherzano sul tuo volto le grazie vezzosette" (Almirena, Rinaldo)
(1711)
-
Rinaldo, HWV 7a: Atto I, Scena VII, no. 13. Prélude
(1711)
-
Rinaldo, HWV 7a: Atto I, Scene VII, no. 14. Aria "Cara sposa, amante cara, dove sei?" (Rinaldo)
(1711)
-
Dear Adonis
(1711)
-
Transporting joy
(1711)
-
Rinaldo, HWV 7
(1711)
-
Col valor del vostro brando, HWV 215
(1711 - 1713)
-
6 Fugues, HWV 605-610
(1711 - 1718)
-
Fugue in G major, HWV 606
(1711 - 1718)
-
Fugue in B-flat major, HWV 607
(1711 - 1718)
-
Fugue in B minor, HWV 608
(1711 - 1718)
-
Fugue in A minor, HWV 609
(1711 - 1718)
-
Fugue in G minor, HWV 605
(1711 - 1718)
-
Oboe Sonata in F major, HWV 363a: IV. Bourrée
(1711 - 1716)
-
Oboe Sonata in F major, HWV 363a: I. Adagio
(1711 - 1716)
-
Flute Sonata in G major, op. 1 no. 5, HWV 363b
(1711 - 1716)
-
Oboe Sonata in F major, HWV 363a
(1711 - 1716)
-
Oboe Sonata in F major, HWV 363a: II. Allegro
(1711 - 1716)
-
Oboe Sonata in F major, HWV 363a: III. Adagio
(1711 - 1716)
-
Oboe Sonata in F major, HWV 363a: V. Menuetto
(1711 - 1716)
-
Mi palpita il cor, HWV 132d
(1711 - 1712)
-
Splenda l'alba in oriente, HWV 166
(1711 - 1712)
-
Siete rose ruggiadose, HWV 162
(1711 - 1712)
-
Oboe Sonata in C minor, op. 1 no. 8, HWV 366
(1711 - 1712)
-
Prelude [Harpeggio] in D minor, HWV 562
(1711 - 1712)
-
Oboe Sonata in C minor, op. 1 no. 8, HWV 366: I. Largo
(1711 - 1712)
-
Oboe Sonata in C minor, op. 1 no. 8, HWV 366: III. Adagio
(1711 - 1712)
-
Oboe Sonata in C minor, op. 1 no. 8, HWV 366: II. Allegro
(1711 - 1712)
-
Oboe Sonata in C minor, op. 1 no. 8, HWV 366: IV. Allegro
(1711 - 1712)
-
As Pants the Hart, HWV 251a
(Dec 1712 - May 1713)
-
Utrecht Te Deum, HWV 278: IV. The glorious company of the apostles / Thou art the King of Glory
(14 Jan 1713)
-
Utrecht Te Deum, HWV 278: I. We Praise Thee, O God
(14 Jan 1713)
-
Utrecht Te Deum, HWV 278: II. To Thee all angels cry aloud
(14 Jan 1713)
-
Utrecht Te Deum, HWV 278: V. When Thou took'st upon Thee / Thou sittest at the right hand
(14 Jan 1713)
-
Utrecht Te Deum, HWV 278: VI. We believe that Thou shalt come
(14 Jan 1713)
-
Utrecht Te Deum, HWV 278: VII. Day by day we magnify Thee
(14 Jan 1713)
-
Utrecht Te Deum, HWV 278: IX. Vouchsafe, O Lord
(14 Jan 1713)
-
Utrecht Te Deum, HWV 278: X. O Lord, in Thee have I trusted
(14 Jan 1713)
-
Jubilate, HWV 279: VII. As it was in the beginning
(Jan 1713 - Feb 1713)
-
Jubilate, HWV 279
(Jan 1713 - Feb 1713)
-
Ode for the Birthday of Queen Anne, HWV 74
(Jan 1713)
-
Jubilate, HWV 279: IV. O go your way into his gates
(1713)
-
Jubilate, HWV 279: V. For the Lord is gracious
(1713)
-
Jubilate, HWV 279: VI. Glory be to the Father
(1713)
-
Te Deum: Signore, o Domine
(1713)
-
Jubilate, HWV 279: I. O be joyful in the Lord
(1713)
-
Jubilate, HWV 279: II. Serve the Lord with gladness
(1713)
-
Jubilate, HWV 279: III. Be ye sure that the Lord he is God
(1713)
-
O sing unto the Lord a new song, HWV 249a
(1714)
-
Te Deum "Queen Caroline", HWV 280
(1714)
-
Brockes Passion, HWV 48
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 0: Sinfonia
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 1: Chorus "Mich vom Stricke meiner Sunden zu entbinden" / "Es muss, meiner Sunder Flecken zu bedecken" (soprano, alto, chorus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 1a: Recitative "Als Jesus nun zu Tische sasse" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 2: Accompagnato "Das ist mein Leib: kommt, nehmet, esset" (Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 3: Aria "Der Gott, dem alle Himmelskreise" / "Gott selbst, der Brunnquell alles Guten" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 54: Chorus "Mein Sund' mich werden kränken sehr"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 55: Aria "Wisch ab der Tränen scharfe Lauge" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 56: Chorus "Ich bin ein Glied an deinem Leib"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 50: Duet "Sind meiner Seelen tiefe Wunden" (Tochter Zion, Gläubige Seele)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 50a: Recitative "O Grossmut! O erbarmendes Gemut!" (Tochter Zion, Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 51: Aria "Brich, brüllender Abgrund" (Gläubige Seele)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 51a: Recitative "Ja, es brullet schon in unterird'schen" (Gläubige Seele, Hauptmann)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 52: Aria "Wie kommt's, dass da der Himmel weint" (Gläubige Seele)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 53: Accompagnato "Bei Jesus' Tod und Leiden leidet des Himmels Kreis" (Gläubige Seele)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 47: Aria "Was Wunder, dass der Sonnen Pracht" (Gläubige Seele)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 47a: Recitative "Dies war zur neunten Stund'" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 48: Arioso "Mein Heiland, Herr und Furst!" (Gläubige Seele)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 48a: Recitative "Drauf lief ein Kriegsknecht hin" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 49: Terzetto "O Donnerwort!" / "O selig's Wort!"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 49a: Recitative "O selig wer dies glaubt" (Gläubige Seele, Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 44: Aria "Hier erstarrt mein Herz und Blut" (Gläubige Seele)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 44a: Recitative "O Anblick, o entsetzliches Gesicht!" (Gläubige Seele)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 45: Chorus "O Menschenkind, nur deine Sund"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 45a: Recitative "Sobald er nun gekreuzigt war" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 46: Chorus "Pfui, pfui! Pfui seht mir doch den neuen Konig an"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 46a: Recitative "Und eine dicke Finsternis" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 41: "Eilt, ihr angefochten Seelen!" (Chorus, Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 41a: Recitative "Ach Gott, Mein Sohn!" (Maria)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 42: Duet "Soll mein, Kind, mein Leben sterben" (Maria, Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 42a: Recitative "Und er trug selbst sein Kreuz" (Evangelist, Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 43: Aria "Es scheint, da den zerkerbten Rücken" (tenor)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 43a: Recitative "Wie sie nun an die Stätte" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 38a: Recitative "Ja, scheuten sich nicht" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 39: Aria "Schäumest du, du Schaum der Welt" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 39a: Recitative "Worauf sie mit dem Rohr" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 39b: Recitative "Bestruzter Sunder, nimm in acht des Heilands Schmerzen" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 40: Aria "Heil der Welt, dein schmerzlich Leiden" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 40a: Recitative "Wie mann ihm nun genug Verspottung" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 35a: Recitative "Verwegner Dorn, barbar' sche Spitzen" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 36: Aria "Lass doch diese herbe Schmerzen" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 36a: Recitative "Die zarten Schlafen sind bis" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 37: Aria "Jesu, dich mit unsern Seelen zu vermahlen" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 37a: Recitative "Drauf beugten sie aus Spott" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 38: Chorus "Gegrusset seist du, Judenkonig!"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 32a: Recitative "Drauf zerreten die Kriegsknechte" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 33: Arioso "Ich seh' an einen Stein gebunden" (Gläubige Seele)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 33a: Recitative "Drum, Seele, schau mit angslichem Vergnugen" (Gläubige Seele)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 34: Aria "Dem Himmel gleicht sein buntgefarbter Rucken" (Gläubige Seele)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 34a: Recitative "Wie nun das Blut in Stromen" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 35: Aria "Die Rosen kronen sonst der rauhen Dornen Spitzen" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 29a: Recitative "Was fang ich denn mit eurem" (Pilatus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 30: Chorus "Weg! Lass ihn kreuzigen!"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 30a: Recitative "Was hat er denn getan?" (Pilatus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 31: Chorus "Weg! Lass ihn kreuzigen!"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 31a: Recitative "Wie er nun sah" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 32: Arioso "Besinne dich, Pilatus, schweig, halt ein" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 26a: Recitative "Wie nun Pilatus Jesum fragt" (Evangelist, Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 27: Chorus "Bestrafe diesen Übeltäter"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 27a: Recitative "Hast du denn kein Gehör?" (Pilatus, Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 28: Duet "Sprichst du denn auf dies Verklagen" (Tochter Zion, Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 28a: Recitative "Pilatus wunderte sich sehr" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 29: Chorus "Nein, diesen nicht, den Barrabas gib frei"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 23a: Recitative "Die Nacht war kaum vorbei" (Evangelist, Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 24: Aria "Meine Laster sind die Stricke" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 24a: Recitative "Oh, was hab' ich verfluchter Mensch getan" (Judas)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 25: Aria "Lasst diese Tat nicht ungerochen" (Judas)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 25a: Recitative "Unsäglich ist mein Schmerz" (Judas)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 26: Aria "Die ihr Gottes Gnad' versaumet und mit Sunden" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 19a: Recitative "Doch wie, will ich verz weifelnd untergehn?" (Petrus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 20: Aria "Schau, ich fall' in strenger Busse" (Petrus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 21: Chorus "Ach Gott und Herr, wie gross und schwer"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 21a: Recitative "Als Jesus nun, wie hart man ihn verklagte" (Evangelist, Caiphas, Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 22: Chorus "Er hat den Tod verdient"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 23: Aria "Erwag, ergrimmte Naternbrut" (tenor)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 16a: Recitative "Und Jesus ward zum Palast Caiphas" (Evangelist, Caiphas, Jesus, Kriegsknecht)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 17: Aria "Was Barentatzen" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 17a: Recitative "Dies sahe Petrus an" (Evangelist, Magd 1, Petrus, Magd 2, Magd 3)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 18: Arioso "Ich will versinken und vegehn" (Petrus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 18a: Recitative "Drauf krähete der Hahn" (Evangelist, Petrus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 19: Aria "Heul, du Fluch!" (Petrus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 13a: Recitative "Nimm, Rabbi, diesen Kuss von mir" (Judas, Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 14: Aria "Gift und Glut" (Petrus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 14a: Recitative "Steck nur das Schwert" (Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 15: Chorus "O weh, sie binden ihn mit Strick und Ketten"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 15a: Recitative "Wo flieht ihr hin?" (Petrus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 16: Aria "Nehmt mich mit, verzagte Scharen" (Petrus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 10a: Recitative "Ein Engel aber kam von den gestirnten Buhnen" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 11: Arioso "Erwachet doch!" (Jesus, Petrus, Johannes, Jacobus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 11a: Recitative "Und eh' die Rede" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 12: Chorus "Greift zu, schlagt tot"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 12a: Recitative "Und der Verrater hatte dieses ihnen zum Zeichen" (Evangelist, Judas)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 13: Chorus "Er soll uns nicht entlaufen"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 7a: Recitative "Auf's wenigste will ich" (Petrus, Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 8: Aria "Mein Vater! Schau, wie ich mich quale" / "Ist's moglich, dass dein Zorn sich sstille" (Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 8a: Recitative "Mich druckt der Sunden Zentnerlast" (Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 9: Arioso "Sünder, schau mich Furcht und Zagen" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 9a: Recitative "Die Pein vermehrte sich mit grausamem Erschuttern" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 10: Aria "Brich, mein Herz, zerfliess in Tranen" (Tochter Zion)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 3a: Recitative "Und bald hernach nahm erden Kelch" (Evangelist)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 4: Accompagnato "Das ist mein Blut im neuen Testament" (Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 5: Chorus "Ach, wie hungert mein Gemute" / "Ach, wie pfleg' ich oft mit Tranen"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 5a: Recitative "Drauf sagten sie dem Höchsten Dank" (Evangelist, Jesus)
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 6a: Chorus "Wir wollen alle eh' erblassen"
(1715 - 1716)
-
Brockes Passion, HWV 48, no. 6c: Recitative "Es ist gewiss, denn also steht geschrieben" (Jesus)
(1715 - 1716)
-
Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: I. Vivace
(1715 - 1718)
-
Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: II. Largo
(1715 - 1718)
-
Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: III. Allegro
(1715 - 1718)
-
Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: IV. Minuetto
(1715 - 1718)
-
Concerto grosso in G major, op. 3 no. 3, HWV 314: I. Largo e staccato
(1715 - 1718)
-
Concerto grosso in G major, op. 3 no. 3, HWV 314: II. Allegro
(1715 - 1718)
-
Concerto grosso in G major, op. 3 no. 3, HWV 314: III. Adagio
(1715 - 1718)
-
Concerto grosso in D minor, op. 3 no. 5, HWV 316: I. (without tempo indication)
(1715 - 1718)
-
Concerto grosso in D minor, op. 3 no. 5, HWV 316: IV. Allegro ma non troppo
(1715 - 1718)
-
Concerto grosso in D minor, op. 3 no. 5, HWV 316: V. Allegro
(1715 - 1718)
-
Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: V. Gavotte
(1715 - 1718)
-
Concerto grosso in D minor, op. 3 no. 5, HWV 316: II. Fuga. Allegro
(1715 - 1718)
-
Concerto grosso in D minor, op. 3 no. 5, HWV 316: III. Adagio
(1715 - 1718)
-
Concerto grosso in B-flat major, op. 3 no. 2, HWV 313
(1715 - 1718)
-
Concerto grosso in D minor, op. 3 no. 5, HWV 316
(1715 - 1718)
-
Lesson in A minor, HWV 496
(1715 - 1720)
-
Amadigi di Gaula, HWV 11: Atto I, no. 11. "Ah! spietato"
(1715)
-
The faithful Maid, HWV 228 no. 19
(1715)
-
Amadigi di Gaula, HWV 11: Atto II. "Desterò dall'empia Dite" (Melissa)
(1715)
-
Amadigi di Gaula, HWV 11: Atto II. "Pena tiranna" (Dardano)
(1715)
-
Amadigi di Gaula, HWV 11
(1715)
-
Amadigi di Gaula, HWV 11: Atto I
(1715)
-
Amadigi di Gaula, HWV 11: Atto II
(1715)
-
Amadigi di Gaula, HWV 11: Atto III
(1715)
-
Concerto grosso in F major, op. 3 no. 4, HWV 315: I. Ouverture
(1716)
-
Concerto grosso in F major, op. 3 no. 4, HWV 315: II. Andante
(1716)
-
Concerto grosso in F major, op. 3 no. 4, HWV 315: III. Allegro
(1716)
-
Concerto grosso in F major, op. 3 no. 4, HWV 315: IV. Allegro
(1716)
-
Concerto grosso in F major, op. 3 no. 4, HWV 315
(1716)
-
An Answer to Collin's Complaint: Ye winds to whome Collin complains, HWV 228 no. 23
(1716)
-
Trio Sonata in C minor, HWV 386a
(1717 - 1719)
-
Trio Sonata in C minor, HWV 386a: II. Allegro
(1717 - 1719)
-
Trio Sonata in C minor, HWV 386a: I. Andante
(1717 - 1719)
-
Trio Sonata in C minor, HWV 386a: III. Andante
(1717 - 1719)
-
Trio Sonata in C minor, HWV 386a: IV. Allegro
(1717 - 1719)
-
Suite de pièce in B-flat major, Vol. 2 no. 7, HWV 440
(1717 - 1718)
-
Spera chi sa perchè la sorte, HWV 225
(1717 - 1718)
-
Chandos Anthem no. 5 "I Will Magnify Thee", HWV 250a
(1717 - 1718)
-
Chandos Anthem no. 4 “O sing unto the Lord a new song”, HWV 249b
(1717 - 1718)
-
Have mercy upon me; Chandos Anthem no. 3, HWV 248
(1717 - 1718)
-
Chandos Anthem no. 1 "O be joyful in the Lord", HWV 246
(1717 - 1718)
-
Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254
(1717 - 1718)
-
Chandos Anthem no. 11a in B-flat major "Let God Arise", HWV 256a
(1717 - 1718)
-
Chandos Anthem no. 2 in D minor "In the Lord Put I My Trust", HWV 247
(1717 - 1718)
-
Concerto grosso in G major, op. 3 no. 3, HWV 314
(1717 - 1718)
-
Bella ma ritrosetta, HWV 86
(1717 - 1718)
-
Dolc' è pur d'amor l'affanno, HWV 109a
(1717 - 1718)
-
Chandos Anthem no. 5 "I Will Magnify Thee", HWV 250a: V. The Lord Preserveth All Them That Love Him (Tenor)
(1717 - 1718)
-
Chandos Anthem no. 5 "I Will Magnify Thee", HWV 250a: VIII. My Mouth Shall Speak the Praise of the Lord (Tenor, Chorus)
(1717 - 1718)
-
Chandos Anthem no. 5 "I Will Magnify Thee", HWV 250a: IV. One Generation Shall Praise Thy Works Unto Another (Chorus)
(1717 - 1718)
-
Chandos Anthem no. 5 "I Will Magnify Thee", HWV 250a: VI. The Lord is Righteous in All His Ways (Soprano)
(1717 - 1718)
-
Chandos Anthem no. 5 "I Will Magnify Thee", HWV 250a: VII. Happy Are the People That Are in Such a Case (Tenor)
(1717 - 1718)
-
Chandos Anthem no. 7 in G major "My Song Shall Be Alway", HWV 252
(1717 - 1718)
-
Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253: VII. The Lord Preserveth the Souls (Tenor)
(1717 - 1718)
-
Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253: VIII. For Look, as High as the Heaven is (Tenor)
(1717 - 1718)
-
Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253: IX. There is Sprung Up a Light for the Righteous (Chorus)
(1717 - 1718)
-
Chandos Anthem no. 5 "I Will Magnify Thee", HWV 250a: I. Sonata
(1717 - 1718)
-
Chandos Anthem no. 5 "I Will Magnify Thee", HWV 250a: III. Ev’ry Day Will I Give Thanks Unto Thee (Tenor)
(1717 - 1718)
-
Chandos Anthem no. 5 "I Will Magnify Thee", HWV 250a: II. I Will Magnify Thee, O God (Chorus)
(1717 - 1718)
-
Water Music, Suite no. 2 in D major, HWV 349: 13. Minuet
(1717)
-
Con lacrime si belle, HWV 213
(1717)
-
Water Music, HWV 348-350
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: X. Allegro (variant)
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: XI. Alla Hornpipe (variant)
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: IIIc. Allegro da capo
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: I. Overture. Largo - Allegro
(1717)
-
Water Music Suite: I. Allegro
(1717)
-
Water Music Suite: II. Air
(1717)
-
Water Music Suite: III. Bourrée
(1717)
-
Water Music Suite: IV. Hornpipe
(1717)
-
Water Music Suite: V. Andante espressivo
(1717)
-
Water Music Suite: VI. Allegro deciso
(1717)
-
Water Music, HWV 348–350
(1717)
-
Water Music Suite no. 3 in G major, HWV 350
(1717)
-
Water Music Suite no. 2 in D major, HWV 349
(1717)
-
Water Music Suite no. 1 in F major, HWV 348
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: IIIb. Andante
(1717)
-
Water Music Suite
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe
(1717)
-
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
(1717)
-
Water Music, Suite no. 2 in D major, HWV 349: 14. Lentement
(1717)
-
Water Music, Suite no. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo
(1717)
-
Hornpipe from Water Music
(1717)
-
Water Music - Suite: Air
(1717)
-
Water Music, Suite no. 3 in G major, HWV 350: 16: (Minuet)
(1717)
-
Water Music, Suite no. 3 in G major, HWV 350: 17. Rigaudon / 18. (Rigaudon) / 17. Rigaudon da capo
(1717)
-
Water Music, Suite no. 3 in G major, HWV 350: 19: Minuet / 20. (Minuet) / 19. Minuet da capo
(1717)
-
Water Music, Suite no. 3 in G major, HWV 350: 22. (Cantabile) / 21. (Affettuoso) / 22. (Cantabile) da capo
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro]
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: IV. Minuet
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto
(1717)
-
Water Music, Suite no. 2 in D major, HWV 349: 11. Allegro
(1717)
-
Water Music, Suite no. 2 in D major, HWV 349: 15. Bourrée
(1717)
-
Water Music, Suite no. 1 in F major, HWV 348: IX. [Allegro moderato]
(1717)
-
Chandos Anthem no. 8 "O Come, Let Us Sing Unto the Lord", HWV 253: IV. Glory and Worship Are Before Him (Chorus)
(1717 - 1718)
-
Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253: I. Sonata
(1717 - 1718)
-
Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253: II. O Come Let Us Sing Unto the Lord (Chorus)
(1717 - 1718)
-
Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253: VI. O Magnify the Lord (Soprano)
(1717 - 1718)
-
Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253: V. Tell it Out Among the Heathen (Tenor, Chorus)
(1717 - 1718)
-
Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253: III. O Come Let Us Worship (Tenor)
(1717 - 1718)
-
Prelude (Harpeggio) in A minor, HWV 575
(1717 - 1718)
-
Prelude (Harpeggio) in F-sharp minor, HWV 570
(1717 - 1718)
-
Chandos Anthem no. 10 “The Lord is my light”, HWV 255
(1717 - 1718)
-
Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253
(1717 - 1718)
-
Chandos Anthem no. 6 “As pants the hart”, HWV 251b
(1717 - 1718)
-
Te Deum "Chandos", HWV 281
(1717 - 1718)
-
Air (Hornpipe) in D minor, HWV 461
(1717 - 1718)
-
Allegro [Courante] in F major, HWV 488
(1717 - 1718)
-
Il Gelsomino or Son Gelsomino, HWV 164b
(1717 - 1718)
-
Menuet in D major, HWV 500
(1717 - 1720)
-
Menuet in D major, HWV 501
(1717 - 1720)
-
Dolc' è pur d'amor l'affanno, HWV 109b
(1718)
-
Mi palpita il cor, HWV 132b
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 18. Recitativo "Help, Galatea!" (Acis)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!"
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 12a. Recitativo "Whither, fairest, art thou running" (Polyphemus)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 13. Aria "Cease to beauty to be suing" (Polyphemus)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 14a. Recitativo "His hideous love provokes my rage" (Acis)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 15. Aria "Love sounds th'alarm" (Acis)
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 5a. Recitative "Stay, shepherd, stay!" (Damon)
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 6. Aria "Shepherd, what art thou pursuing?" (Damon)
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 6a. Recitative: "Lo! Here my love!" (Acis)
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 7a. Recitative "Oh! Didst thou know the pains of absent love" (Galatea)
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 8. Aria "As when the dove laments her love" (Galatea)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 10. Choir "Wretched lovers!"
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 1. Sinfonia
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 2. Choir "Oh the pleasure of the plains!"
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 3. Recitative "Ye verdant plains and woody mountains" (Galatea)
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 4. Aria "Hush, ye pretty warbling quire!" (Galatea)
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 5. Aria "Where shall I seek the charming fair?" (Acis)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 14. Aria "Would you gain the tender creature" (Damon)
(1718)
-
Acis and Galatea, HWV 49: Act II
(1718)
-
Esther, HWV 50a
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 9b. Choir "Happy we"
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 9a. Duet "Happy we" (Galatea, Acis)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 20c. Recitativo "'Tis done" (Galatea)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 21. Aria "Heart, the seat of soft delight" (Galatea)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears"
(1718)
-
Acis and Galatea, HWV 49: Act I, no. 7. Aria "Love in her eyes sits playing" (Acis)
(1718)
-
Acis and Galatea, HWV 49
(1718)
-
Acis and Galatea, HWV 49: Act I
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 16. Aria "Consider, fond shepherd, how fleeting's the pleasure" (Damon)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 16a. Recitativo "Cease, oh cease, thou gentle youth" (Galatea)
(1718)
-
Acis and Galatea, HWV 49: Act II, no. 17. Trio "The flocks shall leave the mountains" (Galatea, Acis, Polyphemus)
(1718)
-
Trio Sonata in F major, op. 2 no. 4, HWV 389
(1718 - 1722)
-
Di godere ha speranza il mio core, HWV 228 no. 7
(1719)
-
Trio Sonata in G minor, op. 2 no. 8, HWV 393
(1719)
-
English Songs, HWV 228
(1719 - 1746)
-
Keyboard arrangements for overtures to Italian operas, HWV 456
(1720 - 1727)
-
Overture to "Il pastor fido", HWV 456 no. 1
(1720 - 1727)
-
Overture to "Amadigi", HWV 456 no. 2
(1720 - 1727)
-
Overture to "Flavio", HWV 456 no. 3
(1720 - 1727)
-
Overture to "Rodelinda", HWV 456 no. 4
(1720 - 1727)
-
Overture to "Riccardo Primo", HWV 456 no. 5
(1720 - 1727)
-
Keyboard arrangements for arias from Italian operas, HWV 482
(1720 - 1725)
-
Air in C major, HWV 457
(1720 - 1721)
-
[Capriccio] in G minor, HWV 483
(1720 - 1721)
-
Radamisto, HWV 12
(1720)
-
The Polish Minuet, HWV 228 no. 5
(1720)
-
The forsaken Maid's Complaint: Faithless ungrateful, HWV 228 no. 8
(1720)
-
Menuet in D major, HWV 504
(1720)
-
Radamisto, HWV 12: Atto II. "Se teco vive il cor" (Radamisto, Zenobia)
(1720)
-
Crudel tiranno Amor, HWV 97
(Jun 1721)
-
Crudel tiranno Amor, HWV 97: I. Aria "Crudel tiranno Amor"
(Jun 1721)
-
Crudel tiranno Amor, HWV 97: Ia. Recitativo "Ma tu mandi al mio core"
(Jun 1721)
-
Crudel tiranno Amor, HWV 97: II. Aria "O dolce mia speranza"
(Jun 1721)
-
Crudel tiranno Amor, HWV 97: IIa. Recitativo "Senza te, dolce spene"
(Jun 1721)
-
Crudel tiranno Amor, HWV 97: III. Aria "O cara spene, del moi diletto"
(Jun 1721)
-
Muzio Scevola: Atto III, HWV 13: Recitativo "Io d'altro regno"
(1721)
-
Muzio Scevola: Atto III, HWV 13: Aria "Dimmi, crudele amore" (Clelia)
(1721)
-
Menuet in F major, HWV 510
(1721)
-
Quanto più amara fu sorte crudele, HWV 222
(1721 - 1723)
-
Allemande in B minor, HWV 479
(1721 - 1722)
-
Passepied in C major, HWV 559
(1721 - 1722)
-
Sonatina in B-flat major, HWV 585
(1721 - 1722)
-
Sonatina in G minor, HWV 583
(1721 - 1722)
-
Sonatina ['Fuga'] in G major, HWV 582
(1721 - 1722)
-
Overture in D major, HWV 337: II. Adagio
(1722 - 1725)
-
Overture in D major, HWV 337: I. Largo
(1722 - 1725)
-
Overture in D major, HWV 337: III. Allegro
(1722 - 1725)
-
Deh! lasciate e vita e volo, HWV 103
(1722 - 1725)
-
L'odio, sì, ma poi ritrovò, HWV 217
(1722 - 1726)
-
Con doppia gloria mia, HWV 212
(1722 - 1726)
-
Aure dolci, deh, spirate, HWV 211
(1722 - 1726)
-
Adagio in B minor / Allegro in D major, HWV 338
(1722)
-
As Pants the Hart, HWV 251d
(1722)
-
Courante in B minor, HWV 489
(1722)
-
Langue, geme, e sospira, HWV 188
(1722)
-
Se tu non lasci amore, HWV 193
(1722)
-
Ho fuggito Amore anch'io, HWV 118
(1722 - 1723)
-
La Solitudine, HWV 121a
(1722 - 1723)
-
Menuet in E minor, HWV 508b
(1723)
-
Menuet in D minor, HWV 508a
(1723)
-
Giulio Cesare in Egitto, HWV 17
(1723)
-
Tamerlano, HWV 18
(Jul 1724)
-
Tamerlano, HWV 18: Atto II, no. 31. "Par che mi nasca in seno"
(Jul 1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena III, 21. Arioso “Deh, piangete, oh mesti lumi” (Cornelia)
(1724)
-
Allemande in A major, HWV 477
(1724 - 1726)
-
Singe, Seele, Gott zum Preise, HWV 206
(1724 - 1726)
-
Süsse Stille, sanfte Quelle ruhiger Gelassenheit, HWV 205
(1724 - 1726)
-
Süsser Blumen Ambraflocken, HWV 204
(1724 - 1726)
-
Das zitternde Glänzen der spielenden Wellen, HWV 203
(1724 - 1726)
-
Künft' ger Zeiten eitler Kummer, HWV 202
(1724 - 1726)
-
Flammende Rose, Zierde der Erden, HWV 210
(1724 - 1726)
-
In den angenehmen Büschen, HWV 209
(1724 - 1726)
-
Die ihr aus dunkeln Grüften, HWV 208
(1724 - 1726)
-
Meine Seele hört im Sehen, HWV 207
(1724 - 1726)
-
Air en menuet in D minor, HWV 462
(1724 - 1726)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena XI, 31. Aria “L’aure che spira” (Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena V, 38. Aria “La giustizia ha già sull’arco” (Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VIII, 41. Aria “Non ha più che temere” (Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX, 14. Aria “Va tacito e nascosto” (Cesare)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena XI, 16. Duetto “Son nata a lagrimar (Son nato a sospirar)” (Cornelia e Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV, 37. Aria “Quel torrente” (Cesare)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI, 25. Aria “L’angue offeso mai riposa” (Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 19. Aria “V’adoro pupille” (Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena I, 1. Coro “Viva, viva il nostro Alcide!” (Sesto, Cornelia, Nireno, Tolomeo, Curio, Achilla)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena I, 2. Aria “Presti omai l’egizia terra” (Cesare)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena I. Recitativo “Curio, Cesare venne, e vide e vinse” (Cesare, Curio)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena II. Recitativo “Questa è Cornelia” (Cesare, Curio, Cornelia, Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena III. Recitativo “La reggia Tolomeo t’offre in albergo” (Achilla, Cesare, Sesto, Cornelia, Curio)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV. Recitativo “Già torna in sé” (Curio, Sesto, Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV. Recitativo “Vani sono i lamenti” (Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena V. Recitativo “Regni Cleopatra” (Cleopatra, Nireno, Tolomeo)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VI. Recitativo “Sire, Signor!” (Achilla, Tolomeo)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VII, 8. Recitativo accompagnato “Alma del gran Pompeo” (Cesare)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VII. Recitativo “Qui nobile donzella” (Curio, Cesare, Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VII. Recitativo “Cleopatra, vincesti” (Nireno, Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VII, 10. Aria “Tutto può donna vezzosa” (Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VIII, 11. Arioso “Nel tuo seno, amico sasso” (Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VIII. Recitativo “Ma che! Vile e negletta” (Cornelia, Cleopatra, Sesto, Nireno)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX. Recitativo “Cesare, alla tua destra” (Tolomeo, Cesare, Achilla)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena X. Recitativo “Sire, con Sesto, il figlio, questa è Cornelia” (Achilla, Tolomeo, Cornelia, Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena XI. Recitativo “Cornelia, in quei tuoi lumi” (Achilla, Cornelia, Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena XI, 15. Aria “Tu sei il cor di questo core” (Achilla)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena XI. Recitativo: “Madre!” – “Mia vita!” – “Addio!” (Sesto, Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena I. Recitativo “Eseguisti, o Niren, quanto t’imposi?” (Cleopatra, Nireno)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II. Recitativo “Da Cleopatra apprenda” (Nireno, Cesare)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV, 36. Recitativo accompagnato “Dall’ondoso periglio” (Cesare)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 27. Aria e Coro “Al lampo dell’armi” (Cesare, Coro)
(1724)
-
Silete venti, HWV 242
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 17. Sinfonia e Recitativo “Taci!” – “Che fia?” – “Cieli, e qual dalle sfere” (Cesare, Nireno)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 18. Sinfonia e Recitativo “Giulio, che miri?” (Cesare)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II. Recitativo “Vola, mio cor, al dolce incanto” (Cesare, Nireno)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 20. Aria “Se in fiorito ameno prato” (Cesare)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena III. Recitativo “Bella, non lacrimare” (Achilla, Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV. Recitativo “Bella, placa lo sdegno!” (Tolomeo, Cornelia, Achilla)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV, 22. Aria “Se a me non sei crudele” (Achilla)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV. Recitativo “Bella, cotanto aborri chi ti prega d’amar?” (Tolomeo, Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IV, 23. Aria “Sì spietata, il tuo rigore” (Tolomeo)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena V. Recitativo “Su, che si tarda?” (Cornelia, Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI. Recitativo “Cornelia, infauste nove” (Nireno, Cornelia, Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI, 24. Aria “Cessa omai di sospirare” (Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VI. Recitativo “Figlio non è chi vendicar non cura” (Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VII, 26. Aria “Venere bella” (Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VII. Recitativo “Che veggio, o numi?” (Cesare, Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII. Recitativo “Cesare, sei tradito” (Curio, Cesare, Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 28. Recitativo accompagnato “Che sento? Oh Dio! Morrà Cleopatra ancora” (Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena VIII, 29. Aria “Se pietà di me non senti” (Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IX, 30. Arioso “Belle dèe di questo core” (Tolomeo, Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena IX. Recitativo “… di quel ch’avete in doppie stelle accolto” (Tolomeo, Cornelia, Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena X. Recitativo “Sire, prendi!” – “Che fia?” (Achilla, Tolomeo, Sesto, Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena XI. Recitativo “Ecco in tutto perduta la speme di vendetta” (Sesto, Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena I. Recitativo “In tal modi si premia” (Achilla)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena I, 32. Aria “Dal fulgor di questa spada” (Achilla)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena II, 33. Sinfonia
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena II. Recitativo “Vinta cadesti al balenar di questo mio fulmine reale” (Tolomeo, Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena II, 34. Aria “Domerò la tua fierezza” (Tolomeo)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III. Recitativo “E pur così in un giorno” (Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV. Recitativo “Cerco invan Tolomeo per vendicarmi” (Sesto, Achilla, Cesare, Nireno)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV. Recitativo “Lascia questo sigillo!” (Cesare, Sesto)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena V. Recitativo “Tutto lice sperar, Cesare vive” (Sesto, Nireno)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI, 39. Recitativo accompagnato “Voi, che mie fide ancelle un tempo foste” (Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI. Recitativo “Forzai l’ingresso a tua salvezza” (Cesare, Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VII. Recitativo “Cornelia, è tempo omai” (Tolomeo, Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VIII. Recitativo “T’arresta, o genitrice!” (Sesto, Tolomeo, Cornelia)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX, 42. Sinfonia e Marcia
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX. Recitativo “Qui Curio vincitor, qui tuo l’Egitto" (Nireno, Cesare, Sesto, Cornelia, Cleopatra)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX. Recitativo “Goda pur or l’Egitto” (Cesare)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX, 44. Coro e Duetto “Ritorni omai nel nostro core” – “Un bel contento il sen già si prepara” (Egyptians, Cleopatra, Cesare)
(1724)
-
Viola da gamba Sonata in G minor, HWV 364b
(1724)
-
Violin Sonata in G minor, op. 1 no. 6, HWV 364a
(1724)
-
Violin Sonata in D minor, HWV 359a
(1724)
-
Menuet in C minor, HWV 499
(1724)
-
Violin Sonata in D minor, HWV 359a: III. Adagio
(1724)
-
Violin Sonata in D minor, HWV 359a: IV. Allegro
(1724)
-
I Will Magnify Thee, HWV 250b
(1724)
-
Violin Sonata in D minor, HWV 359a: I. Grave
(1724)
-
Violin Sonata in D minor, HWV 359a: II. Allegro
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX, 43. Duetto “Caro! (Bella!) Più amabile beltà” (Cleopatra e Cesare)
(1724)
-
Giulio Cesare in Egitto, HWV 17: Sinfonia
(1724)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena VI, 40. Aria “Da tempeste il legno infranto” (Cleopatra)
(1724)
-
Phillis: My fair, ye Swains, is gone astray, HWV 228 no. 12
(1725)
-
The Rapture, HWV 228 no. 20
(1725)
-
Aria in F major, HWV 410
(1725)
-
Aria in F major, HWV 411
(1725)
-
Menuet in C major, HWV 497
(1725)
-
Rodelinda, regina de' Longobardi, HWV 19: Atto II, no. 46. Duetto "Io t'abbraccio, e piu che morte aspro e forte" (Rodelinda, Bertarido)
(1725)
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 14. "Ombre, piante, urne funeste" (Rodelinda)
(1725)
-
E partirai, mia vita?, HWV 111b
(1725 - 1728)
-
Lungi dal mio bel nume, HWV 127c
(1725 - 1728)
-
Ninfe e pastori, HWV 139c
(1725 - 1728)
-
Se pari è la tua fè, HWV 158c
(1725 - 1728)
-
Sento là che ristretto, HWV 161c
(1725 - 1728)
-
La bianca rosa, HWV 160b
(1725 - 1728)
-
Il Gelsomino or Son Gelsomino, HWV 164a
(1725 - 1728)
-
Violin Allegro in C minor, HWV 408
(1725 - 1729)
-
Recorder Sonata in A minor, op. 1 no. 4, HWV 362
(1725 - 1726)
-
Recorder Sonata in C major, op. 1 no. 7, HWV 365
(1725 - 1726)
-
Recorder Sonata in F major, op. 1 no. 11, HWV 369
(1725 - 1726)
-
Recorder Sonata in G minor, op. 1 no. 2, HWV 360
(1725 - 1726)
-
Violin Sonata in A major, op. 1 no. 3, HWV 361
(1725 - 1726)
-
Recorder Andante in D minor, HWV 409
(1725 - 1726)
-
Violin Andante in A minor, HWV 412
(1725 - 1726)
-
Violin Sonata in A major, op. 1 no. 3, HWV 361: I. Andante
(1725 - 1726)
-
Violin Sonata in A major, op. 1 no. 3, HWV 361: II. Allegro
(1725 - 1726)
-
Violin Sonata in A major, op. 1 no. 3, HWV 361: III. Adagio
(1725 - 1726)
-
Violin Sonata in A major, op. 1 no. 3, HWV 361: IV. Allegro
(1725 - 1726)
-
Vo' cercando tra fiori, HWV 227
(1726)
-
Let God arise, HWV 256b
(1726)
-
Te Deum in A major, HWV 282
(1726)
-
Ottone, re di Germania, HWV 15: Atto I. Aria “Vinto è l’amor da sdegno e gelosia” (Ottone)
(1726)
-
Gigue in F major, HWV 492
(1726 - 1727)
-
The Four Coronation Anthems: “My heart is inditing”, HWV 261
(09 Sep 1727 - 11 Oct 1727)
-
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
(1727)
-
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
(1727)
-
The Four Coronation Anthems: “Let thy hand be strengthened”, HWV 259
(1727)
-
The Four Coronation Anthems: “The King shall rejoice”, HWV 260
(1727)
-
The Four Coronation Anthems
(1727)
-
Flute Sonata in E minor, HWV 379: I. Larghetto - Adagio
(1727 - 1728)
-
Flute Sonata in E minor, HWV 379: II. Andante
(1727 - 1728)
-
Flute Sonata in E minor, HWV 379: III. Largo
(1727 - 1728)
-
Flute Sonata in E minor, HWV 379: IV. Allegro
(1727 - 1728)
-
Flute Sonata in E minor, HWV 379: V. Presto
(1727 - 1728)
-
Flute Sonata in E minor, op. 1 no. 1a, HWV 379
(1727 - 1728)
-
Air in A major, HWV 468
(1727 - 1728)
-
Tolomeo, rè d'Egitto, HWV 25: Atto II. Duetto "Se il cor ti perde" (Seleuce, Tolomeo)
(1728)
-
As on a Sunshine Summer's Day, HWV 228 no. 3
(1729)
-
The Satyr's Advice to a Stock-Jobber: On the shore of a low ebbing sea, HWV 228 no. 15
(1730)
-
Strephon's Complaint of Love: Oh cruel Tyrant Love, HWV 228 no. 14
(1730)
-
Not, Cloe, that I better am, HWV 228 no. 13
(1730)
-
Phillis be kind and hear, HWV 228 no. 16
(1730)
-
The unhappy Lovers: As Celia's fatal arrows flew, HWV 228 no. 1
(1730)
-
Charming Cloris: Ask not the cause, HWV 228 no. 2
(1730)
-
Bacchus Speech in Praise of Wine: Bacchus one day gayly striding, HWV 228 no. 4
(1730)
-
Allemande in F major, HWV 476
(1730 - 1735)
-
7 Pieces for Musical Clock, HWV 598-604
(1730 - 1740)
-
Sonata in C major, HWV 598
(1730 - 1740)
-
Air in C major, HWV 601
(1730 - 1740)
-
A Voluntary or a flight of Angels, in C major, HWV 600
(1730 - 1740)
-
Menuet in A minor, HWV 603
(1730 - 1740)
-
Menuet in A minor, HWV 602
(1730 - 1740)
-
Air in A minor, HWV 604
(1730 - 1740)
-
Gigue in C major, HWV 599
(1730 - 1740)
-
Spero indarno, HWV 195
(1730 - 1740)
-
Sosarme, re di Media, HWV 30: Atto III
(1732)
-
Esther, HWV 50b: Act I. "Tune Your Harps to Cheerful Strains"
(1732)
-
Esther, HWV 50b
(1732)
-
Sosarme, re di Media, HWV 30: Atto II, no. 39. "Per le porte del tormento" (Elmira, Sosarme)
(1732)
-
Sosarme, re di Media, HWV 30: Atto I
(1732)
-
Sosarme, re di Media, HWV 30: Atto II
(1732)
-
Athalia, HWV 52
(1733 - 07 Jun 1733)
-
Athalia, HWV 52: Act I, no. 16. "Gentle Airs, Melodious Strains"
(1733)
-
Suite from "Il pastor fido", HWV 8c: 11. Gigue. Presto
(1734)
-
Suite from "Il pastor fido", HWV 8c: 12. Chacconne
(1734)
-
This Is the Day Which the Lord Hath Made, HWV 262
(1734)
-
Marche in D major, HWV 416
(1734)
-
Parnasso in festa, HWV 73
(1734)
-
Suite from "Il pastor fido", HWV 8c: 4. Musette
(1734)
-
Suite from "Il pastor fido", HWV 8c: 5. Menuet
(1734)
-
Suite from "Il pastor fido", HWV 8c: Balli. 6. March / 7 Pour les Chasseurs / 6. March da capo
(1734)
-
Suite from "Il pastor fido", HWV 8c: 8. (Ballo)
(1734)
-
Suite from "Il pastor fido", HWV 8c: 9. Sarabanda. Largo assai
(1734)
-
Suite from "Il pastor fido", HWV 8c: 10. Gavotte
(1734)
-
Suite from "Il pastor fido", HWV 8c: 1. Ouverture. Largo - Allegro
(1734)
-
Suite from "Il pastor fido", HWV 8c: 2. (Ballo)
(1734)
-
Suite from "Il pastor fido", HWV 8c: 3. (Tambourin)
(1734)
-
Organ Concerto in F major, op. 4 no. 4, HWV 292: IV. Allegro
(1735)
-
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: I. A tempo ordinario, e staccato
(1735)
-
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: II. Allegro
(1735)
-
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: III. Adagio, e staccato
(1735)
-
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: IV. Allegro, ma non presto
(1735)
-
Organ Concerto in G minor, op. 4 no. 3, HWV 291: II. Allegro
(1735)
-
Organ Concerto in F major, op. 4 no. 5, HWV 293
(1735)
-
Organ Concerto in G minor, op. 4 no. 3, HWV 291
(1735)
-
Organ Concerto in G minor, op. 4 no. 3, HWV 291: I. Adagio
(1735)
-
The forsaken Nymph: Guardian Angels now protect me, HWV 228 no. 10
(1735)
-
The Sailor's Complaint: Come and listen to my ditty, HWV 228 no. 6
(1735)
-
Organ Concerto in F major, op. 4 no. 5, HWV 293: I. Larghetto
(1735)
-
Organ Concerto in F major, op. 4 no. 5, HWV 293: II. Allegro
(1735)
-
Organ Concerto in F major, op. 4 no. 5, HWV 293: III. Alla Siciliana
(1735)
-
Organ Concerto in F major, op. 4 no. 5, HWV 293: IV. Presto
(1735)
-
Organ Concerto in B-flat major, op. 4 no. 2, HWV 290
(1735)
-
Organ Concerto in F major, op. 4 no. 4, HWV 292
(1735)
-
Organ Concerto in G minor, op. 4 no. 3, HWV 291: III. Adagio
(1735)
-
Organ Concerto in G minor, op. 4 no. 3, HWV 291: IV. Allegro
(1735)
-
Organ Concerto in F major, op. 4 no. 4, HWV 292: I. Allegro
(1735)
-
Organ Concerto in F major, op. 4 no. 4, HWV 292: II. Andante
(1735)
-
Organ Concerto in F major, op. 4 no. 4, HWV 292: III. Adagio
(1735)
-
Settings of "Amen" / "(H)alleluja, amen", HWV 269-77
(1735 - 1747)
-
Air in F major, HWV 587
(1735 - 1740)
-
Eleven pieces in C, F, and G, HWV 587 - 597
(1735 - 1740)
-
Toccata in G minor, HWV 589
(1735 - 1740)
-
Aria dell'opera Sosarmes, HWV 590
(1735 - 1740)
-
Aria dell'opera Muzio Scevola, HWV 591
(1735 - 1740)
-
Aria dell'opera Ottone in C major, HWV 592
(1735 - 1740)
-
Aria dell'opera Ariadne, HWV 593
(1735 - 1740)
-
Air in G major, HWV 594
(1735 - 1740)
-
Aria dell'opera Ottone in C major, HWV 595
(1735 - 1740)
-
Aria dell'opera Sosarmes in C major, HWV 596
(1735 - 1740)
-
Aria dell'opera Ariadne, HWV 597
(1735 - 1740)
-
Organ Concerto in G minor, op. 4 no. 1, HWV 289: II. Allegro
(1735 - 1736)
-
Organ Concerto in G minor, op. 4 no. 1, HWV 289: I. Larghetto, e staccato
(1735 - 1736)
-
Organ Concerto in G minor, op. 4 no. 1, HWV 289
(1735 - 1736)
-
Amen...alleluja, HWV 269
(1735 - 1746)
-
Amen, HWV 270
(1735 - 1746)
-
Amen...alleluja, HWV 271
(1735 - 1746)
-
Alleluja...amen, HWV 272
(1735 - 1746)
-
Alleluja...amen, HWV 273
(1735 - 1746)
-
Alleluja...amen, HWV 274
(1735 - 1746)
-
Cecilia, volgi un sguardo, HWV 89
(Jan 1736)
-
Berenice, HWV 38
(18 Dec 1736 - 27 Jan 1737)
-
Air in G major, HWV 474
(1736 - 1738)
-
Chorale in G minor, HWV 480 "Jesu meine Freude"
(1736 - 1740)
-
Sing Unto God, HWV 263
(1736)
-
Ouverture in F major, HWV 342
(1736)
-
Concerto grosso in C major, HWV 318 "Alexander's Feast": I. Allegro
(1736)
-
Concerto grosso in C major, HWV 318 "Alexander's Feast": II. Adagio
(1736)
-
Concerto grosso in C major, HWV 318 "Alexander's Feast": III. Allegro
(1736)
-
Concerto grosso in C major, HWV 318 "Alexander's Feast": IV. Andante, non presto
(1736)
-
Concerto grosso in C major, HWV 318 "Alexander's Feast"
(1736)
-
Look down, harmonious saint, HWV 124
(1736)
-
Organ Concerto in B-flat major, op. 4 no. 6, HWV 294
(1736)
-
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro
(1736)
-
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294: II. Larghetto
(1736)
-
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294: III. Allegro moderato
(1736)
-
Concerto for Recorder in B-flat major, op. 4 no. 6, HWV 294
(1736)
-
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294
(1736)
-
Organ Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro
(1736)
-
Organ Concerto in B-flat major, op. 4 no. 6, HWV 294: II. Larghetto
(1736)
-
Organ Concerto in B-flat major, op. 4 no. 6, HWV 294: III. Allegro moderato
(1736)
-
Il trionfo del Tempo e della Verità, HWV 46b
(02 Mar 1737 - 14 Mar 1737)
-
Faramondo, HWV 39
(15 Nov 1737 - 24 Dec 1737)
-
Faramondo, HWV 39: Atto I
(15 Nov 1737 - 24 Dec 1737)
-
Faramondo, HWV 39: Atto II
(15 Nov 1737 - 24 Dec 1737)
-
Faramondo, HWV 39: Atto III
(15 Nov 1737 - 24 Dec 1737)
-
The Ways of Zion Do Mourn, HWV 264
(05 Dec 1737 - 12 Dec 1737)
-
Serse, HWV 40
(16 Dec 1737 - 14 Feb 1738)
-
Serse, HWV 40
(26 Dec 1737 - 14 Feb 1738)
-
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
(26 Dec 1737 - 09 Jan 1738)
-
Carco sempre di gloria, HWV 87
(1737)
-
I like the am’rous Youth that's free, HWV 228 no. 11
(1737)
-
Saul, HWV 53
(23 Jul 1738 - 27 Sep 1738)
-
Imeneo, HWV 41
(09 Sep 1738 - 20 Sep 1738)
-
La bianca rosa, HWV 160c
(1738 - 1741)
-
Si, crudel, tornerà, HWV 224
(1738 - 1741)
-
S'un di m'appaga, la mia crudele, HWV 223
(1738 - 1741)
-
Saul, HWV 53: Act I, Scene I, no. 2a. Chorus "How excellent Thy name, o Lord"
(1738)
-
Saul, HWV 53: Act II, Scene VII, no. 62. Air "No, no, let the guilty tremble" (Michal)
(1738)
-
Saul, HWV 53: Act II, Scene X, no. 67. Recitative "Where is the son of Jesse!" (Saul, Jonathan)
(1738)
-
Saul, HWV 53: Act III, Scene IV, no. 76. Air "Impious wretch, of race accurst!" (David)
(1738)
-
Saul, HWV 53: Act II, Scene III, no. 51. Air "From cities stormed, and battles won" (Jonathan)
(1738)
-
Saul, HWV 53: Act II, Scene III, no. 50. Air "As great Jehovah lives (Saul)
(1738)
-
Adagio in D minor, HWV 303
(1738)
-
Violin Allegro in G major, HWV 407
(1738)
-
Trio Sonata in C major, HWV 403
(1738)
-
Saul, HWV 53: Act III, Scene I, no. 70. Accompagnato "'Tis said, here lives a woman" (Saul)
(1738)
-
Saul, HWV 53: Act III, Scene II, no. 72. Air "Infernal spirits" (Witch of Endor)
(1738)
-
Saul, HWV 53: Act III, Scene V, no. 82. Chorus "Eagles were not so swift as they"
(1738)
-
Saul, HWV 53: Act III, Scene V, no. 85. Recitative "Ye men of Judah, weep no more!" (Abner)
(1738)
-
Saul, HWV 53: Act III, Scene V, no. 84. Solo "O fatal day" (David and Chorus)
(1738)
-
Saul, HWV 53: Act II, Scene II, no. 44. Air "But sooner Jordan's stream, I swear" (Jonathan)
(1738)
-
Saul, HWV 53: Act II, Scene IV, no. 54. Recitative "Yes, he shall wed my daughter!" (Saul)
(1738)
-
Saul, HWV 53: Act II, Scene IV, no. 53. Air "Your words, o king, my loyal heart" (David)
(1738)
-
Saul, HWV 53: Act II, Scene V, no. 57. Chorus "Is there a man"
(1738)
-
Saul, HWV 53: Act II, Scene V, no. 56. Duet "O fairest of ten thousand fair" (Michal, David)
(1738)
-
Saul, HWV 53: Act II, Scene VI, no. 60. Duet "At persecution I can laugh" (David, Michal)
(1738)
-
Saul, HWV 53: Act II, Scene VIII, no. 64. Air "Author of peace, who canst controul" (Merab)
(1738)
-
Saul, HWV 53: Act I, Scene IV, no. 28. Air "Fell rage and black despair possessed" (Michal)
(1738)
-
Saul, HWV 53: Act I, Scene IV, no. 30. Accompagnato "By thee this universal frame" (High Priest)
(1738)
-
Saul, HWV 53: Act I, Scene V, no. 34. Recitative "'Tis All In Vain, his fury still continues" (Jonathan)
(1738)
-
Saul, HWV 53: Act I, Scene V, no. 36. Recitative "Has he escaped my rage?" (Saul)
(1738)
-
Saul, HWV 53: Act I, Scene VI, no. 39. Air "No, cruel father, no!" (Jonathan)
(1738)
-
Saul, HWV 53: Act I, Scene VI, no. 41. Chorus "Preserve him for the glory of Thy name"
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 19. Air "Ah, lovely youth, wast thou designed" (Michal)
(1738)
-
Saul, HWV 53: Act I, Scene III, no. 22. Chorus "Welcome, welcome, mighty king!"
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 21. Recitative "Already see the daughters of the land" (Michal)
(1738)
-
Saul, HWV 53: Act I, Scene III, no. 26. Air "With rage I shall start burst his praises to hear" (Saul)
(1738)
-
Saul, HWV 53: Act I, Scene III, no. 25. Accompagnato "To him ten thousands" (Saul)
(1738)
-
Saul, HWV 53: Act I, Scene III, no. 24. Chorus "David his ten thousands slew"
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 8. Recitative "Behold, o King, the brave, victorious youth" (Abner, Saul, David)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 10. Recitative "Oh early piety!" (Jonathan)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 12. Recitative "Yet think, on whom this honour you bestow" (Merab)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 15. Air "While yet thy tide of blood runs high" (High Priest)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 17. Air "My soul rejects the though with scorn" (Merab)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 18. Air "See, with what a scornful air" (Michal)
(1738)
-
Saul, HWV 53: Act III, Scene V, no. 81. Air "Brave Jonathan his bow never drew" (David)
(1738)
-
Saul, HWV 53: Act III, Scene V, no. 83. Air "In sweetest harmony they lived!" (Michal)
(1738)
-
Saul, HWV 53: Act III, Scene V, no. 86. Chorus "Gird on thy sword, thou man of might"
(1738)
-
Saul, HWV 53: Act I, Scene I, no. 3. Air "An infant raised by thy command" (Soprano)
(1738)
-
Saul, HWV 53: Act I, Scene I, no. 2b. Chorus "How excellent Thy name, o Lord"
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 7. Air "O God-like youth!" (Michal)
(1738)
-
Saul, HWV 53: Act III, Scene III, no. 74. Symphony: Allegro
(1738)
-
Saul, HWV 53: Act III, Scene IV, no. 75. Recitative "Whence comest thou?" (David, Amalekite)
(1738)
-
Saul, HWV 53: Act III, Scene IV, no. 77. March: Grave
(1738)
-
Saul, HWV 53: Act III, Scene V, no. 78. Chorus "Mourn, Israel!"
(1738)
-
Saul, HWV 53: Act III, Scene V, no. 79. Air "Oh let it not in Gath be heard" (High Priest)
(1738)
-
Saul, HWV 53: Act III, Scene V, no. 80. Air "From this unhappy day" (Merab)
(1738)
-
Saul, HWV 53: Act II, Scene IX, no. 65. Symphony: Allegro
(1738)
-
Saul, HWV 53: Act II, Scene IX, no. 66. Accompagnato "The time at length is come" (Saul)
(1738)
-
Saul, HWV 53: Act II, Scene X, no. 68. Chorus "Oh fatal consequence of Rage"
(1738)
-
Saul, HWV 53: Act III, Scene I, no. 69. Accompagnato "Wretch that I am" (Saul)
(1738)
-
Saul, HWV 53: Act III, Scene II, no. 71. Recitative "With me what would'st thou" (Witch, Saul)
(1738)
-
Saul, HWV 53: Act III, Scene III, no. 73. Accompagnato "Why hast thou forced me from the realm of peace" (Samuel, Saul)
(1738)
-
Saul, HWV 53: Act II, Scene IV, no. 52. Recitative "Appear, my friend" (Jonathan, Saul)
(1738)
-
Saul, HWV 53: Act II, Scene V, no. 55. Recitative "A father's will has authorised my love" (Michal)
(1738)
-
Saul, HWV 53: Act II, Scene V, no. 58. Symphony: Largo - Allegro
(1738)
-
Saul, HWV 53: Act II, Scene VI, no. 59. Recitative "Thy father is a cruel!" (David)
(1738)
-
Saul, HWV 53: Act II, Scene VII, no. 61. Recitative "Whom dost thou seek" (Michal, Doeg)
(1738)
-
Saul, HWV 53: Act II, Scene VIII, no. 63. Recitative "Mean as he was, he is my brother now" (Merab)
(1738)
-
Saul, HWV 53: Act I, Scene VI, no. 40. Air "O Lord, whose providence" (High Priest)
(1738)
-
Saul, HWV 53: Act II, Scene I, no. 42. Chorus "Envy! Eldest born of hell!"
(1738)
-
Saul, HWV 53: Act II, Scene II, no. 43. Recitative "Ah! Dearest friend" (Jonathan)
(1738)
-
Saul, HWV 53: Act II, Scene II, no. 45. Recitative "Oh strange vicissitude!" (David, Jonathan)
(1738)
-
Saul, HWV 53: Act II, Scene II, no. 47. Recitative "My father comes" (Jonathan)
(1738)
-
Saul, HWV 53: Act II, Scene III, no. 48. Recitative "Hast thou obeyed my orders" (Saul, Jonathan)
(1738)
-
Saul, HWV 53: Act I, Scene IV, no. 29. Recitative "This but the smallest part of Harmony" (High Priest)
(1738)
-
Saul, HWV 53: Act I, Scene V, no. 31. Recitative "Racked with infernal pains" (Abner)
(1738)
-
Saul, HWV 53: Act I, Scene V, no. 33. Symphony: Largo
(1738)
-
Saul, HWV 53: Act I, Scene V, no. 35. Air "A serpent, in my bosom warned" (Saul)
(1738)
-
Saul, HWV 53: Act I, Scene V, no. 37. Air "Capricious man" (Merab)
(1738)
-
Saul, HWV 53: Act I, Scene VI, no. 38. Accompagnato "O filial piety!" (Jonathan)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 13. Air "Birth and fortune I despise" (Jonathan)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 14. Recitative "Go on, illustrious pair!" (High Priest)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 16. Recitative "Thou, Merab, first in birth, be first in honour" (Saul, Merab)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 20. Symphony: Andante Allegro
(1738)
-
Saul, HWV 53: Act I, Scene III, no. 23. Accompagnato "What do I hear?" (Saul)
(1738)
-
Saul, HWV 53: Act I, Scene IV, no. 27. Recitative "Imprudent women!" (Jonathan, Michal)
(1738)
-
Saul, HWV 53: Symphony
(1738)
-
Saul, HWV 53: Act I, Scene I, no. 4. Trio "Along the monster atheist strode" (Alto, Tenor, Bass)
(1738)
-
Saul, HWV 53: Act I, Scene I, no. 5. "The Youth inspired by Thee, o Lord" (Soprano, Alto, Tenor, Bass)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 6. Recitative "He comes, he comes" (Michal)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 9. Air "O king, your favours with delight" (David)
(1738)
-
Saul, HWV 53: Act I, Scene II, no. 11. Air "What abject thoughts a prince can have!" (Merab)
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 38: Recitative "And Miriam the prophetess (tenor)
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 39: Chorus "Sing ye to the Lord" (with soprano)
(1738)
-
Israel in Egypt, HWV 54: Part III "Moses' Song"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 21: Chorus "And I will exalt him"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 25: Chorus "And in the greatness"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 31: Chorus "The earth swallowed them"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 32: Duet "Thou in thy mercy" (alto I, tenor)
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 33: Chorus "The people shall hear"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 34: Air "Thou shalt bring them" (alto I)
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 35: Chorus "The Lord shall reign for ever and ever"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 36: Recitative "For the horse of Pharaoh" (tenor)
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 37: Chorus "The Lord shall reign for ever and ever"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 24: Chorus "Thy right hand, o Lord"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 26: Chorus "Thou sentest forth thy wrath"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 27: Chorus "And with the blast of thy nostrils"
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 6: Chorus "He deliver'd the poor"
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 7: Chorus "How is the might fall'n"
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 8: Quartet - Chorus "The righteous shall be had" (soprano I, alto I, tenor, bass I)
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 9: Chorus "Their bodies are buried in peace"
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 10: Chorus "The people will tell of their wisdom"
(1738)
-
Israel in Egypt, HWV 54
(1738)
-
Largo in F major, HWV 302b
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 1: Prelude
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 2: Chorus "The sons of Israel do mourn"
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 3: Chorus "He put on righteousness"
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 4: Quartet "When the ear heard him" (soprano I, alto I, tenor, bass I)
(1738)
-
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” (Serse)
(1738)
-
Saul, HWV 53: Act II, Scene II, no. 46. Air "Such haughy beauties" (David)
(1738)
-
Saul, HWV 53: Act I, Scene V, no. 32. Air "Oh Lord, whose mercies numberless" (David)
(1738)
-
Saul, HWV 53: Act I
(1738)
-
Saul, HWV 53: Act II
(1738)
-
Saul, HWV 53: Act III
(1738)
-
Clori, si, ch'io t'adoro, HWV 94
(1738 - 1740)
-
Qual sento io non conosciuto, HWV 149
(1738 - 1740)
-
Quel fior che all'alba ride, HWV 154
(1738 - 1740)
-
Israel in Egypt, HWV 54: Part III, no. 28: Air "The enemy said" (tenor)
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 29: Air "Thou didst blow with the wind" (soprano I)
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 30: Chorus "Who is like unto thee, o Lord"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 17: Introitus (Chorus) "Moses and the children of Israel"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 18: Chorus "I will sing unto the lord"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 19: Duet "The Lord is my strength" (sopranos I & II)
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 20: Chorus "He is my god"
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 22: Duet "The Lord is a man of war" (basses I & II)
(1738)
-
Israel in Egypt, HWV 54: Part III, no. 23: Chorus "The depths have covered them"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 11: Chorus "Egypt was glad"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 12: Chorus "He rebuked the Red Sea"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 13: Chorus "He led them through the deep"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 14: Chorus "But the waters overwhelmed their enemies"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 15: Chorus "And Israel saw that great work"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 16: Chorus "And believed the Lord"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 5: Air "Their land brought forth frogs" (alto I)
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 6: Chorus "He spake the word"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 7: Chorus "He gave them hailstones for rain"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 8: Chorus "He sent a thick darkness"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 9: Chorus "He smote all the first-born of Egypt"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 10: Chorus "But as for his people"
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 11: Quartet "They shall receive a glorious kingdom" (soprano I, alto I, tenor, bass I)
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 12: Chorus "The merciful goodness of the Lord"
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 1: Recitative "Now these arose a new king over Egypt" (tenor)
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 2: Chorus "And the children of Israel sighed" (with alto II)
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 3: Recitative "Then sent he Moses" (tenor)
(1738)
-
Israel in Egypt, HWV 54: Part II, no. 4: Chorus "They loathed to drink of the river"
(1738)
-
Israel in Egypt, HWV 54: Part I, no. 5: Chorus "How is the might fall'n"
(1738)
-
Keyboard Suite in D minor, HWV 447
(1738 - 1739)
-
Air in B-flat major, HWV 469
(1738 - 1739)
-
Ritornello in G major for Chaconne, HWV 343
(1738 - 1739)
-
Suite in G minor, HWV 452
(1738 - 1739)
-
Ode for St Cecilia's Day, HWV 76
(15 Sep 1739 - 24 Sep 1739)
-
12 concerti grossi, op. 6
(Sep 1739 - Oct 1739)
-
Concerto grosso in F major, op. 6 no. 9, HWV 327
(Sep 1739 - Oct 1739)
-
Concerto grosso in D major, op. 6 no. 5, HWV 323
(Sep 1739 - 10 Oct 1739)
-
Concerto grosso in B-flat major, op. 6 no. 7, HWV 325
(Sep 1739 - 12 Oct 1739)
-
Concerto grosso in A major, op. 6 no. 11, HWV 329
(Sep 1739 - 30 Oct 1739)
-
Concerto grosso in D minor, op. 6 no. 10, HWV 328
(Sep 1739 - 22 Oct 1739)
-
Concerto grosso in C minor, op. 6 no. 8, HWV 326
(Sep 1739 - 18 Oct 1739)
-
Concerto grosso in G minor, op. 6 no. 6, HWV 324
(Sep 1739 - 15 Oct 1739)
-
Concerto grosso in F major, op. 6 no. 2, HWV 320
(04 Oct 1739)
-
Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso
(1739)
-
Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro
(1739)
-
Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano
(1739)
-
Concerto grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto
(1739)
-
Concerto grosso in F major, op. 6 no. 2, HWV 320: II. Allegro
(1739)
-
Concerto grosso in F major, op. 6 no. 2, HWV 320: III. Largo
(1739)
-
Concerto grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro ma non troppo
(1739)
-
Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto
(1739)
-
Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante
(1739)
-
Ode for St Cecilia's Day, HWV 76: V. Aria and Chorus "The trumpet's loud clangor" (tenor)
(1739)
-
Concerto grosso in G major, op. 6 no. 1, HWV 319: I. A tempo giusto
(1739)
-
Concerto grosso in G major, op. 6 no. 1, HWV 319: II. Allegro
(1739)
-
Concerto grosso in G major, op. 6 no. 1, HWV 319: III. Adagio
(1739)
-
Concerto grosso in G major, op. 6 no. 1, HWV 319: IV. Allegro
(1739)
-
Concerto grosso in G major, op. 6 no. 1, HWV 319: V. Allegro
(1739)
-
Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette, larghetto
(1739)
-
Ode for St Cecilia's Day, HWV 76: IX. Aria "But oh! What art can teach" (soprano)
(1739)
-
Ode for St Cecilia's Day, HWV 76: X. Aria "Orpheus could lead the savage race" (soprano)
(1739)
-
Ode for St Cecilia's Day, HWV 76: XI. Accompagnato "But bright Cecilia" (soprano)
(1739)
-
Ode for St Cecilia's Day, HWV 76: XII. Soprano and Chorus "As from the pow'r and sacred lays"
(1739)
-
Phillis advised: Phillis the lovely, HWV 228 no. 17
(1739)
-
Ode for St Cecilia's Day, HWV 76: VIII. Aria "Sharp violins proclaim" (tenor)
(1739)
-
Ode for St Cecilia's Day, HWV 76: I. Overture
(1739)
-
Ode for St Cecilia's Day, HWV 76: II. Recitative / Accompagnato "From harmony from heav'nly harmony" (tenor)
(1739)
-
Ode for St Cecilia's Day, HWV 76: III. Chorus "From harmony, from heav'nly harmony"
(1739)
-
Ode for St Cecilia's Day, HWV 76: IV. Aria "What passion cannot music raise and quell" (soprano)
(1739)
-
Ode for St Cecilia's Day, HWV 76: VII. Aria "The soft complaining flute" (soprano)
(1739)
-
Concerto grosso in D major, op. 6 no. 5, HWV 323: VI. Menuet, un poco larghetto
(1739)
-
Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Largo affettuoso
(1739)
-
Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. A tempo giusto
(1739)
-
Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro
(1739)
-
Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro
(1739)
-
Ode for St. Cecilia's Day, HWV 76: VI. March
(1739)
-
Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro
(1739)
-
Concerto grosso in D major, op. 6 no. 5, HWV 323: I. Larghetto e staccato
(1739)
-
Concerto grosso in D major, op. 6 no. 5, HWV 323: II. Allegro
(1739)
-
Concerto grosso in D major, op. 6 no. 5, HWV 323: III. Presto
(1739)
-
Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo
(1739)
-
Concerto grosso in D major, op. 6 no. 5, HWV 323: V. Allegro
(1739)
-
Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro
(1739)
-
Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise, andante
(1739)
-
Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro ma non troppo
(1739)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55
(19 Jan 1740 - 04 Feb 1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 24. Air “Sometimes Let Gorgeous Tragedy” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 25. Air “But o, Sad Virgin, That Thy Pow’r” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 26. Air “Thus, Night, Oft See Me in Thy Pale Career” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 27. Chorus “Populous Cities Please Me Then” (L’Allegro, Chorus)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 28. Air “There Let Hymen Oft Appear” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 17. Air “Far From All Resort of Mirth” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 18. Recitative “If I Give Thee Honour Due” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 19. Air “Let Me Wander Not Unseen” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 20. Air “Straight Mine Eye Hath Caught New Pleasures” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 21. Accompagnato “Mountains, on Whose Barren Breast” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 22. Air & Chorus “Or Let the Merry Bells Ring Round” (L’Allegro, Chorus)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 9. Accompagnato & Chorus “There, Held in Holy Passion” (Il Penseroso, Chorus)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 10. Recitative “Hence, Loathed Melancholy!” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 11. Air “Mirth, Admit Me of Thy Crew” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 14. Recitative “If I Give Thee Honour Due” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 15. Air “Mirth, Admit Me of Thy Crew” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 16. Air “Oft on a Plat of Rising Ground” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 3. Air “Come, Thou Goddess Fair and Free” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 4. Air “Come Rather, Goddess, Sage and Holy” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 5. Air & Chorus “Haste Thee, Nymph, and Bring” (L’Allegro, Chorus)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 6. Air & Chorus “Come and Trip It as You Go” (L’Allegro, Chorus)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 7. Accompagnato “Come, Pensive Nun, Devout” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part III, no. 41. Air “Come, With Native Lustre Shine” (Il Moderato)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part III, no. 42. Accompagnato & Chorus “Sweet Temp’rance” (Il Moderato, Chorus)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part III, no. 43. Air “Come, With Gentle Hand Restrain” (Il Moderato)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part III, no. 44. Recitative “No More Short Life They Then Will Spend” (Il Moderato)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part III, no. 45. Air “Each Action Will Derive New Grace” (Il Moderato)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part III, no. 47. Chorus “Thy Pleasures, Moderation, Give” (Chorus)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 35. Recitative “But Let My Due Feet Never Fail” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 36. Chorus “There Let the Pealing Organ Blow” (Chorus, Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 37. Air “May at Last My Weary Age” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 38. Fugue. Organo ad libitum
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 39. Chorus “These Pleasures, Melancholy, Give” (Il Penseroso, Chorus)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part III, no. 40. Accompagnato “Hence! Boast Not, Ye Profane” (Il Moderato)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 29. Accompagnato “Me, When the Sun Begins to Fling” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 30. Air “Hide Me From Day’s Garish Eye” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 31. Air “I’ll to the Well-Trod Stage Anon” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 32. Air “And Ever Against Eating Cares” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 33. Air “Orpheus’ Self May Heave His Head” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 34. Air & Chorus “These Delights If Thou Canst Give” (L’Allegro, Chorus)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 23. Accompagnato “Henve, Vain Deluding Joys” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 8. Air “Come, but Keep Thy Wonted State” (Il Penseroso)
(1740)
-
Love’s but the frailty of the mind, HWV 218
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part III, no. 46. Duet “As Steals the Morn Upon the Night” (Il Moderato)
(1740)
-
Hornpipe in D major, HWV 356
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 12. Accompagnato “First, and Chief, on Golden Wing” (Il Penseroso)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 1. Accompagnato “Hence, Loathed Melancholy” (L’Allegro)
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 2. Accompagnato “Hence, Vain Delugind Joys” (Il Penseroso)
(1740)
-
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: I. Andante
(1740)
-
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: II. Andante
(1740)
-
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: III. Largo e piano
(1740)
-
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306: IV. Bourée: Allegro
(1740)
-
Yes, I'm in love, HWV 228 no. 24
(1740)
-
The Death of the Stag: When Phoebus the tops of the Hills does adorn, HWV 228 no. 21
(1740)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 13. Air “Sweet Bird” (Il Penseroso)
(1740)
-
6 Organ Concertos, op. 7, HWV 306-311
(1740 - 1749)
-
Samson, HWV 57
(29 Sep 1741 - 29 Oct 1741)
-
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
(1741)
-
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
(1741)
-
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor)
(1741)
-
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)
(1741)
-
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
(1741)
-
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
(1741)
-
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
(1741)
-
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano)
(1741)
-
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”
(1741)
-
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
(1741)
-
Messiah, HWV 56: Part I, no. 1. Symphony
(1741)
-
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
(1741)
-
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
(1741)
-
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify”
(1741)
-
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto)
(1741)
-
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
(1741)
-
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
(1741)
-
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor)
(1741)
-
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
(1741)
-
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
(1741)
-
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano)
(1741)
-
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
(1741)
-
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor)
(1741)
-
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor)
(1741)
-
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
(1741)
-
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
(1741)
-
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass)
(1741)
-
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs”
(1741)
-
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes”
(1741)
-
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
(1741)
-
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
(1741)
-
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus)
(1741)
-
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass)
(1741)
-
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor)
(1741)
-
Der Messias
(1741)
-
Der Messias: Part II
(1741)
-
Der Messias: Part I
(1741)
-
Der Messias: Part III
(1741)
-
Messiah
(1741)
-
Messiah, HWV 56
(1741)
-
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
(1741)
-
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder”
(1741)
-
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him”
(1741)
-
Samson, HWV 57, Pt. 1: Air. Total Eclipse! (Samson)
(1741)
-
Marche in G major, HWV 418
(1741)
-
Ouverture in D major, HWV 424 "Fitzwilliam"
(1741)
-
Messiah, HWV 56: Part I
(1741)
-
Messiah, HWV 56: Part II
(1741)
-
Messiah, HWV 56: Part III
(1741)
-
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
(1741)
-
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto)
(1741)
-
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
(1741)
-
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
(1741)
-
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano)
(1741)
-
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…”
(1741)
-
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
(1741)
-
Messiah: Sinfonia Pastoral
(1741)
-
Messiah, HWV 56
(1741)
-
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”
(1741)
-
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
(1741)
-
Messiah, HWV 56: Part I, no. 12. Chorus “For Unto us a Child is Born”
(1741)
-
The Messiah: Hallelujah Chorus
(1741)
-
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
(1741)
-
Messiah, HWV 56: Part III, no. 45. Air “I Know That my Redeemer Liveth” (Soprano)
(1741)
-
Caro autor di mia doglia, HWV 182b
(1742)
-
Semele, HWV 58
(03 Jun 1743 - 04 Jul 1743)
-
Te Deum "Dettingen", HWV 283
(17 Jun 1743 - 29 Jul 1743)
-
Joseph and his Brethren, HWV 59
(26 Aug 1743 - 12 Sep 1743)
-
The King Shall Rejoice, HWV 265: IV. And Why? Because the King Putteth His Trust in the Lord
(1743)
-
The King Shall Rejoice, HWV 265: V. We Shall Rejoice in Thy Salvation
(1743)
-
The King Shall Rejoice, HWV 265
(1743)
-
Hunting Song or The morning is charming, HWV 226
(1743)
-
Te Deum, HWV 283: XVI. And We Worship Thy Name
(1743)
-
Te Deum, HWV 283: XVII. Vouchsafe, o Lord
(1743)
-
Te Deum, HWV 283: XVIII. O Lord, in Thee Have I Trusted
(1743)
-
The King Shall Rejoice, HWV 265: I. The King Shall Rejoice
(1743)
-
The King Shall Rejoice, HWV 265: II. His Honour Is Great
(1743)
-
The King Shall Rejoice, HWV 265: III. Thou Shalt Give Him Everlasting Felicity
(1743)
-
Te Deum, HWV 283: X. Thou Didst Open the Kingdom of Heaven
(1743)
-
Te Deum, HWV 283: XI. Thou Sittest at the Right Hand of God
(1743)
-
Te Deum, HWV 283: XII. Adagio
(1743)
-
Te Deum, HWV 283: XIII. We Therefore Pray Thee
(1743)
-
Te Deum, HWV 283: XIV. Make Them to Be Number'd
(1743)
-
Te Deum, HWV 283: XV. Day by Day We Magnify Thee
(1743)
-
Te Deum, HWV 283: IV. To Thee Cherubin and Seraphim
(1743)
-
Te Deum, HWV 283: V. To Glorious Company of Th'Apostles
(1743)
-
Te Deum, HWV 283: VI. Thine Honourable, True, and Only Son
(1743)
-
Te Deum, HWV 283: VII. Thou Art the King of Glory
(1743)
-
Te Deum, HWV 283: VIII. When Thou Tookest Upon Thee
(1743)
-
Te Deum, HWV 283: IX. When Thou Hadst Overcome the Sharpness of Death
(1743)
-
Organ Concerto in A major, op. 7 no. 2, HWV 307: II. A tempo ordinario
(1743)
-
Organ Concerto in A major, op. 7 no. 2, HWV 307: III. Adagio (organo ad libitum)
(1743)
-
Organ Concerto in A major, op. 7 no. 2, HWV 307: IV. Allegro
(1743)
-
Te Deum, HWV 283: I. We Praise Thee, o God
(1743)
-
Te Deum, HWV 283: II. All the Earth Does Worship Thee
(1743)
-
Te Deum, HWV 283: III. To Thee All Angels Cry Aloud
(1743)
-
Semele, HWV 58: Act II, no. 32. "Hear, mighty queen, while I recount" (Iris)
(1743)
-
Semele, HWV 58: Act II, no. 34. "Hence, Iris, hence away" (Juno)
(1743)
-
Semele, HWV 58: Act II, no. 35. "Oh sleep, why dost thou leave me?" (Semele)
(1743)
-
Semele, HWV 58: Act II, no. 45. "Where'er You Walk" (Jupiter)
(1743)
-
Semele, HWV 58: Act II
(1743)
-
Organ Concerto in A major, op. 7 no. 2, HWV 307: I. Ouverture
(1743)
-
Semele, HWV 58: Act II, no. 31. "Awake, Saturnia, from thy lethargy!" (Juno)
(1743)
-
Menuet in D major, HWV 421
(1743 - 1744)
-
Menuet in D major, HWV 420
(1743 - 1744)
-
Organ Concerto, pasticcio, in A major, HWV 296b
(1743 - 1746)
-
Hercules, HWV 60: Act I, no. 11: Aria "Where congealed the northern streams" (Hyllus)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 12: Chorus: "O filial piety! O generous love!"
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 13: Recitativo "Banish your fears! The noble" (Hercules, Lichas, Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 15: Recitativo "A train of captives, red with honest wounds" (Lichas, Hyllus, Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 16: March
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 17: Recitativo "Thanks to the powers above" (Hercules, Iole)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 2: Recitativo accompagnato "See with what sad dejection" (Lichas)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 3: Aria "No longer, Fate, relentless frown" (Lichas)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 4: Recitativo accompagnato "O Hercules! Why art thou absent from me" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 6: Recitativo "Princess! Be comforted, and hope the best" (Lichas, Dejanira, Hyllys)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 7: Aria "I feel, I feel the god" (Hyllus)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 8: Recitativo "Then I am lost! O dreadful oracle!" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 52: Recitativo "Princess, rejoice! Whose heaven heaven-directed hand" (Priest of Jupiter, Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 53: Recitativo "Words are too faint to speak the warring passions" (Dejanira, Priest, Hyllus, Iole)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 40: Recitativo "Father of Hercules, great Jove, O help" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 42: Sinfonia
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 43: Recitativo "Ye sons of Trachin, mourn your valiant chief" (Lichas)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 44: Aria "O scene of unexampled woe" (Lichas)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 45: Chorus "Tyrants now no more shall dread"
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 46: Recitativo accompagnato "O Jove! What land is this, what clime accurst" (Hercules)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 32: Recitativo "Yes, I congratulate your titles, swelled" (Dejanira, Hercules)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 34: Recitativo "O glorious pattern of heroic dees!" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 36: Recitativo "You are deceived! Some villainhas belied Hercules" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 37: Aria "Cease, rules of the day, to rise" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 38: Recitativo "Some kinder power inspire me to regain" (Dejanira, Lichas, Iole)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 39: Duet "Joys of freedom, joys of power" (Dejanira, Iole)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 26: Aria "Ah! I think what ills the jealous prove" (Iole)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 27: Recitativo "It is too sure that Hercules is false" (Dejanira, Lichas)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 28: Chorus "Jealousy! Infernal pest"
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 29: Recitativo "She knows my passion, and has heard me breathe" (Hyllus, Iole)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 30: Aria "From celestial seats descending" (Hyllus)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 31: Chorus "Wanton God of amorous fires"
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 18: Aria "My father! Ah! Methinks I see" (Iole)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 19: Recitativo "Now farewell, arms! From hence the tide of time" (Hercules)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 21: Chorus "Crown with festal pomp the day"
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 22: Aria "How blest the maid ordained to dwell" (Iole)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 23: Recitativo "It must be so! Fame speaks aloud my wrongs" (Dejanira, Iole)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 25: Recitavio "Whence this unjust suspicion?" (Iole)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 49: Recitativo accompagnato "Where shall I fly? Where hide this quilty head?" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 1: Overtura
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 20: Aria "The god of battle quits the bloody field" (Hercules)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 24: Aria "When beauty sorrow's livery wears" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 33: Aria "Alcides' name in latest story" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 35: Aria "Resign thy club and lion's spoils" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act II, no. 41: Chorus "Love and Hymen, hand in hand"
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 55: Recitativo "Ye sons of freedom, now in every clime" (Priest)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 54: Duet "O prince, whose virtues all admire" (Iole, Hyllus)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 56: Chorus "To him your grateful notes of praise belong"
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 5: Aria "The world, when day's career is run" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 9: Aria "There in myrtle shades reclined" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 10: Recitativo "Despair not! But let rising hope suspend" (Hyllus)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act I, no. 14: Aria "Begone my fears, fly hence, away" (Dejanira)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 47: Recitativo "Great Jove! Relieve his pains!" (Hyllus, Hercules)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 48: Aria "Let not fame the tidings spread" (Hyllus)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 50: Recitativo "Lo! The fair fatal cause of all this ruin! (Dejanira, Iole)
(Jul 1744 - Aug 1744)
-
Hercules, HWV 60: Act III, no. 51: Aria "My breast with tender pity swells" (Iole)
(Jul 1744 - Aug 1744)
-
Belshazzar, HWV 61: Act II, no. 28. Arie "Kränzet den Becher rings im Kreis" (Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act II, no. 29. Accompagnato "Wo ist der Gott, dess Allmacht Juda rühmt?" (Belshazzar, Choir)
(1744)
-
Belshazzar, HWV 61: Act II, no. 29a. Recitative "Ruft meine Weisen" (Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act II, no. 30a. Recitative "Ihr Weisen" (Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act II, no. 31. Trio "O Herr, unmöglich ist, was du begeherst"
(1744)
-
Belshazzar, HWV 61: Act II, no. 22. Semi-Choir "Wie, falscher Euphrat, deine Stadt"
(1744)
-
Belshazzar, HWV 61: Act II, no. 23. Semi-Choir "Die Pflicht erfüllte treu der Fluss"
(1744)
-
Belshazzar, HWV 61: Act II, no. 24. Choir "O stolzer Mensch, gesteh' es ein"
(1744)
-
Belshazzar, HWV 61: Act II, no. 24a. Recitative "Ihr seht es, Freunde" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act II, no. 25. Arie "Erstarrt, so nah den Feind zu seh'n" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act II, no. 26. Choir "Voran, voran"
(1744)
-
Belshazzar, HWV 61: Act I, no. 20. Choir of the Jews "Allmählich steigt Jehovas Zorn"
(1744)
-
Belshazzar, HWV 61: Act II
(1744)
-
Belshazzar, HWV 61: Act II, no. 21. Choir "Seht, wie schnell der Euphrat flieht"
(1744)
-
Belshazzar, HWV 61: Act 2, no. 22. Semi-Chorus "Why, faithless river"
(1744)
-
Belshazzar, HWV 61: Act 2, no. 23. Semi-Chorus "Euphrates has his task fullfill'd"
(1744)
-
Belshazzar, HWV 61: Act 2, no. 24. Chorus "Oh things on earth, proud man must own"
(1744)
-
Belshazzar, HWV 61: Act I, no. 16a. Recitative "Für euch, o Freunde" (Belshazzar, Nitocris)
(1744)
-
Belshazzar, HWV 61: Act I, no. 17. Arie "Das falbe Laub" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act I, no. 17a. Recitative "Dies ist die Sitte" (Belshazzar, Nitocris)
(1744)
-
Belshazzar, HWV 61: Act I, no. 18. Choir of the Jews "Verwirf', o Herr"
(1744)
-
Belshazzar, HWV 61: Act I, no. 18a. Recitative "Sie reden wahr" (Nitocris, Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act I, no. 19. Duet "O meines Lebens Lust" (Nitocris, Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act I, no. 13. Accompagnato "Sei freudig, o mein Volk" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 3, Recitativo "For long ago, whole ages ere this Cyrus" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act I, no. 13a. Accompagnato "For long ago, whole ages ere this Cyrus" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act I, no. 14. Recitative "So sprach der Herr zu Cyrus" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act I, no. 15. Choir "Singt, Himmel singt"
(1744)
-
Belshazzar, HWV 61: Act I, no. 16. Arie "Ein freudig Fest" (Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act I, no. 9. Arie "O schau den Wüstling" (Gobrias)
(1744)
-
Belshazzar, HWV 61: Act I, no. 9a. Recitative "Befremdet's dich denn so" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act I, no. 10. Arie "Du Gott! Der, mir nur fern bekannt" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act I, no. 10a. Recitative "Freunde, habt Zuversicht" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act I, no. 11. Choir "Die Reiche stehn in Gottes Rat"
(1744)
-
Belshazzar, HWV 61: Act I, no. 12. Arie "O Heil'ges Buch" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act I, no. 5. Accompagnato "O wecke mir nicht diesen bitteren Schmerz" (Gobrias)
(1744)
-
Belshazzar, HWV 61: Act I, no. 6. Accompagnato "Gebeugt von unheilbarem Schmerz" (Gobrias)
(1744)
-
Belshazzar, HWV 61: Act I. no. 7. Arie "Still' der eitlen Tränen Flut" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act I, no. 7a. Recitative "Ermanne dich" (Cyrus, Gobrias)
(1744)
-
Belshazzar, HWV 61: Act I, no. 8. Accompagnato "Mir schien, dass am Gestad' des großen Euphrat" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act I, no. 8a. Recitative "Nun sage, Gobrias, strömet dieser Euphrat" (Cyrus, Gobrias)
(1744)
-
Belshazzar, HWV 61: Act I, no. 2a. Recitative "Das Schicksal Babylons" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 1, Recitativo "O much belov'd of God and man!" (Nitocris, Daniel)
(1744)
-
Belshazzar, HWV 61: Act I, no. 2b. Recitative "Geliebter du bei Gott und Menschen" (Nitocris, Daniel)
(1744)
-
Belshazzar, HWV 61: Act I, no. 3. Arie "Wehlage nicht im eitlem Schmerz" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act I, no. 4. Choir "Da seht, wie Persiens junger Held"
(1744)
-
Belshazzar, HWV 61: Act I, no. 4a. Recitative "Uns gilt ihr Hohn" (Gobrias, Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 3, Accompagnato "Yes, I will build thy city" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 3, Soli & Chorus "I will magnify thee" (Daniel, Nitocris, Chorus)
(1744)
-
Belshazzar, HWV 61
(1744)
-
Belshazzar, HWV 61: Act I
(1744)
-
Belshazzar, HWV 61: Act I, no. 1a. Accompagnato "Ach, unstet eitles Los" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act I, no. 2. Arie "Du, Gott der Höh'" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 3, Air "To pow'r immortal my first thanks" (Gobrias)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 3, Recitativo "Be it thy care, good Gobrias" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 3, Air "Destructive War, thy limits know" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 3, Duet "Great victor, at your feet I bow" (Nitocris, Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 3, Recitativo "Say, venerable prophet" (Cyrus, Daniel)
(1744)
-
Belshazzar, HWV 61: Act III, no. 48. Soloist & Choir "Kündet überall den Heiden"
(1744)
-
Belshazzar, HWV 61: Act III, no. 49. Accompagnato "Ja, ich bau'deine Stadt dir" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act III, no. 50. Soloist & Choir "Sei von mir gepriesen" (Daniel, Nitocris)
(1744)
-
Belshazzar, HWV 61: Act III, no. 43. Air "Ich danke, Sesach" (Belsazar)
(1744)
-
Belshazzar, HWV 61: Act III, no. 45. Air "Den ew'gen Mächten sei der der erste Dank" (Gobrias)
(1744)
-
Belshazzar, HWV 61: Act III, no. 46. Air "Zerstör'nder Krieg, hier ist dein Ziel" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act III, no. 45a. Recitative "Suche nun eilig" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act III, no. 47. Duet "O Held, gebeugt siehst du mich nah'n" (Nitocris, Cyrus)
(1744)
-
Belshazzar, HWV 61: Act III, no. 47a. Recitative "Sprich, ehrwürdiger Seher" (Cyrus, Daniel)
(1744)
-
Belshazzar, HWV 61: Act III
(1744)
-
Belshazzar, HWV 61: Act III, no. 40. Air "Vorahnend hofft und bangt" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act III, no. 40b. Recitative "Gern hofft'ich noch" (Nitocris, Daniel)
(1744)
-
Belshazzar, HWV 61: Act III, no. 41. Air "Lässt denn der Löwe die Natur" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act III, no. 41b. Recitative "Ich hoff' auf's neu" (Nitocris, Arioch, messenger)
(1744)
-
Belshazzar, HWV 61: Act III, no. 42. Choir of the Jews "Baal sank dahin"
(1744)
-
Belshazzar, HWV 61: Act II, no. 36. Recitative "Du, o Fürst" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act II, no. 36a. Recitative "O du allzu strenger Spruch" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act II, no. 37. Air "O blick' auf deiner Mutter Gram" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act II, no. 38. Air "O Gott des Heils" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act II, no. 38a. Recitative "Du Gobrias" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act II, no. 39. Choir "O tapfrer Fürst"
(1744)
-
Belshazzar, HWV 61: Act II, no. 32. Choir "O Missgeschick"
(1744)
-
Belshazzar, HWV 61: Act II, no. 32a. Recitative "O Herr, nicht verzage" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act II, no. 32b. Recitative "Versagt auch ihre Weisheit" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act II, no. 32d. Recitative "Bist du der Daniel aus den jud'schen Sklaven?" (Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act II, no. 33. Air & Accompagnato "Nein! Du behalte deinen Prunk" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act II, no. 34. Recitative "Doch beug' ich mich dem Machtgebot" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act II, no. 27. Choir "Ihr schützenden Götter"
(1744)
-
Belshazzar, HWV 61: Act I
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 3, "O sacred oracles of truth" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 1, Accompagnato ed Arioso "Vain, fluctuating state of human empire!" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 1, Air "Thou, God most high, and Thou alone" (Nitocris)
(1744)
-
Organ Concerto in D minor, op. 7 no. 4, HWV 309
(1744)
-
Belshazzar, HWV 61
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 3, Soli & Chorus "Tell it out among the heathen"
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 1, Recitativo "Fain would I hope" (Nitocris, Daniel)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 1, Air "Can the black Aethiop change his skin?" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 1, Recitativo "My hopes revive" (Nitocris, Arioch, Messenger)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 1, Chorus "Bel boweth down" (Jews)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 2, Air "I thank thee, Sesach" (Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 2, A Martial Symphony
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Recitativo "Alas! too hard a task the king imposes" (Wise Men)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Air "Regard, oh son, my flowing tears" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 3, Air "Oh God of Truth! oh faithful guide!" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 3, Recitativo "You, Gobrias, lead directry to the palace" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 3, Chorus "Oh glorious prince!"
(1744)
-
Belshazzar, HWV 61: Act 3, Scene 1, Air "Alternate hopes and fears" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, A Sinfony (Allegro Postillions)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Chorus "Oh misery! - oh terror! - hopeless grief!"
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Recitativo "Oh king! live for ever!" (Nitocris, Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Air "No! to thyself thy trifles be" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Accompagnato "Yet, to obey his dread command" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Recitativo "Oh sentence too severe!" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 1, Chorus "To arms, to arms! no more delay!" (Persians)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Chorus "Ye tutelar gods of our empire"
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Air "Let the deep bowl thy praise confess" (Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Accompagnato "Where is the God of Judah's boasted pow'r?" (Belshazzar, Chorus)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Recitativo "Call all my Wise Men" (Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 2, Recitativo "Ye sages! welcome always to your king" (Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 4, Duet "Oh dearer than my life, forbear!" (Nitocris, Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 4, Chorus "By slow degrees the wrath of God" (Jews)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Accompagnato "Methought, as on the bank of deep Euphrates" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 1, Chorus "See, from his post Euphrates flies!"
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 1, Recitativo "You see, my friends, a path" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 2, Scene 1, Air "Amaz'd to find the foe so near" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 4, Air "Let festal joy triumphant reign!" (Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 4, Recitativo "For you, my friends" (Belshazzar, Nitocris)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 4, Air "The leafy honours of the field" (Nitocris)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 4, Recitativo "It is the custom, I may say, the law" (Belshazzar, Nitocris)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 4, Chorus "Recall, oh king! thy rash command" (Jews)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 4, Recitativo "They tell you true" (Nitocris, Belshazzar)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Air "Great God! who, yet but darkly known" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Recitativo "My friends, be confident" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Chorus "All empires upon God depend"
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 3, Accompagnato "Rejoice, my countrymen"
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 3, Chorus, "Sing, oh ye heav'ns!"
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 3, Air "Thus saith the Lord to Cyrus" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Air "Opprest with never-ceasing grief" (Gobrias)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Air "Dry thoes unavailing tears" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Recitativo "Be comforted: safe though the tyrant seem" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Recitativo "Now, tell me, Gobrias" (Cyrus, Gobrias)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Air "Behold the monstrous human beast" (Gobrias)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Recitativo "Can you then think it strange" (Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 1, Recitativo "The fate of Babylon, I fear, is nigh" (Nitocris, Daniel)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 1, Air "Lament not thus, oh Queen, in vain!" (Daniel)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Chorus "Behold, by Persia's hero made" (Babylonians)
(1744)
-
Belshazzar, HWV 61: Overture, Maestoso - Allegro
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Recitativo "Well may they laugh" (Gobrias, Cyrus)
(1744)
-
Belshazzar, HWV 61: Act 1, Scene 2, Accompagnato "Oh memory! Still bitter to my soul" (Gobrias)
(1744)
-
Belshazzar, HWV 61: Act II
(1744)
-
Belshazzar, HWV 61: Act III
(1744)
-
Hallelujah...amen, HWV 277
(1744 - 1747)
-
Amen...hallelujah, HWV 276
(1744 - 1746)
-
Fronda leggiera e mobile, HWV 186
(1745)
-
Stand round, my brave boys, HWV 228 no. 18
(1745)
-
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out”
(1745)
-
The Occasional Oratorio, HWV 62
(Jan 1746 - Feb 1746)
-
The Occasional Oratorio, HWV 62: Act I
(Jan 1746 - Feb 1746)
-
The Occasional Oratorio, HWV 62: Act II
(Jan 1746 - Feb 1746)
-
The Occasional Oratorio, HWV 62: Act III
(Jan 1746 - Feb 1746)
-
The Occasional Oratorio, HWV 62: Act III. Symphony. A tiempo giusto
(Jan 1746 - Feb 1746)
-
The Occasional Oratorio, HWV 62: Act III. Symphony. Musette
(Jan 1746 - Feb 1746)
-
The Occasional Oratorio, HWV 62: Act III. “Who Is Like Unto Thee, O Lord?”
(Jan 1746 - Feb 1746)
-
The Occasional Oratorio, HWV 62: Overture
(Jan 1746 - Feb 1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 38: Aria "How vain is man who boasts in fight" (Judas Maccabaeus)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 44: "My arms! against this Gorgias will I go" (Judas Maccabaeus)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 56. “So Shall the Lute and Harp Awake” (Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
(1746)
-
Canticorum jubilo
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 45: Air "Sound an alarm!" (Judas Maccabaeus)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 20: Chorus "Lead on, lead on! Judah disdains" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 21: Recitative "So will'd my father" (Judas Maccabaeus)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 22: Semi-Chorus "Disdainful of danger, we'll rush on the foe" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 23: Recitative "Ambition! If e'er honour" (Judas Maccabaeus)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 24: Air "No unhallow'd desire" (Judas Maccabaeus)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 26: Recitative "Haste we, my brethren" (Israelitish Man)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 14: Recitative "To heav'n's almighty King" (Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 15: Air "O liberty, thou choicest treasure" (Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 16: Air "Come, ever-smiling liberty" (Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 17: Recitative "O Judas, may these noble views" (Israelitish Man)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 18: Air "'Tis liberty, dear liberty alone" (Israelitish Man)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 19: Duet "Come, ever-smiling liberty" (Israelitish Man, Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 7: Air "Pious orgies, pious airs" (Israelitish Man)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 8: Chorus "O Father, whose almighty pow'r" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 9: Recitative "I feel, I feel the Deity within" (Simon)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 10: Air "Arm, arm, ye brave!" (Simon)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 12: Recitative "'Tis well, my friends" (Judas Maccabaeus)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 13: Air "Call forth thy pow'rs, my soul" (Judas Maccabaeus)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 59: March
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 2: Chorus "Mourn, ye afflicted children" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 3: Recitative "Well, may your sorrows" (Israelitish Man, Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 4: Duet "From this dread scene" (Israelitish Man, Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 5: Chorus "For Sion lamentation make" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 6: Recitative "Not vain is all this storm" (Israelitish Man)
(1746)
-
Judas Maccabaeus, HWV 63
(1746)
-
Judas Maccabaeus, HWV 63: Act III
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 37: "Thanks to my brethren" (Judas Maccabaeus)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 32: Chorus "Sion now her head shall raise" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 54: Recitative "See, see yon flames" (Israelitish Man)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 57: Recitative "From Capharsalama on eagle wings" (Messengers)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 60: Chorus "Sing unto God, and high affections raise" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 61: Recitative "Sweet flow the strains" (Judas Maccabaeus)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 62: Air "With honour let desert be crown'd" (Judas Maccabaeus)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 63: Recitative "Peace to my countrymen" (Eupolemus)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 43: Air "The Lord worketh wonders" (Simon)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 47: Recitative "Enough! To Heav'n we leave the rest" (Simon)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 48: Air "With pious hearts, and brave as pious" (Simon)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 49: Recitative "Ye worshippers of God" (Israelitish Man, Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 50: Air "Wise men, flatt'ring, may deceive" (Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 51. Duet "Oh! Never, never bow we down" (Israelitish Man, Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 33: Recitative "Oh, let eternal honours crown" (Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 34: Air "From mighty kings he took" (Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 36: Chorus "Hail, hail Judea" (Israelitish Man, Israelitish Woman, Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 39: Recitative "O Judas, o my brethren!" (Messenger)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 40: Air "Ah! wretched Israel!" (Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 42: Recitative "Be comforted, nor think these plagues" (Simon)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 26: Chorus "Hear us, O Lord, on Thee we call" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 27: Chorus "Fall'n is the foe; so fall Thy foes" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 28: Recitative "Victorious hero! Fame shall tell" (Israelitish Man)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 29: Air "So rapid thy course is" (Israelitish Man)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 30: Recitative "Well may we hope our freedom" (Israelitish Man)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 31: Duet " Sion now" (Israelitish Man, Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 53: Air "Father of Heav'n" (Priest)
(1746)
-
Judas Maccabaeus, HWV 63: No. 1: Overture
(1746)
-
From scourging rebellion, HWV 228 no. 9
(1746)
-
Who to win a Woman's favour, HWV 228 no. 22
(1746)
-
Organ Concerto in D minor, HWV 304
(1746)
-
Organ Concerto in D minor, HWV 304: I. Andante
(1746)
-
Organ Concerto in D minor, HWV 304: II. Organo ad libitum
(1746)
-
Organ Concerto in D minor, HWV 304: III. Allegro
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 52: Chorus "We never, never will bow down" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 46: Chorus "We hear, we hear the pleasing dreadful call" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 41 Chorus "Ah, wretched, wretched Israel!" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act II, no. 35: Duet "Hail, hail, Judea, happy land" (Israelitish Woman, Israelitish Man)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 68: Chorus "Hallelujah! Amen" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 55: Recitative "O grant it, Heav'n, that our long woes may cease (Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 64: Chorus "To our great God be all the honour giv'n" (Chorus)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 65: Recitative "Again to earth let gratitude" (Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 66: Air "O lovely peace" (Israelitish Woman)
(1746)
-
Judas Maccabaeus, HWV 63: Act III, no. 67: Air "Rejoice, oh Judah!" (Simon)
(1746)
-
Judas Maccabaeus, HWV 63: Act I, no. 11: Chorus "We come, we come, in bright array" (Chorus)
(1746)
-
Menuet in G major, HWV 423
(1746 - 1747)
-
Menuet in G major, HWV 422
(1746 - 1747)
-
La Marche in D major, HWV 417
(1746 - 1747)
-
Alexander Balus, HWV 65: Act I
(01 Jun 1747 - 04 Jul 1747)
-
Alexander Balus, HWV 65: Act II
(01 Jun 1747 - 04 Jul 1747)
-
Alexander Balus, HWV 65: Act III
(01 Jun 1747 - 04 Jul 1747)
-
Alexander Balus, HWV 65: Act III. “Shall Cleopatra Ever Smile Again?”
(01 Jun 1747 - 04 Jul 1747)
-
Alexander Balus, HWV 65: Act III. “To God Who Made the Radiant Sun”
(01 Jun 1747 - 04 Jul 1747)
-
Alexander Balus, HWV 65
(01 Jun 1747 - 04 Jul 1747)
-
Joshua, HWV 64: Act III, no. 56. "Oh! had I Jubal's lyre" (Achsah)
(19 Jul 1747 - 19 Aug 1747)
-
Joshua, HWV 64
(19 Jul 1747 - 19 Aug 1747)
-
Joshua, HWV 64: Act III
(19 Jul 1747 - 19 Aug 1747)
-
Joshua, HWV 64: Act I, no. 10. "While Kedron's brook to Jordan's stream"
(19 Jul 1747 - 19 Aug 1747)
-
Joshua, HWV 64: Act II
(19 Jul 1747 - 19 Aug 1747)
-
Joshua, HWV 64: Act I
(19 Jul 1747 - 19 Aug 1747)
-
Joshua, HWV 64: Act II, no. 30. "To vanity and earthly pride" (Achsah)
(19 Jul 1747 - 19 Aug 1747)
-
Joshua, HWV 64: Act III, no. 56. "The great Jehovah is our awful theme" (Chorus)
(19 Jul 1747 - 19 Aug 1747)
-
Concerto a due cori no. 1 in B-flat major, HWV 332: VII. Minuet
(1747 - 1748)
-
Concerto a due cori no. 1 in B-flat major, HWV 332
(1747 - 1748)
-
Concerto a due cori no. 2 in F major, HWV 333: I. Pomposo
(1747 - 1748)
-
Concerto a due cori no. 2 in F major, HWV 333: II. Allegro
(1747 - 1748)
-
Concerto a due cori no. 2 in F major, HWV 333: III. A tempo giusto
(1747 - 1748)
-
Concerto a due cori no. 1 in B-flat major, HWV 332: I. Ouverture
(1747 - 1748)
-
Concerto a due cori no. 1 in B-flat major, HWV 332: II. Allegro ma non troppo
(1747 - 1748)
-
Concerto a due cori no. 1 in B-flat major, HWV 332: III. Allegro
(1747 - 1748)
-
Concerto a due cori no. 1 in B-flat major, HWV 332: IV. Largo
(1747 - 1748)
-
Concerto a due cori no. 1 in B-flat major, HWV 332: V. A tempo ordinario
(1747 - 1748)
-
Organ Concerto in F major, HWV 305a: I. Ouverture
(1747 - 1748)
-
Organ Concerto in F major, HWV 305a: II. Allegro
(1747 - 1748)
-
Organ Concerto in F major, HWV 305a: III. Andante
(1747 - 1748)
-
Organ Concerto in F major, HWV 305a: IV. Andante allegro
(1747 - 1748)
-
Concerto a due cori no. 3 in F major, HWV 334: III. Allegro ma non troppo
(1747 - 1748)
-
Concerto a due cori no. 3 in F major, HWV 334: IV. Adagio
(1747 - 1748)
-
Concerto a due cori no. 3 in F major, HWV 334: V. Andante larghetto
(1747 - 1748)
-
Concerto a due cori no. 3 in F major, HWV 334: VI. Allegro
(1747 - 1748)
-
Concerto a due cori no. 3 in F major, HWV 334
(1747 - 1748)
-
Organ Concerto in F major, HWV 305a
(1747 - 1748)
-
Concerto a due cori no. 2 in F major, HWV 333: IV. Largo
(1747 - 1748)
-
Concerto a due cori no. 2 in F major, HWV 333: V. Allegro ma non troppo
(1747 - 1748)
-
Concerto a due cori no. 2 in F major, HWV 333: VI. A tempo ordinario
(1747 - 1748)
-
Concerto a due cori no. 2 in F major, HWV 333
(1747 - 1748)
-
Concerto a due cori no. 3 in F major, HWV 334: I. Ouverture
(1747 - 1748)
-
Concerto a due cori no. 3 in F major, HWV 334: II. Allegro
(1747 - 1748)
-
Concerto a due cori no. 1 in B-flat major, HWV 332: VI. Alla breve moderato
(1747 - 1748)
-
Ouverture for solo keyboard in F minor, HWV 305b: I. Overture
(1747)
-
Ouverture for solo keyboard in F minor, HWV 305b: II. Allegro
(1747)
-
Ouverture for solo keyboard in F minor, HWV 305b: III. Andante
(1747)
-
Ouverture for solo keyboard in F minor, HWV 305b: IV. Marche. Allegro
(1747)
-
O Love Divine, How Sweet Thou Art (Desiring to Love), HWV 285
(1747)
-
Rejoice, the Lord Is King (On the Resurrection), HWV 286
(1747)
-
Ouverture for solo keyboard in F minor, HWV 305b
(1747)
-
Marche for Fife in D major, HWV 415
(1747)
-
Marche for Fife in C major, HWV 414
(1747)
-
Ouverture for solo keyboard in F minor, HWV 305b
(1747)
-
Sinners Obey the Gospel Word (The Invitation), HWV 284
(1747)
-
Solomon, HWV 67
(03 May 1748 - 13 Jun 1748)
-
Susanna, HWV 66
(11 Jul 1748 - 24 Aug 1748)
-
Solomon, HWV 67: Act III. Recitative "From Arabia's spicy shores" (Queen of Sheba, Solomon)
(1748)
-
Solomon, HWV 67: Act III. Air "Ev'ry sight these eyes behold (Queen of Sheba)
(1748)
-
Solomon, HWV 67: Act III. Recitative "Sweep, sweep the string" (Solomon)
(1748)
-
Solomon, HWV 67: Act III. "Music, spread thy voice around" (Solomon, Chorus)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Air "Can I see my infant gor'd" (1st Harlot)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Accompagnato "Israel, attend" (Solomon)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Duet "Thrice bless'd be the king" (1st Harlot, Solomon)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Chorus "From the east unto the west" (Chorus)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Recitative "From morn to eve" (Zadok)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Air "See the tall palm" (Zadok)
(1748)
-
Solomon, HWV 67: Act II, Scene I. Air "Thrice bless'd that wise discerning king" (Levite)
(1748)
-
Solomon, HWV 67: Act II, Scene II. Recitative "My sovereign liege" (Solomon, 1st Harlot)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Trio "Words are weak" (1st Harlot, 2nd Harlot, Solomon)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Recitative "What says the other" (Solomon, 2nd Harlot)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Air "Thy sentence, great king" (2nd Harlot)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Recitative "Withhold, withhold the executing hand!" (1st Harlot)
(1748)
-
Solomon, HWV 67: Act I, Scene II: "Search round the world" (Zadok)
(1748)
-
Solomon, HWV 67: Act I, Scene II. Chorus "May no rash intruder" (Chorus)
(1748)
-
Solomon, HWV 67: Act II, Scene I. Chorus "From the censer" (Chorus)
(1748)
-
Solomon, HWV 67: Act II, Scene I. Recitative "Prais'd be the Lord" (Solomon)
(1748)
-
Solomon, HWV 67: Act II, Scene I. Air "When the sun o'er yonder hills" (Solomon)
(1748)
-
Solomon, HWV 67: Act II, Scene I. Recitative "Great prince" (Levite)
(1748)
-
Solomon, HWV 67: Act I, Scene II. Recitative "Vain are the transient beauties" (Zadok)
(1748)
-
Solomon, HWV 67: Act I, Scene II. Air "Indulge thy faith" (Zadok)
(1748)
-
Solomon, HWV 67: Act I, Scene II. Recitative "My blooming fair" (Solomon)
(1748)
-
Solomon, HWV 67: Act I, Scene II. Air "Haste to the cedar grove" (Solomon)
(1748)
-
Solomon, HWV 67: Act I, Scene II. Recitative "When thou art absent" (Queen)
(1748)
-
Solomon, HWV 67: Act I, Scene II. Air "With thee th'unshelter'd moor l'd tread" (Queen)
(1748)
-
Solomon, HWV 67: Act I, Scene I. Chorus "Throughout the land" (Chorus)
(1748)
-
Solomon, HWV 67: Act III. Recitative "May peace in Salem ever dwell" (Queen of Sheba)
(1748)
-
Solomon, HWV 67: Act III. Recitative "Adieu, fair queen" (Solomon)
(1748)
-
Solomon, HWV 67: Act III. Duet "Ev'ry joy that wisdom knows" (Queen of Sheba, Solomon)
(1748)
-
Solomon, HWV 67: Act III. Chorus "The name of the wicked" (Chorus)
(1748)
-
Solomon, HWV 67: Act III. Air "Pious king" (Levite)
(1748)
-
Solomon, HWV 67: Act III. Recitative "Thrice happy king" (Zadok)
(1748)
-
Solomon, HWV 67: Act III. Air "Golden columns" (Zadok)
(1748)
-
Solomon, HWV 67: Act III. Chorus "Praise the Lord" (Chorus)
(1748)
-
Solomon, HWV 67: Act III. Recitative "Gold now is common" (Solomon)
(1748)
-
Solomon, HWV 67: Act III. Air "How green our fertile pastures look!" (Solomon)
(1748)
-
Solomon, HWV 67: Act III. "Now a diff'rent measure... Shake the dome" (Solomon, Chorus)
(1748)
-
Solomon, HWV 67: Act III. Recitative "Then at once from rage remove" (Solomon)
(1748)
-
Solomon, HWV 67: Act III. Chorus "Draw the tear from hopeless love" (Chorus)
(1748)
-
Solomon, HWV 67: Act III. Recitative "Next the tortur'd soul release" (Solomon)
(1748)
-
Solomon, HWV 67: Act III. "Thus rolling surges rise" (Solomon, Chorus)
(1748)
-
Solomon, HWV 67: Act III. Recitative "Thy harmony's divine" (Queen of Sheba)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Recitative "No more shall armed bands" (1st Harlot)
(1748)
-
Solomon, HWV 67: Act II, Scene III. Chorus "Swell, swell the full chorus" (Chorus)
(1748)
-
Solomon, HWV 67: Act I, Scene I. Recitative "Bless'd be the Lord" (Solomon)
(1748)
-
Solomon, HWV 67: Act I, Scene I. Air "What though I trace" (Solomon)
(1748)
-
Solomon, HWV 67: Act I, Scene II. Recitative "And see my Queen" (Solomon)
(1748)
-
Solomon, HWV 67: Act I, Scene II. Air "Bless'd the day" (Queen)
(1748)
-
Solomon, HWV 67: Act I, Scene II. Recitative "Thou fair inhabitant of Nile" (Solomon, Queen)
(1748)
-
Solomon, HWV 67: Act I, Scene I. Chorus "Your harps and cymbals" (Chorus)
(1748)
-
Solomon, HWV 67: Act I, Scene I. Air "Praise ye the Lord" (Levite)
(1748)
-
Solomon, HWV 67: Act I, Scene I. Chorus "With pious heart" (Chorus)
(1748)
-
Solomon, HWV 67: Act I, Scene I. Accompagnato "Almighty Power" (Solomon)
(1748)
-
Solomon, HWV 67: Act I, Scene I. Recitative "Imperial Solomon" (Zadok)
(1748)
-
Solomon, HWV 67: Act I, Scene I. Air "Sacred raptures" (Zadok)
(1748)
-
Solomon, HWV 67: Act III. Air "Will the Sun Forget to Streak" (Queen)
(1748)
-
Solomon, HWV 67: Act I, Scene II. Duet "Welcome as the dawn of day" (Solomon, Queen)
(1748)
-
Solomon, HWV 67: Act I
(1748)
-
Solomon, HWV 67: Act II
(1748)
-
Solomon, HWV 67: Act III
(1748)
-
Solomon, HWV 67: Act I. Overture
(1748)
-
Fugue for String Quartet in B-flat major, Hess 36
(1748)
-
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
(1748)
-
Solomon, HWV 67: Act II, Scene III. Air "Beneath the vine" (1st Harlot)
(1748)
-
Organ Concerto in B-flat major, op. 7 no. 6, HWV 311
(1748 - 1749)
-
Concerto in D major, HWV 335a
(1748 - 1749)
-
Theodora, HWV 68
(28 Jun 1749 - 31 Jul 1749)
-
Alceste, HWV 45
(27 Dec 1749 - 08 Jan 1750)
-
Music for the Royal Fireworks: IV. Menuetto
(1749)
-
Music for the Royal Fireworks
(1749)
-
Music for the Royal Fireworks, HWV 351: Vb. Menuet II
(1749)
-
Music for the Royal Fireworks, HWV 351: Va. Menuet I
(1749)
-
First draft of the "Peace Anthem", HWV 267
(1749)
-
How Beautiful Are the Feet of Them, HWV 266
(1749)
-
Music for the Royal Fireworks, HWV 351
(1749)
-
Music for the Royal Fireworks: I. Overture
(1749)
-
Music for the Royal Fireworks: II. Alla Siciliana
(1749)
-
Music for the Royal Fireworks: III. Bourrée
(1749)
-
Music for the Royal Fireworks, HWV 351
(1749)
-
Impari del mio core, HWV 216
(1749)
-
Dell'onda instabile, HWV 214
(1749)
-
Quant'invidio tua fortuna, HWV 221
(1749)
-
Per dar pace al mio tormento, HWV 220
(1749)
-
Blessed Are They That Considereth the Poor, HWV 268
(1749)
-
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana
(1749)
-
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
(1749)
-
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
(1749)
-
Music for the Royal Fireworks, HWV 351: I. Ouverture
(1749)
-
Music for the Royal Fireworks, HWV 351: II. Bourrée
(1749)
-
Violin Sonata in D major, op. 1 no. 13, HWV 371
(1749 - 1750)
-
The Choice of Hercules, HWV 69
(28 Jun 1750 - 05 Jul 1750)
-
The Choice of Hercules, HWV 69: No. 6. Recitative "Away, mistaken wretch, away!" (Virtue)
(1750)
-
The Choice of Hercules, HWV 69: No. 7. Air "This manly youth's exalted mind" (Virtue)
(1750)
-
The Choice of Hercules, HWV 69: No. 8. Recitative "Rise, youth! exalt thyself and me!" (Virtue)
(1750)
-
The Choice of Hercules, HWV 69: No. 9. Air "Go, assert thy heav'nly race" (Virtue)
(1750)
-
The Choice of Hercules, HWV 69: No. 4. Air "There the brisk sparkling nectar drain" (Pleasure)
(1750)
-
Sonata in C major, HWV 578
(1750)
-
Menuet in G major, HWV 531
(1750)
-
The Choice of Hercules, HWV 69: No. 15. Air "Yet can I hear that dulcet lay" (Hercules)
(1750)
-
The Choice of Hercules, HWV 69: No. 2. Accompagnato "See Hercules! how smiles yon myrtle plain" (Pleasure)
(1750)
-
The Choice of Hercules, HWV 69: No. 23. Air "Lead, goddess, lead the way!" (Hercules)
(1750)
-
The Choice of Hercules, HWV 69: No. 24. Chorus "Virtue Will Place Thee in That Blest Abode"
(1750)
-
The Choice of Hercules, HWV 69: No. 1. Sinfonia
(1750)
-
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Alto)
(1750)
-
The Choice of Hercules, HWV 69: No. 17. Recitative "Oh! whither, reason, dost thou fly?" (Hercules)
(1750)
-
The Choice of Hercules, HWV 69: No. 18. Trio "Where shall I go?" (Hercules, Pleasure, Virtue)
(1750)
-
The Choice of Hercules, HWV 69: No. 19. Recitative "Mount, mount the steep ascent" (Virtue)
(1750)
-
The Choice of Hercules, HWV 69: No. 20. Air "Mount, mount the steep ascent" (Virtue)
(1750)
-
The Choice of Hercules, HWV 69: No. 21. Chorus "Arise! Mount the Steep Ascent"
(1750)
-
The Choice of Hercules, HWV 69: No. 22. Recitative "The sounds breathe fire celestial" (Hercules)
(1750)
-
The Choice of Hercules, HWV 69: No. 10. Recitative "In peace, in war" (Virtue)
(1750)
-
The Choice of Hercules, HWV 69: No. 11. Solo and Chorus "So shalt thou gain immortal praise" (Virtue)
(1750)
-
The Choice of Hercules, HWV 69: No. 12. Recitative "Hearst thou, what dangers then thou must engage" (Pleasure)
(1750)
-
The Choice of Hercules, HWV 69: No. 13. Solo and Chorus "Turn thee, youth, to joy and love" (Pleasure)
(1750)
-
The Choice of Hercules, HWV 69: No. 14. Recitative "Short is my way, fair, easy, smooth and plain" (Pleasure, Hercules)
(1750)
-
The Choice of Hercules, HWV 69: No. 16. Air "Enjoy the sweet elysian grove" (Attendant on Pleasure)
(1750)
-
The Choice of Hercules, HWV 69: No. 3. Air "Come, blooming boy" (Pleasure)
(1750)
-
The Choice of Hercules, HWV 69: No. 5. Solo and Chorus "While for thy arms that beauty glows" (Pleasure)
(1750)
-
Organ Concerto in B-flat major, op. 7 no. 3, HWV 308
(01 Jan 1751 - 04 Jan 1751)
-
Jephtha, HWV 70
(21 Jan 1751 - 30 Aug 1751)
-
Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: I. Allegro
(1751)
-
Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: II. Organo ad libitum: Adagio - Fuga
(1751)
-
Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: III. Spiritoso
(1751)
-
Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: IV. Menuet
(1751)
-
Violin Adagio and Allegro in A major, HWV 406
(1751)
-
The Triumph of Time and Truth, HWV 71
(1757)
-
Concerto grosso in B minor, op. 6 no. 12, HWV 330
( - 20 Oct 1739)
-
In the name of love
-
Rinaldo, HWV 7a: Atto I, Scene IX. Recitativo "Di speranza un bel raggio" (Rinaldo)
-
Rinaldo, HWV 7a: Atto II, Scene I, no. 18. Aria "Siam prossimi al porto" (Eustazio)
-
Rinaldo, HWV 7a: Atto II, Scene II. Recitativo "A quel sasso bramato" (Rinaldo, Goffredo, Eustazio)
-
Rinaldo, HWV 7a: Atto II, Scene III. Recitativo "Per raccor d'Almirena" (Donna)
-
Rinaldo, HWV 7a: Atto II, Scene III, no. 19. Aria "Il vostro maggio de' bei verdi anni" (Sirene)
-
Rinaldo, HWV 7a: Atto II, Scene III. Recitativo "Qual incognita forza" (Rinaldo, Goffredo, Eustazio)
-
Clori, mia bella Clori, HWV 92: I. Recitativo. Clori, mia bella Clori
-
Clori, mia bella Clori, HWV 92: II. Aria. Chiari lumi
-
Clori, mia bella Clori, HWV 92: III. Recitativo. Temo ma pure io spero
-
Clori, mia bella Clori, HWV 92: IV. Aria. Ne' gigli e nelle rose
-
Ariodante, HWV 33: Atto II, no. 39. "E vivo ancora?" (Ariodante)
-
La Resurrezione, HWV 47: Part I. Aria: Quando è parto dell'affetto (San Giovanni)
-
La Resurrezione, HWV 47: Part I. Recitative: Ma dinne, e sarà vero (Cleofe, San Giovanni, Maddalena)
-
La Resurrezione, HWV 47: Part I. Aria: Naufragando va per l'onde (Cleofe)
-
La Resurrezione, HWV 47: Part I. Recitative: Itene pure, o fide (San Giovanni, Maddalena)
-
La Resurrezione, HWV 47: Part I. Aria: Così la tortorella (San Giovanni)
-
La Resurrezione, HWV 47: Part I. Recitative: Se Maria dunque spera (Maddalena)
-
La Resurrezione, HWV 47: Part I. Aria: Ho un non so che nel cor (Maddalena)
-
La Resurrezione, HWV 47: Part I. Recitative: Uscite pur, uscite (Angelo)
-
La Resurrezione, HWV 47: Part I. Coro: Il Nume vuncitor (Angelo, Coro di Angeli)
-
La Resurrezione, HWV 47: Part II. Introduction - Einleitung
-
La Resurrezione, HWV 47: Part II. Recitative: Di quai nuovi portenti (San Giovanni)
-
La Resurrezione, HWV 47: Part II. Aria: Ecco il sol, ch'esce dal mar (San Giovanni)
-
La Resurrezione, HWV 47: Part II. Recitative: Ma ove Maria dimora (San Giovanni)
-
La Resurrezione, HWV 47: Part II. Aria: Risorga il mondo (Angelo)
-
La Resurrezione, HWV 47: Part II. Recitative: Di rabbia indarno freme (Angelo)
-
La Resurrezione, HWV 47: Part II. Recitative: Misero! ho pure udito? (Lucifero, Angelo)
-
La Resurrezione, HWV 47: Part II. Aria: Per celare il nuovo scorno (Lucifero)
-
La Resurrezione, HWV 47: Part II. Recitative: O come cieco il tuo furor delira! (Angelo)
-
La Resurrezione, HWV 47: Part II. Aria: Impedirlo io saprò (Lucifero, Angelo)
-
La Resurrezione, HWV 47: Part II. Recitative: Amica, troppo tardo (Maddalena, Cleofe)
-
La Resurrezione, HWV 47: Part II. Aria: Per me già di morire (Maddalena)
-
La Resurrezione, HWV 47: Part II. Recitative: Ahi, abborrito nome (Lucifero)
-
La Resurrezione, HWV 47: Part II. Aria: Vedo il Ciel che più sereno (Cleofe)
-
La Resurrezione, HWV 47: Part II. Recitative: Cleofe, siam giunte al luogo (Maddalena, Cleofe, Angelo)
-
La Resurrezione, HWV 47: Part II. Aria: Se per colpa di donna infelice (Angelo)
-
La Resurrezione, HWV 47: Part II. Recitative: Mio Gesù, mio Signore (Maddalena)
-
La Resurrezione, HWV 47: Part II. Aria: Del ciglio dolente (Maddalena)
-
La Resurrezione, HWV 47: Part II. Recitative: Sì, sì, cerchiamo pure (Cleofe)
-
La Resurrezione, HWV 47: Part II. Aria: Augelletti, ruscelletti (Cleofe)
-
Suite in G minor: VII. Rigaudon
-
Messiah, HWV 56: Part II. Aria: But Thou Didst Not Leave His Soul in Hell (tenor)
-
Messiah, HWV 56: Part II. Chorus: Lift Up Your Heads, O Ye Gates
-
Messiah, HWV 56: Part II. Recitative: Unto Which of the Angels Said He at Any Time (tenor)
-
Messiah, HWV 56: Part II. Chorus: Let All the Angels of God Worship Him
-
Messiah, HWV 56: Part II. Aria: Thou Art Gone Up on High (mezzo-soprano)
-
Messiah, HWV 56: Part II. Chorus: The Lord Gave the Word
-
Messiah, HWV 56: Part II. Aria: How Beautiful Are the Feet (soprano)
-
Messiah, HWV 56: Part II. Chorus: Their Sound Is Gone Out into All the Lands
-
Messiah, HWV 56: Part II. Aria: Why Do the Nations So Furiously Rage Together? (bass)
-
Messiah, HWV 56: Part II. Chorus: Let Us Break Their Bonds Asunder
-
Messiah, HWV 56: Part II. Recitative: He That Dwelleth in Heaven (tenor)
-
Messiah, HWV 56: Part II. Aria: Thou Shalt Break Them (tenor)
-
Messiah, HWV 56: Part II. Chorus: Hallelujah
-
Messiah, HWV 56: Part II
-
Messiah, HWV 56: Part III. Aria: I Know That My Redeemer Liveth (soprano)
-
Messiah, HWV 56: Part III. Chorus: Since By Man Came Death
-
Messiah, HWV 56: Part III. Recitative: Behold, I Tell You a Mystery (bass)
-
Messiah, HWV 56: Part III. Aria: The Trumpet Shall Sound (bass & trumpet)
-
Messiah, HWV 56: Part III. Recitative: Then Shall Be Brought to Pass (mezzo-soprano)
-
Messiah, HWV 56: Part III. Duet: O Death, Where Is Thy Sting (mezzo-soprano & tenor)
-
Messiah, HWV 56: Part III. Chorus: But Thanks Be to God
-
Messiah, HWV 56: Part III. Aria: If God Be for Us, Who Can Be Against Us (soprano)
-
Messiah, HWV 56: Part III. Chorus: Worthy Is the Lamb That Was Slain
-
Messiah, HWV 56: Part III
-
Rinaldo, HWV 7b: Atto III, Scene VII, no. 35. Aria "Vedro piu liete e belle o vago mio tesor" (Rinaldo)
-
Rinaldo, HWV 7b: Atto III, Scene VIII. Recitativo "Ciel crudele! empia sorte!" (Argante, Armida)
-
Rinaldo, HWV 7b: Atto III, Scene VIII, no. 36. Aria "Fatto e Giove un Dio d'inferno" (Armida)
-
Rinaldo, HWV 7b: Atto III, Scene IX, no. 37. Sinfonia
-
Rinaldo, HWV 7b: Atto III, Scene IX. Recitativo "Compagni gloriosi" (Goffredo, Almirena, Rinaldo)
-
Rinaldo, HWV 7b: Atto III, Scene IX, no. 38. Aria "Si, caro, si" (Almirena)
-
Rinaldo, HWV 7b: Atto III, Scene IX. Recitativo "Chi vuol giunger di gloria a bei diletti" (Goffredo)
-
Rinaldo, HWV 7b: Atto III, Scene IX, no. 39. Choir "Vinto e sol della virtu degli affetti"
-
Rinaldo, HWV 7a: Atto I, Scene I. Recitativo "Delle nostre fatiche" (Goffredo)
-
Rinaldo, HWV 7a: Atto I, Scene I, no. 1. Aria "Sovra balze scoscesie pungenti" (Goffredo)
-
Rinaldo, HWV 7a: Atto I, Scene I. Recitativo "Signor, gia dal tuo senno" (Rinaldo, Goffredo, Almirena)
-
Rinaldo, HWV 7a: Atto I, Scene I, no. 2. Aria "Combatti da forte, che fermo il mio sen" (Almirena)
-
Rinaldo, HWV 7a: Atto I, Scene I. Recitativo "Questi saggi consigli" (Eustazio, Rinaldo)
-
Rinaldo, HWV 7a: Atto I, Scene II. Recitativo "Signor, che delle stelle" (Araldo, Goffredo, Eustazio)
-
Rinaldo, HWV 7a: Atto I, Scene II, no. 4. Aria "Sulla ruota di fortuna va girando la speranza" (Eustazio)
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Rinaldo, HWV 7a: Atto I, Scena III, no. 5. Aria “Sibilar gli angui d’Aletto” (Argante)
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Rinaldo, HWV 7a: Atto I, Scene III. Recitativo "Goffredo, se t'arrise" (Argante, Goffredo)
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Rinaldo, HWV 7a: Atto I, Scene III, no. 6. Aria "No, che quest'alma scontenti non da" (Goffredo)
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Rinaldo, HWV 7a: Atto I, Scene IV. Recitativo "Infra dubii di Marte" (Argante)
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Rinaldo, HWV 7a: Atto I, Scene IV, no. 7. Aria "Vieni, o cara a consolarmi" (Argante)
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Rinaldo, HWV 7a: Atto I, Scene V, no. 10. Aria "Molto voglio, molto spero, mulla devo dubitar" (Armida)
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Rinaldo, HWV 7a: Atto I, Scene VI, no. 11. Aria "Augelletti, che cantate, zefiretti" (Almirena)
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Rinaldo, HWV 7a: Atto I, Scene VI. Recitativo "Adorato mio sposo" (Almirena, Rinaldo)
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Rinaldo, HWV 7a: Atto I, Scene VII. Recitativo "Al valor del mio brando" (Armida, Almirena, Rinaldo)
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Rinaldo, HWV 7a: Atto I, Scene VIII. Recitativo "Io all'ora impugno il brando" (Rinaldo, Goffredo, Eustazio)
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Rinaldo, HWV 7a: Atto I, Scene VIII, no. 16. Aria "Col valor, colla virtu" (Eustazio)
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Messiah, HWV 56: Part II. Chorus: Behold the Lamb of God
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Messiah, HWV 56: Part II. Aria: He Was Despised (mezzo-soprano)
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Messiah, HWV 56: Part II. Chrous: Surely He Hath Borne Our Griefs
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Messiah, HWV 56: Part II. Chorus: And with His Stripes We Are Healed
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Messiah, HWV 56: Part II. Chorus: All We Like Sheep Have Gone Astray
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Messiah, HWV 56: Part II. Recitative: All They That See Him, Laugh Him to Scorn (tenor)
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Messiah, HWV 56: Part II. Chorus: He Trusted in God That He Would Deliver Him
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Messiah, HWV 56: Part II. Recitative: Thy Rebuke Hath Broken His Heart (tenor)
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Messiah, HWV 56: Part II. Aria: Behold, and See If There Be Any Sorrow (tenor)
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Messiah, HWV 56: Part II. Recitative: He Was Cut Off out of the Land of the Living (tenor)
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Rinaldo, HWV 7b: Atto II, Scene VI. Recitativo "Adorato mio sposo" (Almirena, Rinaldo)
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Rinaldo, HWV 7b: Atto II, Scene VI, no. 22. Duetto "Fermati! No, crudel!" (Armida, Rinaldo)
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Rinaldo, HWV 7b: Atto II, Scene VII. Recitativo "Ah! Rinaldo crudel" (Voix (sirène), Rinaldo)
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Rinaldo, HWV 7b: Atto II, Scene VII, no. 23. Aria "Abbruggio, avvampo e fremo" (Rinaldo)
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Rinaldo, HWV 7b: Atto II, Scene VIII, no. 24. Recitativo accompagnato "Dunque i lacci d'un volto" (Armida)
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Rinaldo, HWV 7b: Atto II, Scene IX. Recitativo "Sembianze idolatrate" (Argante, Armida)
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Rinaldo, HWV 7b: Atto II, Scene IX, no. 25. Aria "Arma lo sguardo d'un dolce dardo!" (Argante)
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Rinaldo, HWV 7b: Atto II, Scene IX, no. 26. Aria "Ah! crudel, il pianto mio" (Almirena)
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Rinaldo, HWV 7b: Atto II, Scene X. Recitativo "Rasserana i bei lumi, idolo mio" (Argante)
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Rinaldo, HWV 7b: Atto II, Scene XI. Recitativo "Si lusinghi d'Argante l'amor tanto importuno" (Almirena)
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Rinaldo, HWV 7b: Atto II, Scene XI, no. 27. Aria "Parolette, vezzi e sguardi" (Almirena)
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Rinaldo, HWV 7b: Atto III, Scene I, no. 28. Sinfonia
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Rinaldo, HWV 7b: Atto III, Scene I. Recitativo "Quivi par che rubelle" (Goffredo)
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Rinaldo, HWV 7b: Atto III, Scene II. Recitativo "La causa che vi spinge" (Mago, Goffredo)
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Rinaldo, HWV 7b: Atto III, Scene II, no. 29. Sinfonia
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Rinaldo, HWV 7b: Atto III, Scene II. Recitativo "Qui vomita cocito" (Goffredo, Mago)
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Rinaldo, HWV 7b: Atto III, Scene II, no. 30. Aria "Andate, o forti, fra stragie morti" (Mago)
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Rinaldo, HWV 7b: Atto III, Scene III. Recitativo "A fronte d'un sleal anco mi trovo?" (Armida, Argante)
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Rinaldo, HWV 7b: Atto III, Scene III, no. 31a. Marcia
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Rinaldo, HWV 7b: Atto III, Scene III, no. 31b. Aria "Di Sion nell'alta sede" (Argante)
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Rinaldo, HWV 7b: Atto III, Scene IV. Recitativo "Mori svenata! Oh! Numi!" (Armida, Almirena, Rinaldo)
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Rinaldo, HWV 7b: Atto III, Scene V. Recitativo "Nella guardata soglia" (Armida, Goffredo, Rinaldo, Almirena)
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Rinaldo, HWV 7b: Atto III, Scene V, no. 32. Aria "E un incendio fra due venti" (Rinaldo)
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Rinaldo, HWV 7b: Atto III, Scene VI. Recitativo "Fremo nel mio furor contro l'inferno" (Goffredo, Almirena)
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Rinaldo, HWV 7b: Atto III, Scene VI, no. 33. Duetto "Al trionfo del nostro furore" (Almirena, Goffredo)
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Rinaldo, HWV 7b: Atto III, Scene VII, no. 34. Recitativo accompagnato "Orrori menzogneri, a voi ne vengo" (Rinaldo)
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Rinaldo, HWV 7b: Atto III, Scene VII. Recitativo "A voi de'miei trofei" (Rinaldo)
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Faramondo, HWV 39: Act I, Scene XII. Recitativo "Qual nemico m'h'andato" (Rosimonda)
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Faramondo, HWV 39: Act I, Scene XII, no. 10. Aria "Sento, che un giusto sdegno mi sprona a vendicarmi" (Rosimonda)
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Faramondo, HWV 39: Act I, Scene XIII. Recitativo "Si, Clotilde; il mio seno" (Gustavo, Clotilde)
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Faramondo, HWV 39: Act I, Scene XIV. Recitativo "Faramondo, Signor, solo ed in erme" (Teobaldo, Gustavo)
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Faramondo, HWV 39: Act I, Scene XIV, no. 11. Aria "Vado a recar la morte all'empio traditor" (Teobaldo)
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Faramondo, HWV 39: Act I, Scene XV. Recitativo "Dalla citade, e solo" (Clotilde, Adolfo)
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Faramondo, HWV 39: Act I, Scene XV, no. 12. Aria "Mi parto lieta sulla tua fede" (Clotilde)
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Faramondo, HWV 39: Act I, Scene XVI. Recitativo "Fra quest'ombre selvagge" (Faramondo, Gustavo, Adolfo)
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Faramondo, HWV 39: Act I, Scene XVII. Recitativo "Vuo stancare il destin" (Faramondo)
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Faramondo, HWV 39: Act I, Scene XVII, no. 13. Aria "Se ben mi lusinga l'infida speranza" (Faramondo)
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Faramondo, HWV 39: Act II, no. 14. Sinfonia
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Faramondo, HWV 39: Act II, Scene I. Recitativo "Gia udisti i sensi miei" (Gustavo, Rosimonda, Childerico, Gernando)
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Faramondo, HWV 39: Act II, Scene II. Recitativo "Principessa, a tuoi lumi tu devi" (Gernando, Rosimonda)
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Faramondo, HWV 39: Act II, Scene II, no. 15. Aria "Si l'intendesti, si, e questa la merce" (Rosimonda)
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Faramondo, HWV 39: Act II, Scene III. Recitativo "Si, sdegna Rosimonda" "(Gernando)
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Faramondo, HWV 39: Act II, Scene III, no. 16. Aria "Non ingannarmi, no, conforto del mio sen" (Gernando)
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Faramondo, HWV 39: Act II, Scene IV. Recitativo "Faramondo, e pur salvo" (Clotilde, Faramondo)
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Faramondo, HWV 39: Act II, Scene V. Recitativo "Benche di Faramondo tu sii germana" (Rosimonda, Clotilde)
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Faramondo, HWV 39: Act II, Scene VI. Recitativo "E mora! Misero, e qual tuo fato" (Faramondo, Rosimonda)
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Faramondo, HWV 39: Act II, Scene VII. Recitativo "E dal mio brando questa morte avrai" (Teobaldo, Rosimonda, Clotilde, Childerico)
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Faramondo, HWV 39: Act II, Scene VII, no. 17. Aria "Poi che pria di morire" (Faramondo)
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Faramondo, HWV 39: Act II, Scene VIII. Recitativo "Rosimonda, il suo duolo non basta" (Clotilde, Rosimonda)
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Faramondo, HWV 39: Act II, Scene VIII, no. 18. Aria "Combattuta da due venti" (Clotilde)
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Faramondo, HWV 39: Act II, Scene IX. Recitativo "Faramondo e in catene, e morir deve" (Gustavo, Adolfo)
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Faramondo, HWV 39: Act II, Scene IX, no. 19. Aria "Se a' piedi tuoi morro, la destra baciero" (Adolfo)
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Il pastor fido, HWV 8a: Overture: 5. Adagio
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Il pastor fido, HWV 8a: Overture: 6. [Allegro]
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Teseo, HWV 9: Overture: Largo - [no tempo indication] - Largo - [no tempo indication]
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Il pastor fido, HWV 8a: Overture: 4. [Menuet]
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Faramondo, HWV 39: Act II, Scene X. Recitativo "Signor, umil ti chiedo" (Clotilde, Gustavo)
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Faramondo, HWV 39: Act II, Scene X, no. 20. Aria "Sol la brama di vendetta puo dar pace a questo cor" (Gustavo)
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Faramondo, HWV 39: Act II, Scene XI, a. Recitativo "Quanto di Faramondo" (Childerico, Teobaldo)
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Faramondo, HWV 39: Act II, Scene XI, b. Recitativo "Tentai d'aver l'ingresso" (Gernando)
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Faramondo, HWV 39: Act II, Scene XII. Recitativo "Aprimi quelle porte" (Gernando, Childerico)
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Faramondo, HWV 39: Act II, Scene XII, no. 21. Aria "Nella terra, in ciel, nell'onda" (Gernando)
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Faramondo, HWV 39: Act II, Scene XIII. Recitativo "Childerico? I tuoi cenni" (Rosimonda, Childerico)
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Faramondo, HWV 39: Act II, Scene XIV. Recitativo "Tu non sei, Faramondo, prigionier" (Rosimonda, Faramondo)
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Faramondo, HWV 39: Act II, Scene XIV, no. 22. Duetto "Vado e vivo con la speranza" (Faramondo, Rosimonda)
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Faramondo, HWV 39: Act III, no. 23. Sinfonia
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Faramondo, HWV 39: Act III, Scene I. Recitativo "Mi tradiscono i figli, il nemico mi fugge!" (Gustavo, Clotilde, Adolfo)
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Faramondo, HWV 39: Act III, Scene II, a. Recitativo "Quai mi straziano l'alma dubbii pensieri" (Childerico, Clotilde, Adolfo)
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Faramondo, HWV 39: Act III, Scene II, b. Recitativo "Del destin non mi lagno" (Clotilde, Adolfo)
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Faramondo, HWV 39: Act III, Scene II, no. 24. Duetto "Caro! / Cara! tu mi accendi nel mio core" (Clotilde, Adolfo)
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Faramondo, HWV 39: Act III, Scene III. Recitativo "Signor, non t'inoltrar" (Teobaldo, Gernando, Faramondo)
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Faramondo, HWV 39: Act III, Scene III, no. 25. Aria "Cosi suole a rio vicina umil pianta alzare i rami" (Gernando)
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Faramondo, HWV 39: Act III, Scene IV, a. Recitativo "A me viene Teobaldo?" (Faramondo, Teobaldo)
-
Faramondo, HWV 39: Act III, Scene IV, b. Recitativo "Ritorna pur, ritorna al tuo Signor crudel mostro, non padre" (Faramondo)
-
Faramondo, HWV 39: Act III, Scene V. Recitativo "Andiam, fidi guerrieri" (Faramondo)
-
Faramondo, HWV 39: Act III, Scene V, no. 26. Aria "Voglio che sia l'indegno" (Faramondo)
-
Faramondo, HWV 39: Act III, Scene VI. Recitativo "D'un oltraggiato Re" (Gustavo, Teobaldo)
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Faramondo, HWV 39: Act III, Scene VII. Recitativo "Padre... Tu Adolfo in liberta?" (Adolfo, Gustavo, Teobaldo)
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Faramondo, HWV 39: Act III, Scene VIII. Recitativo "Disarmato e gia il Re" (Teobaldo, Gustavo)
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Faramondo, HWV 39: Act III, Scene IX. Recitativo "Ecco gl'iniqui. Su, ferite gli empii" (Adolfo, Faramondo, Teobaldo, Gustavo)
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Faramondo, HWV 39: Act III, Scene IX, no. 27. Aria "Se ria procella sorge nell'onde" (Adolfo)
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Tu del ciel ministro electo (from Il Trionfo del tempo, HWV 46a)
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Rinaldo, HWV 7b: Atto I, Scene V, no. 7. Recitativo accompagnato "Come a tempo giungesti" (Argante, Armida)
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Rinaldo, HWV 7b: Atto I, Scene V, no. 8. Aria "Sulla ruota di fortuna va girando la speranza" (Argante)
-
Rinaldo, HWV 7b: Atto I, Scene V. Recitativo "Ma fia la gloria" (Armida)
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Rinaldo, HWV 7b: Atto I, Scene V, no. 9. Aria "Combatti da forte, che fermo il mio sen" (Armida)
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Rinaldo, HWV 7b: Atto I, Scene VI, no. 10. Aria "Augelletti, che cantate, zefiretti" (Almirena)
-
Rinaldo, HWV 7b: Atto I, Scene VI, no. 11. Duetto "Scherzano sul tuo volto le grazie vezzosette" (Almirena, Rinaldo)
-
Rinaldo, HWV 7b: Atto I, Scene VII. Recitativo "Al valor del mio brando" (Armida, Almirena, Rinaldo)
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Rinaldo, HWV 7b: Atto I, Scene VII, no. 12. Sinfonia
-
Rinaldo, HWV 7b: Atto I, Scene VII, no. 13. Aria "Cara sposa, amante cara, dove sei?" (Rinaldo)
-
Rinaldo, HWV 7b: Atto I, Scene VIII. Recitativo "Ch'insolito stupore" (Goffredo, Rinaldo)
-
Rinaldo, HWV 7b: Atto I, Scene VIII, no. 14. Aria "Cor ingrato, ti rammembri" (Rinaldo)
-
Rinaldo, HWV 7b: Atto I, Scene VIII. Recitativo "Un mio giusto dolor" (Goffredo, Rinaldo)
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Rinaldo, HWV 7b: Atto I, Scene VIII, no. 15. Aria "Venti, turbini, prestate" (Rinaldo)
-
Rinaldo, HWV 7b: Atto II, Scene I, no. 16. Aria "Siam prossimi al porto" (Goffredo)
-
Rinaldo, HWV 7b: Atto II, Scene II. Recitativo "A quel sasso bramato" (Rinaldo, Goffredo)
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Rinaldo, HWV 7b: Atto II, Scene III. Recitativo "Per raccor d'Almirena" (Donna)
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Rinaldo, HWV 7b: Atto II, Scene III, no. 17. Aria "Il vostro maggio de' bei verdi anni" (Sirene)
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Rinaldo, HWV 7b: Atto II, Scene III. Recitativo "Qual incognita forza" (Rinaldo, Goffredo)
-
Rinaldo, HWV 7b: Atto II, Scene III, no. 18. Aria "Il Tricerbero humiliato al mio brando rendero" (Rinaldo)
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Rinaldo, HWV 7b: Atto II, Scene III. Recitativo "Numi! strano ardimento!" (Goffredo)
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Rinaldo, HWV 7b: Atto II, Scene III, no. 19. Aria "Mio cor, che mi sai dir?" (Goffredo)
-
Arianna in Creta: “Son qual stanco pellegrino”
-
Rinaldo, HWV 7b: Atto II, Scene IV. Recitativo "Armida, dispietata!" (Almirena, Argante)
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Rinaldo, HWV 7b: Atto II, Scene IV, no. 20. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
-
Rinaldo, HWV 7b: Atto II, Scene V. Recitativo "T'arresta, oh Dio!" (Argante)
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Rinaldo, HWV 7b: Atto II, Scene V, no. 21. Aria "Per salvarti, idolo mio" (Argante)
-
Rinaldo, HWV 7b: Atto II, Scene VI. Recitativo "Cingetemi d'alloro" (Armida, Rinaldo)
-
Suite de pièce in B-flat major, Vol. 2 no. 7, HWV 440: III. Sarabande
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Faramondo, HWV 39: Act III, Scene X. Recitativo "Non isdegnar, Gustavo" (Faramondo, Gustavo, Rosimonda, Clotilde)
-
Faramondo, HWV 39: Act III, Scene X, no. 28. Aria "Sappi, crudel, io t'amo, e per tua pena ancor!" (Rosimonda)
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Faramondo, HWV 39: Act III, Scene XI. Recitativo "Or vo'lieto alla morte!" (Faramondo, Clotilde, Gustavo, Gernando, Adolfo)
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Faramondo, HWV 39: Act III, Scene XII. Recitativo "Misera! ei corre a morte, ed io resto a goder?" (Clotilde, Adolfo)
-
Faramondo, HWV 39: Act III, Scene XII, no. 29. Aria "Un'aura placida e lusinghiera" (Clotilde)
-
Faramondo, HWV 39: Act III, Scene XIII, a. Recitativo "Reggi il mio braccio gia impotente" (Gustavo, Childerico)
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Faramondo, HWV 39: Act III, Scene XIII, b. Recitativo "Reggi il mio braccio gia impotente" (Gustavo, Faramondo)
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Faramondo, HWV 39: Act III, Scene XIV. Recitativo "Ohime! trradito io sono!" (Teobaldo, Gustavo, Adolfo, Childerico, Clotilde, Gernando, Faramondo)
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Faramondo, HWV 39: Act III, Scene XV. Recitativo "Figlia, di Faramondo... Io so la sorte; per cio voglio morir" (Gustavo, Rosimonda, Faramondo, Childerico)
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Faramondo, HWV 39: Act III, Scene XV, no. 30. Aria "Virtu che rende si forte un core" (Faramondo)
-
Faramondo, HWV 39: Act III, Scene XV, no. 31. Choir "Virtu che rende si forte un core" (Faramondo/Clotilde/Rosimonda/Adolfo, Gernando, Childerico, Gustavo/Teobaldo)
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Champions League
-
Rinaldo, HWV 7b: Ouverture
-
Rinaldo, HWV 7b: Gigue
-
Rinaldo, HWV 7b: Atto I, Scene I. Recitativo "Delle nostre fatiche" (Goffredo)
-
Rinaldo, HWV 7b: Atto I, Scene I, no. 1. Aria "Sovra balze scoscesi e pungenti" (Goffredo)
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Rinaldo, HWV 7b: Atto I, Scene I. Recitativo "Signor, gia dal tuo senno" (Rinaldo, Goffredo, Almirena)
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Rinaldo, HWV 7b: Atto I, Scene I, no. 2. Aria "Quel cor che mi donasti" (Almirena)
-
Rinaldo, HWV 7b: Atto I, Scene I. Recitativo "Questi saggi consigli" (Goffredo, Rinaldo)
-
Rinaldo, HWV 7b: Atto I, Scene I, no. 3. Aria "Ogni indulgio d'un amante e une pena" (Rinaldo)
-
Rinaldo, HWV 7b: Atto I, Scene II. Recitativo "Signor, che delle stelle" (Araldo, Goffredo)
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Rinaldo, HWV 7b: Atto I, Scene III, no. 4. Sinfonia
-
Rinaldo, HWV 7b: Atto I, Scene III. Recitativo "Goffredo, se t'arrise" (Argante, Goffredo)
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Rinaldo, HWV 7b: Atto I, Scene III, no. 5. Aria "D'instabile fortuna non sempre in tuo favore" (Goffredo)
-
Rinaldo, HWV 7b: Atto I, Scene IV. Recitativo "Infra dubil di Marte" (Argante)
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Rinaldo, HWV 7b: Atto I, Scene V, no. 6. Aria "Furie terribili! seguitate mi" (Armida)
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Alcina, HWV 34: Atto I. Recit "La cerco invano" (Ruggiero, Oronte)
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Alcina, HWV 34: Atto I. Aria, " La bocca vaga" (Ruggiero)
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Alcina, HWV 34: Atto III, 43. Entrée
-
Sonata for Violin and Orchestra in B-flat
-
Amarilli Vezzosa, HWV 82: VI. Arioso "Su, su, restati in pace" (Amarilli)
-
Amarilli Vezzosa, HWV 82: VII. Duetto "Si, si / Su, su" (Daliso, Amarilli)
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Amarilli vezzosa, HWV 82: VIII. Ritornello
-
Amadigi di Gaula, HWV 11: Sento la gioia
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Faramondo, HWV 39: Act I, Scene I. Recitativo "Popolo, figlio, in basse note e meste" (Gustavo, Adolfo)
-
Faramondo, HWV 39: Act I, Scene I, no. 1. Recitativo accompagnato "Ascolta dagli Elisi, ombra di Sveno" (Gustavo)
-
Faramondo, HWV 39: Act I, Scene I, no. 2. Choir "Pera, pera! l'alma fiera"
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Faramondo, HWV 39: Act I, Scene II. Recitativo "Mio Re, pronta qui vedo l'orrida pompa" (Teobaldo, Gustavo, Adolfo, Clotilde)
-
Faramondo, HWV 39: Act I, Scene II, no. 3. Aria "Viva, si, che nel mio seno venir meno" (Gustavo)
-
Faramondo, HWV 39: Act I, Scene III. Recitativo "Siam pur fiori, o mia cara" (Adolfo, Clotilde)
-
Faramondo, HWV 39: Act I, Scene III, no. 4. Aria "Conoscero, se brami ch'io t'ami" (Clotilde)
-
Faramondo, HWV 39: Act I, Scene IV. Recitativo "Perdoni all'amor mio" (Adolfo)
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Faramondo, HWV 39: Act I, Scene IV, no. 5. Aria "Chi ben ama, og'n altro affetto" (Adolfo)
-
Faramondo, HWV 39: Act I, Scene V. Recitativo "Finche avro spirto, e vita, del mio sen faro scudo" (Childerico, Rosimonda, Faramondo)
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Faramondo, HWV 39: Act I, Scene V, no. 6. Aria "Vanne, che piu ti miro, piu cresce il mio dolor" (Rosimonda)
-
Faramondo, HWV 39: Act I, Scene VI. Recitativo "Faramondo infelice!" (Faramondo, Gernando)
-
Faramondo, HWV 39: Act I, Scene VI, no. 7. Aria "Rival ti sono ma son fedel" (Faramondo)
-
Faramondo, HWV 39: Act I, Scene VII. Recitativo "Va pur; preveniro gli empii di segni" (Gernando)
-
Faramondo, HWV 39: Act I, Scene VII, no. 8. Aria "Voglio che mora, si" (Gernando)
-
Faramondo, HWV 39: Act I, Scene VIII. Recitativo "S'e giusto l'idio mio" (Rosimonda)
-
Faramondo, HWV 39: Act I, Scene IX. Recitativo "Principessa, in vedermi" (Gernando, Rosimonda)
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Faramondo, HWV 39: Act I, Scene X. Recitativo "Sino ad ora, Gernando" (Faramondo, Rosimonda, Gernando)
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Faramondo, HWV 39: Act I, Scene XI. Recitativo "Rosimonda, tu sei libera" (Faramondo, Rosimonda)
-
Faramondo, HWV 39: Act I, Scene XI, no. 9. Arietta "Si, tornero a morir, non a placarti" (Faramondo)
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Floridante, HWV 14
( - 28 Nov 1721)
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: X. Aria: Conosco che mi piaci
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: XI. Recitativo: Dunque sperando in vano
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: XII. Aria: Son come quel nocchiero
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: XIII. Recitativo: S'altra pace non brami
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: XIV. Duetto: Scherzano sul tuo volto
-
Clori, Tirsi e Fileno, HWV 96, Seconda Parte: I. Duetto: Fermati! No, crudel!
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: II. Recitativo: Creder d'un angue
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: III. Aria: Tra le fere la fera più cruda
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: IV. Recitativo: Tirsi, mio caro Tirsi
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: V. Aria: Barbaro, tu non credi
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: VI. Recitativo: Pur cederti mi è forza
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: VII. Aria: Amo Tirsi
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: VIII. Recitativo: Va, fidati a promessa
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: IX. Aria: Povera fedeltà
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: X. Recitativo: Non ti stupir, Fileno
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: XI. Aria: Un sospiretto d'un labbro pallido
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: XII. Recitativo: Tirsi, amico e compagno
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: XIII. Aria: Come la rondinella
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: XIV. Recitativo: Così, felici
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Clori, Tirsi e Fileno, HWV 96, Seconda Parte: XV. Terzetto: Vivere e non amar, amare e non languir, languire e non penar
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Joy to the World
-
Rinaldo, HWV 7a: Atto I, Scene V, no. 8. Aria "Furie terribili! seguitate mi" (Armida)
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Alcina, HWV 34: Ouverture, pomposa / allegro
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Alcina, HWV 34: Ouverture, Musette
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Alcina, HWV 34: Ouverture, Menuet
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Alcina, HWV 34: Act I, VI. Il Ballo, i: Gavotte
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Alcina, HWV 34: Act I, VI. Il Ballo, ii: Sarabande
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Alcina, HWV 34: Act I, VI. Il Ballo, i: Gavotte (da capo)
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Alcina, HWV 34: Act I, VI. Il Ballo, iii: Menuet
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Alcina, HWV 34: Act I, VI. Il Ballo, iv: Gavotte alla breve
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Alcina, HWV 34: Atto I: Aria "Bramo di trionfar" (Ruggiero)
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Feuerwehr Suite
-
Jephtha, HWV 70: Act III, no. 38. Arioso "For ever blessed be thy holy name" (Jephtha)
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Jephtha, HWV 70: Act III, no. 39. Chorus "Theme sublime of endless praise"
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Jephtha, HWV 70: Act III, no. 39a. Recitative "Let me congratulate this happy turn" (Zebul)
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Jephtha, HWV 70: Act III, no. 40a. Recitative "O let me fold thee in a mother's arms" (Storge)
-
Jephtha, HWV 70: Act III, no. 41. Air "Sweet as sight to the blind" (Storge)
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Jephtha, HWV 70: Act III, no. 41a. Recitative "With transport, Iphis, I behold thy safety" (Hamor)
-
Jephtha, HWV 70: Act III, no. 42a. Recitative "My faithful Hamor, may that Providence" (Iphis)
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Jephtha, HWV 70: Act III, no. 43b. Quintet "All that is in Hamor mine" (Iphis, Hamor, storge, Jephtha, Zebul)
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Jephtha, HWV 70: Act III, no. 44. Chorus "Ye house of Gilead, with one voice"
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Trio Sonata in A major, HWV 396: I. Andante
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Trio Sonata in A major, HWV 396: II. Allegro
-
Trio Sonata in A major, HWV 396: III. Larghetto
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Trio Sonata in A major, HWV 396: IV. Allegro
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Trio Sonata in A major, HWV 396: V. Gavotte
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La Resurrezione, HWV 47: Part I. Aria: Disserratevi, o porte d'Averno (Angelo)
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La Resurrezione, HWV 47: Part I. Recitative: Qual'insolita luce (Lucifero)
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La Resurrezione, HWV 47: Part I. Aria: Caddi, è ver, ma nel cadere (Lucifero)
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La Resurrezione, HWV 47: Part I. Recitative: Ma, che veggio? (Lucifero, Angelo)
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La Resurrezione, HWV 47: Part I. Recitative: Che sei? Chi è questo rè (Lucifero, Angelo)
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La Resurrezione, HWV 47: Part I. Aria: D'amor fu consiglio (Angelo)
-
La Resurrezione, HWV 47: Part I. Recitative: E ben, questo tuo Nume (Lucifero, Angelo)
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La Resurrezione, HWV 47: Part I. Aria: O voi, dell'Erebo (Lucifero)
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La Resurrezione, HWV 47: Part I. Recitative: Notte, notte funesta (Maddalena)
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La Resurrezione, HWV 47: Part I. Aria: Ferma l'ali, e sui miei lumi (Maddalena)
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La Resurrezione, HWV 47: Part I. Recitative: Concedi, o Maddalena (Cleofe, Maddalena)
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La Resurrezione, HWV 47: Part I. Aria: Piangete, si, piangete (Cleofe)
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La Resurrezione, HWV 47: Part I. Recitative: Ahi, dolce mio Signore (Maddalena, Cleofe)
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La Resurrezione, HWV 47: Part I. Aria: Dolci chiodi, amate spine (Maddalena, Cleofe)
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La Resurrezione, HWV 47: Part I. Recitative: O Cleofe, o Maddalena (San Giovanni, Maddalena)
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Comus, HWV 44
( - 1745)
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Notte Placida e Cheta, HWV 142: V. Accompagnato: Ma già sento che spande
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Notte Placida e Cheta, HWV 142: VI. Aria: Luci belle
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Notte Placida e Cheta, HWV 142: VII. Accompagnato: O delizie d'amor
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Notte Placida e Cheta, HWV 142: VIII. Aria: Che non si dà
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Ero e Leandro, HWV 150: I. Recitativo: Qual ti riveggio, oh Dio!
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Ero e Leandro, HWV 150: II. Aria: Empio mare, onde crudeli
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Ero e Leandro, HWV 150: III. Recitativo: Amor che, ascoso
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Ero e Leandro, HWV 150: IV. Aria: Se la morte non vorrà
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Ero e Leandro, HWV 150: V. Recitativo: Questi dalla mia fronte
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Ero e Leandro, HWV 150: VI. Aria: Si muora, si muora
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Ero e Leandro, HWV 150: VII. Recitativo: Ecco, gelide labbra
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No Se Emendará Jamás, HWV 140: I. Aria: No se emendará jamás
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No Se Emendará Jamás, HWV 140: II. Recitativo: Si del quereros es causa
-
No Se Emendará Jamás, HWV 140: III. Aria: Dícente mis ojos
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Spande Ancor a Mio Dispetto, HWV 165: I. Aria: Spande ancor a mio dispetto
-
Spande Ancor a Mio Dispetto, HWV 165: II. Accompagnato: Oh! Che da fiere pene
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Spande Ancor a Mio Dispetto, HWV 165: III. Aria: Da balza in balza
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Ah! Crudel, Nel Pianto Mio, HWV 78: I. Sonata
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Ah! Crudel, Nel Pianto Mio, HWV 78: II. Aria: Ah! Crudel, nel pianto mio
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Ah! Crudel, Nel Pianto Mio, HWV 78: III. Recitativo: Non sdegnerai d'amar
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Ah! Crudel, Nel Pianto Mio, HWV 78: IV. Aria: Di quel bel ch'il ciel ti diede
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Ah! Crudel, Nel Pianto Mio, HWV 78: V. Accompagnato e recitativo: Balena il cielo
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Ah! Crudel, Nel Pianto Mio, HWV 78: VI. Aria: Per trofei di mia costanza
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: I. Ouverture
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: II. Aria: Cor fedele
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: III. Recitativo: Povero Tirsi
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: IV. Aria: Quell'erbetta
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: V. Recitativo: Se il guardo non vaneggia
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: VI. Aria: Va col canto lusingando
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: VII. Recitativo: Dubbia così, o Fileno
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Clori, Tirsi e Fileno, HWV 96, Prima Parte: VIII. Aria: Sai perché l'onda del fiume
-
Clori, Tirsi e Fileno, HWV 96, Prima Parte: IX. Recitativo: Vezzoso pastorello
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Alexander's Feast, HWV 75
( - Jan 1736)
-
Jephtha, HWV 70: Act I, no. 11a. Recitative "Say, my dear mother" (Iphis, Storge)
-
Jephtha, HWV 70: Act I, no. 12. Air "The smiling dawn of happy days" (Iphis)
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Jephtha, HWV 70: Act I, no. 12a. Recitative "Such, Jephtha, was the haughty King's reply" (Zebul, Jephtha)
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Jephtha, HWV 70: Act I, no. 13. Chorus "When His loud voice in thunder spoke"
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Jephtha, HWV 70: Act II, no. 13a. Recitative "Glad things of great joy" (Hamor)
-
Jephtha, HWV 70: Act II, no. 14. Chorus "Cherub and Seraphim, unbodied forms"
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Jephtha, HWV 70: Act II, no. 15a. Recitative "'Tis well. Haste, haste, ye maidens" (Iphis)
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Jephtha, HWV 70: Act II, no. 16: Air "Tune the soft melodious lute" (Iphis)
-
Jephtha, HWV 70: Act II, no. 17a. Recitative "Zebul, thy deeds were valiant" (Jephtha)
-
Jephtha, HWV 70: Act II, no. 19. Chorus: "In glory high, in might serene"
-
Jephtha, HWV 70: Act II, no. 20. Symphony
-
Jephtha, HWV 70: Act II, no. 20a. Recitative "Hail, glorious conqueror!" (Iphis)
-
Jephtha, HWV 70: Act II, no. 21. Air and Chorus: "Welcome, as the cheerful light" (Iphis)
-
Jephtha, HWV 70: Act II, no. 21a. Recitative "Horror! Confusion! Harsh this music grates" (Jephtha)
-
Jephtha, HWV 70: Act II, no. 22. Air "Open thy marble jaws, o tomb" (Jephtha)
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Jephtha, HWV 70: Act II, no. 22a. Recitative "Why is my brother thus afflicted?" (Zebul, Jephtha)
-
Jephtha, HWV 70: Act II, no. 23. Accompagnato and Arioso "First perish thou and perish all the world!" (Storge)
-
Jephtha, HWV 70: Act II, no. 23a. Recitative "If such thy cruel purpose, lo!" (Hamor)
-
Jephtha, HWV 70: Act II, no. 24. Air "On me let blind mistake zeal" (Hamor)
-
Jephtha, HWV 70: Act II, no. 25a. Recitative "Such news flies swift" (Iphis)
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Jephtha, HWV 70: Act II, no. 26. Accompagnato "For joys so vast, too little is the price" (Iphis)
-
Jephtha, HWV 70: Act II, no. 27. Air "Happy they! This vital breath with content" (Iphis)
-
Jephtha, HWV 70: Act II, no. 29. Chorus "How dark, o Lord, are thy decrees!"
-
Jephtha, HWV 70: Act III, no. 33. Accompagnato "Ye sacred priests, whose hands" (Iphis)
-
Jephtha, HWV 70: Act III, no. 35. Chorus "Doubtful fear and reverend awe" (Preists)
-
Jephtha, HWV 70: Act III, no. 36. Symphony
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Jephtha, HWV 70: Act III, no. 36a. Recitative "Rise, Jephtha, and ye reverend priests" (Angel)
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Jephtha, HWV 70: Act III, no. 37. Air "Happy, Iphis, shalt thou live" (Angel)
-
Jephtha, HWV 70: Act I, no. 10a. Recitative "Some dire event hangs o'er our heads" (Storge)
-
Saeviat tellus inter rigores, HWV 240: O nox dulcis
-
Saeviat tellus inter rigores, HWV 240: Stellae fidae
-
Saeviat tellus inter rigores, HWV 240: Sub tantae Virginis tutela
-
Saeviat tellus inter rigores, HWV 240: Alleluia
-
Cara sposa
-
Suite in G minor, HWV 453
-
Almira Suite
-
Rodrigo, HWV 5: Overture
-
Suite From the Operas Florindo and Daphne
-
Saul, HWV 53: Symphony: II. Larghetto
-
Saul, HWV 53: Symphony: III. Allegro
-
Orlando, HWV 31: Atto III, Scena X. Soli e Coro “Trionfa oggi’l mio cor” (Orlando, Angelica, Medoro, Dorinda, tutti)
-
Jephtha, HWV 70: Act I
-
Jephtha, HWV 70: Act II
-
Jephtha, HWV 70: Act III
-
Jephtha, HWV 70: no. 0a. Minuet
-
Jephtha, HWV 70: Act I, no. 1. Accompagnato "It must be so or these wile Ammonites" (Zebul)
-
Jephtha, HWV 70: Act I, no. 2. Air "Pour forth no more unheeded pray'rs" (Zebul)
-
Jephtha, HWV 70: Act I, no. 3. Chorus "No more to Ammon's god and King"
-
Jephtha, HWV 70: Act I, no. 3a. Recitative "But Jephtha comes" (Zebul, Jephtha)
-
Jephtha, HWV 70: Act I, no. 4. Air "Virtue my soul shall still embrace" (Jephtha)
-
Jephtha, HWV 70: Act I, no. 4a. Recitative "Twill be a painful separation" (Storge)
-
Jephtha, HWV 70: Act I, no. 5. Air "In gentle murmurs will I mourn" (Storge)
-
Jephtha, HWV 70: Act I, no. 5a. Recitative "Happy this embassy" (Hamor)
-
Jephtha, HWV 70: Act I, no. 6. Air "Dull delay, in piercing anguish" (Hamor)
-
Jephtha, HWV 70: Act I, no. 7. Air "Take the heart you fondly gave" (Iphis)
-
Jephtha, HWV 70: Act I, no. 7a. Recitative "I go. My soul, inspir'd by thy command" (Hamor)
-
Jephtha, HWV 70: Act I, no. 8. Duet "These labours past, how happy we" (Iphis, Hamor)
-
Jephtha, HWV 70: Act I, no. 8a. Recitative "What mean these doubtful fancies" (Jephtha)
-
Jephtha, HWV 70: Act I, no. 9. Accompagnato "If, Lord, sustain'd by Thy almighty pow'r" (Jephtha)
-
Jephtha, HWV 70: Act I, no. 9a. Recitative "'Tis said. Attend, ye chiefs" (Jephtha)
-
Jephtha, HWV 70: Act I, no. 10. Chorus "O God, behold our sore distress"
-
Jephtha, HWV 70: Act I, no. 11. Air "Scenes of horror, scenes of woe" (Storge)
-
La Resurrezione, HWV 47: Part II. Recitative: Dove sì frettolosi (San Giovanni, Cleofe)
-
La Resurrezione, HWV 47: Part II. Aria: Caro Figlio! (San Giovanni)
-
La Resurrezione, HWV 47: Part II. Recitative: Cleofe, Giovanni, udite (Maddalena, San Giovanni, Cleofe)
-
La Resurrezione, HWV 47: Part II. Aria: Se impassibile, immortale (Maddalena)
-
La Resurrezione, HWV 47: Part II. Recitative: Sì, sì, col Redentore (San Giovanni, Cleofe, Maddalena)
-
La Resurrezione, HWV 47: Part II. Coro: Diasi lode in Cielo, in terra
-
Cantata, HWV 132b "Mi palpita il cor": I. Arioso e recitativo "Mi palpita il cor ... Tormento e gelosia"
-
Cantata, HWV 132b "Mi palpita il cor": II. Aria "Ho tanti affani in petto"
-
Cantata, HWV 132b "Mi palpita il cor": III. Recitativo "Clori, di te mi lagno"
-
Cantata, HWV 132b "Mi palpita il cor": IV. Aria. Allegro "Se un dì m'adora la mia crudele"
-
Organ Concerto in D minor, op. 7 no. 4, HWV 309: I. Adagio
-
Organ Concerto in D minor, op. 7 no. 4, HWV 309: II. Allegro così così
-
Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Adagio (organo ad libitum)
-
Organ Concerto in D minor, op. 7 no. 4, HWV 309: IV. Allegro
-
Organ Concerto in F major, op. 4 no. 5, HWV 293: I. Larghetto
-
Organ Concerto in F major, op. 4 no. 5, HWV 293: II. Allegro
-
Organ Concerto in F major, op. 4 no. 5, HWV 293: IV. Presto
-
Sonate pour violon en la majeur, op. 1 no. 3
-
Sonate pour violon en la majeur, op. 1 no. 3: I. Andante - Allegro
-
Sonate pour violon en la majeur, op. 1 no. 3: II. Adagio
-
Sonate pour violon en la majeur, op. 1 no. 3: III. Allegro
-
Sonate pour violon en fa majeur, op. 1 no. 12
-
Sonate pour violon en fa majeur, op. 1 no. 12: I. Adagio
-
Sonate pour violon en fa majeur, op. 1 no. 12: II. Allegro
-
Sonate pour violon en fa majeur, op. 1 no. 12: III. Largo
-
Sonate pour violon en fa majeur, op. 1 no. 12: IV. Allegro
-
Concerto grosso in G major, op. 3 no. 3, HWV 314: IV. Allegro
-
Pensieri notturni di Filli, HWV 134: I. Recitativo: Nel dolce dell'oblio
-
Pensieri notturni di Filli, HWV 134: II. Aria: Giacché il sonno a lei dipinge
-
Pensieri notturni di Filli, HWV 134: III. Recitativo: Così fida ella vive
-
Pensieri notturni di Filli, HWV 134: IV. Aria: Ha l'inganno
-
Figlio D'Alte Speranze, HWV 113: I. Recitativo: Figlio d'alte speranze
-
Figlio D'Alte Speranze, HWV 113: II. Aria: Troppo costa
-
Figlio D'Alte Speranze, HWV 113: III. Recitativo: Era conforto il suo penar
-
Figlio D'Alte Speranze, HWV 113: IV. Aria: Sia guida, sia stella
-
Figlio D'Alte Speranze, HWV 113: V. Recitativo: In così dire
-
Figlio D'Alte Speranze, HWV 113: VI. Brillava protetto
-
Armida Abbandonata, HWV 105: I. Accompagnato: Dietro l'orme fugaci
-
Armida Abbandonata, HWV 105: II. Aria: Ah! Crudele, e pur ten vai
-
Armida Abbandonata, HWV 105: III. Recitativo: Per te mi struggo, infido
-
Armida Abbandonata, HWV 105: IV. Accompagnato: O voi, dell'inconstante
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Armida Abbandonata, HWV 105: V. Aria: Venti fermate si
-
Armida Abbandonata, HWV 105: VI. Recitativo: Ma che parlo, che dico?
-
Armida Abbandonata, HWV 105: VII. Aria: In tanti affanni miei
-
Diana Cacciatrice, HWV 79: I. La Marche
-
Diana Cacciatrice, HWV 79: II. Recitativo: Alla caccia, alla caccia
-
Diana Cacciatrice, HWV 79: III. Aria: Foriera la tromba
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Diana Cacciatrice, HWV 79: IV. Coro: Alla caccia
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Diana Cacciatrice, HWV 79: V. Recitativo: Tacete olà tacete
-
Diana Cacciatrice, HWV 79: VI. Arietta: Di questa selva fra dubbie vie
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Diana Cacciatrice, HWV 79: VII. Coro: Alla caccia
-
Tu Fedel? Tu Costante?, HWV 171: I. Sonata
-
Tu Fedel? Tu Costante?, HWV 171: II. Recitativo: Tu fedel? Tu costante?
-
Tu Fedel? Tu Costante?, HWV 171: III. Aria: Cento belle ami Fileno
-
Tu Fedel? Tu Costante?, HWV 171: IV. Recitativo: L'occhio nero, vivace di Filli
-
Tu Fedel? Tu Costante?, HWV 171: V. Aria: Se Licori, Filli ed io
-
Tu Fedel? Tu Costante?, HWV 171: VI. Recitativo: Ma se non hai più d'un sol cuore
-
Tu Fedel? Tu Costante?, HWV 171: VII. Aria: Se non ti piace amarmi
-
Tu Fedel? Tu Costante?, HWV 171: VIII. Recitativo: Ma il tuo genio incostante
-
Tu Fedel? Tu Costante?, HWV 171: IX. Aria: Si crudel, ti lascerò
-
Notte Placida e Cheta, HWV 142: I. Recitativo: Notte palcida e cheta
-
Notte Placida e Cheta, HWV 142: II. Aria: Zeffiretti, deh! venite
-
Notte Placida e Cheta, HWV 142: III. Recitativo: Momento fortunato
-
Notte Placida e Cheta, HWV 142: IV. Aria: Per un istante
-
Der Messias: 30b. Rezitativ (Tenor): Der da wohnet im Himmel
-
The Saints’ Hallelujah
-
While Shepherds Watched Their Flocks
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Blick auf!” / Aria: “Das Volk” (bass)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Pifa
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo: “Es waren Hirten” / Recitativo accompagnato: “Und sief!” / Coro: “Ehre sei Gott” (Angel, chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Aria: “Erwach' zu Liedern der Wonne” (tenor)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo ed Aria: “Dann tut das Auge des Blinden sich auf” / Aria: “Er weidet seine Herde” (soprano I)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wie Schafe geh'n” (chorus)
-
Solo con te
-
Messiah, KV 572
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Overture
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Trostet Zion!”
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “So spricht der Her” / Aria: “Doch wer mag” (bass)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Und er wird” / Recitativo: “Denn sieh!” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo, Aria & Coro: “Denn sieh!” / Aria: “O du, die Wonne” (soprano II, chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Er ward verschmähet” (soprano II)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wahrlich” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Durch seine Wunden” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Und alle” (soprano I) / Coro: “Er trauete Gott” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Die Schmach bricht ihm sein Herz” / Aria: “Schautr hin und sieh!” (soprano II)
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Alessandro, HWV 21: Atto I. Sc.4, No.5 Aria 'Quanto dolce amor saria se non fosse gelosia'
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Alessandro, HWV 21: Atto I. Sc.4, Rec. 'Ne' trofei d'Alessandro trionfa ancor quest'alma'
-
Alessandro, HWV 21: Atto I. Sc.4, No.6 Aria 'Lusinghe piu care'
-
Alessandro, HWV 21: Atto I. Sc.4, Rec. 'Sventurato ch'io sono'
-
Alessandro, HWV 21: Atto I. Sc.4, No.7 Aria 'Vibra, cortese Amor, un'altro strale'
-
Alessandro, HWV 21: Atto I. Sc.5, No.8 Solo e coro 'Fra le guerre e le vittorie fama eterna il ciel mi da'
-
Alessandro, HWV 21: Atto I. Sc.5, Rec. 'Apprestasti, oh Cleone, i sacrifici a Giove'
-
Alessandro, HWV 21: Atto I. Sc.6, Rec. 'Dalla vittoria alla bellezza in braccio passa un felice vincitor'
-
Alessandro, HWV 21: Atto I. Sc.6, No.9 Aria 'No, piu soffrir non voglio'
-
Alessandro, HWV 21: Atto I. Sc.7, Rec.acc. 'Vilipese bellezze'
-
Alessandro, HWV 21: Atto I. Sc.7, Rec. 'Pur ti ritrovo, e perche mai partisti'
-
Trio Sonata in G minor, HWV 393: III. Largo
-
Teseo, HWV 9: Atto II. Dolce riposo (Medea)
-
Ezio, HWV 29: Atto I
( - 1732)
-
Ezio, HWV 29
( - 1732)
-
Ezio, HWV 29: Atto III
( - 1732)
-
Ezio, HWV 29: Atto II
( - 1732)
-
Catone, HWV A7
( - 1732)
-
Beato in ver chi pùo, HWV 181
( - 31 Oct 1742)
-
Passacaglia from the 7th Suite
-
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
-
Flavio, re de' longobardi, HWV 16: Act I, Scene XIII. Aria "A mante stravagante" (Emilia)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene I. Recitativo "Al tuo cenno reale ubbidiente" (Teodata, Flavio)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene IV. Recitativo "Son pur felice al fine" (Guido)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene IV. Aria "Bel contento già gode quest'alma" (Guido)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene V. Recitativo "O dell'Italo soglio, eccelso nume" (Ugone, Flavio, Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene VII. Recitativo "Di qual sovrano e riverito impero" (Ugone, Flavio, Lotario)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene VIII. Recitativo "Vitige!" (Flavio, Vitige)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene IX. Recitativo "Io vo temendo, O Dio" (Vitige)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene V. Recitativo "Vitige!" (Teodata, Vitige, Flavio)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene I. Recitativo "Fra i ciechi orror' notturni" (Vitige, Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene I. Duetto "Ricordati, mio ben" (Vitige, Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene II. Sinfonia
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene III. Recitativo "Con l'alma reverente" (Emilia, Guido, Ugone, Lotario, Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene III. Aria "Quanto dolci, quanto care" (Emilia)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene VIII. Aria "Con un vezzo, con un riso (Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene IX. Aria "Non credo instabile" (Vitige)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene XI. Aria "Ma chi punir desio?" (Emilia)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene II. Recitativo "Guido, Lotario uccise? (Flavio, Vitige, Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene III. Aria "Sirti, scogli, tempeste, procelle" (Vitige)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene IV. Aria "Amor, nel mio penar" (Guido)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene VI. Recitativo "Signore, se il mio delitto" (Guido, Ugone, Flavio)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene IV. Recitativo "Emilia, eccoti al piede" (Guido, Emilia)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene IV. Aria "S'egli ti chiede affetto" (Lotario)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene V. Aria "Parto, sì; ma non so poi" (Emilia)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene VI. Aria "Rompo i lacci, e frango i dardi" (Guido)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene VII. Aria "Chi può mirare" (Flavio)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I. Ouverture
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene II. Recitativo "Lotario, al sacro nodo" (Ugone, Lotario, Guido, Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene VI. Recitativo "Della mia prole Emilia" (Lotario, Flavio, Vitige)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene VIII. Aria "Di quel che m'innamora" (Flavio)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Scene II. Recitativo "Dove, dove mi celo?" (Ugone, Flavio, Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene III. Recitativo "Ah! Teodata, Teodata!" (Ugone, Teodata)
( - 07 May 1723)
-
Trio Sonata in B minor, op. 2 no. 1, HWV 386b: IV. Allegro
-
Toccata I
-
Muzio Scevola: Atto III, HWV 13
( - 23 Mar 1721)
-
Poro, re dell'Indie, HWV 28: Atto II: Duetto "Caro amico amplesso"
-
Alceste, HWV 45: Ouverture
-
Teseo, HWV 9
( - 19 Dec 1712)
-
Admeto, re di Tessaglia, HWV 22
( - 10 Nov 1726)
-
Admeto, re di Tessaglia, HWV 22: Atto II
( - 10 Nov 1726)
-
Admeto, re di Tessaglia, HWV 22: Atto III
( - 10 Nov 1726)
-
Nò, di voi non vo' fidarmi, HWV 190
( - 04 Nov 1742)
-
Dance Suite
-
Sonata in A Minor
-
Flavio, re de' longobardi, HWV 16: Act III, Scene I. Recitativo "Alma, tu non m'intendi (Flavio)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene II. Arioso e recitativo "Corrispondi a chi ti adora" (Vitige, Flavio, Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene V. Recitativo "Che mai chiedete, o stelle" (Emilia, Guido)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene VII. Aria "Se a te vissi fedele" (Lotario)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene IX. Recitativo "Ah! misera, che veggio? ah, genitore" (Emilia, Lotario)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene IV. Accompagnato "O Guido, o mio tiranno!" (Emilia)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene VII. Duetto "Deh, perdona, o dolce bene (Guido, Emilia)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene VII. Recitativo "E tu, Vitige, in pena" (Flavio, Vitige, Teodata, Ugone, Guido)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene VII. Coro "Doni pace ad ogni core"
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene VII. Recitativo "Al tuo piede, o regnante" (Emilia, Flavio, Ugone, Vitige, Guido)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene X. Recitativo "Io deluso? Lotario? ed altri miete" (Lotario, Guido)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene I. Aria "Da te parto; ma concedi" (Emilia)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene II. Aria "Starvi accanto e non languire" (Flavio)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene II. Recitativo "Barbara Teodata" (Vitige, Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene II. Aria "Che colpa è la mia" (Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act III, Scene III. Recitativo "Del nuovo amante, e dell'impero accesa" (Vitige)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene III. Aria "Fato tiranno e crudo" (Ugone)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene IV. Recitativo "Dunque per le mie nozze" (Emilia, Lotario)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene VI. Recitativo"Privarmi ancora" (Guido)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene VII. Recitativo "Di Teodata assai men vago splende" (Flavio, Vitige)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene VIII. Recitativo "Teodata!" (Vitige, Teodata)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act II, Scene IX. Recitativo "Amo, e quel ben ch'adoro" (Vitige)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene IX. Aria "Che bel contento" (Vitige)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene X. Recitativo "Ah! Guido, Guido!" (Ugone, Guido)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene XI. Aria "L'armellin vita non cura" (Guido)
( - 07 May 1723)
-
Flavio, re de' longobardi, HWV 16: Act I, Scene XII. Recitativo"Guido? Consorte?" (Emilia)
( - 07 May 1723)
-
Semele, HWV 58, Act I Scene 1: Cease, Cease Your Vows, 'Tis Impious to Proceed
-
Semele, HWV 58, Act I Scene 2: Turn, Hopeless Lover, Turn Thy Eyes
-
Semele, HWV 58, Act I Scene 2: Too Well I See
-
Semele, HWV 58, Act I Scene 2: You've Undone Me
-
Semele, HWV 58, Act I Scene 3: Ah! Wretched Prince
-
Semele, HWV 58, Act I Scene 4: Hail Cadmus, Hail!
-
Semele, HWV 58, Act II: Sinfonia
-
Semele, HWV 58, Act II Scene 1: Iris, Impatient of Thy Stay
-
Semele, HWV 58, Act II Scene 1: There, from Mortal Cares Retiring
-
Semele, HWV 58, Act II Scene 2: Come, Zephyrs, Come, While Cupid Sings
-
Semele, HWV 58, Act II Scene 3: Let Me Not Another Moment
-
Semele, HWV 58, Act II Scene 3: Lay Your Doubts and Fears Aside
-
Semele, HWV 58, Act II Scene 3: You Are Mortal and Require
-
Semele, HWV 58, Act II Scene 3: How Engaging, How Endearing
-
Semele, HWV 58, Act II Scene 3: Ah, Me!
-
Semele, HWV 58, Act II Scene 3: I Must with Speed Amuse Her
-
Semele, HWV 58, Act II Scene 3: By My Command
-
Semele, HWV 58, Act II Scene 4: Dear Sister, How Was Your Passage Hither?
-
Semele, HWV 58, Act II Scene 4: But Hark! The Heav'nly Sphere Turns Round
-
Semele, HWV 58, Act II Scene 4: Bless the Glad Earth with Heav'nly Lays
-
Semele, HWV 58, Act III: Sinfonia
-
Semele, HWV 58, Act III Scene 1: Somnus, Awake
-
Semele, HWV 58, Act III Scene 1: Leave Me, Loathsome Light
-
Semele, HWV 58, Act III Scene 1: Dull God, Canst Thou Attend the Water's Fall
-
Semele, HWV 58, Act III Scene 1: More Sweet is That Name
-
Semele, HWV 58, Act III Scene 1: My Will Obey
-
Semele, HWV 58, Act III Scene 1: Obey My Will, Thy Rod Resign
-
Semele, HWV 58, Act III Scene 2: My Racking Thoughts by No Kind Slumbers Freed
-
Semele, HWV 58, Act III Scene 3: Thus Shap'd Like Ino
-
Semele, HWV 58, Act III Scene 3: Be Wise As You Are Beautiful
-
Semele, HWV 58, Act III Scene 3: Rich Odours Fill the Fragrant Air
-
Semele, HWV 58, Act III Scene 4: Come to My Arms, My Lovely Fair
-
Semele, HWV 58, Act III Scene 4: O Semele!
-
Semele, HWV 58, Act III Scene 4: Speak, Speak Your Desire
-
Ottone, re di Germania, HWV 15
( - 10 Aug 1722)
-
Semele, HWV 58, Act III Scene 4: Ah, Take Heed What You Press
-
Semele, HWV 58, Act III Scene 5: Ah, Whither Is She Gone, Unhappy Fair?
-
Semele, HWV 58, Act III Scene 6: Above Measure
-
Semele, HWV 58, Act III Scene 8: O Terror and Astonishment!
-
Semele, HWV 58, Act III Scene 8: How I Was Hence Remov'd
-
Semele, HWV 58, Act III Scene 8: See from Above the Bellying Clouds Descend
-
Semele, HWV 58, Act III Scene 9: Sinfonia
-
Semele, HWV 58, Act III Scene 9: Apollo Comes, to Relieve Your Care
-
Semele, HWV 58, Act III Scene 9: Happy, Happy We Shall Be
-
Messiah Medley
-
Orlando, HWV 31: Atto II, Scena VIII. "Ah! perfida" (Orlando) / Atto II, Scena IX. "Ohime! che miro?" (Medoro) / Atto II, Scena X. "Amor, caro Amore!" (Angelica)
-
Olinto, pastore arcade, HWV 143: I. Sonata. Allegro
-
Olinto, pastore arcade, HWV 143: II. Aria: Oh! Come chiare e belle
-
Olinto, pastore arcade, HWV 143: III. Recitativo: Ma quel che più d'ogn'altro
-
Olinto, pastore arcade, HWV 143: IV. Aria: Chi mi chiama?
-
Olinto, pastore arcade, HWV 143: V. Recitativo: Dell'arcadi foreste
-
Olinto, pastore arcade, HWV 143: VI. Aria: Più non spero
-
Olinto, pastore arcade, HWV 143: VII. Recitativo: Per te non più rubella
-
Olinto, pastore arcade, HWV 143: VIII. Aria: Caro Tebro
-
Olinto, pastore arcade, HWV 143: IX. Recitativo: Sì, la Gloria son io
-
Olinto, pastore arcade, HWV 143: X. Aria: Tornami a vagheggiar
-
Olinto, pastore arcade, HWV 143: XI. Recitativo: Tebro, tu non rispondi?
-
Olinto, pastore arcade, HWV 143: XII. Aria: Al suon che destano
-
Olinto, pastore arcade, HWV 143: XIII. Recitativo: Di stupor, di diletto
-
Olinto, pastore arcade, HWV 143: XIV. Aria: Io torno a sperare
-
Olinto, pastore arcade, HWV 143: XV. Recitativo: Di sì giuste speranze
-
Olinto, pastore arcade, HWV 143: XVI. Aria: Astro clemente
-
Olinto, pastore arcade, HWV 143: XVII. Recitativo: Tebro, ti dissi il vero
-
Olinto, pastore arcade, HWV 143: XVIII. Aria: Alle voci del bronzo guerriero
-
Olinto, pastore arcade, HWV 143: XIX. Coro: Viva, viva!
-
Apollo e Dafne, HWV 122: Overture
-
Apollo e Dafne, HWV 122: Aria 'Felicissima quest'alma'
-
Apollo e Dafne, HWV 122: Recitative 'Che voce! Che belta!'
-
Deborah, HWV 51: Act I, Scene V, No. II. Chorus "Despair all around them"
-
Deborah, HWV 51: Act II, No. I. Chorus "See, the proud chief advances now"
-
Deborah, HWV 51: Act II, No. II. Recitative "That here rebellious arms I see" (Sisera)
-
Deborah, HWV 51: Act II, No. III. Air "At my feet extended low" (Sisera)
-
Deborah, HWV 51: Act II, No. IV. Recitative "Go frown, Barbarian" (Deborah)
-
Deborah, HWV 51: Act II, No. VI. Recitative "Yes, how your God in wonders can excel" (Sisera)
-
Deborah, HWV 51: Act II, No. VII. Air "Whilst you boast the wondrous story" (Sisera)
-
Deborah, HWV 51: Act II, No. VIII. Air "Impious mortal, cease to brave us" (Barak)
-
Deborah, HWV 51: Act II, No. IX. Recitative "Behold the nations all around" (Chief Priest of Baal)
-
Deborah, HWV 51: Act II, No. X. Chorus "O Baal, monarch of the skies!" (chorus of Baal's priests)
-
Deborah, HWV 51: Act II, No. XI. Recitative "No. more, ye infidels, No. more!" (Chief Priest of the Israelites)
-
Deborah, HWV 51: Act II, No. XII. Chorus "Lord of eternity, who hast in store" (chorus of Israelites)
-
Deborah: Act II, No. XIII. Recitative "By his great name, and his alone" (Deborah, Sisera)
-
Deborah, HWV 51: Act II, No. XIV. Soli & Chorus "All your boast will end in woe"
-
Deborah, HWV 51: Act II, No. XV. Recitative "Great prophetess, my soul's on fire" (Barak)
-
Deborah, HWV 51: Act II, No. XVI. Air "In the battle, fame pursuing" (Barak)
-
Deborah, HWV 51: Act II, No. XVII. Recitative "Thy ardours warm the winter of my age" (Abinoam)
-
Deborah, HWV 51: Act II, No. XVIII. Air "Swift inundation of desolation" (Abinoam)
-
Deborah, HWV 51: Act II, No. XIX. Recitative "O Judah, with what joy I see" (Israelite woman)
-
Deborah, HWV 51: Act II, No. XX. Air "No. more disconsolate I'll mourn" (Israelite woman)
-
Deborah, HWV 51: Act II, No. XXI. Recitative "Now, Jael, to thy tent retire" (Deborah)
-
Deborah, HWV 51: Act II, No. XXII. Air "O the pleasure my soul is possessing" (Jael)
-
Deborah, HWV 51: Act II, No. XXIII. Recitative "Barak, we now to battle go" (Deborah)
-
Deborah, HWV 51: Act II, No. XXIV. Duet "Smiling freedom, lovely guest" (Deborah, Barak)
-
Deborah, HWV 51: Act II, No. XXV. Chorus "The great king of kings will aid us today"
-
Deborah, HWV 51: Act III, Scene I, No. I. Chorus "A grand military symphony: Now the proud insulting foe" (chorus of Israelites)
-
Deborah, HWV 51: Act III, Scene I, No. II. Recitative "The haughty foe whose pride to heav'n did soar" (Israelite woman)
-
The Occasional Oratorio, HWV 62: Overture
-
The Occasional Oratorio, HWV 62: Overture: I. Andante maestoso – Allegro
-
Deborah, HWV 51: Act III, Scene I, No. III. Air "Now sweetly smiling peace descends" (Israelite woman)
-
Deborah, HWV 51: Act III, Scene II, No. I. Recitative "My pray'rs are heard, the blessings of this day" (Abinoam, Barak)
-
Deborah, HWV 51: Act III, Scene II, No. II. Air "Tears, such as tender fathers shed" (Abinoam)
-
Deborah, HWV 51: Act III, Scene III, No. I. Recitative "O Deborah, my fears are o'er" (Jael)
-
Deborah: Act III, Scene III, No. II. Chorus "Doleful tidings, how ye wound" (chorus of Baal's priests)
-
Deborah, HWV 51: Act III, Scene III, No. III. Air "Our fears are now forever fled" (Israelite woman)
-
Deborah, HWV 51: Act III, Scene III, No. IV. Recitative "I saw the tyrant breathless in her tent" (Barak, Jael)
-
Deborah, HWV 51: Act III, Scene III, No. V. Air "Tyrant, now No. more we dread thee" (Jael)
-
Deborah, HWV 51: Act III, Scene III, No. VI. Recitative "If, Jael, I a right divine" (Deborah)
-
Deborah, HWV 51: Act III, Scene III, No. VII. Air "The glorious sun shall cease to shed" (Deborah)
-
Deborah, HWV 51: Act III, Scene III, No. VIII. Recitative "May heav'n, with kind profusion, shed" (Barak)
-
Deborah, HWV 51: Act III, Scene III, No. IX. Air "Low at her feet he bow'd, he fell" (Barak)
-
Deborah, HWV 51: Act III, Scene III, No. X. Recitative "O great Jehovah! may thy foes" (Deborah)
-
Deborah, HWV 51: Act III, Scene III, No. XI. Chorus "Let our glad songs to heav'n ascend"
-
Deborah, HWV 51: Act I
-
Deborah, HWV 51: Act II
-
Deborah, HWV 51: Act III
-
Coronation Anthem no. 1, HWV 258 “Zadok the Priest”: II. And All the People Rejoic’d
-
Semele, HWV 58: Act II, no. 33. "With adamant the gates are barr'd" (Iris)
-
Sports Prepare
-
Semele, HWV 58: Overture
-
Semele, HWV 58, Act I: Gavotte
-
Semele, HWV 58, Act I Scene 1: Behold! Auspicious Flashes Rise
-
Semele, HWV 58, Act I Scene 1: Lucky Omens Bless Our Rites
-
Semele, HWV 58, Act I Scene 1: Daughter, Obey
-
Semele, HWV 58, Act I Scene 1: Ah Me!
-
Semele, HWV 58, Act I Scene 1: O Jove! in Pity Teach Me Which to Choose
-
Semele, HWV 58, Act I Scene 1: Alas! She Yields
-
Semele, HWV 58, Act I Scene 1: Why Dost Thou Thus Untimely Grieve
-
Semele, HWV 58, Act I Scene 1: Avert These Omens, All Ye Pow'rs
-
Semele, HWV 58, Act I Scene 1: Again Auspicious Flashes Rise
-
The Occasional Oratorio, HWV 62: Overture: II. Largo
-
The Occasional Oratorio, HWV 62: Overture: III. March
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Brecht entzwei” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Der da wohnet im Himmel” / Aria: “Du zerschlägst sie” (tenor)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Hallelujah” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Aria: “Ich weiß” (soprano I)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Wie durch Einen der Tod” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo ed Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Doch Dank sei Dir Gott” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Würdig ist das Lamm” / “Amen” (chorus)
-
Trio Sonata in G minor, HWV 404: II. Allegro
-
Trio Sonata in G minor, HWV 404: IV. Allegro
-
Partenope, HWV 27, Act 3: "Ch'io parta?" (Arsace)
-
Chandos Anthem no. 4 “O sing unto the Lord a new song”, HWV 249b: I. Sonata
-
Chandos Anthem no. 4 “O sing unto the Lord a new song”, HWV 249b: II. O Sing Unto the Lord, and Praise His Name
-
Chandos Anthem no. 4 “O sing unto the Lord a new song”, HWV 249b: III. Declare His Honur Unto the Heathen
-
Chandos Anthem no. 4 “O sing unto the Lord a new song”, HWV 249b: IV. The Waves of the Sea Rage
-
Chandos Anthem no. 4 “O sing unto the Lord a new song”, HWV 249b: VI. Let the Whole Earth Stand in Awe
-
Chandos Anthem no. 4 “O sing unto the Lord a new song”, HWV 249b: VIII. For He Cometh to Judge the Earth
-
Chandos Anthem no. 4 “O sing unto the Lord a new song”, HWV 249b: V. O Worship the Lord in the Beauty
-
Chandos Anthem no. 4 “O sing unto the Lord a new song”, HWV 249b: VII. Let the Heavn’s Rejoice
-
Love In Bath: The Pump Room
-
Love In Bath: Beau Nash
-
Love In Bath: The Linleys
-
Love In Bath: Hunting Dance
-
Love In Bath: Love Scene
-
Love In Bath: The Quarrel
-
Love In Bath: The Pump Room (Reprise)
-
Love In Bath: The Plot
-
Love In Bath: The Weary Flunkeys
-
Love In Bath: The Exquisites (Madrigal)
-
Love In Bath: Second Love Scene
-
Love In Bath: March
-
Love In Bath: Sarabande
-
Love In Bath: Minuet
-
Love In Bath: Hornpipe
-
Love In Bath: Rondeau
-
Love In Bath: Gigue
-
Love In Bath: March (Reprise)
-
Love In Bath: Interlude
-
Love In Bath: Serenade
-
Love In Bath: The Elopement - Discovery - Finale
-
Love in Bath
-
Agrippina, HWV 6: Atto II, Scena VI: Aria: “Spera, alma mia”
-
Agrippina, HWV 6: Atto II, Scena XIX: Aria: “Basta che sol tu chieda”
-
Agrippina, HWV 6: Atto II, Scena XX: “Favorevol la sorte”
-
Agrippina, HWV 6: Atto III, Scena II: Aria: “Tacerò”
-
Agrippina, HWV 6: Atto III, Scena IV: Aria: “Coll’ardor del tuo bel core”
-
Concerto grosso in G major, op. 3 no. 3, HWV 314
-
Concerto grosso in G major, op. 3 no. 3, HWV 314: I. Largo e staccato
-
Concerto grosso in G major, op. 3 no. 3, HWV 314: II. Allegro
-
Concerto grosso in G major, op. 3 no. 3, HWV 314: III. Adagio
-
Concerto grosso in G major, op. 3 no. 3, HWV 314: IV. Allegro
-
Agrippina, HWV 6: Atto III, Scena X: Aria: “Pur ch’io ti stringa al sen”
-
Agrippina, HWV 6: Atto III, Scena X: “Piega pur del mio cor”
-
Agrippina, HWV 6: Atto III, Scena X: Aria: “Bel piacere”
-
Agrippina, HWV 6: Atto III, Scena XI: “Cotanto osò Poppea?”
-
Agrippina, HWV 6: Atto III, Scena ultima: “D’Ottone e di Poppea”
-
Agrippina, HWV 6: Atto III, Scena ultima: Aria: “V’accendano le tede”
-
Agrippina, HWV 6: Atto III, Balli: Sarabande
-
Agrippina, HWV 6: Atto III, Balli: Bourrée
-
Agrippina, HWV 6: Atto III, Balli: Menuet
-
Agrippina, HWV 6: Atto III, Balli: Passacaille
-
Herr, du läßt mich fröhlich singen
-
Dir will ich singen ewiglich
-
Concerto grosso in B minor, op. 6 no. 12, HWV 330
-
Semele, HWV 58: Act II, no. 45. "Where'er You Walk" (Jupiter)
-
Rejoice! The Lord is King (Gopsal)
-
Sarabande
-
Air and Variations "The Harmonious Blacksmith"
-
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
-
Voluntary für Trompete und Orgel
-
Joseph and his Brethren: Overture
-
De tijd
-
Radamisto, HWV 12: Atto II: Passacaglia
-
Partita in A major, HWV 454: I. Allemande
-
Partita in A major, HWV 454: III. Sarabande
-
Partita in A major, HWV 454: II. Courante
-
Partita in A major, HWV 454: IV. Gigue
-
Suite in C major, HWV 443: I. Praeludium
-
Suite in C major, HWV 443: II. Allemande
-
Suite in C major, HWV 443: III. Courante
-
Suite in C major, HWV 443: V. Gigue
-
Suite in C major, HWV 443: VI. Chaconne
-
Suite in C major, HWV 443: IV. Sarabande & Double
-
Partita in G major, HWV 450: III. Courante
-
Partita in G major, HWV 450: IV. Sarabande
-
Partita in G major, HWV 450: V. Gigue
-
Partita in G major, HWV 450: VI. Menuet
-
Partita in G major, HWV 450: I. Preludio
-
Partita in G major, HWV 450: II. Allemande
-
Suite in G minor, HWV 451: II. Courante
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Er ist dahin aus dem Lande der Lebenden” / Aria: “Doch du liessest ihn” (soprano I)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Zu welchen” / Aria: “Der Herr gab das Wort” (soprano II)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Warum entbrennen” (bass)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo accompagnato ed Aria: “Sie schallt” (bass)
-
Alessandro, HWV 21: Atto I. Sc.7, No.11 Aria 'Men fedele, men costante finge il labbro, e non il cor'
-
Alessandro, HWV 21: Atto I. Sc.7, Rec. 'Si, lusingando ei parla, e par che m'ami'
-
Alessandro, HWV 21: Atto I. Sc.7, No.12 Aria 'Un lusinghiero dolce pensiero'
-
Alessandro, HWV 21: Atto I. Sc.8, Rec. 'Tu, che Rossane adori'
-
Alessandro, HWV 21: Atto I. Sc.8, No.14b Aria 'Pregi son d'un alma grande l'amicizia'
-
Alessandro, HWV 21: Atto I. Sc.8, Rec. 'Sempre del suo valor, fido seguace saro'
-
Alessandro, HWV 21: Atto I. Sc.8, No.15 Aria 'A sprone, a fren leggiero un nobile destriero contento ubbidira'
-
Alessandro, HWV 21: Atto I. Sc.9, No.16 Sinfonia
-
Alessandro, HWV 21: Atto I. Sc.9, Rec. 'Al magnanimo, al forte, al vincitore'
-
Alessandro, HWV 21: Atto I. Sc.9, No.17 Sinfonia
-
Alessandro, HWV 21: Atto I. Sc.9, Rec.acc. 'Primo motor delle superne sfere'
-
Alessandro, HWV 21: Atto I. Sc.9, Rec. 'Figlio del Re degl'immortali Numi'
-
Alessandro, HWV 21: Atto I. Sc.9, No.18 Duetto 'Placa l'alma, quieta il petto'
-
Alessandro, HWV 21: Atto I. Sc.9, Rec. 'Fra gli uomini e fra i Numi'
-
Alessandro, HWV 21: Atto I. Sc.9, No.19 Aria 'Da un breve riposo di stato amoroso'
-
Alessandro, HWV 21: Atto I. Sc.4, Rec. 'Ecco Tassile, il re dell'Indi'
-
Alessandro, HWV 21: Atto II. Sc.1, No.20 Rec.acc. 'Solitudine amate in cui sfogarmi lice una fiamma infelice'
-
Alessandro, HWV 21: Atto II. Sc.1, Arioso 'Aure, fonti, ombre gradite'
-
Alessandro, HWV 21: Atto II. Sc.2, Rec. ed Arioso 'Eccola in preda al sonno'
-
Alessandro, HWV 21: Atto II. Sc.2, No.21 Aria 'Vano amore, lusinga, diletto'
-
Alessandro, HWV 21: Atto II. Sc.3, No.22 Rec. 'Tiranna passion, lasciami in pace'
-
Alessandro, HWV 21: Atto II. Sc.3, No.23 Aria 'Sempre fido e disprezzato'
-
Alessandro, HWV 21: Atto II. Sc.3, Rec. 'Pur troppo veggio d'Alessandro il core alla rival rivolto'
-
Alessandro, HWV 21: Atto II. Sc.3, No.24 Aria 'Che tirannia d'Amor'
-
Alessandro, HWV 21: Atto II. Sc.4, Rec. 'Qui aspetto l'incostante'
-
Alessandro, HWV 21: Atto II. Sc.4, No.25 Aria 'Alla sua gabbia d'oro suol ritornar talor quell'augellin'
-
Alessandro, HWV 21: Atto II. Sc.4, Rec. 'Vince al fin la belta' - Sc.5 Rec. 'Vincitor generoso, la liberta data a Rossane'
-
Alessandro, HWV 21: Atto II. Sc.5, No.26 Aria 'Risolvo abbandonar la bella che mi sprezza'
-
Alessandro, HWV 21: Atto II. Sc.5, Rec. 'Finto sereno e d'Alessandro in volto'
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I)
-
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus)
-
Alessandro, HWV 21: Atto II. Sc.5, No.27 Aria 'La cervetta nei lacci avvolta'
-
Alessandro, HWV 21: Atto II. Sc.6, No.28 Sinfonia - Rec. 'Dopo il sublime onor delle gran geste'
-
Alessandro, HWV 21: Atto II. Sc.7, Rec. 'Oh Dei, che infausta nuova' - Sc.8 Rec. 'Sire, il popol gia vinto l'armi ripiglia'
-
Alessandro, HWV 21: Atto II. Sc.8, No.29 Aria 'Il cor mio, ch'e gia per te tutto amore e tutto fe'
-
Alessandro, HWV 21: Atto II. Sc.8, Rec. 'Svanisci oh reo timore di tormentosa gelosia'
-
Alessandro, HWV 21: Atto II. Sc.8, No.30 Aria 'Dica il falso, dica il vero'
-
Alessandro, HWV 21: Atto III. Sc.1, Rec. 'L'adulator s'appressa' - Sc.2 Rec. 'Renditi, o mori'
-
Alessandro, HWV 21: Atto III. Sc.2, No.32 Aria 'Saro qual vento, che nell'incendio spira'
-
Alessandro, HWV 21: Atto III. Sc.3, 'La resa liberta dunque, oh Rossane, a lasciarne t'alletta'
-
Alessandro, HWV 21: Atto III. Sc.3, No.33 Aria 'Si, m'e caro imitar quel bel fiore'
-
Alessandro, HWV 21: Atto III. Sc.3, Rec. 'Sento un'interna inusitata gioia'
-
Alessandro, HWV 21: Atto III. Sc.3, No.34a Aria 'Brilla nell'alma'
-
Alessandro, HWV 21: Atto III. Sc.4, Rec. 'Qual tormento crudel soffrir non fanno ambo assalendo un core ambizione e amore '
-
Alessandro, HWV 21: Atto III. Sc.4, No.35 Aria 'L'amor, che per te sento'
-
Alessandro, HWV 21: Atto III. Sc.4, Rec. 'Si generoso affetto degno e d'amor' - Sc.5 Rec. 'E qual fisso pensier sospende, oh Sire, l'eccelsa mente'
-
Alessandro, HWV 21: Atto III. Sc.5, No.36 Aria 'Pupille amate'
-
Alessandro, HWV 21: Atto III. Sc.5, Rec. 'Numi eterni'
-
Alessandro, HWV 21: Atto III. Sc.5, No.37 Aria 'Tempesta e calma sento nell'alma'
-
Alessandro, HWV 21: Atto III. Sc.6, Coro 'D'uom fiero nel soglio si domi l'orgoglio'
-
Alessandro, HWV 21: Atto III. Sc.6, Rec. 'Chi osera traditore assalire Alessandro'
-
Alessandro, HWV 21: Atto III. Sc.6, No.39 Aria 'Prove sono di grandezza'
-
Alessandro, HWV 21: Atto III. Sc.ultima (7), No.40 Rec.acc. 'Spegni, oh supremo Regnator de' Numi - No.41 Rec.acc. 'Oh sommo Giove' - Rec 'Si festeggi il bel giorno'
-
Alessandro, HWV 21: Atto III. Sc.ultima (7), No.42 Duetto 'In generoso onor, bella, ti cede il cor'
-
Alessandro, HWV 21: Atto III. Sc.ultima (7), Duetto 'Cara, la tua belta in me sol regnera'
-
Alessandro, HWV 21: Atto III. Sc.ultima (7), Coro 'Amico arrida il Ciel al nostro amor fedel'
-
"Lascia ch'io pianga" from Rinaldo
-
For Unto Us a Child Is Born
-
Trio Sonata in G minor, HWV 404: I. Andante
-
Suite de pièce in A major, Vol. 1 no. 1, HWV 426
-
Suite de pièce in F major, Vol. 1 no. 2, HWV 427
-
Suite de pièce in E minor, Vol. 1 no. 4, HWV 429
-
Suite de pièce in F-sharp minor, Vol. 1 no. 6, HWV 431
-
Suite de pièce in G minor, Vol. 1 no. 7, HWV 432
-
Suite de pièce in F minor, Vol. 1 no. 8, HWV 433
-
Flute Sonata in A minor, HWV 374 "Halle Sonata no. 1": I. Adagio
-
Flute Sonata in A minor, HWV 374 "Halle Sonata no. 1": II. Allegro
-
Flute Sonata in A minor, HWV 374 "Halle Sonata no. 1": III. Adagio
-
Flute Sonata in A minor, HWV 374 "Halle Sonata no. 1": IV. Allegro
-
Flute Sonata in E minor, HWV 375 "Halle Sonata no. 2": I. Adagio
-
Flute Sonata in E minor, HWV 375 "Halle Sonata no. 2": II. Allegro
-
Flute Sonata in E minor, HWV 375 "Halle Sonata no. 2": III. Grave
-
Flute Sonata in E minor, HWV 375 "Halle Sonata no. 2": IV. Minuet
-
Flute Sonata in B minor, HWV 376 "Halle Sonata no. 3": I. Adagio
-
Flute Sonata in B minor, HWV 376 "Halle Sonata no. 3": II. Allegro
-
Flute Sonata in B minor, HWV 376 "Halle Sonata no. 3": III. Largo
-
Flute Sonata in B minor, HWV 376 "Halle Sonata no. 3": IV. Allegro
-
Flute Sonata in D major, HWV 378: I. Adagio
-
Flute Sonata in D major, HWV 378: II. Allegro
-
Flute Sonata in D major, HWV 378: III. Adagio
-
Flute Sonata in D major, HWV 378: IV. Allegro
-
Flute Sonata in A minor, HWV 374 "Halle Sonata no. 1"
-
Flute Sonata in E minor, HWV 375 "Halle Sonata no. 2"
-
Flute Sonata in B minor, HWV 376 "Halle Sonata no. 3"
-
Trio Sonata in G minor, op. 2 no. 5, HWV 390: I. Larghetto - Adagio
-
Trio Sonata in G minor, op. 2 no. 5, HWV 390: II. Allegro
-
Trio Sonata in G minor, op. 2 no. 5, HWV 390: III. Adagio
-
Trio Sonata in G minor, op. 2 no. 5, HWV 390: IV. Allegro
-
Trio Sonata in G minor, op. 2 no. 6, HWV 391: I. Andante - Allegro
-
Trio Sonata in G minor, op. 2 no. 6, HWV 391: II. Arioso
-
Trio Sonata in G minor, op. 2 no. 6, HWV 391: III. Allegro
-
Trio Sonata in F major, HWV 392: I. Andante
-
Trio Sonata in F major, HWV 392: II. Allegro
-
Trio Sonata in F major, HWV 392: III. Adagio
-
Trio Sonata in F major, HWV 392: IV. Allegro
-
Trio Sonata in G minor, op. 2 no. 6, HWV 391
-
Trio Sonata in G minor, op. 2 no. 5, HWV 390
-
Trio Sonata in B minor, op. 2 no. 1, HWV 386b: I. Andante - Adagio
-
Trio Sonata in B minor, op. 2 no. 1, HWV 386b: II. Allegro ma non troppo
-
Trio Sonata in B minor, op. 2 no. 1, HWV 386b: III. Largo
-
6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: I. Andante
-
6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: II. Allegro
-
6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: III. Largo
-
Alessandro, HWV 21: Atto I. Sc.2, Rec. 'Grazie all'eterno Giove'
-
Alcina, HWV 34: Atto III. Entrée de Mori
-
Organ Concerto in A major, HWV 296a
( - 1739)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part III
( - 04 Feb 1740)
-
6 Trio Sonatas, op. 2: no. 2 in G minor, HWV 387: IV. Allegro
-
Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: I. Andante - Adagio
-
Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: II. Allegro
-
Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: III. Larghetto
-
Trio Sonata in B-flat major, op. 2 no. 3, HWV 388: IV. Allegro
-
Trio Sonata in F major, op. 2 no. 4, HWV 389: I. Larghetto
-
Trio Sonata in F major, op. 2 no. 4, HWV 389: II. Allegro
-
Trio Sonata in F major, op. 2 no. 4, HWV 389: III. Adagio
-
Trio Sonata in F major, op. 2 no. 4, HWV 389: IV. Allegro
-
Trio Sonata in F major, op. 2 no. 4, HWV 389: V. Allegro
-
Trio Sonata in B minor, op. 2 no. 1, HWV 386b
-
Trio Sonata in B-flat major, op. 2 no. 3, HWV 388
-
Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Adagio (organo ad libitum)
-
Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: I. Pomposo
-
Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: III. A tempo ordinario
-
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: I. Larghetto
-
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: II. Allegro
-
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: IV. Allegro
-
Il trionfo del Tempo e del Disinganno, HWV 46a: Sonata
-
Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301
-
Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a
-
Almira, Königin von Castilien, HWV 1: Akt I
-
Almira, Königin von Castilien, HWV 1
-
Almira, Königin von Castilien, HWV 1: Akt II
-
Almira, Königin von Castilien, HWV 1: Akt III
-
Nero, HWV 2
-
Nero, HWV 2: Akt I
-
Nero, HWV 2: Akt II
-
Nero, HWV 2: Akt III
-
Der beglückte Florindo, HWV 3
-
Der beglückte Florindo, HWV 3: Akt I
-
Der beglückte Florindo, HWV 3: Akt II
-
Der beglückte Florindo, HWV 3: Akt III
-
Die verwandelte Daphne, HWV 4
-
Die verwandelte Daphne, HWV 4: Akt II
-
Die verwandelte Daphne, HWV 4: Akt I
-
Die verwandelte Daphne, HWV 4: Akt III
-
Rodrigo, HWV 5
-
Rodrigo, HWV 5: Atto I
-
Rodrigo, HWV 5: Atto II
-
Rodrigo, HWV 5: Atto III
-
Il pastor fido, HWV 8b
-
Il pastor fido, HWV 8c
-
Teseo, HWV 9: Atto I
-
Teseo, HWV 9: Atto II
-
Teseo, HWV 9: Atto III
-
Teseo, HWV 9: Atto IV
-
Teseo, HWV 9: Atto V
-
Lucio Cornelio Silla, HWV 10
( - 1713)
-
Lucio Cornelio Silla, HWV 10: Atto I
-
Lucio Cornelio Silla, HWV 10: Atto II
-
Lucio Cornelio Silla, HWV 10: Atto III
-
Radamisto, HWV 12: Atto II. "Ombra cara di mia sposa" (Radamisto)
-
Radamisto, HWV 12: Atto III. "Qual nave smarrita" (Radamisto)
-
Radamisto, HWV 12: Atto I
-
Radamisto, HWV 12: Atto III
-
Radamisto, HWV 12: Atto II
-
Muzio Scevola
-
Floridante, HWV 14: Overtura
-
Floridante, HWV 14: Atto I. Aria "Dimmi, o spene" (Elmira)
-
Floridante, HWV 14: Atto I. Recitativo "Oggi di Tracia" (Elmira, Rossanne)
-
Floridante, HWV 14: Atto I. Aria "Godi, o spene" (Elmira)
-
Floridante, HWV 14: Atto I. Recitativo "Avventurosa Elmira" (Rossane)
-
Floridante, HWV 14: Atto I. Aria "Ma un dolce mio pensiero" (Rossane)
-
Floridante, HWV 14: Atto I. Marche
-
Floridante, HWV 14: Atto I. Recitativo "Questo de' miei trionfi" (Floridante, Elmira)
-
Floridante, HWV 14: Atto I. Aria "Alma mia" (Floridante)
-
Floridante, HWV 14: Atto I. Recitativo "Ch'io parta?" (Floridante, Elmira)
-
Floridante, HWV 14: Atto I. Recitativo "Giove compensator" (Rossane, Floridante, Elmira, Timante)
-
Floridante, HWV 14: Atto I. Recitativo "Oronte, il re de' Persi" (Coralbo, Floridante, Elmira, Rossana)
-
Floridante, HWV 14: Atto I. Aria "Ma pria vedrò le stelle" (Elmira)
-
Floridante, HWV 14: Atto I. Recitativo "Fammi bersaglio" (Floridante)
-
Floridante, HWV 14: Atto I. Aria "Sventurato, godi, o core" (Floridante)
-
Floridante, HWV 14: Atto I. Recitativo "Cinto d'allori" (Rossane, Oronte)
-
Floridante, HWV 14: Atto I. Aria "Finché lo strale" (Oronte)
-
Il pastor fido, HWV 8c: Menuet
-
Floridante, HWV 14: Atto I. Recitativo "Novo aspetto di cose" (Rossane)
-
Floridante, HWV 14: Atto I. Recitativo "Ma viene il prigionier" (Rossane, Timante)
-
Floridante, HWV 14: Atto I. Aria "Sospiro, è vero" (Rossane)
-
Floridante, HWV 14: Atto I. Recitativo "Per quali vie lontane" (Timante)
-
Floridante, HWV 14: Atto I. Aria "Dopo il nembo e la procella" (Timante)
-
Floridante, HWV 14: Atto I. Recitativo "Padre, signor, frena lo sdegno" (Elmira, Oronte, Floridante)
-
Floridante, HWV 14: Atto I. Recitativo "Al primo cenno, sire" (Floridante, Oronte)
-
Floridante, HWV 14: Atto I. Duetto "Ah, mia cara, se tu resti" (Floridante, Elmira)
-
Floridante, HWV 14: Atto III. Coro "Quando pena la costanza"
-
Floridante, HWV 14: Atto III. Recitativo "La cittade, la reggia" (Elmira)
-
Floridante, HWV 14: Atto III. Aria "Mia bella, godo che son per te" (Floridante)
-
Floridante, HWV 14: Atto III. Recitativo "Fido e guerriero" (Elmira, Floridante, Rossane, Timante)
-
Floridante, HWV 14: Atto III. Sinfonia
-
Floridante, HWV 14: Atto III. Aria "Che veggio? che sento?" (Oronte)
-
Floridante, HWV 14: Atto III. Recitativo "Ah, traditor Coralbo" (Oronte)
-
Floridante, HWV 14: Atto III. Aria "Sì, coronar vogl'io" (Elmira)
-
Floridante, HWV 14: Atto III. Recitativo "Misero amato Prence" (Elmira, Floridante)
-
Floridante, HWV 14: Atto III. Recitativo "Tale non era il cenno mio!" (Oronte, Floridante, Elmira)
-
Floridante, HWV 14: Atto III. Recitativo "S'uccida chi resiste" (Coralbo, Oronte, Timante, Elmira, Floridante)
-
Floridante, HWV 14: Atto III. Aria "Questi ceppi e quest' orrore" (Floridante)
-
Floridante, HWV 14: Atto III. Aria "Amor comanda" (Timante)
-
Floridante, HWV 14: Atto III. Recitativo "Servasi alla mia bella" (Timante)
-
Floridante, HWV 14: Atto III. Arietta "Vanne, segui 'l mio desio" (Rossane)
-
Floridante, HWV 14: Atto III. Recitativo "Nella vasta città" (Timante, Rossane)
-
Floridante, HWV 14: Atto III. Aria "Vivere per penare" (Elmira)
-
Floridante, HWV 14: Atto III. Recitativo "Si mora, sì" (Elmira)
-
Floridante, HWV 14: Atto III. Aria "Se dolce m'era già" (Floridante)
-
Floridante, HWV 14: Atto III. Recitativo "Numi, che aspetto di dolor" (Floridante, Oronte, Elmira)
-
Floridante, HWV 14: Atto III. Recitativo "Elmira, a te ritorno" (Oronte, Elmira)
-
Alexander's Feast, HWV 75: Part I, no. 10. Aria and Chorus "Bacchus ever fair and young"
-
Floridante, HWV 14: Atto III. Aria "Non lasciar oppressa della sorte" (Coralbo)
-
Floridante, HWV 14: Atto III. Recitativo "Or mi si svela il grand' arcano" (Coralbo, Elmira)
-
Floridante, HWV 14: Atto III. Aria "Se risolvi abbandonarmi" (Rossane)
-
Floridante, HWV 14: Atto III. Recitativo "Oh sventuratie vani disegni" (Rossane, Elmira, Coralbo)
-
Floridante, HWV 14: Atto II. Aria "Ma che vuoi più da me" (Elmira)
-
Floridante, HWV 14: Atto II. Accompagnato ed Recitativo "Sorte nemica" (Elmira)
-
Floridante, HWV 14: Atto II. Recitativo "Guardia a costei severa" (Oronte)
-
Floridante, HWV 14: Atto II. Aria "Tacerò, ma non potrai comandar" (Floridante)
-
Floridante, HWV 14: Atto II. Recitativo "Qual bona sorte!" (Oronte, Elmira, Floridante)
-
Floridante, HWV 14: Atto II. Recitiativo "O facil porta" (Floridante, Elmira)
-
Floridante, HWV 14: Atto II. Arioso ed Accompagnato "Notte cara" (Elmira)
-
Floridante, HWV 14: Atto II. Duetto "Fuor di periglio" (Rossane, Timante)
-
Floridante, HWV 14: Atto II. Recitativo "Ormai tutta silenzio" (Rossane, Timante)
-
Floridante, HWV 14: Atto II. Aria "Ma non s'aspetti" (Oronte)
-
Floridante, HWV 14: Atto II. Recitativo "Convien lasciar libero" (Oronte)
-
Floridante, HWV 14: Atto II. Aria "Barbaro, t'odio a morte" (Elmira)
-
Floridante, HWV 14: Atto II. Aria "Bramo te sola" (Floridante)
-
Floridante, HWV 14: Atto II. Recitativo "Questo è il tempo fatal" (Oronte, Elmira)
-
Floridante, HWV 14: Atto II. Recitativo "Oronte un messo invia" (Timante, Elmira, Rossane)
-
Floridante, HWV 14: Atto II. Recitativo "Glicon, se sei verace" (Rossane, Timante, Floridante, Elmira)
-
Floridante, HWV 14: Atto II. Recitativo "Fedele Elmira! (Floridante, Elmira)
-
Floridante, HWV 14: Atto II. Recitativo "Difficil cosa è il ravvisarti" (Timante, Floridante)
-
Floridante, HWV 14: Atto II. Aria "Gode l'alma innamorata" (Rossane)
-
Floridante, HWV 14: Atto II. Recitativo "Oh fortunati affetti miei" (Rossane)
-
Floridante, HWV 14: Atto II. Aria "Lascioti, o bella, il volto" (Timante)
-
Floridante, HWV 14: Atto II. Recitativo "Ecco il vago mio sol" (Timante, Rossane)
-
Floridante, HWV 14: Atto III
-
Floridante, HWV 14: Atto II
-
Floridante, HWV 14: Atto I
-
Theodora (« Defend her, Heav'n »)
-
Suite in G minor: VIII. Passacaille
-
Suite in G minor: IX. Passepied
-
Suite in G minor
-
Sonata in B major
-
Das Alexander-Fest, K. 591: Part I. Recit: "Am königlichen Fest"
-
Das Alexander-Fest, K. 591: Part I. Aria: "Selig, selig, selig, Paar!"
-
Das Alexander-Fest, K. 591: Part I. Chorus: "Selig, selig, selig, Paar!"
-
Das Alexander-Fest, K. 591: Part I. Recit: "Der Sänger ragt hervor"
-
Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Das Lied begann vom Zeus"
-
Das Alexander-Fest, K. 591: Part I. Aria: "Bacchus ewig jung und schön"
-
Das Alexander-Fest, K. 591: Part I. Chorus: "Bacchus' Schlauch ist unser Erbteil"
-
Das Alexander-Fest, K. 591: Part I. Recit: "Siegprandend fühlt der Held das Lied"
-
Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Nun flößt sein Trauerton"
-
Das Alexander-Fest, K. 591: Part I. Aria: "Er sang den Perser groß und gut"
-
Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Gesenkt das Haupt sitzt traurig da der Held"
-
Das Alexander-Fest, K. 591: Part I. Chorus: "Seht an, den Perser groß und gut"
-
Das Alexander-Fest, K. 591: Part I. Recit: "Der Meister lächelt, weil er sieht"
-
Das Alexander-Fest, K. 591: Part I. Aria: "Töne sanft, du lydisch Brautlied"
-
Das Alexander-Fest, K. 591: Part I. Aria: "Krieg, O Held, ist Sorg' und Arbeit"
-
Das Alexander-Fest, K. 591: Part I. Chorus: "Die ganze Schar erhebt ein Lobgeschrei"
-
Das Alexander-Fest, K. 591: Part I. Aria: "Der Fürst, der Seine Glut umsonst vorhehlt"
-
Das Alexander-Fest, K. 591: Part I. Chorus - da capo: "Die ganze Schar erhebt ein Lobgeschrei"
-
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Erschalle, goldnes Saitenspiel"
-
Das Alexander-Fest, K. 591: Part II. Chorus: "Brich die Bande seines Schlummers"
-
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Sieh da! Der Donnerton hat ihn aufgeschrekt!"
-
Das Alexander-Fest, K. 591: Part II. Aria: "Gib rach'! heult alles laut"
-
Das Alexander-Fest, K. 591: Part II. Aria: "Ha! welche bleiche Schar"
-
Das Alexander-Fest, K. 591: Part II. Aria - da capo: "Gib rach'! heult alles laut"
-
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Rache gib deinem wackern Heer!"
-
Das Alexander-Fest, K. 591: Part II. Aria: "Es jauchzen die Krieger voll trunk'ner Wut"
-
Das Alexander-Fest, K. 591: Part II. Aria: "Thaïs führt ihn an"
-
Alessandro, HWV 21: Atto III. Sc.1, No.31 Arioso 'Sfortunato e il mio valore'
-
La Resurrezione, HWV 47: Part I. Sonata
-
Das Alexander-Fest, K. 591: Part II. Chorus: "Die Krieger, sie jauchzen voll trunk'ner Wut"
-
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "So stimmte vor, als Bälge noch nicht atmeten"
-
Das Alexander-Fest, K. 591: Part II. Chorus: "Vom Himmel kam Caecilia"
-
Das Alexander-Fest, K. 591: Part II. Recit: "Timotheus, entsag' dem Preis!"
-
Das Alexander-Fest, K. 591: Part II. Chorus: "Timotheus, entsag' dem Preis!"
-
Ode auf St. Caecilia, K. 592: Overture
-
Ode auf St. Caecilia, K. 592: Recit: "Durch Harmonie"
-
Ode auf St. Caecilia, K. 592: Acc. Recit: "Natur lag unter einer Last"
-
Ode auf St. Caecilia, K. 592: Chorus: "Durch Harmonie"
-
Hendlouverture
-
Alcina, HWV 34: Atto II. Combat des Songes funestes et agréables
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III
-
Tolomeo, rè d'Egitto, HWV 25: Atto I
-
Tolomeo, rè d'Egitto, HWV 25: Atto II
-
Tolomeo, rè d'Egitto, HWV 25: Atto III
-
Orlando, HWV 31: Atto I
-
Orlando, HWV 31: Atto II
-
Orlando, HWV 31: Atto III
-
Athalia, HWV 52: Act I
-
Athalia, HWV 52: Act II
-
Athalia, HWV 52: Act III
-
Esther, HWV 50b: Act I
-
Esther, HWV 50b: Act II
-
Esther, HWV 50b: Act III
-
Israel in Egypt, HWV 54: Part I "The Lamentations of the Israelites for the Death of Joseph"
-
Israel in Egypt, HWV 54: Part II "Exodus"
-
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
-
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
-
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
-
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)
-
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
-
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
-
Semele, HWV 58: Act III
-
Semele, HWV 58: Act I
-
Samson, HWV 57: Act II
-
Samson, HWV 57: Act III
-
Samson, HWV 57: Act I. Sinfonia
-
Alexander's Feast, HWV 75: Part II
-
Alexander's Feast, HWV 75: Part I
-
Concerto grosso in D major, op. 3 no. 6, HWV 317
-
Overture in D major, HWV 337
-
Rinaldo, HWV 7a: Atto I, Scene V, no. 9. Recitativo accompagnato "Come a tempo siungesti" (Argante, Armida)
-
Aminta e Fillide, HWV 83: IX. Recitativo. Libero piè fugga dal laccio (Fillide, Aminta)
-
Aminta e Fillide, HWV 83: X. Aria. Se vago rio (Aminta)
-
Aminta e Fillide, HWV 83: XI. Recitativo. D'un incognito foco (Fillide)
-
Aminta e Fillide, HWV 83: XII. Aria. Sento che il Dio bambin (Fillide)
-
Aminta e Fillide, HWV 83: XIII. Recitativo. Felicissimo punto (Aminta)
-
Aminta e Fillide, HWV 83: XIV. Aria. Al dispetto di sorte crudele (Aminta)
-
Aminta e Fillide, HWV 83: XV. Recitativo. Vincesti Aminta (Fillide)
-
Aminta e Fillide, HWV 83: XVI. Aria. È un foco, quel d'amore (Fillide)
-
Aminta e Fillide, HWV 83: XVII. Recitativo. Gloria bella di Aminta (Aminta, Fillide)
-
Aminta e Fillide, HWV 83: XVIII. Duo. Per abbatter il rigore (Aminta, Fillide)
-
Clori, mia bella Clori, HWV 92: V. Recitativo. Non è però che non molesta e grave
-
Clori, mia bella Clori, HWV 92: VI. Aria. Mie pupille
-
Clori, mia bella Clori, HWV 92: VII. Recitativo. Tu nobil alma
-
Clori, mia bella Clori, HWV 92: VIII. Aria. Di gelosia il timore
-
Sans y penser, HWV 155: I. Chanson. Sans y penser (Silvie)
-
Sans y penser, HWV 155: II. Récitatif. S'il ne falloit que bien aimer pour attendrir (Tirsis)
-
Sans y penser, HWV 155: III. Air. Petite fleur brunette (Tirsis)
-
Sans y penser, HWV 155: IV. Récitatif. Vous, qui m'aviez procuré une amour éternelle (Tirsis)
-
Sans y penser, HWV 155: V. Air. Nos plaisirs seront peudurables (Silvie)
-
Sans y penser, HWV 155: VI. Récitatif. Vous ne sauriez flatter ma peine (Silvie)
-
Sans y penser, HWV 155: VII. Air. Non, non, je ne puis plus souffrir (Tirsis)
-
Clori, vezzosa Clori, HWV 95: I. Recitativo. Clori, vezzosa Clori
-
Clori, vezzosa Clori, HWV 95: II. Aria. Il bosco, il prato, il rio
-
Clori, vezzosa Clori, HWV 95: III. Recitativo. Se l'usignol canoro
-
Clori, vezzosa Clori, HWV 95: IV. Aria. Non è possibile o Clori amabile
-
Lungi n'andò Fileno, HWV 128: I. Recitativo. Lungi, lungi n'andò Fileno
-
Lungi n'andò Fileno, HWV 128: II. Aria. Si piangete, o mie pupille
-
Lungi n'andò Fileno, HWV 128: III. Recitativo. Ahi! m'Inganno, infelice
-
Lungi n'andò Fileno, HWV 128: IV. Aria. Dunque se il tanto piangere
-
Mira Lilla gentile: I. Recitativo. Mira Lilla gentile
-
Mira Lilla gentile: II. Aria. Non dar più pena o cara
-
Mira Lilla gentile: III. Recitativo. Ferma deh ferma o bella
-
Mira Lilla gentile: IV. Aria. Consolati mio core
-
Mira Lilla gentile: V. Recitativo. Sogno o son desto
-
Mira Lilla gentile: VI. Aria. Benché infida tu mi fuggi
-
Mira Lilla gentile
-
Julius Caesar: "Upstart, barbarian and traitor" (Ptolemy)
-
Julius Caesar
-
Susanna, HWV 66: Act II: No. 34. Air "Ask if yon damask rose be sweet" (Attendant)
-
Susanna, HWV 66: Act III: No. 62. Air "Chastity, thou cherub bright" (Daniel)
-
Joy to the World
-
Come, se ti vedrò, cara, partir, potrò, HWV 482 no. 5
-
Sventurato godi o core abbandonato, HWV 482 no. 2
-
Ombra cara de mia sposa, HWV 482 no. 3
-
Trio Sonata in G minor, op. 5 no. 5, HWV 400: I Largo
-
Trio Sonata in G minor, op. 5 no. 5, HWV 400: II Alla Breve
-
Trio Sonata in G minor, op. 5 no. 5, HWV 400: III Larghetto
-
Trio Sonata in G minor, op. 5 no. 5, HWV 400: IV Tempo giusto
-
Trio Sonata in G minor, op. 5 no. 5, HWV 400: V Air
-
Trio Sonata in G minor, op. 5 no. 5, HWV 400: VI Bourree
-
Trio Sonata in F major, op. 5 no. 6, HWV 401 : I Largo
-
Trio Sonata in F major, op. 5 no. 6, HWV 401 : II Allegro
-
Trio Sonata in F major, op. 5 no. 6, HWV 401 : III Adagio
-
Trio Sonata in F major, op. 5 no. 6, HWV 401 : IV Allegro
-
Trio Sonata in F major, op. 5 no. 6, HWV 401 : V Menuetto
-
Trio Sonata in B-flat major, op. 5 no. 7, HWV 402 : I Larghetto
-
Trio Sonata in B-flat major, op. 5 no. 7, HWV 402 : II Allegro
-
Trio Sonata in B-flat major, op. 5 no. 7, HWV 402 : III Adagio
-
Trio Sonata in B-flat major, op. 5 no. 7, HWV 402 : IV Allegro
-
Trio Sonata in B-flat major, op. 5 no. 7, HWV 402 : V Gavotte
-
Trio Sonata in B-flat major, op. 5 no. 7, HWV 402 : VI Menuetto
-
Joy to the World
-
Rodrigo, HWV 5 (Suite): II. Gigue
-
Rodrigo, HWV 5 (Suite): III. Sarabande
-
Rodrigo, HWV 5 (Suite): IV. Bourrée
-
Rodrigo, HWV 5 (Suite): V. Menuet
-
Rodrigo, HWV 5 (Suite): VI. Matelot
-
Serse, HWV 40 (Suite): Act 3. III. Sinfonia
-
Serse, HWV 40 (Suite): Aria: “Quella che tutta fè”
-
Serse, HWV 40 (Suite): Gigue
-
Concerto for Oboe and Strings in C major: I. Largo
-
Concerto for Oboe and Strings in C major: II. Allegro
-
Air and Rondo: I. Air in G minor
-
Air and Rondo: II. Rondo in G major
-
Air and Rondo
-
Suite in G minor: III. Bourrée I
-
Suite in G minor: IV. Bourrée II
-
Samson, HWV 57: Act I. Sinfonia: Menuet
-
Samson, HWV 57: Act I
-
Gloria: I. Gloria in excelsis Deo
-
Gloria: II. Et in terra pax
-
Gloria: III. Laudamus te
-
Gloria: IV. Gratias agimus tibi
-
Gloria: V. Domine Deus
-
Gloria: VI. Qui tollis
-
Gloria: VII. Quoniam tu solus sanctus
-
Gloria: VIII. Cum Sancto Spiritu
-
Gloria, HWV deest
-
Salve Regina, HWV 241: Largo - Adagio "Salve Regina"
-
Salve Regina, HWV 241: Allegro "Eja ergo advocata nostra"
-
Salve Regina, HWV 241: Adagissimo "O clemens, o pia"
-
O qualis de cœlo sonus, HWV 239: Sonata
-
O qualis de cœlo sonus, HWV 239: Recitativo "O qualis de cœlo sonus"
-
O qualis de cœlo sonus, HWV 239: "Ad plausus ad jubila"
-
O qualis de cœlo sonus, HWV 239: Recitativo "Eja ergo, mortalis"
-
O qualis de cœlo sonus, HWV 239: "Gaude, tellus benigna"
-
O qualis de cœlo sonus, HWV 239: "Alleluja"
-
Trio Sonata in G minor, HWV 393: I. Andante
-
Trio Sonata in G minor, HWV 393: II. Allegro
-
Trio Sonata in G minor, HWV 393: IV. Allegro
-
Cœlestis dum spirat aura, HWV 231: Sonata
-
Cœlestis dum spirat aura, HWV 231: Recitativo "Cœlestis dum spirat aura"
-
Cœlestis dum spirat aura, HWV 231: "Felix dies, præclara, serena"
-
Cœlestis dum spirat aura, HWV 231: Recitativo "Vestro, religiosi principes"
-
Cœlestis dum spirat aura, HWV 231: "Tam patrono singulari"
-
Cœlestis dum spirat aura, HWV 231: "Alleluja"
-
Laudate pueri, HWV 236: "Laudate pueri Dominum"
-
Laudate pueri, HWV 236: "Sit nomen Domini benedictum"
-
Laudate pueri, HWV 236: "A solis ortu usque ad occasum"
-
Laudate pueri, HWV 236: "Excelsus super omnes gentes Dominus"
-
Laudate pueri, HWV 236: "Quis sicut Dominus"
-
Laudate pueri, HWV 236: "Ut collocet eum cum principibus"
-
Laudate pueri, HWV 236: "Qui habitare facit"
-
Laudate pueri, HWV 236: "Gloria Patri et Filio et Spiritui Sancto"
-
Keyboard Suite in D minor, HWV 447: I. Allemande
-
Keyboard Suite in D minor, HWV 447: II. Courante
-
Keyboard Suite in D minor, HWV 447: III. Sarabande
-
Keyboard Suite in D minor, HWV 447: IV. Gigue
-
Fantasia on British Sea Songs: VIII. See, the Conqu’ring Hero Comes
-
Giulio Cesare: Atto I
-
Giulio Cesare: Atto III
-
Berenice, HWV 38: Atto I
-
Berenice, HWV 38: Atto III
-
Recorder Sonata no. 5 in B-flat major, HWV 377: I. Allegro
-
Recorder Sonata no. 5 in B-flat major, HWV 377: II. Adagio
-
Recorder Sonata no. 5 in B-flat major, HWV 377: III. Allegro
-
Recorder Sonata no. 5 in B-flat major, HWV 377
-
Concerto for Flute and English Horn "Amabile beltà"
-
Concerto for Flute and English Horn "Amabile beltà": I. Andante - Allegro "Qui l’augel da pianta in pianta"
-
Alcina, HWV 34: Atto I. "Tornami a vagheggiar" (Morgana)
-
Alcina, HWV 34: Atto I
-
Alcina, HWV 34: Atto II
-
Alcina, HWV 34: Atto III
-
Concerto for Oboe d'Amore "Verdi prati": III. Larghetto "Verdi prati"
-
Concerto for Oboe d'Amore "Verdi prati": I. Andante "Dopo notte"
-
Organ Concerto in A major, HWV 296a: I. Largo e staccato
-
Organ Concerto in A major, HWV 296a: II. Andante
-
Organ Concerto in A major, HWV 296a: III. Grave
-
Organ Concerto in A major, HWV 296a: IV. Allegro
-
Concerto for Oboe, Bassoon and Harpsichord "Piagge serene"
-
Concerto for Oboe, Bassoon and Harpsichord "Piagge serene": II. Allegro
-
Concerto for Oboe, Bassoon and Harpsichord "Piagge serene": I. Adagio
-
Concerto for Oboe "Voli per l'aria": IV. Largo "Will the Sun Forget to Streak"
-
Concerto for Oboe "Voli per l'aria": III. Allegro "Hence, Iris, Hence Away"
-
Concerto for Oboe "Voli per l'aria": I. Largo "Where 'er you walk"
-
Flavio, re de' longobardi, HWV 16: Atto I
-
Flavio, re de' longobardi, HWV 16: Atto II
-
Flavio, re de' longobardi, HWV 16: Atto III
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I
-
Rodelinda, regina de' Longobardi, HWV 19: Atto II
-
Dotter Sion
-
Violin Sonata in G minor, op. 1 no. 6, HWV 364a: I. Larghetto
-
Violin Sonata in G minor, op. 1 no. 6, HWV 364a: II. Allegro
-
Violin Sonata in G minor, op. 1 no. 6, HWV 364a: III. Adagio
-
Violin Sonata in G minor, op. 1 no. 6, HWV 364a: IV. Allegro
-
Flute Sonata in B minor, HWV 367b: I. Largo
-
Flute Sonata in B minor, HWV 367b: II. Vivace
-
Flute Sonata in B minor, HWV 367b: III. Presto
-
Flute Sonata in B minor, HWV 367b: IV. Adagio
-
Flute Sonata in B minor, HWV 367b: V. Alla breve
-
Flute Sonata in B minor, HWV 367b: VI. Andante
-
Flute Sonata in B minor, HWV 367b: VII. A tempo di minuet
-
Flute Sonata in B minor, op. 1 no. 9b, HWV 367b
-
Armida abbandonata: "In tanti affanni miei"
-
Armida abbandonata: "Ah! crudele, e pur ten' vai"
-
Rinaldo, HWV 7a: Atto II, Scene VIII, no. 27. Aria "Ah! crudel, il pianto mio" (Armida)
-
Atalanta, HWV 35: Atto I
-
Atalanta, HWV 35: Atto II
-
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
-
Organ Concerto in D minor, op. 7 no. 4, HWV 309: II. Allegro così così
-
Organ Concerto in G minor, op. 7 no. 5, HWV 310: I. Staccato ma non troppo allegro
-
Organ Concerto in G minor, op. 7 no. 5, HWV 310: II. Andante larghetto e staccato
-
Organ Concerto in G minor, op. 7 no. 5, HWV 310: III. Menuet
-
Organ Concerto in G minor, op. 7 no. 5, HWV 310: IV. Gavotte
-
Recorder Sonata in C major, HWV 365, op. 1 no. 7: I. Larghetto
-
Recorder Sonata in C major, HWV 365, op. 1 no. 7: II. Allegro
-
Recorder Sonata in C major, HWV 365, op. 1 no. 7: III. Larghetto
-
Recorder Sonata in C major, HWV 365, op. 1 no. 7: IV. A tempo di gavotta
-
Recorder Sonata in C major, HWV 365, op. 1 no. 7: V. Allegro
-
Recorder Sonata in F major, HWV 369, op. 1 no. 11: I. Larghetto
-
Recorder Sonata in F major, HWV 369, op. 1 no. 11: II. Allegro
-
Recorder Sonata in F major, HWV 369, op. 1 no. 11: III. Sicilliana
-
Recorder Sonata in F major, HWV 369, op. 1 no. 11: IV. Allegro
-
Recorder Sonata in G minor, HWV 360, op. 1 no. 2: I. Larghetto
-
Recorder Sonata in G minor, HWV 360, op. 1 no. 2: II. Andante
-
Recorder Sonata in G minor, HWV 360, op. 1 no. 2: III. Adagio
-
Recorder Sonata in G minor, HWV 360, op. 1 no. 2: IV. Presto
-
もろびとこぞりて
-
Agrippina, HWV 6: Atto III. "No, no chi’io non sprezzo" (Ottone, Poppea)
-
Tamerlano, HWV 18: Atto III, no. 57. "Vivo in te" (Asteria, Andronico)
-
Ariodante, HWV 33: Atto III, no. 89. "Bramo haver mille vite" (Ariodante, Ginevra)
-
Theodora, HWV 68: Act II, Scene 5, no. 51. Duet “To thee, thou glorious son of worth” (Theodora, Didymus)
-
Ottone, re di Germania, HWV 15: Atto II, Scena XII, 25. Duetto “Notte cara” (Matilda, Gismonda)
-
Theodora, HWV 68: Act III, Scene 6, no. 70. Air and duet “Streams of pleasure ever flowing” (Didymus, Theodora)
-
Theodora, HWV 68: Act I
-
Theodora, HWV 68: Act II
-
Theodora, HWV 68: Act III
-
Ottone, re di Germania, HWV 15: Atto I
-
Ottone, re di Germania, HWV 15: Atto II
-
Ottone, re di Germania, HWV 15: Atto III
-
Ariodante, HWV 33
-
Ariodante, HWV 33: Atto I
-
Ariodante, HWV 33: Atto II
-
Ariodante, HWV 33: Atto III
-
Tamerlano, HWV 18: Atto I
-
Tamerlano, HWV 18: Atto II
-
Tamerlano, HWV 18: Atto III
-
Agrippina, HWV 6: Atto I
-
Agrippina, HWV 6: Atto II
-
Agrippina, HWV 6: Atto III
-
Atalanta, HWV 35: Overture
-
Atalanta, HWV 35: Overture: I. Andante
-
Atalanta, HWV 35: Overture: II. Allegro
-
Atalanta, HWV 35: Overture: III. Andante
-
Serse, HWV 40: Atto I
-
Serse, HWV 40: Atto III
-
Serse, HWV 40: Overtura
-
Giustino, HWV 37: Atto III. "Zeffiretto, che scorre nel prato" (Giustino)
-
Giustino, HWV 37: Atto I
-
Giustino, HWV 37: Atto II
-
Giustino, HWV 37: Atto III
-
Ottone, re di Germania, HWV 15: Atto III, Scena II, 28. Accompagnato “Io son tradito”
-
Giustino, HWV 37: Atto I. "Se parla nel mio cor" (Giustino)
-
Cobb to the World
-
Violin Sonata in F major, op. 1 no 12, HWV 370: IV. Allegro
-
Tochter Zion, freue dich
-
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano)
-
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
-
Allegro in C major, HWV 473
( - 25 Aug 1738)
-
Ahi, nelle sorti umane, HWV 179
( - 31 Aug 1745)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena III, 3. Aria “Empio, dirò, tu sei” (Cesare)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena V, 6. Aria “Non disperar, chi sa?” (Cleopatra)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VII, 9. Aria “Non è sì vago e bello” (Cesare)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VIII, 13. Aria. “Tu la mia stella sei” (Cleopatra)
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena I. Aria “Chi perde un momento” (Nireno)
-
Silent Worship
-
Līksmi lai skan
-
Art Thou Troubled?
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III, no. 66. "Vivi, tiranno!" (Bertarido)
-
Rodelinda, regina de' Longobardi, HWV 19: Atto II, no. 37. "Con rauco mormorio" (Bertarido)
-
Recorder Sonata in A minor, op. 1 no. 4, HWV 362: I. Larghetto
-
Recorder Sonata in A minor, op. 1 no. 4, HWV 362: II. Allegro
-
Recorder Sonata in A minor, op. 1 no. 4, HWV 362: III. Adagio
-
Recorder Sonata in A minor, op. 1 no. 4, HWV 362: IV. Allegro
-
Judas Maccabaeus, HWV 63: Act I
-
Judas Maccabaeus, HWV 63: Act II
-
Suite de pièce in E major, Vol. 1 no. 5, HWV 430
-
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: I. Praeludium
-
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: II. Allemande
-
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: III. Courante
-
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni
-
Violin Sonata in F major, op. 1 no 12, HWV 370: I. Adagio
-
Violin Sonata in F major, op. 1 no 12, HWV 370: II. Allegro
-
Violin Sonata in F major, op. 1 no 12, HWV 370: III. Largo
-
Concerto grosso in D major, op. 3 no. 6, HWV 317: I. Vivace
-
Concerto grosso in D major, op. 3 no. 6, HWV 317: II. Allegro
-
Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: I. Largo
-
Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: II. Allegro
-
Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: III. Largo e piano
-
Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: IV. Andante
-
Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: V. Hornpipe
-
Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande, andante
-
Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave
-
Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante-allegro
-
Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio
-
Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana, andante
-
Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro
-
Concerto grosso in F major, op. 6 no. 9, HWV 327: I. Largo
-
Concerto grosso in F major, op. 6 no. 9, HWV 327: II. Allegro
-
Concerto grosso in F major, op. 6 no. 9, HWV 327: III. Larghetto
-
Concerto grosso in F major, op. 6 no. 9, HWV 327: IV. Allegro
-
Concerto grosso in F major, op. 6 no. 9, HWV 327: V. Menuet
-
Concerto grosso in F major, op. 6 no. 9, HWV 327: VI. Gigue
-
Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Overture
-
Alceste, HWV 45: Act IV. L'ultimato ballo
-
Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro-lento
-
Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air, lento
-
Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro
-
Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro
-
Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato
-
Concerto grosso in A major, op. 6 no. 11, HWV 329: I. Andante larghetto e staccato
-
Concerto grosso in A major, op. 6 no. 11, HWV 329: II. Allegro
-
Concerto grosso in A major, op. 6 no. 11, HWV 329: III. Largo e staccato
-
Concerto grosso in A major, op. 6 no. 11, HWV 329: IV. Andante
-
Concerto grosso in A major, op. 6 no. 11, HWV 329: V. Allegro
-
Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo
-
Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro
-
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano
-
Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo
-
Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro
-
Concerto for Recorder in B-flat major, op. 4 no. 6, HWV 294: I. Andante allegro
-
Concerto for Recorder in B-flat major, op. 4 no. 6, HWV 294: III. Andante moderato
-
Alexander's Feast, HWV 75: Part I, no. 7. Chorus "The list'ning crowd"
-
Alexander's Feast, HWV 75: Part I, no. 8. Aria "With ravish'd ears" (Soprano)
-
Alexander's Feast, HWV 75: Part I, no. 9. Recitative "The praise of Bacchus"
-
Alexander's Feast, HWV 75: Part I, no. 11. Recitative "Sooth'd with the sound"
-
Alexander's Feast, HWV 75: Part I, no. 12. Recitative "He chose a mournful muse"
-
Alexander's Feast, HWV 75: Part I, no. 13. Aria "He sung Darius, great and good" (Soprano)
-
Alexander's Feast, HWV 75: Part I, no. 14. Recitative "With downcast looks"
-
Alexander's Feast, HWV 75: Part I, no. 18. Aria "War, he sung, is toil and trouble"
-
Alexander's Feast, HWV 75: Part I, no. 19. Chorus "The many rend the skies with loud applause"
-
Alexander's Feast, HWV 75: Part I, no. 20. Aria "The prince, unable to conceal his pain"
-
Alexander's Feast, HWV 75: Part I, no. 21. Chorus "The many rend the skies with loud applause"
-
Alexander's Feast, HWV 75: Part II, no. 3. Recitative "Hark, hark! The horrid sound"
-
Alexander's Feast, HWV 75: Part II, no. 4. Aria "Revenge, Timotheus cries" (Bass)
-
Alexander's Feast, HWV 75: Part II, no. 5. Aria "Behold the ghastly band"
-
Alexander's Feast, HWV 75: Part II, no. 6. Recitative "Give vengeance the due"
-
Alexander's Feast, HWV 75: Part II, no. 7. Air and Chorus "The princes applaud with a furious joy"
-
Alexander's Feast, HWV 75: Part II, no. 8. Air and Chorus "Thais led the way"
-
Alexander's Feast, HWV 75: Part II, no. 9. Recitative "Thus long ago"
-
Alexander's Feast, HWV 75: Part II, no. 10. Chorus "At last divine Cecilia came"
-
Alexander's Feast, HWV 75: Part II, no. 11. Recitative "Let old Timotheus yield the prize"
-
Alexander's Feast, HWV 75: Part II, no. 12. Chorus "Let old Timotheus yield the prize"
-
Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio
-
Organ Concerto in G minor, op. 4 no. 1, HWV 289: IV. Andante
-
Organ Concertos, op. 4
-
Overture in D minor
-
Suite de pièce in B-flat major, Vol. 2 no. 1, HWV 434: IV. Minuet
-
Suite de pièce in D minor, Vol. 2 no. 3, HWV 436
-
Trumpet Concerto in D minor: I. Largo-Vivace
-
Jephtha, HWV 70: Act II, no. 28. Accompagnato "Deeper and deeper still, thy goodness" (Jephtha)
-
Berenice, HWV 38: Overture
-
Riemuitse tytär Siionin
-
Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: I. O Praise the Lord With One Consent
-
Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: II. Praise Him, All Ye That in His House
-
Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: III. For This Our Truest Int'rest Is
-
Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: IV. That God Is Great
-
Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: V. With Cheerful Notes
-
Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: VI. God's Tender Mercy
-
Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: VII. Ye Boundless Realms of Joy
-
Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: VIII. Your Voices Raise
-
Chandos Anthem no. 11a in B-flat major "Let God Arise", HWV 256a: I. Sonata
-
Chandos Anthem no. 11a in B-flat major "Let God Arise", HWV 256a: II. Let God Arise
-
Chandos Anthem no. 11a in B-flat major "Let God Arise", HWV 256a: III. Like as the Smoke Vanisheth
-
Chandos Anthem no. 11a in B-flat major "Let God Arise", HWV 256a: IV. Let the Righteous Be Glad
-
Chandos Anthem no. 11a in B-flat major "Let God Arise", HWV 256a: V. O Sing Unto God
-
Chandos Anthem no. 11a in B-flat major "Let God Arise", HWV 256a: VI. Praised Be the Lord!
-
Chandos Anthem no. 11a in B-flat major "Let God Arise", HWV 256a: VII. At Thy Rebuke, O God
-
Chandos Anthem no. 11a in B-flat major "Let God Arise", HWV 256a: VIII. Blessed Be God
-
Chandos Anthem no. 7 in G major "My Song Shall Be Alway", HWV 252: I. Sonata
-
Chandos Anthem no. 7 in G major "My Song Shall Be Alway", HWV 252: II. My Song Shall Be Alway
-
Chandos Anthem no. 7 in G major "My Song Shall Be Alway", HWV 252: III. For Who Is He Among the Clouds
-
Chandos Anthem no. 7 in G major "My Song Shall Be Alway", HWV 252: IV. God Is Very Greatly to Be Feared
-
Chandos Anthem no. 7 in G major "My Song Shall Be Alway", HWV 252: V. The Heav'ns Are Thine
-
Chandos Anthem no. 7 in G major "My Song Shall Be Alway", HWV 252: VI. Righteousness & Equity
-
Chandos Anthem no. 7 in G major "My Song Shall Be Alway", HWV 252: VII. Blessed Is the People
-
Chandos Anthem no. 7 in G major "My Song Shall Be Alway", HWV 252: VIII. Thou Art the Glory
-
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428
-
Semele, HWV 58: Act III. "Despair no more shall wound me"
-
Semele, HWV 58: Act I. "Your tuneful voice my tale would tell"
-
Semele, HWV 58: Act I. "Hymen, hast, thy torch prepare"
-
Theodora, HWV 68: Act I, Scene 5, no. 24. Air “Angels, ever bright and fair” (Theodora)
-
Theodora, HWV 68: Act II, Scene 2, no. 36. Air “With darkness deep, as is my woe” (Theodora)
-
Alexander's Feast, HWV 75: Part I, no. 1. Overture
-
Alexander's Feast, HWV 75: Part I, no. 2. Recitative "'Twas at the royal feast" (Tenor)
-
Alexander's Feast, HWV 75: Part I, no. 3. Aria "Happy, happy pair"
-
Alexander's Feast, HWV 75: Part I, no. 4. Chorus "Happy, happy pair"
-
Alexander's Feast, HWV 75: Part I, no. 5. Recitative "Timotheus plac'd on high"
-
Alexander's Feast, HWV 75: Part I, no. 6. Recitative "The song began from Jove"
-
Chandos Anthem no. 6 “As pants the hart”, HWV 251b: VI. Why So Full of Grief?
-
Chandos Anthem no. 6 “As pants the hart”, HWV 251b: VII. Put Thy Trust in God
-
Chandos Anthem no. 10 “The Lord is my light”, HWV 255: I. Overture
-
Chandos Anthem no. 10 “The Lord is my light”, HWV 255: II. The Lord Is My Light and Salvation
-
Chandos Anthem no. 10 “The Lord is my light”, HWV 255: III. Though an Host of Men Were Laid Against Me
-
Chandos Anthem no. 10 “The Lord is my light”, HWV 255: IV. One Thing Have I Desired of the Lord
-
Chandos Anthem no. 10 “The Lord is my light”, HWV 255: V. I Will Offer in His Dwelling an Oblation
-
Chandos Anthem no. 10 “The Lord is my light”, HWV 255: VI. For Who Is God but the Lord
-
Chandos Anthem no. 10 “The Lord is my light”, HWV 255: VII. The Lord is My Strength and My Shield
-
Chandos Anthem no. 10 “The Lord is my light”, HWV 255: VIII. It Is the Lord That Ruleth the Sea
-
Chandos Anthem no. 10 “The Lord is my light”, HWV 255: IX. Sing Praises Unto the Lord
-
Atalanta, HWV 35: Atto I. "Care selve, ombre beate"
-
Alexander's Feast, HWV 75: Part II, no. 1. Recitative and Chorus "Now strike the golden lyre again"
-
Rinaldo, HWV 7a: Atto II, Scena X, no. 28. Aria “Vo’ far guerra, e vincer voglio” (Armida)
-
Suite de pièce in G minor, Vol. 1 no. 7, HWV 432: I. Ouverture. Adagio – Presto – Adagio
-
Suite de pièce in G minor, Vol. 1 no. 7, HWV 432: II. Andante
-
Suite de pièce in G minor, Vol. 1 no. 7, HWV 432: III. Allegro
-
Suite de pièce in G minor, Vol. 1 no. 7, HWV 432: IV. Sarabande. Andante con moto
-
Suite de pièce in G minor, Vol. 1 no. 7, HWV 432: V. Gigue. Vivo
-
Suite de pièce in G minor, Vol. 1 no. 7, HWV 432: VI. Passacaglia. Allegro commodo
-
Suite de pièce in F minor, Vol. 1 no. 8, HWV 433: I. Prélude. Adagio
-
Suite de pièce in F minor, Vol. 1 no. 8, HWV 433: II. Fuga. Allegro
-
Suite de pièce in F minor, Vol. 1 no. 8, HWV 433: III. Allemande. Allegro moderato
-
Suite de pièce in F minor, Vol. 1 no. 8, HWV 433: IV. Courante. Allegro
-
Suite de pièce in F minor, Vol. 1 no. 8, HWV 433: V. Gigue. Presto
-
Laudate pueri Dominum, HWV 237: I. Laudate pueri Dominum
-
Jephtha, HWV 70: Act III, no. 32. Air "Waft her, angels, through the skies" (Jephtha)
-
Samson, HWV 57: Act III, no. 107. “Let the Bright Seraphim” (Israelite Woman)
-
Alive
-
Admeto: Atto II, Sinfonia: Largo
-
Admeto: Atto II, Sinfonia: Allegro
-
Admeto, re di Tessaglia, HWV 22: Atto II, Scena I. Recitativo "In van ti scuoti, in vano" (Ercole)
-
Admeto, re di Tessaglia, HWV 22: Atto II, Scena I. Sinfonia
-
Admeto, re di Tessaglia, HWV 22: Atto II, Scena VII. Recitativo "A qual fine, o Regina" (Alceste, Ercole)
-
Admeto, re di Tessaglia, HWV 22: Atto II, Scena VII. Aria "Gelosia spietata Aletto" (Alceste)
-
Admeto, re di Tessaglia, HWV 22: Atto III, Scena VI. Aria "Là dove gli occhi io giro" (Alceste)
-
Riccardo Primo: Atto I. Ouverture
-
Riccardo Primo: Atto II, Scena I. Recitativo accompagnato "Ah, padre! Ah, Cielo!" (Pulcheria)"
-
Riccardo Primo: Atto II, Scena I. Aria "Quel gelsomino, che imperla il prato" (Pulcheria)"
-
Riccardo Primo: Atto II, Scena IV. Aria "L'Aquila altera conoscere i figli" (Pulcheria)"
-
Admeto, re di Tessaglia, HWV 22: Atto I, Scena III. Aria "Luci care, addio, posate" (Alceste)"
-
Wassermusik Suite Nr. 2 in D-Dur: Andante
-
Terpsichore-Suite: Erster Satz
-
Terpsichore-Suite: Zweiter Satz
-
Terpsichore-Suite: Dritter Satz
-
Suite in G minor, HWV 452: I. Allemande
-
Suite in G minor, HWV 452: II. Courante
-
Suite in G minor, HWV 452: III. Sarabande
-
Suite in G minor, HWV 452: IV. Gigue
-
Rodelinda, regina de' Longobardi, HWV 19: Overture
-
Sonate in C-Dur für Violoncello und Klavier: Adagio
-
Sonate in C-Dur für Violoncello und Klavier: Allegro
-
Sonate in C-Dur für Violoncello und Klavier: Adagio
-
Sonate in C-Dur für Violoncello und Klavier: Allegro
-
Sonata for Violin and Orchestra in B-flat: I. Allegro
-
Sonata for Violin and Orchestra in B-flat: II. Grave
-
Sonata for Violin and Orchestra in B-flat: III. Allegro
-
Suite in G-Dur für Cembalo: Allemande
-
Suite in G-Dur für Cembalo: Allegro
-
Suite in G-Dur für Cembalo: Courante
-
Suite in G-Dur für Cembalo: Aria
-
Suite in G-Dur für Cembalo: Menuett
-
Suite in G-Dur für Cembalo: Gavotte
-
Suite in G-Dur für Cembalo: Variationen
-
Suite in G-Dur für Cembalo: Gigue
-
Suite für Cembalo in B-Dur
-
メサイアより「主は羊飼いのごとくその群れを養い」 (ヘンデル)
-
The Beggar's Opera: Act II. Air. "Let us take the road" (Matt)
-
Ariodante: T' amerò dunque - Arie: Con l' ali di costanza
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV, 5. Aria “Svegliatevi nel core” (Sesto)
-
Arianna in Creta, HWV 32: Atto I. "Sdegnata sei"
-
Arianna in Creta, HWV 32: Atto II. "Oh patria! - Sol ristoro"
-
Arianna in Creta, HWV 32: Atto II. "Salda quercia"
-
Arianna in Creta, HWV 32: Atto II. Aria "Qual leon"
-
Arianna in Creta, HWV 32: Atto III. "Ove son" / Arie "Qui ti sfido"
-
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: III. Larghetto
-
Minuet "Il pastor fido"
-
Alcina, HWV 34: Ouverture
-
Alcina, HWV 34: Atto I, III. Recitative "Oh Dei! Quivi non scorgo alcun sentiero" (Bradamante, Melisso, Morgana)
-
Alcina, HWV 34: Atto I, IV. Aria "O s'apre al riso" (Morgana)
-
Alcina, HWV 34: Atto I, V. Chorus "Questo è il cielo de' contenti" (Chorus)
-
Alcina, HWV 34: Atto I, VI. Il Ballo
-
Alcina, HWV 34: Atto I, VII. Recitative "Ecco L'infido" (Bradamante, Melisso, Alcina)
-
Alcina, HWV 34: Atto I, VIII. Aria "Di', cor mio, quanto t'amai" (Alcina)
-
Alcina, HWV 34: Atto I, IX. Recitative "Generosi guerrier, deh!" (Oberto)
-
Alcina, HWV 34: Atto I, X. Aria "Chi m'insegna il caro padre?" (Oberto)
-
Alcina, HWV 34: Atto I, XI. Recitative "Mi ravvisi, Rugiier, dimmi?" (Bradamante, Ruggiero, Melisso)
-
Alcina, HWV 34: Atto I, XII. Aria "De te mi rido, semplice stolto" (Ruggiero)
-
Alcina, HWV 34: Atto I, XIII. Recitative "Qua dunque ne veniste" (Oronte, Bradamante) / "...Io sono tua difesa" (Morgana, Bradamante)
-
Alcina, HWV 34: Atto I, XIV. Aria "È gelosia" (Bradamante)
-
Alcina, HWV 34: Atto I, XV. Recitative "Io dunque" (Oronto, Morgana, Ruggiero, Oronte)
-
Alcina, HWV 34: Atto I, XVI. Aria "Semplicetto! A donna credi?" (Oronte)
-
Alcina, HWV 34: Atto I, XVII. Recitative "Ah, infidele, infidel" (Ruggiero, Alcina) / "...Regina, il tuo soggiorno" (Bradamante, Alcina, Ruggiero)
-
Alcina, HWV 34: Atto I, XVIII. Aria "Si son quella" (Alcina)
-
Alcina, HWV 34: Atto I, XIX. Recitative "Se nemico mi fossi" (Bradamante, Ruggiero) / "...Bradamante favella?" (Ruggiero, Melisso, Bradamante)
-
Alcina, HWV 34: Atto I, XX. Recitative "A quai strani perigli" (Melisso, Bradamante) / "...Fuggi, cor mio, ti affreta" (Morgana, Bradamante)
-
Alcina, HWV 34: Atto II, I. Aria "Col celarvi, a chi v'ama un momento (Ruggiero)
-
Alcina, HWV 34: Atto II, II. Recitative "Taci, taci, codardo" (Melisso, Ruggiero)
-
Alcina, HWV 34: Atto II, III. Aria "Qual portento mi richiama" (Ruggiero)
-
Alcina, HWV 34: Atto II, IV. Recitative "Atlante, dove sei?" (Ruggiero, Melisso)
-
Alcina, HWV 34: Atto II, V. Aria "Pensa a chi geme" (Melisso)
-
Alcina, HWV 34: Atto II, VI. Recitative "Qual odio ingusto contro me?" (Bradamante, Ruggiero)
-
Alcina, HWV 34: Atto II, VII. Aria "Vorrei vendicarmi" (Bradamante)
-
Alcina, HWV 34: Atto II, VIII. Recitative "Chi scopre al mio pensiero" (Ruggiero)
-
Alcina, HWV 34: Atto II, IX. Aria “Mi lusinga il dolce affetto” (Ruggiero)
-
Alcina, HWV 34: Atto II, X. Recitative "S'acquieti il rio sospetto" (Alcina, Morgana) / "...E la tua pace" (Morgana, Alcina, Ruggiero)
-
Alcina, HWV 34: Atto II, XI. Aria "Ama, sospira" (Morgana)
-
Alcina, HWV 34: Atto II, XII. Recitative "Non scorgo nel tuo viso" (Alcina, Ruggiero)
-
Alcina, HWV 34: Atto II, XIII. Aria "Mio bel tesoro" (Ruggiero)
-
Alcina, HWV 34: Atto II, XIV. Recitative "Regina; io cerco in vano" (Oberto, Alcina)
-
Alcina, HWV 34: Atto II, XV. Aria "Tra speme e timore" (Oberto)
-
Alcina, HWV 34: Atto II, XVI. Recitative "Regina, sei tradita" (Oronte, Alcina)
-
Alcina, HWV 34: Atto II, XVIII. Recitative "Oh. che dici, Morgana?" (Oronte, Morgana) / "...All' offesa, il disprezzo giunge L'ingrata" (Oronte)
-
Alcina, HWV 34: Atto II, XIX. Aria "È un folle, è un vile affetto" (Oronte)
-
Alcina, HWV 34: Atto II, XX. Recitative "Ed è ver che mi narri?" (Oberto, Bradamante) / "...Eccomi a' piedi tuoi" (Ruggiero, Bradamante, Morgana)
-
Alcina, HWV 34: Atto II, XXII. Recitative "Ah! Ruggiero crudel" (Alcina)
-
Alcina, HWV 34: Atto II, XXIII. Aria "Ombre pallide, lo so, mi udite" (Alcina)
-
Alcina, HWV 34: Atto II, XXIV. Il Ballo
-
Alcina, HWV 34: Atto III, I. Sinfonia
-
Alcina, HWV 34: Atto III, II. Recitative "Voglio amar e disamar" (Oronte, Morgana)
-
Alcina, HWV 34: Atto III, III. Aria "Credete al mio dolore" (Morgana)
-
Alcina, HWV 34: Atto III, IV. Recitative "M'inganna, me n'avveggo" (Oronte)
-
Alcina, HWV 34: Atto III, V. Aria "Un momento di contento" (Oronte)
-
Alcina, HWV 34: Atto III, VI. Recitative "Molestissimo incontro!" (Ruggiero, Alcina)
-
Alcina, HWV 34: Atto III, VII. Aria "Ma quando tornerai" (Alcina)
-
Alcina, HWV 34: Atto III, VIII. Recitative "Tutto armante squadre" (Melisso, Ruggiero, Bradamante)
-
Alcina, HWV 34: Atto III, IX. Aria "Sta nell'Ircana pietrosa tana" (Ruggiero)
-
Alcina, HWV 34: Atto III, X. Recitative "Vanne tu seco ancora" (Melisso, Bradamante)
-
Alcina, HWV 34: Atto III, XI. Aria "All'alma fedel" (Bradamante)
-
Alcina, HWV 34: Atto III, XII. Recitative "Niuna forza lo arresta" (Oronte, Alcina)
-
Alcina, HWV 34: Atto III, XIII. Aria "Mi restano le lagrime" (Alcina)
-
Alcina, HWV 34: Atto III, XIV. Chorus "Sin per le vie del sole" (Chorus)
-
Alcina, HWV 34: Atto III, XV. Recitative "Già vicino è il momento" (Oborto, Alcina)
-
Alcina, HWV 34: Atto III, XVI. Aria "Barbara! lo ben lo so" (Oberto)
-
Alcina, HWV 34: Atto III, XVII. Recitative "Le lunsinghe, gl'inganni, non udir più" (Bradamante, Alcina, Ruggiero)
-
Alcina, HWV 34: Atto III, XVIII. Trio "Non è amor, nè geliosa" (Alcina, Bradamante, Ruggiero)
-
Alcina, HWV 34: Atto III, XIX. Recitative "Prendi, e vivi" (Ruggiero, Oronte) / ... / "...A che tardi?" (Melisso, Ruggiero, Oronte, Bradamante, Alcina, Morgana)
-
Alcina, HWV 34: Atto III, XX. Chorus "Dall'orror di notte cieca" (Chorus)
-
Alcina, HWV 34: Atto III, XXI. Tamburino
-
Alcina, HWV 34: Atto III, XXII. Chorus "Doppo tante amare pene" (Chorus)
-
Suite de pièce in A major, Vol. 1 no. 1, HWV 426: I. Prélude
-
Suite de pièce in A major, Vol. 1 no. 1, HWV 426: II. Allemande. Andantino
-
Suite de pièce in A major, Vol. 1 no. 1, HWV 426: III. Courante. Allegro moderato
-
Suite de pièce in A major, Vol. 1 no. 1, HWV 426: IV. Gigue. Presto
-
Suite de pièce in F major, Vol. 1 no. 2, HWV 427: I. Adagio
-
Suite de pièce in F major, Vol. 1 no. 2, HWV 427: II. Allegro
-
Suite de pièce in F major, Vol. 1 no. 2, HWV 427: III. Adagio
-
Suite de pièce in F major, Vol. 1 no. 2, HWV 427: IV. Fuga. Allegro
-
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: I. Prélude
-
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: II. Fuga. Allegro
-
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: III. Allemande. Andantino quasi Allegretto
-
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: IV. Courante. Allegretto
-
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: V. Air con Variazioni
-
Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: VI. Presto
-
Suite de pièce in E minor, Vol. 1 no. 4, HWV 429: I. Fuga. Allegro
-
Suite de pièce in E minor, Vol. 1 no. 4, HWV 429: II. Allemande. Allegro moderato
-
Suite de pièce in E minor, Vol. 1 no. 4, HWV 429: III. Courante. Allegretto tranquillo
-
Suite de pièce in E minor, Vol. 1 no. 4, HWV 429: IV. Sarabande. Allegretto con moto
-
Suite de pièce in E minor, Vol. 1 no. 4, HWV 429: V. Gigue. Vivace
-
Suite de pièce in F-sharp minor, Vol. 1 no. 6, HWV 431: I. Prélude. Allegro moderato
-
Suite de pièce in F-sharp minor, Vol. 1 no. 6, HWV 431: II. Largo
-
Suite de pièce in F-sharp minor, Vol. 1 no. 6, HWV 431: III. Fuga. Allegro
-
Suite de pièce in F-sharp minor, Vol. 1 no. 6, HWV 431: IV. Gigue. Presto
-
Suite in G minor, HWV 451: I. Allemande
-
Suite in C minor, HWV 445: II. Allemande
-
Suite in C minor, HWV 445: III. Courante
-
Suite in C minor, HWV 445: I. Prelude
-
Israel in Ägypten
-
Menuetto for orchestra from Oratario Herakles
-
Deborah, HWV 51: Act II, No. V. Air "In Jehovah’s awful sight" (Deborah)
-
Deborah, HWV 51: Act I, Scene I, No. I. Chorus "Immortal Lord of earth and skies"
-
Deborah, HWV 51: Act I, Scene I, No. II. Recitative "O Barak, favour’d of the skies" (Deborah, Barak)
-
Deborah, HWV 51: Act I, Scene I, No. III. Duet "Where do thy ardours raise me?" (Barak, Deborah)
-
Deborah, HWV 51: Act I, Scene I, No. IV. Chorus "Forbear thy doubts! to arms! away!"
-
Deborah, HWV 51: Act I, Scene I, No. V. Recitative "Since Heav’n has thus his will express’d" (Barak)
-
Deborah, HWV 51: Act I, Scene I, No. VI. Soli & Chorus "For ever to the voice of pray’r"
-
Deborah, HWV 51: Act I, Scene I, No. VII. Recitative "By that adorable decree" (Deborah)
-
Deborah, HWV 51: Act I, Scene I, No. VIII. Chorus "O hear thy lowly servants’ pray’r"
-
Deborah, HWV 51: Act I, Scene I, No. IX. Recitative "Ye sons of Israel, cease your fears" (Deborah)
-
Deborah, HWV 51: Act I, Scene I, No. X. Chorus "O blast, with thy tremendous brow"
-
Deborah: Act I, Scene I, No. XI. Recitative "To whomsoe’er his fate the tyrant owes" (Barak)
-
Deborah, HWV 51: Act I, Scene I, No. XII. Air "How lovely is the blooming fair" (Barak)
-
Deborah, HWV 51: Act I, Scene II, No. I. Recitative "O Deborah! Where’er I turn" (Jael, Deborah)
-
Deborah, HWV 51: Act I, Scene II, No. II. Air "Choirs of Angels, all around thee" (Deborah)
-
Deborah, HWV 51: Act I, Scene II, No. III. Recitative "My transports are too great to tell" (Jael)
-
Deborah, HWV 51: Act I, Scene II, No. IV. Air "To joy he brightens my despair" (Jael)
-
Deborah, HWV 51: Act I, Scene III, No. I. Recitative "Barak, my son, the joyful sound" (Abinoam)
-
Deborah, HWV 51: Act I, Scene III, No. II. Air "Awake the ardour of thy breast" (Abinoam)
-
Deborah, HWV 51: Act I, Scene III, No. III. Recitative "I go where Heav’n and duty call" (Barak)
-
Deborah, HWV 51: Act I, Scene III, No. VI. Air "All danger disdaining" (Barak)
-
Deborah, HWV 51: Act I, Scene III, No. V. Chorus "Let thy deeds be glorious"
-
Deborah, HWV 51: Act I, Scene IV. Recitative "My charge is to declare" (Herald) / Act I, Scene V, No. I. "Let him approach..." (Deborah, Barak)
-
Il pastor fido: IX. Ballo
-
Lotario, HWV 26
( - 16 Nov 1729)
-
Lotario, HWV 26: Atto I
( - 16 Nov 1729)
-
Lotario, HWV 26: Atto II
( - 16 Nov 1729)
-
Lotario, HWV 26: Atto III
( - 16 Nov 1729)
-
Alcina, HWV 34
( - 08 Apr 1735)
-
Sosarme, re di Media, HWV 30
( - 04 Feb 1732)
-
Admeto, re di Tessaglia, HWV 22: Atto I
( - 10 Nov 1726)
-
Suite de pièce in D minor, Vol. 2 no. 3, HWV 436: III. Air. Lentement
-
Suite de pièce in D minor, Vol. 2 no. 3, HWV 436: IV. Gigue
-
Suite de pièce in D minor, Vol. 2 no. 3, HWV 436: V. Menuett
-
Suite de pièce in G major, Vol. 2 no. 8, HWV 441: I. Allemande
-
Suite de pièce in G major, Vol. 2 no. 8, HWV 441: II. Allegro
-
Suite de pièce in G major, Vol. 2 no. 8, HWV 441: III. Courante
-
Suite de pièce in G major, Vol. 2 no. 8, HWV 441: IV. Aria. Presto
-
Suite de pièce in G major, Vol. 2 no. 8, HWV 441: V. Menuett
-
Suite de pièce in G major, Vol. 2 no. 8, HWV 441: VI. Gavotte - Double
-
Suite de pièce in G major, Vol. 2 no. 8, HWV 441: VII. Gigue
-
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: I. Prelude
-
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: II. Allemande
-
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: III. Courante
-
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
-
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: V. Gigue
-
Suite de pièce in G minor, Vol. 2 no. 6, HWV 439: II. Courante
-
Suite in G minor, HWV 439: Menuett
-
Suite de pièce in G minor, Vol. 2 no. 6, HWV 439: III. Gigue
-
Suite de pièce in E minor, Vol. 2 no. 5, HWV 438: I. Allemande
-
Suite de pièce in E minor, Vol. 2 no. 5, HWV 438: II. Sarabande
-
Suite de pièce in E minor, Vol. 2 no. 5, HWV 438: III. Gigue
-
Suite de pièce in B-flat major, Vol. 2 no. 7, HWV 440: I. Allemande
-
Suite de pièce in B-flat major, Vol. 2 no. 7, HWV 440: II. Courante
-
Suite de pièce in B-flat major, Vol. 2 no. 7, HWV 440: IV. Gigue
-
Violin Sonata in E major, op. 1 no. 15, HWV 373: II. Allegro
-
Violin Sonata in E major, op. 1 no. 15, HWV 373: III. Largo
-
Violin Sonata in E major, op. 1 no. 15, HWV 373: IV. Allegro
-
Violin Sonata in E major, op. 1 no. 15, HWV 373: I. Adagio
-
Alcina, HWV 34: Atto II. "Ah! mio cor! Schernito sei!" (Alcina)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VIII, 12. Aria “Cara speme, questo core tu cominci a lusingar” (Sesto)
-
Ariodante, HWV 33: Atto II, no. 40. "Scherza infida in grembo al drudo" (Ariodante)
-
Theodora, HWV 68: Act II, Scene 2, no. 35. Recitative “O thou bright sun!” (Theodora)
-
Rinaldo, HWV 7a: Gigue
-
Alexander's Feast, HWV 75: Part II, no. 2. Chorus "Break his bands of sleep asunder"
-
Orlando, HWV 31
( - 20 Nov 1732)
-
Orlando, HWV 31: Atto II, Scena XI. Recitativo Accompagnato "Ah! stigie larve!"
-
Ariodante, HWV 33: Atto III, no. 82. "Dopo notte, atra e funesta" (Ariodante)
-
Concerto for Oboe d'Amore "Verdi prati": II. Grave
-
Alcina, HWV 34: Atto II, Scena XII. Aria “Verdi prati, selva amene” (Ruggiero)
-
Concerto for Oboe d'Amore "Verdi prati": IV. Allegro "Tornami a vagheggiar"
-
Aci, Galatea e Polifemo, HWV 72: Aria: Qui l'augel da pianta in pianta (Aci)
-
Concerto for Flute and English Horn "Amabile beltà": II. Adagio e staccato
-
Concerto for Flute and English Horn "Amabile beltà": III. Largo "Softly Sweet in Lydian Measures"
-
Concerto for Flute and English Horn "Amabile beltà": IV. Allegro ma non troppo "Più amabile beltà"
-
Concerto for Oboe "Voli per l'aria": II. Adagio
-
Concerto for Oboe "Voli per l'aria": V. Allegro "Voli per l'aria"
-
Organ Concerto in D minor, op. 7 no. 4, HWV 309: I. Adagio
-
Organ Concerto in D minor, op. 7 no. 4, HWV 309: IV. Allegro
-
Concerto for Oboe, Bassoon and Harpsichord "Piagge serene": III. Adagio
-
Concerto for Oboe, Bassoon and Harpsichord "Piagge serene": IV. Menuett
-
Grobschmied-Variationen, HWV 430
-
Oboe Concerto no. 3 in G minor, HWV 287: I. Grave
-
Oboe Concerto no. 3 in G minor, HWV 287: II. Allegro
-
Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo)
-
Oboe Concerto no. 3 in G minor, HWV 287: IV. Allegro
-
Sonata for Trumpet, Violoncello and Basso Continuo in H minor, op. 1 no. 9: Largo
-
Sonata for Trumpet, Violoncello and Basso Continuo in H minor, op. 1 no. 9: Vivace
-
Sonata for Trumpet, Violoncello and Basso Continuo in H minor, op. 1 no. 9: A tempo di Minuett
-
Sonata for Trumpet, Violoncello and Basso Continuo in H minor, op. 1 no. 9: Presto
-
Sonata for Trumpet, Violoncello and Basso Continuo in H minor, op. 1 no. 9: Adagio
-
Sonata for Trumpet, Violoncello and Basso Continuo in H minor, op. 1 no. 9: Alla breve
-
Chandos Anthem no. 6 “As pants the hart”, HWV 251b: I. Sonata
-
Chandos Anthem no. 6 “As pants the hart”, HWV 251b: II. As Pants the Hart
-
Chandos Anthem no. 6 “As pants the hart”, HWV 251b: III. Tears Are My Daily Food
-
Chandos Anthem no. 6 “As pants the hart”, HWV 251b: IV. Now When I Think Thereupon
-
Chandos Anthem no. 6 “As pants the hart”, HWV 251b: V. In the Voice of Praise
-
Il pastor fido, HWV 8c: Gigue
-
Messiah: Overture
-
The Alchymist, HWV 43: I. Overture
-
The Alchymist, HWV 43: III. Minuet
-
The Alchymist, HWV 43: IV. Sarabande
-
The Alchymist, HWV 43: VI. Air
-
The Alchymist, HWV 43: VII. Minuet
-
The Alchymist, HWV 43: V. Bouree
-
The Alchymist, HWV 43: VIII. Gavotte
-
The Alchymist, HWV 43: IX. Gigue
-
Samson, HWV 57: Act II, no. 66. "To song and dance we give the day"
-
Samson, HWV 57: Act II, no. 67. "Fix'd in His everlasting seat"
-
Ariodante, HWV 33: Overture to Act II
-
Berenice, HWV 38: Sinfonia to Act III
-
Arminio, HWV 36, Act I: "Sento il cor per ogni lato" (Ramise)
-
Amadigi di Gaula, HWV 11: Overture - II. Gavotta
-
Sosarme, re di Media, HWV 30, Act II: "Vado, vado al campo" (Erenice)
-
Alcina, HWV 34: Atto II. Entrée des Songes agréables et effrayés
-
Alcina, HWV 34: Atto III. Rondeau
-
Il pastor fido, HWV 8c: (Menuet)
-
Il pastor fido, HWV 8c: Gavotte
-
Siroe, Re di Persia, HWV 24: Recitativo “Son stanco”
-
Siroe, Re di Persia, HWV 24: Aria “Deggio morire, o stelle”
-
Tolomeo, Re d’Egitto, HWV 25: Recitativo “Inumano fratel”
-
Tolomeo, Re d’Egitto, HWV 25: Aria “Stille amare”
-
Ottone, Re di Germanie, HWV 15: Aria “Ah! Tu non sai”
-
Riccardo Primo, Re d’Inghilterra, HWV 23: Aria “Agitato da fiere tempeste”
-
Poro, re dell'Indie, HWV 28: Atto II: Duetto "Caro amico amplesso"
-
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
-
Prelude and Capriccio in G major, HWV 571: I. Prelude
-
Prelude and Capriccio in G major, HWV 571: II. Capriccio
-
Prelude and Allegro in A minor, HWV 576: I. Prelude
-
Prelude and Allegro in A minor, HWV 576: II. Allegro
-
Concerto in G major, HWV 487: I. Allegro
-
Suite de pièce in G major, Vol. 2 no. 9, HWV 442: I. Prelude
-
Suite de pièce in G major, Vol. 2 no. 9, HWV 442: II. Chaconne
-
Sonata in C major, HWV 578: I. Allegro
-
Sonata in C major, HWV 578: II. Trio: Larghetto
-
Sonata in C major, HWV 578: III. Gavotte: Non troppo presto
-
Lungi dal mio bel nume, HWV 127a
( - 03 Mar 1708)
-
The Occasional Oratorio, HWV 62: Overture: II. Largo
-
The Occasional Oratorio, HWV 62: Overture: III. March
-
Suite de pièce in B-flat major, Vol. 2 no. 1, HWV 434: I. Prelude
-
Suite de pièce in B-flat major, Vol. 2 no. 1, HWV 434: II. Sonata. Allegro
-
Suite de pièce in B-flat major, Vol. 2 no. 1, HWV 434: III. Aria con variazioni
-
Serse, HWV 40: Atto I. Arioso “Ombra mai fù”
-
Suite de pièce in B-flat major, Vol. 2 no. 1, HWV 434
-
Saul, HWV 53: Symphony: IV. Andante larghetto
-
Saul, HWV 53: Symphony: III. Allegro
-
Saul, HWV 53: Symphony: II. Larghetto
-
Saul, HWV 53: Symphony: I. Allegro
-
Saul, HWV 53: Symphony
-
Saul, HWV 53: Act II, Scene V, no. 58. Symphony: Largo - Allegro
-
Suite de pièce in F minor, Vol. 1 no. 8, HWV 433: I. Prélude. Adagio
-
Suite de pièce in F minor, Vol. 1 no. 8, HWV 433: II. Fuga. Allegro
-
Delirio amoroso, HWV 99: XI. Recitativo. "Sì disse Clori"
-
Delirio amoroso, HWV 99: XII. Minuet
-
Ditemi, o piante, HWV 107: I. Recitativo. "Ditemi, o piante"
-
Ditemi, o piante, HWV 107: II. Aria. "Il candore tolse al giglio"
-
Ditemi, o piante, HWV 107: III. Recitativo. "Ma la beltà del volto"
-
Ditemi, o piante, HWV 107: IV. Aria. "Per formar sì vaga e bella pastorella"
-
Care selve, aure grate, HWV 88: I. Recitativo. "Care selve, aure grate"
-
Care selve, aure grate, HWV 88: II. Aria. "Ridite a Clori"
-
Care selve, aure grate, HWV 88: III. Recitativo. "Se cangiarsi potesse"
-
Care selve, aure grate, HWV 88: IV. Aria. "Non ha forza nel mio petto"
-
Allor ch'io dissi: Addio, HWV 80: I. Recitativo. "Allor ch'io dissi addio"
-
Allor ch'io dissi: Addio, HWV 80: II. Aria. "Son qual cerva ferita che fugge"
-
Allor ch'io dissi: Addio, HWV 80: III. Recitativo. "Anzi se nacque il mio amoroso desio"
-
Allor ch'io dissi: Addio, HWV 80: IV. Aria. "Il dolce foco mio"
-
O luceniti, o sereni occhi, HWV 144: I. Recitativo. O lucenti, o sereni occhi
-
O luceniti, o sereni occhi, HWV 144: II. Aria. Per voi languisco e moro
-
O luceniti, o sereni occhi, HWV 144: III. Recitativo. Messaggiero verace
-
O luceniti, o sereni occhi, HWV 144: IV. Aria. In voi, pupille ardenti
-
O luceniti, o sereni occhi, HWV 144: V. Recitativo. Del bell'idolo mio
-
O luceniti, o sereni occhi, HWV 144: VI. Aria. Formidabil gondoliero
-
O luceniti, o sereni occhi, HWV 144: VII. Recitativo. Ma se Non la rinvengo
-
O luceniti, o sereni occhi, HWV 144: VIII. Aria. Piangerò
-
O luceniti, o sereni occhi, HWV 144: IX. Recitativo. Fra quell'orride soglie
-
O luceniti, o sereni occhi, HWV 144: X. Aria. Su rendetemi colei
-
Aure soavi, e lieti, HWV 84: I. Recitativo. Aure soavi e liete
-
Aure soavi, e lieti, HWV 84: II. Aria. Care luci
-
Aure soavi, e lieti, HWV 84: III. Recitativo. Pietà, clori, pietà
-
Aure soavi, e lieti, HWV 84: IV. Aria. Un'aura flebile
-
Aminta e Fillide, HWV 83: I. Ouverture & Recitativo. Arresta il passo (Aminta)
-
Aminta e Fillide, HWV 83: II. Aria. Fermati, non fuggir! (Aminta)
-
Aminta e Fillide, HWV 83: III. Recitativo. Questa sol volta almeno (Aminta, Fillide)
-
Aminta e Fillide, HWV 83: IV. Aria. Fiamma bella (Fillide)
-
Aminta e Fillide, HWV 83: VII. Recitativo. Invano, in van presumi (Fillide, Aminta)
-
Aminta e Fillide, HWV 83: VIII. Aria. Fu Scherzo, fu gioco (Fillide)
-
Largo
-
Apollo e Dafne, HWV 122: Aria 'Ardi,adori'
-
Apollo e Dafne, HWV 122: Aria 'Cara pianta, co'miei pianti'
-
Apollo e Dafne, HWV 122: Recitative 'La terra e liberata'
-
Apollo e Dafne, HWV 122: Aria 'Pende il ben'
-
Apollo e Dafne, HWV 122: Recitative 'Ch'il superbetto Amore'
-
Apollo e Dafne, HWV 122: Aria 'Spezza l'arco'
-
Apollo e Dafne, HWV 122: Recitative 'Che crudel!'
-
Apollo e Dafne, HWV 122: Duo 'Una guerra ho dentro il seno'
-
Apollo e Dafne, HWV 122: Recitative 'Placati al fin, o cara'
-
Apollo e Dafne, HWV 122: Aria 'Come rosa in so la spina'
-
Apollo e Dafne, HWV 122: Recitaitve 'Ah! ch'un Dio'
-
Apollo e Dafne, HWV 122: Aria 'Come in ciel benigna stella'
-
Apollo e Dafne, HWV 122: Recitative 'Odi la mia ragion'
-
Apollo e Dafne, HWV 122: Duo 'Deh! lascia addolcire'
-
Apollo e Dafne, HWV 122: Recitative 'Sempre t'adorero!'
-
Apollo e Dafne, HWV 122: Aria 'Mie piante correte'
-
Der Messias
-
Der Messias: Part I
-
Der Messias: Part II
-
Der Messias: Part III
-
Messiah, HWV 56
-
Messiah, HWV 56: Part I, no. 1. Sinfonia
-
Messiah, HWV 56: Part I, no. 2. Comfort ye my people
-
Messiah, HWV 56: Part I, no. 3. Every valley shall be exalted
-
Messiah, HWV 56: Part I, no. 4. And the glory of the Lord
-
Messiah, HWV 56: Part I, no. 5. Thus saith the Lord
-
Messiah, HWV 56: Part I, no. 6. But who may abide the day of his coming?
-
Messiah, HWV 56: Part I, no. 7. And he shall purify
-
Messiah, HWV 56: Part I, no. 8. Behold, a virgin shall conceive
-
Messiah, HWV 56: Part I, no. 9. O thou that tellest good tidings to Zion
-
Messiah, HWV 56: Part I, no. 10. For behold, darkness shall cover the Earth
-
Messiah, HWV 56: Part I, no. 11. The people that walked in darkness
-
Messiah, HWV 56: Part I, no. 12. For unto us a child is born
-
Messiah, HWV 56: Part I, no. 13. Pifa ("Pastoral symphony")
-
Messiah, HWV 56: Part I, no. 14. There were shepherds abiding in the field. And lo, the angel of the Lord came upon them
-
Messiah, HWV 56: Part I, no. 15. And the angel said unto them
-
Messiah, HWV 56: Part I, no. 16. And suddenly there was with the angel
-
Messiah, HWV 56: Part I, no. 17. Glory to God
-
Messiah, HWV 56: Part I, no. 18. Rejoice greatly, O daughter of Zion
-
Messiah, HWV 56: Part I, no. 19. Then shall the eyes of the blind
-
Messiah, HWV 56: Part I, no. 20. He shall feed his flock
-
Messiah, HWV 56: Part I, no. 21. His yoke is easy, and his burthen is light
-
Messiah, HWV 56: Part II, no. 22. Behold the lamb of God
-
Messiah, HWV 56: Part II, no. 23. He was despised
-
Messiah, HWV 56: Part II, no. 24. Surely he hath borne our griefs
-
Messiah, HWV 56: Part II, no. 25. And with his stripes we are healed
-
Messiah, HWV 56: Part II, no. 26. All we like sheep have gone astray
-
Messiah, HWV 56: Part II, no. 27. All they that see him laugh him to scorn
-
Messiah, HWV 56: Part II, no. 28. He trusted in God
-
Messiah, HWV 56: Part II, no. 29. Thy rebuke hath broken his heart
-
Messiah, HWV 56: Part II, no. 30. Behold, and see if there be any sorrow
-
Messiah, HWV 56: Part II, no. 31. He was cut off out of the land of the living
-
Messiah, HWV 56: Part II, no. 32. But thou didst not leave his soul in hell
-
Messiah, HWV 56: Part II, no. 33. Lift up your heads, O ye gates
-
Messiah, HWV 56: Part II, no. 37. The Lord gave the word
-
Messiah, HWV 56: Part II, no. 38. How beautiful are the feet
-
Messiah, HWV 56: Part II, no. 39. Their sound is gone out
-
Messiah, HWV 56: Part II, no. 40. Why do the nations so furiously rage together?
-
Messiah, HWV 56: Part II, no. 41. Let us break their bonds asunder
-
Messiah, HWV 56: Part II, no. 42. He that dwelleth in heaven
-
Messiah, HWV 56: Part II, no. 43. Thou shalt break them
-
Messiah, HWV 56: Part II, no. 44. Hallelujah
-
Messiah, HWV 56: Part III, no. 45. I know that my redeemer liveth
-
Messiah, HWV 56: Part III, no. 46. Since by man came death
-
Messiah, HWV 56: Part III, no. 47. Behold, I tell you a mystery
-
Messiah, HWV 56: Part III, no. 48. The trumpet shall sound
-
Messiah, HWV 56: Part III, no. 53. Worthy is the lamb that was slain
-
Messiah, HWV 56: Part I
-
Messiah, HWV 56: Part II
-
Messiah, HWV 56: Part III
-
Cecilia, volgi un sguardo, HWV 89: 4. Aria: “Splenda l'alba” (tenor)
-
Gigue in B-flat major, HWV 413
( - 1736)
-
Terpsichore, HWV 8b: Sarabande
-
Alceste, HWV 45: Act IV. Recitative. From high Olympus' top, the seat of God
-
Alceste, HWV 45: Act IV. Ballo primo: Un peu lentement
-
En sang til håpet
-
Dixit Dominus in G minor, HWV 232: I. Chorus "Dixit Dominus"
-
Dixit Dominus in G minor, HWV 232: II. Aria "Virgam virtutus tuae"
-
Dixit Dominus in G minor, HWV 232: III. Aria "Tecum principium"
-
Dixit Dominus in G minor, HWV 232: IV. Chorus "Juravit Dominus"
-
Dixit Dominus in G minor, HWV 232: V. Chorus "Tu es sacerdos in aeternum"
-
Dixit Dominus in G minor, HWV 232: VI. "Dominus a dextris tuis"
-
Dixit Dominus in G minor, HWV 232: VIII. Duet & Chorus "De torrente in via bibet"
-
Dixit Dominus in G minor, HWV 232: IX. Chorus "Gloria Patri, et Filio"
-
The Four Coronation Anthems: "My heart is inditing", HWV 261: I. Andante "My heart is inditing of a good matter; I speak of the things which I have made unto the King"
-
The Four Coronation Anthems: "My heart is inditing", HWV 261: II. Andante "Kings' daughters were among thy honourable women"
-
The Four Coronation Anthems: "My heart is inditing", HWV 261: III. Andante "Upon thy right hand did stand the Queen in vesture of gold; And the King shall have pleasure in thy beauty"
-
The Four Coronation Anthems: "My heart is inditing", HWV 261: IV. Allegro e staccato "Kings shall be thy nursing fathers, and queens thy nursing mothers"
-
The Four Coronation Anthems: "Let thy hand be strengthened", HWV 259: I. "Let thy hand be strengthened, and thy right hand be exalted"
-
The Four Coronation Anthems: "Let thy hand be strengthened", HWV 259: II. Larghetto "Let justice and judgement be the preparation of thy seat"
-
The Four Coronation Anthems: "Let thy hand be strengthened", HWV 259: III. "Alleluia"
-
The Four Coronation Anthems: "The King shall rejoice", HWV 260: I. Allegro "The King shall rejoice in thy strength, O Lord"
-
The Four Coronation Anthems: "The King shall rejoice", HWV 260: II. Allegro "Exceeding glad shall he be of thy salvation"
-
The Four Coronation Anthems: "The King shall rejoice", HWV 260: III. A tempo giusto - non tanto allegro "Glory and great worship hast thou laid upon him" - Allegro "Thou hast prevented him with the blessings of goodness"
-
The Four Coronation Anthems: "The King shall rejoice", HWV 260: IV. Allegro "Alleluia"
-
Concerto for Lute and Harp in B-flat major, op. 4 no. 6: I. Allegro
-
Sarabande (Improvisations)
-
Theodora, HWV 68: Act I, Scene 5, no. 21. Air “Dread the fruits of Christian folly” (Septimius)
-
Theodora, HWV 68: Act II, Scene 3, no. 41. Air “Though the honours” (Septimius)
-
Theodora, HWV 68: Act II, Scene 3, no. 42. Recitative “Oh, save her then” (Didymus, Septimius)
-
Theodora, HWV 68: Act II, Scene 4, no. 44. Recitative “The clouds begin to veil” (Irene)
-
Theodora, HWV 68: Act II, Scene 5, no. 46. Recitative “Or lull’d with grief” (Didymus)
-
Theodora, HWV 68: Act II, Scene 5, no. 48. Recitative “Oh save me, Heav’n!” (Theodora, Didymus)
-
Theodora, HWV 68: Act II, Scene 5, no. 49. Air “The pilgrim’s home” (Theodora)
-
Theodora, HWV 68: Act II, Scene 5, no. 50. Accompagnato “Forbid it, Heav’n!” (Didymus, Theodora)
-
Theodora, HWV 68: Act II, Scene 6, no. 52. Recitative “’tis night, but night’s sweet blessing is denied” (Irene)
-
Theodora, HWV 68: Act II, Scene 6, no. 53. Chorus “He saw the lovely youth” (Chorus of Christians)
-
Theodora, HWV 68: Act III, Scene 1, no. 54. Air “Lord, to Thee each night and day” (Irene)
-
Theodora, HWV 68: Act III, Scene 2, no. 55. Recitative “But see, the good, the virtuous Didymus!” (Irene, Theodora)
-
Theodora, HWV 68: Act III, Scene 2, no. 57. Chorus and solo “Blest be the hand” (Chorus of Christians, Theodora)
-
Theodora, HWV 68: Act III, Scene 3, no. 59. Duet “Whither, Princess, do you fly?” (Irene, Theodora)
-
Theodora, HWV 68: Act III, Scene 3, no. 60. Recitative “She’s gone” (Irene)
-
Theodora, HWV 68: Act III, Scene 5, no. 63. Air “From virtue springs each gen’rous deed” (Septimius)
-
Theodora, HWV 68: Act III, Scene 5, no. 64. Air “Cease, ye slaves, your fruitless pray’r!” (Valens)
-
Theodora, HWV 68: Act III, Scene 5, no. 66. Chorus “How strange their ends” (Chorus of Heathens)
-
Theodora, HWV 68: Act III, Scene 5, no. 67. Recitative “On me your frowns” (Didymus, Theodora, Valens)
-
Theodora, HWV 68: Act III, Scene 6, no. 69. Recitative “And must such beauty suffer?” (Didymus, Theodora, Septimius)
-
Theodora, HWV 68: Act III, Scene 7, no. 71. Recitative “Ere this, their doom is past” (Irene)
-
Theodora, HWV 68: Act III, Scene 7, no. 72. Chorus “O love divine” (Chorus of Christians)
-
Theodora, HWV 68: Act II, Scene 3, no. 40. Recitative “Long have I known thy friendly social soul” (Didymus, Septimius)
-
Theodora, HWV 68: Act III, Scene 3, no. 58. Recitative “Undaunted in the court stands Didymus” (Messenger, Irene, Theodora)
-
Theodora, HWV 68: Act III, Scene 4–5, no. 62. Recitative “Is it a Christian virtue then” (Valens, Didymus, Theodora, Septimius)
-
Theodora, HWV 68: Act III, Scene 5, no. 65. Recitative “’Tis kind, my friends” (Didymus, Theodora)
-
Theodora, HWV 68: Act II, Scene 3, no. 43. Air “Deeds of kindness to display” (Didymus)
-
Susanna, HWV 66: Act I
-
Susanna, HWV 66: Act II
-
Susanna, HWV 66: Act III: No. 64. Air “Gold within the furnace try’d” (Joacim)
-
Berenice, HWV 38: Atto III. Chi t'intende? (Berenice)
-
Il trionfo del Tempo e del Disinganno, HWV 46a: Io sperai
-
Riccardo Primo: Atto II, Scene IV. Caro, vieni a me (Costanza)
-
Nad spuścizną po przodkach deliberacje
-
Zwölf Fantasien und vier Stücke, HWV deest: No. 8. Fantasie in G minor
-
Zwölf Fantasien und vier Stücke, HWV deest: No. 16. Carillon in D major
-
Giulio Cesare in Egitto, HWV 17: Atto II, Scena XI, 31b. Aria “Scorta siate a passi miei” (Sesto)
-
Alcina, HWV 34: Atto II. Entrée des songes agréables
-
Wassermusik: Allegro
-
Wassermusik: Air (Andante un poco Allegretto)
-
Wassermusik: Bourreé
-
Wassermusik: Hornpipe
-
Wassermusik: Hornpipe (Allegro)
-
Publio Cornelio Scipione, HWV 20: Atto II "Scoglio d'immota fronte"
-
乜鬼都買
-
Alceste, HWV 45: Act I. O bless, ye pow'rs above
-
Alceste, HWV 45: Act I. Air. Gentle Morpheus, son of night
-
Alceste, HWV 45: Act IV. Air. Ye fleeting shades, I come
-
Alceste, HWV 45: Act IV. Si replica il Core precedente: Thrice happy
-
Alceste, HWV 45: Act IV. Air. Come, Fancy, empress of the brain
-
Alceste, HWV 45: Act IV. Symphony and Accompagnato. He comes, he rises from below
-
Alceste, HWV 45: Act IV. Air. Tune your harps, all ye Nine
-
Alceste, HWV 45: Act IV. Triumph, thou son of Jove
-
Alessandro, HWV 21: Atto I. Sc.1, Solo 'E tanto ancor s'indugia a superare questo vil muro'
-
Alessandro, HWV 21: Atto I. Sc.2, No.3 Aria 'Fra le stragi e fra le morti'
-
Alessandro, HWV 21: Atto I. Sc.3, Rec.acc. 'Che vidi - Che mirai'
-
The Triumph of Time & Truth, HWV 71, Act III: Comfort Them, O Lord
-
The Triumph of Time & Truth, HWV 71, Act III: Since the Immortal Mirror I Possess
-
The Triumph of Time & Truth, HWV 71, Act III: Thus to Earth, Thou False, Delusive, Flatt'ring Mirror
-
The Triumph of Time & Truth, HWV 71, Act III: O Mighty Truth!
-
The Triumph of Time & Truth, HWV 71, Act III: From the Heart That Feels My Warning
-
The Triumph of Time & Truth, HWV 71, Act III: Pleasure, Too Long Associates We Have Been
-
The Triumph of Time & Truth, HWV 71, Act III: Like Clouds, Stormy Winds Them Impelling
-
The Triumph of Time & Truth, HWV 71, Act III: She's Gone, and Truth, Descending
-
The Triumph of Time & Truth, HWV 71, Act III: Halllelujah
-
Tamerlano, HWV 18: Ouverture
-
Tamerlano, HWV 18: Allegro - Adagio
-
Tamerlano, HWV 18: Menuet
-
Tamerlano, HWV 18, Act I Scene I: Sinfonia. Largo e staccato - Recitativo - Sinfonia
-
Tamerlano, HWV 18, Act I Scene I: Recitativo
-
Tamerlano, HWV 18, Act I Scene II: Recitativo
-
Tamerlano, HWV 18, Act I Scene II: Aria "Vuò dar pace"
-
Tamerlano, HWV 18, Act I Scene III: Recitativo
-
Tamerlano, HWV 18, Act I Scene III: Aria "Bella Asteria"
-
Tamerlano, HWV 18, Act I Scene IV: Recitativo
-
Tamerlano, HWV 18, Act I Scene IV: Aria "Dammi pace"
-
Tamerlano, HWV 18, Act I Scene V: Recitativo
-
Tamerlano, HWV 18, Act I Scene V: Aria "S'ei non mi vuol amar"
-
Tamerlano, HWV 18, Act I Scene VI: Recitativo
-
Tamerlano, HWV 18, Act I Scene VI: Aria "Ciel e terra armi di sdegno"
-
Tamerlano, HWV 18, Act I Scene VII: Recitativo
-
Tamerlano, HWV 18, Act I Scene VIII: Aria "Deh, lasciatemi"
-
Tamerlano, HWV 18, Act I Scene VIII: Recitativo
-
Tamerlano, HWV 18, Act I Scene VIII: Aria "Dal crudel che m'ha tradita"
-
Tamerlano, HWV 18, Act I Scene IX: Recitativo accompagnato
-
Tamerlano, HWV 18, Act II Scene I: Recitativo
-
Tamerlano, HWV 18, Act II Scene I: Aria "Bella gara"
-
Tamerlano, HWV 18, Act II Scene II: Recitativo
-
Tamerlano, HWV 18, Act II Scene II: Aria "Non piu tempo"
-
Tamerlano, HWV 18, Act II Scene III: Recitativo accompagnato
-
Sonata for 2 Violins and Basso continuo in G major, HWV 399 (op. 5/4): 2. A tempo ordinario - Allegro, non presto
-
Il pastor fido, HWV 8a: Overture: 3. Allegro
-
Saul, HWV 53: Symphony: I. Allegro
-
Trio Sonata in G minor, HWV 404: III. Adagio
-
Passacaille, Gigue and Menuet in G major
-
Utrecht Te Deum, HWV 278: VIII And we worship thy name
( - 14 Jan 1713)
-
Utrecht Te Deum, HWV 278: III. To Thee Cherubin and Seraphin
( - 14 Jan 1713)
-
Utrecht Te Deum, HWV 278
( - 14 Jan 1713)
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II
( - 02 Feb 1740)
-
Concerto in D major, HWV 335a
-
Jephtha, HWV 70: Act III, no. 34. Air "Farewell, ye limpid springs and floods" (Iphis)
-
Jephtha, HWV 70: Act I, no. 6a. Recitative "Ill suits the voice of love" (Iphis)
-
Prelude
-
Saul, HWV 53: Symphony: IV. Andante larghetto
-
Amarilli Vezzosa, HWV 82: 0. Sonata (Allegro menuetto)
-
L’Elpidia, ovvero Li rivali generosi, HWV A1
-
Alceste, HWV 45: Act I. Air. Ye swift minutes as ye fly
-
Cecilia, volgi un sguardo, HWV 89: 3. Recitative: “Tu armonica Cecilia” (tenor)
-
Occasional Suite in D major
-
Partenope, HWV 27: Atto III
( - 12 Feb 1730)
-
Partenope, HWV 27
( - 12 Feb 1730)
-
Partenope, HWV 27: Atto I
( - 12 Feb 1730)
-
Partenope, HWV 27: Atto II
( - 12 Feb 1730)
-
37 Minuets, HWV A15 No. 1: Minuet in E minor
-
37 Minuets, HWV A15 No. 2: Minuet in G major
-
37 Minuets, HWV A15 No. 3: Minuet in G major
-
37 Minuets, HWV A15 No. 4: Minuet in D major
-
37 Minuets, HWV A15 No. 5: Minuet in G major
-
37 Minuets, HWV A15 No. 6: Minuet in E minor
-
37 Minuets, HWV A15 No. 7: Minuet in A major
-
37 Minuets, HWV A15 No. 8: Minuet in A minor
-
37 Minuets, HWV A15 No. 9a: Minuet in E flat major
-
Cecilia, volgi un sguardo, HWV 89: 1. Recitative: “Cecilia, volgi un sguardo” (tenor)
-
Cecilia, volgi un sguardo, HWV 89: 2. Aria: “La virtute è un vero nume” (tenor)
-
Arminio, HWV 36
( - 14 Oct 1736)
-
Arminio, HWV 36: Atto I
( - 14 Oct 1736)
-
Arminio, HWV 36: Atto III
( - 14 Oct 1736)
-
Arminio, HWV 36: Atto II
( - 14 Oct 1736)
-
Publio Cornelio Scipione, HWV 20: Atto I
( - 12 Mar 1726)
-
Publio Cornelio Scipione, HWV 20: Atto II
( - 12 Mar 1726)
-
Publio Cornelio Scipione, HWV 20: Atto III
( - 12 Mar 1726)
-
37 Minuets, HWV A15 No. 9b: Minuet in G major
-
37 Minuets, HWV A15 No. 10: Minuet in G major
-
37 Minuets, HWV A15 No. 11: Minuet in B minor
-
37 Minuets, HWV A15 No. 12: Minuet in G major
-
37 Minuets, HWV A15 No. 13: Minuet in G major
-
37 Minuets, HWV A15 No. 14: Minuet in A minor
-
37 Minuets, HWV A15 No. 15: Minuet in G major
-
37 Minuets, HWV A15 No. 16: Minuet in G major
-
37 Minuets, HWV A15 No. 17: Minuet in B minor
-
37 Minuets, HWV A15 No. 18: Minuet in G major
-
37 Minuets, HWV A15 No. 19: Minuet in G major
-
37 Minuets, HWV A15 No. 20: Minuet in A major
-
37 Minuets, HWV A15 No. 21: Minuet in D major
-
37 Minuets, HWV A15 No. 22: Minuet in A major
-
37 Minuets, HWV A15 No. 23: Minuet in G major
-
37 Minuets, HWV A15 No. 24: Minuet in G minor
-
37 Minuets, HWV A15 No. 25: Minuet in G major
-
37 Minuets, HWV A15 No. 26: Minuet in A minor
-
37 Minuets, HWV A15 No. 27: Minuet in A major
-
37 Minuets, HWV A15 No. 28: Minuet in G minor
-
37 Minuets, HWV A15 No. 29: Minuet in E minor
-
37 Minuets, HWV A15 No. 30: Minuet in D major
-
37 Minuets, HWV A15 No. 31: Minuet in G major
-
37 Minuets, HWV A15 No. 32: Minuet in G major
-
37 Minuets, HWV A15 No. 33: Minuet in D major
-
37 Minuets, HWV A15 No. 34: Minuet in D major
-
37 Minuets, HWV A15 No. 35: Minuet in D major
-
37 Minuets, HWV A15 No. 36: Minuet in E minor
-
37 Minuets, HWV A15 No. 37: Minuet in D major
-
37 Minuets, HWV A15
-
Trio Sonata for 2 Flutes and Continuo in E minor, HWV 395: IV. Allegro
-
Trio sonata in E minor for two flutes and continuo (HWV 395): I. Largo
-
Alceste, HWV 45: Act IV. Thrice happy who in life excel
-
Concerto in F major, HWV 331/316: 2. Adagio
-
Concerto in F major, HWV 331/316: 1. [no tempo indication]
-
Concerto in F major, HWV 331/316: 3. Alla Hornpipe
-
Concerto in D major, HWV 335a: 1. Largo - Adagio - Allegro
-
Concerto in D major, HWV 335a: 2. Organo ad libitum
-
Deidamia, HWV 42
( - 20 Nov 1740)
-
Imeneo, HWV 41
( - 10 Oct 1740)
-
Concerto grosso in G major, op. 6 no. 1, HWV 319
( - 29 Sep 1739)
-
Berenice, HWV 38: Atto II
-
Alessandro, HWV 21
( - 11 Apr 1726)
-
Alessandro, HWV 21: Atto I
( - 11 Apr 1726)
-
Alessandro, HWV 21: Atto II
( - 11 Apr 1726)
-
Alessandro, HWV 21: Atto III
( - 11 Apr 1726)
-
Aminta e Fillide, HWV 83: V: Recitativo. Credi a miei detti (Fillide, Aminta)
-
Aminta e Fillide, HWV 83: VI. Aria. Forse che un giorno (Aminta)
-
Il pastor fido, HWV 8c: A tempo di Bourrée
-
Il pastor fido, HWV 8c: Bourrée
-
Occasional Suite in D major: 5. Finale. Allegro
-
Il pastor fido, HWV 8c: Musette - Bourrée da capo
-
Agrippina, HWV 6: Atto I, Scena XXI. Aria "Pur ritorno a rimirarvi" (Claudio)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV, 4. Aria “Priva son d’ogni conforto” (Cornelia)
-
« Weine Nur »
-
Suite de pièce in G minor, Vol. 1 no. 7, HWV 432: VI. Passacaglia. Allegro commodo
-
Susanna, HWV 66, Act III Scene 2: Duet “To My Chaste Susanna’s Praise” (Joacim, Susanna)
-
Joseph and His Brethren, HWV 59, Act III Scene 2: Air “Prophetic Raptures Swell My Breast” (Asenath)
-
Occasional Oratorio, HWV 62, Part I: No. 8. Soprano air “Fly from the Threat’ning Vengeance, Fly!”
-
Deborah, HWV 51
( - 21 Feb 1733)
-
Entreé
-
Tolomeo, rè d'Egitto, HWV 25
( - 19 Apr 1728)
-
Aci, Galatea e Polifemo, HWV 72
( - 16 Jun 1708)
-
Aminta e Fillide, HWV 83: XIX. Recitativo: E pur, Filli vezzosa
-
Aminta e Fillide, HWV 83: XX. Aria: Non si può dar un cor
-
Aminta e Fillide, HWV 83: XXI. Recitativo: O felice in amor dolce tormento
-
Aminta e Fillide, HWV 83: XXII. Duetto: Per abbattere il rigore
-
Concerto in D major, HWV 335a: 3. Allegro ma non troppo
-
Passacaille, Gigue and Menuet in G major: Passacaille
-
Passacaille, Gigue and Menuet in G major: Gigue. Presto
-
Suite de pièce in G minor, Vol. 2 no. 6, HWV 439: I. Allemande
-
Zwölf Fantasien und vier Stücke, HWV deest: No. 12. Fantasie in C minor
-
Riccardo Primo, re d'Inghilterra, HWV 23: Atto III
( - 16 May 1727)
-
Riccardo Primo, re d'Inghilterra, HWV 23
( - 16 May 1727)
-
Riccardo Primo, re d'Inghilterra, HWV 23: Atto I
( - 16 May 1727)
-
Riccardo Primo, re d'Inghilterra, HWV 23: Atto II
( - 16 May 1727)
-
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”
( - 02 Apr 1739)
-
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VI, 7. Aria “L’empio, sleale, indegno” (Tolomeo)
-
Neun deutsche Arien, HWV 202-210
-
Sonata in G major for transverse flute and basso continuo, HWV 363b: V. Menuet
-
Sonata in E minor for transverse flute and basso continuo, HWV 359b: I. Grave
-
Sonata in E minor for transverse flute and basso continuo, HWV 359b: II. Allegro
-
Sonata in E minor for transverse flute and basso continuo, HWV 359b: III. Adagio
-
Sonata in E minor for transverse flute and basso continuo, HWV 359b: IV. Allegro
-
Der Messias: 32. Chor: Halleluja
-
Der Messias: 9a. Hirtenmusik. Larghetto e mezzo piano
-
Joy to the World
-
Concerto in F major, HWV 331: I.
-
Concerto in F major, HWV 331: II. Alla Hornpipe
-
Sing Unto God: "Sing Unto God"
-
Sing Unto God: “Blessed Are All They That Fear the Lord”
-
Sing Unto God: "Thy Wife Shall Be as the Fruitful Vine"
-
Sing Unto God: "Lo, Thus Shall the Man Be Blessed"
-
Sing Unto God: "Blessed Be the Lord God of Israel"
-
Sing Unto God: "And Let All the People Say"
-
Ode for the Birthday of Queen Anne, HWV 74: “Eternal Source of Light Divine”
-
Ode for the Birthday of Queen Anne, HWV 74: “The Day That Gave Great Anna Birth”
-
Ode for the Birthday of Queen Anne, HWV 74: “Let All the Winged Race With Joy”
-
Ode for the Birthday of Queen Anne, HWV 74: “Let Flocks and Herds Their Fear Forget”
-
Ode for the Birthday of Queen Anne, HWV 74: “Let Rolling Streams Their Gladness Show”
-
Ode for the Birthday of Queen Anne, HWV 74: “Kind Health Descends on Downy Wings”
-
Ode for the Birthday of Queen Anne, HWV 74: “The Day That Gave Great Anna Birth”
-
Ode for the Birthday of Queen Anne, HWV 74: “Let Envy Then Conceal Her Head”
-
Ode for the Birthday of Queen Anne, HWV 74: “United Nations Shall Combine”
-
Il trionfo del Tempo e del Disinganno, HWV 46a: Sonata: I. [Allegro]
-
Il trionfo del Tempo e del Disinganno, HWV 46a: Sonata: II. Adagio
-
Il trionfo del Tempo e del Disinganno, HWV 46a: Sonata: III. [Allegretto]
-
Serse, HWV 40: Atto I. Aria “Va godendo vezzoso e bello” (Romilda)
-
Xerxès HWV 40 : Largo “Bois de lent oubli”
-
Rinaldo: Act III: "Bel piacere"
-
Saeviat tellus inter rigores, HWV 240: Saeviat tellus
-
Saeviat tellus inter rigores, HWV 240: Carmelitarum ut confirmet
-
Concerto doppio in C minor: III. Adagio
-
Concerto doppio in C minor: IV. Tempo di menuet
-
Concerto doppio in C minor
-
Giulio Cesare in Egitto, HWV 17: Atto I
-
Giulio Cesare in Egitto, HWV 17: Atto II
-
Giulio Cesare in Egitto, HWV 17: Atto III
-
Giulio Cesare in Egitto, HWV 17: Akt I
-
Giulio Cesare in Egitto, HWV 17: Akt II
-
Giulio Cesare in Egitto, HWV 17: Akt III
-
Giulio Cesare: Atto I, Scena II. "Vanne, e torna omai" (Tolomeo, Cleopatra)
-
Giulio Cesare: Atto I, Scena IV. "Oh, quanto bella gloria" (Coro, Tolomeo, Cesare, Achilla)
-
Giulio Cesare: Atto II, Scena II. "Madre! Ferma!" (Sesto, Cornelia, Nireno)
-
Giulio Cesare: Atto II, Scena III. "Bella Lidia" (Cesare Cleopatra, Curio, Coro)"
-
Giulio Cesare: Atto II, Scena III. "Mora, mora, mora" (Coro, Cleopatra)
-
Semele, HWV 58: Act II, no. 43. "Now Love that everlasting boy"
-
Lord, I trust thee
-
Admetus: Spera si mio Caro
-
Atalanta: Non saria poco
-
Floriodante: Sventurato godi, o core abbandonato
-
Like as the Love-Lorn Turtle
-
Atalanta, HWV 35: Atto II "Di ad Irene, tiranna"
-
He Shall Feed His Flock
-
Hark! the glad sound!
-
Freedom to Move
-
Anthem for the Foundling Hospital: Blessed are they that considereth the poor
-
Anthem for the Foundling Hospital: Blessed are they... They deliver the poor
-
Anthem for the Foundling Hospital: O God who from the suckling's mouth
-
Anthem for the Foundling Hospital: The charitable shall be had
-
Anthem for the Foundling Hospital: Comfort them, O Lord
-
Anthem for the Foundling Hospital: The people will tell of their wisdom
-
Anthem for the Foundling Hospital: Hallelujah!
-
Joy to the World
-
Sonata in G major for transverse flute and basso continuo, HWV 363b: I. Adagio
-
Sonata in G major for transverse flute and basso continuo, HWV 363b: II. Allegro
-
Sonata in G major for transverse flute and basso continuo, HWV 363b: III. Adagio
-
Sonata in G major for transverse flute and basso continuo, HWV 363b: IV. Bourrée
-
Theodora, HWV 68: Act III, Scene 3, no. 61. Recitative “New scenes of joy come crowding on” (Irene)
-
Occasional Suite in D major: 3. Marche
-
Occasional Suite in D major: 4. Musette. Andante - Allegro - Musette. Andante
-
Poro, re dell'Indie, HWV 28
( - 16 Jan 1731)
-
Poro, re dell'Indie, HWV 28: Atto I
( - 16 Jan 1731)
-
Poro, re dell'Indie, HWV 28: Atto II
( - 16 Jan 1731)
-
Poro, re dell'Indie, HWV 28: Atto III
( - 16 Jan 1731)
-
Theodora, HWV 68: Act III, Scene 5, no. 68. Air “Ye ministers of justice” (Valens)
-
Theodora, HWV 68: Act III, Scene 2, no. 56. Recitative “When sunk in anguish and despair” (Theodora)
-
Passacaille, Gigue and Menuet in G major: Menuet. Allegro moderato
-
Occasional Suite in D major: 1. Ouverture - Allegro -
-
Occasional Suite in D major: 2. Adagio
-
Organ Concerto in G minor, op. 7 no. 5, HWV 310
( - 31 Jan 1750)
-
Laudate pueri Dominum, HWV 237
( - 08 Jul 1707)
-
Muzio Scevola: Atto III, HWV 13: Overture
-
Ode auf St. Caecilia, K. 592: Aria: "Leidenschaften stillt und weckt Musik"
-
Ode auf St. Caecilia, K. 592: Aria: "Trompete, dein Schmettern erweckt uns zum Streit"
-
Ode auf St. Caecilia, K. 592: Chorus: "Trompete, dein Schmettern erweckt uns zum Streit"
-
Ode auf St. Caecilia, K. 592: March
-
Ode auf St. Caecilia, K. 592: Aria: "Der Flöte Klageton"
-
Ode auf St. Caecilia, K. 592: Aria: "Scharf klingt der Geigenton"
-
Ode auf St. Caecilia, K. 592: Aria: "Doch o! wer preiset ganz"
-
Ode auf St. Caecilia, K. 592: Aria: "Orpheus gewann ein wildes Volk"
-
Ode auf St. Caecilia, K. 592: Acc. Recit: "Doch Du, Caecilia"
-
Ode auf St. Caecilia, K. 592: Chorus: "Wie durch die Macht des heil'gen Sang's"
-
Ode auf St. Caecilia, K. 592: Chorus: "Was tot ist lebt"
-
Concerto op. 6 n° 3 (Polonaise)
-
Organ Concerto no. 7 in B-flat major, op. 7 no. 1, HWV 306
( - 17 Feb 1740)
-
Larghetto from Sonata D-dur, op.1/13, HWV 371
-
Alceste, HWV 45: Act I. Still caressing and caress'd
-
Crude furie degl' orridi abissi, Hwv 40
-
Pupille sdegnose, sareste pietose, HWV 482 no. 4
-
Water Music - Suite no. 2 in D major, HWV 348: 15. Bourrée
-
Concerto grosso in A minor, op. 6 no. 4, HWV 322
( - 08 Oct 1739)
-
Rodelinda, regina de’ Longobardi, HWV 19: Atto I, no. 11. “Pompe vane di morte!” / “Dove sei?”
-
Trio Sonata in D major, op. 5 no. 2, HWV 397: III. Musette. Andante – Allegro – Andante
-
Trio Sonata in D major, op. 5 no. 2, HWV 397: IV. Marche
-
Trio Sonata in D major, op. 5 no. 2, HWV 397: V. Gavotte. Allegro
-
Semele, oratorio, HWV 58: Act 1. Accompagnato: "Ah me! What refuge now is left me?" (Semele)
-
Semele, oratorio, HWV 58: Act 1. Air and Chorus: "Endless pleasure, endless love" (Semele Chorus)
-
Semele, oratorio, HWV 58: Act I. Accompagnato: "Ah me! What refuge now is left me?" (Semele)
-
Semele, oratorio, HWV 58: Act I. Air and Chorus: "Endless pleasure, endless love" (Semele, Chorus)
-
Semele, oratorio, HWV 58: Act II. Air: "With fond desiring" (Semele)
-
Semele, oratorio, HWV 58: Act II. Duetto: "Prepare then, ye immortal choir" (Semele, Ino, Chorus)
-
Semele, oratorio, HWV 58: Act III. Recitative: "O ecstasy of happiness" (Semele)
-
Semele, oratorio, HWV 58: Act III. Air: "Thus let my thanks de paid" (Semele)
-
Semele, oratorio, HWV 58: Act III. Air: "I ever am granting, you always complain" (Semele)
-
Semele, oratorio, HWV 58: Act III. Air: "No, no! I'll take no less" (Semele)
-
Semele, oratorio, HWV 58: Act III. "Ah me! Too late I now repeat" (Semele)
-
Jephtha, HWV 70: Act II, no. 25. Quartet "O spare your daughter!" (Storge, Hamor, Jephtha, Zebul)
-
Jephtha, HWV 70: Act III, no. 42. Air "'Tis Heaven's all-ruling pow'r" (Hamor)
-
Jephtha, HWV 70: Act III, no. 40. Air "Laud her, all ye virgin train" (Zebul)
-
Theodora, HWV 68: Act I, Scene 6, no. 26. Air “Kind Heav’n, if virtue be thy care” (Didymus)
-
Theodora, HWV 68: Act II, Scene 1, no. 31. Air “Wide spread his name” (Valens)
-
Theodora, HWV 68: Act II, Scene 5, no. 47. Air “Sweet rose and lily, flow’ry form" (Didymus)
-
Giulio Cesare
-
Concerto doppio in C minor: I. Adagio
-
Concerto doppio in C minor: II. Allegro
-
Israel in Egypt (Part I, extrait)
-
Concerto for Oboe d'Amore "Verdi prati"
-
Concerto for Oboe "Voli per l'aria"
-
Theodora, HWV 68: Act II, Scene 2, no. 37. Symphony
-
Concerto for Recorder in B-flat major, op. 4 no. 6, HWV 294: II. Larghetto
-
Suite in G minor: I. Ouverture
-
The Occasional Oratorio, HWV 62: Overture: I. Andante maestoso – Allegro
-
Ariodante, HWV 33, Act III: Neghittosi or voi che fate
-
Suite in G minor: V. Bourrée I da capo
-
Ode auf St. Caecilia, K. 592
-
Suite in G minor: VI. Sarabande
-
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
-
Messiah, HWV 56: Alternative Arias: Arioso. “But lo, the angel of the Lord came upon them” (1743)
-
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
-
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
-
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1743)
-
Messiah, HWV 56: Alternative Arias: Air. “How beautiful are the feet” (1750)
-
Concerto for Oboe and Strings in C major: III. Andantino
-
Concerto for Oboe and Strings in C major: IV. Allegro
-
Oboe Concerto no. 1 in B-flat major, HWV 301: II. Siciliana
-
Oboe Concerto no. 1 in B-flat major, HWV 301: III. Vivace
-
Atalanta, HWV 35: Atto III
-
Suite in G minor: II. Gavote
-
Il pastor fido, HWV 8a: Overture: 1. [no tempo indication] - Lentement
-
Il pastor fido, HWV 8a: Overture: 2. Largo
-
Alceste, HWV 45: Act I. Grand entree
-
Alceste, HWV 45: Act I. Accompagnato. Ye happy people
-
Das Alexander-Fest, K. 591: Part I
-
Das Alexander-Fest, K. 591: Part II
-
Alceste, HWV 45: Act I. Triumph, Hymen, in the pair
-
Joy To The World (Jingle Bells)
-
Ariodante, HWV 33: Atto I, no. 10. “Qui d’amor nel suo linguaggio” (Ariodante)
-
Joy To The World
-
Organ Concerto in A major, op. 7 no. 2, HWV 307
( - 05 Feb 1743)
-
Samson, HWV 57, Pt. 1: Chorus. Awake the Trumpet’s Lofty Sound!
-
Sonatas for an Accompanied Solo Instrument, op. 1
-
Alcina, HWV 34: Atto II. Entrée des Songes funestes
-
Quel fior che all'alba ride, HWV 192
( - 01 Jul 1741)
-
Alceste, HWV 45: Act IV. All hail, thou mighty son of Jove!
-
Alceste, HWV 45: Act IV. Symphony: Larghetto
-
Laschia Ch'io Pianga
-
Giustino, HWV 37: Atto II. "Quel torrente che s'innalza" (Arianna)
-
Il pastor fido, HWV 8a
( - 24 Oct 1712)
-
Terpsichore, HWV 8b: Gigue
-
Agrippina, HWV 6: Atto III, Scena VIII. Recitativo "Ora, Claudio, che dici?" (Poppea, Claudio)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena IX. Aria "Esci, o mia vita" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena VI. Recitativo "Fantasmi della mente" (Poppea, Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena VI. Recitativo "Voi dormite, oh luci care" (Ottone, Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena VIII. Aria "Ingannata una sol volta" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XI. Recitativo "Son qui, mia vita" (Nerone, Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena X. Recitativo "A non pochi perigli" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scene XIX. Recitativo "Signor... Poppea" (Lesbo, Claudio, Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IV. Aria "Nulla sperar da me" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IV. Aria "Tuo ben è 'l trono" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IV. Aria "Sotto il lauro ch'hai sul crine" (Nerone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Scherzo son del destin" (Ottone, Narciso, Pallante, Lesbo)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena V. Aria "Voi che udite il mio lamento" (Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena VI. Recitativo "Il tormento d'Ottone" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XXII. Recitativo "Signor, Signor, presto fuggiamo!" (Lesbo, Claudio, Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XXII. Terzetto "E quando mai" (Claudio, Poppea, Lesbo)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XXIV. Aria "Se giunge un dispetto" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena III. Recitativo "Ecco il superbo!" (Agrippina, Nerone, Poppea, Ottone, Narciso)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena III. Preludio
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Nella britannia vinta" (Claudio)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XIII. Aria "Lusinghiera mia speranza" (Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XVII. Recitativo "Perché in vece di Claudio" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XVI. Recitativo "Di lieta nuova" (Lesbo, Agrippina, Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XV. Recitativo "Signora, o mia Signora!" (Lesbo, Poppea) / Scena XVI. Recitativo "Di lieta nuova" (Lesbo, Agrippina, Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XXIII. Recitativo "O mia liberatrice" (Poppea, Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XXII. Recitativo "Pur al fin se ne andò" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena III. Recitativo "A’ cenni tuoi sovrani" (Pallante, Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XVI. Recitativo "Or è tempo, oh Narciso" (Agrippina, Narciso)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena VII. Recitativo "Temerario, insolente!" (Claudio, Nerone, Poppea, Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XIII: Aria "Pensieri, voi mi tormentate" (Agrippina)
( - 1709)
-
Agrippina, HWV 6
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena XI. Aria "Come nube che fugge dal vento" (Nerone)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena XIV. Recitativo "Adorato mio spos" (Agrippina, Claudio, Narciso, Pallante)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena XIII. Recitativo "Agrippina, Nerone, Otton, Poppea" (Claudio, Pallante, Narciso)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena. V. Recitativo "Amico ciel, seconda il mio disegno" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena IV. Recitativo "Anelante ti reco" (Nerone, Poppea, Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena III. Recitativo "Attendo qui Nerone e Claudio ancora" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena II. Recitativo "Ah, mia Poppea, ti prego" (Ottone, Poppea)
( - 1709)
-
Il Trionfo del Tempo e del Disinganno, HWV 46a: "Un pensiero nemico di pace"
-
Sonata for 2 violins and continuo in E major, HWV 394: IV. Allegro
-
Giustino, HWV 37
( - 20 Oct 1736)
-
Theodora, HWV 68: Overture
-
Wassermusik: Andante espressivo
-
Arianna in Creta, HWV 32
( - 05 Oct 1733)
-
Arianna in Creta, HWV 32: Atto I
( - 05 Oct 1733)
-
Arianna in Creta, HWV 32: Atto II
( - 05 Oct 1733)
-
Arianna in Creta, HWV 32: Atto III
( - 05 Oct 1733)
-
Siroe, re di Persia, HWV 24
( - 05 Feb 1728)
-
Siroe, re di Persia, HWV 24: Atto III
( - 05 Feb 1728)
-
Siroe, re di Persia, HWV 24: Atto II
( - 05 Feb 1728)
-
Siroe, re di Persia, HWV 24: Atto I
( - 05 Feb 1728)
-
Concerto grosso in E minor, op. 6 no. 3, HWV 321
( - 06 Oct 1739)
-
Concerto Grosso, op. 3, no. 6 in D major, HWV 317: Improvisation
-
Sonata a 5 for Violin and Strings in B-flat major, HWV 288: I. Andante
-
Sonata a 5 for Violin and Strings in B-flat major, HWV 288: II. Adagio
-
Sonata a 5 for Violin and Strings in B-flat major, HWV 288: III. Allegro
-
Aria for Cello and Piano
-
Concerto grosso no. 1 E-Dur / in E: Adagio
-
Concerto grosso no. 2 F-Dur / in F (Adagio - Larghetto andante e piano)
-
Concerto grosso no. 3 e-moll / in E minor: Andante
-
Concerto grosso no. 4 a-moll / in A minor: Larghetto affettuoso
-
Pearl
-
Giulio Cesare: Act III. "E pur cosi" / "Piangerò la sorte mia"
-
Suite From the Water Music - Allegro
-
Suite From the Water Music - Allegro Maestoso
-
Concerto grosso in D major, op. 3. no. 6, HWV 317: II. Adagio
-
Concerto grosso in D major, op. 3. no. 6, HWV 317: III. Allegro
-
Concerto grosso in D major, op. 3. no. 6, HWV 317: Allegro
-
Suite de pièce in B-flat major, Vol. 2 no. 1, HWV 434: I. Prelude
-
Suite de pièce in B-flat major, Vol. 2 no. 1, HWV 434: II. Sonata. Allegro
-
Suite de pièce in B-flat major, Vol. 2 no. 1, HWV 434: III. Aria con variazioni
-
Suite de pièce in D minor, Vol. 2 no. 3, HWV 436: I. Allemande
-
Suite de pièce in D minor, Vol. 2 no. 3, HWV 436: II. Allegro
-
Rinaldo, HWV 7a: Atto II, Scene III. Recitativo "Signor, strano ardimento" (Eustazio, Goffredo)
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Rinaldo, HWV 7a: Atto II, Scene III, no. 21. Aria "Mio cor, che mi sai dir?" (Goffredo)
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Rinaldo, HWV 7a: Atto II, Scene IV. Recitativo "Armida dispietata!" (Almirena, Argante)
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Rinaldo, HWV 7a: Atto II, Scena IV. Recitativo “Ah! sul bel labro Amore” (Argante)
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Rinaldo, HWV 7a: Atto II, Scena IV, no. 23. Aria “Basta che sol tu chieda” (Argante)
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Rinaldo, HWV 7a: Atto II, Scena V–VI. Recitativo “Cingetemi d’alloro” (Armida, Rinaldo)
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Rinaldo, HWV 7a: Atto II, Scene VI, no. 24. Duetto "Fermati! No, crudel!" (Armida, Rinaldo)
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Rinaldo, HWV 7a: Atto II, Scene VII. Recitativo "Crudel, tu ch'involasti" (Armida, Rinaldo)
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Rinaldo, HWV 7a: Atto II, Scene VIII, no. 26. Recitativo accompagnato "Dunque i lacci d'un volto" (Armida)
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Rinaldo, HWV 7a: Atto II, Scene IX. Recitativo "Riprendiam d'Almirena" (Armida)
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Rinaldo, HWV 7a: Atto II, Scena X. Recitativo “Adorata Almirena” (Argante, Armida)
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Rinaldo, HWV 7a: Atto III, Scene I. Recitativo "Quivi par che rubelle" (Eustazio, Goffredo)
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Rinaldo, HWV 7a: Atto III, Scene II. Recitativo "La causa che vi spinge" (Mago, Goffredo, Eustazio)
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Rinaldo, HWV 7a: Atto III, Scene II, no. 29. Sinfonia
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Rinaldo, HWV 7a: Atto III, Scena II. Recitativo “Qui vomita Cocito”
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Rinaldo, HWV 7a: Atto III, Scene II, no. 30. Aria / Recitativo "Andate, o forti, fra stragie morti" (Mago)
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Rinaldo, HWV 7a: Atto III, Scene III. Recitativo "Mori svenata! Oh Numi!" (Armida, Almirena, Rinaldo)
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Rinaldo, HWV 7a: Atto III, Scene IV. Recitativo "Nella guardata soglia" (Armida, Goffredo, Rinaldo, Eustazio, Almirena)
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Rinaldo, HWV 7a: Atto III, Scene V. Recitativo "Chiuso fra quelle mura" (Argante)
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Rinaldo, HWV 7a: Atto III, Scene VI. Recitativo "Per fomentar lo sdegno" (Armida, Argante)
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Rinaldo, HWV 7a: Atto III, Scene VI, no. 32. Marcia
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Rinaldo, HWV 7a: Atto III, Scene VI. Recitativo "In quel bosco di strali" (Argante, Armida)
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Rinaldo, HWV 7a: Atto III, Scene VI, no. 33. Duetto "Al trionfo del nostro furore" (Armida, Argante)
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Rinaldo, HWV 7a: Atto III, Scene VII. Recitativo "Di quei strani accidenti" (Goffredo, Almirena, Rinaldo)
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Rinaldo, HWV 7a: Atto III, Scene VII, no. 34. Aria "Bel piacere e godere fidor amor!" (Almirena)
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Sonata for Trumpet, Violoncello and Basso Continuo in H minor, op. 1 no. 9: Andante
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Rodelinda, regina de' Longobardi, HWV 19
( - 20 Jan 1725)
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Rinaldo, HWV 7a: Atto III, Scene VIII. Recitativo "Signor, l'hoste nemica" (Eustazio, Goffredo, Rinaldo, Almirena)
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Rinaldo, HWV 7a: Atto III, Scene VIII, no. 35. Aria "Di Sion nell'alta sede" (Eustazio)
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Rinaldo, HWV 7a: Atto III, Scene IX, no. 36. Marcia
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Rinaldo, HWV 7a: Atto III, Scene IX. Recitativo "Se cio t'e in grado, o Prence" (Rinaldo, Goffredo)
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Rinaldo, HWV 7a: Atto III, Scene X. Recitativo "Miei fidi, eccola un campo" (Argante)
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Rinaldo, HWV 7a: Atto III, Scene XI. Recitativo "Magnanimi campioni, ecco l'ultimo giorno" (Goffredo)
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Rinaldo, HWV 7a: Atto III, Scena XII. Recitativo "Goffredo, ecco il superbe" (Rinaldo, Argante, Goffredo)
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Rinaldo, HWV 7a: Atto III, Scene XIII. Recitativo "Ecco, German, la cruda" (Eustazio, Argante, Armida, Rinaldo, Almirena, Goffredo)
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Rinaldo, HWV 7a: Atto III, Scena XIII, no. 39. Coro “Vinto è sol dalla virtù degli affetti” (Almirena / Armida, Rinaldo, Goffredo / Eustazio, Argante)
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"Sulla ruota di fortuna" from Rinaldo
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The Grand Halleluiah in the Messiah
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ヨロコビノウタ
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Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
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Teseo, HWV 9: Morirò, ma vendicata (Act V, Scene 1)
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Athalia, HWV 52: My vengeance awakes me (Part II, Scene 2)
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Deidamia, HWV 42: M’hai resa infelice (Act III, Scene 2)
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Lotario, HWV 26: Scherza in mar la navicella (Act I, Scene 10)
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The Triumph of Time and Truth, HWV 71: Guardian angels (Part III)
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Sonata a-moll: I. Larghetto
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Sonata a-moll: II. Allegro
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Sonata a-moll: III. Adagio
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Sonata a-moll: IV. Allegro
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Sonata a-moll
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Der Messias: 36. Duet: O Tod, wo ist dein Pfeil
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Der Messias: 37a. Chorus: Doch Dank dir, Dank sei dir, Gott
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Der Messias: 37b. Recitative acc.: Wenn Gott ist für uns
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Der Messias: 11. Rezitativ (Sopran): Und alsobald war da bei dem Engel
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Der Messias: 10. Rezitativ (Sopran): Und sieh, der Engel des Herrn
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Der Messias: 30a. Chor: Brecht entzwei die Ketten alle
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Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (Serse)
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Where’er You Walk
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Keyboard Suite in D minor, HWV 449: I. Prelude
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Keyboard Suite in D minor, HWV 449: II. Allemande
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Samson, HWV 57: Act III, no. 108. “Let Their Celestial Concerts All Unite”
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Welcome, Welcome Mighty King
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Sarabande and Variations from Suite no. 11: Variation no. 1
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Sarabande and Variations from Suite no. 11: Variation no. 2
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Sarabande and Variations from Suite no. 11: Variation no. 3
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Sarabande and Variations from Suite no. 11: Variation no. 4
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Concerto in F major for Organ: I. Larghetto
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Concerto in F major for Organ: II. Allegro
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Concerto in F major for Organ: III. Andante
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Concerto in F major for Organ: IV. Larghetto
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Concerto in F major for Organ: V. Allegro
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Suite no. 2 in D-major ex "Water Music": Andante - Allegro. Alla hornpipe
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Suite no. 2 in D-major ex "Water Music": Coro
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Suite no. 2 in D-major ex "Water Music": Loure
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Händel's Messiah
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The Royal Fireworks
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Joy to the World
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Der Messias: 1. Sinfonia. Grave - Allegro moderato
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Der Messias: 2a. Arioso (Tenor): Tröste dich, mein Volk
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Der Messias: 2b. Arie (Tenor): Alle Tale macht hoch erhaben
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Der Messias: 3. Chor: Denn die Herrlichkeit Gottes
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Der Messias: 4a. Rezitativ (Baß): So spricht der Herr, Gott Zebaoth
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Se tu non lasci amore, HWV 201a
( - 12 Jul 1708)
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Der Messias: 4b. Arie (Alt): Doch wer wird ertragen den Tag seiner Ankunft
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Der Messias: 5a. Chor: Und er wird reinigen und läutern das Volk des Bundes
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Der Messias: 5b. Rezitativ (Alt): Denn sieh, der Verheißene des Herrn erscheint
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Der Messias: 6a. Arie (Alt): O du, die Wonne verkündet in Zion
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Der Messias: 6b. Chor: O du, die Wonne verkündet in Zion
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Der Messias: 7a. Rezitativ (Baß): Denn blick auf: Finsternis deckt alle Welt
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Der Messias: 7b. Arie (Baß): Das Volk, das da wandelt im Dunkel
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Der Messias: 8. Chor: Denn es ist uns ein Kind geboren
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Der Messias: 9b. Rezitativ (Sopran): Es waren Hirten beisammen auf dem Felde
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Der Messias: 12. Chor: Ehre sei Gott in der Höhe
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Der Messias: 13a. Arie (Sopran): Erwach, frohlocke, o Tochter von Zion
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Der Messias: 13b. Rezitativ (Alt): Dann wird das Auge des Blinden sich auftun
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Der Messias: 14. Duett (Sopran, Alt): Er weidet seine Herde
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Der Messias: 15. Chor: Sein Joch ist sanft
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Der Messias: 16. Chor: Seht an das Gotteslamm
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Der Messias: 17. Arie (Alt): Er ward verschmähet und verachtet
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Der Messias: 18. Chor: Wahrlich, er trug unsre Qual
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Der Messias: 19. Chor: Durch seine Wunden sind wir geheilet
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Der Messias: 20. Chor: Der Herde gleich, vom Hirten fern
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Der Messias: 21. Rezitativ (Tenor): Und alle, die ihn sehen, sprechen ihm Hohn
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Der Messias: 22. Chor: Er trauete Gott, dass er würd’ erretten ihn
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Der Messias: 23a. Rezitativ (Tenor): Diese Schmach brach ihm sein Herz
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Der Messias: 23b. Arioso (Tenor): Schau hin und sieh
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Der Messias: 24a. Rezitativ (Tenor): Er ist dahin aus dem Lande des Lebens
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Der Messias: 24b. Arie (Tenor): Doch du ließest ihn im Grabe nicht
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Der Messias: 25a. Chor: Hoch tut euch auf
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Der Messias: 25b. Rezitativ (Tenor): Zu welchen von den Engeln
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Der Messias: 26. Chor: Der Herr gab das Wort
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Der Messias: 27. Arie (Sopran): Wie lieblich ist der Boten Schritt
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Der Messias: 28. Chor: Ihr Schall gehet aus in jedes Land
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Der Messias: 29. Arie (Baß): Warum denn rasen und toben die Heiden
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Der Messias: 31. Arie (Tenor): Du zerschlägst sie mit dem eisernen Zepter
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Der Messias: 33. Arie (Sopran): Ich weiß, daß mein Erlöser lebet
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Der Messias: 35a. Rezitativ (Baß): Vernehmt, ich künd’ ein Geheimnis an
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Der Messias: 35b. Arie (Baß): Sie schallt, die Posaun’
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Der Messias: 35c. Rezitativ (Alt): Dann wird erfüllt, was da geschrieben stehet
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Der Messias: 38a. Chor: Würdig ist das Lamm
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Der Messias: 38b. Chor: Amen
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Violin Sonata in D major, op. 1 no. 13, HWV 371: I. Adagio
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Violin Sonata in D major, op. 1 no. 13, HWV 371: II. Allegro
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Violin Sonata in D major, op. 1 no. 13, HWV 371: III. Larghetto
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Violin Sonata in D major, op. 1 no. 13, HWV 371: IV. Allegro
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Zion’s Daughter
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Trumpet Concerto in D major: II. Vivace
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Water Music: Bourrée
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Water Music: Air
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Water Music: Allegro Deciso
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Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 12. "Dove sei, amato bene?" (Bertarido)
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Tamerlano, HWV 18, Act II Scene III: Aria "Cerco invano di placare"
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Tamerlano, HWV 18, Act II Scene IV: Recitativo
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Tamerlano, HWV 18, Act II Scene V: Recitativo
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Tamerlano, HWV 18, Act II Scene VI: Recitativo
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Tamerlano, HWV 18, Act II Scene VI: Recitativo
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Tamerlano, HWV 18, Act II Scene VI: Aria "Amor dà guerra e pace"
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Tamerlano, HWV 18, Act II Scene VII: Recitativo
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Tamerlano, HWV 18, Act II Scene VII: Aria "A' suoi piedi"
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Tamerlano, HWV 18, Act II Scene VIII: Recitativo
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Tamerlano, HWV 18, Act II Scene VIII: Aria "Piu d'una tigre altero"
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Tamerlano, HWV 18, Act II Scene IX: Recitativo
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Tamerlano, HWV 18, Act II Scene X: Recitativo, recitativo accompagnato
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Tamerlano, HWV 18, Act II Scene X: Terzetto "Voglio strage (version 1724)
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Tamerlano, HWV 18, Act II Scene X: Recitativo I.
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Tamerlano, HWV 18, Act II Scene X: Arietta "No, no, il tuo sdegno"
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Tamerlano, HWV 18, Act II Scene X: Recitativo II.
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Tamerlano, HWV 18, Act II Scene X: Arietta "No, che del tuo gran cor"
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Tamerlano, HWV 18, Act II Scene X: Recitativo III.
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Tamerlano, HWV 18, Act II Scene X: Arietta "No, che sei tanto costante"
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Tamerlano, HWV 18, Act II Scene X: Recitativo IV.
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Tamerlano, HWV 18, Act II Scene X: Aria "Se potessi un dí placare"
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Tamerlano, HWV 18, Act III Scene I: Recitativo
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Tamerlano, HWV 18, Act III Scene I: Aria "Cor di padre"
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Tamerlano, HWV 18, Act III Scene II: Recitativo
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Tamerlano, HWV 18, Act III Scene III: Recitativo
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Tamerlano, HWV 18, Act III Scene III: Aria "A dispetto d'un volto ingrato"
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Tamerlano, HWV 18, Act III Scene IV: Recitativo
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Tamerlano, HWV 18, Act III Scene V: Recitativo
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Tamerlano, HWV 18, Act III Scene VI: Recitativo
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Tamerlano, HWV 18, Act III Scene VI: Aria "Crudel piu non son io"
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Tamerlano, HWV 18, Act III Scene VII: Recitativo
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Tamerlano, HWV 18, Act III Scene VII: Aria "Nel mondo e nell' abisso"
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Tamerlano, HWV 18, Act III Scene VIII: Recitativo
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Tamerlano, HWV 18, Act III Scene VIII: Aria "Se non mi rendi"
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Tamerlano, HWV 18, Act III Scene IX: Recitativo
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Tamerlano, HWV 18, Act III Scene IX: Recitativo accompagnato
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Tamerlano, HWV 18, Act III Scene IX: Arioso e recitativo
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Tamerlano, HWV 18, Act III Scene IX: Recitativo accompagnato
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Tamerlano, HWV 18, Act III Scene IX: Aria "Empio, per farti guerra"
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Tamerlano, HWV 18, Act III Scene IX: Recitativo
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Tamerlano, HWV 18, Act III Scene X: Recitativo
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Tamerlano, HWV 18, Act III Scene XI: Recitativo accompagnato, recitativo
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Tamerlano, HWV 18, Act III Final Scene: Recitativo
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Tamerlano, HWV 18, Act III Final Scene: Coro "D'atra notte"
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Ariodante, HWV 33: Atto I, Scena 9. “Spero per voi, si, si” (Polinesso)
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Teseo, HWV 9, Act IV Scene 1: Voglio stragi, e voglio morte
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Ariodante, HWV 33, Act III Scene 3: Dover, giustizia, amor
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Ottone, re di Germania, HWV 15: Atto III, Scena III, 30. Aria “D’innalzar i flutti al ciel”
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Ottone, re di Germania, HWV 15: Atto I, Scena II, 3. Aria “Bel labbro, formato per farmi beato” (Adelberto)
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Teseo, HWV 9, Act I Scene 5: Serenatevi, o luci belle
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Ariodante, HWV 33, Act II Scene 5: Se l’inganno sortisce felice -
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Amadigi di Gaula, HWV 11, Act I Scene 6: Agitato il cor mi sento
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Rinaldo, HWV 7: Atto III, Scena IV, no. 31. Aria “Sorge nel petto”
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11 Pieces dans le style religieux et un transcription du Messie de Handel, op. 72: Messiah, HWV 56, Part I: Pastoral Symphony
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Lotario, HWV 26: Overture
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Alessandro : Brilla nell'alma
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Ariodante, HWV 33: Atto I. Aria “Con l’ali di costanza” (Ariodante)
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Susanna, HWV 66: Act I: No. 19. Recitative “On Joacim may every joy attend” (Susanna)
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Susanna, HWV 66: Act I: No. 21. Air “Bending to the throne of glory” (Susanna)
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Susanna, HWV 66: Act II: No. 31. Recitative “Lead me to some cool retreat” (Susanna)
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Susanna, HWV 66: Act II: No. 32. Air “Crystal streams in murmurs flowing” (Susanna)
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Susanna, HWV 66: Act II: No. 44a. Air “If guiltless blood be your intent” (Susanna)
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Susanna, HWV 66: Act III: No. 69. Air “Guilt trembling spoke my doom” (Susanna)
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Radamisto, HWV 12: Act III, Recit, "Oh Dio! (Zenobia)
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Ottone, re di Germania, HWV 15: Atto II, Scena IV. Recitativo “Ben a ragion”
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Ottone, re di Germania, HWV 15: Atto II, Scena IV, 17. Aria “Vieni, o figlio” (Gismonda)
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Trio Sonata in G major, op. 5 no. 4, HWV 399: 1. Allegro
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Trio Sonata in G major, op. 5 no. 4, HWV 399: 2a. A tempo ordinario
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Trio Sonata in G major, op. 5 no. 4, HWV 399: 2b. Allegro, non presto
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Trio Sonata in G major, op. 5 no. 4, HWV 399: 3. Passacaile
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Trio Sonata in G major, op. 5 no. 4, HWV 399: 4. Gigue: Presto
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Trio Sonata in G major, op. 5 no. 4, HWV 399: 5. Menuet: Allegro moderato
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Violin Sonata in G Minor, HWV 364b: I. Larghetto
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Violin Sonata in G Minor, HWV 364b: II. Allegro
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Violin Sonata in G Minor, HWV 364b: III. Adagio
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Violin Sonata in G Minor, HWV 364b: IV. Allegro
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Concerto for Recorder in F Major
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Concerto for Recorder in F Major: I. Larghetto. Adagio
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Concerto for Recorder in F Major: II. Allegro
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Concerto for Recorder in F Major: III. [Improvisation]
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Concerto for Recorder in F Major: IV. Alla Siciliana
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Concerto for Recorder in F Major: V. Presto
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Dance Suite: I. Chaconne. Tanz der spanischen Damen und Cavallier (From Almira, HWV 1)
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Dance Suite: II. Bourrée (From Almira, HWV 1)
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Dance Suite: III. Sarabanda (From Almira, HWV 1)
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Dance Suite: IV. Ritornello (From Almira, HWV 1)
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Dance Suite: V. Rondeau (From Almira, HWV 1)
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Dance Suite: VI. Rigaudon (From Almira, HWV 1)
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Dance Suite: VII. Allegro (From Oboe Concerto, HWV 287)
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Alexander's Feast, HWV 75: Part II - Your Voices Tune
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Ariodante, HWV 33: Atto I. “Vezzi, lusinghe” (Ginevra)
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Ariodante, HWV 33: Atto I. “Orrida a gl’occhi miei” (Ginevra)
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Ariodante, HWV 33: Atto I. “Apri le luci” (Dalinda)
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Ariodante, HWV 33: Atto I. “Coperta la frode” (Polinesso)
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Ariodante, HWV 33: Atto I. Duetto “Prendi, prendi da questa mano” (Ginevra, Ariodante)
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Ariodante, HWV 33: Atto I. “Voli colla sua tromba” (Il Rè)
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Arianna in Creta, HWV 32: Atto I, Scena 2. “Mirami altero in volto” (Tauride)
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Theodora, HWV 68: Act II, Scene 2, no. 38. Recitative “But why art thou disquieted, my soul?” (Theodora)
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Theodora, HWV 68: Act II, Scene 4, no. 45. Air “Defend her, Heav’n!” (Irene)
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Theodora, HWV 68: Act II, Scene 2, no. 34. Symphony
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Theodora, HWV 68: Act I, Scene 1, no. 2. Recitative “’tis Dioclesian’s natal day” (Valens)
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Theodora, HWV 68: Act I, Scene 1, no. 3. Air “Go, my faithful servant, go” (Valens)
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Theodora, HWV 68: Act I, Scene 1, no. 4. Chorus “And draw a blessing down” (Chorus of Heathens)
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Theodora, HWV 68: Act I, Scene 1, no. 5. Recitative “Vouchsafe, dread sir” (Didymus, Valens)
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Theodora, HWV 68: Act I, Scene 1, no. 6. Air “Racks, gibbets, sword and fire” (Valens)
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Theodora, HWV 68: Act I, Scene 1, no. 7. Chorus “For ever thus stands fix’d the doom” (Chorus of Heathens)
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Theodora, HWV 68: Act I, Scene 2, no. 8. Recitative “Most cruel edict” (Didymus)
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Theodora, HWV 68: Act I, Scene 2, no. 10. Recitative “I know thy virtues” (Septimius)
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Theodora, HWV 68: Act I, Scene 2, no. 11. Air “Descend, kind pity” (Septimius)
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Theodora, HWV 68: Act I, Scene 3, no. 12. Recitative “Though hard, my friends” (Theodora)
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Theodora, HWV 68: Act I, Scene 3, no. 13. Air “Fond flatt’ring world, adieu!” (Theodora)
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Theodora, HWV 68: Act I, Scene 3, no. 14. Recitative “Oh bright example of all goodness!” (Irene)
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Theodora, HWV 68: Act I, Scene 3, no. 16. Chorus “Come, mighty Father” (Chorus of Christians)
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Theodora, HWV 68: Act I, Scene 4, no. 17. Recitative “Fly, fly, my brethren” (Messenger, Irene)
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Theodora, HWV 68: Act I, Scene 4, no. 18. Air “As with rosy steps the morn” (Irene)
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Theodora, HWV 68: Act I, Scene 4, no. 19. Chorus “All pow’r in Heav’n above” (Chorus of Christians)
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Theodora, HWV 68: Act I, Scene 5, no. 20. Recitative “Mistaken wretches” (Septimius)
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Theodora, HWV 68: Act I, Scene 5, no. 22. Recitative “Deluded mortal!” (Theodora, Septimius)
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Theodora, HWV 68: Act I, Scene 5, no. 23. Accompagnato “Oh, worse than death indeed!” (Theodora)
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Theodora, HWV 68: Act I, Scene 6, no. 25. Recitative “Unhappy, happy crew!” (Didymus, Irene)
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Theodora, HWV 68: Act I, Scene 7, no. 27. Recitative “Oh love, how great thy pow’r!” (Irene)
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Theodora, HWV 68: Act I, Scene 7, no. 28. Chorus “Go, gen’rous pious youth” (Chorus of Christians)
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Theodora, HWV 68: Act II, Scene 1, no. 29. Recitative “Ye men of Antioch” (Valens)
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Theodora, HWV 68: Act II, Scene 1, no. 30. Chorus “Queen of summer, queen of love” (Chorus of Heathens)
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Theodora, HWV 68: Act II, Scene 1, no. 32. Recitative “Return, Septimius, to the stubborn maid” (Valens)
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Theodora, HWV 68: Act II, Scene 1, no. 33. Chorus “Venus laughing from the skies” (Chorus of Heathens)
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Theodora, HWV 68: Act I, Scene 3, no. 15. Air “Bane of virtue” (Irene)
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The Triumph of Time & Truth, HWV 71, Act I: Strengthen Us, O Time
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The Triumph of Time & Truth, HWV 71, Act I: Too Rigid the Reproof You Give
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The Triumph of Time & Truth, HWV 71, Act I: Happy Beauty
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The Triumph of Time & Truth, HWV 71, Act I: Happy, If Still They Reign in Pleasure
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The Triumph of Time & Truth, HWV 71, Act I: Youth Is Not Rich in Time
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The Triumph of Time & Truth, HWV 71, Act I: Like the Shadow, Life Ever Is Flying
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The Triumph of Time & Truth, HWV 71, Act II: Pleasure Submits to Pain
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The Triumph of Time & Truth, HWV 71, Act II: Here Pleasure Keeps Splendid Court
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The Triumph of Time & Truth, HWV 71, Act II: Oh, How Great the Glory
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The Triumph of Time & Truth, HWV 71, Act II: Dyrads, Sylvans, with Fair Flora
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The Triumph of Time & Truth, HWV 71, Act II: No. More Complaining
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The Triumph of Time & Truth, HWV 71, Act II: Pleasure's Gentle Zephys Playing
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The Triumph of Time & Truth, HWV 71, Act II: Come, O Time
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The Triumph of Time & Truth, HWV 71, Act II: You Hoped to Call in Vain
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The Triumph of Time & Truth, HWV 71, Act II: False Destructive Ways of Pleasure
-
The Triumph of Time & Truth, HWV 71, Act II: Too Long Deluded You Have Been
-
The Triumph of Time & Truth, HWV 71, Act II: Lovely Beauty, Close Those Eyes
-
The Triumph of Time & Truth, HWV 71, Act II: Seek Not to Know
-
The Triumph of Time & Truth, HWV 71, Act II: Melancholy Is a Folly
-
The Triumph of Time & Truth, HWV 71, Act II: What Is the Present Hour?
-
The Triumph of Time & Truth, HWV 71, Act II: Fain Would I, Two Hearts Enjoying
-
The Triumph of Time & Truth, HWV 71, Act II: Vain the Delights of Age or Youth
-
The Triumph of Time & Truth, HWV 71, Act II: Not Venial Error This
-
The Triumph of Time & Truth, HWV 71, Act II: Ere to Dust Is Changed Thy Beauty
-
The Triumph of Time & Truth, HWV 71, Act III: Sinfonia
-
The Triumph of Time & Truth, HWV 71, Act III: Once More I Thee Address
-
The Triumph of Time & Truth, HWV 71, Act III: Charming Beauty
-
The Triumph of Time & Truth, HWV 71, Act III: Tempt Me No. More
-
The Triumph of Time & Truth, HWV 71, Act III: Sharp Thorns Despising
-
The Triumph of Time & Truth, HWV 71, Act III: Regard Her Not
-
The Triumph of Time & Truth, HWV 71, Act III: Pleasure! My Former Ways Resigning
-
Coronation Anthem no. 1, HWV 258 “Zadok the Priest”: III. God Save the King!
-
Orlando, HWV 31: Atto III, Scena VIII. XXXV. Arioso "Già l'ebbro mio ciglio"
-
Orlando, HWV 31: Atto III, Scena IX. Recitativo "Ecco il tempo prefisso" / XXXVI. Recitativo Accompagnato "Tu, che dal gran tonante" / XXXVII. Sinfonia / Recitativo "Ah! che fate, Signor?"
-
Orlando, HWV 31: Atto III, Scena IX. Recitativo "Dormo ancora, o son desso?" / XXXVIII. Duettino "Per far, mia diletta" / Scena X. Recitativo "Che vedo, oh Dei!"
-
Messiah: Appendix. Recitative: But who may abide
-
The Ways of Zion Do Mourn, HWV 264: I. Sinfonia
-
The Ways of Zion Do Mourn, HWV 264: "The Ways of Zion Do Mourn"
-
The Ways of Zion Do Mourn, HWV 264: "How Are the Mighty Fall'n!"
-
The Ways of Zion Do Mourn, HWV 264: "When the Ear Heard Her"
-
The Ways of Zion Do Mourn, HWV 264: "How Are the Migthy Fall’n!"
-
The Ways of Zion Do Mourn, HWV 264: "She Deliver’d the Poor That Cried, the Fatherless"
-
The Ways of Zion Do Mourn, HWV 264: "How Are the Migthy Fall’n!"
-
The Ways of Zion Do Mourn, HWV 264: "The Righteous Shall Be Had"
-
The Ways of Zion Do Mourn, HWV 264: "Their Bodies Are Buried in Peace"
-
The Ways of Zion Do Mourn, HWV 264: "The People Will Tell of Their Wisdom"
-
The Ways of Zion Do Mourn, HWV 264: "They Shall Receive a Glorious Kingdom"
-
The Ways of Zion Do Mourn, HWV 264: "The Merciful Goodness of the Lord Endureth for Ever"
-
The Triumph of Time & Truth, HWV 71: Overture
-
The Triumph of Time & Truth, HWV 71, Act I: Time Is Supreme
-
The Triumph of Time & Truth, HWV 71, Act I: How Happy Could I Linger Here
-
The Triumph of Time & Truth, HWV 71, Act I: Faithful Mirror
-
The Triumph of Time & Truth, HWV 71, Act I: Fear Not! I, Pleasure, Swear
-
The Triumph of Time & Truth, HWV 71, Act I: Pensive Sorrow
-
The Triumph of Time & Truth, HWV 71, Act I: Sorrow Darkens Ev'ry Feature
-
The Triumph of Time & Truth, HWV 71, Act I: Come, Come! Live with Pleasure
-
The Triumph of Time & Truth, HWV 71, Act I: Turn, Look On Me! Behold Old Time
-
The Triumph of Time & Truth, HWV 71, Act I: The Beauty Smiling
-
The Triumph of Time & Truth, HWV 71, Act I: Our Pow'rs We All Will Try
-
The Triumph of Time & Truth, HWV 71, Act I: Ever-flowing Tides of Pleasure
-
The Triumph of Time & Truth, HWV 71, Act I: The Hand of Time Pulls Down
-
The Triumph of Time & Truth, HWV 71, Act I: Loathsome Urns
-
Orlando, HWV 31: Atto I, Scena I: I. Accompagnato "Gieroglifici eterni"
-
Orlando, HWV 31: Atto I, Scena II: II. Cavatina "Stimulato della gloria"
-
Orlando, HWV 31: Atto I, Scena II: Recitativo "Purgalo ormai" / III. Sinfonia / Recitativo "Mira"
-
Orlando, HWV 31: Atto I, Scena II: IV. Aria "Lascia Amor"
-
Orlando, HWV 31: Atto I, Scena IV: VII. Arioso "Quanto diletto" / Recitatitvo "Io non so" / VIII. Acc e Recitativo "Itene pur"
-
Orlando, HWV 31: Atto I, Scena IV: IX. Aria "Ho un certo rossore"
-
Orlando, HWV 31: Atto I, Scena V: Recitativo "M'hai vinto al fin" / X. Duettino "Ritornava al suo bel viso" / Recitativo "Spera, mio ben"
-
Orlando, HWV 31: Atto I, Scena V: XI. Aria "Chi possessore" / Scena VI: Recitativo "Ecco Dorinda"
-
Orlando, HWV 31: Atto I, Scena VI. XII. Aria "Se'l cor mai ti dirà"
-
Orlando, HWV 31: Atto I, Scena VII. Recitativo "Povera me!" / XIII. Aria "O care parolette"
-
Orlando, HWV 31: Atto I, Scena VIII. Recitativo "Noti a me sono"
-
Orlando, HWV 31: Atto I, Scena VIII. XIV. Aria "Se fede vuoi"
-
Orlando, HWV 31: Atto I, Scena X. Recitativo "Angelica, deh ! lascia..."
-
Orlando, HWV 31: Atto I, Scena XI. XVI. Terzetto "Consolati, o bella"
-
Orlando, HWV 31: Atto II, Scena I. XVII. Cavatina "Quando spieghi" / Scena II. Recitativo "Perchè, gentil Dorinda"
-
Orlando, HWV 31: Atto II, Scena II. XVIII. Aria "Se mi rivolgo al prato"
-
Orlando, HWV 31: Atto II, Scena IV. Recitativo "A qual rischio vi espone" / XX. Aria "Tra caligini profonde"
-
Orlando, HWV 31: Atto II, Scena VI. Recitativo "Dopo tanti perigli" / XXII. Aria "Non potrà dirmi ingrato" / Scena VII. Recitativo "Dove guidate"
-
Orlando, HWV 31: Atto II, Scena VIII. XXIII. Aria "Verdi piante"
-
Orlando, HWV 31: Atto III, Scena I. XXV. Sinfonia / Recitativo "Di Dorinda alle mura"
-
Orlando, HWV 31: Atto III, Scena I. XXVI. Aria "Vorrei poterti amar"
-
Orlando, HWV 31: Atto III, Scena II. Recitativo "Più obbligata gli sono" / Scena III. XXVII. Aria e Rec. "Unisca amor in noi"
-
Orlando, HWV 31: Atto III, Scena IV. Recitativo "Di Dorinda all'albergo" / XXIX. Aria "Così giusta è questa speme"
-
Orlando, HWV 31: Atto III, Scena VI. Recitativo "Impari ogn'un da Orlando" / XXXII. Aria "Sorge infausta une procella"
-
Orlando, HWV 31: Atto III, Scena VII. Recitativo "Dorinda, e perchè piangi?"
-
Orlando, HWV 31: Atto III, Scena VIII. XXXIII. Duetto "Finchè predi ancora il sangue" / Recitativo "Vieni! Vanne precipitando" / XXXIV. Acc."Già per la man d'Orlando"
-
Keyboard Suite in D minor, HWV 449: III. Courante
-
Keyboard Suite in D minor, HWV 449: IV. Sarabande
-
Keyboard Suite in D minor, HWV 449: V. Aria
-
Keyboard Suite in D minor, HWV 449: VI. Gigue
-
Keyboard Suite in D minor, HWV 449: VII. Menuet
-
Messiah, HWV 56: Part III, no. 53a. Chorus “Worthy is the Lamb”
-
Messiah, HWV 56: Part III, no. 53b. Chorus “Amen”
-
Messiah, HWV 56: Part I, no. 14a. Recitative “There were shepherds, abiding in the field” (Soprano)
-
Messiah, HWV 56: Part I, no. 14b. Recitative “And lo! the angel of the Lord come upon them” (Soprano)
-
Trio Sonata in E minor, op. 5 no. 3, HWV 398: I. Andante larghetto
-
Trio Sonata in E minor, op. 5 no. 3, HWV 398: II. Allegro
-
Trio Sonata in E minor, op. 5 no. 3, HWV 398: III. Sarabande
-
Trio Sonata in E minor, op. 5 no. 3, HWV 398: IV. Allemande
-
Trio Sonata in E minor, op. 5 no. 3, HWV 398: V. Rondeau
-
Trio Sonata in E minor, op. 5 no. 3, HWV 398: VI. Gavotte
-
Concerto a Quattro in d minor - I. Adagio
-
Concerto a Quattro in d minor - II. Allegro
-
Concerto a Quattro in d minor - III. Largo
-
Concerto a Quattro in d minor - IV. Allegro
-
Concerto a Quattro in d minor
-
The Ways of Zion do Mourn, HWV 264: IV. Chorus "She put on righteousness"
-
Il trionfo del Tempo e del Disinganno, HWV 46a: Lascia la spina, cogli la rosa
-
Orlando, HWV 31: Atto III, Scena V. Aria "Amor è qual vento"
-
Almira, HWV 1, Act I: Geloso tormento
-
Xerxes, HWV 40, Act I: Un cenno leggiadretto
-
Terpsichore, HWV 8b: Chaconne
-
Partenope, HWV 27, Act II: Qual farfalletta
-
Terpsichore, HWV 8b: Entrée (Jalousie)
-
Ariodante, HWV 33: Atto I. “Il primo ardor” (Dalinda)
-
Terpsichore, HWV 8b: Air
-
Teseo, HWV 9, Act IV: Amarti si vorrei
-
Terpsichore, HWV 8b: Ballo
-
Terpsichore, HWV 8b
-
Coronation Anthem no. 1, HWV 258 “Zadok the Priest”: I. Zadok the Priest
-
Plainchant, Dixit Dominus Domino meo (Psalm Tone)
-
Orlando, HWV 31: Ouverture
-
Theodora, HWV 68: Act II, Scene 2, no. 39. Air “O, that I on wings could rise” (Theodora)
-
Organ Concerto in F major, op. 4 no. 5, HWV 293: III. Alla Siciliana
-
Violin Sonata in A major, op. 1 no. 14, HWV 372: I. Adagio
-
Violin Sonata in A major, op. 1 no. 14, HWV 372: III. Largo
-
Violin Sonata in A major, op. 1 no. 14, HWV 372: II. Allegro
-
Violin Sonata in A major, op. 1 no. 14, HWV 372: IV. Allegro
-
Suites de Pièces, Vol. 2, HWV 434-442
-
Suites de Pièces, Vol. 1, HWV 426-433
-
Air (March) in D major, HWV 460
-
Rodelinda, regina de' Longobardi, HWV 19: Atto II, Aria: "Tuo Drudo È Mio Rivale"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: "Non Ti Bastò, Consorte"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Recitativo: "Del German Nel Periglio"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Aria: "Un Zeffiro Spirò"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Recitativo: "Con Opra Giusta Io Cancellar Disegno"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Aria: "Quanto Più Fiera Tempesta Freme"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Recitativo: "O Falso È Bertarido o Fu Mendace"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Aria: "Tra Sospetti, Affetti E Timori"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Arioso: "Chi di Voi Fu Più Infedele"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Accompagnato E Recitativo: "Ma Non So Che Dal Remoto Balcon... Non Temere. Signore? Germano?"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Aria: "Se 'l Mio Duol Non È Si Forte"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Recitativo: "Amico, Ah! Che a Me Duole"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Aria: "Se Fiera Belva Ha Cinto"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Recitativo: "Che Miro? Amica Sorte... Ecco Ti Innanzi Il Reo"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Aria: "Mio Caro Bene"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto III: Recitativo: "Sposa, Figlio, Sorella, Amici"
-
Ottone: "Spring is coming"
-
Ottone: "Come to me, soothing sleep"
-
Tolomeo, rè d'Egitto, HWV 25: Atto I, no. 3. Aria "Non lo dirò col labbro"
-
Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301
-
The Hallelujah Patrol
-
Chandos Anthem no. 1, HWV 246 “O be joyful in the Lord”: Chorus “Glory be to the Father”
-
Chandos Anthem no. 1, HWV 246 “O be joyful in the Lord”: Chorus “As it was in the beginning”
-
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Sonata
-
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Chorus “In the Lord put I my trust!”
-
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Solo “God is a constant sure defence” (tenor)
-
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Chorus “Behold! The wicked bend their bow”
-
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Solo “But God, who hears the suff’ring pow’r” (tenor)
-
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Chorus “Snares, fire and brimstone”
-
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Solo “The righteous Lord” (tenor)
-
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Chorus “Then shall my song”
-
Chandos Anthem no. 3, HWV 248 “Have mercy upon me, O God”: Sonata
-
Chandos Anthem no. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Have mercy upon me, O God”
-
Chandos Anthem no. 3, HWV 248 “Have mercy upon me, O God”: Duet “Wash me thoroughly from my wickedness” (soprano, tenor)
-
Chandos Anthem no. 3, HWV 248 “Have mercy upon me, O God”: Solo “For I acknowledge my faults” (tenor)
-
Chandos Anthem no. 3, HWV 248 “Have mercy upon me, O God”: Solo “Against thee only have I sinned” (tenor)
-
Chandos Anthem no. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Thou shalt make me hear of joy and gladness”
-
Chandos Anthem no. 3, HWV 248 “Have mercy upon me, O God”: Solo “Make me a clean heart, O God” (soprano)
-
Chandos Anthem no. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Then shall I teach Thy ways unto the wicked”
-
Alessandro, HWV 21: Atto I "Lusinghe più care"
-
Publio Cornelio Scipione, HWV 20: Atto II "Tutta raccolta ancor"
-
Partenope, HWV 27: Atto II "Furibondo spira il vento"
-
Oreste, HWV A11
-
Amadigi di Gaula, HWV 11: Atto II. "S'estinto è l'idol mio"
-
Concerto for Piano and Small Orchestra
-
Ezio, HWV 29: Atto III. "Stringo alfine il mio contento"
-
Ottone, re di Germania, HWV 15: Overture
-
Largo from “Xerxes”
-
Les Dieux Mendiants
-
Timotheus oder die Gewalt der Musik, K. 591
-
Lotario, HWV 26: Atto III. "Gioie e serto dona al merto"
-
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
-
Ariodante, HWV 33: Atto II, no. 27. Sinfonia
-
Ariodante, HWV 33: Atto II, no. 38. "Tu vivi, e punito"
-
Il pastor fido: Aria "Sol nel mezzo risona del core"
-
Berenice, HWV 38: Atto I. Aria "Vedi l'ape che ingegnosa"
-
Jephtha, HWV 70: Act III, no. 30. Arioso "Hide thou thy hated beams" (Jephtha)
-
Jephtha, HWV 70: Act III, no. 31. Accompagnato "A father, off'ring up his only child" (Jephtha)
-
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Alto)
-
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano)
-
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
-
Il trionfo del Tempo e della Verità: Part I: I. Sonata dell'Overtura, HWV 46a - Sinfonia, HWV 46b
-
Il trionfo del Tempo e della Verità: Part I: II. Chorus and Soloists (alto & trumpet)
-
Il trionfo del Tempo e della Verità: Part I: III. Recitative (Beauty)
-
Il trionfo del Tempo e della Verità: Part I: IV. Aria (Beauty)
-
Il trionfo del Tempo e della Verità: Part I: V. Recitative (Pleasure, Beauty)
-
Il trionfo del Tempo e della Verità: Part I: VI. Aria (Pleasure)
-
Il trionfo del Tempo e della Verità: Part I: VII. Recitative (Time, Disillusion)
-
Il trionfo del Tempo e della Verità: Part I: VIII. Aria (Disillusion)
-
Il trionfo del Tempo e della Verità: Part I: IX. Recitative (Pleasure, Beauty, Time, Disillusion)
-
Il trionfo del Tempo e della Verità: Part I: X. Aria (Beauty)
-
Il trionfo del Tempo e della Verità: Part I: XI. Recitiative (Time)
-
Il trionfo del Tempo e della Verità: Part I: XII. Aria (Time)
-
Il trionfo del Tempo e della Verità: Part I: XIII. Chorus (Chorus of Time)
-
Il trionfo del Tempo e della Verità: Part I: XIV. Recitative (Pleasure)
-
Il trionfo del Tempo e della Verità: Part I: XV. Duet (Beauty, Pleasure)
-
Il trionfo del Tempo e della Verità: Part I: XVI. Recitative (Disillusion, Beauty)
-
Il trionfo del Tempo e della Verità: Part I: XVII. Aria (Beauty)
-
Il trionfo del Tempo e della Verità: Part I: XVIII. Recitative (Disillusion, Pleasure, Beauty)
-
Il trionfo del Tempo e della Verità: Part I: XIX. Aria (Time)
-
Publio Cornelio Scipione, HWV 20
( - 02 Mar 1726)
-
Il trionfo del Tempo e della Verità: Part I: XX. Chorus
-
Il trionfo del Tempo e della Verità: Interlude: I. Concerto for Organ, Violin, Cello and Instruments
-
Il trionfo del Tempo e della Verità: Interlude: II. Soloists and Chorus (Beauty, Pleasure, Time, Disillusion)
-
Il trionfo del Tempo e della Verità: Interlude: III. Sinfonia
-
Il trionfo del Tempo e della Verità: Part II: I. Recitative (Pleasure)
-
Il trionfo del Tempo e della Verità: Part II: II. Sonatina for Solo Violin
-
Il trionfo del Tempo e della Verità: Part II: III. Sonatina for Carrillon
-
Il trionfo del Tempo e della Verità: Part II: IV. Recitative (Beauty)
-
Il trionfo del Tempo e della Verità: Part II: V. Aria (Pleasure)
-
Il trionfo del Tempo e della Verità: Part II: VI. Recitative (Beauty)
-
Il trionfo del Tempo e della Verità: Part II: VII. Aria (Beauty)
-
Il trionfo del Tempo e della Verità: Part II: VIII. Chorus
-
Il trionfo del Tempo e della Verità: Part II: IX. Ritornello
-
Il trionfo del Tempo e della Verità: Part II: X. Aria (Disillusion)
-
Il trionfo del Tempo e della Verità: Part II: XI. Recitative (Time, Beauty)
-
Il trionfo del Tempo e della Verità: Part II: XII. Aria (Time)
-
Il trionfo del Tempo e della Verità: Part II: XIII. Recitative (Disillusion, Time)
-
Il trionfo del Tempo e della Verità: Part II: XIV. Quartet (Beauty, Please, Disillusion, Time)
-
Il trionfo del Tempo e della Verità: Part II: XV. Recitative (Time)
-
Il trionfo del Tempo e della Verità: Part II: XVI. Aria (Pleasure)
-
Il trionfo del Tempo e della Verità: Part II: XVII. Recitative (Time)
-
Il trionfo del Tempo e della Verità: Part II: XVIII. Aria (Beauty)
-
Il trionfo del Tempo e della Verità: Part II: XIX. Recitative (Pleasure)
-
Il trionfo del Tempo e della Verità: Part II: XX. Aria (Pleasure)
-
Il trionfo del Tempo e della Verità: Part II: XXI. Recitative (Time)
-
Il trionfo del Tempo e della Verità: Part II: XXII. Aria (Beauty)
-
Il trionfo del Tempo e della Verità: Part II: XXIII. Recitative (Disillusion, Beauty)
-
Il trionfo del Tempo e della Verità: Part II: XXIV. Aria (Disillusion)
-
Il trionfo del Tempo e della Verità: Part II: XXV. Recitative (Time)
-
Il trionfo del Tempo e della Verità: Part II: XXVI. Aria (Time)
-
Il trionfo del Tempo e della Verità: Part II: XXVII. Recitative (Beauty)
-
Il trionfo del Tempo e della Verità: Part II: XXVIII. Quartet (Beauty, Time, Disillusion, Pleasure)
-
Il trionfo del Tempo e della Verità: Part II: XXIX. Chorus
-
Il trionfo del Tempo e della Verità: Part III: I. Sinfonia
-
Il trionfo del Tempo e della Verità: Part III: II. Recitative (Beauty, Disillusion)
-
Il trionfo del Tempo e della Verità: Part III: III. Aria (Pleasure)
-
Il trionfo del Tempo e della Verità: Part III: IV. Sarabande: Improvisation for Two Harpsichords
-
Il trionfo del Tempo e della Verità: Part III: V. Aria: Sarabande (Pleasure)
-
Il trionfo del Tempo e della Verità: Part III: VI. Recitative (Beauty, Disillusion)
-
Il trionfo del Tempo e della Verità: Part III: VII. Aria (Beauty)
-
Il trionfo del Tempo e della Verità: Part III: VIII. Recitative (Beauty, Pleasure, Disillusion)
-
Il trionfo del Tempo e della Verità: Part III: IX. Aria (Disillusion)
-
Il trionfo del Tempo e della Verità: Part III: X. Recitative (Beauty)
-
Il trionfo del Tempo e della Verità: Part III: XI. Aria (Beauty)
-
Il trionfo del Tempo e della Verità: Part III: XII. Accompanied Recitative (Beauty)
-
Il trionfo del Tempo e della Verità: Part III: XIII. Aria (Time)
-
Il trionfo del Tempo e della Verità: Part III: XIV. Recitative (Beauty)
-
Il trionfo del Tempo e della Verità: Part III: XV. Aria (Pleasure)
-
Il trionfo del Tempo e della Verità: Part III: XVI. Accompanied Recitative (Beauty)
-
Il trionfo del Tempo e della Verità: Part III: XVII. Aria (Beauty)
-
Il trionfo del Tempo e della Verità: Part III: XVIII. Concerto for Organ (Op. 4, No. 4 in F major, HWV 292)
-
Il trionfo del Tempo e della Verità: Part III: XIX. Chorus
-
Il trionfo del Tempo e della Verità, HWV 46b: Part III
-
Il trionfo del Tempo e della Verità, HWV 46b: Part II
-
Il trionfo del Tempo e della Verità, HWV 46b: Part I
-
Il trionfo del Tempo e della Verità, HWV 46b: Interlude
-
Violin Sonata in G minor, op. 1 no. 10, HWV 368
-
Violin Sonata in G minor, op. 1 no. 10, HWV 368: I. Andante
-
Violin Sonata in G minor, op. 1 no. 10, HWV 368: II. Allegro
-
Violin Sonata in G minor, op. 1 no. 10, HWV 368: IV. [Gigue]
-
Violin Sonata in G minor, op. 1 no. 10, HWV 368: III. Adagio
-
Sara
-
Joy to the World
-
Muzio Scevola, HWV 13, Act 3: "Spera, che tra le care gioie" (Muzio)
-
La Solitudine, HWV 121b
( - 1718)
-
Hark! the herald angels sing (Georgia)
-
Hymning seraphs wake the morning
-
Silete venti, HWV 242: I. Symphonia - Silete venti
-
Silete venti, HWV 242: II. Dulcis amor, Jesus care
-
Silete venti, HWV 242: III. O fortunata anima
-
Silete venti, HWV 242: IV. Date serta, date flores
-
Silete venti, HWV 242: V. Alleluia
-
Dixit Dominus in G minor, HWV 232: VII. Chorus "Judicabit in nationibus"
-
Delirio amoroso, HWV 99: VIII. Recitativo: "Ma siamo giunti in Lete"
-
La Lucrezia, HWV 145: VI. Furioso "Questi la disperata anima mia"
-
La Lucrezia, HWV 145: X. Furioso "Ma se qui non m'è dato"
-
Acis und Galatea, K. 566
-
Acis und Galatea, K. 566: Aufzug II
-
Acis und Galatea, K. 566: Aufzug I
-
Concerto in D minor for trumpet and orchestra: II. Furioso
-
Concerto in D minor for trumpet and orchestra: III. Adagio: alla breve
-
Concerto in D minor for Trumpet and Orchestra
-
Trio Sonata in D major, op. 5 no. 2, HWV 397: I. Adagio
-
Trio Sonata in D major, op. 5 no. 2, HWV 397: II. Allegro
-
Theodora (« Though the honors »)
-
Agrippina, HWV 6: Atto I, Scena VI. Aria "L'alma mia fra le tempeste" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena VIII. Recitativo "Ecco qui presto fia" (Pallante, Narciso, Nerone)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena IX. Recitativo "Voi che dell'alta Roma" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena X. Recitativo "Allegrezza, allegrezza!" (Lesbo, Pallante, Narciso, Nerone, Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XII. Recitativo "Augusta, amo Poppea" (Ottone, Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena XI. Recitativo "Ah, mal cauto Nerone" (Agrippina, Nerone)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena XII. Recitativo "Evvi donna più empia?" (Pallante, Narciso)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena XIV. Aria "Se vuoi pace, oh volto amato" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena XV. Recitativo "Ecco la mia rivale" (Agrippina, Poppea, Nerone, Ottone, Claudio)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena XV. Coro "Lieto il Tebro increspi d'onda"
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena XV. Gigue
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena V. Aria "Chi ben ama" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena VI. Recitativo "Qui non v'è alcun" (Lesbo, Poppea, Claudio, Nerone, Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena VIII. Aria "Io di Roma il Giove sono" (Claudio)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena IX. Recitativo "Claudio parti" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena X. Recitativo "Ora, Ottone, che dici?" (Poppea, Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena X. Recitativo "No, no, ch'io non apprezzo" (Ottone, Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XIV. Aria "Col raggio placido" (Pallante)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XV. Recitativo "Di giunger non dispero al mio desire" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XVII. Aria "Spererò, poiché mel dice" (Narciso)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XVIII. Arioso "Vagheggiar de' tuoi bei lumi" (Claudio)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XVIII. Recitativo "Vorrei della bellezza" (Agrippina, Claudio)
( - 1709)
-
Agrippina, HWV 6: Atto III, Scena I. Recitativo "Il caro Otton al precipizio io spinsi" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena VIII. Recitativo "Da quali ordite trame" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IX. Recitativo "Pur alfin ti ritrovo" (Lesbo, Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XI. Aria "Col peso del tuo amor" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XII. Recitativo "Qual bramato piacere" (Nerone)
( - 1709)
-
Der Messias: 34. Chor: Wie durch Einen der Tod
-
Agrippina, HWV 6: Atto II, Scena XIII: Recitativo "Quel ch'oprai è soggetto" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XIV. Recitativo "Se ben nemica sorte" (Pallante, Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Soccorri almen Nerone!" (Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena V. Recitativo "Otton, qual portentoso" (Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena VI. Aria "Bella pur nel mio diletto" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena VI. Cavatina "Vaghe fonti" (Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena VI. Recitativo "Ma qui che veggo, oh ciel?" (Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena VII. Aria "Ti vo' giusta e non pietosa" (Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena II. Recitativo "Roma, più ch'il trionfo" (Pallante, Narciso, Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IV. Chorus "Di timpani e trombe"
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IV. Aria "Cade il mondo soggiogato" (Claudio)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Signor, quanto il mio cuore" (Agrippina, Claudio, Poppea, Nerone, Narciso, Pallante, Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Deh tu, Agrippina, assisti!" (Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena IV. Recitativo "E tu Poppea, mio bene?" (Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XXI. Arietta "Vieni, oh cara" (Claudio)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XXI. Recitativo "Che mai farò?" (Poppea, Claudio)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XXIII. Aria "Non ho cor che per amarti" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XXIV. Recitativo "Se Ottone m'ingannò" (Poppea) / Aria "Se giunge un dispetto" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena I. Recitativo "Dunque noi siam traditi?" (Pallante, Narciso)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena II. Aria "Coronato il crin d'alloro" (Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XVII. Aria "E un foco quel d'amore" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XVIII. Recitativo ""Ma qui Agrippina viene" (Poppea, Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XVIII. Aria "Ho un non so che nel cor" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XIX. Recitativo "Cieli, quai strani casi" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XX. Recitativo "Non veggo alcun" (Lesbo)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XXI. Recitativo "Ma, oh ciel, mesta e confusa" (Claudio, Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena IX. Recitativo "Ma qual di liete trombe" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XI. Recitativo "Alle tue piante" (Ottone, Agrippina, Narciso, Pallante, Nerone)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XII. Aria "Tu ben degno" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XIII. Recitativo "l'ultima del gioir meta gradita" (Ottone)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XIV. Aria "Vaghe perle, eletti fiori" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena XIV. Recitativo "Otton, Claudio, Nerone" (Poppea)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena IV. Recitativo "Or che Pallante è vinto" (Agrippana)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena V. Aria "Volo pronto e lieto il core" (Narciso)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena VI. Recitativo ""Quanto fa, quanto puote" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena VII. Arioso "Qual piacere a un cor pietoso" (Nerone)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena VII. Recitativo "Amici, al sen vi stringo" (Nerone)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena IX. Recitativo "Narciso Il tuo figlio" (Pallante)
( - 1709)
-
Agrippina, HWV 6: Atto II, Scena XX. Aria "Ogni vento ch'al porto la spinga" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Sinfonia
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena I. Recitativo "Nerone, amato figlio" (Agrippina, Nerone)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena I. Aria "Con saggio tuo consiglio" (Nerone)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena II. Recitativo "Per cosi grande impresa" (Agrippina)
( - 1709)
-
Agrippina, HWV 6: Atto I, Scena III. Aria "La mia sorte fortunata" (Pallante)
( - 1709)
-
Orlando, HWV 31: Atto II, Scena III. Aria "Cielo! Se tu il consenti"
-
Orlando, HWV 31: Atto I, Scena III. Aria "Non fu già men forte Alcide"
-
Orlando, HWV 31: Atto I, Scena IX. Aria "Fammi combattere"
-
Orlando, HWV 31: Atto II, Scena III. Recitativo "È questa la mercede"
-
Orlando, HWV 31: Atto I, Scena III. "Immagini funeste..."
-
Orlando, HWV 31: Atto III, Scena III. Aria “Già lo stringo”
-
Rinaldo, HWV 7a: Atto II, Scene VII, no. 25. Aria "Abbruggio, avvampo e fremo" (Rinaldo)
-
Rinaldo, HWV 7a: Atto III, Scene IV, no. 31. Aria "E un incendio fra due venti" (Rinaldo)
-
Rinaldo, HWV 7a: Atto I, Scene I, no. 3. Aria "Ogni indugio d'un amante e una pena" (Rinaldo)
-
Rinaldo, HWV 7a: Atto I, Scena VIII. Recitativo "Ch'insolito stupore" (Goffredo, Eustazio, Rinaldo)
-
Rinaldo, HWV 7a: Atto I, Scene VIII, no. 15. Aria "Cor ingrato, ti rammenbri" (Rinaldo)
-
Rinaldo, HWV 7a: Atto II, Scene III, no. 20. Aria "Il Tricerbero humiliato al mio brando rendero" (Rinaldo)
-
Holy Art Thou (Largo from “Xerxes”)
-
Trio Sonata in F major, HWV 405: I. Allegro
-
Trio Sonata in F major, HWV 405: II. Grave
-
Trio Sonata in F major, HWV 405: III. Allegro
-
Joy to the World (Our God Reigns)
-
Alessandro, HWV 21: Overture
-
The Arrival of the Queen of Sheba
-
Partita for keyboard in C minor, HWV 444: I. Prelude
-
Partita for keyboard in C minor, HWV 444: II. Allemande
-
Partita for keyboard in C minor, HWV 444: III. Courante
-
Partita for keyboard in C minor, HWV 444: IV. Gavotte
-
Partita for keyboard in C minor, HWV 444: V. Menuet
-
Theodora, HWV 68: Act I, Scene 2, no. 9. Air “The raptur’d soul” (Didymus)
-
Chandos Anthem no. 1, HWV 246 “O be joyful in the Lord”: Sonata
-
Chandos Anthem no. 1, HWV 246 “O be joyful in the Lord”: Solo & Chorus “O be joyful in the Lord” (tenor)
-
Chandos Anthem no. 1, HWV 246 “O be joyful in the Lord”: Chorus “Serve the Lord with gladness”
-
Chandos Anthem no. 1, HWV 246 “O be joyful in the Lord”: Duet “Be ye sure that the Lord he is Lord” (soprano, tenor)
-
Chandos Anthem no. 1, HWV 246 “O be joyful in the Lord”: Chorus “O go your way into his gates”
-
Chandos Anthem no. 1, HWV 246 “O be joyful in the Lord”: Trio “For the Lord is gracious” (soprano, tenor, bass)
-
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV. Aria “Aure, deh, per pietà” (Cesare)
-
Cecilia, volgi un sguardo, HWV 89: 8. Duet: “Tra amplessi innocenti” (soprano, tenor)
-
Concerto for Lute and Harp in B-flat major, op. 4 no. 6
-
Ariodante, HWV 33: Overture
-
Te Deum in D major, HWV 283 "Dettingen": Aria "Vouchsafe, O Lord"
-
Te Deum in A Major, HWV 282: We praise Thee, O God
-
Te Deum in A Major, HWV 282: To Thee all angels cry aloud
-
Te Deum in A Major, HWV 282: To Thee Cherubim and Seraphim
-
Te Deum in A Major, HWV 282: The glorious company of the Apostles
-
Te Deum in A Major, HWV 282: When Thou tookest upon Thee to deliver Man
-
Te Deum in A Major, HWV 282: We believe that Thou shalt come
-
Te Deum in A Major, HWV 282: Vouchsafe, O Lord, to keep us this day
-
Te Deum in A Major, HWV 282: O Lord, in Thee have I trusted
-
The Triumph of Time and Truth, HWV 71: "Mortals think that Time is sleeping"
-
The Triumph of Time and Truth, HWV 71: "On the valleys, dark and cheerless"
-
Esther, HWV 50b: Act II. "Who calls my parting soul from death"
-
Esther, HWV 50b: Act II. "How can I stay when love invites"
-
Jephtha, HWV 70: Act II, no. 15. Air "Up the dreadful steep ascending" (Hamor)
-
Jephtha, HWV 70: no. 0. Overture
-
Samson, HWV 57: Overture
-
Alexander Balus, HWV 65: Act I. “Mighty Love Now Calls to Arm”
-
Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: I. Adagio
-
Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: II. Allegro
-
Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: III. Siciliana
-
Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: IV. Vivace
-
Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: III. Andante
-
Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: I. Vivace
-
Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: II. Allegro
-
Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: IV. Allegro
-
私を泣かせて下さい
-
Orlando, HWV 31: Atto II, Scena XI. Aria "Vaghe pupille, no, non piangete, no" (Orlando)
-
Orlando, HWV 31: Atto II, Scena XI. Aria "Già latra Cerbero" (Orlando)
-
Messiah, HWV 56: Part I. Chorus: And He Shall Purify
-
Messiah, HWV 56: Part I. Recitative: Behold, a Virgin Shall Conceive (mezzo-soprano)
-
Messiah, HWV 56: Part I. Aria & Chorus: O Thou That Tellest Good Tidings to Zion (mezzo-soprano)
-
Messiah, HWV 56: Part I. Recitative: For Behold, Darkness Shall Cover the Earth (bass)
-
Messiah, HWV 56: Part I. Aria: The People That Walked in Darkness (bass)
-
Messiah, HWV 56: Part I. Chorus: For unto Us a Child Is Born
-
Messiah, HWV 56: Part I. Pifa: Pastoral Symphony
-
Messiah, HWV 56: Part I. Recitative: There Were Shepherds Abiding in the Field (soprano)
-
Messiah, HWV 56: Part I. Recitative: And Lo! The Angel of the Lord Came Upon Them (soprano)
-
Messiah, HWV 56: Part I. Recitative: And the Angel Said unto Them (soprano)
-
Messiah, HWV 56: Part I. Recitative: And Suddenly There Was with the Angel (soprano)
-
Messiah, HWV 56: Part I. Chorus: Glory to God
-
Messiah, HWV 56: Part I. Aria: Rejoice Greatly, O Daughter of Zion (soprano)
-
Messiah, HWV 56: Part I. Recitative: Then Shall the Eyes of the Blind Be Opened (mezzo-soprano)
-
Messiah, HWV 56: Part I. Aria: He Shall Feed His Flock Like a Shepherd (mezzo-soprano & soprano)
-
Messiah, HWV 56: Part I. Chorus: His Yoke Is Easy, and His Burthen Is Light
-
Deidamia, HWV 42: Atto I
-
Deidamia, HWV 42: Atto II
-
Deidamia, HWV 42: Atto III. "Non trascurate, amanti"
-
Deidamia, HWV 42: Atto III
-
Sosarme, re di Media, HWV 30: Atto I. "Rend' il sereno al ciglio"
-
Dead March from Saul
-
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano
-
Minuet in G minor from HWV 434
-
Passacaglia in G minor, HWV 432 no. 6
-
Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: II. Organo ad libitum
-
Ottone, re di Germania, HWV 15
-
Amarilli Vezzosa, HWV 82: 0a. Recitativo "Amarilli vezzosa" (Daliso)
-
Amarilli Vezzosa, HWV 82: 1. Aria "Pietoso sguardo vezzo bugiardo" (Daliso)
-
Amarilli Vezzosa, HWV 82: Ia. Recitativo "Dunque tanto s'avanza" (Amarilli)
-
Amarilli Vezzosa, HWV 82: II. Aria "Piacer che non si dona" (Amarilli)
-
Amarilli Vezzosa, HWV 82: IIa. Recitativo "Si, si crudel, ti accheta" (Daliso, Amarilli)
-
Amarilli Vezzosa, HWV 82: III. Aria "Quel nocchiero che mira la sponde" (Amarilli)
-
Amarilli Vezzosa, HWV 82: IIIa. Recitativo "Amarilli in vano tenti" (Daliso)
-
Amarilli Vezzosa, HWV 82: IV. Aria "E vanita d'un cor quel vivere in Amor" (Daliso)
-
Amarilli Vezzosa, HWV 82: IVa. Recitativo "Or su gia che ostinato" (Amarilli, Daliso)
-
Amarilli Vezzosa, HWV 82: V. Arioso "Si, si lasciami, ingrata" (Daliso)
-
Passacaglia in G minor, HWV 432 no. 6
-
Semele, HWV 58: Act III. Air "Myself I shall adore"
-
Tamerlano, HWV 18: Atto I, no. 9. Aria "Benché mi sprezzi" (Andronico)
-
Orlando, HWV 31: Atto II, Scena V. Aria 'Verdi allori sempre unito' (Medoro)
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 1. Menuet
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 2. Aria: "Ho Perduto Il Caro Sposo"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 3. "Regina?/Grimoaldo, Nel Mio Presente Stato"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 4. Aria: "L'Empio Rigor Del Fato"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 5. Recitativo: "E Tanto, da Che Sei Re"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 6. Aria: "Io Già T'Amai"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 7. Recitativo: "E Tu Dici D'Amarmi?"
-
Organ Concerto in A major, HWV 296: 5. Allegro
-
Esther, HWV 50a: No. 9. "Praise the Lord With Cheerful Noise"
-
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I
( - 25 Jan 1740)
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 8. Aria: "Lo Farò, Dirò: Spietato"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 9. Recitativo: "Eduige, T'Inganni"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 10. Aria: "Di Cupido Impiego I Vanni"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 13. Recitativo: "Ma Giunge Unulfo, Oh Dio!"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 16. Accompagnato E Recitativo: "Ombra Del Mio Bel Sol - Deh, Lascia!/ No, Signor"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 15. Recitativo: "Baci Inutili E Vani"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 18. Aria: "Morrai, Sì; L'Empia Tua Testa"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 17. Recitativo: E Ben, Duca, Poss'Io All'Ardor"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 19. Aria: "Se Per Te Giungo a Godere"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 20. Accompagnato: "Sì, L'Infida Consorte"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 21. Aria: "Confusa Si Miri"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: "Già Perdesti... Rodelinda, Sì Mesta Ritorni"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto II, Aria: "de' Miei Scherni Per Far Le Vendette"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: Rodelinda, È Pur Ver?"
-
Rodelinda, regina de’ Longobardi, HWV 19: Atto II. Aria “Spietati, io vi giurai” (Rodelinda)
-
Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: "Unulfo, Garibaldo, in Questo Seno"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto II, Aria: "Prigioniera Ho L'Alma in Pena"
-
Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: "Massime Così Indegne"
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Rodelinda, regina de' Longobardi, HWV 19: Atto II, Aria: "Tirannia Gli Diede Il Regno"
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Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: "Perché Con Soli Intanto L'Afflitto"
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Rodelinda, regina de' Longobardi, HWV 19: Atto II, Aria: "Fra Tempeste Funeste"
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Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: "Ah No, Che Non M'Inganna"
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Rodelinda, regina de' Longobardi, HWV 19: Atto II, Aria: "Scacciata Dal Suo Nido"
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Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: "Vive Il Mio Sposo?"
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Rodelinda, regina de’ Longobardi, HWV 19: Atto II, Aria: “Ritorna, o caro e dolce mio tesoro”
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Rodelinda, regina de' Longobardi, HWV 19: Atto II, Recitativo: "Ah Sì! Ecco Lo Sposo!"
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Donna, che in ciel, HWV 233
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Das Alexander-Fest, K. 591: Part I. Overture
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Das Alexander-Fest, K. 591: Part I. Chorus: "Den stillen Trupp enzücht das hohe Lied"
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Das Alexander-Fest, K. 591: Part I. Aria: "Der König horcht mit stolzem Ohr"
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Das Alexander-Fest, K. 591: Part I. Recit: "Des Bacchus Lob stimmt nun der süße Künstler an"
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Tamerlano, HWV 18: Atto I, no. 5. Aria "Forte e lieto"
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Tamerlano, HWV 18: Atto III, no. 72. Recitative "Oh per me lieto, avventuroso giorno!"
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Tamerlano, HWV 18: Atto III, no. 74. Arioso "Figlia mia, non pianger, no"
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Tamerlano, HWV 18: Atto III, no. 75. Accompagnato "Tu, spietato, il vedrai"
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Alceste, HWV 45: Act IV. "Enjoy the Sweet Elysian Grove"
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Samson, HWV 57: Act II, no. 43. Recitative "Did Love Constrain Thee?"
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Samson, HWV 57: Act II, no. 44. Air "Your Charms to Ruin Led the Way"
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Samson, HWV 57: Act III, no. 77. "Be of Good Courage"
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Samson, HWV 57: Act III, no. 78. Accompagnato "Then Shall I Make Jehovah's Glory Known!"
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Samson, HWV 57: Act III, no. 79. Air "Thus When the Sun From's Wat'ry Bed"
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Il trionfo del Tempo e del Disinganno, HWV 46a: no. 10. Aria "Urne voi! Che racchiudete tante belle"
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Rodelinda, regina de' Longobardi, HWV 19: Atto III, no. 61. Accompagnato "Fatto inferno"
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Rodrigo : Menuet
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Rodrigo : Passacaille
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Silla : Ouverture
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Air in F major, HWV 464
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Bourrée and Hornpipe in F major, HWV deest
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Fugue in C minor, HWV 610
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Suite for 2 keyboards in C minor, HWV 446: I. Allemande
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Suite for 2 keyboards in C minor, HWV 446: II. Courante
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Suite for 2 keyboards in C minor, HWV 446: III. Sarabande
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Suite for 2 keyboards in C minor, HWV 446: IV. Chaconne - Derek Adlam
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Aria and Variations in G major, HWV 430/4a
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Sonata in G minor for Cello and Piano: IV. Allegro
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Sonata in G minor for Cello and Piano
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Sonata in G minor for Cello and Piano: III. Sarabande
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Sonata in G minor for Cello and Piano: II. Allegro
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Sonata in G minor for Cello and Piano: I. Grave
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Dal fatale momento, HWV 101a
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Dal fatale momento, HWV 101b
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Dolce mio ben, s'io taccio, HWV 108
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Fugue in E major, HWV 612
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Voluntary in C major, HWV 588
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Sento là che ristretto, HWV 161b
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Thine be the glory
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Technical Difficulties Part II
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Agrippina, HWV 6: Atto I, Scena IV. Recitativo "Umile alle tue piante" (Narciso, Agrippina)
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Agrippina, HWV 6: Atto I, Scena XIX. Aria "Fa quanto vuoi" (Poppea)
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Laudate pueri Dominum, HWV 237: II. Sit nomen Domini
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Laudate pueri Dominum, HWV 237: III. A solis ortu usque ad occasum
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Laudate pueri Dominum, HWV 237: IV. Excelsus super omnes gentes Dominus
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Laudate pueri Dominum, HWV 237: V. Quis sicut Dominus Deus noster
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Laudate pueri Dominum, HWV 237: VI: Suscitans a terra inopem
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Laudate pueri Dominum, HWV 237: VII. Qui habitare facit sterilem in domo
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Laudate pueri Dominum, HWV 237: VIII. Gloria
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Imeneo, HWV 41: Atto III
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Imeneo, HWV 41: Atto II
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Imeneo, HWV 41: Atto I
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Concerto in G major, HWV 487
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Flute Sonata in E minor, op. 1 no. 1b, HWV 359b
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Serse, HWV 40: Atto I. Arioso “Ombra mai fù”
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Trio Sonata in D minor, HWV 381
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Trio Sonata in B-flat major, HWV 380
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Violin Sonata in E major, op. 1 no. 15, HWV 373
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Violin Sonata in A major, op. 1 no. 14, HWV 372
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Violin Sonata in F major, op. 1 no 12, HWV 370
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Trio Sonata in E major, op. 2 no. 9, HWV 394
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Trio Sonatas, op. 2
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Trio Sonata in D major, HWV 385
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Trio Sonata in G major, HWV 384
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Trio Sonata in F major, HWV 383
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Trio Sonata in E-flat major, HWV 382
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Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: V. Air con Variazioni: Air
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Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: V. Air con Variazioni: Variation 1
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Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: V. Air con Variazioni: Variation 2
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Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: V. Air con Variazioni: Variation 3
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Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: V. Air con Variazioni: Variation 4
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Suite de pièce in D minor, Vol. 1 no. 3, HWV 428: V. Air con Variazioni: Variation 5
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Trio Sonatas, op. 5
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Trio Sonata in G minor, op. 5 no. 5, HWV 400
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Trio Sonata in G major, op. 5 no. 4, HWV 399
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Trio Sonata in A major, op. 5 no. 1, HWV 396
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Trio Sonata in D major, op. 5 no. 2, HWV 397
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Trio Sonata in E minor, op. 5 no. 3, HWV 398
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Trio Sonata in G minor, HWV 404
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Trio Sonata in B-flat major, op. 5 no. 7, HWV 402
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Trio Sonata in F major, op. 5 no. 6, HWV 401
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Air (Saraband) in E major, HWV 425
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Deborah, HWV 51: Overture
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Cecilia, volgi un sguardo, HWV 89: 6. Aria: “Sei cara, sei bella” (soprano)
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Cecilia, volgi un sguardo, HWV 89: 7. Recitative: “È ben degna di lode” (soprano)
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Atalanta, HWV 35
( - 22 Apr 1736)
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As Pants the Hart, HWV 251c
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Alleluja...amen, HWV 275
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Marche in F major, HWV 346
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Rinaldo, HWV 7b
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Rinaldo, HWV 7b: Atto I
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Rinaldo, HWV 7b: Atto II
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Rinaldo, HWV 7b: Atto III
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Rinaldo, HWV 7a: Atto II. Aria "La crudele lontananza" (Almirena)
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Rinaldo, HWV 7a: Atto II. Aria "Vieni, o caro, che senza il tuo core" (Almirena)
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Amadigi di Gaula, HWV 11: Atto I. Aria "Lusinga questo cor" (Oriana)
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Pirro e Demetrio: Atto III. Aria "Sento prima le procelle" (Demetrio)
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Pirro e Demetrio: Atto III. Aria "No, non così severe" (Demetrio)
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Pirro e Demetrio: Atto III. Aria "Vieni, o cara, e lieta in petto" (Demetrio)
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Teseo, HWV 9: Atto IV. Aria "Sa perché pena il cor" (Agilea)
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Admeto, re di Tessaglia, HWV 22: Atto I. Recitativo "Non lagrimate, o mie seguace"
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Admeto, re di Tessaglia, HWV 22: Atto I. Aria "Farò così più bella" (Alceste)
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Berenice, HWV 38: Atto III. Aria "Le vicende della sorte" (Demetrio)
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Alessandro, HWV 21: Atto II. Aria "Solitudini amate" (Rossane)
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Organ Concerto in D minor, HWV 297
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Organ Concerto in G major, HWV 298
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Organ Concerto in D major, HWV 299
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Organ Concerto in G minor, WV 300
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Concerto in F major, HWV 331
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Cecilia, volgi un sguardo, HWV 89: 5. Recitative: “Carco sempre di gloria” (soprano)
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Messiah, HWV 56: Part I. Sinfonia: Overture
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Messiah, HWV 56: Part I. Recitative: Comfort ye my people (tenor)
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Messiah, HWV 56: Part I. Aria: Ev'ry Valley Shall Be Exalted (tenor)
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Messiah, HWV 56: Part I
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Messiah, HWV 56: Part I. Chorus: And the Glory of the Lord
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Messiah, HWV 56: Part I. Recitative “Thus saith the Lord” (Bass)
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Messiah, HWV 56: Part I. Aria: But Who May Abide the Day of His Coming (mezzo-soprano)
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Ouverture in B-flat major, HWV 336
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Concerto in F major, HWV 335b
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Marche in D major, HWV 345
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Sinfonia in B-flat major, HWV 347
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Nò, di voi non vo' fidarmi, HWV 189
( - 03 Jul 1741)
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Rodelinda, regina de' Longobardi, HWV 19: Atto III, no. 62. Aria "Pastorello d'un povero armento"
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Jephtha, HWV 70: Act II, no. 16a. Recitative "Heav'n smiles once more" (Zebul)
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Jephtha, HWV 70: Act II, no. 18. Air "His mighty arm, with sudden blow" (Jephtha)
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Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni: Air
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Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni: Variation 1
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Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni: Variation 2
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Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni: Variation 3
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Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni: Variation 4
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Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni: Variation 5
Lyrics
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Hendel, non può mia musa, HWV 117
(Jul 1708 - Aug 1708)
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Saul, HWV 53: Act II, Scene III, no. 49. Air "Sin not, o king, against the youth" (Jonathan)
(1738)