Henry Purcell (10 Sep 1659 - 21 Nov 1695)

Male Person - United Kingdom baroque composer

Works (1,470)

Previous Attribution

1. The Prince of Denmark’s March
2. Trumpet Tune in D

Wrote

1. Laudate ceciliam, Z. 329 (1683)
2. The Cold Song
3. Pox on you for a fop, Z. 268
4. Young Thyrsis' fate, ye hills and groves, deplore, Z. 473
5. Old Sir Symon the King
6. Tom the Tailor

Composed

1. I Saw That You Were Grown So High, Z. 387 (1678)
2. Since the pox or the plague, Z. 471 (1679)
3. What hope for us remains now he is gone?, Z. 472 (1679)
4. Amintas, to my grief I see, Z. 356 (1679)
5. Fantasia for strings No. 4, Z. 735 (10 Jun 1680)
6. Fantasia for strings No. 5, Z. 736 (11 Jun 1680)
7. Fantasia for strings No. 6, Z. 737 (14 Jun 1680)
8. Fantasia for strings No. 7, Z. 738 (19 Jun 1680)
9. Fantasia for strings No. 8, Z. 739 (22 Jun 1680)
10. Fantasia for strings No. 9, Z. 740 (23 Jun 1680)
11. Fantasia for strings No. 10, Z. 741 (30 Jun 1680)
12. Fantasia for strings No. 11, Z. 742 (18 Aug 1680)
13. Fantasia for strings No. 12, Z. 743 (31 Aug 1680)
14. O Lord God of Hosts, Z. 37 (1680 - 1682)
15. O all ye people, clap your hands, Z. 138 (1680)
16. Beati omnes qui timent Dominum, Z. 131 (1680)
17. Here's that will challenge all the fair, Z. 253 (1680)
18. Welcome, vicegerent of the mighty king, Z. 340 (1680)
19. Pavan In G Minor (1680)
20. Chacony In G Minor (1680)
21. Complete Service in B-flat, Z. 230 (1681 - 1682)
22. Pastora's beauties when unblown, Z. 407 (1681)
23. How I sigh when I think of the charms, Z. 374 (1681)
24. When her languishing eyes said 'love', Z. 432 (1681)
25. Amintor, heedless of his flocks, Z. 357 (1681)
26. O Praise God in His Holiness, Z. 42 (1682 - 1685)
27. O Praise God in His Holiness, Z. 42: I. Symphony (1682 - 1685)
28. O Praise God in His Holiness, Z. 42: II. Praise Him in His Noble Acts (1682 - 1685)
29. O Praise God in His Holiness, Z. 42: III. Praise Him upon the Well-Tuned Cymbals (1682 - 1685)
30. It is a good thing to give thanks, Z. 18 (1682 - 1685)
31. It is a good thing to give thanks, Z. 18: I. Symphony (1682 - 1685)
32. It is a good thing to give thanks, Z. 18: II. To tell of thy loving kindness (1682 - 1685)
33. It is a good thing to give thanks, Z. 18: III. O Lord how glorious are thy works (1682 - 1685)
34. It is a good thing to give thanks, Z. 18: IV. For thou, Lord, hast made me glad (1682 - 1685)
35. Let mine eyes run down with tears, Z. 24 (1682)
36. The summer's absence unconcerned we bear, Z. 337: Symphony (1682)
37. The summer's absence unconcerned we bear, Z. 337 (1682)
38. Song, Z 413 "She Loves and she Confesses too" (1683)
39. Trio Sonata of 3 parts no. 1 in G minor, Z. 790: I. Adagio (1683)
40. Trio Sonata of 3 parts no. 1 in G minor, Z. 790: II. Vivace (1683)
41. Trio Sonata of 3 parts no. 1 in G minor, Z. 790: III. Adagio, Presto (1683)
42. Trio Sonata of 3 parts no. 1 in G minor, Z. 790: IV. Largo (1683)
43. Trio Sonata of 3 parts no. 2 in B-flat major, Z. 791: I. Adagio (1683)
44. Sleep, Adam, and Take Thy Rest, Z. 195 (1683)
45. Trio Sonata in 4 parts no. 7 in C major, Z. 808: III. Grave (1683)
46. Trio Sonata in 4 parts no. 7 in C major, Z. 808: V. Allegro (1683)
47. Young John the gard'ner, Z. 292 (1683)
48. Rashly I swore I would disown, Z. 411 (1683)
49. Ode, Z 324 "Fly, bold rebellion": III. Aria (High Tenor) - Ritornello - Chorus "Rivers from their channels turned" (1683)
50. Ode, Z 324 "Fly, bold rebellion": IV. Aria (Bass, Tenor) - Ritornello "If then we've found the want of his rays" (1683)
51. Ode, Z 324 "Fly, bold rebellion": V. Trio (Sopranos I-II, Tenor) - Ritornello "But Heaven has now dispelled those fears" (1683)
52. Ode, Z 324 "Fly, bold rebellion": VI. Aria (Alto, Tenor, Bass) - Chorus "Come then, change your notes" (1683)
53. Ode, Z 324 "Fly, bold rebellion": VII. Aria (Alto) - Ritornello " Be welcome then, great Sir" (1683)
54. Ode, Z 324 "Fly, bold rebellion": VIII. Septet - Chorus "Welcome to all those wishes fulfilled" (1683)
55. Trio Sonata in 4 parts no. 1 in B minor, Z. 802: III. Largo (1683)
56. Mad Bess of Bedlam, Z. 370 "From Silent Shades and the Elysian Groves" (1683)
57. From hardy climes and dangerous toils of war, Z. 325 (1683)
58. Ode, Z 324 "Fly, bold rebellion" (1683)
59. Ode, Z 324 "Fly, bold rebellion": I. Symphony (1683)
60. Ode, Z 324 "Fly, bold rebellion": II. Quintet - Ritornello - Aria (Bass) - Chorus "Fly, bold rebellion" (1683)
61. Trio Sonata in 4 parts no. 3 in A minor, Z. 804: I. Grave (1683)
62. Trio Sonata in 4 parts no. 2 in E-flat major, Z. 803: III. Adagio (1683)
63. Trio Sonata in 3 parts no. 12 in D major, Z. 801 (1683)
64. Trio Sonata in 3 parts no. 6 in C major, Z. 795 (1683)
65. Trio Sonata in 3 parts no. 7 in E minor, Z. 796 (1683)
66. Trio Sonata in 3 parts no. 8 in G major, Z. 797 (1683)
67. Trio Sonata in 3 parts no. 9 in C minor, Z. 798 (1683)
68. Trio Sonata in 3 parts no. 10 in A major, Z. 799 (1683)
69. Trio Sonata in 3 parts no. 11 in F minor, Z. 800 (1683)
70. Trio Sonata in 3 parts no. 1 in G minor, Z. 790 (1683)
71. Trio Sonata in 3 parts no. 2 in B-flat major, Z. 791 (1683)
72. Trio Sonata in 3 parts no. 3 in D minor, Z. 792 (1683)
73. Trio Sonata in 3 parts no. 4 in F major, Z. 793 (1683)
74. Trio Sonata in 3 parts no. 5 in A minor, Z. 794 (1683)
75. Trio Sonata in 4 parts no. 4 in D minor, Z. 805: III. Adagio (1683)
76. Trio Sonata in 4 parts no. 4 in D minor, Z. 805: II. Canzona (1683)
77. Trio Sonata in 4 parts no. 4 in D minor, Z. 805: I. Adagio (1683)
78. Trio Sonata in 4 parts no. 3 in A minor, Z. 804: II. Largo (1683)
79. Trio Sonata in 4 parts no. 3 in A minor, Z. 804: III. Adagio (1683)
80. Trio Sonata in 4 parts no. 3 in A minor, Z. 804: V. Allegro - Grave (1683)
81. Trio Sonata in 4 parts no. 5 in G minor, Z. 806: II. Canzona (1683)
82. Trio Sonata in 4 parts no. 5 in G minor, Z. 806: III. Largo (1683)
83. Trio Sonata in 4 parts no. 5 in G minor, Z. 806: IV. Adagio (1683)
84. Trio Sonata in 4 parts no. 5 in G minor, Z. 806: V. Presto (1683)
85. Trio Sonata in 4 parts no. 4 in D minor, Z. 805: V. Largo (1683)
86. Trio Sonata in 4 parts no. 4 in D minor, Z. 805: IV. Vivace (1683)
87. Trio Sonata in 4 parts no. 8 in G minor, Z. 809: V. Vivace (1683)
88. Trio Sonata in 4 parts no. 8 in G minor, Z. 809: IV. Largo (1683)
89. Trio Sonata in 4 parts no. 8 in G minor, Z. 809: III. Grave (1683)
90. Trio Sonata in 4 parts no. 8 in G minor, Z. 809: II. Canzona (1683)
91. Trio Sonata in 4 parts no. 8 in G minor, Z. 809: I. Adagio (1683)
92. Trio Sonata in 4 parts no. 5 in G minor, Z. 806: I. Adagio (1683)
93. Trio Sonata in 4 parts no. 10 in D major, Z. 811: I. Adagio (1683)
94. Trio Sonata in 4 parts no. 9 in F major, Z. 810: V. Allegro (1683)
95. Trio Sonata in 4 parts no. 9 in F major, Z. 810: IV. Grave (1683)
96. Trio Sonata in 4 parts no. 9 in F major, Z. 810: III. Canzona (1683)
97. Trio Sonata in 4 parts no. 9 in F major, Z. 810: II. Adagio (1683)
98. Trio Sonata in 4 parts no. 9 in F major, Z. 810: I. Vivace (1683)
99. Trio Sonata in 4 parts no. 7 in C major, Z. 808: II. Largo (1683)
100. Trio Sonata in 4 parts no. 6 in G minor (Chaconne), Z. 807 (1683)
101. Trio Sonata in 4 parts no. 10 in D major, Z. 811: V. Allegro (1683)
102. Trio Sonata in 4 parts no. 10 in D major, Z. 811: IV. Largo (1683)
103. Trio Sonata in 4 parts no. 10 in D major, Z. 811: III. Grave (1683)
104. Trio Sonata in 4 parts no. 10 in D major, Z. 811: II. Canzona (allegro) (1683)
105. Trio Sonata in 4 parts no. 2 in E-flat major, Z. 803: IV. Largo (1683)
106. Trio Sonata in 4 parts no. 2 in E-flat major, Z. 803: II. Canzona (allegro) (1683)
107. Trio Sonata in 4 parts no. 2 in E-flat major, Z. 803: I. Adagio (1683)
108. Trio Sonata in 4 parts no. 1 in B minor, Z. 802: IV. Vivace (1683)
109. Trio Sonata in 4 parts no. 1 in B minor, Z. 802: I. Adagio (1683)
110. Trio Sonata in 4 parts no. 7 in C major, Z. 808: I. Vivace (1683)
111. Trio Sonata of 3 parts no. 11 in F minor, Z. 800: IV. Largo (1683)
112. Trio Sonata of 3 parts no. 12 in D major, Z. 801: I. Adagio (1683)
113. Trio Sonata of 3 parts no. 12 in D major, Z. 801: II. Canzona (1683)
114. Trio Sonata of 3 parts no. 12 in D major, Z. 801: III. Poco Largo (1683)
115. Trio Sonata of 3 parts no. 12 in D major, Z. 801: IV. Grave, Presto (1683)
116. Trio Sonata of 3 parts no. 12 in D major, Z. 801: V. Allegro (1683)
117. Trio Sonata of 3 parts no. 10 in A major, Z. 799: I. Adagio (1683)
118. Trio Sonata of 3 parts no. 10 in A major, Z. 799: II. Largo (1683)
119. Trio Sonata of 3 parts no. 10 in A major, Z. 799: III. Grave, Presto (1683)
120. Trio Sonata of 3 parts no. 11 in F minor, Z. 800: I. Adagio (1683)
121. Trio Sonata of 3 parts no. 11 in F minor, Z. 800: II. Canzona (1683)
122. Trio Sonata of 3 parts no. 11 in F minor, Z. 800: III. Adagio (1683)
123. Trio Sonata of 3 parts no. 8 in G major, Z. 797: II. Poco Largo, Allegro (1683)
124. Trio Sonata of 3 parts no. 8 in G major, Z. 797: III. Grave, Vivace (1683)
125. Trio Sonata of 3 parts no. 9 in C minor, Z. 798: I. Adagio (1683)
126. Trio Sonata of 3 parts no. 9 in C minor, Z. 798: II. Largo (1683)
127. Trio Sonata of 3 parts no. 9 in C minor, Z. 798: III. Canzona, Adagio (1683)
128. Trio Sonata of 3 parts no. 9 in C minor, Z. 798: IV. Allegro (1683)
129. Trio Sonata of 3 parts no. 7 in E minor, Z. 796: I. Adagio (1683)
130. Trio Sonata of 3 parts no. 7 in E minor, Z. 796: II. Canzona (1683)
131. Trio Sonata of 3 parts no. 7 in E minor, Z. 796: III. Largo (1683)
132. Trio Sonata of 3 parts no. 7 in E minor, Z. 796: IV. Grave (1683)
133. Trio Sonata of 3 parts no. 7 in E minor, Z. 796: V. Vivace (1683)
134. Trio Sonata of 3 parts no. 8 in G major, Z. 797: I. Canzona (1683)
135. Trio Sonata of 3 parts no. 5 in A minor, Z. 794: III. Largo (1683)
136. Trio Sonata of 3 parts no. 5 in A minor, Z. 794: IV. Grave, Canzona (1683)
137. Trio Sonata of 3 parts no. 6 in C major, Z. 795: I. Adagio (1683)
138. Trio Sonata of 3 parts no. 6 in C major, Z. 795: II. Canzona (1683)
139. Trio Sonata of 3 parts no. 6 in C major, Z. 795: III. Largo (1683)
140. Trio Sonata of 3 parts no. 6 in C major, Z. 795: IV. Allegro (1683)
141. Trio Sonata of 3 parts no. 4 in F major, Z. 793: I. Adagio (1683)
142. Trio Sonata of 3 parts no. 4 in F major, Z. 793: II. Canzona (1683)
143. Trio Sonata of 3 parts no. 4 in F major, Z. 793: III. Poco Largo (1683)
144. Trio Sonata of 3 parts no. 4 in F major, Z. 793: IV. Allegro (1683)
145. Trio Sonata of 3 parts no. 5 in A minor, Z. 794: I. Canzona (1683)
146. Trio Sonata of 3 parts no. 5 in A minor, Z. 794: II. Adagio (1683)
147. Trio Sonata of 3 parts no. 2 in B-flat major, Z. 791: II. Largo, Presto (1683)
148. Trio Sonata of 3 parts no. 2 in B-flat major, Z. 791: III. Adagio (1683)
149. Trio Sonata of 3 parts no. 2 in B-flat major, Z. 791: IV. Allegro (1683)
150. Trio Sonata of 3 parts no. 3 in D minor, Z. 792: I. Grave, Adagio (1683)
151. Trio Sonata of 3 parts no. 3 in D minor, Z. 792: II. Canzona (1683)
152. Trio Sonata of 3 parts no. 3 in D minor, Z. 792: III. Poco Largo, Allegro (1683)
153. O Solitude, Z. 406 (1684 - 1685)
154. In Cloris all soft charms, Z. 384 (1684)
155. A thousand sev'ral ways I tried, Z. 359 (1684)
156. Beware, poor Shepherds, Z. 361 (1684)
157. He himself courts his own ruin, Z. 372 (1684)
158. Let us, kind Lesbia, give away, Z. 466 (1684)
159. Ye happy swains, whose nymphs are kind, Z. 443 (1685)
160. Love is now become a trade, Z. 393 (1685)
161. Cupid, the slyest rogue alive, Z. 367 (1685)
162. Sophonisba, Z. 590 (1685)
163. Soft notes and gently raised, Z. 510 (1685)
164. I was glad when they said unto me (1685)
165. While Thyrsis, wrapt in downy sleep, Z. 437 (1685)
166. Farewell, all joys, Z. 368 (1685)
167. They say you're angry, Z. 422 (1685)
168. My heart, wherever you appear, Z. 399 (1685)
169. Musing on cares of human fate, Z. 467 (1685)
170. 'Tis women makes us love, catch for 4 voices, Z. 281 (1685)
171. A health to the nut-brown lass, Z. 240 (1685)
172. My heart is inditing, Z. 30: I: Symphony; My heart is inditing (1685)
173. My heart is inditing, Z. 30: II. She shall be brought unto the King (1685)
174. My heart is inditing, Z. 30: III. Symphony; Hearken, O daughter (1685)
175. My heart is inditing, Z. 30: IV. Praise the Lord, O Jerusalem (1685)
176. Ode, Z 334 "Raise raise the voice": IV. Aria (Soprano) - Chorus - Ritornello - Chorus "Mark how readily each pliant string" (1685)
177. Ode, Z 343 "Why, why are all the Muses mute?": VI. Ritornello - Duet (High Tenor, Bass) "Caesar for milder virtues honour'd more" (1685)
178. Ode, Z 343 "Why, why are all the Muses mute?": VII. Aria (Tenor) - Chorus "The many-headed beast is quelled at home" (1685)
179. Ode, Z 343 "Why, why are all the Muses mute?": VIII. Duet (Basses I-II) "In the equal balance laid" (1685)
180. Ode, Z 343 "Why, why are all the Muses mute?": IX. Aria (Tenor) - Ritornello - Chorus "O how blest is the Isle to which Caesar is given" (1685)
181. Ode, Z 334 "Raise raise the voice": II. Aria (Bass) - Chorus - Ritornello "Raise, raise the voice" (1685)
182. Ode, Z 334 "Raise raise the voice": III. Aria (Soprano) - Trio (Soprano, Tenor, Bass) "The God himself says he'll be present here" (1685)
183. Ode, Z 343: "Why, why are all the Muses mute?" (1685)
184. Ode, Z 343 "Why, why are all the Muses mute?": I. Aria (Tenor) - Chorus - Symphony "Why, why are all the Muses mute?" (1685)
185. Ode, Z 343 "Why, why are all the Muses mute?": II. Aria (Tenor) - Chorus "When should each soul exalted be" (1685)
186. Ode, Z 343 "Why, why are all the Muses mute?": III. Aria (Alto) - Ritornello "Britain, thou now art great" (1685)
187. Ode, Z 343 "Why, why are all the Muses mute?": IV. Trio (Alto, Tenor, Bass) - Chorus "Look up, and to our Isle returning see" (1685)
188. Ode, Z 343 "Why, why are all the Muses mute?": V. Aria (Bass) - Duet (Sopranos I-II) "Accurs'd rebellion reared his head" (1685)
189. My heart is inditing, Z. 30 (1685)
190. Ode, Z 334: "Raise raise the voice" (1685)
191. Ode, Z 334 "Raise raise the voice": I. Symphony (1685)
192. Under this stone lies Gabriel John, Z. 286 (1686)
193. Whilst Cynthia sung, all angry winds lay still, Z. 438 (1686)
194. Sylvia, 'tis true you're fair, Z. 512 (1686)
195. The miller's daughter riding, Z. 277 (1686)
196. Sing unto God, Z. 52 (1687)
197. Thy way, O God, is holy, Z. 60 (1687)
198. When first Amintas sued for a kiss, Z. 430 (1687)
199. Amidst the shades and cool refreshing streams, Z. 355 (1687)
200. Cease, anxious world, Z. 362 (1687)
201. Hence, fond deceiver, Z. 492 (1687)
202. In some kind dream, Z. 497 (1687)
203. Spite of the godhead, pow'rful love, Z. 417 (1687)
204. Let formal lovers still pursue, Z. 391 (1687)
205. Praise the Lord, O my soul, O Lord my God, Z. 48 (1687)
206. Pastoral Elegy on the Death of John Playford "Gently shepherds, you that know", Z. 464 (1687)
207. Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58c "Thou knowest, Lord" (1687)
208. Minuet, Z. 649 (1687)
209. Blessed is he that considereth the poor, Z. 7 (1688)
210. Blessed are they that fear the Lord, Z. 5: III. The Lord thy God from out of Sion (1688)
211. Blessed are they that fear the Lord, Z. 5: IV. Alleluia (1688)
212. Blessed are they that fear the Lord, Z. 5 (1688)
213. The Lord is King, the earth may be glad, Z. 54 (1688)
214. Sylvia, now your scorn give over, Z. 420 (1688)
215. Phyllis, I can ne'er forgive it, Z. 408 (1688)
216. O Sing Unto the Lord a New Song, Z. 44: III. Sing Unto the Lord and Praise His Name (1688)
217. O Sing Unto the Lord a New Song, Z. 44: IV. The Lord Is Great and Cannot Worthily Be Praised (1688)
218. O Sing Unto the Lord a New Song, Z. 44: V. O Worship the Lord in the Beauty of Holiness (1688)
219. O Sing Unto the Lord a New Song, Z. 44: VI. Tell It Out Among the Heathen That the Lord Is King (1688)
220. Blessed are they that fear the Lord, Z. 5: I. Symphony (1688)
221. Blessed are they that fear the Lord, Z. 5: II. Blessed are they that fear the Lord (1688)
222. O sing unto the Lord a new song, Z.44 (1688)
223. My lady's coachman, John, Z. 260 (1688)
224. O Sing Unto the Lord a New Song, Z. 44: I. Symphony (1688)
225. O Sing Unto the Lord a New Song, Z. 44: II. O Sing Unto the Lord a New Song (1688)
226. A Fool's Preferment, or The Three Dukes of Dunstable, Z. 571 (1688)
227. This Poet Sings the Trojan Wars, Z. 423 (1688)
228. Dido and Aeneas, Z. 626: Act I. "Ruin'd ere the set of sun" (1689)
229. Dido and Aeneas, Z. 626: Act II. Ritornelle - "Thanks to these lonesome dales" (1689)
230. Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) (1689)
231. Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (1689)
232. Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (1689)
233. Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (1689)
234. Now does the glorious day appear, Z. 332 (1689)
235. Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (1689)
236. Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (1689)
237. Praise the Lord, O Jerusalem, Z. 46: I. Symphony (1689)
238. Praise the Lord, O Jerusalem, Z. 46: II. Praise the Lord, O Jerusalem (1689)
239. Praise the Lord, O Jerusalem, Z. 46: III. Be Thou Exalted, Lord, in Thine Own Strength (1689)
240. See how the fading glories of the year, Z. 470 (1689)
241. Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (1689)
242. Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (1689)
243. Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (1689)
244. Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (1689)
245. Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (1689)
246. Now does the glorious day appear, Z. 332 (1689)
247. Praise the Lord, O Jerusalem, Z. 46 (1689)
248. Dido and Aeneas, Z. 626: Act III “Thy Hand Belinda” / Dido’s Lament “When I am Laid in Earth” (1689)
249. Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (1689)
250. Now does the glorious day appear, Z. 332: "By beauteous softness mixed with majesty" (1689)
251. Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (1689)
252. Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (1689)
253. Dido and Aeneas, Z. 626: Overture (1689)
254. Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (1689)
255. Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (1689)
256. Suite of Five Pieces: IV. When I am Laid in Earth (1689)
257. My song shall be alway, Z. 31: IV. Symphony (1690)
258. My song shall be alway, Z. 31: V. O Lord God of hosts, who is like unto thee? (1690)
259. My song shall be alway, Z. 31: VI. Alleluia (1690)
260. High on a throne of glitt'ring ore, Z. 465 (1690)
261. I gave her cakes and I gave her ale, Z. 256 (1690)
262. My song shall be alway, Z. 31 (1690)
263. My song shall be alway, Z. 31: I. Symphony (1690)
264. My song shall be alway, Z. 31: II. My song shall be alway of the loving-kindness of the Lord (1690)
265. My song shall be alway, Z. 31: III. God is very greatly to be feared (1690)
266. The Old Bachelor, Z. 607 (1691)
267. Why, my Daphne, why complaining?, Z. 525 (1691)
268. Ode, Z 338 "Welcome, welcome, glorious morn": VII. Aria (Tenor) - Chorus "And lo! a sacred Fury swell'd her Breast" (1691)
269. Ode, Z 338 "Welcome, welcome, glorious morn": VIII. Aria (Soprano) - Chorus "My Pray'rs are heard" (1691)
270. Ode, Z 338 "Welcome, welcome, glorious morn": IX. Duet (Basses I-II) "He to the Field by Honour call'd" (1691)
271. Ode, Z 338 "Welcome, welcome, glorious morn": X. Aria (High Tenor) "Whilst undisturb'd his happy Consort reigns" (1691)
272. Ode, Z 338 "Welcome, welcome, glorious morn": XI. Aria (Tenor) - Chorus "Sound, all ye Spheres" (1691)
273. Ode, Z 338 "Welcome, welcome, glorious morn": I. Symphony (1691)
274. Ode, Z 338 "Welcome, welcome, glorious morn": II. Aria (High Tenor) - Chorus "Welcome, welcome, glorious morn" (1691)
275. Ode, Z 338 "Welcome, welcome, glorious morn": III. Duet (High Tenor, Bass) - Ritornello - Chorus "At thy return" (1691)
276. Ode, Z 338 "Welcome, welcome, glorious morn": IV. Duet (Alto, Bass) "Welcome as when three happy Kingdoms strove" (1691)
277. Ode, Z 338 "Welcome, welcome, glorious morn": V. Aria (Tenor) " THe mighty Goddess of this wealthy Isle" (1691)
278. Ode, Z 338 "Welcome, welcome, glorious morn": VI. Trio (Alto, High Tenor, Bass) - Chorus - Ritornello "Full of Wonder and Delight" (1691)
279. King Arthur, Z. 628 (1691)
280. Lost is my quiet forever, Z. 502 (1691)
281. Ode, Z 338 "Welcome, welcome, glorious morn" (1691)
282. The Fairy Queen, Z. 629: Part III "The sweet passion": "Hornpipe and rondeau" (1692)
283. The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony (1692)
284. The Fairy Queen, Z. 629: Part IV "Epithalamium": "Hark! hark! the echoing air" (1692)
285. The Fairy Queen, Z. 629: Part IV "Epithalamium": "Sure the dull God of Marriage" (1692)
286. The Fairy Queen, Z. 629: Part IV "Epithalamium": "See, I obey" (1692)
287. The Fairy Queen, Z. 629: Part IV "Epithalamium": "Turn then thine eyes" (1692)
288. The Fairy Queen, Z. 629: Part III "The sweet passion": Overture (1692)
289. The Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion" (1692)
290. The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!" (1692)
291. The Fairy Queen, Z. 629: Part III "The sweet passion": "Now the maids and the men are making of hay" (1692)
292. The Fairy Queen, Z. 629: Part III "The sweet passion": "A dance of haymakers" (1692)
293. The Fairy Queen, Z. 629: Part III "The sweet passion": "A thousand, thousand ways" (1692)
294. The Fairy Queen, Z. 629: Part II "Night and silence": "Fill up the bowl, then" (1692)
295. The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here" (1692)
296. The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast" (1692)
297. The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night" (1692)
298. The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more" (1692)
299. The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night" (1692)
300. If Music Be the Food of Love, Z. 379 (1692)
301. The Fairy Queen, Z. 629: Part I "Oberon's birthday": "See, my many-coloured fields" (1692)
302. The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Next, Winter comes slowly" (1692)
303. The Fairy Queen, Z. 629: Part II "Night and silence": Prelude - "Come, all ye songsters of the sky" (1692)
304. The Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire" (1692)
305. The Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all" (1692)
306. The Fairy Queen, Z. 629: Part I "Oberon's birthday": Symphony (1692)
307. The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away" (1692)
308. The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Let the fifes and the clarions...Dance" (1692)
309. The Fairy Queen, Z. 629: Part I "Oberon's birthday": "When a cruel long Winter" (1692)
310. The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Thus the ever grateful Spring" (1692)
311. The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Here's the Summer, springly, gay" (1692)
312. On the brow of Richmond Hill, Z. 405 (1692)
313. Corinna is divinely fair, Z. 365 (1692)
314. Stript of Their Green Our Groves Appear, Z. 444 (1692)
315. Fly swift, ye hours, Z. 369 (1692)
316. The Fairy Queen, Z. 629: Part IV "Epithalamium": "My torch indeed... They shall be as happy" (1692)
317. The Fairy Queen, Z. 629: Part IV "Epithalamium": "Chaconne" (1692)
318. The Fairy Queen, Z. 629: Part IV "Epithalamium": "They shall be as happy" (1692)
319. The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all" (1692)
320. “Hail! Bright Cecilia”, Z. 328 (1692)
321. Oedipus, King of Thebes, Z. 583 (1692)
322. O give thanks unto the Lord, Z. 33: V. Blessed be the Lord God of Israel (1693)
323. Let each gallant heart, Z. 390 (1693)
324. Incidental Music for "The Double Dealer", Z. 592 (1693)
325. Celebrate This Festival, Z. 321 (1693)
326. Of all the instruments that are, Z. 263 (1693)
327. O give thanks unto the Lord, Z. 33 (1693)
328. O give thanks unto the Lord, Z. 33: I. O give thanks unto the Lord (1693)
329. O give thanks unto the Lord, Z. 33: II. Who can express the noble acts of the Lord (1693)
330. O give thanks unto the Lord, Z. 33: III. Remember me, O Lord (1693)
331. O give thanks unto the Lord, Z. 33: IV. That I may see the felicity (1693)
332. Rule a Wife and Have a Wife, Z. 587: "There's not a swain on the plain" (1693)
333. Rule a Wife and Have a Wife, Z. 587 (1693)
334. Te Deum and Jubilate Deo, for St. Cecilia's Day, Z. 232 (1694)
335. Sawney Is a Bonny Lad, Z. 412 (1694)
336. Timon of Athens, Z. 632: 9. Solo "Return, revolting rebels" (1694)
337. Distressed Innocence, Z. 577 (1694)
338. Distress'd Innocence, Z. 577: I. Overture (1694)
339. Distress'd Innocence, Z. 577: II. Aire (1694)
340. Distress'd Innocence, Z. 577: III. Slow Aire (1694)
341. Distress'd Innocence, Z. 577: IV. Aire (1694)
342. Distress'd Innocence, Z. 577: V. Hornpipe (1694)
343. Distress'd Innocence, Z. 577: VI. Rondeau (1694)
344. Distress'd Innocence, Z. 577: VII. Aire (1694)
345. Distress'D Innocence, Z. 577: VIII. Minuet (1694)
346. The Virtuous Wife, Z. 611 (1694)
347. The Virtuous Wife, Z. 611, "Good Luck at Last": I. Overture (1694)
348. The Virtuous Wife, Z. 611, "Good Luck at Last": II. Song Tune (1694)
349. The Virtuous Wife, Z. 611, "Good Luck at Last": III. Slow Air (1694)
350. The Virtuous Wife, Z. 611, "Good Luck at Last": IV. Air (1694)
351. The Virtuous Wife, Z. 611, "Good Luck at Last": V. Preludio (1694)
352. The Virtuous Wife, Z. 611, "Good Luck at Last": VI. Hornpipe (1694)
353. The Virtuous Wife, Z. 611, "Good Luck at Last": VII. Minuet I (1694)
354. The Virtuous Wife, Z. 611, "Good Luck at Last": VII. Minuet II (1694)
355. Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323 (1694)
356. Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: I. Ouverture (1694)
357. Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: II. Come, ye sons of Art, come away (1694)
358. Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IV. Come, ye sons of Art, come away (1694)
359. Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol (1694)
360. Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VI. The day that such a blessing (1694)
361. Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VII. Bid the Virtues (1694)
362. Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: VIII. These, are the sacred charms (1694)
363. Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: IX. See Nature, rejoicing (1694)
364. Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet (1694)
365. Te Deum and Jubilate Deo in D, Z. 232: I. We praise thee, O God (1694)
366. Te Deum and Jubilate Deo in D, Z. 232: II. The father of an infinite majesty (1694)
367. Te Deum and Jubilate Deo in D, Z. 232: III. When thou took'st upon thee to deliver man (1694)
368. Te Deum and Jubilate Deo in D, Z. 232: IV. O Lord, save thy people (1694)
369. Te Deum and Jubilate Deo in D, Z. 232: V. Vouchsafe, O Lord, to keep us this day without sin (1694)
370. Te Deum and Jubilate Deo in D, Z. 232: VI. O be joyful in the Lord, all ye lands (1694)
371. Te Deum and Jubilate Deo in D, Z. 232: VII. Be ye sure that the Lord he is God (1694)
372. Te Deum and Jubilate Deo in D, Z. 232: VIII. For the Lord is gracious (1694)
373. Te Deum and Jubilate Deo in D, Z. 232: IX. Glory be to the father (1694)
374. The way of God is an undefiled way, Z. 56 (1694)
375. Ask me to love no more, Z. 358 (1694)
376. I Lov'd Fair Celia, Z. 381 (1694)
377. Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570 (1695)
378. Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: Air (1695)
379. Love, thou canst hear, tho' thou art blind, Z. 396 (1695)
380. Who can behold Florella's charms?, Z. 441 (1695)
381. Pious Celinda goes to pray'rs, Z. 410 (1695)
382. Who can from joy refrain?, Z. 342: IV. The father brave (1695)
383. Pausanias, the Betrayer of his Country, Z. 585 (1695)
384. The Queen's Epicedium, Z. 383 "Incassum Lesbia, incassum rogas" (1695)
385. Who can from joy refrain?, Z. 342 (1695)
386. Music for the Funeral of Queen Mary, Z. 860 (1695)
387. The Mock Marriage, Z. 605 (1695)
388. The Rival Sisters, Z. 609 (1695)
389. Orpheus Britannicus, Book II (1702)
390. Olinda in the shades unseen, Z. 404
391. When Strephon found his passion vain, Z. 435
392. Yorkshire Feast Song, Z. 333
393. Psalm 130:1-6: Out of the deep have I called
394. I will give thanks unto the Lord, Z. 21
395. How have I strayed, Z. 188
396. Benedictus in B-flat, Z. 230
397. Hear my prayer, O God, Z. 14
398. Kyrie eleison in B-flat, Z. 230
399. Nicene creed in B-flat, Z. 230
400. The Lord is king, and hath put on glorious apparel, Z. 69
401. Unto Thee will I cry, Z. 63
402. Magnificat in B-flat, Z. 230
403. Nunc dimittis in B-flat, Z. 230
404. Turn thou us, O good Lord, Z. 62
405. O Lord, Thou art my God, Z. 41
406. Toccata in A major, Z. 229
407. Fantasia no. 7 in C minor
408. Fantasia Upon One Note
409. The Gordian Knot Unty'd, Z. 597: III. Rondeau: Minuet
410. The Gordian Knot Unty'd, Z. 597: VII. Air
411. The Gordian Knot Unty'd, Z. 597: VIII. Minuet
412. Funeral of Queen Mary
413. The Fairy Queen, Z. 629: Act V, no. 53c. Duet: "Turn Thine Eyes" (Both Woman)
414. The Fairy Queen, Z. 629: Act V, no. 53d. "My Torch Indeed" (Hymen)
415. The Fairy Queen, Z. 629: Act V, no. 53e. Trio and Chorus: "They Shall Be As Happy"
416. The Fairy Queen, Z. 629, Suite of Musicks and Dances
417. The Fairy Queen, Z. 629, Suite of Musicks and Dances: III. Jig (Act 1)
418. The Fairy Queen, Z. 629, Suite of Musicks and Dances: I. Symphony (Act 4)
419. The Fairy Queen, Z. 629, Suite of Musicks and Dances: II. Rondeau (Second Musick)
420. The Fairy Queen, Z. 629, Suite of Musicks and Dances: IV. Prelude (Act 5)
421. The Fairy Queen, Z. 629, Suite of Musicks and Dances: V. Chaconne and chorus (Act 5)
422. The Fairy Queen, Z. 629: Act V, no. 54. Chaconne: Dance for Chinese Man and Woman
423. The Prophetess, or The History of Dioclesian, Z. 627: Act 3
424. The Prophetess, or The History of Dioclesian, Z. 627: Act 4
425. The Theatre of Musick, Book II: If grief has any pow'r to kill
426. Jehova, quam multi sunt hostes mei, Z. 135
427. Timon of Athens, Z. 632: 4. Trio "But ah! How much are our delights"
428. Timon of Athens, Z. 632: 5. Solo "Hence with your trifling deity"
429. Timon of Athens, Z. 632: 6. Chorus "But over us no griefs prevail"
430. Timon of Athens, Z. 632: 7. Solo "Come, come all to me"
431. Timon of Athens, Z. 632: 8. Chorus "Who can resist such mighty charms"
432. “Hail! Bright Cecilia”, Z. 328: I. Symphony
433. “Hail! Bright Cecilia”, Z. 328: II. “Hail! Bright Cecilia”
434. “Hail! Bright Cecilia”, Z. 328: III. “Hark! Hark! Each tree its silence breaks”
435. “Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice”
436. “Hail! Bright Cecilia”, Z. 328: V. “Soul of the world”
437. “Hail! Bright Cecilia”, Z. 328: VI. “Thou tun’st this world”
438. “Hail! Bright Cecilia”, Z. 328: VII. “With that sublime celestial lay”
439. Duke of Gloucester’s Birthday Ode: Overture
440. Suite for Strings, Woodwind & Horns
441. Suite for Strings, Woodwind & Horns: I. Andante maestoso - Allegro (The Gordian Knot Untied)
442. Suite for Strings, Woodwind & Horns: II. Tempo di minuetto (The Virtuous Wife)
443. Suite for Strings, Woodwind & Horns: III. Andantino (King Arthur)
444. Suite for Strings, Woodwind & Horns: IV. Allegretto giocoso (Abdelazar)
445. Suite for Strings, Woodwind & Horns: V. Largo (Dido and Aeneas)
446. Suite for Strings, Woodwind & Horns: VI. Allegro (King Arthur)
447. The Prophetess, or The History of Dioclesian, Z. 627: 2. Second musick
448. Timon of Athens, Z. 632: 11. Solo "Love quickly is pall'd"
449. Timon of Athens, Z. 632: 12. Duet "Come, let us agree"
450. Timon of Athens, Z. 632: 13. Chorus "Come, let us agree"
451. Behold, I bring you glad tidings, Z. 2
452. Jehova, quam multi sunt hostes mei
453. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Song & Chorus - Sure the Dull God of Marriage / Hymen Appear
454. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Prelude as Hymen Enters
455. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Song - See, I Obey / Turn Then Thine Eyes / My Torch, Indeed
456. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Song & Chorus - They Shall Be As Happy As They're Fair
457. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Dance for Chinese Man & Woman - Chaconne
458. Timon of Athens: A Symphony of Pipes Imitating the Chirping of Birds
459. My beloved spake, Z. 28
460. Timon of Athens, Z. 632: 14. Curtain Tune on a Ground
461. Psalm 6 O Lord, Rebuke Me Not In Thine Indignation
462. Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda)
463. Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman)
464. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition): Hornpipe
465. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition): Air
466. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition): Rondeau
467. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition): Overture
468. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act I: Prelude & Song - Come, Let Us Leave the Town
469. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act I: Scene of the Drunken Poet
470. Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus)
471. Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress)
472. The Married Beau, Z. 603, "The Curious Impertinent": VII. Trumpet Air
473. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act I: First Act Tune - Jig
474. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Prelude & Song - Come All Ye Songsters
475. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Symphony in Imitation of Birds
476. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Song - May the God of Wit Inspire
477. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Symphony in Imitation of an Echo
478. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Chorus - Now Join Your Warbling Voices All
479. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Song, Chorus & Dance - Sing While We Trip It
480. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Prelude & Song - See, Even Night Herself is Here
481. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Song - I Am Come to Lock All Fast
482. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Prelude & Song - One Charming Night
483. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Song & Chorus - Hush, No More
484. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Dance for the Followers of Night
485. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act II: Second Act Tune - Air
486. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act III: Prelude, Song & Chorus - If Love's a Sweet Passion
487. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act III: Symphony While the Swans Come Forward
488. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act III: Dance for the Fairies
489. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act III: Dance for the Green Men
490. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act III: Song - Ye Gentle Spirits of the Air
491. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act III: Prelude & Dialogue - Now the Maids and the Men are Making of Hay
492. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude, Aria and Chorus "Great Diocles the Boar has kill'd"
493. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude and Aria "Charon the peaceful Shade invites"
494. The Prophetess, or The History of Dioclesian, Z. 627: "Still I'm wishing"
495. Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: I. Overture
496. Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: III. Air in D
497. Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: IV. Air in G
498. Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: V. Minuett in G
499. Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VI. Air in g
500. Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VII. Jigg in g
501. Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VIII. Hornpipe
502. Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: IX. Air in g
503. Celestial Music: When Orpheus sang
504. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Trio and Chorus "Triumph, triumph, victorious Love"
505. Let us wander not unseen
506. Let Monarchs Fight for Power and Fame
507. An Evening Hymn Upon a Ground
508. A Prince of Glorious Race Descended
509. Timon of Athens, Z. 632: 2. Duet "Hark! How the songsters of the grove"
510. Give Sentence With Me, o God, Z. 12
511. O, I'm Sick of Life, Z. 140
512. A Double Verse in G
513. Dido and Aeneas, Z. 626: Act III
514. Psalm 102:12-22: But thou O Lord shalt endure forever
515. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act III: Dance for the Haymakers
516. Dido and Aeneas, Z. 626: Act II
517. Dido and Aeneas, Z. 626: Act I
518. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act III: Prelude & Song - When I Have Often Heard Young Maids Complaining
519. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act III: Song & Chorus - A Thousand, Thousand Ways
520. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act III: Third Act Tune - Hornpipe
521. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Symphony - Prelude / Canzona / Largo / Allegro / Adagio / Allegro
522. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Song & Chorus - Now the Night is Chas'd Away
523. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Song - Let the Fifes and the Clarions
524. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Symphony for the Entry of Phoebus
525. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Prelude & Song - When a Cruel Long Winter
526. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Chorus - Hail! Great Parent of Us All
527. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Prelude & Song - Thus the Ever Grateful Spring
528. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Prelude & Song - Here's the Summer
529. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Prelude & Song - See My Many Colour'd Fields
530. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Song - Next, Winter Comes Slowly
531. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Chorus - Hail! Great Parent of Us All (2)
532. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act IV: Fourth Act Tune - Air
533. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Interlude: The Plaint - O Let Me Weep
534. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Prelude & Song - Thrice Happy Lovers
535. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Entry Dance
536. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Symphony
537. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Song - Thus the Gloomy World
538. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Prelude, Song & Chorus - Thus Happy and Free
539. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Song - Yes, Daphne
540. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Dance for the Monkeys
541. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Song - Hark How All Things with One Sound Rejoice
542. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act V: Song & Chorus - Hark the Echoing Air a Triumph Sings
543. The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Dance – Butterfly Dance
544. If Music Be the Food of Love, Z. 379C
545. Sir Walter enjoying his damsel, catch for 3 voices, Z. 273
546. Come let us drink, Z. 245
547. The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Tune for Trumpets
548. The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Aria "Sound, Fame, thy brazen trumpet sound"
549. Fantasia, 3 parts on a Ground for three recorders, Z. 731
550. The Prophetess, or The History of Dioclesian, Z. 627: Song "When First I Saw Aurelia's Eyes"
551. Dear Pretty Youth
552. Beneath a poplar's shadow
553. Let Us Dance
554. The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Chorus "Let all rehearse"
555. Three Consorts: III. Fantazia Upon One Note
556. Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)
557. Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches)
558. Death and Decadence
559. Ascension, Part I
560. Retrospective
561. Victoria
562. Ascension, Part II
563. Rera l’ànima del vent
564. Prison of Desire
565. Abyssus abyssum vocat in voce
566. Prologue: Into the End of the World
567. Eyes of the Lost
568. Paradise
569. End Credits
570. The Gordian Knot Untied Suite no. 1
571. The Gordian Knot Untied Suite no. 2
572. Suite of Five Pieces
573. What can we poor females do?, Z. 429
574. Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress)
575. Welcome Song - What Shall Be Done in Behalf of the Man?, Z. 341
576. Welcome Song - From Those Serene and Rapturous Joys, Z. 326
577. Catch - Come, My Hearts, Play Your Parts, Z. 246
578. Welcome Song - What Shall Be Done in Behalf of the Man?, Z. 341: Symphony
579. Welcome Song - What Shall Be Done in Behalf of the Man?, Z. 341: What Shall Be Done in Behalf of the Man?
580. Welcome Song - What Shall Be Done in Behalf of the Man?, Z. 341: All the Grandeur
581. Welcome Song - What Shall Be Done in Behalf of the Man?, Z. 341: Let us Sing the Praises
582. Welcome Song - What Shall Be Done in Behalf of the Man?, Z. 341: Mighty Charles
583. Welcome Song - What Shall Be Done in Behalf of the Man?, Z. 341: May all Factious Troubles Cease
584. The Massacre of Paris, Z. 604: Thy Genius, Lo!
585. Welcome Song - From Those Serene and Rapturous Joys, Z. 326: Symphony
586. Welcome Song - From Those Serene and Rapturous Joys, Z. 326: From Those Serene and Rapturous Joys
587. Welcome Song - From Those Serene and Rapturous Joys, Z. 326: Behold Th’Indulgent Prince is Come
588. Welcome Song - From Those Serene and Rapturous Joys, Z. 326: Welcome Home
589. From Those Serene and Rapturous Joys, Z 326: Not with an Helmet or a Glittering Spear
590. From Those Serene and Rapturous Joys, Z 326: Allegro vivace
591. From Those Serene and Rapturous Joys, Z 326: Welcome as Soft Refreshing Showers
592. From Those Serene and Rapturous Joys, Z 326: Welcome Home
593. From Those Serene and Rapturous Joys, Z 326: Welcome, More Welcome Does he Come
594. From Those Serene and Rapturous Joys, Z 326: Nor Does the Sun More Comfort Bring
595. From Those Serene and Rapturous Joys, Z 326: With Trumpets and Shouts We Receive the World’s Wonder
596. Welcome Song - What Shall Be Done in Behalf of the Man?, Z. 341: Welcome as Soft Refreshing Show’rs
597. Welcome Song - What Shall Be Done in Behalf of the Man?, Z. 341: Welcome, More Welcome Does He Come
598. Welcome Song - What Shall Be Done in Behalf of the Man?, Z. 341: Nor Does the Sun More Comfort Bring
599. Welcome Song - What Shall Be Done in Behalf of the Man?, Z. 341: With Trumpets and Shouts We Receive the World’s Wonder
600. Bonduca, or the British Heroine, Z. 574 ( - 1695)
601. The Fairy Queen (« Now the night » - Entry of Phoebus)
602. The Prophetess, or The History of Dioclesian, Z. 627: Act 4. Fourth act tune
603. Man Is for the Woman Made
604. Sir Walter
605. To Thee and to the Maid
606. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Country Dance
607. I was glad when they said unto me, Z. 19
608. Welcome to all the pleasures, Z. 339
609. Funeral Sentences
610. O God, thou art my God, Z. 35
611. What can we poor females do?, Z. 518
612. The Prophetess, or The History of Dioclesian, Z. 627
613. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Song "Since from my dear Astrea's sight"
614. The Tempest, Z. 631: Act II "Arise, ye subterranean winds"
615. The Tempest, Z. 631
616. Suite for Organ and Orchestra
617. Hornpipe, ZT. 685
618. Set of Favourite Airs, Fantasies and Dances
619. The Fairy Queen, Z. 629: Act I, no. 8. First Act Tune: Jig
620. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: "Call the nymphs"
621. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "Come, come away"
622. Three Pieces for Strings
623. Suite from King Arthur
624. Suite for Strings in C major
625. The Knotting Song
626. Seven Songs: Fairest Isle
627. Seven Songs: If music be the food of love
628. Seven Songs: Turn then thine eyes
629. Seven Songs: Music for a while
630. Seven Songs: Pious Celinda
631. Seven Songs: I'll sail upon the Dog-star
632. Seven Songs: On the brow of Richmond Hill
633. Six Songs: Madd Bess
634. Six Songs: If music be the food of love
635. Six Songs: There's not a swain of the plain
636. Six Songs: Not all my torments
637. Six Songs: Man is for the Woman made
638. Six Songs: Sweeter than roses
639. O Solitude
640. Five Songs: I attempt from Love's sickness to fly
641. Five Songs: I take no pleasure
642. Five Songs: Hark the ech'ing air
643. Five Songs: Take not a woman's anger ill
644. Five Songs: How blest are Shepherds
645. Celemene
646. Six Duets: Sound the Trumpet
647. Six Duets: I spy Celia
648. Six Duets: Lost is my quiet
649. Six Duets: What can we poor females do
650. Six Duets: No, resistance is but vain
651. Six Duets: Shepherd, leave decoying
652. The Queen's Epicedium
653. The Blessed Virgin's Expostulation
654. Saul and the Witch at Endor
655. Three Divine Hymns: Lord, what is man?
656. Three Divine Hymns: We sing to him
657. Three Divine Hymns: Evening Hymn
658. Job's Curse
659. Two Divine Hymns and Alleluia: A Morning Hymn
660. Two Divine Hymns and Alleluia: Alleluia
661. Two Divine Hymns and Alleluia: In the black dismal dungeon of despair
662. Dulcibella
663. When Myra sings
664. Let the dreadful engines of eternal will
665. Pausanias, the Betrayer of his Country, Z. 585: I. "Sweeter than roses"
666. I'll Sail Upon the Dog-Star
667. A Fool's Preferment, or The Three Dukes of Dunstable, Z. 571: "I'll sail upon the Dog-star"
668. An Evening Hymn, Z. 193 "Now that the sun hath veiled his light"
669. The Fairy Queen, Z. 629
670. Sonata for trumpet, strings, and basso continuo in D major, Z. 850: I. Allegro
671. Sonata for trumpet, strings, and basso continuo in D major, Z. 850: III. Presto
672. Three Consorts: I. In Nomine in Six Parts
673. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Chorus "Behold, O mighty'st of Gods"
674. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Paspe. The first entry of heroes on the stage
675. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Chorus "Let monarchs fight"
676. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: (Prelude and) Duet "Make room for the great god of wine"
677. Wayward Sisters
678. Ode for Queen Mary's Birthday, Z. 320
679. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance of Bacchanals
680. Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial
681. What Power Art Thou?
682. Scottish Song
683. The Comical History of Don Quixote, Z. 578: Part III. "From rosy bow'rs"
684. Music for a While
685. The Indian Queen, Z. 630: Act V
686. Mighty Powers (Arr. for Clarinet and Lute)
687. Chiding Catch ("Fie, Nay")
688. Once, twice, thrice I Julia tried, Z. 265
689. The Noise of Foreign Wars
690. When the Cock Begins to Crow
691. Dido’s Lament
692. Chacony in G minor
693. Chacony in G minor
694. Oedipus, King of Thebes, Z. 583: III. Come away, do not stay
695. The Indian Queen Z. 630, Act III: I. Ye twice ten hundred deities
696. The Indian Queen Z. 630, Prologue: IVb. Wake Quivera, wake
697. The Old Bachelor, Z. 607: X. Thus to a Ripe, Consenting Maid
698. There never was so wretched lover as I, Z. 513
699. O! How Happy's He (Dioclesian), Z. 403
700. Oedipus, King of Thebes, Z. 583: I. Hear, ye sullen powʼrs below
701. Saccharissa's Grown Old, Z. 507
702. Three Consorts
703. Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: With him he brings the partner of his throne
704. Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Happy in a mutual love
705. Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Whilst in music and verse our duty we show
706. God is gone up with a merry noise (Canon a 7) Z107
707. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335: Symphony
708. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335: Sound the trumpet, beat the drum
709. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335: Crown the year, and crown the day
710. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335: To caesar all hail. unequall'd in arms
711. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335: Let Caesar and Urania live
712. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335: What greater bliss can Fate bestow
713. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335: While Caesar, like the morning star
714. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335: To Urania and Caesar delights without measure
715. Psalm 102:1-11, 23-28: Hear my prayer O Lord, and let my crying
716. Dioclesian, Z. 627: Act II. “Let all mankind the pleasure share” (chorus)
717. Dioclesian, Z. 627: Act V. The Masque: “Let the Graces and Pleasures repair” (Cupid)
718. Timon of Athens
719. Lord, what is Man?, Z. 192
720. “Hail! Bright Cecilia”, Z. 328: VIII. “Wondrous machine!”
721. “Hail! Bright Cecilia”, Z. 328: IX. “The airy violin”
722. “Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute”
723. Suite from King Arthur: I. Overture. Maestoso – Allegro (No. 2, 2nd music)
724. Suite from King Arthur: II. Air. Tempo di Menuetto (No. 3, 2nd music)
725. Suite from King Arthur: III. Hornpipe. Allegro non troppo (No. 30, 3rd act)
726. Suite from King Arthur: IV. Fairest Isle. Allegretto (No. 40, 4th act)
727. Suite from King Arthur: V. Air. Allegro leggiero (No. 33, 5th act)
728. Suite from King Arthur: VI. Chaconne. Allegretto (No. 1, 1st act)
729. Timon of Athens, Z. 632: 1. Overture
730. “Hail! Bright Cecilia”, Z. 328: XI. “The fife and all the harmony of war”
731. “Hail! Bright Cecilia”, Z. 328: XII. “Let these amongst themselves contest”
732. “Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee”
733. Christ is made the sure foundation
734. The Fairy Queen, Z. 629
735. Abdelazer Suite
736. Dido and Aeneas, Z. 626
737. The Prophetess, or The History of Dioclesian, Z. 627: 3. Ouverture
738. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Dance of the furies
739. The Prophetess, or The History of Dioclesian, Z. 627: 1. First musick
740. The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Two in one upon a Ground, Chaconne for flutes
741. Trio Sonata in 4 parts no. 1 in B minor, Z. 802
742. Trio Sonata in 4 parts no. 2 in E-flat major, Z. 803
743. Trio Sonata in 4 parts no. 3 in A minor, Z. 804
744. Trio Sonata in 4 parts no. 9 in F major, Z. 810
745. Trio Sonata in 4 parts no. 4 in D minor, Z. 805
746. Trio Sonata in 4 parts no. 8 in G minor, Z. 809
747. Trio Sonata in 4 parts no. 5 in G minor, Z. 806
748. Trio Sonata in 4 parts no. 7 in C major, Z. 808
749. Trio Sonata in 4 parts no. 10 in D major, Z. 811
750. Sonata for trumpet, strings, and basso continuo in D major, Z. 850
751. Suite for 2 violins, viola, and basso continuo in G major
752. Sonata for violin and basso continuo in G minor, Z. 780
753. Harpsichord Suite no. 1 in G major, Z. 660
754. Harpsichord Suite no. 2 in G minor, Z. 661
755. Harpsichord Suite no. 3 in G major, Z. 662
756. Harpsichord Suite no. 4 in A minor, Z. 663
757. Harpsichord Suite no. 5 in C major, Z. 666
758. Harpsichord Suite no. 6 in D major, Z. 667
759. Harpsichord Suite no. 7 in D minor, Z. 668
760. Harpsichord Suite no. 8 in F major, Z. 669
761. Harpsichord Suite in C major, Z. 665
762. Voluntary for Organ in D minor, Z. 718
763. Verse in F major, Z. 716
764. Voluntary for Organ in C major, Z. 717
765. Harpsichord Suite in C major, Z. 665: I. Prelude
766. Harpsichord Suite in C major, Z. 665: II. Almand
767. Harpsichord Suite in C major, Z. 665: III. Corant
768. Harpsichord Suite in C major, Z. 665: IV. Saraband
769. Harpsichord Suite in C major, Z. 665: V. Jigg
770. The Fairy Queen, Z. 629
771. Amphitryon, Z. 572
772. Sir Barnaby Whigg, Z. 589
773. The Gordion Knot Unty'd, Z. 597
774. Circe, Z. 575
775. Tyrannic Love, or The Royal Martyr, Z. 613
776. The Comical History of Don Quixote, Z. 578
777. The Libertine Destroyed, Z. 600
778. Sonata for trumpet, strings, and basso continuo in D major, Z. 850: II. Adagio
779. Harpsichord Suite no. 3 in G major, Z. 662: II. Almand
780. Harpsichord Suite no. 3 in G major, Z. 662: III. Corant
781. Harpsichord Suite no. 4 in A minor, Z. 663: I. Prelude
782. Harpsichord Suite no. 4 in A minor, Z. 663: II. Almand
783. Harpsichord Suite no. 4 in A minor, Z. 663: III. Corante
784. Harpsichord Suite no. 4 in A minor, Z. 663: IV. Sarabande
785. The Prophetess, or The History of Dioclesian, Z. 627: Act 1. First Act Tune
786. The Libertine Destroyed, Z. 600: No. 3. Prelude and Song "To arms, heroic prince"
787. The Libertine Destroyed, Z. 600: No. 2. Prelude and Song "Prepare, prepare, new guests draw near"
788. Go tell Amynta, gentle swain, Z. 489
789. No, to what purpose should I speak, Z. 468
790. Lovely Albina's come ashore, Z. 394
791. The Indian Queen, Z 630: Why should men quarrel?
792. Overture In G Minor, Z.772
793. Oedipus, King of Thebes, Z. 583: Act III "Music for a While"
794. Psalm 131:1-3: Lord, I am not high-minded
795. Hear My Prayer, O Lord, Z. 15
796. When I'm Laid in Earth
797. Suite of Five Pieces: I. Trumpet Tune
798. Suite of Five Pieces: II. Echo Pastorale
799. Suite of Five Pieces: III. Hornpipe
800. Suite of Five Pieces: V. Largo and Allegro
801. Suite of Five Pieces: V. Largo and Allegro: Largo
802. Suite of Five Pieces: V. Largo and Allegro: Allegro
803. Trumpet Tune "Martial Air"
804. The Prophetess, or The History of Dioclesian, Z. 627: Act 1
805. The Prophetess, or The History of Dioclesian, Z. 627: Act 2
806. Trumpet Tune and Air
807. Lobet, preiset
808. Trumpet Tune from King Arthur
809. Dioclesian, Z. 627: Act V. The Masque: “Let the Graces and Pleasures repair” (Cupid)
810. Tell me, some pitying angel, Z. 196
811. Twas Within a Furlong of Edinburgh Town
812. Two Trumpet Tunes and Air
813. The Tempest, Z. 631: Act II. "Come Unto These Yellow Sands"
814. King Arthur, Z. 628 (Suckling/McCreesh Edition)
815. King Arthur, Z. 628 (Suckling/McCreesh Edition): Aire (from Amphitryon, Z. 572)
816. King Arthur, Z. 628 (Suckling/McCreesh Edition): Minuet (from Amphitryon, Z. 572)
817. King Arthur, Z. 628 (Suckling/McCreesh Edition): Hornpipe (from Amphitryon, Z. 572)
818. King Arthur, Z. 628 (Suckling/McCreesh Edition): Scotch Tune (from Amphitryon, Z. 572)
819. King Arthur, Z. 628 (Suckling/McCreesh Edition): Overture
820. King Arthur, Z. 628 (Suckling/McCreesh Edition): Aire
821. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Verse & Chorus – Woden, First to Thee / We Have Sacrific’d (Chorus)
822. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Verse & Chorus – The White Horse Neigh’d Aloud / To Woden Thanks We Render (Chorus)
823. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Verse & Chorus – The Lot Is Cast / Brave Souls (Chorus)
824. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Song & Chorus – I Call You All to Woden’s Hall (Chorus)
825. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Prelude, Song & Chorus – Come If You Dare, Our Trumpets Sound (Chorus)
826. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Prelude – Aire
827. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Song & Chorus – Hither This Way (Philadel)
828. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Song – Let Not a Moonborn Elf Mislead Ye (Grimbald)
829. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Chorus – Hither This Way (Chorus)
830. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Verse & Chorus – Come Follow Me (Chorus)
831. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Prelude, Song & Chorus – How Blest Are Shepherds (Shepherd)
832. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Prelude & Song – Shepherd, Shepherd, Leave Decoying (Two Shepherdesses)
833. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Chorus & Dance – Come, Shepherds, Lead up a Lively Measure (Chorus)
834. Znělka Pontés
835. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Second Act Tune – Rondeau (From Distress’d Innocency, Z. 577)
836. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Prelude & Verse – What Ho, Thou Genius of This Isle! (Cupid)
837. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Prelude & Song – What Power Art Thou (Cold Genius)
838. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Song – Thou Doting Fool, Forbear (Cupid)
839. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Song – Great Love, I Know Thee Now (Cold Genius)
840. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Verse – No Part of My Dominion Shall Be Waste (Cupid)
841. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Chorus & Dance – See, See, We Assemble (Chorus)
842. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Prelude, Song & Chorus – ’Tis I That Have Warm’d Ye / ’Tis Love That Has Warm’d Us (Cupid)
843. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Song – Sound a Parley (Cupid & Cold Genius)
844. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Chorus – ’Tis Love That Has Warm’d Us (Chorus)
845. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act III: Third Act Tune – Aire
846. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act IV: Soft Music – Aire (from Bonduca, Z. 574)
847. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act IV: Song – Two Daughters of This Aged Stream Are We (Two Sirens)
848. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act IV: Passacaglia – How Happy the Lover / For Love Every Creature (Chorus)
849. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act IV: Song by Mr. Howe – You Say, ’Tis Love Creates the Pain (He & She)
850. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act IV: Fourth Act Tune – Hornpipe
851. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Prelude – Rondeau (From The Old Bachelor, Z. 607)
852. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Prelude & Song – Ye Blust’Ring Brethren / Serene and Calm (Aeolus)
853. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Soft Tune
854. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Prelude, Song & Chorus – Round Thy Coasts (Nereid)
855. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Song – For Folded Flocks (Three Shepherds)
856. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Song & Dance – Your Hay It Is Mow’d (Comus & Peasants)
857. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Prelude & Song – Fairest Isle (Venus)
858. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Tune for Trumpets (after Dioclesian, Z. 627)
859. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: New Song & Chorus for Britannia & St George – Sound Heroes, Your Brazen Trumpets Sound! / Let All Rehearse (Fame)
860. Music for a While
861. King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Grand Dance – Chaconne
862. Now does the glorious day appear : Opening chorus
863. Now does the glorious day appear : Not any one such joy could bring
864. Now does the glorious day appear : This does our fertile isle
865. Now does the glorious day appear : Opening chorus (reprise)
866. Now does the glorious day appear : It was a work of full as great a weight
867. Now does the glorious day appear : Her hero to whose conduct
868. Now does the glorious day appear : Our dear religion
869. Now does the glorious day appear : No more shall we the great Eliza boast
870. Now does the glorious day appear : Now, now with one united voice
871. Voluntary in A major on the 100th Psalm, Z. 721
872. The Fairy Queen, Z. 629: Act I, no. 6. Duet: "Come Let Us Leave the Town"
873. The Fairy Queen, Z. 629: Act I, no. 7. Scene of the Drunken Poet: "Fill Up the Bowl"
874. The Fairy Queen, Z. 629: Act III, no. 22. Dance for the Fairies
875. The Fairy Queen, Z. 629: Act II, no. 9. Prelude and Song: "Come All Ye Songsters of the Sky"
876. The Fairy Queen, Z. 629: Act II, no. 10. Prelude
877. The Fairy Queen, Z. 629: Act II, no. 11. Trio: "May the God of Wit Inspire"
878. The Fairy Queen, Z. 629: Act II, no. 12. Echo
879. The Fairy Queen, Z. 629: Act II, no. 13a. Chorus: "Now Joyn Your Warbling Voices All"
880. The Fairy Queen, Z. 629: Act II, no. 13b. Song and Chorus: "Sing While We Trip It on the Green"
881. The Fairy Queen, Z. 629: Act II, no. 13c. A Dance of Fairies
882. The Fairy Queen, Z. 629: Act II, no. 14. Song: "See, Even Night Her Self Is Here" (Night)
883. The Fairy Queen, Z. 629: Act II, no. 15. Song: "I Am Come to Lock All Fast (Mystery)
884. The Fairy Queen, Z. 629: Act II, no. 16. Song: "One Charming Night" (Secresie)
885. The Fairy Queen, Z. 629: Act II, no. 17. Song and Chorus: "Hush, No More, Be Silent All" (Sleep)
886. The Fairy Queen, Z. 629: Act II, no. 18. A Dance for the Followers of Night
887. The Fairy Queen, Z. 629: Act III, no. 20. A Song in Two Parts and Chorus: "If Love's a Sweet Passion"
888. The Fairy Queen, Z. 629: Act III, no. 21. Overture: Symphony While the Swans Come Forward
889. The Fairy Queen, Z. 629: Act III, no. 23. Dance for the Green Men
890. The Fairy Queen, Z. 629: Act III, no. 24. Song: "Ye Gentle Spirits of the Air, Appear"
891. The Fairy Queen, Z. 629: Act III, no. 25. Dialogue Between Coridon and Mopsa: "Now the Maids and the Men"
892. The Fairy Queen, Z. 629: Act III, no. 26. Song: "When I Have Often Heard" (A Nymph)
893. The Fairy Queen, Z. 629: Act III, no. 27. A Dance of Haymakers
894. The Fairy Queen, Z. 629: Act III, no. 28. Song and Chorus: "A Thousand Thousand Ways We'll Find"
895. The Fairy Queen, Z. 629: Act III, no. 29. Third Act Tune: Hornpipe
896. The Fairy Queen, Z. 629: Act IV, no. 30. Symphony
897. The Fairy Queen, Z. 629: Act IV, no. 31. Solo and Chorus: "Now The Night Is Chac'd Away" (One of the Attendants)
898. The Fairy Queen, Z. 629: Act IV, no. 32. Duet: "Let the Fifes, and the Clarions" (Two Others)
899. The Fairy Queen, Z. 629: Act IV, no. 33. Entry of Phoebus
900. The Fairy Queen, Z. 629: Act IV, no. 34. Song: "When a Cruel Long Winter" (Phoebus)
901. The Fairy Queen, Z. 629: Act IV, no. 35. Chorus: "Hail! Great Parent of Us All"
902. The Fairy Queen, Z. 629: Act IV, no. 36. Song: "Thus The Ever Grateful Spring" (Spring)
903. The Fairy Queen, Z. 629: Act IV, no. 37. Song: "Here's the Summer, Sprightly, Gay" (Summer)
904. The Fairy Queen, Z. 629: Act IV, no. 38. Song: "See My Many Colour's Fields" (Autumn)
905. The Fairy Queen, Z. 629: Act IV, no. 39. Song and Chorus: "Next, Winter Comes Slowly" (Winter)
906. The Fairy Queen, Z. 629: Act IV, no. 40. Fourth Act Tune: Air
907. The Fairy Queen, Z. 629: Act V, no. 41. Prelude
908. The Fairy Queen, Z. 629: Act V, no. 42: Epithalamium: "Thrice Happy Lovers" (Juno)
909. The Fairy Queen, Z. 629: Act V, no. 43. The Plaint: "O Let Me Weep"
910. The Fairy Queen, Z. 629: Act V, no. 44: Entry Dance
911. The Fairy Queen, Z. 629: Act V, no. 45. Symphony
912. The Fairy Queen, Z. 629: Act V, no. 46. Song: "Thus the Gloomy World" (A Chinese Man)
913. The Fairy Queen, Z. 629: Act V, no. 47. Solo And Chorus: "Thus Happy and Free" (A Chinese Woman)
914. The Fairy Queen, Z. 629: Act V, no. 48. Song: "Yes, Xansi"
915. The Fairy Queen, Z. 629: Act V, no. 49. Monkeys' Dance
916. The Fairy Queen, Z. 629: Act V, no. 50. Song: "Hark, How All Things" (1st Woman)
917. The Fairy Queen, Z. 629: Act V, no. 51. Song and Chorus: "Hark! The Ech'ing Air" (2nd Woman)
918. The Fairy Queen, Z. 629: Act V, no. 52. Soli and Trio and Chorus: "Sure the Dull God" (Both Woman)
919. The Fairy Queen, Z. 629: Act V, no. 53a. Prelude
920. The Fairy Queen, Z. 629: Act V, no. 53b. Solo: "See, I Obey" (Hymen)
921. Conker the King
922. Conker the King (reprise)
923. Conker the King (reprise)
924. Z. 343, No. 5a, "Britain, thou now art great" (alto)
925. Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
926. Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus)
927. Of old when heroes thought it base, Z. 333
928. Of old, when heroes thought it base: IIIa: Ritornello
929. Of old, when heroes thought it base, Z. 333: IIIb: Brigantium, honour'd with a race divine
930. Of old, when heroes thought it base, Z. 333: IVb: The bashful Thames, for beauty so renowned
931. Of old, when heroes thought it base, Z. 333: I. Symphony
932. Of old, when heroes thought it base, Z. 333: II. Of old, when heroes thought it base
933. Of old, when heroes thought it base, Z. 333: VIb. The pale and purple rose
934. Of old, when heroes thought it base, Z. 333: VIIa. / VIIb. And in each track of glory since
935. Of old, when heroes thought it base, Z. 333: VIII. Symphony (reprise)
936. Of old, when heroes thought it base, Z. 333: IXa. And now when the renown'd Nassau
937. Of old, when heroes thought it base, Z. 333: X. They did no storms nor threat’nings fear
938. Of old, when heroes thought it base, Z. 333: XIb. So when the glitt'ring Queen of Night
939. Of old, when heroes thought it base, Z. 333: XII. Let music join
940. Of old, when heroes thought it base, Z. 333: XIIIa. Sound, trumpets, sound!
941. Of old, when heroes thought it base, Z. 333: XIVa: Sound all to him
942. Of old, when heroes thought it base, Z. 333: XIVb. Long flourish the city and county of York
943. Three Consorts: II. Fantazia VII
944. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Duet and Chorus "Let all mankind the pleasures share"
945. O Lord Our Governor, Z. 39
946. Blessed is he Whose Unrighteousness is Forgiven, Z. 8
947. Out of the Deep Have I Called, Z. 45
948. Hear me, O Lord, and That Soon, Z. 13
949. King Arthur, Z. 628: Act II. "Hither this way"
950. The maid's Last Prayer Z. 601
951. Why do the heathen so furiously rage together?, Z65
952. Lord, who can tell how oft he offendeth?, Z26
953. O Lord, grant the King a long life, Z38
954. Hear me, O Lord, the great support, Z133
955. Thou wakeful shepherd that dost Israel keep (A Morning Hymn), Z198
956. Who hath believed our report?, Z. 64
957. I will love thee, O Lord, ZN67
958. Great God and just, Z186
959. Plung'd in the confines of despair, Z142
960. O praise the Lord, all ye heathen, Z43
961. My heart is fixed, O God, Z29
962. Magnificat and Nunc dimittis in G minor, Z231
963. In thee, O Lord, do I put my trust, Z. 16
964. Blessed is the man that feareth the Lord, Z. 9
965. Benedicite in B-flat, Z230
966. Full of wrath, his threatening breath, Z185
967. Bow down thine ear, O Lord, Z. 11
968. Magnificat and Nunc dimittis in G minor, Z231: Magnificat
969. Magnificat and Nunc dimittis in G minor, Z231: Nunc dimittis
970. Be merciful unto me, Z. 4
971. They that go down to the sea in ships, Z. 57
972. The Indian Queen, Z. 630: Trumpet Overture
973. The Fairy Queen, Z. 629: First Musick, no. 1. Prelude
974. The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe
975. The Fairy Queen, Z. 629: Second Musick, no. 4. Rondeau
976. The Fairy Queen, Z. 629: Act II, no. 19. Second Act Tune: Air
977. Fairest Isle
978. Suite: V. Allegro
979. The Indian Queen, Z. 630
980. The Fairy Queen, Z. 629: Act V: “The Plaint”
981. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Ritornello
982. Suite: IV. Minuet
983. Hear My Prayer, O Lord, Z. 15
984. Te Deum in B-flat
985. Jubilate in B-flat
986. The Lord is my light, Z. 55
987. Let God arise, Z. 23
988. Cantate Domino, Z. 230
989. Deus misereator, Z. 230
990. Blessed be the Lord my strength, Z. 6
991. If pray'rs and tears, Z. 380
992. Bacchus is a pow'r divine, Z. 360
993. Awake, put on thy strength, Z. 1
994. Draw near, you lovers, Z. 462
995. Urge me no more, Z. 426
996. I love and I must, Z. 382
997. Ah! Cruel nymph, you give despair, Z. 352
998. Now does the glorious day appear : Symphony
999. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance
1000. The Prophetess, or The History of Dioclesian, Z. 627: Act 5.: Masque: Aria and Chorus "All our days"
1001. Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344
1002. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335
1003. Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus)
1004. The Married Beau, Z. 603, "The Curious Impertinent"
1005. Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Symphony
1006. Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Ye tuneful Muses, raise your heads
1007. Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: This point of time ends all your grief
1008. Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: In his just praise your noblest songs let fall
1009. Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: Try, try ev'ry strain
1010. 'Tis wine was made to rule the day, Z. 546
1011. Trumpet tune, ZT. 697
1012. Pox on you for a fop, Z. 268
1013. In these delightful pleasant groves
1014. King Arthur, Z. 628: Act II. Second Act Tune: Air
1015. Mantra
1016. Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344: From the rattling of drums and the trumpet's loud sounds
1017. Fantasia on a Ground and Two Pavans: Pavan in A major
1018. Fantasia on a Ground and Two Pavans: Pavan in B-flat major
1019. Fantasia on a Ground and Two Pavans: Fantasia on a Ground
1020. Fantasia on a Ground and Two Pavans
1021. Fantasia upon One Note
1022. Remember Me
1023. The Indian Queen, Z. 630: Act I
1024. The Indian Queen, Z. 630: Act II
1025. Hornpipe in B-flat major, ZT. 570
1026. The Indian Queen, Z. 630: Act III
1027. I spy Celia, Z. 499
1028. Aureng-Zebe, Z. 573
1029. Aureng-Zebe, Z. 573: I see she flies me
1030. The Tempest, Z. 631: "Full Fathom Five"
1031. The Tempest, Z. 631: "Dry Those Eyes"
1032. The Tempest, Z. 631: Act V. The Masque of Neptune and Amphitrite
1033. The Indian Queen, Z. 630: Act IV
1034. Bonduca, or the British Heroine, Z. 574: “Oh! Lead me to some peaceful gloom” (Bonvica)
1035. Ah! how pleasant 'tis to love, Z. 353
1036. As Roger last night to Jenny lay close, Z. 242
1037. Prithee be n't so sad and serious, Z. 269
1038. Since time so kind to us does prove, Z. 272
1039. If ever I more riches did desire, Z. 544
1040. How long, great God?, Z. 189
1041. In the black dismal dungeon of despair, Z. 190
1042. The earth trembled, Z. 197
1043. With sick and famished eyes, Z. 200
1044. In guilty night, Z. 134
1045. Close thine eyes and sleep secure, Z. 184
1046. Funeral Music on the Death of Queen Mary: I. March, Z. 860
1047. Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman"
1048. Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860
1049. Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17
1050. Funeral Music on the Death of Queen Mary: V. Canzona, Z. 860
1051. Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord"
1052. Funeral Music on the Death of Queen Mary: VII. March, Z. 860
1053. Dido and Aeneas, Z. 626: Act I, VII. "Fear no danger" / Dance
1054. The Gordian Knot Unty'd, Z. 597: I. Overture
1055. The Gordian Knot Unty'd, Z. 597: II. Air
1056. Dido and Aeneas: Act II. Ritornelle / "Thanks to these lonesome vales"
1057. Dido and Aeneas, Z. 626: Act II, Scene II. Gittar Ground a Dance
1058. King Arthur, Z. 628: Act I, no. 1. Ouverture
1059. King Arthur, Z. 628: Act I, no. 2. Air
1060. King Arthur, Z. 628: Act I, no. 3. Symphony
1061. King Arthur, Z. 628: Act I. "Woden first to thee"
1062. King Arthur, Z. 628: Act I. "To Woden thanks we render"
1063. King Arthur, Z. 628: Act I. "The lot is cast"
1064. King Arthur, Z. 628: Act I. "Brave souls"
1065. King Arthur, Z. 628: Act I. "I call you all"
1066. King Arthur, Z. 628: Act I. "Come if you dare"
1067. King Arthur, Z. 628: Act II. "Let not a moon-born elf"
1068. King Arthur, Z. 628: Act II. "Come follow me"
1069. King Arthur, Z. 628: Act II. "How blest are shepherds"
1070. King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying"
1071. King Arthur, Z. 628: Act II. "Come, shepherds"
1072. King Arthur, Z. 628: Act II. Symphony
1073. King Arthur, Z. 628: Act III. The Frost Scene
1074. King Arthur, Z. 628: Act III. "What ho!"
1075. King Arthur, Z. 628: Act III. "What Power art thou"
1076. King Arthur, Z. 628: Act III. "Thou doting fool"
1077. King Arthur, Z. 628: Act III. "Great love"
1078. Harpsichord Suite no. 2 in G minor, Z. 661: I. Prelude
1079. Harpsichord Suite no. 2 in G minor, Z. 661: II. Almand
1080. Harpsichord Suite no. 2 in G minor, Z. 661: III. Corant
1081. Harpsichord Suite no. 2 in G minor, Z. 661: IV. Sarabande
1082. Harpsichord Suite no. 3 in G major, Z. 662: I. Prelude
1083. Harpsichord Suite no. 5 in C major, Z. 666: I. Prelude
1084. Harpsichord Suite no. 5 in C major, Z. 666: II. Almand
1085. Harpsichord Suite no. 5 in C major, Z. 666: III. Corant
1086. Harpsichord Suite no. 5 in C major, Z. 666: IV. Sarabande
1087. Harpsichord Suite no. 6 in D major, Z. 667: I. Prelude
1088. Harpsichord Suite no. 6 in D major, Z. 667: II. Almand
1089. Harpsichord Suite no. 6 in D major, Z. 667: III. Hornpipe
1090. Harpsichord Suite no. 7 in D minor, Z. 668: II. Corant
1091. Harpsichord Suite no. 7 in D minor, Z. 668: III. Hornpipe
1092. Harpsichord Suite no. 8 in F major, Z. 669: I. Prelude
1093. Harpsichord Suite no. 8 in F major, Z. 669: II. Almand
1094. Harpsichord Suite no. 8 in F major, Z. 669: III. Corant
1095. Harpsichord Suite no. 8 in F major, Z. 669: IV. Minuet
1096. In nomine à 6 in G minor, Z. 746
1097. Harpsichord Suite no. 7 in D minor, Z. 668: I. Almand
1098. Harpsichord Suite no. 1 in G major, Z. 660: I. Prelude
1099. Harpsichord Suite no. 1 in G major, Z. 660: II. Almand
1100. Harpsichord Suite no. 1 in G major, Z. 660: III. Corant
1101. Harpsichord Suite no. 1 in G major, Z. 660: IV. Minuet
1102. King Arthur, Z. 628: Act III. "No part of my dominion"
1103. King Arthur, Z. 628: Act III. Prelude
1104. King Arthur, Z. 628: Act III. Chorus "See, see"
1105. King Arthur, Z. 628: Act III. "Tis I that have warm'd ye"
1106. King Arthur, Z. 628: Act III. Duet "Sound a parley"
1107. King Arthur, Z. 628: Act III. Symphony
1108. King Arthur, Z. 628: Act IV. "Two daughters of this aged stream"
1109. Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance
1110. Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus)
1111. Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas)
1112. Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus)
1113. Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus)
1114. Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress)
1115. Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance
1116. Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies
1117. Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus)
1118. Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus)
1119. Dido and Aeneas, Z. 626: Act II, Scene II. The Groves Dance
1120. Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle
1121. Upon A Quiet Conscience, Z. 184
1122. Through Mournful Shades And Solitary Groves, Z. 424
1123. Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus)
1124. The Gordian Knot Unty'd, Z. 597: IV. Air
1125. The Gordian Knot Unty'd, Z. 597: V. Jig
1126. The Gordian Knot Unty'd, Z. 597: VI. Chaconne
1127. King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover"
1128. King Arthur, Z. 628: Act IV. Symphony
1129. King Arthur, Z. 628: Act V. Trumpet Tune
1130. King Arthur, Z. 628: Act V. "Ye Blust'ring brethren"
1131. King Arthur, Z. 628: Act V. Symphony
1132. King Arthur, Z. 628: Act V. "Round thy coast"
1133. King Arthur, Z. 628: Act V. "For folded flocks"
1134. King Arthur, Z. 628: Act V. "Your hay it is mow'd"
1135. King Arthur, Z. 628: Act V. Duet. "You say 'tis love"
1136. King Arthur, Z. 628: Act V. Trumpet Tune / Chorus "Our natives"
1137. King Arthur, Z. 628: Act V. Chaconne
1138. Oedipus, King of Thebes, Z. 583: II. "Music for a While"
1139. The Indian Queen, Z. 630: Act III: 17h. "I Attempt From Love's Sickness to Fly"
1140. Tyrannic Love, or The Royal Martyr, Z. 613: Act IV "Ah! How Sweet It Is to Love"
1141. The Fairy Queen: Act V "Hark! How All Things"
1142. An Evening Hymn, Z. 193 "Now that the sun hath veiled his light"
1143. Trio Sonata in 4 parts no. 1 in B minor, Z. 802: II. Canzona
1144. Trio Sonata in 4 parts no. 2 in E-flat major, Z. 803: V. Allegro
1145. Trio Sonata in 4 parts no. 3 in A minor, Z. 804: IV. Canzona
1146. Trio Sonata in 4 parts no. 5 in G minor, Z. 806: VI. Allegro
1147. Trio Sonata in 4 parts no. 5 in G minor, Z. 806: VII. Adagio
1148. Trio Sonata in 4 parts no. 7 in C major, Z. 808: IV. Canzona
1149. Trio Sonata in 4 parts no. 7 in C major, Z. 808: VI. Adagio
1150. Amphitryon, Z. 572 "The Two Sosias": I. Overture
1151. Amphitryon, Z. 572 "The Two Sosias": II. Saraband
1152. Amphitryon, Z. 572 "The Two Sosias": III. Hornpipe
1153. Amphitryon, Z. 572 "The Two Sosias". "Celia, That I Once Was Blest"
1154. Amphitryon, Z. 572 "The Two Sosias": IV. Scotch Tune
1155. Amphitryon, Z. 572 "The Two Sosias". "For Iris I Sigh"
1156. Amphitryon, Z. 572 "The Two Sosias": V. Air
1157. Amphitryon, Z. 572 "The Two Sosias": VI. Minuet
1158. Amphitryon, Z. 572 "The Two Sosias". A Pastoral Dialogue Betwixt Thrsis and Iris
1159. Amphitryon, Z. 572 "The Two Sosias": VII. Hornpipe
1160. Amphitryon, Z. 572 "The Two Sosias": VIII. Borree
1161. Sir Barnaby Whigg, Z. 589: "Blow, Boreas, Blow"
1162. Circe, Z. 575. "We Must Assemble By a Sacrific"
1163. Circe, Z. 575. "Their Necessary Aid You Use"
1164. Circe, Z. 575. "Come Every Demon"
1165. Circe, Z. 575. Magicians' Dance
1166. Circe, Z. 575. "Pluto, Arise!"
1167. Circe, Z. 575. "Lovers Who To Their First Embraces Go"
1168. Sonata for Trumpet and Organ From "A Fairy Queen": Prélude
1169. Sonata for Trumpet and Organ From "A Fairy Queen": Hornpipe
1170. Sonata for Trumpet and Organ From "A Fairy Queen": Air
1171. Sonata for Trumpet and Organ From "A Fairy Queen": Rondeau
1172. Sonata for Trumpet and Organ From "A Fairy Queen": Air
1173. Suite for 2 violins, viola, and basso continuo in G major, Z. 770
1174. Pavan for 3 violins and basso continuo in G minor, Z. 752
1175. Chacony in G minor for 2 violins, viola and continuo, Z. 730
1176. Pavan for 2 violins and basso continuo in A major, Z. 748
1177. Suite for 2 violins, viola, and basso continuo in G major: I. Overture
1178. Suite for 2 violins, viola, and basso continuo in G major: II. Air
1179. Suite for 2 violins, viola, and basso continuo in G major: III. Borry
1180. Suite for 2 violins, viola, and basso continuo in G major: IV. Air
1181. Suite for 2 violins, viola, and basso continuo in G major: V. Jigg
1182. Overture for 2 violins, viola, and basso continuo in D minor, Z. 771
1183. Pavan for 2 violins and basso continuo in B-flat major, Z. 750
1184. Prelude for recorder in D minor, Z. 773
1185. Sonata for violin and basso continuo in G minor, Z. 780: I. Adagio
1186. Sonata for violin and basso continuo in G minor, Z. 780: II. Allegro
1187. Sonata for violin and basso continuo in G minor, Z. 780: III. Largo
1188. Sonata for violin and basso continuo in G minor, Z. 780: IV. Vivace
1189. The Staircase Overture for 2 violins and basso continuo in B-flat major, Z. 614
1190. Cibell for trumpet, strings, and basso continuo in C major, Z. 678
1191. Four Part Fantasia no. 2
1192. Pavan for 2 violins and basso continuo in A minor, Z. 749
1193. Overture for 2 violins, 2 violas, and basso continuo in G minor, Z. 772
1194. Pavan for 2 violins and basso continuo in G minor, Z. 751
1195. Fantasia for strings No. 1, Z. 732
1196. Fantasia for strings No. 2, Z. 733
1197. Fantasia for strings No. 3, Z. 734
1198. Fantasia for strings No. 13, Z. 744
1199. Fantasia for strings upon one note, Z. 745
1200. In Nomine in 7 parts, Z. 747
1201. Songtune, ZT. 694
1202. March, Z. 647
1203. A Song Tune, ZT. 695
1204. March, Z. 648
1205. New Minuet, ZT. 689
1206. A Minuet, Z. 650
1207. A New Scotch Tune, Z. 655
1208. A new Irish tune, Z. 646
1209. Riggadoon, Z. 653
1210. Sefuchi's Farewell, Z. 656
1211. Minuet, ZT. 688
1212. March, ZT. 687
1213. Trumpet tune, ZT. 698
1214. Chaconne, ZT. 680
1215. Jigg, ZT. 686
1216. Trumpet tune called the Cibell, ZT. 678
1217. Trumpet tune, ZT. 697
1218. Air, Z. 641
1219. Aire, ZT. 675
1220. Aire, ZT. 696 No. 2
1221. Aire, Z. 676
1222. Air, Z. 630 No. 1
1223. Air, Z. 693 No. 2
1224. Canary, ZT. 677
1225. Prelude in G minor
1226. Prelude in C major
1227. Ground in C minor, ZT. 681
1228. Hornpipe, ZT. 683
1229. Hornpipe, ZT. 685
1230. Minuet, Z. 651
1231. Corant, Z. 644
1232. (Gavotte) Almond in D-sol-re#, ZD. 219 No. 1
1233. Jigg, ZD 223
1234. The Queen's Dolour, Z. 670
1235. Rigaudon, ZD. 227
1236. Saraband with division, Z. 654
1237. (Saraband) Borry in D-sol-re#, ZD 219 No. 2
1238. Trumpet minuet, ZD. 230
1239. Ground in C major, Z. 681
1240. Ground in gamut, Z. 645
1241. Ground in D minor, ZD. 222
1242. Ground in C minor, ZD. 221
1243. Round O, ZT. 684
1244. A new ground, ZT. 682
1245. The Beggar's Opera: Act I. Air. "Virgins are like the fair flower in its lustre" (Polly, Peachum)
1246. Orpheus Britannicus: "Let sullen discorn smile"
1247. Orpheus Britannicus: "Why should men quarrel?"
1248. Orpheus Britannicus: "So when the glittering Queen of Night"
1249. Orpheus Britannicus: "Thou tun'st this world"
1250. Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet"
1251. King Arthur Suite: Adagio - Allegro
1252. King Arthur Suite: Adagio
1253. King Arthur Suite: Allegro
1254. King Arthur Suite: Adagio
1255. King Arthur Suite: Adagio
1256. King Arthur Suite: Andante
1257. Suite of 4 parts in G major, Z. 770: I. Overture
1258. Suite of 4 parts in G major, Z. 770: II. Sarabande
1259. Suite of 4 parts in G major, Z. 770: III. Bourrée
1260. Suite of 4 parts in G major, Z. 770: IV. Minuet
1261. Suite of 4 parts in G major, Z. 770: V. Jig
1262. Suite: I. Rondeau
1263. Suite: II. Slow Air
1264. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "O the Sweet Delights of Love"
1265. When Night Her Purple Veil Had Softly Spread
1266. Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches)
1267. Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Banish sorrow, banish care” (Chorus)
1268. Suite: III. Air
1269. The Female Virtuosos, Incidental Music Z. 596
1270. The Female Virtuosos, Incidental Music Z. 596: Act V Love Thou Art Best
1271. Browning my Dear
1272. The History of King Richard the Second, Z. 581
1273. The History of King Richard the Second, Z. 581: Retir'd from mortal's sight
1274. Hears not my Phillis 'The Knotting Song', Z. 371
1275. Timon of Athens, Z. 632: 10. Solo "The cares of lovers"
1276. In all our Cynthia's shining sphere, Z. 496
1277. Amphitryon: Fair Iris and her swain
1278. King Arthur, Z. 628: First Music: Chaconne
1279. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Ritornello "Still I'm wishing"
1280. Trumpet tune, ZT. 698
1281. The Tempest, Z. 631: "Arise, ye subterranean winds"
1282. Dioclesian: Overture
1283. Dioclesian: Preludio
1284. Dioclesian: Aire
1285. Dioclesian: Aire
1286. King Arthur: Aire
1287. King Arthur: Trumpet Tune
1288. The Fairy Queen: Aire
1289. The Fairy Queen: Aire
1290. The Fairy Queen: Hornpipe
1291. The Fairy Queen: Overture
1292. Remember Me
1293. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Canaries
1294. The Fairy Queen: Aire
1295. The Fairy Queen: Aire
1296. The Fairy Queen, Z.629: Act V Aire
1297. The Indian Queen: Trumpet Tune
1298. The Indian Queen: Trumpet Tune
1299. The Indian Queen: Aire
1300. The Indian Queen: Hornpipe
1301. The Indian Queen: Aire
1302. The Indian Queen: Hornpipe
1303. The Indian Queen: Aire
1304. The Indian Queen: Song Tune: We spirits of the air
1305. The Indian Queen: Rondeau
1306. The Rival Sisters: Celia Has a Thousand Charms
1307. I came, I saw, and was undone, Z. 375
1308. Timon of Athens, Z. 632: 3. Solo "Love in their little veins inspires"
1309. The fatal hour comes on apace, Z. 421
1310. The Fairy Queen, Z. 629: Part IV "Epithalamium": "Thrice Happy Lovers"
1311. Overture in G minor "The Virtuous Wife", ZT. 693
1312. Bonduca: Overture
1313. Overture in D major "The Fairy Queen", ZT. 692
1314. When on my sickbed I languish, Z. 144
1315. True Englishmen drink a good health, Z. 284
1316. What a sad fate is mine, Z. 428
1317. Beneath a dark and melancholy grove, Z. 461
1318. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Duet "Tell me why my charming fair"
1319. I will sing unto the Lord as long as I live, Z. 22
1320. O God the King of Glory, Z. 34
1321. Blow up the trumpet in Sion, Z. 10
1322. O God, Thou hast cast us out, Z. 36
1323. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Symphony for Trumpets and Violins
1324. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude, Aria and Chorus "Let the soldier's rejoice"
1325. Three Grounds
1326. Let mine eyes run down with tears, Z. 24: I. Let mine eyes run down with tears
1327. Let mine eyes run down with tears, Z. 24: II. We acknowledge, O Lord, our wickedness
1328. Let mine eyes run down with tears, Z. 24: III. Do not abhor us, for thy name's sake
1329. Verse in the Phrygian mode, ZS. 126
1330. My beloved spake, Z. 28: I. Symphony
1331. My beloved spake, Z. 28: II. For lo! the winter is past
1332. My beloved spake, Z. 28: III. And the time of the singing of birds is come
1333. My beloved spake, Z. 28: IV. Symphony
1334. My beloved spake, Z. 28: V. My beloved is mine and I am his
1335. Behold now, praise the Lord, Z. 3
1336. Behold now, praise the Lord, Z. 3: I. Symphony
1337. Behold now, praise the Lord, Z. 3: II. Behold now, praise the Lord
1338. Behold now, praise the Lord, Z. 3: III. Glory be to the Father
1339. I will give thanks unto thee, O Lord, Z. 20
1340. I will give thanks unto thee, O Lord, Z. 20: I. Symphony
1341. I will give thanks unto thee, O Lord, Z. 20: II. I will give thanks unto thee, O Lord
1342. I will give thanks unto thee, O Lord, Z. 20: III. Symphony
1343. I will give thanks unto thee, O Lord, Z. 20: IV. All the kings of the earth shall praise thee, O Lord
1344. The Lord is king, be the people never so impatient, Z. 53
1345. Begin the song, and strike the living lyre, Z. 183
1346. Thy word is a lantern unto my feet, Z. 61
1347. Lord, I can suffer thy rebukes, Z. 136
1348. O Lord, our Governor, Z. 141
1349. Te Deum and Jubilate Deo in D, Z. 232: Te Deum
1350. Te Deum and Jubilate Deo in D, Z. 232: Jubilate Deo
1351. Hornpipe
1352. Three Grounds: I. Andante quasi fado
1353. Three Grounds: II. Andante arioso
1354. Three Grounds: III. Allegretto
1355. Toccata
1356. The Queen's Dolour (A Farewell)
1357. Early, O Lord, my fainting soul, Z. 132
1358. Awake, ye dead, Z. 182
1359. Lord, not to us, but to thy name, Z. 137
1360. O Lord, rebuke me not, Z. 40
1361. Awake, and with attention hear, Z. 181
1362. We sing to him, whose wisdom form'd the ear, Z. 199
1363. Praise the Lord, O my soul, and all that is within me, Z. 47
1364. Let the night perish, Z. 191
1365. Save me, O God, Z. 51
1366. O consider my adversity, Z. 32
1367. The Fairy Queen, Z. 629: Second Musick, no. 3. Air
1368. The Fairy Queen, Z. 629: Act I, no. 5. Overture
1369. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Aria and Chorus "Let us dance"
1370. The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Masque: Dance (2)
1371. King Arthur, Z.628, Act I: Altar Music
1372. King Arthur, Z.628, Act I: First Act Tune
1373. King Arthur, Z.628, Act II: Hornpipe
1374. King Arthur, Z.628, Act II: Second Act Tune - Aire
1375. King Arthur, Z.628, Act III: Dance
1376. King Arthur, Z.628, Act III: Borée
1377. King Arthur, Z.628, Act III: Third Act Tune - Hornpipe
1378. King Arthur, Z.628, Act IV: Aire
1379. King Arthur, Z.628, Act IV: Soft Musick
1380. King Arthur, Z.628, Act IV: "In Vain Are Our Graces"
1381. King Arthur, Z.628, Act V: Song Tune - "Round Thy Coasts"
1382. King Arthur, Z.628, Act V: Song Tune - "Your Hay It Is Mow'd"
1383. King Arthur, Z.628, Act V: "Saint George, the Patron of Our Isle"
1384. The Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred
1385. Ode for Queen Mary's Birthday, Z. 320: No. 2, Arise, My Muse
1386. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Trio and Chorus "To Mars let 'em raise"
1387. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Ritornello (2)
1388. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Aria and Chorus "Since the toils and hazards of war"
1389. Not All My Torments Can Your Pity Move, Z. 400
1390. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude – A Symphony of flutes in the air
1391. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Aria and Ritornello "With dances and songs"
1392. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Second act tune
1393. The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Quartet and Chorus "Let the priests with processions"
1394. King Arthur, Z. 628: Act V
1395. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition)
1396. Song, Z 402: "O! fair Cedaria, hide those eyes"
1397. Hymn, Z 187: "Hosanna to the highest"
1398. King Arthur, Z. 628: Act IV
1399. The Fairy Queen, Z. 629 (Suckling/McCreesh Edition): Prelude
1400. King Arthur, Z. 628: Act III
1401. King Arthur, Z. 628: Act I
1402. Bright Cecilia: Variations on a Theme by Purcell: Tema
1403. King Arthur, Z. 628: Act II
1404. Our Love Goes Out to English Skies
1405. How pleasant is this flowery plain and grove! Z. 543
1406. We reap all the pleasures Z. 547
1407. Hark, Damon, hark Z. 541
1408. Hark how the wild musicians sing, Z. 542
1409. See where she sits, Z. 508
1410. Oh! what a scene does entertain my sight, Z. 506
1411. Thy righteousness, O God, is very high, Z. 59
1412. Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
1413. Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Sweetness of nature / Long may she reign
1414. Dido and Aeneas, Z. 626: Prologue
1415. Sir Anthony Love "The Rambling Lady", Z. 588: Pursuing Beauty
1416. Theodosius "The Force of Love", Z. 606: Ah, Cruel, Bloody Fate
1417. O dive custos Auriacae domus, Z. 504
1418. King Arthur, Z. 628: Act V. "Fairest isle"
1419. The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Prelude for Hautboys – Aria "What shall I do?"
1420. The Indian Queen, Z. 630: Act III: 18. 3rd Act Tune (Rondeau)
1421. Since God so tender a regard, Z. 143
1422. An Evening Hymn: The Night Is Come
1423. Suite
1424. Dido and Aeneas, Z. 626: Act I. Guitar Dance
1425. Title Music from A Clockwork Orange
1426. Sonata a 2
1427. The Embrace
1428. Dido and Aeneas, Z. 626: Act I. Dance
1429. Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance
1430. Dido and Aeneas, Z. 626: Act III. Cupids’ Dance
1431. The Old Bachelor, Z. 607: I. Overture
1432. The Old Bachelor, Z. 607: II. Hornpipe
1433. The Old Bachelor, Z. 607: III. Slow Air
1434. The Old Bachelor, Z. 607: IV. Hornpipe
1435. The Old Bachelor, Z. 607: V. Rondeau
1436. The Old Bachelor, Z. 607: VI. Minuet
1437. The Old Bachelor, Z. 607: VII. Bourree
1438. The Old Bachelor, Z. 607: VIII. March
1439. The Old Bachelor, Z. 607: IX. Jig
1440. Harpsichord Suite no. 5 in C major, Z. 666: V. Jigg
1441. Voluntary for Organ in G major, Z. 720
1442. Voluntary for double organ in D minor, Z. 719
1443. The Cold Song
1444. Intro (Funeral March for Queen Mary)
1445. Rondo
1446. Suite in C major
1447. Dance for the Haymakers
1448. Remember not, Lord, our offences, Z. 50
1449. The Prophetess, or The History of Dioclesian, Z. 627: Act 5
1450. Rejoice in the Lord Always, Z. 49
1451. Lord, how long wilt thou be angry, Z. 25
1452. Air on a ground bass
1453. Bonduca, Z. 574: No. 11, Sing, Sing, Ye Druids
1454. Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus)
1455. Prelude in G minor, ZN 773
1456. The Libertine Destroyed, Z. 600: No. 1. "Nymphs and shepherds / We come"
1457. The Prophetess, or The History of Dioclesian, Z. 627: Act 3. The Chair Dance
1458. The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Third act tune
1459. The Married Beau, Z. 603, "The Curious Impertinent": IX. Hornpipe on a Ground
1460. Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau

Lyrics

1. Lobet, preiset
2. Behold, I bring you glad tidings, Z. 2