Grey Larsen

Comprised of:

1. Grey Larsen Male Person, Born: 1955 in New York

Recordings (254)

1. The Walls of Liscarroll / Maguire's Kick / The Lark on the Strand 4:53 (20 Aug 2002)
2. Figure 1-1: The Seven So Called Church Modes (Concertina) 0:50 (2002)
3. Figure 1-2: Comparison Between the Ionian and Mixolydian Modes and Theaeolian and Dorian Modes (Fl) 0:35 (2002)
4. Figure 1-4: Examples of the Two Pentatonic Modes Found in Irish Music (Flute) 0:17 (2002)
5. Figure 1-5: The First Part of 'Turtle's Reel' In D Dorian (Concertina) 0:21 (2002)
6. Figure 1-6: The First Part of 'Turtle's Reel' Transposed Up to E Dorian (Whistle in C) 0:20 (2002)
7. Figure 1-7: An Example of the Use of Slur Notation (Whistle) 0:09 (2002)
8. Figure 1-10: The Opening Bars of the March 'Lord Mayo' (Whistle) 0:12 (2002)
9. Exercise 7-1: Practicing Cuts on Repeated D's (Whistle) 0:17 (2002)
10. Exercise 7-7: F-Sharp to a Cut G (Flute) 0:30 (2002)
11. Figure 7-15: A Version of 'The Lonesome Jig', Which Makes Use of Cuts Only on Repeated Notes and St 1:42 (2002)
12. Exercise 7-12: D to a Cut F-Sharp (Whistle) 0:19 (2002)
13. Exercise 7-13: D to a Cut G (Whistle) 0:19 (2002)
14. Exercise 7-14: D to a Cut A (Whistle) 0:19 (2002)
15. Exercise 7-15: D to a Cut B (Whistle) 0:19 (2002)
16. Exercise 7-22: G Down to a Cut F-Sharp (Flute) 0:28 (2002)
17. Exercise 7-27: F-Sharp Down to a Cut D (Flute) 0:19 (2002)
18. Figure 7-16: A Version of the Slip Jog 'the Boys of Ballisodare' Thatmakes Use of Examples of Ever 2:17 (2002)
19. Figure 7-17: The First Two Bars of the Slip Jig 'Hardiman the Fiddler' With a Cut Placed at the Ons 0:10 (2002)
20. Figure 7-19: The First Two Parts of the Slip Jig 'Hardiman the Fiddler' With a Cut Placed at the Mi 0:10 (2002)
21. Exercise 8-1: Practicing Repeated Strikes on G (Flute) 0:25 (2002)
22. Exercise 8-8: Practicing Strikes on F-Sharp When Descending From G (Flute) 0:24 (2002)
23. Figure 8-15: A Version of the Hornpipe 'Bantry Bay' Using Cuts and Strikes Only on Repeated Notes A 1:10 (2002)
24. Exercise 18-13: Practising Strikes on E When Descending From G (Whistle) 0:24 (2002)
25. Figure 8-16: A Version of the Hornpipe 'Bantry Bay' Using Cuts and a Variety of Strikes (Whistle) 1:23 (2002)
26. Figure 9-1: Sliding Up From E to F-Sharp (Flute) 0:08 (2002)
27. Figure 9-6: The Opening Bars From 'The Blarney Pilgrim' With a Simpleslides From B Up to C-Natural 0:12 (2002)
28. Figure 9-8: An Excerpt From a Variation on the Beginning of the Jig 'The Cliffs of Moher' (Flute) 0:12 (2002)
29. Figure 9-9a: The Opening Bars of 'The Star Above the Garter' With an Added-Finger Slide Up to G Fol 0:11 (2002)
30. Figure 9-9b: Played Again, This Time Using a Struck Slide as Described in the Text (Whistle) 0:11 (2002)
31. Figure 9-10: The Opening Bars of 'Willie Coleman's Jig' (Flute) 0:09 (2002)
32. Exercise 10-1: Practicing Long Rolls on G (Flute) 0:24 (2002)
33. Figure 10-5: The Jig 'The Sporting Pitchfork' With Long Rolls on G, F-Sharp and E (Whistle) 0:54 (2002)
34. Figure 10-6: The Jig 'The Sporting Pitchfork' With Long Rolls on B, a, G, F-Sharp and E (Whistle) 0:52 (2002)
35. Figure 10-16: The First Two Bars of the Reel 'The Banshee' With Long Rolls on G (Flute) 0:09 (2002)
36. Figure 10-18: The First Two Bars of 'Whelan's Jig' With Long Roll on E (Flute) 0:08 (2002)
37. Figure 10-20: The First Two Bars of the Reel 'The Drunken Landlady' With Long Rolls on E, Which Beg 0:09 (2002)
38. Figure 10-22: The First Two Bars of the Reel 'The Gravel Walk' With Along a Roll Beginning on The 0:08 (2002)
39. Figure 10-24: The First Two Bars of a Variation on 'The Monaghan Jig'With a Long Roll on E Beginni 0:08 (2002)
40. Figure 10-26: The First Four Bars of the B Part of 'the Rose in the Heather', Which Includes a Long 0:11 (2002)
41. Figure 10-30: Sliding Into Long Rolls on the Start of the Reel 'Roaring Mary' (Whistle) 0:08 (2002)
42. Exercise 11-1: Practicing Short Rolls on G (Whistle) 0:14 (2002)
43. Figure 11-6: A Setting of 'The Sporting Pitchfork' Using Short Rolls on G, F-Sharp and E (Flute) 0:45 (2002)
44. Figure 11-7: A Setting of 'The Sporting Pitchfork' Using Short Rolls on B, a, G, F-Sharp and E (Flu) 0:50 (2002)
45. Figure 11-18: A Variant on the Start of 'Lad O'Beirne's Reel' Demonstrating an Awkward-Sounding Sho 0:09 (2002)
46. Figure 11-19: A More Musical Variant on the Start of 'Lad O'Beirne's Reel' (Whistle) 0:09 (2002)
47. Figure 11-10: A Short Roll in the Second Bar of 'The Lonesome Jig' (Flute) 0:09 (2002)
48. Figure 11-11: A Short Roll in the Second Bar of 'The Lonesome Jig' (Flute) 0:08 (2002)
49. Figure 11-12: Short Rolls in the Opening Bar of the Jig 'Tripping Up the Stairs' (Flute) 0:17 (2002)
50. Figure 11-14: A Variant on the Opening Bars of the Jig 'The Frost Is All Over' (Flute) 0:11 (2002)