Mercury Living Presence: The Collector's Edition, Vol. 2
Various Artists
Release: 08 Apr 2013 Europe,
Language: English,
Status: Official
Format: CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD,
Tracks: 841,
Length: 14:17:08,
Barcode: 028947850922
Release type: Album - Compilation
Contents
CD #1
|
|
|
1
|
Five Pieces for Orchestra, op. 16 (1949 Revision): I. Vorgefühle (Premonitions)
|
|
2:02
|
2
|
Five Pieces for Orchestra, op. 16 (1949 Revision): II. Vergangenes (Yesteryears)
|
|
5:43
|
3
|
Five Pieces for Orchestra, op. 16 (1949 Revision): III. Sommermorgen an einem See (Summer Morning by a Lake)
|
|
3:39
|
4
|
Five Pieces for Orchestra, op. 16 (1949 Revision): IV. Peripetie (Peripetia)
|
|
2:34
|
5
|
Five Pieces for Orchestra, op. 16 (1949 Revision): V. Das obligate Rezitativ (The Obligatory Recitative)
|
|
3:27
|
6
|
Five Pieces for Orchestra, op. 10: I. Sehr ruhig und zart - II. Lebhaft und zart bewegt - III. Sehr langsam und äußerst ruhig - IV. Fliessend äusserst zart - V. Sehr fliessend
|
|
4:16
|
7
|
Three Pieces for Orchestra, op. 6: I. Praeludium (Prelude)
|
|
4:23
|
8
|
Three Pieces for Orchestra, op. 6: II. Reigen (Round Dance)
|
|
5:03
|
9
|
Three Pieces for Orchestra, op. 6: III. Marsch (March)
|
|
8:53
|
10
|
"Lulu" Suite: I. Rondo
|
|
16:22
|
11
|
"Lulu" Suite: II. Ostinato
|
|
3:43
|
12
|
"Lulu" Suite: III. Lulu's Song
|
|
2:14
|
13
|
"Lulu" Suite: IV. Variations
|
|
4:36
|
14
|
"Lulu" Suite: V. Adagio
|
|
8:59
|
CD #2
|
|
|
1
|
The Birds: I. Prelude
|
|
3:04
|
2
|
The Birds: II. The Dove
|
|
4:22
|
3
|
The Birds: III. The Hen
|
|
3:02
|
4
|
The Birds: IV. The Nightingale
|
|
4:24
|
5
|
The Birds: V. The Cuckoo
|
|
4:15
|
6
|
Brazilian Impressions: I. Tropical Night
|
|
9:48
|
7
|
Brazilian Impressions: II. Butantan
|
|
4:47
|
8
|
Brazilian Impressions: III. Song and Dance
|
|
4:34
|
9
|
The Fountains of Rome: I. The Fountain of Valle Giulia
|
|
4:10
|
10
|
The Fountains of Rome: II. The Triton Fountain
|
|
2:12
|
11
|
The Fountains of Rome: III. The Fountain of Trevi
|
|
3:40
|
12
|
The Fountains of Rome: IV. The Villa Medici Fountain
|
|
5:28
|
13
|
The Pines of Rome: I. The Pines of Villa Borghese
|
|
2:43
|
14
|
The Pines of Rome: II. The Pines near a Catacomb
|
|
5:34
|
15
|
The Pines of Rome: III. The Pines of the Janiculum
|
|
5:37
|
16
|
The Pines of Rome: IV. The Pines of the Appian Way
|
|
5:25
|
CD #3
|
|
|
1
|
Concerto For Orchestra: I. Introduzione (Andante non troppo - Allegro vivace)
|
|
9:37
|
2
|
Concerto For Orchestra: II. Giuoco della coppie (Allegretto scherzando)
|
|
6:18
|
3
|
Concerto For Orchestra: III. Elegia (Andante, non troppo)
|
|
7:15
|
4
|
Concerto For Orchestra: IV. Intermezzo interrotto (Allegretto)
|
|
4:26
|
5
|
Concerto For Orchestra: V. Finale (Presto)
|
|
9:40
|
6
|
Dance Suite: I. Moderato
|
|
3:32
|
7
|
Dance Suite: II. Allegro molto
|
|
2:17
|
8
|
Dance Suite: III. Allegro vivace
|
|
2:49
|
9
|
Dance Suite: IV. Molto tranquillo
|
|
3:10
|
10
|
Dance Suite: V. Comodo - VI. Finale (Allegro)
|
|
5:01
|
11
|
Two Portraits, op. 5: I. "Ideal"
|
|
10:17
|
12
|
Two Portraits, op. 5: II. "Distorted"
|
|
2:54
|
13
|
Mikrokosmos: I. Bourrée (No. 117, Book IV)
|
|
1:56
|
14
|
Mikrokosmos: II. From the Diary of a Fly (No. 142, Book VI)
|
|
2:22
|
CD #4
|
|
|
1
|
Antiche danze ed arie, Suite no. 1 for orchestra: I. Balletto detto « Il Conte Orlando »
|
|
3:10
|
2
|
Antiche danze ed arie, Suite no. 1 for orchestra: II. Gagliarda
|
|
3:54
|
3
|
Antiche danze ed arie, Suite no. 1 for orchestra: III. Villanella
|
|
5:14
|
4
|
Antiche danze ed arie, Suite no. 1 for orchestra: IV. Finale: Passo mezzo e Mascherada
|
|
4:15
|
5
|
Antiche danze ed arie, Suite no. 2 for orchestra: I. « Laura soave » - Balletto con gagliarda, saltarello e canario
|
|
4:07
|
6
|
Antiche danze ed arie, Suite no. 2 for orchestra: II. Danza rustica
|
|
4:13
|
7
|
Antiche danze ed arie, Suite no. 2 for orchestra: III. « Campanae parisienses » - Aria (« sopra Les cloches de Paris »)
|
|
5:11
|
8
|
Antiche danze ed arie, Suite no. 2 for orchestra: IV. Bergamasca
|
|
5:44
|
9
|
Antiche danze ed arie, Suite no. 3 for strings: I. Italiana
|
|
3:43
|
10
|
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (a) « C'est malheur que de vous aymer » - Andante cantabile
|
|
1:58
|
11
|
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (b) « Adieu bergere pour iamais » - Allegretto
|
|
0:27
|
12
|
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (c) « Beaux yeux qui me voyes clairement » - Vivace
|
|
0:45
|
13
|
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (d) « La voila la nacelle d'amour ou ma maitresse arrive » - Lento con grande espressione
|
|
1:28
|
14
|
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (e) « Quelle divinité s'imprime dans mon ame » - Allegro vivace
|
|
0:15
|
15
|
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (f) « Si c'est pour mon pucellage que vous me faites l'amour » - Vivacissimo
|
|
0:42
|
16
|
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (g) Andante cantabile
|
|
2:14
|
17
|
Antiche danze ed arie, Suite no. 3 for strings: III. Siciliana
|
|
3:05
|
18
|
Antiche danze ed arie, Suite no. 3 for strings: IV. Passacaglia
|
|
4:09
|
CD #5
|
|
|
1
|
Symphony no. 7 in D minor, op. 70: I. Allegro maestoso
|
|
12:06
|
2
|
Symphony no. 7 in D minor, op. 70: II. Poco adagio
|
|
8:20
|
3
|
Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno mosso
|
|
7:55
|
4
|
Symphony no. 7 in D minor, op. 70: IV. Allegro
|
|
9:04
|
5
|
Symphony no. 8 in G major, op. 88: I. Allegro con brio
|
|
9:30
|
6
|
Symphony no. 8 in G major, op. 88: II. Adagio
|
|
10:27
|
7
|
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso
|
|
5:26
|
8
|
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
|
|
9:05
|
CD #6
|
|
|
1
|
An American in Paris
|
|
16:18
|
2
|
Rodeo, Four Dance Episodes: I. Buckaroo Holiday
|
|
8:03
|
3
|
Rodeo, Four Dance Episodes: II. Corral Nocturne
|
|
3:26
|
4
|
Rodeo, Four Dance Episodes: III. Saturday Night Waltz
|
|
4:05
|
5
|
Rodeo, Four Dance Episodes: IV. Hoe-Down
|
|
3:33
|
6
|
Seven Studies on Themes of Paul Klee: I. Antique Harmonies
|
|
2:23
|
7
|
Seven Studies on Themes of Paul Klee: II. Abstract Trio
|
|
1:47
|
8
|
Seven Studies on Themes of Paul Klee: III. Little Blue Devil
|
|
3:22
|
9
|
Seven Studies on Themes of Paul Klee: IV. The Twittering-machine
|
|
2:05
|
10
|
Seven Studies on Themes of Paul Klee: V. Arab Village
|
|
6:29
|
11
|
Seven Studies on Themes of Paul Klee: VI. An Eerie Moment
|
|
2:06
|
12
|
Seven Studies on Themes of Paul Klee: VII. Pastorale
|
|
3:02
|
13
|
Sinfonia Breve: I. Moderato
|
|
5:20
|
14
|
Sinfonia Breve: II. Andante
|
|
4:55
|
15
|
Sinfonia Breve: III. Allegro molto
|
|
4:04
|
16
|
Sinfonia Breve: IV. Allegro deciso
|
|
4:31
|
CD #7
|
|
|
1
|
Parade
|
|
14:37
|
2
|
Le Bœuf sur le toit
|
|
18:45
|
3
|
Ouverture
|
|
8:01
|
4
|
Concerinoto for Piano and Orchestra: I. Presto leggiero
|
|
1:56
|
5
|
Concerinoto for Piano and Orchestra: II. Lent
|
|
1:44
|
6
|
Concerinoto for Piano and Orchestra: III. Allgretto: Rondeau
|
|
4:25
|
7
|
Contrasts for Orchestra: I. Allegro con forza
|
|
4:07
|
8
|
Contrasts for Orchestra: II. Adagio
|
|
5:27
|
9
|
Contrasts for Orchestra: III. Scherzo: Allegro ma non troppo
|
|
4:00
|
10
|
Contrasts for Orchestra: IV. Allegro marciale - Presto
|
|
4:59
|
CD #8
|
|
|
1
|
Symphony no. 6 in B minor, op. 74 ("Pathétique"): I. Adagio - Allegro non troppo
|
|
18:57
|
2
|
Symphony no. 6 in B minor, op. 74 ("Pathétique"): II. Allegro con grazia
|
|
7:00
|
3
|
Symphony no. 6 in B minor, op. 74 ("Pathétique"): III. Allegro molto vivace
|
|
8:59
|
4
|
Symphony no. 6 in B minor, op. 74 ("Pathétique"): IV. Finale. Adagio lamentoso
|
|
9:51
|
5
|
Romeo and Juliet, Overture-Fantasy
|
|
18:45
|
CD #9
|
|
|
1
|
The Wooden Prince: Introduction. Molro moderato
|
|
4:43
|
2
|
The Wooden Prince: First Dance: Dance of the Princess in the Forest. Molto moderato
|
|
4:16
|
3
|
The Wooden Prince: Second Dance: Dance of the Trees. Assai moderato
|
|
4:45
|
4
|
The Wooden Prince: Third Dance: Dance of the Waves. Andante
|
|
10:32
|
5
|
The Wooden Prince: Fourth Dance: Dance of the Princess with the Wooden Doll. Allegro.
|
|
12:51
|
6
|
The Wooden Prince: Fifth Dance: The Princess pulls and tugs at the Wooden Prince and tries to make him dance. Meno mosso (subito)
|
|
1:33
|
7
|
The Wooden Prince: Sixth Dance: She tries to attract the real Prince with her seductive dancing.
|
|
1:41
|
8
|
The Wooden Prince: Seventh Dance: Dismayed, the Princess attempts to hurry after the Prince, but the Forest bars her way. Moderato
|
|
6:56
|
9
|
Music for Strings, Percussion and Celesta: I. Andante tranquillo
|
|
8:08
|
10
|
Music for Strings, Percussion and Celesta: II. Allegro
|
|
7:16
|
11
|
Music for Strings, Percussion and Celesta: III. Adagio
|
|
7:15
|
12
|
Music for Strings, Percussion and Celesta: IV. Allegro molto
|
|
7:57
|
CD #10
|
|
|
1
|
The Miraculous Mandarin, op. 19: Allegro (Introduction): a bustling city street
|
|
1:34
|
2
|
The Miraculous Mandarin, op. 19: The curtain rises on a shabby room in the slums, where three penniless tramps force a girl to lure in perspective victims from the street
|
|
1:51
|
3
|
The Miraculous Mandarin, op. 19: First decoy game
|
|
1:11
|
4
|
The Miraculous Mandarin, op. 19: The shabby old rake enters and makes comic gestures of love to the girl until the tramps throw him out
|
|
2:03
|
5
|
The Miraculous Mandarin, op. 19: Second decoy game
|
|
1:13
|
6
|
The Miraculous Mandarin, op. 19: The shy young man appears in the door, and the girl dances - at first hestitantly, then faster and makes comic gestures of love to the girl until the tramps throw him out
|
|
1:32
|
7
|
The Miraculous Mandarin, op. 19: Third decoy game
|
|
1:02
|
8
|
The Miraculous Mandarin, op. 19: Horrified, they see a weird figure in the street, and the tramps hide as they hear him coming up the stairs
|
|
0:29
|
9
|
The Miraculous Mandarin, op. 19: The Mandarin enters and stands immobile in the doorway; the girl, terrified, flees to the other end of the room
|
|
0:42
|
10
|
The Miraculous Mandarin, op. 19: General consternation. The girl overcomes her repugnance and entices slowly the Mandarin to come closer and finally to sit in the chair
|
|
1:33
|
11
|
The Miraculous Mandarin, op. 19: At last she overcomes her reluctance and begins a hesitant dance, which gradually enlivens to a pitch of erotic frenzy, as the Mandarin stares at her impassively
|
|
3:42
|
12
|
The Miraculous Mandarin, op. 19: The girl sinks down to embrace him; he begins to tremble in feverish excitement
|
|
0:26
|
13
|
The Miraculous Mandarin, op. 19: She flees from him, and he chases her more and more wildly
|
|
1:41
|
14
|
The Miraculous Mandarin, op. 19: The Mandarin catches the girl, and they fight
|
|
0:14
|
15
|
The Miraculous Mandarin, op. 19: The tramps leap out, tear the Mandarin away from the girl, and seize his jewellery and money
|
|
0:15
|
16
|
The Miraculous Mandarin, op. 19: "We must kill him, stifle him under the pillows on the bed," the tramps decide
|
|
1:27
|
17
|
The Miraculous Mandarin, op. 19: They think he is dead, but suddenly the Mandarin's head appears between the pillows and he looks longingly at the girl; the four shudder and stand aghast
|
|
1:03
|
18
|
The Miraculous Mandarin, op. 19: At last the three tramps master their horror. They drag the Mandarin out and grip him firmly while one stabs him three times with a rusty sword
|
|
1:19
|
19
|
The Miraculous Mandarin, op. 19: Suddenly he draws himself up and leaps at the girl. The tramps stop him and hold him fast again. While they hold him, the Mandarin looks longingly at the girl
|
|
0:43
|
20
|
The Miraculous Mandarin, op. 19: They drag the resisting Mandarin to the centre of the room and hang him on the lamp hook
|
|
1:03
|
21
|
The Miraculous Mandarin, op. 19: The body of the Mandarin begins to glow with a greenish blue light. His eyes remain fixed on the girl
|
|
1:44
|
22
|
The Miraculous Mandarin, op. 19: At her insistence, the tramps take him down. The Mandarin falls on the floor and at once leaps at the girl. She resists no longer, and they embrace
|
|
1:05
|
23
|
The Miraculous Mandarin, op. 19: The Mandarin's longing is now stilled, his wounds begin to bleed, and he dies after a short struggle
|
|
0:59
|
24
|
Divertimento: I. Allegro non troppo
|
|
8:51
|
25
|
Divertimento: II. Molto adagio
|
|
8:26
|
26
|
Divertimento: III. Allegro assai
|
|
7:19
|
27
|
Sonata for Two Pianos and Two Percussion: I. Assai lento
|
|
12:17
|
28
|
Sonata for Two Pianos and Two Percussion: II. Lento, ma non troppo
|
|
5:30
|
29
|
Sonata for Two Pianos and Two Percussion: III. Allegro non troppo
|
|
6:26
|
CD #11
|
|
|
1
|
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
|
|
17:25
|
2
|
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone
|
|
9:14
|
3
|
Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato. Allegro
|
|
5:26
|
4
|
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
|
|
8:36
|
5
|
Francesca da Rimini, symphonic fantasy, op. 32
|
|
22:58
|
6
|
Prince Igor, Overture
|
|
11:20
|
CD #12
|
|
|
1
|
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
|
|
7:44
|
2
|
Symphony no. 5 in C minor, op. 67: II. Andante con moto
|
|
8:05
|
3
|
Symphony no. 5 in C minor, op. 67: III. Allegro
|
|
4:54
|
4
|
Symphony no. 5 in C minor, op. 67: IV. Allegro
|
|
8:34
|
5
|
Symphony no. 6 in F major, op. 68 ("Pastoral"): I. Allegro ma non troppo
|
|
11:30
|
6
|
Symphony no. 6 in F major, op. 68 ("Pastoral"): II. Andante molto mosso
|
|
11:32
|
7
|
Symphony no. 6 in F major, op. 68 ("Pastoral"): III. Allegro
|
|
4:59
|
8
|
Symphony no. 6 in F major, op. 68 ("Pastoral"): IV. Allegro
|
|
3:42
|
9
|
Symphony no. 6 in F major, op. 68 ("Pastoral"): V. Allegretto
|
|
9:39
|
10
|
The Creatures of Prometheus Overture, op. 43
|
|
4:51
|
CD #13
|
|
|
1
|
Iberia, Suite: I. Evocación
|
|
3:58
|
2
|
Iberia, Suite: II. El Corpus en Sevilla
|
|
7:11
|
3
|
Iberia, Suite: III. Triana
|
|
4:05
|
4
|
Iberia, Suite: IV. El Puerto
|
|
4:12
|
5
|
Iberia, Suite: V. El Albaicin
|
|
6:43
|
6
|
Interlude and Dance no. 1, from La Vida Breve
|
|
6:50
|
7
|
Two Excerpts from "Khovanshchina": Prelude
|
|
4:50
|
8
|
Two Excerpts from "Khovanshchina": Dance of the Persian Slaves
|
|
6:36
|
9
|
Excerpt from "The Bartered Bride": Overture
|
|
6:55
|
10
|
Excerpt from "The Bartered Bride": Polka
|
|
5:06
|
11
|
Excerpt from "The Bartered Bride": Furiant
|
|
1:58
|
12
|
Excerpt from "The Bartered Bride": Dance of the Comedians
|
|
4:41
|
CD #14
|
|
|
1
|
Symphonic Metamorphoses on Themes by Carl Maria von Weber: I. Allegro
|
|
4:22
|
2
|
Symphonic Metamorphoses on Themes by Carl Maria von Weber: II. Turandot, Scherzo
|
|
7:41
|
3
|
Symphonic Metamorphoses on Themes by Carl Maria von Weber: III. Andantino
|
|
3:41
|
4
|
Symphonic Metamorphoses on Themes by Carl Maria von Weber: IV. Marsch
|
|
4:40
|
5
|
Five Pieces for Orchestra, op. 16: I. Vorgefühle
|
|
2:03
|
6
|
Five Pieces for Orchestra, op. 16: II. Vergangenes
|
|
4:38
|
7
|
Five Pieces for Orchestra, op. 16: III. Sommermorgen an einem See
|
|
3:53
|
8
|
Five Pieces for Orchestra, op. 16: IV. Peripetie
|
|
2:16
|
9
|
Five Pieces for Orchestra, op. 16: V. Das obligate Recetativ
|
|
3:47
|
10
|
Variations on a Hungarian Folksong, "The Peacock"
|
|
24:46
|
11
|
Suite from "The Miraculous Mandarin"
|
|
18:06
|
CD #15
|
|
|
1
|
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
|
|
15:04
|
2
|
Symphony no. 7 in A major, op. 92: II. Allegretto
|
|
8:29
|
3
|
Symphony no. 7 in A major, op. 92: III. Presto. Assai meno presto
|
|
8:01
|
4
|
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
|
|
9:04
|
5
|
Leonore Overture no. 3, op. 72b
|
|
13:56
|
6
|
Egmont Overture, op. 84
|
|
8:15
|
7
|
The Consecration of the House, Overture for Orchestra, op. 124
|
|
10:31
|
CD #16
|
|
|
1
|
Swan Lake, op. 20: Overture
|
|
2:56
|
2
|
Swan Lake, op. 20: Act I, no. 1. Scene
|
|
2:52
|
3
|
Swan Lake, op. 20: Act I, no. 2. Waltz
|
|
5:19
|
4
|
Swan Lake, op. 20: Act I, no. 3. Scene
|
|
3:49
|
5
|
Swan Lake, op. 20: Act I, no. 4. Pas de trois: I. Intrada
|
|
2:23
|
6
|
Swan Lake, op. 20: Act I, no. 4. Pas de trois: II. Andante sostenuto
|
|
2:43
|
7
|
Swan Lake, op. 20: Act I, no. 4. Pas de trois: III. Allegro simplice
|
|
1:16
|
8
|
Swan Lake, op. 20: Act I, no. 4. Pas de trois: IV. Moderato
|
|
1:16
|
9
|
Swan Lake, op. 20: Act I, no. 4. Pas de trois: V. Allegro
|
|
0:56
|
10
|
Swan Lake, op. 20: Act I, no. 4. Pas de trois: VI. Coda
|
|
1:38
|
11
|
Swan Lake, op. 20: Act I, no. 5. Pas de deux: I. Tempo di valse
|
|
1:36
|
12
|
Swan Lake, op. 20: Act I, no. 5. Pas de deux: II. Andante
|
|
3:59
|
13
|
Swan Lake, op. 20: Act I, no. 5. Pas de deux: III. Tempo di valse
|
|
1:34
|
14
|
Swan Lake, op. 20: Act I, no. 5. Pas de deux: IV. Coda
|
|
1:54
|
15
|
Swan Lake, op. 20: Act I, no. 6. Pas d'action
|
|
2:07
|
16
|
Swan Lake, op. 20: Act I, no. 7. Sujet
|
|
0:31
|
17
|
Swan Lake, op. 20: Act I, no. 8. Dance with Wine Glasses
|
|
4:42
|
18
|
Swan Lake, op. 20: Act I, no. 9. Finale
|
|
2:38
|
19
|
Swan Lake, op. 20: Act II, no. 10. Scene
|
|
2:27
|
20
|
Swan Lake, op. 20: Act II, no. 11. Scene
|
|
4:48
|
21
|
Swan Lake, op. 20: Act II, no. 12. Scene
|
|
3:12
|
22
|
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: I. Dances of the Swans
|
|
2:34
|
23
|
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: II. Moderato assai
|
|
1:33
|
24
|
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: III. Dances of the Swans
|
|
1:55
|
25
|
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: IV. Allegro moderato
|
|
1:22
|
26
|
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: V. Pas d'action (Odette and the Prince)
|
|
6:31
|
27
|
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: VI. General Dance
|
|
1:51
|
28
|
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: VII. Coda
|
|
1:13
|
29
|
Swan Lake, op. 20: Act II, no. 14. Scene
|
|
2:39
|
CD #17
|
|
|
1
|
Swan Lake, op. 20: Act III, no. 15. Introduction
|
|
2:34
|
2
|
Swan Lake, op. 20: Act III, no. 16. Danses of the Corps de Ballet and Dwarfs
|
|
1:57
|
3
|
Swan Lake, op. 20: Act III, no. 17. Scene: Fanfares and Waltz
|
|
6:05
|
4
|
Swan Lake, op. 20: Act III, no. 18. Scene
|
|
1:34
|
5
|
Swan Lake, op. 20: Act III, no. 19. Pas de six: I. Intrada
|
|
1:48
|
6
|
Swan Lake, op. 20: Act III, no. 19. Pas de six: II. Variation I
|
|
1:04
|
7
|
Swan Lake, op. 20: Act III, no. 19. Pas de six: III. Variation II
|
|
2:18
|
8
|
Swan Lake, op. 20: Act III, no. 19. Pas de six: IV. Variation III
|
|
0:45
|
9
|
Swan Lake, op. 20: Act III, no. 19. Pas de six: V. Variation IV
|
|
0:57
|
10
|
Swan Lake, op. 20: Act III, no. 19. Pas de six: VI. Variation V
|
|
1:17
|
11
|
Swan Lake, op. 20: Act III, no. 19. Pas de six: VII. Coda
|
|
1:46
|
12
|
Swan Lake, op. 20: Act III, no. 20. Hungarian Dance (Czárdás)
|
|
2:37
|
13
|
Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Bolero)
|
|
2:48
|
14
|
Swan Lake, op. 20: Act III, no. 22. Neapolian Dance
|
|
1:50
|
15
|
Swan Lake, op. 20: Act III, no. 22a. Russian Dance
|
|
4:23
|
16
|
Swan Lake, op. 20: Act III, no. 23. Mazurka
|
|
3:22
|
17
|
Swan Lake, op. 20: Act III, no. 24. Scene
|
|
3:17
|
18
|
Swan Lake, op. 20: Act IV, no. 25. Entr'acte
|
|
1:54
|
19
|
Swan Lake, op. 20: Act IV, no. 26. Scene
|
|
1:50
|
20
|
Swan Lake, op. 20: Act IV, no. 27. Dances of the Little Swans
|
|
5:12
|
21
|
Swan Lake, op. 20: Act IV, no. 28. Scene
|
|
2:58
|
22
|
Swan Lake, op. 20: Act IV, no. 29. Final scene
|
|
6:27
|
CD #18
|
|
|
1
|
Sylvia: Prélude
|
|
4:47
|
2
|
Sylvia: Act I, no. 1. Faunes et dryades (Scherzo)
|
|
6:46
|
3
|
Sylvia: Act I, no. 2. Le berger (Pastorale)
|
|
3:25
|
4
|
Sylvia: Act I, no. 3. Les chasseresses (Fanfare)
|
|
2:55
|
5
|
Sylvia: Act I, no. 4a. Intermezzo
|
|
1:19
|
6
|
Sylvia: Act I, no. 4b. Valse lente
|
|
4:18
|
7
|
Sylvia: Act I, no. 5. Scène
|
|
4:27
|
8
|
Sylvia: Act I, no. 6. Cortège rustique
|
|
3:01
|
9
|
Sylvia: Act I, no. 7. Scène
|
|
4:22
|
10
|
Sylvia: Act I, no. 8a. Entrée du sorcier
|
|
3:29
|
11
|
Sylvia: Act I, no. 8b. Final
|
|
1:23
|
12
|
Sylvia: Entr'acte
|
|
2:42
|
13
|
Sylvia: Act II, no. 9. La grotte d'Orion (Scène)
|
|
5:37
|
14
|
Sylvia: Act II, no. 10. Pas des Ethiopiens
|
|
1:53
|
15
|
Sylvia: Act II, no. 11. Chant bachique
|
|
3:02
|
16
|
Sylvia: Act II, no. 12a. Scène et danse de la Bacchante
|
|
2:51
|
17
|
Sylvia: Act II, no. 12b. Rentrée de Sylvia
|
|
1:28
|
18
|
Sylvia: Act II, no. 13. Scène finale
|
|
3:54
|
CD #19
|
|
|
1
|
Sylvia: Act III, no. 14a. Marche
|
|
2:01
|
2
|
Sylvia: Act III, no. 14b. Cortège de Bacchus
|
|
4:31
|
3
|
Sylvia: Act III, no. 15a. Scène
|
|
0:56
|
4
|
Sylvia: Act III, no. 15b. Barcarolle
|
|
3:24
|
5
|
Sylvia: Act III, no. 16. Divertissement: (a) Pizzicati
|
|
2:06
|
6
|
Sylvia: Act III, no. 16. Divertissement: (b) Violon solo
|
|
4:15
|
7
|
Sylvia: Act III, no. 16. Divertissement: (c) Strette-Galop
|
|
2:57
|
8
|
Sylvia: Act III, no. 17. Le Temple de Diane (Final)
|
|
3:15
|
9
|
Sylvia: Act III, no. 18. Apparition d'Endymion (Apothéose)
|
|
2:47
|
10
|
Coppélia: Act I. Prélude - Mazurka
|
|
4:19
|
11
|
Coppélia: Act I, no. 1. Valse
|
|
2:05
|
12
|
Coppélia: Act I, no. 2. Scène (Swanilda et Frantz)
|
|
3:30
|
13
|
Coppélia: Act I, no. 3. Mazurka
|
|
3:43
|
14
|
Coppélia: Act I, no. 4. Scène (Préparatifs de fête)
|
|
1:49
|
15
|
Coppélia: Act I, no. 5. Ballade de l'épi
|
|
2:18
|
16
|
Coppélia: Act I, no. 6. Thème slave varié
|
|
6:33
|
17
|
Coppélia: Act I, no. 7a. Czárdás (Danse hongroise)
|
|
3:10
|
18
|
Coppélia: Act I, no. 7b. Sortie
|
|
1:08
|
19
|
Coppélia: Act I, no. 8. Final
|
|
3:49
|
CD #20
|
|
|
1
|
Coppélia: Act II. Entr'acte - Valse
|
|
1:24
|
2
|
Coppélia: Act II, no. 9. Scène (L'atelier de Coppélius)
|
|
2:05
|
3
|
Coppélia: Act II, no. 10. Scène
|
|
2:53
|
4
|
Coppélia: Act II, no. 11a. Musique des automates
|
|
1:56
|
5
|
Coppélia: Act II, no. 11b. Scène
|
|
1:05
|
6
|
Coppélia: Act II, no. 12. Scène
|
|
2:23
|
7
|
Coppélia: Act II, no. 13. Chanson à boire - Scène
|
|
3:24
|
8
|
Coppélia: Act II, no. 14a. Scène
|
|
1:46
|
9
|
Coppélia: Act II, no. 14b. Valse de la poupée
|
|
1:51
|
10
|
Coppélia: Act II, no. 15. Scène
|
|
3:46
|
11
|
Coppélia: Act II, no. 16. Boléro
|
|
1:18
|
12
|
Coppélia: Act II, no. 17. Gigue
|
|
1:21
|
13
|
Coppélia: Act II, no. 18. Scène (Final)
|
|
2:14
|
14
|
Coppélia: Act III, no. 19. Marche de la cloche
|
|
3:21
|
15
|
Coppélia: Act III, no. 20. Fête de la cloche: I. Valse des heures
|
|
3:20
|
16
|
Coppélia: Act III, no. 20. Fête de la cloche: II. L'aurore
|
|
2:30
|
17
|
Coppélia: Act III, no. 20. Fête de la cloche: III. La prière
|
|
2:43
|
18
|
Coppélia: Act III, no. 20. Fête de la cloche: IV. Le travail (La fileuse)
|
|
1:16
|
19
|
Coppélia: Act III, no. 20. Fête de la cloche: V. L'hymen (Noce villageoise)
|
|
1:59
|
20
|
Coppélia: Act III, no. 20. Fête de la cloche: VI. La discorde et la guerre
|
|
3:17
|
21
|
Coppélia: Act III, no. 20. Fête de la cloche: VIIa. La paix
|
|
3:17
|
22
|
Coppélia: Act III, no. 20. Fête de la cloche: VIIb. Danse de fête
|
|
1:16
|
23
|
Coppélia: Act III, no. 20. Fête de la cloche: VIII. Galop final
|
|
2:35
|
CD #21
|
|
|
1
|
Allegro from Symphony no. 6, op. 42
|
|
9:08
|
2
|
Salve Regina
|
|
6:10
|
3
|
Pièce Héroïque
|
|
8:14
|
4
|
Chorale no. 1 in E major
|
|
15:56
|
5
|
Chorale no. 2 in B minor
|
|
13:35
|
6
|
Chorale no. 3 in A minor
|
|
13:25
|
CD #22
|
|
|
1
|
Belle of the Ball
|
|
2:53
|
2
|
Horse and Buggy
|
|
3:37
|
3
|
The Waltzing Cat
|
|
2:26
|
4
|
Blue Tango
|
|
3:35
|
5
|
Summer Skies
|
|
3:02
|
6
|
Song of the Bells
|
|
3:34
|
7
|
The Typewriter
|
|
1:44
|
8
|
The Syncopated Clock
|
|
2:31
|
9
|
The Girl in Satin
|
|
2:43
|
10
|
China Doll
|
|
2:54
|
11
|
Saraband
|
|
3:48
|
12
|
Fiddle-Faddle
|
|
3:49
|
13
|
Sleigh Ride
|
|
2:51
|
14
|
Serenata
|
|
3:47
|
15
|
Promenade
|
|
2:28
|
16
|
Chicken Reel
|
|
2:43
|
17
|
Phantom Regiment
|
|
3:11
|
18
|
Jazz Legato
|
|
1:45
|
19
|
Jazz Pizzicato
|
|
1:56
|
20
|
Plink Plank Plunk
|
|
2:32
|
21
|
The Bluebells of Scotland
|
|
2:01
|
22
|
The First Day of Spring
|
|
2:47
|
23
|
Song of Jupiter
|
|
4:25
|
CD #23
|
|
|
1
|
Lincolnshire Posy: I. Lisbon (Sailor's Song)
|
|
1:25
|
2
|
Lincolnshire Posy: II. Horkstow Grange (The Miser and his Man: a local Tragedy)
|
|
2:46
|
3
|
Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song)
|
|
3:38
|
4
|
Lincolnshire Posy: IV. The brisk young Sailor (returned to wed his True Love)
|
|
1:34
|
5
|
Lincolnshire Posy: V. Lord Melbourne (War Song)
|
|
2:51
|
6
|
Lincolnshire Posy: VI. The Lost Lady found (Dance Song)
|
|
2:20
|
7
|
Hill Song no. 2
|
|
5:51
|
8
|
Symphony for Band (Symphony no. 6): I. Adagio - Allegro
|
|
5:46
|
9
|
Symphony for Band (Symphony no. 6): II. Adagio sostenuto
|
|
4:00
|
10
|
Symphony for Band (Symphony no. 6): III. Allegretto
|
|
3:07
|
11
|
Symphony for Band (Symphony no. 6): IV. Vivace
|
|
4:13
|
12
|
Armenian Dances: I. Allegro moderato
|
|
3:04
|
13
|
Armenian Dances: II. Allegro
|
|
3:01
|
14
|
Concerto for 23 Winds: I. Andante - Allegro non troppo
|
|
5:30
|
15
|
Concerto for 23 Winds: II. Vivace
|
|
2:41
|
16
|
Concerto for 23 Winds: III. Lento
|
|
5:02
|
17
|
Concerto for 23 Winds: IV. Allegro molto
|
|
3:37
|
18
|
Three Japanese Dances: I. Dance with Pennons
|
|
3:00
|
19
|
Three Japanese Dances: II. Mourning Dance
|
|
4:17
|
20
|
Three Japanese Dances: III. Dance with Swords
|
|
3:45
|
CD #24
|
|
|
1
|
West Point Symphony: I. Epitaphs
|
|
12:05
|
2
|
West Point Symphony: II. Marches
|
|
8:26
|
3
|
Symphony no. 3: I. Allegro energico
|
|
7:14
|
4
|
Symphony no. 3: II. Adagio
|
|
7:34
|
5
|
Symphony no. 3: III. Allegretto
|
|
3:21
|
6
|
Symphony no. 3: IV. Allegro con brio
|
|
5:06
|
7
|
Symphony no. 4, op. 165: I. Andante
|
|
8:51
|
8
|
Symphony no. 4, op. 165: II. Allegro
|
|
4:27
|
9
|
Symphony no. 4, op. 165: III. Andante espressivo
|
|
7:47
|
CD #25
|
|
|
1
|
Country Gardens
|
|
2:19
|
2
|
Shepherd's Hey
|
|
2:08
|
3
|
Colonial Song
|
|
6:04
|
4
|
Children's March ("Over the Hills and Far away")
|
|
4:13
|
5
|
The Immovable Do
|
|
4:28
|
6
|
Mock Morris
|
|
3:41
|
7
|
Handel in the Strand
|
|
4:19
|
8
|
Danny Boy
|
|
3:35
|
9
|
Spoon River
|
|
4:06
|
10
|
My Robin is to the Greenwood Gone
|
|
4:09
|
11
|
Molly on the Shore
|
|
4:26
|
12
|
The Three Elizabeths: I. Halcyon Days
|
|
7:28
|
13
|
The Three Elizabeths: II. Springtime in Angus
|
|
8:02
|
14
|
The Three Elizabeths: III. Youth of Britain
|
|
4:55
|
CD #26
|
|
|
1
|
Hands Across the Sea
|
|
2:50
|
2
|
Father of Victory
|
|
4:48
|
3
|
The Golden Ear
|
|
3:50
|
4
|
Old Comrades
|
|
4:34
|
5
|
March, Op. 99
|
|
2:12
|
6
|
Valdres March
|
|
3:45
|
7
|
Inglesina
|
|
4:32
|
8
|
Knightsbridge March
|
|
4:38
|
9
|
The U.S. Field Artillery
|
|
2:20
|
10
|
The Thunderer
|
|
2:36
|
11
|
Washington Post
|
|
2:27
|
12
|
King Cotton
|
|
2:36
|
13
|
El Capitan
|
|
2:12
|
14
|
The Stars and Stripes Forever
|
|
3:25
|
15
|
American Patrol
|
|
3:52
|
16
|
On the Mall
|
|
3:06
|
17
|
Lights Out
|
|
2:42
|
18
|
Barnum and Bailey's Favorite
|
|
2:34
|
19
|
Colonel Bogey
|
|
3:20
|
20
|
The Billboard
|
|
2:08
|
CD #27
|
|
|
1
|
London Suite: I. Covent Garden
|
|
5:00
|
2
|
London Suite: II. Westminster
|
|
5:15
|
3
|
London Suite: III. Knightsbridge
|
|
4:33
|
4
|
Four Ways Suite: I. Northwards
|
|
4:56
|
5
|
Four Ways Suite: III. Eastwards
|
|
2:36
|
6
|
Pirate Dance from "Goldilocks"
|
|
1:59
|
7
|
Suite of Carols (excerpts)
|
|
4:30
|
8
|
A Christmas Festival
|
|
7:08
|
9
|
Sandpaper Ballet
|
|
3:21
|
10
|
Forgotten Dreams
|
|
2:06
|
11
|
Trumpeter's Lullaby
|
|
2:38
|
12
|
Penny-Whistle Song
|
|
2:29
|
13
|
Bugler's Holiday
|
|
2:39
|
14
|
Irish Suite: I. The Irish Washerwoman
|
|
2:38
|
15
|
Irish Suite: II. The Minstrel Boy
|
|
3:33
|
16
|
Irish Suite: III. The Rakes of Mallow
|
|
2:50
|
17
|
Irish Suite: IV. The Wearing of the Green
|
|
3:12
|
18
|
Irish Suite: V. The Last Rose of Summer
|
|
3:22
|
19
|
Irish Suite: VI. The Girl I Left Behind
|
|
3:01
|
CD #28
|
|
|
1
|
Marching Tunes: I. Yankee Doodle
|
|
1:09
|
2
|
Marching Tunes: II. Sergeant O'Leary
|
|
0:47
|
3
|
Marching Tunes: III. The Belle of the Mohawk Vale
|
|
1:28
|
4
|
Drum Solo: Fancy Six-Eight
|
|
1:08
|
5
|
The Camp Duty: I. Three Camps
|
|
1:07
|
6
|
The Camp Duty: II. The Slow Scotch
|
|
1:35
|
7
|
The Camp Duty: III. The Austrian
|
|
1:10
|
8
|
The Camp Duty: IV. Dawning of the Day
|
|
1:36
|
9
|
The Camp Duty: V. The Hessian
|
|
1:08
|
10
|
The Camp Duty: VI. Dusky Night
|
|
0:47
|
11
|
The Camp Duty: VII. The Prussian
|
|
1:01
|
12
|
The Camp Duty: VIII. The Dutch
|
|
0:36
|
13
|
The Camp Duty: IX. The Quick Scotch
|
|
0:39
|
14
|
The Camp Duty: X. End of Camp Duty
|
|
0:23
|
15
|
Marching Tunes; I. Garry Owen
|
|
1:12
|
16
|
Marching Tunes; II. Dixie
|
|
0:45
|
17
|
Marching Tunes; III. Sentry Box
|
|
0:53
|
18
|
Service Calls: I. The Breakfast Call
|
|
0:37
|
19
|
Service Calls: II. The Dinner Call
|
|
0:30
|
20
|
Traditional Fife and Drum Duet: I. Wrecker's Daughter Quickstep
|
|
1:28
|
21
|
Traditional Fife and Drum Duet: II. Hell on the Wabash
|
|
0:37
|
22
|
Traditional Fife and Drum Duet: III. Downfall of Paris
|
|
1:48
|
23
|
Drum Solo: Connecticut Half Time
|
|
2:26
|
24
|
Marching Tunes; I. Rally 'round the Flag
|
|
1:14
|
25
|
Marching Tunes; II. The White Cockade
|
|
1:04
|
26
|
Marching Tunes; III. Bonnie Blue Flag
|
|
1:07
|
27
|
Music for Rendering Honors: I. Flourish
|
|
0:09
|
28
|
Music for Rendering Honors: II. General's March
|
|
0:23
|
29
|
Music for Rendering Honors: III. To the Color
|
|
0:42
|
30
|
Music for Rendering Honors: IV. Funeral March
|
|
0:42
|
31
|
Marching Tunes and Inspection Pieces: I. Sound Off and General Dooley
|
|
0:53
|
32
|
Marching Tunes and Inspection Pieces: II. The Old Guard
|
|
0:36
|
33
|
Marching Tunes and Inspection Pieces: III. The American Flag
|
|
0:43
|
34
|
Marching Tunes and Inspection Pieces: IV. The Cavaliers
|
|
0:44
|
35
|
Marching Tunes and Inspection Pieces: V. Old Six-Eight
|
|
0:35
|
36
|
Marching Tunes and Inspection Pieces: VI. I've Got Three Years To Do This In
|
|
0:46
|
37
|
Marching Tunes and Inspection Pieces: VII. Hens and Chickens
|
|
0:44
|
38
|
Marching Tunes and Inspection Pieces: VIII. No Slum Today
|
|
0:49
|
39
|
Drum Solo: Carry On and Swinging Down the Street
|
|
1:37
|
40
|
Marching Tunes and Inspection Pieces: I. Sound Off and Holy Joe
|
|
0:37
|
41
|
Marching Tunes and Inspection Pieces: II. Soap Suds Row
|
|
0:28
|
42
|
Marching Tunes and Inspection Pieces: III. The Colonel's Daughter
|
|
0:28
|
43
|
Marching Tunes and Inspection Pieces: IV. The Prisoner
|
|
0:52
|
44
|
Marching Tunes and Inspection Pieces: V. Rip Van Winkle
|
|
0:36
|
45
|
Marching Tunes and Inspection Pieces: VI. The Garrison Belle
|
|
0:27
|
46
|
Marching Tunes and Inspection Pieces: VII. General Burt
|
|
0:56
|
47
|
Bugle Calls of the U.S. Army - excerpts: I. Flourish
|
|
0:12
|
48
|
Bugle Calls of the U.S. Army - excerpts: II. Assembly
|
|
0:09
|
49
|
Bugle Calls of the U.S. Army - excerpts: III. Adjutant's Call
|
|
0:11
|
50
|
Bugle Calls of the U.S. Army - excerpts: IV. Church Call
|
|
0:31
|
51
|
Bugle Calls of the U.S. Army - excerpts: V. Drill Call
|
|
0:10
|
52
|
Bugle Calls of the U.S. Army - excerpts: VI. General Call
|
|
0:27
|
53
|
Bugle Calls of the U.S. Army - excerpts: VII. Mail Call
|
|
0:10
|
54
|
Bugle Calls of the U.S. Army - excerpts: VIII. Mess Call
|
|
0:13
|
55
|
Bugle Calls of the U.S. Army - excerpts: IX. Retreat
|
|
0:25
|
56
|
Bugle Calls of the U.S. Army - excerpts: X. Call to Quarters
|
|
0:24
|
57
|
Bugle Calls of the U.S. Army - excerpts: XI. Reveille
|
|
0:22
|
58
|
Bugle Calls of the U.S. Army - excerpts: XII. Tattoo
|
|
0:58
|
59
|
Bugle Calls of the U.S. Army - excerpts: XIII. Taps
|
|
0:57
|
60
|
Marching Tunes and Inspection Pieces: I. Sound Off and You're in the Army Now
|
|
0:57
|
61
|
Marching Tunes and Inspection Pieces: II. Spanish Guardmount
|
|
0:39
|
62
|
Marching Tunes and Inspection Pieces: III. The Red Hussars
|
|
0:47
|
63
|
Marching Tunes and Inspection Pieces: IV. A-Hunting We Will Go
|
|
0:45
|
64
|
Marching Tunes and Inspection Pieces: V. Pay Day
|
|
0:46
|
65
|
Marching Tunes and Inspection Pieces: VI. Double Time
|
|
0:29
|
66
|
Marching Tunes and Inspection Pieces: VII. President's March
|
|
0:48
|
CD #29
|
|
|
1
|
Serenade no. 10 in B-flat major, K. 361: I. Largo. Allegro molto
|
|
8:35
|
2
|
Serenade no. 10 in B-flat major, K. 361: II. Menuetto
|
|
6:22
|
3
|
Serenade no. 10 in B-flat major, K. 361: III. Adagio
|
|
6:35
|
4
|
Serenade no. 10 in B-flat major, K. 361: IV. Menuetto: Allegretto
|
|
5:12
|
5
|
Serenade no. 10 in B-flat major, K. 361: V. Romanze: Adagio
|
|
6:07
|
6
|
Serenade no. 10 in B-flat major, K. 361: VI. Tema con variazioni
|
|
11:07
|
7
|
Serenade no. 10 in B-flat major, K. 361: VII. Rondo
|
|
3:21
|
8
|
Serenade in E-flat major, op. 7
|
|
9:47
|
9
|
Suite Française: I. Normandie
|
|
1:36
|
10
|
Suite Française: II. Bretagne
|
|
5:10
|
11
|
Suite Française: III. Ile-de-France
|
|
1:50
|
12
|
Suite Française: IV. Alsace-Lorraine
|
|
4:28
|
13
|
Suite Française: V. Provence
|
|
2:56
|
CD #30
|
|
|
1
|
Suite no. 1 in E-flat, op. 28a: I. Chaconne
|
|
4:28
|
2
|
Suite no. 1 in E-flat, op. 28a: II. Intermezzo
|
|
2:37
|
3
|
Suite no. 1 in E-flat, op. 28a: III. March
|
|
2:43
|
4
|
Suite no. 2 in F, op. 28b: I. March
|
|
4:12
|
5
|
Suite no. 2 in F, op. 28b: II. Song without Words
|
|
2:26
|
6
|
Suite no. 2 in F, op. 28b: III. Song of the Blacksmith
|
|
1:18
|
7
|
Suite no. 2 in F, op. 28b: IV. Fantasia on the Dargason
|
|
2:48
|
8
|
Folk Song Suite: I. Seventeen Come Sunday
|
|
3:11
|
9
|
Folk Song Suite: II. Intermezzo: My Bonny Boy
|
|
3:39
|
10
|
Folk Song Suite: III. March: Folk Songs from Somerset
|
|
3:29
|
11
|
Toccata Marziale
|
|
4:33
|
12
|
Canzona
|
|
4:51
|
13
|
Psalm
|
|
8:22
|
14
|
La Fiesta Mexicana, Mexican Folk Song Symphony for Band: I. Prelude and Aztec Dance
|
|
9:45
|
15
|
La Fiesta Mexicana, Mexican Folk Song Symphony for Band: II. Mass
|
|
6:31
|
16
|
La Fiesta Mexicana, Mexican Folk Song Symphony for Band: III. Festival
|
|
6:14
|
CD #31
|
|
|
1
|
Symphony no. 1 in E minor, op. 21 "Nordic": I. Andante solenne - Allegro con forza
|
|
11:32
|
2
|
Symphony no. 1 in E minor, op. 21 "Nordic": II. Andante teneramente, con semplicita
|
|
5:44
|
3
|
Symphony no. 1 in E minor, op. 21 "Nordic": III. Allegro con fuoco
|
|
9:24
|
4
|
Symphony no. 2, op. 30 "Romantic": I. Adagio; Allegro moderato
|
|
13:58
|
5
|
Symphony no. 2, op. 30 "Romantic": II. Andante con tenerezza
|
|
6:36
|
6
|
Symphony no. 2, op. 30 "Romantic": III. Allegro con brio
|
|
7:19
|
7
|
Song of Democracy
|
|
12:03
|
CD #32
|
|
|
1
|
Spirituals: I. Proclamation
|
|
5:02
|
2
|
Spirituals: II. Sermon
|
|
3:43
|
3
|
Spirituals: III. A Little Bit of Sin
|
|
1:53
|
4
|
Spirituals: IV. Protest
|
|
3:08
|
5
|
Spirituals: V. Jubilee
|
|
3:43
|
6
|
Fall River Legend (Ballet Suite): I. Prologue and Waltzes
|
|
3:30
|
7
|
Fall River Legend (Ballet Suite): II. Elegy
|
|
2:55
|
8
|
Fall River Legend (Ballet Suite): III. Church Social
|
|
4:02
|
9
|
Fall River Legend (Ballet Suite): IV. Hymnal Variations
|
|
3:57
|
10
|
Fall River Legend (Ballet Suite): V. Cotillion
|
|
3:31
|
11
|
Fall River Legend (Ballet Suite): VI. Epilogue
|
|
2:39
|
12
|
Medea (Ballet Suite): I. Parodos
|
|
2:30
|
13
|
Medea (Ballet Suite): II. Choros. Medea and Jason
|
|
4:01
|
14
|
Medea (Ballet Suite): III. The Young Princess. Jason
|
|
3:03
|
15
|
Medea (Ballet Suite): IV. Choros
|
|
3:10
|
16
|
Medea (Ballet Suite): V. Medea
|
|
6:20
|
17
|
Medea (Ballet Suite): VI. Kantikos Agonias
|
|
2:57
|
18
|
Medea (Ballet Suite): VII. Exodos
|
|
3:03
|
CD #33
|
|
|
1
|
Three Places in New England: I. The 'St. Gaudens' in Boston Common (Col. Shaw and his Colored Regiment)
|
|
8:54
|
2
|
Three Places in New England: II. Putnam's Camp, Redding, Connecticut
|
|
5:41
|
3
|
Three Places in New England: III. From 'The Housatonic at Stockbridge' by Robert Underwood Johnson
|
|
3:53
|
4
|
Symphony no. 3, "The Camp Meeting": I. Old Folks Gatherin' (Andante maestoso)
|
|
7:06
|
5
|
Symphony no. 3, "The Camp Meeting": II. Children's Day (Allegro moderato)
|
|
7:02
|
6
|
Symphony no. 3, "The Camp Meeting": III. Communion (Largo)
|
|
6:50
|
7
|
New England Triptych (Three pieces for Orchestra after William Billings): I. Be Glad Then, America
|
|
5:33
|
8
|
New England Triptych (Three pieces for Orchestra after William Billings): II. When Jesus Wept
|
|
7:02
|
9
|
New England Triptych (Three pieces for Orchestra after William Billings): III. Chester
|
|
3:02
|
10
|
Symphony no. 5: I. Con sdegno
|
|
4:45
|
11
|
Symphony no. 5: II. Canto
|
|
9:43
|
12
|
Symphony no. 5: III. Allegro tempetuoso
|
|
7:37
|
CD #34
|
|
|
1
|
Symphony no. 3: I. Andante lamentando
|
|
9:59
|
2
|
Symphony no. 3: II. Andante tranquillo
|
|
7:52
|
3
|
Symphony no. 3: III. Tempo scherzando
|
|
5:46
|
4
|
Symphony no. 3: IV. Largamente e pesante
|
|
9:36
|
5
|
Elegy
|
|
11:22
|
6
|
The Lament for Beowulf
|
|
17:38
|
CD #35
|
|
|
1
|
Capricorn Concerto, op. 21: I. Allegro ma non troppo
|
|
7:13
|
2
|
Capricorn Concerto, op. 21: II. Allegretto
|
|
2:57
|
3
|
Capricorn Concerto, op. 21: III. Allegro con brio
|
|
5:01
|
4
|
The Incredible Flutist: I. Introduction - Siesta in the Market Place
|
|
1:09
|
5
|
The Incredible Flutist: II. Entrance of the Vendors
|
|
2:16
|
6
|
The Incredible Flutist: III. Entrance of the Customers
|
|
0:29
|
7
|
The Incredible Flutist: IV. Tango of the Merchant's Daughters
|
|
3:28
|
8
|
The Incredible Flutist: V. Arrival of the Circus
|
|
0:31
|
9
|
The Incredible Flutist: VI. Circus March
|
|
0:34
|
10
|
The Incredible Flutist: VII. The Flutist
|
|
1:36
|
11
|
The Incredible Flutist: VIII. Minuet
|
|
0:40
|
12
|
The Incredible Flutist: IX. Spanish Waltz
|
|
0:52
|
13
|
The Incredible Flutist: X. (Eight o'clock strikes)
|
|
0:20
|
14
|
The Incredible Flutist: XI. Siciliano
|
|
2:30
|
15
|
The Incredible Flutist: XII. Polka Finale
|
|
2:03
|
16
|
Poem for Flute and Orchestra
|
|
9:10
|
17
|
Three Pieces for Orchestra: I. Promenade
|
|
1:56
|
18
|
Three Pieces for Orchestra: II. Nocturne
|
|
4:36
|
19
|
Three Pieces for Orchestra: III. Il Campo dei Fiori
|
|
2:20
|
20
|
Five Miniatures for Flute and Strings: I. Adventurous
|
|
1:34
|
21
|
Five Miniatures for Flute and Strings: II. Dolorous
|
|
1:43
|
22
|
Five Miniatures for Flute and Strings: III. Dextrous
|
|
1:23
|
23
|
Five Miniatures for Flute and Strings: IV. Languorous
|
|
2:15
|
24
|
Five Miniatures for Flute and Strings: V. Capricious
|
|
1:29
|
25
|
Gold and the Señor Commandante: I. Siesta
|
|
1:49
|
26
|
Gold and the Señor Commandante: II. Parade
|
|
1:06
|
27
|
Gold and the Señor Commandante: III. Elegant Dance
|
|
0:41
|
28
|
Gold and the Señor Commandante: IV. Furious Dance of the Bearded Russians
|
|
2:37
|
29
|
Gold and the Señor Commandante: V. Sinister Dance
|
|
0:48
|
30
|
Gold and the Señor Commandante: VI. Chinese Dance
|
|
0:56
|
31
|
Gold and the Señor Commandante: VII. Tender Dance
|
|
2:03
|
32
|
Gold and the Señor Commandante: VIII. Chase Music
|
|
1:50
|
33
|
Gold and the Señor Commandante: IX. Happy Dance
|
|
2:07
|
CD #36
|
|
|
1
|
Tabuh-Tabuhan, Toccata for Orchestra: I. Ostinatos
|
|
6:32
|
2
|
Tabuh-Tabuhan, Toccata for Orchestra: II. Nocturne
|
|
5:07
|
3
|
Tabuh-Tabuhan, Toccata for Orchestra: III. Finale
|
|
5:06
|
4
|
The Black Maskers (Orchestral Suite): I. Dance: Stridente-sarcastico
|
|
4:11
|
5
|
The Black Maskers (Orchestral Suite): II. Scene: Agitato molto
|
|
7:38
|
6
|
The Black Maskers (Orchestral Suite): III. Dirge: Larghissimo
|
|
4:59
|
7
|
The Black Maskers (Orchestral Suite): IV. Finale: Andante moderato un poco agitato
|
|
4:48
|
8
|
Symphony on a Hymn Tune: I. Introduction and Allegro
|
|
7:48
|
9
|
Symphony on a Hymn Tune: II. Andante cantabile
|
|
4:33
|
10
|
Symphony on a Hymn Tune: III. Allegretto
|
|
3:04
|
11
|
Symphony on a Hymn Tune: IV. Allegro
|
|
5:16
|
12
|
The Feast of Love
|
|
7:43
|
CD #37
|
|
|
1
|
Pageant of P.T. Barnum: I. Boyhood at Bethel
|
|
2:46
|
2
|
Pageant of P.T. Barnum: II. Joice Heth - 161 Year Old Negress
|
|
4:03
|
3
|
Pageant of P.T. Barnum: III. General and Mrs. Tom Thumb
|
|
2:21
|
4
|
Pageant of P.T. Barnum: IV. Jenny Lind
|
|
4:38
|
5
|
Pageant of P.T. Barnum: V. Circus Parade
|
|
3:55
|
6
|
Adventures in a Perambulator: I. En voiture!
|
|
2:57
|
7
|
Adventures in a Perambulator: II. The Policeman
|
|
3:37
|
8
|
Adventures in a Perambulator: III. The Hurdy-Gurdy
|
|
3:44
|
9
|
Adventures in a Perambulator: IV. The Lake
|
|
5:12
|
10
|
Adventures in a Perambulator: V. Dogs
|
|
3:43
|
11
|
Adventures in a Perambulator: VI. Dreams
|
|
7:49
|
12
|
Once Upon a Time (Five Fairy Tales): I. The Tinder-Box Soldier
|
|
1:40
|
13
|
Once Upon a Time (Five Fairy Tales): II. The Song of Rapunzel
|
|
2:58
|
14
|
Once Upon a Time (Five Fairy Tales): III. The Story of a Darning Needle
|
|
1:29
|
15
|
Once Upon a Time (Five Fairy Tales): IV. Dance of the Twelve Princesses
|
|
3:56
|
16
|
Once Upon a Time (Five Fairy Tales): V. The Ride of Koschei the Deathless
|
|
3:08
|
17
|
Selections from McGuffey's Reader: I. The One-Horse Shay
|
|
4:39
|
18
|
Selections from McGuffey's Reader: II. John Alden and Priscilla
|
|
6:04
|
19
|
Selections from McGuffey's Reader: III. Midnight Ride of Paul Revere
|
|
5:25
|
CD #38
|
|
|
1
|
Symphonic Sketches: I. Jubilee
|
|
8:37
|
2
|
Symphonic Sketches: II. Noël
|
|
8:49
|
3
|
Symphonic Sketches: III. Hobgoblin
|
|
5:55
|
4
|
Symphonic Sketches: IV. A Vagrom Ballad
|
|
7:58
|
5
|
Suite for Large Orchestra, op. 42: I. In a haunted forest
|
|
3:58
|
6
|
Suite for Large Orchestra, op. 42: II. Summer Idyll
|
|
2:11
|
7
|
Suite for Large Orchestra, op. 42: III. In October
|
|
5:18
|
8
|
Suite for Large Orchestra, op. 42: IV. The Shepherdess' Song
|
|
3:33
|
9
|
Suite for Large Orchestra, op. 42: V. Forest Spirits
|
|
4:41
|
10
|
Sinfonia in G: I. Presto
|
|
8:24
|
11
|
Sinfonia in G: II. Polonaise
|
|
3:05
|
12
|
Sinfonia in G: III. Menuet (vivace)
|
|
4:14
|
13
|
Sinfonia in G: IV. Presto
|
|
2:40
|
CD #39
|
|
|
1
|
Sarabande: For Katharine in April
|
|
4:59
|
2
|
Christ Looking Over Jerusalem
|
|
4:54
|
3
|
Adagio cantabile
|
|
3:54
|
4
|
Pavane
|
|
5:02
|
5
|
Autumn Landscape
|
|
5:06
|
6
|
Gymnopédie
|
|
4:12
|
7
|
Larghetto
|
|
6:32
|
8
|
And On the Seventh Day...
|
|
6:49
|
9
|
In Memoriam Abraham
|
|
5:34
|
10
|
Night Soliloquy for Flute and Strings
|
|
3:58
|
11
|
The Winter's Past
|
|
4:56
|
12
|
Night Song
|
|
9:13
|
CD #40
|
|
|
1
|
Birds of Paradise, op. 34
|
|
13:07
|
2
|
The Last Spring
|
|
5:59
|
3
|
The Enchanted Lake
|
|
6:34
|
4
|
Kikimora
|
|
7:28
|
5
|
Deux Rapsodies: I. L'étang
|
|
9:42
|
6
|
Deux Rapsodies: II. La cornemuse
|
|
11:41
|
7
|
Fantasy Variations on a Theme of Youth
|
|
11:25
|
CD #41
|
|
|
1
|
Symphony no. 38 in D major, K. 504 ("Prague"): I. Adagio - Allegro
|
|
9:50
|
2
|
Symphony no. 38 in D major, K. 504 ("Prague"): II. Andante
|
|
8:12
|
3
|
Symphony no. 38 in D major, K. 504 ("Prague"): III. Presto
|
|
5:51
|
4
|
Symphony no. 9 in E minor, op. 95 ("From the New World"): I. Adagio - Allegro molto
|
|
8:42
|
5
|
Symphony no. 9 in E minor, op. 95 ("From the New World"): II. Largo
|
|
11:27
|
6
|
Symphony no. 9 in E minor, op. 95 ("From the New World"): III. Scherzo. Molto vivace
|
|
7:27
|
7
|
Symphony no. 9 in E minor, op. 95 ("From the New World"): IV. Allegro con fuoco
|
|
10:34
|
CD #42
|
|
|
1
|
Escales (Ports of Call): Rome - Palermo
|
|
5:36
|
2
|
Escales (Ports of Call): Tunis - Nefta
|
|
2:43
|
3
|
Escales (Ports of Call): Valencia
|
|
5:28
|
4
|
Rapsodie espagnole: I. Prélude à la nuit
|
|
3:42
|
5
|
Rapsodie espagnole: II. Malagueña
|
|
2:09
|
6
|
Rapsodie espagnole: III. Habanera
|
|
2:54
|
7
|
Rapsodie espagnole: IV. Feria
|
|
5:56
|
8
|
Alborada del Gracioso
|
|
6:38
|
9
|
Pavane pour une infante défunte
|
|
5:59
|
10
|
La Valse
|
|
11:41
|
11
|
Le Tombeau de Couperin: I. Prélude
|
|
2:55
|
12
|
Le Tombeau de Couperin: II. Forlane
|
|
5:05
|
13
|
Le Tombeau de Couperin: III. Menuet
|
|
4:07
|
14
|
Le Tombeau de Couperin: IV. Rigaudon
|
|
2:49
|
CD #43
|
|
|
1
|
Overture to "Zampa"
|
|
7:29
|
2
|
Overture to "The Crown Diamonds"
|
|
7:14
|
3
|
Ballet Music from "Faust": Waltz
|
|
2:24
|
4
|
Ballet Music from "Faust": Ensemble (Adagio)
|
|
4:34
|
5
|
Ballet Music from "Faust": Dance of the Nubians
|
|
1:41
|
6
|
Ballet Music from "Faust": Cleopatra's Dance
|
|
1:29
|
7
|
Ballet Music from "Faust": Dance of the Trojan Maidens
|
|
1:50
|
8
|
Ballet Music from "Faust": Helen's Dance
|
|
1:42
|
9
|
Ballet Music from "Faust": Bacchanalia
|
|
2:26
|
10
|
Act II Waltz from "Faust"
|
|
5:06
|
11
|
Bacchanale from "Samson and Delilah"
|
|
7:38
|
12
|
Danse bohème from "Carmen"
|
|
4:37
|
13
|
Royal Hunt and Storm from "The Trojans"
|
|
8:50
|
14
|
Overture to "Phèdre"
|
|
9:08
|
15
|
Gavotte from "Mignon"
|
|
2:02
|
CD #44
|
|
|
1
|
Symphony no. 3 in C minor, op. 78 ("Organ"): I. Adagio - Allegro moderato -
|
|
10:15
|
2
|
Symphony no. 3 in C minor, op. 78 ("Organ"): I. Poco adagio
|
|
9:17
|
3
|
Symphony no. 3 in C minor, op. 78 ("Organ"): II. Allegro moderato -
|
|
6:27
|
4
|
Symphony no. 3 in C minor, op. 78 ("Organ"): II. Maestoso - Allegro
|
|
8:15
|
5
|
Mass for the 500th Anniversary of the Death of Joan of Arc: I. Kyrie
|
|
8:49
|
6
|
Mass for the 500th Anniversary of the Death of Joan of Arc: II. Gloria
|
|
12:32
|
7
|
Mass for the 500th Anniversary of the Death of Joan of Arc: III. Sanctus - Benedictus
|
|
8:50
|
8
|
Mass for the 500th Anniversary of the Death of Joan of Arc: IV. Agnus Dei
|
|
6:10
|
9
|
Paul Paray: Post-sesstion thanks to the performers
|
|
2:11
|
CD #45
|
|
|
1
|
España
|
|
6:38
|
2
|
Suite pastorale: I. Idylle
|
|
4:04
|
3
|
Suite pastorale: II. Danse villageoise
|
|
4:20
|
4
|
Suite pastorale: III. Sous-bois
|
|
2:57
|
5
|
Suite pastorale: IV. Scherzo-Valse
|
|
4:39
|
6
|
Fête polonaise from "Le roi malgré lui"
|
|
7:36
|
7
|
Overture to "Gwendoline"
|
|
8:43
|
8
|
Danse slave from "Le roi malgré lui"
|
|
5:12
|
9
|
Joyeuse marche
|
|
3:40
|
10
|
Bourrée fantasque
|
|
6:15
|
11
|
Suite in F, op. 33: I. Prelude
|
|
4:02
|
12
|
Suite in F, op. 33: II. Sarabande
|
|
4:51
|
13
|
Suite in F, op. 33: III. Gigue
|
|
4:20
|
CD #46
|
|
|
1
|
Daphnis et Chloé, Suite no. 2: I. Lever du jour
|
|
6:04
|
2
|
Daphnis et Chloé, Suite no. 2: II. Pantomime
|
|
6:10
|
3
|
Daphnis et Chloé, Suite no. 2: III. Danse générale
|
|
3:33
|
4
|
Valses nobles et sentimentales: I. Modéré
|
|
1:15
|
5
|
Valses nobles et sentimentales: II. Assez lent
|
|
2:17
|
6
|
Valses nobles et sentimentales: III. Modéré
|
|
1:20
|
7
|
Valses nobles et sentimentales: IV. Assez animé
|
|
1:12
|
8
|
Valses nobles et sentimentales: V. Presque lent
|
|
1:02
|
9
|
Valses nobles et sentimentales: VI. Assez vif
|
|
0:43
|
10
|
Valses nobles et sentimentales: VII. Moins vif
|
|
2:26
|
11
|
Valses nobles et sentimentales: VIII. Épilogue: Lent
|
|
3:32
|
12
|
Boléro
|
|
13:25
|
13
|
Nocturnes for Orchestra: I. Nuages
|
|
6:16
|
14
|
Nocturnes for Orchestra: II. Fêtes
|
|
5:47
|
15
|
Nocturnes for Orchestra: III. Sirènes
|
|
7:47
|
16
|
Petite Suite: I. En Bateau
|
|
3:02
|
17
|
Petite Suite: II. Cortège
|
|
2:52
|
18
|
Petite Suite: III. Menuet
|
|
2:50
|
19
|
Petite Suite: IV. Ballet
|
|
2:42
|
CD #47
|
|
|
1
|
La Patrie Overture
|
|
11:28
|
2
|
Carmen Suite: I. Prélude
|
|
1:25
|
3
|
Carmen Suite: II. La garde montante
|
|
2:33
|
4
|
Carmen Suite: III. Les dragons d’Alcala
|
|
1:44
|
5
|
Carmen Suite: IV. Intermezzo
|
|
2:07
|
6
|
Carmen Suite: V. Aragonaise
|
|
2:03
|
7
|
Carmen Suite: VI. Les toréadors
|
|
2:28
|
8
|
L'Arlésienne Suite No. 1: I. Prélude
|
|
7:02
|
9
|
L'Arlésienne Suite No. 1: II. Minuetto
|
|
2:22
|
10
|
L'Arlésienne Suite No. 1: III. Adagietto
|
|
2:39
|
11
|
L'Arlésienne Suite No. 1: IV. Carillon
|
|
4:50
|
12
|
L'Arlésienne Suite No. 2: I. Pastorale
|
|
5:34
|
13
|
L'Arlésienne Suite No. 2: II. Intermezzo
|
|
3:34
|
14
|
L'Arlésienne Suite No. 2: III. Menuet
|
|
3:33
|
15
|
L'Arlésienne Suite No. 2: IV. Farandole
|
|
3:34
|
16
|
Mignon Overture
|
|
8:15
|
17
|
Raymond Overture
|
|
6:40
|
CD #48
|
|
|
1
|
Mephisto Waltz
|
|
10:56
|
2
|
Invitation to the Dance, op. 65
|
|
9:20
|
3
|
Danse macabre, op. 40
|
|
7:04
|
4
|
Dance of the Seven Veils from Salome
|
|
8:39
|
5
|
La tragédie de Salomé, op. 50
|
|
26:53
|
CD #49
|
|
|
1
|
Ibéria (Images for Orchestra, no. 2): I. In the Streets and Byways
|
|
6:09
|
2
|
Ibéria (Images for Orchestra, no. 2): II. Fragrance of the Night
|
|
7:29
|
3
|
Ibéria (Images for Orchestra, no. 2): III. Morning of a Festival Day
|
|
4:19
|
4
|
Prélude à l'après-midi d'un faune
|
|
8:33
|
5
|
La Mer: I. From Dawn till Noon on the Sea
|
|
8:24
|
6
|
La Mer: II. Play of the Waves
|
|
6:07
|
7
|
La Mer: III. Dialogue of the Wind and the Sea
|
|
7:48
|
8
|
Ma mère l'oye: I. Pavane of the Sleeping Beauty
|
|
1:39
|
9
|
Ma mère l'oye: II. Hop-o'-my-Thumb
|
|
2:53
|
10
|
Ma mère l'oye: III. Laideronnette, Empress of the Pagodas
|
|
3:32
|
11
|
Ma mère l'oye: IV. The Conversations of Beauty and the Beast
|
|
3:46
|
12
|
Ma mère l'oye: V. The Fairy Garden
|
|
3:27
|
CD #50
|
|
|
1
|
My Lady Carey's Dompe
|
|
1:28
|
2
|
Les Buffons
|
|
3:41
|
3
|
The Primerose
|
|
2:51
|
4
|
La Volta
|
|
2:28
|
5
|
The Fall of the Leafe
|
|
2:16
|
6
|
Pavana Dolorosa
|
|
6:34
|
7
|
Galiarda Dolorosa
|
|
2:50
|
8
|
The King's Hunt
|
|
5:04
|
9
|
Branle gay
|
|
1:39
|
10
|
Tombeau de M. de Blancrocher
|
|
3:57
|
11
|
Branle de Montirandé
|
|
2:10
|
12
|
Concerto in D minor: I. Allegro
|
|
2:58
|
13
|
Concerto in D minor: II. Andante
|
|
3:37
|
14
|
Concerto in D minor: III. Presto
|
|
4:18
|
15
|
Sonata for Harpsichord in A major
|
|
2:25
|
16
|
Sonata in D major
|
|
3:16
|
17
|
Pavane in F-sharp minor
|
|
7:32
|
18
|
Le moutier
|
|
2:11
|
19
|
Gavotte et Doubles
|
|
10:04
|
20
|
Passepied
|
|
0:55
|
21
|
La pantomime
|
|
3:33
|
CD #51
|
|
|
1
|
Overture in the French Manner (Partita in B minor): I. Overture: Grave- Vivace - Grave
|
|
8:14
|
2
|
Overture in the French Manner (Partita in B minor): II. Courante
|
|
2:26
|
3
|
Overture in the French Manner (Partita in B minor): III. Gavottes I and II
|
|
3:20
|
4
|
Overture in the French Manner (Partita in B minor): IV. Passepieds I and II
|
|
2:45
|
5
|
Overture in the French Manner (Partita in B minor): V. Sarabande
|
|
3:39
|
6
|
Overture in the French Manner (Partita in B minor): VI. Bourrees I and II
|
|
2:24
|
7
|
Overture in the French Manner (Partita in B minor): VII. Gigue
|
|
2:57
|
8
|
Overture in the French Manner (Partita in B minor): VIII. Echo
|
|
3:19
|
9
|
Fantasia in C minor
|
|
5:17
|
10
|
Concerto in G major (after an unknown master)
|
|
5:52
|
11
|
Toccata in F-sharp minor
|
|
12:20
|
12
|
Duet in A major for Two Performers on One Harpsichord, op.18 no. 5: I. Allegretto
|
|
6:45
|
13
|
Duet in A major for Two Performers on One Harpsichord, op.18 no. 5: II. Tempo di Menuetto
|
|
3:01
|
14
|
Concerto a Duoi Cembali Concertati: I. Allegro moderato
|
|
5:27
|
15
|
Concerto a Duoi Cembali Concertati: II. Andante
|
|
3:40
|
16
|
Concerto a Duoi Cembali Concertati: III. Presto
|
|
3:52
|
CD #52
|
|
|
1
|
Balli d'Arpicordo (Dances for Harpsichord): I. Pass'e mezzo antico di sei parti
|
|
6:42
|
2
|
Balli d'Arpicordo (Dances for Harpsichord): II. Saltarello del ditto pass'e mezzo
|
|
1:05
|
3
|
Balli d'Arpicordo (Dances for Harpsichord): III. Padoana ditta la Ongara - l'Ongara a un'altro modo
|
|
3:25
|
4
|
Balli d'Arpicordo (Dances for Harpsichord): IV. Ballo ditto il Picchi
|
|
1:53
|
5
|
Balli d'Arpicordo (Dances for Harpsichord): V. Todesca - Balletto
|
|
1:42
|
6
|
Balli d'Arpicordo (Dances for Harpsichord): VI. Ballo Ongaro - il suo Balletto
|
|
2:54
|
7
|
Balli d'Arpicordo (Dances for Harpsichord): VII. Ballo detto il Steffanin
|
|
1:48
|
8
|
Balli d'Arpicordo (Dances for Harpsichord): VIII. Ballo alla Polacha - il suo saltarello
|
|
3:17
|
9
|
Aria detta la Frescobalda
|
|
5:22
|
10
|
Corrente in F major
|
|
1:15
|
11
|
Five Galliards
|
|
6:41
|
12
|
12 Partita sopra l'Aria di Ruggiero
|
|
10:45
|
13
|
Bourée alla Polacca
|
|
2:59
|
14
|
Les Folies d'Espagne
|
|
9:26
|
15
|
Sonata in F major, K. 541
|
|
2:21
|
16
|
Sonata in A minor, K. 175
|
|
3:25
|
17
|
Sonata in E major, K. 381
|
|
2:04
|
18
|
Passacaglia in D minor
|
|
6:46
|
CD #53
|
|
|
1
|
Sonata in G minor, op. 65: I. Allegro moderato
|
|
9:53
|
2
|
Sonata in G minor, op. 65: II. Scherzo: Allegro con brio
|
|
4:23
|
3
|
Sonata in G minor, op. 65: III. Largo
|
|
3:21
|
4
|
Sonata in G minor, op. 65: IV: Finale: Allegro
|
|
6:05
|
5
|
Variations Concertantes, op. 17
|
|
7:55
|
6
|
Variations on a Theme of Rossini
|
|
7:36
|
7
|
Polonaise Brillante, op. 3
|
|
8:46
|
8
|
Sonata no. 1 in D minor: I Prologue
|
|
4:11
|
9
|
Sonata no. 1 in D minor: II. Serenade et Finale
|
|
3:24
|
10
|
Sonata no. 1 in D minor: III. Finale
|
|
3:18
|
11
|
First Rhapsody
|
|
10:22
|
12
|
Hungarian Wedding Dance
|
|
3:49
|
CD #54
|
|
|
1
|
The Rite of Spring: Part I: The Adoration of the Earth: Introduction
|
|
3:07
|
2
|
The Rite of Spring: Part I: The Adoration of the Earth: Augurs of Spring - Dances of the Young Girls
|
|
2:51
|
3
|
The Rite of Spring: Part I: The Adoration of the Earth: Ritual of Abduction
|
|
1:19
|
4
|
The Rite of Spring: Part I: The Adoration of the Earth: Spring Rounds
|
|
3:29
|
5
|
The Rite of Spring: Part I: The Adoration of the Earth: Ritual of the Rival Tribes
|
|
1:46
|
6
|
The Rite of Spring: Part I: The Adoration of the Earth: Procession of the Sage
|
|
0:41
|
7
|
The Rite of Spring: Part I: The Adoration of the Earth: The Sage
|
|
0:22
|
8
|
The Rite of Spring: Part I: The Adoration of the Earth: Dance of the Earth
|
|
1:04
|
9
|
The Rite of Spring: Part II: The Sacrifice: Introduction
|
|
3:49
|
10
|
The Rite of Spring: Part II: The Sacrifice: Mystic Circles of the Young Girls
|
|
3:00
|
11
|
The Rite of Spring: Part II: The Sacrifice: Glorification of the Chosen One
|
|
1:33
|
12
|
The Rite of Spring: Part II: The Sacrifice: Evocation of the Ancestors
|
|
0:46
|
13
|
The Rite of Spring: Part II: The Sacrifice: Ritual Action of the Ancestors
|
|
3:21
|
14
|
The Rite of Spring: Part II: The Sacrifice: Sacrificial Dance: The Chosen One
|
|
4:19
|
CD #55
|
|
|
1
|
Interview with John Corigliano and Hilde Somer by Paul Hume
|
|
16:49
|
2
|
Concerto for Piano and Orchestra: I. Molto Allegro
|
|
13:11
|
3
|
Concerto for Piano and Orchestra: II. Scherzo
|
|
2:50
|
4
|
Concerto for Piano and Orchestra: III. Andante appassionato - IV. Allegro
|
|
13:28
|
5
|
Parergon to the Sinfonia Domestica, op. 73
|
|
21:47
|
Links (3)
Discography Entry
-
http://www.deccaclassics.com/us/cat/4785092
ASIN
-
https://www.amazon.com/gp/product/B00B7364H2
Discogs
-
https://www.discogs.com/release/4481665