Release: 17 Aug 2018 [Worldwide],
Language: English,
Status: Official
Format: CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD,
Tracks: 534,
Length: 13:32:46,
Barcode: 028948351831
Release type: Album - Compilation
Contents
CD #1
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1
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Symphony no. 1 in C major, op. 21: 1. Adagio molto - Allegro con brio
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9:03
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2
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Symphony no. 1 in C major, op. 21: 2. Andante cantabile con moto
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7:39
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3
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Symphony no. 1 in C major, op. 21: 3. Menuetto. Allegro molto e vivace - Trio
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4:33
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4
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Symphony no. 1 in C major, op. 21: 4. Adagio - Allegro molto e vivace
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5:43
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5
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Symphony no. 3 in E-flat major “Eroica”, op. 55: 1. Allegro con brio
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16:56
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6
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Symphony no. 3 in E-flat major “Eroica”, op. 55: 2. Marcia funebre. Adagio assai
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14:49
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7
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Symphony no. 3 in E-flat major “Eroica”, op. 55: 3. Scherzo. Allegro vivace - Trio
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5:51
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8
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Symphony no. 3 in E-flat major “Eroica”, op. 55: 4. Allegro molto - Poco andante - Presto
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11:05
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CD #2
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1
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Symphony no. 2 in D major, op. 36: 1. Adagio molto - Allegro con brio
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12:13
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2
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Symphony no. 2 in D major, op. 36: 2. Larghetto
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10:49
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3
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Symphony no. 2 in D major, op. 36: 3. Scherzo. Allegro - Trio
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4:24
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4
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Symphony no. 2 in D major, op. 36: 4. Allegro molto
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6:12
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5
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Symphony no. 4 in B-flat major, op. 60: 1. Adagio - Allegro vivace
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11:34
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6
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Symphony no. 4 in B-flat major, op. 60: 2. Adagio
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9:47
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7
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Symphony no. 4 in B-flat major, op. 60: 3. Allegro molto e vivace - Trio. Un poco meno allegro
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5:54
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8
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Symphony no. 4 in B-flat major, op. 60: 4. Allegro ma non troppo
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6:39
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CD #3
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1
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Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
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7:25
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2
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Symphony no. 5 in C minor, op. 67: 2. Andante con moto
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9:29
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3
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Symphony no. 5 in C minor, op. 67: 3. Allegro
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7:59
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4
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Symphony no. 5 in C minor, op. 67: 4. Allegro
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10:38
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5
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Symphony no. 6 in F major “Pastoral”, op. 68: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
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11:32
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6
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Symphony no. 6 in F major “Pastoral”, op. 68: 2. Szene am Bach. Andante molto mosso
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10:40
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7
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Symphony no. 6 in F major “Pastoral”, op. 68: 3. Lustiges Zusammensein der Landleute. Allegro
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5:09
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8
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Symphony no. 6 in F major “Pastoral”, op. 68: 4. Gewitter - Sturm. Allegro
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3:25
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9
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Symphony no. 6 in F major “Pastoral”, op. 68: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
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8:34
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CD #4
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1
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Symphony no. 7 in A minor, op. 92: 1. Poco sostenuto - Vivace
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13:33
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2
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Symphony no. 7 in A minor, op. 92: 2. Allegretto
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7:39
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3
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Symphony no. 7 in A minor, op. 92: 3. Presto
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8:58
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4
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Symphony no. 7 in A minor, op. 92: 4. Allegro con brio
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8:21
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5
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Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio
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9:21
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6
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Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando
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4:13
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7
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Symphony no. 8 in F major, op. 93: 3. Tempo di Menuetto
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5:48
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8
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Symphony no. 8 in F major, op. 93: 4. Allegro vivace
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7:11
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CD #5
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1
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Symphony no. 9 in D minor “Choral”, op. 125: 1. Allegro ma non troppo e un poco maestoso
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14:18
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2
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Symphony no. 9 in D minor “Choral”, op. 125: 2. Molto vivace - Presto
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13:03
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3
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Symphony no. 9 in D minor “Choral”, op. 125: 3. Adagio molto e cantabile - Andante moderato
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12:48
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4
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Symphony no. 9 in D minor “Choral”, op. 125: 4. Presto - Allegro assai
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5:37
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5
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Symphony no. 9 in D minor “Choral”, op. 125: 4. Presto - »O Freunde, nicht diese Töne!« - Allegro assai
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16:28
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CD #6
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1
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Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio
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17:16
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2
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Piano Concerto no. 1 in C major, op. 15: 2. Largo
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11:13
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3
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Piano Concerto no. 1 in C major, op. 15: 3. Rondo. Allegro scherzando
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9:05
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4
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Piano Concerto no. 2 in B-flat major, op. 19: 1. Allegro con brio
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13:33
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5
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Piano Concerto no. 2 in B-flat major, op. 19: 2. Adagio
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8:41
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6
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Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo. Molto allegro
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6:30
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CD #7
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1
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Piano Concerto no. 3 in C minor, op. 37: 1. Allegro con brio
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16:07
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2
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Piano Concerto no. 3 in C minor, op. 37: 2. Largo
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10:07
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3
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Piano Concerto no. 3 in C minor, op. 37: 3. Rondo. Allegro
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9:36
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4
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Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato
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17:18
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5
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Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto
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5:16
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6
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Piano Concerto no. 4 in G major, op. 58: 3. Rondo. Vivace
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10:00
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CD #8
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1
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Piano Concerto no. 5 in E-flat major “Emperor”, op. 73: 1. Allegro
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20:29
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2
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Piano Concerto no. 5 in E-flat major “Emperor”, op. 73: 2. Adagio un poco mosso
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7:47
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3
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Piano Concerto no. 5 in E-flat major “Emperor”, op. 73: 3. Rondo. Allegro
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10:35
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CD #9
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1
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Music to Goethe's Tragedy “Egmont”, op. 84: Ouvertüre
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8:06
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2
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Music to Goethe's Tragedy “Egmont”, op. 84: 1. Lied (Klärchen): »Die Trommel gerühret«
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2:57
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3
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Music to Goethe's Tragedy “Egmont”, op. 84: 2. Zwischenaktmusik I
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1:44
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4
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Music to Goethe's Tragedy “Egmont”, op. 84: 4. Lied (Klärchen): »Freudvoll und leidvoll«
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1:38
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5
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Music to Goethe's Tragedy “Egmont”, op. 84: 5. Zwischenaktmusik III
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3:51
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6
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Music to Goethe's Tragedy “Egmont”, op. 84: 6. Zwischenaktmusik IV
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3:37
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7
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Music to Goethe's Tragedy “Egmont”, op. 84: 7. Musik, Klärchens Tod bezeichnend
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2:44
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8
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Music to Goethe's Tragedy “Egmont”, op. 84: 8. Melodram (Egmont): »Süßer Schlaf!«
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5:15
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9
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Music to Goethe's Tragedy “Egmont”, op. 84: 9. Siegessymphonie
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1:34
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10
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Scena ed Aria “Ah! perfido” for Soprano and Orchestra, op. 65
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13:33
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11
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Overture “Leonore III”, op. 72a
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14:46
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12
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Fantasia for Piano, Chorus and Orchestra in C minor, op. 80
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18:44
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CD #10
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1
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Music to Carl Meisl's occasional play “The Consecration of the House”: Ouvertüre, op. 124
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10:52
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2
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Music to Carl Meisl's occasional play “The Consecration of the House”: 1. Chor: »Folge dem mächtigen Ruf der Ehre!«
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4:04
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3
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Music to Carl Meisl's occasional play “The Consecration of the House”: 2. Duett: »Ohne Verschulden Knechtschaft dulden«
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3:58
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4
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Music to Carl Meisl's occasional play “The Consecration of the House”: 3. Chor der Derwische: »Du hast in deines Ärmels Falten«
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2:37
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5
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Music to Carl Meisl's occasional play “The Consecration of the House”: 4. Marcia alla turca
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1:39
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6
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Music to Carl Meisl's occasional play “The Consecration of the House”: 5. Chor (mit Sopran-Solo): »Wo sich die Pulse« - »Lasst uns im Tanze«
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6:03
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7
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Music to Carl Meisl's occasional play “The Consecration of the House”: 6. Marsch (mit Chor): »Schmückt die Altäre«
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6:38
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8
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Music to Carl Meisl's occasional play “The Consecration of the House”: 7. Melodram: »Es wandelt schon das Volk im Feierkleide«
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1:45
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9
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Music to Carl Meisl's occasional play “The Consecration of the House”: 8. Rezitativ: »Mit reger Freude, die nie erkaltet«
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1:45
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10
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Music to Carl Meisl's occasional play “The Consecration of the House”: 8. Chor: »Wir traden empfängliche Herzen im Busen« / Arie (mit Chor): »Will unser Genius« - »Er ist's! Wir sind erhört!«
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7:58
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11
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Music to Carl Meisl's occasional play “The Consecration of the House”: 9. Chor: »Heil unserm Kaiser!«
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3:57
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12
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Music to Friedrich Duncker's play “Leonore Prohaska”, WoO 96: 1. Kriegerchor: »Wir bauen und sterben«
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1:21
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13
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Music to Friedrich Duncker's play “Leonore Prohaska”, WoO 96: 2. Romanze: »Es blüht eine Blume im Garten mein«
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2:37
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14
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Music to Friedrich Duncker's play “Leonore Prohaska”, WoO 96: 3. Melodram: »Du, dem sie gewunden« (Recitation)
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1:46
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15
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Music to Friedrich Duncker's play “Leonore Prohaska”, WoO 96: 4. Trauermarsch
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6:06
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16
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Music to Goethe's Tragedy “Egmont”, op. 84: 2. Zwischenaktmusik I / »Es ist keine falsche Ader an ihm«
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3:10
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17
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Music to Goethe's Tragedy “Egmont”, op. 84: 3. Zwischenaktmusik II
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5:02
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CD #11
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1
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Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - Allegro
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14:13
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2
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Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto
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9:39
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3
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Symphony no. 1 in C minor, op. 68: 3. Un poco Allegretto e grazioso
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5:05
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4
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Symphony no. 1 in C minor, op. 68: 4. Adagio - Più Andante - Allegro non troppo, ma con brio
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16:35
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5
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Gesang der Parzen, op. 89
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12:32
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CD #12
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1
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Alto Rhapsody, op. 53
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13:18
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2
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Symphony Nr. 2 in D major, op. 73: 1. Allegro non troppo
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21:02
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3
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Symphony Nr. 2 in D major, op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso
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10:02
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4
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Symphony Nr. 2 in D major, op. 73: 3. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo I
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5:25
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5
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Symphony Nr. 2 in D major, op. 73: 4. Allegro con spirito
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9:42
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CD #13
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1
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Tragic Overture, op. 81
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13:07
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2
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Schicksalslied, op. 54
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17:01
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3
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Symphony no. 3 in F major, op. 90: 1. Allegro con brio
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13:39
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4
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Symphony no. 3 in F major, op. 90: 2. Andante
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8:27
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5
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Symphony no. 3 in F major, op. 90: 3. Poco allegretto
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6:28
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6
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Symphony no. 3 in F major, op. 90: 4. Allegro
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9:01
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CD #14
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1
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Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante / Variation I. Poco più animato / Variation II. Più vivace / Variation III. Con moto / Variation IV. Andante con moto / Variation V. Vivace / Variation VI. Vivace / Variation VII. Grazioso / Variation VIII. Presto non troppo / Finale. Andante
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18:10
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2
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Nänie, op. 82
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14:00
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3
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Symphony no. 4 in E minor, op. 98: 1. Allegro non troppo
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13:06
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4
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Symphony no. 4 in E minor, op. 98: 2. Andante moderato
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12:10
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5
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Symphony no. 4 in E minor, op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I
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6:26
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6
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Symphony no. 4 in E minor, op. 98: 4. Allegro energico e passionato - Più Allegro
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10:03
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CD #15
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1
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Symphony Nr. 2 in D major, op. 73: 1. Allegro non troppo
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21:46
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2
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Symphony Nr. 2 in D major, op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso
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10:20
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3
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Symphony Nr. 2 in D major, op. 73: 3. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo I
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5:36
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4
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Symphony Nr. 2 in D major, op. 73: 4. Allegro con spirito
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9:47
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5
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Academic Festival Overture, op. 80
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10:01
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CD #16
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1
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Serenade no. 1 in D major, op. 11: 1. Allegro molto
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13:16
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2
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Serenade no. 1 in D major, op. 11: 2. Scherzo. Allegro non troppo - Trio. Poco più moto
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8:16
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3
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Serenade no. 1 in D major, op. 11: 3. Adagio non troppo
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14:53
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4
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Serenade no. 1 in D major, op. 11: 4. Menuetto I - Menuetto II
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4:09
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5
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Serenade no. 1 in D major, op. 11: 5. Scherzo. Allegro - Trio
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2:40
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6
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Serenade no. 1 in D major, op. 11: 6. Rondo. Allegro
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6:00
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7
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Serenade no. 2 in A major, op. 16: 1. Allegro moderato
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9:35
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8
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Serenade no. 2 in A major, op. 16: 2. Scherzo. Vivace
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2:37
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9
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Serenade no. 2 in A major, op. 16: 3. Adagio non troppo
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9:40
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10
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Serenade no. 2 in A major, op. 16: 4. Quasi Menuetto
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5:44
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11
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Serenade no. 2 in A major, op. 16: 5. Rondo. Allegro
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6:17
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CD #17
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1
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Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato
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22:44
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2
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Piano Concerto no. 1 in D minor, op. 15: 2. Adagio
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13:48
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3
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Piano Concerto no. 1 in D minor, op. 15: 3. Rondo. Allegro non troppo
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12:16
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CD #18
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1
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Piano Concerto no. 2 in B-flat major, op. 83: 1. Allegro non troppo
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18:00
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2
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Piano Concerto no. 2 in B-flat major, op. 83: 2. Allegro appassionato
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9:26
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3
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Piano Concerto no. 2 in B-flat major, op. 83: 3. Andante - Più adagio
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12:17
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4
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Piano Concerto no. 2 in B-flat major, op. 83: 4. Allegretto grazioso - Un poco più presto
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9:29
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CD #19
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1
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Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato
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21:02
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2
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Piano Concerto no. 1 in D minor, op. 15: 2. Adagio
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12:11
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3
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Piano Concerto no. 1 in D minor, op. 15: 3. Rondo. Allegro non troppo
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11:46
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CD #20
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1
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Piano Concerto no. 2 in B-flat major, op. 83: 1. Allegro non troppo
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17:45
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2
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Piano Concerto no. 2 in B-flat major, op. 83: 2. Allegro appassionato
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8:55
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3
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Piano Concerto no. 2 in B-flat major, op. 83: 3. Andante - Più adagio
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12:33
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4
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Piano Concerto no. 2 in B-flat major, op. 83: 4. Allegretto grazioso - Un poco più presto
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9:24
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CD #21
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1
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Violin Concerto in D major, op. 77: 1. Allegro non troppo
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23:43
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2
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Violin Concerto in D major, op. 77: 2. Adagio
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9:46
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3
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Violin Concerto in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto
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8:59
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4
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Academic Festival Overture, op. 80
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10:03
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CD #22
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1
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Violin Concerto in D major, op. 77: 1. Allegro non troppo
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22:36
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2
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Violin Concerto in D major, op. 77: 2. Adagio
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8:42
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3
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Violin Concerto in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto
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8:29
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CD #23
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1
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Violin Concerto in D major, op. 77: 1. Allegro non troppo
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21:01
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2
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Violin Concerto in D major, op. 77: 2. Adagio
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8:33
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3
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Violin Concerto in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto
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7:44
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4
|
Concerto for Violin, Cello and Orchestra in A minor, op. 102: 1. Allegro
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17:09
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5
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Concerto for Violin, Cello and Orchestra in A minor, op. 102: 2. Andante
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|
8:02
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6
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Concerto for Violin, Cello and Orchestra in A minor, op. 102: 3. Vivace non troppo - Poco meno allegro - Tempo I
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8:51
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CD #24
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1
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Ein deutsches Requiem, op. 45: 1. »Selig sind, die da Leid tragen« (chorus)
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10:26
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2
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Ein deutsches Requiem, op. 45: 2. »Denn alles Fleisch, es ist wie Gras« (chorus)
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15:03
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3
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Ein deutsches Requiem, op. 45: 3. »Herr, lehre doch mich« (baritone, chorus)
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10:29
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4
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Ein deutsches Requiem, op. 45: 4. »Wie lieblich sind deine Wohnungen« (chorus)
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5:56
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5
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Ein deutsches Requiem, op. 45: 5. »Ihr habt nun Traurigkeit« (soprano, chorus)
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7:37
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6
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Ein deutsches Requiem, op. 45: 6. »Denn wir haben hie keine bleibende Statt« (baritone, chorus)
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12:22
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7
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Ein deutsches Requiem, op. 45: 7. »Selig sind die Toten« (chorus)
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11:40
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CD #25
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1
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Prélude à l'après-midi d'un faune
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9:27
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2
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Trois Nocturnes: 1. Nuages. Modéré - Un peu animé
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6:21
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3
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Trois Nocturnes: 2. Fêtes. Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore et en serrant le mouvement
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6:15
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4
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Trois Nocturnes: 3. Sirènes. Modérément animé
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9:54
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5
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Pelléas et Melisande - Concert Suite: Acte I. Une forêt
|
|
8:05
|
6
|
Pelléas et Melisande - Concert Suite: Acte II, scène 1. Une fontaine dans le parc
|
|
9:10
|
7
|
Pelléas et Melisande - Concert Suite: Acte III, scène 2. Les souterrains du château / Acte IV, scène 2. Un appartement dans le château
|
|
7:30
|
8
|
Pelléas et Melisande - Concert Suite: Acte V: Une chambre dans le château
|
|
5:08
|
CD #26
|
|
|
1
|
Concert Overture “Othello”, op. 93
|
|
13:44
|
2
|
Symphony no. 9 in E minor “From the New World”. op. 95: 1. Adagio - Allegro molto
|
|
12:04
|
3
|
Symphony no. 9 in E minor “From the New World”. op. 95: 2. Largo
|
|
13:20
|
4
|
Symphony no. 9 in E minor “From the New World”. op. 95: 3. Molto vivace
|
|
7:39
|
5
|
Symphony no. 9 in E minor “From the New World”. op. 95: 4. Allegro con fuoco
|
|
11:28
|
CD #27
|
|
|
1
|
Symphony “Mathis der Maler”: 1. Engelkonzert. Ruhig bewegt
|
|
8:58
|
2
|
Symphony “Mathis der Maler”: 2. Grablegung. Sehr langsam
|
|
4:48
|
3
|
Symphony “Mathis der Maler”: 3. Versuchung des heiligen Antonius. Sehr langsam, frei im Zetmaiß - Sehr lebhaft
|
|
13:37
|
4
|
Nobilissima visione: 1. Einleitung und Rondo. Sehr langsam - Rondo. Mäßig schnell
|
|
7:46
|
5
|
Nobilissima visione: 2. Marsch und Pastorale. Lebhaft
|
|
8:56
|
6
|
Nobilissima visione: 3. Passacaglia. Feierlich bewegt
|
|
5:49
|
7
|
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 1. Allegro
|
|
4:05
|
8
|
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 2. Moderato - Lebhaft (Turandot: Scherzo)
|
|
7:12
|
9
|
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 3. Andantino
|
|
4:04
|
10
|
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 4. Marsch
|
|
4:39
|
CD #28
|
|
|
1
|
Zápisník zmizelého: 1. “Potkal Jsem Mladou cigánku” (tenor)
|
|
1:13
|
2
|
Zápisník zmizelého: 2. “Ta černá cigánka” (tenor)
|
|
1:18
|
3
|
Zápisník zmizelého: 3. “Svatojanské mušky tančíja” (tenor)
|
|
1:49
|
4
|
Zápisník zmizelého: 4. “Už mladé vlaštúvky” (tenor)
|
|
0:54
|
5
|
Zápisník zmizelého: 5. “Těžko sa mi oře” (tenor)
|
|
0:48
|
6
|
Zápisník zmizelého: 6. “Hajsi, vy siví volci” (tenor)
|
|
1:28
|
7
|
Zápisník zmizelého: 7. “Ztratil sem količek” (tenor)
|
|
0:53
|
8
|
Zápisník zmizelého: 8. “Nehled’te, volečci” (tenor)
|
|
1:15
|
9
|
Zápisník zmizelého: 9. “Vítaj, Janičku” (alto, tenor, chorus)
|
|
2:31
|
10
|
Zápisník zmizelého: 10. “Bože Dálný, Nesmrtelný” (alto, chorus)
|
|
4:24
|
11
|
Zápisník zmizelého: 11. “Táhne vuňa k lesu” (tenor, alto)
|
|
3:12
|
12
|
Zápisník zmizelého: 12. “Tmavá olšinka, chladná studénka” (tenor)
|
|
1:01
|
13
|
Zápisník zmizelého: 13. * * * (orchestra)
|
|
2:59
|
14
|
Zápisník zmizelého: 14. “Slnéčko sa zdvihá” (tenor)
|
|
1:03
|
15
|
Zápisník zmizelého: 15. “Moji sivi volci” (tenor)
|
|
0:56
|
16
|
Zápisník zmizelého: 16. “Co sem to udělal?” (tenor)
|
|
1:18
|
17
|
Zápisník zmizelého: 17. “Co komu súzeno” (tenor)
|
|
1:43
|
18
|
Zápisník zmizelého: 18. “Nedbám já včil o nic” (tenor)
|
|
1:06
|
19
|
Zápisník zmizelého: 19. “Letí straka” (tenor)
|
|
1:16
|
20
|
Zápisník zmizelého: 20. “Mám já panenku” (tenor)
|
|
0:44
|
21
|
Zápisník zmizelého: 21. “Muj drahý tatíčku” (tenor)
|
|
0:52
|
22
|
Zápisník zmizelého: 22. “S Bohem, rodný kraju” (tenor)
|
|
2:29
|
23
|
Sinfonietta: 1. Allegretto
|
|
2:18
|
24
|
Sinfonietta: 2. Andante
|
|
5:45
|
25
|
Sinfonietta: 3. Moderato
|
|
5:07
|
26
|
Sinfonietta: 4. Allegretto
|
|
2:59
|
27
|
Sinfonietta: 5. Andante con moto
|
|
6:54
|
CD #29
|
|
|
1
|
Grabstein für Stephan, op. 15c
|
|
9:31
|
2
|
Gruppen
|
|
22:34
|
3
|
Stele, op. 33 (revised version): 1. Adagio -
|
|
2:31
|
4
|
Stele, op. 33 (revised version): 2. Lamentoso - disperato, con moto. Nicht zu schnell, aber wild, ungeduldig -
|
|
4:07
|
5
|
Stele, op. 33 (revised version): 3. Molto sostenuto
|
|
5:55
|
CD #30
|
|
|
1
|
Symphony no. 1: 1. Langsam. Schleppend
|
|
16:13
|
2
|
Symphony no. 1: 2. Kräftig bewegt
|
|
7:23
|
3
|
Symphony no. 1: 3. Feierlich und gemessen, ohne zu schleppen
|
|
10:32
|
4
|
Symphony no. 1: 4. Stürmisch bewegt
|
|
20:37
|
CD #31
|
|
|
1
|
Symphony no. 3: Part I. 1. Kräftig. Entschieden
|
|
5:10
|
2
|
Symphony no. 3: Part I. 1. Immer das gleiche Tempo (11)
|
|
3:42
|
3
|
Symphony no. 3: Part I. 1. Tempo I (18)
|
|
4:50
|
4
|
Symphony no. 3: Part I. 1. Zeit lassen (29)
|
|
2:02
|
5
|
Symphony no. 3: Part I. 1. Zeit lassen (33)
|
|
4:10
|
6
|
Symphony no. 3: Part I. 1. Immer dasselbe Tempo. (Marsch) (43)
|
|
3:26
|
7
|
Symphony no. 3: Part I. 1. Im alten Marschtempo (Allegro Moderato): 3 Takte nach (54)
|
|
4:44
|
8
|
Symphony no. 3: Part I. 1. Tempo I (62)
|
|
5:14
|
CD #32
|
|
|
1
|
Symphony no. 3: Part II. 2. Tempo di Menuetto. Sehr mäßig
|
|
1:56
|
2
|
Symphony no. 3: Part II. 2. L'istesso tempo (3)
|
|
0:58
|
3
|
Symphony no. 3: Part II. 2. A tempo. (Wie im Anfang) (6)
|
|
3:23
|
4
|
Symphony no. 3: Part II. 2. Ganz plötzlich gemächlich. Tempo di Menuetto (14)
|
|
2:44
|
5
|
Symphony no. 3: Part II. 3. Comodo. Scherzando. Ohne Hast
|
|
2:28
|
6
|
Symphony no. 3: Part II. 3. Wieder sehr gemächlich, wie zu Anfang (6)
|
|
2:51
|
7
|
Symphony no. 3: Part II. 3. Etwas zurückhaltend: 6 Takte vor (14)
|
|
4:26
|
8
|
Symphony no. 3: Part II. 3. Tempo I: 2 Takte vor (17)
|
|
2:48
|
9
|
Symphony no. 3: Part II. 3. Wieder sehr gemächlich, beinahe langsam (27)
|
|
3:47
|
10
|
Symphony no. 3: Part II. 4. Sehr langsam. Misterioso. Durchaus ppp »O Mensch! Gib acht!« (Alto solo)
|
|
4:50
|
11
|
Symphony no. 3: Part II. 4. Più mosso subito: 6 Takte nach (6)
|
|
4:18
|
12
|
Symphony no. 3: Part II. 5. Lustig im Tempo und keck im Ausdruck »Bimm Bamm! Es sungen drei Engel« (Chor, Alto solo)
|
|
4:19
|
13
|
Symphony no. 3: Part II. 6. Langsam. Ruhevoll. Empfunden
|
|
3:18
|
14
|
Symphony no. 3: Part II. 6. Nicht mehr so breit (4)
|
|
2:41
|
15
|
Symphony no. 3: Part II. 6. Tempo I. Ruhevoll (9)
|
|
2:51
|
16
|
Symphony no. 3: Part II. 6. Nicht mehr so breit (13)
|
|
4:00
|
17
|
Symphony no. 3: Part II. 6. Tempo I (21)
|
|
2:41
|
18
|
Symphony no. 3: Part II. 6. Langsam. Tempo I (25)
|
|
6:28
|
19
|
Applause
|
|
3:19
|
CD #33
|
|
|
1
|
Symphony no. 4: 1. Bedächtig. Nicht eilen - Recht gemächlich
|
|
16:12
|
2
|
Symphony no. 4: 2. In gemächlicher Bewegung. Ohne Hast
|
|
9:34
|
3
|
Symphony no. 4: 3. Ruhevoll (Poco adagio)
|
|
19:57
|
4
|
Symphony no. 4: 4. Sehr behaglich: »Wir genießen die himmlischen Freuden«
|
|
9:28
|
5
|
Sieben frühe Lieder: 1. Nacht
|
|
3:56
|
6
|
Sieben frühe Lieder: 2. Schilflied
|
|
2:11
|
7
|
Sieben frühe Lieder: 3. Die Nachtigall
|
|
2:15
|
8
|
Sieben frühe Lieder: 4. Traumgekrönt
|
|
2:41
|
9
|
Sieben frühe Lieder: 5. Im Zimmer
|
|
1:13
|
10
|
Sieben frühe Lieder: 6. Liebesode
|
|
1:43
|
11
|
Sieben frühe Lieder: 7. Sommertage
|
|
1:53
|
12
|
Applause
|
|
0:32
|
CD #34
|
|
|
1
|
Symphony no. 5: Part I. 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
|
|
12:36
|
2
|
Symphony no. 5: Part I. 2. Stürmisch bewegt, mit größter Vehemenz
|
|
14:46
|
3
|
Symphony no. 5: Part II. 3. Scherzo. Kräftig, nicht zu schnell
|
|
17:26
|
4
|
Symphony no. 5: Part III. 4. Adagietto. Sehr langsam
|
|
9:00
|
5
|
Symphony no. 5: Part III. 5. Rondo-Finale. Allegro - Allegro giocoso. Frisch
|
|
15:40
|
CD #35
|
|
|
1
|
Symphony no. 6: 1. Allegro energico, ma non troppo. Heftig, aber markig
|
|
22:48
|
2
|
Symphony no. 6: 2. Andante moderato
|
|
13:57
|
3
|
Symphony no. 6: 3. Scherzo. Wuchtig
|
|
12:43
|
4
|
Symphony no. 6: 4. Finale. Allegro moderato - Allegro energico
|
|
29:44
|
5
|
Applause
|
|
0:24
|
CD #36
|
|
|
1
|
Symphony no. 7: 1. Langsam - Allegro
|
|
21:35
|
2
|
Symphony no. 7: 2. Nachtmusik. Allegro moderato
|
|
15:54
|
3
|
Symphony no. 7: 3. Scherzo
|
|
8:53
|
4
|
Symphony no. 7: 4. Nachtmusik. Andante amoroso
|
|
12:58
|
5
|
Symphony no. 7: 5. Rondo - Finale. Allegro ordinario - Allegro moderato ma energico
|
|
17:45
|
6
|
Applause
|
|
1:01
|
CD #37
|
|
|
1
|
Symphony no. 8: Part I: Hymnus »Veni, creator spiritus«. Allegro impetuoso. »Veni, creator spiritus« (chorus I/II)
|
|
1:33
|
2
|
Symphony no. 8: Part I: Hymnus »Veni, creator spiritus«. A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend. »Imple superna gratia« (soprano I, tenor, soprano II, alto I/II, baritone, bass, chorus I/II)
|
|
3:34
|
3
|
Symphony no. 8: Part I: Hymnus »Veni, creator spiritus«. Etwas drängend - Noch einmal so langsam. (Nicht schleppend). »Infirma nostri corporis« (chorus I/II, soprano I/II, alto I/II, tenor, bass, baritone)
|
|
2:09
|
4
|
Symphony no. 8: Part I: Hymnus »Veni, creator spiritus«. Tempo I. (Allegro, etwas hastig)
|
|
1:17
|
5
|
Symphony no. 8: Part I: Hymnus »Veni, creator spiritus«. Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend. »Infirma nostri corporis« (bass, tenor, alto I/II, baritone, soprano I/II)
|
|
2:44
|
6
|
Symphony no. 8: Part I: Hymnus »Veni, creator spiritus«. Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung. »Accende lumen sensibus« (soprano I/II, alto I/II, tenor, baritone, bass, boys' choir, chorus I/II)
|
|
4:53
|
7
|
Symphony no. 8: Part I: Hymnus »Veni, creator spiritus«. »Veni, creator spiritus« (soprano I/II, alto I/II, tenor, baritone, bass, chorus I/II, boys' choir)
|
|
4:13
|
8
|
Symphony no. 8: Part I: Hymnus »Veni, creator spiritus«. Wieder frisch. »Gloria sit Patri Domino« (boys' choir, soprano I/II, alto I/II, tenor, chorus I/II, baritone, bass)
|
|
2:57
|
CD #38
|
|
|
1
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Poco adagio
|
|
6:49
|
2
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Più mosso. (Allegro moderato)
|
|
3:15
|
3
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Wieder langsam. Chor und Echo: »Waldung, sie schwankt heran« (chorus I/II)
|
|
4:46
|
4
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Moderato. Pater ecstaticus: »Ewiger Wonnebrand« (baritone)
|
|
1:53
|
5
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Allegro - (Allegro appassionato). Pater profundus: »Wie Felsenabgrund mir zu Füßen« (bass)
|
|
4:42
|
6
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: »Gerettet ist das edle Glied der Geisterwelt vom Bösen« / Chor seliger Knaben: »Hände verschlinget euch« (chorus I/II, soprano, alto, boys' choir)
|
|
1:03
|
7
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Molto leggiero. Chor der jüngeren Engel: »Jene Rosen aus den Händen« (chorus I, soprano, alto)
|
|
1:52
|
8
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Schon etwas langsamer und immer noch mäßiger - Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: »Uns bleibt ein Erdenrest« (chorus II, soprano, alto, tenor, alto solo)
|
|
2:04
|
9
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: »Ich spür’ soeben nebelnd um Felsenhöh« / Doctor Marianus: »Hier ist die Aussicht frei« / Chor seliger Knaben: »Freudig empfangen wir« (chorus I, soprano, alto, tenor, boys' choir)
|
|
1:19
|
10
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sempre l'istesso tempo. Doctor Marianus: »Höchste Herrscherin der Welt!« (tenor, chorus I/II)
|
|
4:02
|
11
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Äußerst langsam. Adagissimo. »Dir, der Unberührbaren« (chorus I/II) / Chor der Büßerinnen und Una poenitentium: »Du schwebst zu Höhen der ewigen Reiche« (chorus II, soprano I)
|
|
3:52
|
12
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Fließend. Magna Peccatrix: »Bei der Liebe, die den Füßen« / Mulier Samaritana: »Bei dem Bronn, zu dem schon weiland« / Maria Aegyptiaca: »Bei dem hochgeweihten Orte« (soprano II, alto I, alto II)
|
|
4:57
|
13
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Una poenitentium: »Neige, neige, du Ohnegleiche« (soprano I)
|
|
0:54
|
14
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Unmerklich frischer werden. Selige Knaben: »Er überwächst uns schon« / Una poenitentium: »Vom edlen Geisterchor umgeben« (boys' choir, chorus II, soprano, soprano I)
|
|
3:23
|
15
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sehr langsam. Mater gloriosa: »Komm! hebe dich zu höhern Sphären!« / Hymnenartig (Ungefähr im selben Zeitmaß weiter). Doctor Marianus: »Blicket auf zum Retterblick, alle reuig Zarten« (soprano, tenor, chorus I/II, boys' choir)
|
|
7:16
|
16
|
Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sehr langsam beginnend. Chorus mysticus: »Alles Vergängliche ist nur ein Gleichnis« (chorus I/II, soprano I/II, alto I/II, tenor, baritone, bass, boys' choir)
|
|
5:43
|
CD #39
|
|
|
1
|
Symphony no. 9: 1. Andante comodo
|
|
25:50
|
2
|
Symphony no. 9: 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
|
|
14:56
|
3
|
Symphony no. 9: 3. Rondo-Burleske. Allegro assai. Sehr trotzig
|
|
12:21
|
4
|
Symphony no. 9: 4. Adagio. Sehr langsam und noch zurückhaltend
|
|
25:56
|
5
|
Applause
|
|
1:58
|
CD #40
|
|
|
1
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Revelge
|
|
7:11
|
2
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Rheinlegendchen
|
|
3:21
|
3
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Trost im Unglück
|
|
2:22
|
4
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Verlorne Müh’
|
|
2:42
|
5
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Der Schildwache Nachtlied
|
|
6:10
|
6
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Das irdische Leben
|
|
2:52
|
7
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Lied des Verfolgten im Turm
|
|
3:56
|
8
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?
|
|
2:05
|
9
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
|
|
4:03
|
10
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Lob des hohen Verstandes
|
|
2:32
|
11
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
|
|
7:11
|
12
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Der Tamboursg’sell
|
|
3:53
|
13
|
Lieder nach Gedichten aus Des Knaben Wunderhorn: Urlicht
|
|
5:44
|
CD #41
|
|
|
1
|
Requiem in D minor, K 626: Introitus. “Requiem aeternam”
|
|
4:29
|
2
|
Requiem in D minor, K 626: Kyrie
|
|
2:25
|
3
|
Requiem in D minor, K 626: Sequentia. “Dies irae”
|
|
1:59
|
4
|
Requiem in D minor, K 626: Sequentia. “Tuba mirum”
|
|
3:17
|
5
|
Requiem in D minor, K 626: Sequentia. “Rex tremendae”
|
|
1:44
|
6
|
Requiem in D minor, K 626: Sequentia. “Recordare”
|
|
5:04
|
7
|
Requiem in D minor, K 626: Sequentia. “Confutatis”
|
|
2:34
|
8
|
Requiem in D minor, K 626: Sequentia. “Lacrimosa”
|
|
2:53
|
9
|
Requiem in D minor, K 626: Offertorium. “Domine Jesu Christe”
|
|
3:36
|
10
|
Requiem in D minor, K 626: Offertorium. “Hostias”
|
|
3:48
|
11
|
Requiem in D minor, K 626: Sanctus
|
|
2:07
|
12
|
Requiem in D minor, K 626: Benedictus
|
|
5:10
|
13
|
Requiem in D minor, K 626: Agnus Dei
|
|
3:29
|
14
|
Requiem in D minor, K 626: Communio. “Lux aeterna”
|
|
5:24
|
15
|
Grabmusic, K 42: “Betracht dies Herz und frage mich”
|
|
4:11
|
16
|
Vesperae solennes de confessore, K 339: “Laudate Dominum”
|
|
4:30
|
CD #42
|
|
|
1
|
»Nehmt meinen Dank, ihr holden Gönner«, K 383
|
|
3:48
|
2
|
Exsultate, Jubilate, K 165
|
|
14:06
|
3
|
“Mia speranza adorata!” - “Ah, non sai qual pena sia”, K 416
|
|
8:51
|
4
|
“Ch'io mi scordi di te?” - “Non temer, amato bene”, K 505
|
|
10:29
|
5
|
Zaide, K 344: »Ruhe sanft, mein holdes Leben«
|
|
5:19
|
6
|
“Vorrei spiegarvi, oh Dio!” - “Ah conte, partite!”, K 418
|
|
6:14
|
7
|
Wigenlied, op. 41 no. 1
|
|
4:29
|
8
|
Das Rosenband, op. 36 no. 1
|
|
3:23
|
9
|
Liebeshymnus, op. 32 no. 3
|
|
2:19
|
10
|
Das Bächlein, op. AV 118
|
|
2:16
|
11
|
Morgen!, op. 27 no. 4
|
|
3:59
|
CD #43
|
|
|
1
|
Night on Bald Mountain
|
|
12:47
|
2
|
The Destruction of Sennacherib
|
|
6:05
|
3
|
Salammbô: Chorus of Priestesses
|
|
5:15
|
4
|
Oedipus in Athens: Chorus of People in the Temple
|
|
3:09
|
5
|
Joshua (Jesus Navin)
|
|
5:18
|
6
|
Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto
|
|
1:47
|
7
|
Pictures at an Exhibition: 1. Gnomus. Vivo
|
|
2:19
|
8
|
Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza
|
|
1:04
|
9
|
Pictures at an Exhibition: 2. Il vecchio castello. Andante
|
|
4:21
|
10
|
Pictures at an Exhibition: Promenade. Moderato non tanto, pesante
|
|
0:33
|
11
|
Pictures at an Exhibition: 3. Tuileries. Allegretto non troppo, capriccioso
|
|
1:11
|
12
|
Pictures at an Exhibition: 4. Bydło. Sempre moderato, pesante
|
|
2:51
|
13
|
Pictures at an Exhibition: Promenade. Tranquillo
|
|
0:44
|
14
|
Pictures at an Exhibition: 5. Ballet des petits poussins dans leurs coques. Scherzino. Vivo leggiero
|
|
1:13
|
15
|
Pictures at an Exhibition: 6. Samuel Goldberg und Schmuÿle. Andante
|
|
2:10
|
16
|
Pictures at an Exhibition: 7. Limoges. Le Marché. Allegretto vivo, sempre scherzando
|
|
1:20
|
17
|
Pictures at an Exhibition: 8. Catacombae (Sepulchrum romanum). Largo
|
|
2:01
|
18
|
Pictures at an Exhibition: Cum mortuis in lingua mortua. Andante non troppo, con lamento
|
|
2:03
|
19
|
Pictures at an Exhibition: 9. La Cabane sur des pattes de poule (Baba-Yaga). Allegro con brio, feroce - Andante mosso - Allegro molto
|
|
3:28
|
20
|
Pictures at an Exhibition: 10. La Grande Porte de Kiev. Allegro alla breve. Maestoso. Con grandezza
|
|
5:16
|
CD #44
|
|
|
1
|
Romeo and Juliet, op. 64b: The Montagues and the Capulets (op. 64b/1). Andante - Allegro pesante - Moderato tranquillo - Allegro pesante
|
|
4:59
|
2
|
Romeo and Juliet, op. 101: Romeo at the fountain (op. 101/1, fig. 2). Andante assai
|
|
1:30
|
3
|
Romeo and Juliet, op. 64: The street awakens (op. 64/3). Allegretto
|
|
1:30
|
4
|
Romeo and Juliet, op. 101: Morning Dance (op. 101/2). Allegro
|
|
2:28
|
5
|
Romeo and Juliet, op. 64: The quarrel (op. 64/5). Allegro brusco
|
|
1:41
|
6
|
Romeo and Juliet, op. 64: The fight (op. 64/6). Presto - Poco più sostenuto - Tempo I
|
|
2:31
|
7
|
Romeo and Juliet, op. 64: Dance with mandolins (op. 64/25). Vivace
|
|
1:44
|
8
|
Romeo and Juliet, op. 64: The Nurse (op. 64/26). Adagio scherzoso
|
|
2:10
|
9
|
Romeo and Juliet, op. 64b: Juliet the Young Girl (op. 64b/2). Vivace - Andante dolente - Lento
|
|
3:39
|
10
|
Romeo and Juliet, op. 64: Dance of the five couples (op. 64/24). Vivo - Meno mosso (Moderato marchiale) - Vivo, come prima
|
|
4:19
|
11
|
Romeo and Juliet, op. 64: Interlude (op. 64/8). Andante pomposo (L'istesso tempo)
|
|
1:52
|
12
|
Romeo and Juliet, op. 64: Masks (op. 64/12). Moderato marciale - Andante
|
|
2:06
|
13
|
Romeo and Juliet, op. 64a: Romeo and Juliet (op. 64a/6). Larghetto - Andante - Più mosso
|
|
7:20
|
14
|
Romeo and Juliet, op. 64a: Tybalt's death (op. 64a/7). Precipitato - Presto - Adagio drammatico
|
|
4:47
|
15
|
Romeo and Juliet, op. 64b: Romeo and Juliet before parting (op. 64b/5). Lento - Andante - Adagio - Poco più animato - Adagio - Andante
|
|
8:25
|
16
|
Romeo and Juliet, op. 64: Morning Serenade (op. 64/48). Andante giocoso
|
|
2:32
|
17
|
Romeo and Juliet, op. 64: Dance of the young girls with the lilies (op. 64/49). Andante con eleganza
|
|
2:24
|
18
|
Romeo and Juliet, op. 64: At Juliet's bedside (op. 64/50, Fig. 345). Andante - Adagio
|
|
1:58
|
19
|
Romeo and Juliet, op. 64: Juliet's funeral (op. 64/51). Adagio funebre -
|
|
6:14
|
20
|
Romeo and Juliet, op. 64: Death of Juliet (op. 64/52). Adagio (meno mosso del tempo precedente)
|
|
4:18
|
CD #45
|
|
|
1
|
Piano Concerto no. 1 in D-flat major, op. 10: 1. Allegro brioso - Poco più mosso - Tempo I - Meno mosso - Più mosso (Tempo I) - Animato -
|
|
6:26
|
2
|
Piano Concerto no. 1 in D-flat major, op. 10: 2. Andante assai -
|
|
4:10
|
3
|
Piano Concerto no. 1 in D-flat major, op. 10: 3. Allegro scherzando - Poco più sostenuto - Più mosso - Animato
|
|
4:13
|
4
|
Piano Concerto no. 3 in C major, op. 26: 1. Andante - Allegro
|
|
9:26
|
5
|
Piano Concerto no. 3 in C major, op. 26: 2. Tema. Andantino - Variation I. L'istesso tempo - Var. II. Allegro - Var. III. Allegro moderato - Var. IV. Andantino meditativo - Var. V. Allegro giusto - Tema. L'istesso tempo
|
|
8:42
|
6
|
Piano Concerto no. 3 in C major, op. 26: 3. Allegro ma non troppo
|
|
9:28
|
CD #46
|
|
|
1
|
Piano Concerto no. 3 in C major, op. 26: 1. Andante - Allegro
|
|
8:59
|
2
|
Piano Concerto no. 3 in C major, op. 26: 2. Tema. Andantino - Variation I. L'istesso tempo - Var. II. Allegro - Var. III. Allegro moderato - Var. IV. Andantino meditativo - Var. V. Allegro giusto - Tema. L'istesso tempo
|
|
9:03
|
3
|
Piano Concerto no. 3 in C major, op. 26: 3. Allegro ma non troppo
|
|
9:09
|
4
|
Piano Concerto in G major, M. 83: 1. Allegramente
|
|
8:10
|
5
|
Piano Concerto in G major, M. 83: 2. Adagio assai
|
|
9:03
|
6
|
Piano Concerto in G major, M. 83: 3. Presto
|
|
3:55
|
CD #47
|
|
|
1
|
Piano Concerto no. 2 in C minor, op. 18: 1. Moderato
|
|
11:03
|
2
|
Piano Concerto no. 2 in C minor, op. 18: 2. Adagio sostenuto
|
|
11:30
|
3
|
Piano Concerto no. 2 in C minor, op. 18: 3. Allegro scherzando
|
|
11:43
|
4
|
Piano Concerto no. 3 in D minor, op. 30: 1. Allegro ma non troppo
|
|
16:16
|
5
|
Piano Concerto no. 3 in D minor, op. 30: 2. Intermezzo. Adagio
|
|
11:25
|
6
|
Piano Concerto no. 3 in D minor, op. 30: 3. Finale. Alla breve
|
|
14:20
|
CD #48
|
|
|
1
|
Piano Concerto in A minor, op. 54: I. Allegro affettuoso
|
|
15:09
|
2
|
Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso)
|
|
5:30
|
3
|
Piano Concerto in A minor, op. 54: III. Allegro vivace
|
|
10:42
|
4
|
Concerto for Piano and Orchestra, op. 42: I. Andante
|
|
4:35
|
5
|
Concerto for Piano and Orchestra, op. 42: II. Molto allegro
|
|
2:31
|
6
|
Concerto for Piano and Orchestra, op. 42: III. Adagio
|
|
6:02
|
7
|
Concerto for Piano and Orchestra, op. 42: IV. Giocoso (moderato)
|
|
6:02
|
CD #49
|
|
|
1
|
Gesang der Apollopriesterin, op. 33 no. 2
|
|
7:37
|
2
|
Freundliche Vision, op. 48 no. 1
|
|
2:52
|
3
|
Cäcilie, op. 27 no. 2
|
|
2:12
|
4
|
Verführung, op. 33 no. 1
|
|
7:48
|
5
|
Frühlingsfeier, op. 56 no. 5
|
|
3:06
|
6
|
Waldseligkeit, op. 49 no. 1
|
|
2:55
|
7
|
Vier letzte Lieder: Frühling
|
|
3:48
|
8
|
Vier letzte Lieder: September
|
|
4:48
|
9
|
Vier letzte Lieder: Beim Schlafengehen
|
|
5:31
|
10
|
Vier letzte Lieder: Im Abendrot
|
|
8:25
|
CD #50
|
|
|
1
|
Piano Concerto no. 1 in B-flat major, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito
|
|
19:10
|
2
|
Piano Concerto no. 1 in B-flat major, op. 23: 2. Andantino semplice - Prestissimo - Tempo I
|
|
6:30
|
3
|
Piano Concerto no. 1 in B-flat major, op. 23: 3. Allegro con fuoco
|
|
6:19
|
CD #51
|
|
|
1
|
The Tempest, op. 18
|
|
23:15
|
2
|
Slavonic March, op. 31
|
|
10:39
|
3
|
Romeo and Juliet
|
|
20:09
|
4
|
Ouverture solennelle “1812”, op. 49
|
|
14:40
|
CD #52
|
|
|
1
|
La forza del destino: Sinfonia
|
|
7:19
|
2
|
Luisa Miller: Sinfonia
|
|
5:45
|
3
|
Nabucco: Sinfonia
|
|
7:30
|
4
|
Aida: Preludio
|
|
4:21
|
5
|
La traviata: Act I. Preludio
|
|
4:02
|
6
|
Macbeth: Ballabile
|
|
9:22
|
7
|
La traviata: Act III. Preludio
|
|
3:46
|
8
|
Don Carlos: Act II. Preludio
|
|
2:46
|
9
|
Les Vêpres siciliennes: Ouverture
|
|
9:27
|
CD #53
|
|
|
1
|
Falstaff: Atto I, parte 1. “Falstaff!” / “Olà!” / “Sir John Falstaff!” (Dr. Cajus, Falstaff, Bardolfo, Pistola)
|
|
4:59
|
2
|
Falstaff: Atto I, parte 1. “Sei polli: sei scellini” (Falstaff, Bardolfo, Pistola)
|
|
2:36
|
3
|
Falstaff: Atto I, parte 1. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Bardolfo, Pistola)
|
|
3:46
|
4
|
Falstaff: Atto I, parte 1. “L'onore! Ladri!” (Falstaff)
|
|
4:07
|
5
|
Falstaff: Atto I, parte 2. “Alice” / “Meg” / “Nannetta” (Meg, Alice, Quickly, Nannetta)
|
|
1:17
|
6
|
Falstaff: Atto I, parte 2. “Fulgida Alice! amor t'offro” ... “Quell'otre! quel tino!” (Meg, Alice, Quickly, Nannetta, Dr. Cajus, Bardolfo, Fenton, Pistola, Ford)
|
|
3:41
|
7
|
Falstaff: Atto I, parte 2. “In due parole” (Pistola, Dr. Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly)
|
|
1:22
|
8
|
Falstaff: Atto I, parte 2. “Pst, pst, Nannetta” (Fenton, Nannetta, Alice, Meg, Quickly)
|
|
5:09
|
9
|
Falstaff: Atto I, parte 2. “Udrai quanta egli sfoggia” (Bardolfo, Ford, Pistola, Dr. Cajus, Alice, Nannetta, Meg, Quickly, Fenton)
|
|
3:04
|
10
|
Falstaff: Atto II, parte 1. “Siam pentiti e contriti” / “Reverenza!” (Bardolfo, Pistola, Falstaff, Quickly)
|
|
5:45
|
11
|
Falstaff: Atto II, parte 1. “Alice è mia! Va', vecchio John” (Falstaff, Bardolfo)
|
|
1:49
|
12
|
Falstaff: Atto II, parte 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)
|
|
2:33
|
13
|
Falstaff: Atto II, parte 1. “C'è a Windsor una dama” (Ford, Falstaff)
|
|
6:27
|
14
|
Falstaff: Atto II, parte 1. “È sogno? o realtà?” (Ford, Falstaff)
|
|
5:37
|
CD #54
|
|
|
1
|
Falstaff: Atto II, parte 2. “Presenteremo un bill” ... “Giunta all'albergo della Giarrettiera” (Alice, Quickly, Meg, Nannetta)
|
|
3:54
|
2
|
Falstaff: Atto II, parte 2. “Gaie comari di Windsor!” (Alice, Meg, Quickly, Nannetta)
|
|
1:36
|
3
|
Falstaff: Atto II, parte 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice)
|
|
3:17
|
4
|
Falstaff: Atto II, parte 2. “Quand'ero paggio” (Falstaff, Alice, Quickly)
|
|
1:01
|
5
|
Falstaff: Atto II, parte 2. “Mia signora!” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola)
|
|
2:41
|
6
|
Falstaff: Atto II, parte 2. “Vien qua” / “Che chiasso!” (Nannetta, Fenton, Dr. Cajus, Ford, Pistola, Bardolfo)
|
|
1:37
|
7
|
Falstaff: Atto II, parte 2. “C'è” / “C'è” / “Se t'agguanto!” ... “Se ti piglio!” (Ford, Dr. Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, chorus, Alice)
|
|
5:00
|
8
|
Falstaff: Atto III, parte 1. “Ehi! Taverniere! Mondo ladro” (Falstaff)
|
|
5:44
|
9
|
Falstaff: Atto III, parte 1. “Reverenza. La bella Alice” ... “Quando il rintocco della mezzanotte” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Dr. Cajus)
|
|
5:04
|
10
|
Falstaff: Atto III, parte 1. “Brava. Quelle corna saranno la mia gioia!” (Ford, Alice, Meg, Fenton, Nannetta, Dr. Cajus, Quickly)
|
|
4:36
|
11
|
Falstaff: Atto III, parte 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta, Alice, Quickly, Meg)
|
|
5:19
|
12
|
Falstaff: Atto III, parte 2. “Una, due, tre, quattro” (Falstaff, Alice, Meg)
|
|
3:16
|
13
|
Falstaff: Atto III, parte 2. “Ninfe! Elfi! Silfi!” ... “Sul fil d'un soffio etesio” (Nannetta, chorus, Falstaff, Alice)
|
|
5:29
|
14
|
Falstaff: Atto III, parte 2. “Alto là” / “Chi va là” ... “Pizzica, pizzica” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, chorus, Ford, Dr. Cajus)
|
|
6:01
|
15
|
Falstaff: Atto III, parte 2. “Ogni sorta di gente dozzinale” (Falstaff, Alice, Meg, Quickly, chorus, Ford, Bardolfo, Pistola, Nannetta, Fenton, Dr. Cajus)
|
|
3:20
|
16
|
Falstaff: Atto III, parte 2. “Facciamo il parentado” ... “Tutto nel mondo è burla” (Ford, Bardolfo, Pistola, Alice, Nannetta, Fenton, Quickly, Meg, Falstaff, Dr. Cajus, chorus)
|
|
3:22
|
CD #55
|
|
|
1
|
Luisa Miller: Atto II. “Oh! Fede negar potessi” (Rodolfo)
|
|
1:39
|
2
|
Luisa Miller: Atto II. “Quando le sere al placido” (Rodolfo)
|
|
4:10
|
3
|
I Lombardi alla prima crociata: Atto II. “La mia letizia infondere” (Oronte)
|
|
2:22
|
4
|
Aida: Atto I. “Se quel guerrier io fossi” (Radamès)
|
|
0:55
|
5
|
Aida: Atto I. “Celeste Aida” (Radamès)
|
|
3:32
|
6
|
Ernani: Atto I. “Mercé, diletti amici” (Ernani)
|
|
1:02
|
7
|
Ernani: Atto I. “Come rugiada al cespite” (Ernani)
|
|
2:31
|
8
|
Ernani: Atto I. “Dell'esilio nel dolore ... O tu che l'alma adora” (Ernani, chorus)
|
|
3:11
|
9
|
Un ballo in maschera: Atto III. “Forse la soglia attinse” (Riccardo)
|
|
2:30
|
10
|
Un ballo in maschera: Atto III. “Ma se m'è forza perderti” (Riccardo)
|
|
3:02
|
11
|
Otello: Atto III. “Dio, mi potevi scagliar” (Otello)
|
|
2:21
|
12
|
Otello: Atto IV. “Ma, o pianto, o duol!” (Otello)
|
|
2:36
|
13
|
Otello: Atto IV. “Niun mi tema” (Otello, Cassio, Lodovico, Montano)
|
|
6:12
|
14
|
La forza del destino: Atto III. Introduzione
|
|
3:58
|
15
|
La forza del destino: Atto III. “La vita è inferno” (Alvaro)
|
|
2:58
|
16
|
La forza del destino: Atto III. “O tu che in seno agli angeli” (Alvaro)
|
|
3:49
|
17
|
Macbeth: Atto IV. “O figli” (Macduff)
|
|
1:13
|
18
|
Macbeth: Atto IV. “Ah, la paterna mano” (Macduff)
|
|
2:53
|
19
|
Jérusalem: Acte II. « L'Émir auprès de lui m'appelle » (Gaston)
|
|
2:52
|
20
|
Jérusalem: Acte II. « Je veux encore entendre ta voix » (Gaston)
|
|
3:27
|
21
|
Il trovatore: Atto III. “Ah sì, ben mio” (Manrico)
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3:19
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22
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Il trovatore: Atto III. “Di quella pira” (Manrico, Leonora, chorus)
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3:26
|
CD #56
|
|
|
1
|
Tannhäuser und der Sängerkrieg auf Wartburg: Ouvertüre
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14:28
|
2
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Parsifal: Vorspiel zum Ersten Aufzug
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12:35
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3
|
Parsifal: Suite aus dem Dritten Aufzug. Feierlich bewegt
|
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3:11
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4
|
Parsifal: Suite aus dem Dritten Aufzug. Karfreitagszauber. Sehr ruhig, ohne Dehnung
|
|
6:28
|
5
|
Parsifal: Suite aus dem Dritten Aufzug. Verwandlungsmusik und Ritterzug / Langsam - »Geleiten wir im bergenden Schrein den Gral zum heiligen Amte« (Ritter)
|
|
9:05
|
6
|
Parsifal: Suite aus dem Dritten Aufzug. Breit - »Höchsten Heiles Wunder! Erlösung dem Erlöser!« (Knaben, Jünglinge, Ritter)
|
|
7:14
|
7
|
Tristan und Isolde: Vorspiel zum Ersten Aufzug
|
|
10:14
|
8
|
Tristan und Isolde: Isoldes Liebestod
|
|
6:43
|
CD #57
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|
|
1
|
Der fliegende Holländer: Ouvertüre
|
|
10:35
|
2
|
Der fliegende Holländer: »Die Frist ist um« (Holländer)
|
|
10:56
|
3
|
Die Meistersinger von Nürnberg: »Wahn! Wahn! Überall Wahn!« (Sachs)
|
|
7:15
|
4
|
Die Meistersinger von Nürnberg: »Was duftet doch der Flieder« (Sachs)
|
|
6:49
|
5
|
Tannhäuser und der Sängerkrieg auf Wartburg: »Wie Todesahnung Dämmrung deckt die Lande ... O du mein holder Abendstern« (Wolfram)
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|
5:40
|
6
|
Parsifal: »Nein! Lasst ihn unenthüllt!« (Amfortas)
|
|
8:05
|
7
|
Parsifal: »Ja, Wehe! Wehe! Weh' über mich!« (Amfortas)
|
|
6:26
|
8
|
Die Walküre: »Leb wohl, du kühnes, herrliches Kind!« (Wotan)
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|
16:10
|
CD #58
|
|
|
1
|
Tannhäuser und der Sängerkrieg auf Wartburg: Ouvertüre
|
|
14:25
|
2
|
Tannhäuser und der Sängerkrieg auf Wartburg: »Dich, teure Halle, grüß ich wieder« (Elisabeth)
|
|
3:25
|
3
|
Tannhäuser und der Sängerkrieg auf Wartburg: »Wie Todesahnung Dämmrung deckt die Lande ... O du mein holder Abendstern« (Wolfram)
|
|
5:48
|
4
|
Lohengrin: »In ferner Einsamkeit des Waldes« ... »Um Gott, was klagest du mich an?« (Ortrud, Elsa)
|
|
14:20
|
5
|
Die Meistersinger von Nürnberg: Vorspiel zum Ersten Aufzug
|
|
10:22
|
6
|
Die Meistersinger von Nürnberg: »Was duftet doch der Flieder« (Sachs)
|
|
6:35
|
7
|
Die Walküre: »Dich selige Frau« ... »Winterstürme wichen dem Wonnemonde« ... »Du bist der Lenz, nach dem ich verlangte« (Siegmund, Sieglinde)
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|
16:34
|
8
|
Die Walküre: Walkürenritt
|
|
4:58
|
CD #59
|
|
|
1
|
Carmen: Prélude
|
|
2:09
|
2
|
Carmen: Havanaise (Habanera): « L'amour est un oiseau rebelle » (Carmen, chorus)
|
|
4:30
|
3
|
Carmen: Couplet (Air du Toréador): « Votre toast... je peux vous le rendre » (Escamillo, chorus, Frasquita, Mercédès, Carmen)
|
|
5:07
|
4
|
Carmen: Chanson (Gypsy Song): « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita)
|
|
4:45
|
5
|
Carmen: Air de la Fleur (Flower Song): « La fleur que tu m'avais jetée » (Don José)
|
|
4:13
|
6
|
Carmen: Chœur: « Les voici ! Voici la quadrille » (chorus)
|
|
4:11
|
7
|
Rapsodie espagnole, M. 54: Prélude à la nuit
|
|
4:32
|
8
|
Rapsodie espagnole, M. 54: Malagueña
|
|
2:11
|
9
|
Rapsodie espagnole, M. 54: Habanera
|
|
2:39
|
10
|
Rapsodie espagnole, M. 54: Feria
|
|
6:31
|
11
|
Concert Fantasy on “Carmen”, op. 25
|
|
11:16
|
12
|
Rhapsody on a Theme of Paganini, op. 43
|
|
23:23
|
13
|
Hungarian Dance no. 5 in G minor
|
|
2:57
|
CD #60
|
|
|
1
|
Le nozze di Figaro: Ouverture
|
|
4:27
|
2
|
Le nozze di Figaro: “Giunse alfin il momento ... Deh vieni, non tardar, o gioia bella” (Susanna)
|
|
3:51
|
3
|
Don Giovanni: Canzonetta: “Deh, vieni alla finestra” (Don Giovanni)
|
|
1:58
|
4
|
Die Zauberflöte: Duet: »Bei Männern, welche Liebe fühlen« (Pamina, Papageno)
|
|
2:54
|
5
|
Don Giovanni: “Fin ch'han dal vino” (Don Giovanni)
|
|
1:26
|
6
|
Don Giovanni: Duettino: “Là ci darem la mano” (Don Giovanni, Zerlina)
|
|
3:02
|
7
|
German Dance “The Sleighride”, K 605 no. 3
|
|
2:38
|
8
|
L'Arlésienne: Suite no. 1: Carillon & Suite no. 2: Farandole
|
|
7:40
|
9
|
La forza del destino: Sinfonia
|
|
7:40
|
10
|
Rigoletto: Duetto: “È il sol dell'anima” ... “Forse mio padre” ... “Addio, speranza ed anima” (duca, Gilda)
|
|
4:46
|
11
|
Rigoletto: Aria: “Caro nome che il mio cor” (Gilda)
|
|
4:38
|
12
|
Rigoletto: Canzone: “La donna è mobile” (duca)
|
|
2:13
|
13
|
Un ballo in maschera: Aria: “Eri tu che macchiavi quell'anima” (Renato)
|
|
4:35
|
14
|
Eugen Onegin: “Puskay pogibnu ya, no prežde” (Tatyana)
|
|
13:33
|
15
|
Eugen Onegin: Act III. Polonaise
|
|
4:37
|
16
|
La traviata: “Libiamo ne' lieti calici” (Alfredo, Violetta, tutti)
|
|
3:31
|
17
|
Concert Overture “La Carnaval romain”, op. 9
|
|
8:28
|
Other Releases in Group (3)
Pseudo-Release
-
The Complete Deutsche Grammophon Recordings I,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD (English)
-
The Complete Deutsche Grammophon Recordings II,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD (English)
-
The Complete Deutsche Grammophon Recordings III,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD (English)
Links (2)
Discography Entry
-
https://www.deutschegrammophon.com/en/catalogue/products/abbado-complete-berlin-philharmonic-recordings-7566
Purchase For Mail-Order
-
https://www.prestomusic.com/classical/products/8443180--claudio-abbado-the-berlin-philharmoniker-the-complete-recordings-on-deutsche-grammophon