Leonard Bernstein: The Remastered Edition
Leonard Bernstein
Release: 10 Nov 2017 [Worldwide],
Language: [Multiple languages],
Status: Official
Format: CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD,
Tracks: 863,
Length: 14:10:00,
Barcode: 889854171421
Release type: Other - Compilation
Contents
CD #1
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1
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Histoire du soldat: The Soldier’s March
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1:42
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2
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Histoire du soldat: Music to Scene I
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2:50
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3
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Histoire du soldat: The Royal March
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2:48
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4
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Histoire du soldat: Music to Scene II
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2:36
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5
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Histoire du soldat: The Little Concert
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3:19
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6
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Histoire du soldat: 3 Dances: Tango – Waltz – Ragtime
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6:23
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7
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Histoire du soldat: Little Chorale
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0:40
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8
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Histoire du soldat: The Devil's Dance
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1:28
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9
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Histoire du soldat: Great Chorale
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2:55
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10
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Histoire du soldat: Triumphal March of the Devil
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2:20
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11
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Octet for Wind Instruments: I. Sinfonia
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4:02
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12
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Octet for Wind Instruments: II. Tema con variazioni
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7:47
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13
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Octet for Wind Instruments: III. Finale
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3:42
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14
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La Création di monde, Ballet, op. 81
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15:57
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15
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Afterthought
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3:22
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CD #2
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1
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The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part I. The Prologue. Lento moderato
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2:21
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2
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The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part I. The Seven Ages. Variations 1–7
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8:22
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3
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The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part I. The Seven Stages. Variations 8–14
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5:51
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4
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The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part II. The Dirge. Largo
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5:38
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5
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The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part II. The Masque. Extremely fast
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4:26
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6
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The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part II. The Epilogue. L’istesso tempo – Adagio – Con moto
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5:27
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7
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Serenade for Solo Violin, Strings, Hard and Percussion: I. Phaedrus - Pausanias. Lento – Allegro marcato
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7:01
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8
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Serenade for Solo Violin, Strings, Hard and Percussion: II. Aristophanes. Allegretto
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4:18
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9
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Serenade for Solo Violin, Strings, Hard and Percussion: III. Eryximachus. Presto
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1:28
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10
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Serenade for Solo Violin, Strings, Hard and Percussion: IV. Agathon. Adagio
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7:34
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11
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Serenade for Solo Violin, Strings, Hard and Percussion: V. Socrates - Alcibiades. Molto tenuto – Adagio – Allegro molto vivace - Molto giocoso
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10:33
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CD #3
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1
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Symphony for Classical Orchestra: I. Adagio – Allegro
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12:13
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2
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Symphony for Classical Orchestra: II. Adagietto
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15:29
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3
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Symphony for Classical Orchestra: III. Scherzo
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5:18
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4
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Symphony for Classical Orchestra: IV. Finale. Allegro con spirito
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10:53
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CD #4
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1
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Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro
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12:44
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2
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Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante
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12:16
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3
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Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto – Presto
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8:00
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4
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Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro
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11:23
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5
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Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante]
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8:00
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6
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Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro
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8:26
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CD #5
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1
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L'Oiseau de feu, Suite (1919 version): Introduction
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3:21
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2
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L'Oiseau de feu, Suite (1919 version): L’Oiseau de feu et sa danse
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0:14
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3
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L'Oiseau de feu, Suite (1919 version): Variation de l’Oiseau de feu
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1:09
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4
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L'Oiseau de feu, Suite (1919 version): Ronde des princesses
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5:14
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5
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L'Oiseau de feu, Suite (1919 version): Danse infernale du roi Kachtcheï
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3:56
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6
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L'Oiseau de feu, Suite (1919 version): Berceuse
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3:50
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7
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L'Oiseau de feu, Suite (1919 version): Finale
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3:33
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8
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Romeo and Juliet: Fantasy Overture after Shakespeare
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19:21
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CD #6
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1
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Concerto for Violin and Orchestra no. 2, Sz 112: I. Allegro non troppo
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15:20
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2
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Concerto for Violin and Orchestra no. 2, Sz 112: II. Andante tranquillo – Allegro scherzando – Tempo I
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10:04
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3
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Concerto for Violin and Orchestra no. 2, Sz 112: III. Allegro molto
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10:56
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CD #7
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1
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Le Sacre du printemps: Part I: L’Adoration de la terre. Introduction
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3:29
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2
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Le Sacre du printemps: Part I: L’Adoration de la terre. Les Augures printaniers (Danses des adolescentes)
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3:17
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3
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Le Sacre du printemps: Part I: L’Adoration de la terre. Jeu du rapt
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1:16
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4
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Le Sacre du printemps: Part I: L’Adoration de la terre. Rondes printanières
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3:41
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5
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Le Sacre du printemps: Part I: L’Adoration de la terre. Jeux des cités rivales
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1:51
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6
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Le Sacre du printemps: Part I: L’Adoration de la terre. Cortège du Sage
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0:39
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7
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Le Sacre du printemps: Part I: L’Adoration de la terre. Adoration de la terre (Le Sage)
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0:22
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8
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Le Sacre du printemps: Part I: L’Adoration de la terre. Danse de la terre
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1:11
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9
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Le Sacre du printemps: Part II: Le Sacrifice. Introduction
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5:13
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10
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Le Sacre du printemps: Part II: Le Sacrifice. Cercles mystérieux des adolescentes
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3:18
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11
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Le Sacre du printemps: Part II: Le Sacrifice. Glorification de l’Élue
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1:30
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12
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Le Sacre du printemps: Part II: Le Sacrifice. Évocation des ancêtres
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0:52
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13
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Le Sacre du printemps: Part II: Le Sacrifice. Action rituelle des ancêtres
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3:23
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14
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Le Sacre du printemps: Part II: Le Sacrifice. Danse sacrale (L’Élue)
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4:32
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CD #8
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1
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Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo
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23:43
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2
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Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto
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10:47
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3
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Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro
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9:10
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CD #9
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1
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Symphony no. 5 in D minor, op. 47: I. Moderato
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16:19
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2
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Symphony no. 5 in D minor, op. 47: II. Allegretto
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4:57
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3
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Symphony no. 5 in D minor, op. 47: III. Largo
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15:39
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4
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Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
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8:59
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CD #10
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1
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Rhapsody in Blue
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16:33
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2
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An American in Paris
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18:29
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3
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Grand Canyon Suite: I. Sunrise
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5:16
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4
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Grand Canyon Suite: II. Painted Desert
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5:47
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5
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Grand Canyon Suite: III. On the Trail
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7:22
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6
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Grand Canyon Suite: IV. Sunset
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5:26
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7
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Grand Canyon Suite: V. Cloudburst
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9:00
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CD #11
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1
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Images pour orchestre: I. Gigues
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8:23
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2
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Images pour orchestre: II. Ibéria: Par les rues et par les chemins
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6:52
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3
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Images pour orchestre: II. Ibéria: Les Parfums de la nuit
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9:37
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4
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Images pour orchestre: II. Ibéria: Le Matin d’un jour de fête
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4:13
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5
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Images pour orchestre: III. Rondes de printemps
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7:59
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CD #12
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1
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Concerto for Diverse Instruments in C major, RV 558: I. Allegro molto
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5:50
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2
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Concerto for Diverse Instruments in C major, RV 558: II. Andante molto
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2:10
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3
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Concerto for Diverse Instruments in C major, RV 558: III. Allegro
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2:59
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4
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Concerto for Oboe, Strings and Basso continuo in D minor, RV 454: I. Allegro
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4:50
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5
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Concerto for Oboe, Strings and Basso continuo in D minor, RV 454: II. Largo
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2:15
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6
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Concerto for Oboe, Strings and Basso continuo in D minor, RV 454: III. Allegro
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3:15
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7
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Concerto for Flute, Strings and Basso continuo in C minor, RV 441: I. Allegro non molto
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5:24
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8
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Concerto for Flute, Strings and Basso continuo in C minor, RV 441: II. Largo
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3:10
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9
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Concerto for Flute, Strings and Basso continuo in C minor, RV 441: III. [Allegro]
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4:37
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10
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Concerto for Piccolo (Flautino), Strings and Basso continuo in C major, RV 443: I. [Allegro]
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4:21
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11
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Concerto for Piccolo (Flautino), Strings and Basso continuo in C major, RV 443: II. Largo
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4:05
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12
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Concerto for Piccolo (Flautino), Strings and Basso continuo in C major, RV 443: III. Allegro molto
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3:12
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CD #13
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1
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Symphony no. 2: I. Andante moderato
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5:56
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2
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Symphony no. 2: II. Allegro
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10:20
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3
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Symphony no. 2: III. Adagio cantabile
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10:43
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4
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Symphony no. 2: IV. Lento (maestoso)
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2:58
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5
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Symphony no. 2: V. Allegro molto vivace
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9:15
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6
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Symphony no. 3 “The Camp Meeting”: I. Old Folks Gatherin’. Andante maestoso
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8:49
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7
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Symphony no. 3 “The Camp Meeting”: II. Children’s Day. Allegro
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7:23
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8
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Symphony no. 3 “The Camp Meeting”: III. Communion. Largo
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8:46
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9
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The Unanswered Question
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5:33
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10
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Central Park in the Dark
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7:54
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CD #14
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1
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4 Dance Episodes from Rodeo: Buckaroo Holiday. Allegro con spirito
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7:03
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2
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4 Dance Episodes from Rodeo: Corral Nocturne. Moderato
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4:05
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3
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4 Dance Episodes from Rodeo: Saturday Night Waltz. Introduction - Slow Waltz
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4:14
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4
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4 Dance Episodes from Rodeo: Hoe‐Down. Allegro
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3:13
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5
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Billy the Kid: Introduction. The Open Prairie
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3:15
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6
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Billy the Kid: Street in a Frontier Town
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3:22
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7
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Billy the Kid: Mexican Dance and Finale
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3:10
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8
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Billy the Kid: Prairie Night (Card Game at Night)
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3:12
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9
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Billy the Kid: Gun Battle
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1:49
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10
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Billy the Kid: Celebration (after Billy's Capture)
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2:21
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11
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Billy the Kid: Billy’s Death
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1:19
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12
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Billy the Kid: The Open Prairie Again
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1:48
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CD #15
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1
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Peter and the Wolf, op. 67
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27:10
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2
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The Nutcracker, Suite, op. 71a: I. Ouverture miniature. Allegro giusto
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3:16
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3
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The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Marche. Tempo di marcia viva
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2:31
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4
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The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Danse de la fée Dragée. Andante non troppo
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1:41
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5
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The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Danse russe Trépak. Tempo di Trépak, molto vivace
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1:02
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6
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The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Danse arabe. Allegretto
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2:56
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7
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The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Danse chinoise. Allegro moderato
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1:08
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8
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The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Danse des mirlitons. Moderato assai
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2:07
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9
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The Nutcracker, Suite, op. 71a: III. Valse des fleurs. Tempo di valse
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6:25
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CD #16
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1
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Kindertotenlieder: “Nun will die Sonn’ so hell aufgehn”
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5:59
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2
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Kindertotenlieder: “Nun seh ich wohl, warum so dunkle Flammen”
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5:08
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3
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Kindertotenlieder: “Wenn dein Mütterlein”
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5:38
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4
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Kindertotenlieder: “Oft denk ich, sie sind nur ausgegangen”
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2:44
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5
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Kindertotenlieder: “In diesem Wetter, in diesem Braus”
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6:38
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6
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5 Lieder nach Texten von Friedrich Rückert: “Ich atmet’ einen linden Duft”
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2:55
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7
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5 Lieder nach Texten von Friedrich Rückert: “Ich bin der Welt abhanden gekommen”
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6:32
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8
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Lieder nach Gedichten aus »Des Knaben Wunderhorn«: “Das irdische Leben”
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2:33
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9
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5 Lieder nach Texten von Friedrich Rückert: “Um Mitternacht”
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7:00
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CD #17
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1
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On the Town: Act I. Opening: New York, New York - Gabey's Comin’ - Dance: Miss Turnstiles (Variations) (Gabey, Chip, Ozzie, ensemble, announcer)
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11:31
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2
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On the Town: Act I. Taxi Number: Come Up to My Place (Hildy, Chip)
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2:47
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3
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On the Town: Act I. Carried Away (Claire, Ozzie)
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3:01
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4
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On the Town: Act I. Lonely Town - High School Girls - Pas de deux (ballet music) (Gabey)
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6:46
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5
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On the Town: Act I. Carnegie Hall Pavane (Do‐Do‐Re‐Do) (ensemble)
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2:37
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6
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On the Town: Act I. I Can Cook, Too (Hildy)
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2:30
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7
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On the Town: Act I. Lucky to Be Me (Gabey, ensemble)
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2:57
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8
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On the Town: Act I. Times Square Ballet: Finale, Act I
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4:03
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9
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On the Town: Act II. Nightclub Sequence: a) So Long, Baby - b) I’m Blue - c) Ya Got Me (ensemble, nightclub singer, Hildy, Claire, Chip, Ozzie)
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4:51
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10
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On the Town: Act II. I Understand (Pitkin)
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2:10
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11
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On the Town: Act II. Ballet: The Imaginary Coney Island: a) Subway Ride - b) The Great Lover Displays Himself - c) Pas de deux
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7:50
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12
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On the Town: Act II. Some Other Time (Claire, Hildy, Chip, Ozzie)
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4:25
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13
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On the Town: Act II. Dance: The Real Coney Island - Finale (Coney Island barker, ensemble)
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5:30
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CD #18
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1
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: Overture
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6:10
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2
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: Recitative: “From harmony” (tenor)
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0:23
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3
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 1 Accompanied Recitative: “When Nature” (tenor)
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3:32
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4
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 2: “From Harmony, from Heav’nly Harmony” (chorus)
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4:02
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5
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 3 Aria: “What Passion Cannot Music Raise” (soprano)
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9:35
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6
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 4: “The Trumpet’s Loud Clangour” (tenor, chorus)
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4:47
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7
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 5: March
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2:10
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8
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 6a Aria: “The Soft Complaining Flute” (soprano)
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6:14
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9
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 7 Aria: “Sharp Violins Proclaim Their Jealous Pangs” (tenor)
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5:39
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10
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 8 Aria: “But Oh! What Art Can Teach” (soprano, organ obbligato)
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5:16
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11
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 9 Aria: “Orpheus Could Lead the Savage Race” (soprano)
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2:32
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12
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 10 Accompanied Recitative: “But Bright Cecilia” (soprano)
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0:49
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13
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Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 11: “As From the Pow’r of Sacred Lays” (soprano, chorus)
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9:06
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CD #19
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1
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L’Apprenti sorcier
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10:41
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2
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Danse macabre, op. 40
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7:03
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3
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Leonard Bernstein: Humor in Music
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29:53
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4
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Till Eulenspiegels lustige Streiche, op. 28
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14:57
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CD #20
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|
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1
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Symphonic Dances from “West Side Story”: Prologue. Allegro moderato
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4:07
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2
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Symphonic Dances from “West Side Story”: “Somewhere”. Adagio
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3:51
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3
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Symphonic Dances from “West Side Story”: Scherzo. Vivace e leggiero
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1:17
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4
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Symphonic Dances from “West Side Story”: Mambo. Meno presto
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2:14
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5
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Symphonic Dances from “West Side Story”: Cha‐Cha (“Maria”). Andantino con grazia
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0:53
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6
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Symphonic Dances from “West Side Story”: Meeting Scene. Meno mosso
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0:47
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7
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Symphonic Dances from “West Side Story”: “Cool” Fugue. Allegretto
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3:03
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8
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Symphonic Dances from “West Side Story”: Rumble. Molto allegro
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1:52
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9
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Symphonic Dances from “West Side Story”: Finale. Adagio
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2:53
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10
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Symphonic Suite from “On the Waterfront”: Andante (with dignity) - Presto barbaro
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2:57
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11
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Symphonic Suite from “On the Waterfront”: Adagio – Allegro molto agitato – Alla breve (Poco più mosso) - Presto come prima
|
|
2:17
|
12
|
Symphonic Suite from “On the Waterfront”: Andante largamente – More flowing – Still more flowing – Poco meno mosso - Lento
|
|
4:52
|
13
|
Symphonic Suite from “On the Waterfront”: Moving forward, with warmth - Largamente – A tempo – Calmato – Andante come prima – Sempre avanti, with intensity – Ancora più mosso
|
|
4:24
|
14
|
Symphonic Suite from “On the Waterfront”: Allegro non troppo, molto marcato – Poco più sostenuto – Moving forward – Meno mosso
|
|
2:50
|
15
|
Symphonic Suite from “On the Waterfront”: A tempo
|
|
2:06
|
CD #21
|
|
|
1
|
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato
|
|
19:22
|
2
|
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto
|
|
6:40
|
3
|
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace
|
|
10:47
|
CD #22
|
|
|
1
|
Francesca da Rimini, op. 32 (Symphonic Fantasia after Dante)
|
|
24:40
|
2
|
Capriccio italien, op. 45
|
|
16:05
|
3
|
Marche slave, op. 31
|
|
9:38
|
4
|
The Year 1812, Overture, op. 49
|
|
15:32
|
CD #23
|
|
|
1
|
Prélude à l’apres-midi d'un faune. Très modéré
|
|
10:29
|
2
|
Nocturnes, Tryptique symphonique: I. Nuages. Modéré – Un peu animé
|
|
8:13
|
3
|
Nocturnes, Tryptique symphonique: II. Fêtes. Animé et très rythmé - De plus en plus sonore et en serrant le mouvement
|
|
5:57
|
4
|
Jeux, Poème dansé. Très lent – Scherzando (Tempo initial)
|
|
17:17
|
CD #24
|
|
|
1
|
Jeremiah - Symphony no. 1: I. Prophecy. Largamente
|
|
7:36
|
2
|
Jeremiah - Symphony no. 1: II. Profanation. Vivace con brio
|
|
6:38
|
3
|
Jeremiah - Symphony no. 1: III. Lamentation. Lento
|
|
11:26
|
4
|
Symphony no. 3
|
|
17:12
|
CD #25
|
|
|
1
|
Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden
|
|
33:19
|
CD #26
|
|
|
1
|
Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig
|
|
10:09
|
2
|
Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast
|
|
17:58
|
3
|
Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!”
|
|
8:48
|
4
|
Symphony no. 3 in D minor: Part II. V. Lustig im Tempo und keck im Ausdruck “Es sungen drei Engel”
|
|
4:12
|
5
|
Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden
|
|
25:09
|
CD #27
|
|
|
1
|
Concerto for Piano and Wind Instruments (1950 version): I. Lento - Allegro – Lento
|
|
7:44
|
2
|
Concerto for Piano and Wind Instruments (1950 version): II. Largo
|
|
7:50
|
3
|
Concerto for Piano and Wind Instruments (1950 version): III. Finale. Allegro
|
|
5:04
|
4
|
Pulcinella Suite (1947 version): I. Sinfonia (Ouverture). Allegro moderato
|
|
2:09
|
5
|
Pulcinella Suite (1947 version): II. Serenata. Larghetto
|
|
3:07
|
6
|
Pulcinella Suite (1947 version): III a. Scherzino
|
|
1:53
|
7
|
Pulcinella Suite (1947 version): III b. Allegro
|
|
1:05
|
8
|
Pulcinella Suite (1947 version): III c. Andantino
|
|
1:29
|
9
|
Pulcinella Suite (1947 version): IV. Tarantella
|
|
1:48
|
10
|
Pulcinella Suite (1947 version): V. Toccata. Allegro
|
|
0:54
|
11
|
Pulcinella Suite (1947 version): VI. Gavotta con due variazioni. Allegro moderato -
|
|
1:37
|
12
|
Pulcinella Suite (1947 version): VI. Var. I. Allegretto
|
|
1:00
|
13
|
Pulcinella Suite (1947 version): VI. Var. II. Allegro più tosto moderato
|
|
1:48
|
14
|
Pulcinella Suite (1947 version): VII. Vivo
|
|
1:23
|
15
|
Pulcinella Suite (1947 version): VIII. a. Minuetto. Molto moderato
|
|
2:34
|
16
|
Pulcinella Suite (1947 version): VIII. b. Finale. Allegro assai
|
|
1:59
|
CD #28
|
|
|
1
|
Götterdämmerung: Brünnhilde's Immolation Scene
|
|
20:24
|
2
|
Wesendonck‐Lieder: I. Der Engel
|
|
3:33
|
3
|
Wesendonck‐Lieder: II. Stehe still!
|
|
4:10
|
4
|
Wesendonck‐Lieder: III. Im Treibhaus
|
|
6:59
|
5
|
Wesendonck‐Lieder: IV. Schmerzen
|
|
2:55
|
6
|
Wesendonck‐Lieder: V. Träume
|
|
5:08
|
CD #29
|
|
|
1
|
Appalachian Spring: Very Slowly
|
|
2:44
|
2
|
Appalachian Spring: Allegro
|
|
2:42
|
3
|
Appalachian Spring: Moderato
|
|
3:51
|
4
|
Appalachian Spring: Fast - Molto Moderato
|
|
3:34
|
5
|
Appalachian Spring: Subito Allegro - Presto
|
|
3:44
|
6
|
Appalachian Spring: As at first (slowly)
|
|
1:14
|
7
|
Appalachian Spring: Doppio movimento
|
|
3:03
|
8
|
Appalachian Spring: Moderato – Andante (very calm)
|
|
3:49
|
9
|
El salón México
|
|
11:05
|
10
|
Music for the Theatre: I. Prologue
|
|
5:52
|
11
|
Music for the Theatre: II. Dance
|
|
3:16
|
12
|
Music for the Theatre: III. Interlude
|
|
5:24
|
13
|
Music for the Theatre: IV. Burlesque
|
|
3:16
|
14
|
Music for the Theatre: V. Epilogue
|
|
3:58
|
CD #30
|
|
|
1
|
Harold en Italie, op. 16: I. Harold aux montagnes
|
|
14:30
|
2
|
Harold en Italie, op. 16: II. Marche des pèlerins
|
|
8:18
|
3
|
Harold en Italie, op. 16: III. Sérénade
|
|
6:25
|
4
|
Harold en Italie, op. 16: IV. Orgie des brigands
|
|
12:26
|
CD #31
|
|
|
1
|
Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito
|
|
21:17
|
2
|
Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice – Prestissimo – Tempo I
|
|
6:59
|
3
|
Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco
|
|
6:46
|
CD #32
|
|
|
1
|
Rhapsody no. 1 (Folk Dances) for Violin and Orchestra, Sz. 87: I. “Lassú”. Moderato
|
|
4:45
|
2
|
Rhapsody no. 1 (Folk Dances) for Violin and Orchestra, Sz. 87: II. “Friss”. Allegretto moderato
|
|
5:12
|
3
|
Rhapsody no. 2 (Folk Dances) for Violin and Orchestra, Sz. 90: I. “Lassú”. Moderato
|
|
4:40
|
4
|
Rhapsody no. 2 (Folk Dances) for Violin and Orchestra, Sz. 90: II. “Friss”. Allegro moderato
|
|
6:31
|
5
|
Concerto for Violin and Orchestra “To the Memory of an Angel”: I. Andante (𝅘𝅥 = 56) - Allegretto (𝅘𝅥𝅮 = 112) (scherzando)
|
|
10:18
|
6
|
Concerto for Violin and Orchestra “To the Memory of an Angel”: II. Allegro (𝅘𝅥 = 69) (ma sempre rubato, frei wie eine Kadenz) - Adagio (𝅘𝅥 = 54)
|
|
15:00
|
CD #33
|
|
|
1
|
Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio – Allegro molto
|
|
11:05
|
2
|
Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo
|
|
14:43
|
3
|
Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo. Molto vivace
|
|
6:34
|
4
|
Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco
|
|
10:59
|
CD #34
|
|
|
1
|
Le Carnaval des animaux: I. Introduction et Marche royale du Lion
|
|
3:32
|
2
|
Le Carnaval des animaux: II. Poules et Coqs
|
|
1:31
|
3
|
Le Carnaval des animaux: III. Hémiones
|
|
0:35
|
4
|
Le Carnaval des animaux: IV. Tortues
|
|
2:14
|
5
|
Le Carnaval des animaux: V. L'Éléphant
|
|
2:04
|
6
|
Le Carnaval des animaux: VI. Kangourous
|
|
1:03
|
7
|
Le Carnaval des animaux: VII. Aquarium
|
|
3:25
|
8
|
Le Carnaval des animaux: VIII. Personnages à longues oreilles
|
|
1:17
|
9
|
Le Carnaval des animaux: IX. Le Coucou au fond des bois
|
|
2:00
|
10
|
Le Carnaval des animaux: X. Volière
|
|
1:17
|
11
|
Le Carnaval des animaux: XI. Pianistes
|
|
1:26
|
12
|
Le Carnaval des animaux: XII. Fossiles
|
|
3:31
|
13
|
Le Carnaval des animaux: XIII. Le Cygne
|
|
4:01
|
14
|
Le Carnaval des animaux: XIV. Final
|
|
2:30
|
15
|
The Young Person’s Guide to the Orchestra: I. Theme A (tutti)
|
|
1:07
|
16
|
The Young Person’s Guide to the Orchestra: I. Theme B (Woodwinds)
|
|
0:27
|
17
|
The Young Person’s Guide to the Orchestra: I. Theme C (Brass)
|
|
0:26
|
18
|
The Young Person’s Guide to the Orchestra: I. Theme D (Strings)
|
|
0:32
|
19
|
The Young Person’s Guide to the Orchestra: I. Theme E (Percussion)
|
|
0:21
|
20
|
The Young Person’s Guide to the Orchestra: I. Theme F (tutti)
|
|
0:27
|
21
|
The Young Person’s Guide to the Orchestra: II. Variation A (Flutes & Piccolo)
|
|
0:30
|
22
|
The Young Person’s Guide to the Orchestra: III. Variation B (Oboes)
|
|
1:05
|
23
|
The Young Person’s Guide to the Orchestra: IV. Variation C (Clarinets)
|
|
0:41
|
24
|
The Young Person’s Guide to the Orchestra: V. Variation D (Bassoons)
|
|
0:53
|
25
|
The Young Person’s Guide to the Orchestra: VI. Variation E (Violins)
|
|
0:49
|
26
|
The Young Person’s Guide to the Orchestra: VII. Variation F (Violas)
|
|
0:50
|
27
|
The Young Person’s Guide to the Orchestra: VIII. Variation G (Cellos)
|
|
0:56
|
28
|
The Young Person’s Guide to the Orchestra: IX. Variation H (Double Basses)
|
|
0:55
|
29
|
The Young Person’s Guide to the Orchestra: X. Variation I (Harp)
|
|
0:49
|
30
|
The Young Person’s Guide to the Orchestra: XI. Variation J (French Horns)
|
|
0:42
|
31
|
The Young Person’s Guide to the Orchestra: XII. Variation K (Trumpets)
|
|
0:29
|
32
|
The Young Person’s Guide to the Orchestra: XIII. Variation L (Trombones & Tuba)
|
|
1:07
|
33
|
The Young Person’s Guide to the Orchestra: XIV. Variation M (Percussion)
|
|
1:35
|
34
|
The Young Person’s Guide to the Orchestra: XV. Fugue (tutti)
|
|
3:04
|
CD #35
|
|
|
1
|
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
|
|
18:32
|
2
|
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
|
|
11:19
|
3
|
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando
|
|
8:37
|
4
|
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato – Più vivo – Allegro – Maestoso (Alla marcia) – Moderato
|
|
10:49
|
5
|
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto
|
|
13:17
|
6
|
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando – Moderato – Allegro scherzando – Presto – Moderato – Allegro scherzando – Alla breve – Presto – Maestoso – Risoluto
|
|
11:54
|
CD #36
|
|
|
1
|
Shéhérazade: I. Asie
|
|
9:36
|
2
|
Shéhérazade: II. La Flûte enchantée
|
|
2:48
|
3
|
Shéhérazade: III. L’Indifférent
|
|
4:14
|
4
|
La Mort de Cléopâtre, H 36: Allegro vivace con impeto -
|
|
1:26
|
5
|
La Mort de Cléopâtre, H 36: Recitativo: “C’en est done fait!”
|
|
2:06
|
6
|
La Mort de Cléopâtre, H 36: Lento cantabile - “Ah! qu’ils sont loin ces jours”
|
|
6:10
|
7
|
La Mort de Cléopâtre, H 36: Recitativo: “Au comble des revers”
|
|
1:15
|
8
|
La Mort de Cléopâtre, H 36: Méditation: – Largo misterioso - “Grands Pharaons”
|
|
4:29
|
9
|
La Mort de Cléopâtre, H 36: Allegro assai agitato: “Non!… non, de vos demeures”
|
|
2:49
|
10
|
La Mort de Cléopâtre, H 36: Allegro non troppo - Recitativo misurato: “Dieux du Nil”
|
|
3:07
|
CD #37
|
|
|
1
|
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo
|
|
12:22
|
2
|
Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace - Trio I - Trio II
|
|
7:02
|
3
|
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
|
|
12:52
|
4
|
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
|
|
8:15
|
5
|
Symphony no. 3 in E-flat major “Rhenish”, op. 97: I. Lebhaft
|
|
10:06
|
6
|
Symphony no. 3 in E-flat major “Rhenish”, op. 97: II. Scherzo. Sehr mäßig
|
|
5:44
|
7
|
Symphony no. 3 in E-flat major “Rhenish”, op. 97: III. Nicht schnell
|
|
5:39
|
8
|
Symphony no. 3 in E-flat major “Rhenish”, op. 97: IV. Feierlich
|
|
6:14
|
9
|
Symphony no. 3 in E-flat major “Rhenish”, op. 97: V. Lebhaft
|
|
5:29
|
CD #38
|
|
|
1
|
Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: I. Allegro maestoso. Tempo giusto
|
|
5:31
|
2
|
Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: II. Quasi adagio - Allegretto vivace - Allegro animato
|
|
8:48
|
3
|
Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: III. Allegro marziale animato - Presto
|
|
4:14
|
4
|
Les Préludes, S 97
|
|
16:45
|
CD #39
|
|
|
1
|
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
|
|
8:39
|
2
|
Symphony no. 5 in C minor, op. 67: II. Andante con moto
|
|
10:07
|
3
|
Symphony no. 5 in C minor, op. 67: III. Allegro - attacca
|
|
4:58
|
4
|
Symphony no. 5 in C minor, op. 67: IV. Allegro
|
|
11:28
|
5
|
How a Great Symphony Was Written (Leonard Bernstein talks about the first movement of Beethoven's Fifth Symphony)
|
|
12:02
|
CD #40
|
|
|
1
|
Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
|
|
12:42
|
2
|
Symphony no. 4 in E minor, op. 98: II. Andante moderato
|
|
11:55
|
3
|
Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
|
|
5:55
|
4
|
Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più Allegro
|
|
10:47
|
CD #41
|
|
|
1
|
L'italiana in Algeri: Overture
|
|
7:20
|
2
|
Il barbiere di Siviglia: Overture
|
|
7:41
|
3
|
La scala di seta: Overture
|
|
6:15
|
4
|
La scazza ladra: Overture
|
|
9:45
|
5
|
Semiramide: Overture
|
|
11:40
|
6
|
Guillaume Tell: Overture
|
|
11:29
|
CD #42
|
|
|
1
|
Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo
|
|
9:13
|
2
|
Music for Strings, Percussion and Celesta, Sz 106: II. Allegro
|
|
7:00
|
3
|
Music for Strings, Percussion and Celesta, Sz 106: III. Adagio
|
|
7:01
|
4
|
Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto
|
|
7:23
|
5
|
Concert Music for String Orchestra and Brass, op. 50: Part I. Mäßig schnell, mit Kraft -
|
|
5:11
|
6
|
Concert Music for String Orchestra and Brass, op. 50: Part I. Sehr breit, aber stets fließend
|
|
3:49
|
7
|
Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft -
|
|
2:00
|
8
|
Concert Music for String Orchestra and Brass, op. 50: Part II. Langsam -
|
|
2:47
|
9
|
Concert Music for String Orchestra and Brass, op. 50: Part II. Im ersten Zeitmaß
|
|
2:10
|
10
|
Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft
|
|
0:59
|
CD #43
|
|
|
1
|
Symphony no. 1 in B-flat major “Spring”, op. 38: I. Andante un poco maestoso - Allegro molto vivace
|
|
11:29
|
2
|
Symphony no. 1 in B-flat major “Spring”, op. 38: II. Larghetto
|
|
7:58
|
3
|
Symphony no. 1 in B-flat major “Spring”, op. 38: III. Scherzo. Molto vivace - Trio I. Molto più vivace - Trio II
|
|
5:58
|
4
|
Symphony no. 1 in B-flat major “Spring”, op. 38: IV. Allegro animato e grazioso
|
|
8:38
|
5
|
Genoveva Overture, op. 81
|
|
8:12
|
CD #44
|
|
|
1
|
A Faust Symphony, S 108: I. Faust. Lento assai - Allegro
|
|
27:27
|
2
|
A Faust Symphony, S 108: II. Gretchen. Andante soave
|
|
20:49
|
3
|
A Faust Symphony, S 108: III. Mephistopheles. Allegro vivace, ironico -
|
|
15:55
|
4
|
A Faust Symphony, S 108: III. Andante mistico: “Alles Vergängliche ist nur ein Glechnis”
|
|
6:57
|
CD #45
|
|
|
1
|
Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto
|
|
8:23
|
2
|
Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza
|
|
15:58
|
3
|
Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia
|
|
18:31
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CD #46
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1
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Symphony no. 82 in C major “The Bear”, Hob. I:82: I. Vivace assai
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7:52
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2
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Symphony no. 82 in C major “The Bear”, Hob. I:82: II. Allegretto
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6:09
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3
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Symphony no. 82 in C major “The Bear”, Hob. I:82: III. Menuetto - Trio
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4:43
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4
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Symphony no. 82 in C major “The Bear”, Hob. I:82: IV. Finale. Vivace
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5:42
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5
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Symphony no. 83 in G minor “The Hen”, Hob. I:83: I. Allegro spiritoso
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6:56
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6
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Symphony no. 83 in G minor “The Hen”, Hob. I:83: II. Andante
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6:31
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7
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Symphony no. 83 in G minor “The Hen”, Hob. I:83: III. Menuetto. Allegretto - Trio
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4:00
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8
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Symphony no. 83 in G minor “The Hen”, Hob. I:83: IV. Finale. Vivace
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3:41
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CD #47
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1
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Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio
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15:32
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2
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Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
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10:54
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3
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Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro
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9:35
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4
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Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Adagio -
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2:53
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5
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Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Finale. Allegro - Meno Allegro - Allegro molto - Adagio, ma non troppo - Marcia, assai vivace - Allegro - Allegretto, ma non troppo (quasi Andante con moto): “Schmeichelnd hold und lieblich klingen” - Presto
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15:27
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CD #48
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1
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Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
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23:40
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2
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Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich
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11:38
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CD #49
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1
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Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung
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10:08
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2
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Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!”
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5:29
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3
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Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube”
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33:42
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CD #50
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1
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Fancy Free: I. Enter Three Sailors
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2:50
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2
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Fancy Free: II. Scene at the Bar
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1:40
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3
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Fancy Free: III. Enter Two Girls
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2:07
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4
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Fancy Free: IV. Pas de deux
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3:22
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5
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Fancy Free: V. Competition Scene
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3:04
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6
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Fancy Free: VI. 3 Dance Variations: Variation 1 (Galop)
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1:21
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7
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Fancy Free: VI. 3 Dance Variations: Variation 2 (Waltz)
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2:24
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8
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Fancy Free: VI. 3 Dance Variations: Variation 3 (Danzon)
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2:36
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9
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Fancy Free: VII. Finale
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4:39
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10
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Candide: Overture. Allegro molto con brio
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4:16
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11
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3 Dance Episodes from “On the Town”: I. The Great Lover Displays Himself
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1:45
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12
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3 Dance Episodes from “On the Town”: II. Lonely Town (Pas de deux)
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3:23
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13
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3 Dance Episodes from “On the Town”: III. Times Square (Finale, Act I)
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4:43
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14
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Prelude, Fugue and Riffs: I. Prelude for the Brass
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1:49
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15
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Prelude, Fugue and Riffs: II. Fugue for the Saxes
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1:47
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16
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Prelude, Fugue and Riffs: III. Riffs for Everyone
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4:11
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CD #51
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1
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Concerto for Violin and Orchestra, op. 14: I. Allegro
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10:15
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2
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Concerto for Violin and Orchestra, op. 14: II. Andante
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8:30
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3
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Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo
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4:02
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4
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Concerto for Violin and Orchestra: I. Mäßig bewegte Halbe
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9:48
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5
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Concerto for Violin and Orchestra: II. Langsam
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11:04
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6
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Concerto for Violin and Orchestra: III. Lebhaft
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9:57
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CD #52
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1
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Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato - Presto
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13:16
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2
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Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto
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9:55
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3
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Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente - Largamente assai
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9:43
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4
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Pohjola's Daughter, op. 49
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12:44
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5
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Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato
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14:07
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6
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Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto
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7:04
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7
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Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto
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7:05
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CD #53
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1
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Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo
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11:42
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2
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Symphony no. 3 “Sinfonia espansiva”, op. 27: II. Andante pastorale
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9:54
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3
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Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco
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6:29
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4
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Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro
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9:34
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5
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Symphony no. 5, op. 50: I. Tempo giusto - Adagio non troppo
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18:39
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6
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Symphony no. 5, op. 50: II. Allegro - Andante un poco tranquillo
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14:41
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CD #54
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1
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Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)
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3:31
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2
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Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1-4)
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5:35
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3
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Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1)
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9:18
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4
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Facsimile: Part I. Molto Adagio - Più Andante - Moderate Waltz tempo - Sostenuto assai - Adagio
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9:46
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5
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Facsimile: Part II. Allegretto - Subito Allegro - Più mosso - Andante - Adagio - Molto rallentando - Adagio, come prima
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8:59
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CD #55
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1
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Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato
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13:52
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2
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Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto
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12:04
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3
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Symphony no. 4 in A major “Italian”, op. 90: I. Allegro vivace
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10:21
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4
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Symphony no. 4 in A major “Italian”, op. 90: II. Andante con moto
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7:20
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5
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Symphony no. 4 in A major “Italian”, op. 90: III. Con moto moderato
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6:16
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6
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Symphony no. 4 in A major “Italian”, op. 90: IV. Saltarello. Presto
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5:56
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CD #56
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1
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Symphony no. 3 in E-flat major “Eroica”, op. 55: I. Allegro con brio
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16:55
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2
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Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia funebre. Adagio assai
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15:15
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3
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Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo. Allegro vivace
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6:08
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4
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Symphony no. 3 in E-flat major “Eroica”, op. 55: IV. Finale. Allegro molto
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11:23
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CD #57
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1
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Carnival, Concert Overture, op. 92: Allegro - Andante con moto - Allegro
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8:58
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2
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Slavonic Dances, op. 46: No. 1 in C major. Presto
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4:10
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3
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Slavonic Dances, op. 46: No. 3 in A-flat major. Poco allegro
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5:39
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4
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The Bartered Bride: Overture. Vivacissimo
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6:28
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5
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The Bartered Bride: Polka. Moderato
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4:57
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6
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The Bartered Bride: Furiant. Allegro energico
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2:12
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7
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The Bartered Bride: Dance of the Comedians. Vivace
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3:43
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8
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The Moldau (Vltava). The Source of the Moldau - Woods; Hunt. Allegro comodo non agitato - Peasant's Wedding. L'istesso tempo ma moderato - Moonlight; Nymphs' Roundelay. L'istesso tempo - St. John's Rapids. Tempo I - The Moldau Flows Along. Più moto - Vyšehrad
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11:39
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CD #58
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1
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Falstaff: Act I, Scene 1. “Falstaff!” - “Olà!” (Dr. Cajus, Falstaff, Bardolfo, Pistola)
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4:49
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2
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Falstaff: Act I, Scene 1. “Sei polli: sei scellini” (Falstaff, Bardolfo, Pistola)
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2:47
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3
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Falstaff: Act I, Scene 1. “Ma è tempo d'assottigliar” (Falstaff, Bardolfo, Pistola)
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3:48
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4
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Falstaff: Act I, Scene 1. “L'onore! Ladri!” (Falstaff)
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4:09
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5
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Falstaff: Act I, Scene 2. “Alice.” - “Meg.” - “Nannetta.” (Meg, Alice, Quickly, Nannetta)
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1:06
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6
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Falstaff: Act I, Scene 2. “Fulgida Alice! Amor t'offro” (Meg, Alice, Quickly, Nannetta, Dr. Cajus, Bardolfo, Pistola, Fenton, Ford)
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3:56
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7
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Falstaff: Act I, Scene 2. “In due parole: l'enorme Falstaff” (Pistola, Dr. Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly)
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1:25
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8
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Falstaff: Act I, Scene 2. “Pst, pst, Nannetta” (Fenton, Nannetta, Alice, Meg, Quickly)
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5:15
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9
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Falstaff: Act I, Scene 2. “Udrai quanta egli sfoggia” (Bardolfo, Ford, Pistola, Dr. Cajus, Alice, Meg, Nannetta, Quickly, Fenton)
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3:07
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10
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Falstaff: Act II, Scene 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff, Quickly)
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6:25
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11
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Falstaff: Act II, Scene 1. “Va', vecchio John” (Falstaff, Bardolfo)
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2:06
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12
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Falstaff: Act II, Scene 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)
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2:49
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13
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Falstaff: Act II, Scene 1. “C'è a Windsor una dama” (Ford, Falstaff)
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7:18
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14
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Falstaff: Act II, Scene 1. “È sogno? O realtà?” (Ford, Falstaff)
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6:22
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CD #59
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1
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Falstaff: Act II, Scene 2. “Presenteremo un bill” (Alice, Quickly, Meg, Nannetta)
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3:58
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2
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Falstaff: Act II, Scene 2. “Gaie comari di Windsor!” (Alice, Meg, Quickly, Nannetta)
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1:34
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3
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Falstaff: Act II, Scene 2. “Afin t'ho colto, raggiante fior” (Falstaff, Alice)
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3:55
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4
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Falstaff: Act II, Scene 2. “Quand'ero paggio del Duca di Norfolk” (Falstaff, Alice, Quickly)
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0:56
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5
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Falstaff: Act II, Scene 2. “Mia signora!” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola, Cajus, Nannetta, Fenton)
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3:48
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6
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Falstaff: Act II, Scene 2. “C'è!” - “C'è!” (Ford, Dr. Cajus, Quickly, Meg, Falstaff, Bardolfo, Pistola, Ford, Fenton, Nannetta, Alice, chorus)
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5:33
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7
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Falstaff: Act III, Scene 1. “Ehi! Taverniere!” (Falstaff)
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6:47
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8
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Falstaff: Act III, Scene 1. “Reverenza. La bella Alice” (Quickly, Falstaff, Alice, Ford, Meg, Dr. Cajus, Nannetta)
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5:23
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9
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Falstaff: Act III, Scene 1. “Bada! Tu pur ti meriti qualche castigatoia!” (Alice, Ford, Meg, Fenton, Nannetta, Dr. Cajus, Quickly)
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4:40
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10
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Falstaff: Act III, Scene 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta, Alice, Quickly, Meg)
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5:06
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11
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Falstaff: Act III, Scene 2. “Una, due, tre, quattro” (Falstaff, Alice, Meg)
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5:08
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12
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Falstaff: Act III, Scene 2. “Ninfe! Elfi! Silfi!” (Nannetta, Falstaff, Alice, chorus)
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6:37
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13
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Falstaff: Act III, Scene 2. “Alto là!” - “Chi va là?” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Ford, Dr. Cajus, chorus)
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6:15
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14
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Falstaff: Act III, Scene 2. “Ogni sorta di gente dozzinale” (Falstaff, Ford, Alice, Dr. Cajus, Bardolfo, Fenton, Nannetta, Meg, Quickly, Pistola, chorus)
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4:22
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15
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Falstaff: Act III, Scene 2. “Tutto nel mondo è burla” (Falstaff, Alice, Nannetta, Meg, Quickly, Fenton, Ford, Dr. Cajus, Bardolfo, Pistola, chorus)
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2:57
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CD #60
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1
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Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: I. Allegro brillante
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9:14
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2
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Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: II. In modo d'una marcia. Un poco largamente - Agitato
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8:38
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3
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Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: III. Scherzo. Molto vivace - Trio I - Trio II - Coda
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4:23
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4
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Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: IV. Allegro, ma non troppo
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7:26
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5
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Quartet for Piano, Violin, Viola and Cello in G minor, K 479: I. Allegro
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10:31
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6
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Quartet for Piano, Violin, Viola and Cello in G minor, K 479: II. Andante
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9:06
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7
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Quartet for Piano, Violin, Viola and Cello in G minor, K 479: III. Rondo. Allegro moderato
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7:38
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CD #61
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1
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Concerto for Violin, Strings and Basso continuo in E major, BWV 1042: I. Allegro
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8:21
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2
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Concerto for Violin, Strings and Basso continuo in E major, BWV 1042: II. Adagio
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7:39
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3
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Concerto for Violin, Strings and Basso continuo in E major, BWV 1042: III. Allegro assai
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3:09
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4
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Concerto for Oboe, Violin, Strings and Basso continuo in C minor, BWV 1060R: I. Allegro
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6:00
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5
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Concerto for Oboe, Violin, Strings and Basso continuo in C minor, BWV 1060R: II. Largo ovvero Adagio
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6:57
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6
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Concerto for Oboe, Violin, Strings and Basso continuo in C minor, BWV 1060R: III. Allegro
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4:10
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7
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Concerto for 2 Violins, Strings and Basso continuo in D minor, BWV 1043: I. Vivace
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4:07
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8
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Concerto for 2 Violins, Strings and Basso continuo in D minor, BWV 1043: II. Largo, ma non tanto
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6:26
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9
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Concerto for 2 Violins, Strings and Basso continuo in D minor, BWV 1043: III. Allegro
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5:00
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CD #62
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|
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1
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Symphony no. 3 in A minor “Scottish”, op. 56: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
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13:07
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2
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Symphony no. 3 in A minor “Scottish”, op. 56: II. Vivace non troppo
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4:21
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3
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Symphony no. 3 in A minor “Scottish”, op. 56: III. Adagio
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11:35
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4
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Symphony no. 3 in A minor “Scottish”, op. 56: IV. Allegro vivacissimo - Allegro maestoso assai
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9:18
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5
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Die Hebriden (Die Fingalsöhle), op. 26
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9:07
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CD #63
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1
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Prince Igor: Polovtsian Dances: Act II. Dance of the Polovtsian Maidens
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2:10
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2
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Prince Igor: Polovtsian Dances: Act II. Polovtsian Dance. Introduzione. Andantino -
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2:23
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3
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Prince Igor: Polovtsian Dances: Act II. Allegro vivo -
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1:10
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4
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Prince Igor: Polovtsian Dances: Act II. Allegro -
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2:07
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5
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Prince Igor: Polovtsian Dances: Act II. Presto -
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1:18
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6
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Prince Igor: Polovtsian Dances: Act II. Moderato alla breve -
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1:18
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7
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Prince Igor: Polovtsian Dances: Act II. Presto -
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1:17
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8
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Prince Igor: Polovtsian Dances: Act II. Allegro con spirito - Più animato
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1:24
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9
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Caucasian Sketches, op. 10: II. In the Village
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4:52
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10
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Caucasian Sketches, op. 10: IV. Procession of the Sardar
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3:47
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11
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A Night on Bare Mountain
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11:04
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12
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Khovanshchina: Dawn over the Moscow River
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5:47
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13
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Ruslan and Lyudmila Overture. Presto
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5:21
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CD #64
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|
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1
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Concerto for Flute and Orchestra, CNW 42: I. Allegro moderato
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11:00
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2
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Concerto for Flute and Orchestra, CNW 42: II. Allegretto - Adagio ma non troppo - Allegretto
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7:31
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3
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Concerto for Clarinet and Orchestra, op. 57: Allegretto un poco - Cadenza - Tempo I - Poco Adagio - Allegro non troppo - Cadenza - Adagio - Allegro vivace
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23:18
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CD #65
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1
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Die Schöpfung, Hob. XXI:2: Part I, The First Day. No. 1 Orchestral Prelude: The Representation of Chaos - Recitative and Chorus: “Im Anfange schuf Got Himmel und Erde” (Raphael, Uriel)
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9:16
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2
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Die Schöpfung, Hob. XXI:2: Part I, The First Day. No. 2 Aria and Chorus: “Nun schwanden vor dem heiligen Strahle” (Uriel) - “Verzweiflung, Wut und Schrecken”
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3:42
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3
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Die Schöpfung, Hob. XXI:2: Part I, The Second Day. No. 3 Recitative: “Und Gott machte das Firmament” (Raphael)
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2:08
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4
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Die Schöpfung, Hob. XXI:2: Part I, The Second Day. No. 4 Solo and Chorus: “Mit Staunen sieht das Wunderwerk” (Gabriel) - “Und laut ertönt aus ihren Kehlen”
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1:43
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5
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Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 5 Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael)
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0:49
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6
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Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 6 Aria: “Rollend in schäumenden Wellen” (Raphael)
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3:45
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7
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Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 7 Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)
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0:37
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8
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Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 8 Aria: “Nun beut die Flur das frische Grün” (Gabriel)
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5:18
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9
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Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 9 Recitative: “Und die himmlischen Heerscharen verkündigten” (Uriel)
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0:14
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10
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Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 10 Chorus: “Stimmt an die Saiten”
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2:06
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11
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Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 11 Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel)
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0:44
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12
|
Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 12 Recitative: “In vollem Glanze steiget jetzt” (Uriel)
|
|
2:46
|
13
|
Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 13 Chorus and Soli: “Die Himmel erzählen die Ehre Gottes” (Gabriel, Uriel, Raphael) - “Dem kommenden Tage sagt es der Tag”
|
|
4:47
|
14
|
Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 14 Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel)
|
|
0:39
|
15
|
Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 15 Aria: “Auf starkem Fittiche schwinget sich der Adler stolz” (Gabriel)
|
|
6:18
|
16
|
Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 16 Recitative: “Und Gott schuf große Walfische” (Raphael)
|
|
2:43
|
17
|
Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 17 Recitative: “Und die Engel rührten ihr' unsterblichen Harfen” (Raphael)
|
|
0:30
|
18
|
Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 18 Trio: “In holder Anmut stehn” (Gabriel, Uriel, Raphael)
|
|
4:23
|
19
|
Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 19 Chorus and Soli: “Der Herr ist groß in seiner Macht” (Gabriel, Uriel, Raphael)
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|
2:22
|
CD #66
|
|
|
1
|
Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 20 Recitative: “Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe” (Raphael)
|
|
0:35
|
2
|
Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 21 Recitative: “Gleich öffnet sich der Erde Schoß” (Raphael)
|
|
3:10
|
3
|
Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 22 Aria: “Nun scheint in vollem Glanze der Himmel” (Raphael)
|
|
2:56
|
4
|
Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 23 Recitative: “Und Gott schuf den Menschen nach seinem Bilde” (Uriel)
|
|
0:51
|
5
|
Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 24 Aria: “Mit Würd' und Hoheit angetan” (Uriel)
|
|
3:24
|
6
|
Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 25 Recitative: “Und Gott sah jedes Ding” (Raphael)
|
|
0:29
|
7
|
Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 26 Chorus: “Vollendet ist das große Werk”
|
|
1:27
|
8
|
Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 27 Trio: “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael)
|
|
4:48
|
9
|
Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 28 Chorus: “Vollendet is das große Werk”
|
|
2:54
|
10
|
Die Schöpfung, Hob XXI:2: Part III. No. 29 Orchestral Introduction and Recitative: “Aus Rosenwolken bricht” (Uriel)
|
|
5:04
|
11
|
Die Schöpfung, Hob XXI:2: Part III. No. 30 Duet and Chorus: “Von deiner Güt', o Herr und Gott” (Eva, Adam) - “Geseegnet sei des Herren Macht”
|
|
9:13
|
12
|
Die Schöpfung, Hob XXI:2: Part III. No. 31 Recitative: “Nun ist die erste Pflicht erfüllt” (Adam, Eva)
|
|
2:24
|
13
|
Die Schöpfung, Hob XXI:2: Part III. No. 32 Duet: “Holde Gattin, dir zur Seite” (Adam, Eva)
|
|
8:28
|
14
|
Die Schöpfung, Hob XXI:2: Part III. No. 33 Recitative: “O glücklich Paar” (Uriel)
|
|
0:26
|
15
|
Die Schöpfung, Hob XXI:2: Part III. No. 34 Chorus and Soli: “Singt dem Herren alle Stimmen!”
|
|
3:23
|
CD #67
|
|
|
1
|
Symphony no. 6 in A minor “Tragic”: I. Allegro energico, ma non troppo. Heftig, aber markig
|
|
21:28
|
2
|
Symphony no. 6 in A minor “Tragic”: II. Scherzo. Wuchtig
|
|
12:24
|
3
|
Symphony no. 6 in A minor “Tragic”: III. Andante moderato
|
|
15:19
|
4
|
Symphony no. 6 in A minor “Tragic”: IV. Finale. Allegro moderato - Allegro energico
|
|
28:42
|
CD #68
|
|
|
1
|
Symphony no. 9 in D major: I. Andante comodo
|
|
28:23
|
2
|
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
|
|
15:52
|
3
|
Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig
|
|
12:32
|
4
|
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
|
|
22:59
|
CD #69
|
|
|
1
|
Serenade no. 2 in A major, op. 16: I. Allegro moderato
|
|
8:40
|
2
|
Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace - Trio
|
|
2:45
|
3
|
Serenade no. 2 in A major, op. 16: III. Adagio non troppo
|
|
9:03
|
4
|
Serenade no. 2 in A major, op. 16: IV. Quasi Menuetto - Trio
|
|
5:41
|
5
|
Serenade no. 2 in A major, op. 16: V. Rondo. Allegro
|
|
5:59
|
CD #70
|
|
|
1
|
Classical Symphony (no. 1) in D major, op. 25: I. Allegro
|
|
4:07
|
2
|
Classical Symphony (no. 1) in D major, op. 25: II. Larghetto
|
|
3:54
|
3
|
Classical Symphony (no. 1) in D major, op. 25: III. Gavotta. Non troppo allegro
|
|
1:36
|
4
|
Classical Symphony (no. 1) in D major, op. 25: IV. Finale. Molto vivace
|
|
4:05
|
5
|
Symphony in C major: I. Allegro vivo
|
|
7:07
|
6
|
Symphony in C major: II. Adagio
|
|
9:23
|
7
|
Symphony in C major: III. Scherzo. Allegro vivace
|
|
5:23
|
8
|
Symphony in C major: IV. Finale. Allegro vivace
|
|
6:11
|
CD #71
|
|
|
1
|
Rustic Wedding Symphony, op. 26: I. Hochzeitsmarsch: Variationen. Moderato molto - Allegro - Andante con moto quasi Allegretto - Allegretto - Allegro vivace - Allegretto pesante - Allegro scherzando - Allegretto quasi Andantino - Molto vivace - Andante con moto - Moderato - Tempo des Thmas
|
|
16:21
|
2
|
Rustic Wedding Symphony, op. 26: II. Brautlied: Intermezzo. Allegretto
|
|
4:06
|
3
|
Rustic Wedding Symphony, op. 26: III. Serenade: Scherzo. Allegro moderato scherzando
|
|
4:53
|
4
|
Rustic Wedding Symphony, op. 26: IV. Im Garten. Andante - Poco più lento - Tempo I
|
|
10:21
|
5
|
Rustic Wedding Symphony, op. 26: V. Tanz: Finale. Allegro molto - Andante
|
|
8:17
|
CD #72
|
|
|
1
|
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
|
|
6:54
|
2
|
Symphony no. 88 in G major, Hob. I:88: II. Largo
|
|
7:10
|
3
|
Symphony no. 88 in G major, Hob. I:88: III. Menuetto. Allegretto - Trio
|
|
3:56
|
4
|
Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito
|
|
3:18
|
5
|
Symphony no. 102 in B-flat major, Hob. I:102: I. Largo - Vivace
|
|
9:08
|
6
|
Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio
|
|
7:07
|
7
|
Symphony no. 102 in B-flat major, Hob. I:102: III. Menuet. Allegro - Trio
|
|
6:02
|
8
|
Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale. Presto
|
|
4:07
|
CD #73
|
|
|
1
|
Symphonie fantastique, op. 14: I. Rêveries. Passions. Largo - Allegro agitato e appassionato assai
|
|
12:31
|
2
|
Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo
|
|
6:07
|
3
|
Symphonie fantastique, op. 14: III. Scène aux champs. Adagio
|
|
15:02
|
4
|
Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo
|
|
4:27
|
5
|
Symphonie fantastique, op. 14: V. Songe d'une nuit du sabbat. Larghetto - Allegro
|
|
9:32
|
6
|
Berlioz Takes a Trip
|
|
15:48
|
CD #74
|
|
|
1
|
An der schönen blauen Donau, op. 314
|
|
10:25
|
2
|
Kaiser-Walzer, op. 437
|
|
11:59
|
3
|
Wiener Blut, op. 354
|
|
8:18
|
4
|
Künstlerleben, op. 316
|
|
8:04
|
5
|
Frühlingsstimmen, op. 410
|
|
5:56
|
6
|
Rosen aus dem Süden, op. 388
|
|
11:54
|
7
|
Geschichten aus dem Wienerwald, op. 325
|
|
15:46
|
CD #75
|
|
|
1
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Der Schildwache Nachtlied
|
|
5:53
|
2
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Wer hat dies Liedlein erdacht?
|
|
2:05
|
3
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Der Tamboursg'sell
|
|
5:59
|
4
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Rheinlegendchen
|
|
3:35
|
5
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Lied des Verfolgten im Turm
|
|
5:37
|
6
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Urlicht
|
|
6:27
|
7
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Revelge
|
|
5:53
|
8
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Des Antonius von Padua Fischpredigt
|
|
3:40
|
9
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Verlorne Müh'
|
|
2:51
|
10
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Wo die schönen Trompeten blasen
|
|
7:01
|
11
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Lob des hohen Verstandes
|
|
2:10
|
12
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Das irdische Leben
|
|
2:51
|
13
|
Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Trost im Unglück
|
|
2:53
|
14
|
Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
|
|
3:57
|
15
|
Lieder eines fahrenden Gesellen: Ging heut' morgen übers Feld
|
|
3:52
|
16
|
Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer in meiner Brust
|
|
3:07
|
17
|
Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz
|
|
5:08
|
CD #76
|
|
|
1
|
Symphony in E-flat major: I. Sehr lebhaft - Lebhafter
|
|
4:31
|
2
|
Symphony in E-flat major: II. Sehr langsam - Breit
|
|
10:26
|
3
|
Symphony in E-flat major: III. Lebhaft - Ein wenig ruhiger - Im früheren Zeitmaß
|
|
7:08
|
4
|
Symphony in E-flat major: IV. Mäßig schnelle Halbe - Intermezzo, im gleichen Zeitmaß - Breit bewegt - Lebhaft, mit höchster Kraft
|
|
10:33
|
5
|
Symphonic Metamorphosis on Themes by Carl Maria von Weber: I. Allegro
|
|
4:04
|
6
|
Symphonic Metamorphosis on Themes by Carl Maria von Weber: II. Turandot, Scherzo. Moderato - Lebhaft
|
|
7:20
|
7
|
Symphonic Metamorphosis on Themes by Carl Maria von Weber: III. Andantino
|
|
4:10
|
8
|
Symphonic Metamorphosis on Themes by Carl Maria von Weber: IV. Marsch
|
|
4:44
|
CD #77
|
|
|
1
|
Symphony for Strings (Symphony no. 5): I. Molto agitato ed energico
|
|
4:24
|
2
|
Symphony for Strings (Symphony no. 5): II. Larghissimo
|
|
7:20
|
3
|
Symphony for Strings (Symphony no. 5): III. Presto
|
|
4:53
|
4
|
Symphony no. 3: Part I. Passacaglia and Fugue
|
|
13:43
|
5
|
Symphony no. 3: Part II. Chorale and Toccata
|
|
17:17
|
CD #78
|
|
|
1
|
Swan Lake, op. 20: Act I. No. 5 Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato
|
|
1:43
|
2
|
Swan Lake, op. 20: Act I. No. 5 Pas de deux: II. Andante - Allegro
|
|
4:43
|
3
|
Swan Lake, op. 20: Act I. No. 5 Pas de deux: III. Tempo di valse
|
|
1:52
|
4
|
Swan Lake, op. 20: Act I. No. 5 Pas de deux: IV. Coda. Allegro molto vivace
|
|
1:51
|
5
|
Swan Lake, op. 20: Act II. No. 10 Scène. Moderato
|
|
2:56
|
6
|
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: I. Tempo di valse
|
|
2:35
|
7
|
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: II. Moderato assai - Molto più mosso
|
|
2:03
|
8
|
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: IV. Allegro moderato
|
|
1:29
|
9
|
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: V. Andante - Cadenza - Andante non troppo - Più mosso - Tempo I - Allegro - Più mosso
|
|
7:05
|
10
|
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: VI. Tempo di valse
|
|
1:35
|
11
|
Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: VII. Coda. Allegro vivace
|
|
1:33
|
12
|
Swan Lake, op. 20: Act III. No. 15 Allegro giusto
|
|
2:42
|
13
|
Swan Lake, op. 20: Act III. No. 20 Danse hongroise. Czsárdás. Moderato assai - Allegro moderato - Vivace
|
|
2:46
|
14
|
Swan Lake, op. 20: Act III. No. 21 Danse espagnole. Allegro non troppo (Tempo di bolero)
|
|
2:44
|
15
|
Swan Lake, op. 20: Act III. No. 22 Danse napolitaine. Allegro moderato - Andantino quasi moderato - Molto più mosso - Presto
|
|
2:12
|
16
|
Swan Lake, op. 20: Act III. No. 23 Mazurka. Tempo di mazurka
|
|
4:27
|
CD #79
|
|
|
1
|
Der Rosenkavalier, op. 59: Akt I. Prelude
|
|
3:58
|
2
|
Der Rosenkavalier, op. 59: Akt I. “Wie du warst! Wie du bist!” (Octavian, Marschallin)
|
|
8:40
|
3
|
Der Rosenkavalier, op. 59: Akt I. “Marie Theres'!” - “Octavian!” (Octavian, Marschallin)
|
|
4:21
|
4
|
Der Rosenkavalier, op. 59: Akt I. “Quinquin, es ist mein Mann!” (Marschallin, majordomo, Baron)
|
|
3:46
|
5
|
Der Rosenkavalier, op. 59: Akt I. “Selbstverständlich empfängt mich Ihro Gnaden” (Baron, footmen, Marschallin, majordomo)
|
|
9:19
|
6
|
Der Rosenkavalier, op. 59: Akt I. “Hat Sie schon einmal mit einem Kavalier” (Baron, Octavian, Marschallin)
|
|
3:09
|
7
|
Der Rosenkavalier, op. 59: Akt I. “Nein, Er agiert mir gar zu gut!” (Marschallin, Baron, Octavian)
|
|
4:15
|
8
|
Der Rosenkavalier, op. 59: Akt I. “I komm' glei” - “Drei arme adelige Waisen” (Octavian, 3 orphans, milliner, deal in animals, Marschallin, Valzacchi)
|
|
3:13
|
9
|
Der Rosenkavalier, op. 59: Akt I. “Di rigori armato il seno” (singer)
|
|
2:06
|
10
|
Der Rosenkavalier, op. 59: Akt I. “Als Morgengabe - ganz separatim jedoch” (Baron, notary, singer)
|
|
3:16
|
11
|
Der Rosenkavalier, op. 59: Akt I. “Mein lieber Hippolyte” (Marschallin, Valzacchi, Baron, Annina)
|
|
4:16
|
12
|
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin” (Marschallin)
|
|
5:50
|
13
|
Der Rosenkavalier, op. 59: Akt I. “Ach, du bist wieder da!” (Marschallin, Octavian)”
|
|
6:42
|
14
|
Der Rosenkavalier, op. 59: Akt I. “Die Zeit, die ist ein sonderbar Ding” (Marschallin, Octavian)
|
|
8:13
|
15
|
Der Rosenkavalier, op. 59: Akt I. “Ich werd' jetzt in die Kirchen gehn” (Marschallin, Octavian)
|
|
4:07
|
16
|
Der Rosenkavalier, op. 59: Akt I. “Ich hab' ihn nicht einmal geküsst” (Marschallin, 4 footmen)
|
|
4:22
|
CD #80
|
|
|
1
|
Der Rosenkavalier, op 59: Akt II. Prelude - “Ein ernster Tag, ein großer Tag!” (Faninal, duenna, majordomo)
|
|
2:02
|
2
|
Der Rosenkavalier, op 59: Akt II. “In dieser feierlichen Stunde der Prüfung” (Sophie, duenna, 3 footmen)
|
|
4:05
|
3
|
Der Rosenkavalier, op 59: Akt II. “Mir ist die Ehre widerfahren” (Octavian, Sophie)
|
|
8:41
|
4
|
Der Rosenkavalier, op 59: Akt II. “Ich kenn' Ihn schon recht wohl” (Sophie, Octavian)
|
|
4:26
|
5
|
Der Rosenkavalier, op 59: Akt II. “Jetzt aber kommt mein Herr Zukünftiger” (Sophie, Faninal, Baron, Octavian, duenna)
|
|
4:01
|
6
|
Der Rosenkavalier, op 59: Akt II. “Eh bien! Nun plauder' Sie uns eins” (Baron, Sophie, Faninal, Octavian, duenna)
|
|
8:05
|
7
|
Der Rosenkavalier, op 59: Akt II. “Wird Sie das Mannsbild da heiraten, ma cousine?” (Octavian, Sophie, majordomo, duenna)
|
|
6:56
|
8
|
Der Rosenkavalier, op 59: Akt II. “Herr Baron von Lerchenau!” (Valzacchi, Annina, Baron, Sophie, Octavian)
|
|
4:53
|
9
|
Der Rosenkavalier, op 59: Akt II. “Mord! Mord! Mein Blut! Zu Hilfe!” (Baron, chorus, Octavian, Sophie)
|
|
2:09
|
10
|
Der Rosenkavalier, op 59: Akt II. “Herr Schwiegersohn! Wie ist Ihm denn?” (Faninal, Baron, Octavian, Sophie)
|
|
2:58
|
11
|
Der Rosenkavalier, op 59: Akt II. “Blamage! Mir auseinander meine Eh'” (Faninal, Sophie, Octavian, duenna, Baron)
|
|
2:38
|
12
|
Der Rosenkavalier, op 59: Akt II. “Is gut! Is gut! Ein Schluck von was zum Trinken!” (Baron, Faninal)
|
|
2:27
|
13
|
Der Rosenkavalier, op 59: Akt II. “Da lieg' ich!” (Baron, chorus)
|
|
5:42
|
14
|
Der Rosenkavalier, op 59: Akt II. “Ohne mich, ohne mich” (Baron, Annina)
|
|
6:23
|
CD #81
|
|
|
1
|
Der Rosenkavalier, op. 59: Akt III. Prelude and Pantomime
|
|
7:11
|
2
|
Der Rosenkavalier, op. 59: Akt III. “Hab'n Euer Gnaden noch weitre Befehle?” (landlord, waiters, Baron)
|
|
2:42
|
3
|
Der Rosenkavalier, op. 59: Akt III. “Nein, nein, nein, nein! I trink' kein Wein” (Octavian, Baron)
|
|
8:06
|
4
|
Der Rosenkavalier, op. 59: Akt III. “Es is ja eh all's eins, es is ja eh all's eins” (Octavian, Baron)
|
|
3:18
|
5
|
Der Rosenkavalier, op. 59: Akt III. “Da und da und da und da!” (Baron, Annina, Octavian, waiters, landlord, 4 children, Valzacchi)
|
|
3:20
|
6
|
Der Rosenkavalier, op. 59: Akt III. “Halt! Keiner rührt sich! Was ist los?” (police commissioner, Baron, landlord, Valzacchi, Octavian)
|
|
2:29
|
7
|
Der Rosenkavalier, op. 59: Akt III. “Zur Stelle! Was wird von mir gewünscht?” (Faninal, Baron, police commissioner, 4 children, chorus, Sophie)
|
|
3:49
|
8
|
Der Rosenkavalier, op. 59: Akt III. “Sind desto eher im klaren. Ich zahl', i geh'!” (Baron, police commissioner, Octavian, landlord)
|
|
1:53
|
9
|
Der Rosenkavalier, op. 59: Akt III. “Bin glücklich über Maßen” (Baron, Octavian, Marschallin, police commissioner, Sophie)
|
|
2:52
|
10
|
Der Rosenkavalier, op. 59: Akt III. “Lass Er nur gut sein und verschwind' Er auf eins, zwei!” (Marschallin, Baron, police commissioner, Sophie, Octavian)
|
|
8:05
|
11
|
Der Rosenkavalier, op. 59: Akt III. “Leopold, wir gehn!” (Baron, Annina, 4 children, waiters, landlord, Valzacchi, chorus)
|
|
2:16
|
12
|
Der Rosenkavalier, op. 59: Akt III. “Mein Gott, es war nicht mehr als eine Farce” (Sophie, Octavian, Marschallin)
|
|
8:40
|
13
|
Der Rosenkavalier, op. 59: Akt III. “Marie Theres'!” - “Hab mir's gelobt” (Octavian, Marschallin, Sophie)
|
|
6:30
|
14
|
Der Rosenkavalier, op. 59: Akt III. “Ist ein Traum, kann nicht wirklich sein” (Sophie, Octavian, Faninal, Marschallin)
|
|
7:17
|
CD #82
|
|
|
1
|
Die Weihe des Hauses, op. 124: Overture
|
|
9:58
|
2
|
König Stephan, op. 117: Overture
|
|
6:33
|
3
|
Fidelio, op. 72b: Overture
|
|
6:47
|
4
|
Egmont, op. 84: Overture
|
|
9:00
|
5
|
Leonore no. 3, op. 72a: Overture
|
|
13:12
|
CD #83
|
|
|
1
|
Symphony no. 9 in D minor: I. Feierlich. Misterioso
|
|
25:03
|
2
|
Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell
|
|
11:22
|
3
|
Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich
|
|
24:31
|
CD #84
|
|
|
1
|
Washington Post
|
|
2:17
|
2
|
Semper Fidelis
|
|
2:31
|
3
|
The Thunderer
|
|
2:40
|
4
|
Under the Double Eagle
|
|
3:12
|
5
|
Hands Across the Sea
|
|
2:50
|
6
|
Stars and Stripes Forever!
|
|
3:15
|
7
|
Radetzky-Marsch, op. 228
|
|
2:30
|
8
|
Battle Hymn of the Republic
|
|
1:05
|
9
|
Anchors Aweigh
|
|
2:38
|
10
|
Colonel Bogey
|
|
4:10
|
11
|
The British Grenadiers
|
|
1:13
|
12
|
Rule, Brittania
|
|
0:52
|
13
|
La Marseillaise
|
|
1:02
|
14
|
The National Emblem
|
|
2:56
|
CD #85
|
|
|
1
|
Symphony no. 9 in C major “The Great”: I. Andante - Allegro ma non troppo
|
|
13:30
|
2
|
Symphony no. 9 in C major “The Great”: II. Andante con moto
|
|
15:15
|
3
|
Symphony no. 9 in C major “The Great”: III. Scherzo. Allegro vivace - Trio
|
|
10:07
|
4
|
Symphony no. 9 in C major “The Great”: IV. Finale. Allegro vivace
|
|
10:07
|
CD #86
|
|
|
1
|
Gaîté Parisienne: Ouverture
|
|
2:03
|
2
|
Gaîté Parisienne: Tortoni no. 1
|
|
1:03
|
3
|
Gaîté Parisienne: Polka
|
|
1:46
|
4
|
Gaîté Parisienne: Galop
|
|
1:04
|
5
|
Gaîté Parisienne: Valse lente
|
|
2:26
|
6
|
Gaîté Parisienne: Marche
|
|
1:17
|
7
|
Gaîté Parisienne: Grande Valse
|
|
3:39
|
8
|
Gaîté Parisienne: Cancan
|
|
4:20
|
9
|
Gaîté Parisienne: Barcarolle
|
|
3:32
|
10
|
L'Arlésienne Suite no. 1: I. Prelude. Allegro deciso (Tempo di Marcia) - Andantino -
|
|
3:23
|
11
|
L'Arlésienne Suite no. 1: I. Andante molto
|
|
3:41
|
12
|
L'Arlésienne Suite no. 1: II. Minuetto. Allegro giocoso
|
|
3:02
|
13
|
L'Arlésienne Suite no. 1: III. Adagietto. Adagio
|
|
3:52
|
14
|
L'Arlésienne Suite no. 1: IV. Carillon. Allegro moderato - Andantino - Tempo I
|
|
4:31
|
15
|
L'Arlésienne Suite no. 2: I. Pastorale. Andante sostenuto assai - Andantino - Tempo I
|
|
5:07
|
16
|
L'Arlésienne Suite no. 2: II. Intermezzo. Andante moderato ma con moto - Allegro moderato - Tempo I
|
|
4:41
|
17
|
L'Arlésienne Suite no. 2: III. Menuet. Andantino quasi Allegretto
|
|
4:08
|
18
|
L'Arlésienne Suite no. 2: IV. Farandole. Allegro deciso (Tempo di Marcia) - Allegro vivo e deciso
|
|
3:07
|
CD #87
|
|
|
1
|
Symphony no. 2 in C minor “Little Russian”, op. 17: I. Andante sostenuto - Allegro vivo
|
|
10:15
|
2
|
Symphony no. 2 in C minor “Little Russian”, op. 17: II. Andantino marziale, quasi moderato
|
|
6:11
|
3
|
Symphony no. 2 in C minor “Little Russian”, op. 17: III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo
|
|
5:04
|
4
|
Symphony no. 2 in C minor “Little Russian”, op. 17: IV. Finale. Moderato assai - Allegro vivo
|
|
9:05
|
CD #88
|
|
|
1
|
Carmen Suite no. 1: Les Toréadors. Allegro giocoso
|
|
2:33
|
2
|
Carmen Suite no. 1: Prélude. Andante moderato
|
|
1:12
|
3
|
Carmen Suite no. 1: Aragonaise. Allegro vivo (Entr'acte Act III / Act IV)
|
|
2:25
|
4
|
Carmen Suite no. 1: Intermezzo. Andantino quasi Allegretto (Entr'acte Act II / Act III)
|
|
2:45
|
5
|
Carmen Suite no. 1: Séguedille. Allegretto (Act I)
|
|
1:58
|
6
|
Carmen Suite no. 1: Les Dragons d'Alcala. Allegro moderato (Entr'acte Act I / Act II)
|
|
1:52
|
7
|
Carmen Suite no. 2: Marche des Contrebandiers. Allegro moderato (Act III)
|
|
4:20
|
8
|
Carmen Suite no. 2: Habanera. Allegretto quasi Andantino (Act I)
|
|
2:03
|
9
|
Carmen Suite no. 2: Chanson du Toréador. Allegro molto moderato (Act II)
|
|
2:55
|
10
|
Carmen Suite no. 2: La Garde montante. Allegro. Tempo di Marcia (Act I)
|
|
3:45
|
11
|
Carmen Suite no. 2: Danse bohème. Andantino quasi Allegretto (Act II)
|
|
4:29
|
12
|
Peer Gynt Suite no. 1, op. 46: I. Morning Mood. Allegretto pastorale
|
|
3:49
|
13
|
Peer Gynt Suite no. 1, op. 46: II. Åse's Death. Andante doloroso
|
|
4:54
|
14
|
Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance. Tempo di mazurka
|
|
3:36
|
15
|
Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato
|
|
2:38
|
16
|
Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride - Ingrid's Lament. Allegro furioso - Andante doloroso
|
|
4:12
|
17
|
Peer Gynt Suite no. 2, op. 55: II. Arabian Dance. Allegretto vivace
|
|
4:37
|
18
|
Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Homecoming. Allegro agitato
|
|
2:59
|
19
|
Peer Gynt Suite no. 2, op. 55: IV. Solvejg's Song. Andante - Allegretto tranquillamente
|
|
5:38
|
CD #89
|
|
|
1
|
The Planets, op. 32: I. Mars, the Bringer of War. Allegro
|
|
6:37
|
2
|
The Planets, op. 32: II. Venus, the Bringer of Peace. Adagio - Andante - Animato - Tempo I
|
|
9:35
|
3
|
The Planets, op. 32: III. Mercury, the Winged Messenger. Vivace
|
|
3:58
|
4
|
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity. Allegro giocoso - Andante maestoso - Tempo I - Maestoso - Lento maestoso - Presto
|
|
8:20
|
5
|
The Planets, op. 32: V. Saturn, the Bringer of Old Age. Adagio - Andante
|
|
8:53
|
6
|
The Planets, op. 32: VI. Uranus, the Magician. Allegro - Lento - Allegro - Largo
|
|
5:26
|
7
|
The Planets, op. 32: VII. Neptune, the Mystic. Andante - Allegretto
|
|
8:24
|
CD #90
|
|
|
1
|
Dybbuk: Part I. The Community. Invocation and Trance
|
|
4:48
|
2
|
Dybbuk: Part I. The Fathers. David & Jonathan (The Pledge)
|
|
3:55
|
3
|
Dybbuk: Part I. Witnesses of Birth. Variation O - Messengers (Angelic Messengers)
|
|
2:11
|
4
|
Dybbuk: Part I. The Children. Kabbalah - Dream
|
|
5:06
|
5
|
Dybbuk: Part II. Kabbalah: Six Variations (Alchemy - Variations A, M, N, X, Y, Z)
|
|
10:54
|
6
|
Dybbuk: Part III. Witnesses of Death. Alchemy - Variation O
|
|
1:37
|
7
|
Dybbuk: Part III. Leah (Maiden's Dance)
|
|
3:00
|
8
|
Dybbuk: Part III. Possession - Demon - Pas de deux
|
|
8:10
|
9
|
Dybbuk: Part III. Exorcism
|
|
3:14
|
10
|
Dybbuk: Part III. The Community. Reprise and Coda
|
|
5:14
|
CD #91
|
|
|
1
|
Trouble in Tahiti: Prelude. “Daa / Doa Day” ... “Morning' sun kisses the windows” (Trio)
|
|
3:12
|
2
|
Trouble in Tahiti: Scene I. “How could you say the thing that you did” (Sam, Dinah, Trio)
|
|
5:32
|
3
|
Trouble in Tahiti: Scene II. “Yes? Oh, Mister Partridge!” (Sam, Trio)
|
|
3:03
|
4
|
Trouble in Tahiti: Scene III. “I was standing in a garden” (Dinah, Sam)
|
|
4:35
|
5
|
Trouble in Tahiti: Scene IIIa. “Then desire took hold inside me” (Dinah)
|
|
2:46
|
6
|
Trouble in Tahiti: Scene IV. “Well, of all people” ... “I'm on my way” (Sam, Dinah)
|
|
6:30
|
7
|
Trouble in Tahiti: Interlude. “Skid a lit day” (Trio)
|
|
1:45
|
8
|
Trouble in Tahiti: Scene V. “There's a law” (Sam)
|
|
4:22
|
9
|
Trouble in Tahiti: Scene VI. “What a movie!” (Dinah, Trio)
|
|
4:38
|
10
|
Trouble in Tahiti: Scene VIa. “There's a law that a man has to pay for what he gets” (Sam)
|
|
0:37
|
11
|
Trouble in Tahiti: Scene VII. “Evenin' shadows are spreadin' softly” (Trio, Sam, Dinah)
|
|
7:16
|
CD #92
|
|
|
1
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: I. Kyrie: “Kyrie eleison”. Poco Adagio
|
|
8:47
|
2
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Gloria in excelsis Deo”. Vivace assai
|
|
2:02
|
3
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Gratias agimus tibi”. Allegretto
|
|
6:16
|
4
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Quoniam tu solus sanctus”. Allegro spiritoso
|
|
3:27
|
5
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Credo in unum Deum”. Vivace
|
|
2:42
|
6
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et incarnatus est”. Adagio
|
|
3:43
|
7
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et ressurrexit”. Vivace
|
|
2:41
|
8
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et vitam venturi”. Vivace
|
|
1:50
|
9
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: IV. Sanctus: “Sanctus, sanctus”. Adagio - Allegro
|
|
3:33
|
10
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: V. Benedictus: “Benedictus qui venit”. Allegro molto - Allegro
|
|
4:11
|
11
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: VI. Agnus Dei: “Agnus Dei”. Adagio
|
|
3:07
|
12
|
Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: VI. Agnus Dei: “Dona nobis pacem”. Allegro con spirito
|
|
2:39
|
CD #93
|
|
|
1
|
Aufforderung zum Tanz, op. 65: Overture
|
|
8:37
|
2
|
Der Freischütz: Overture
|
|
10:34
|
3
|
Euryanthe: Overture
|
|
9:03
|
4
|
Oberon: Overture
|
|
9:31
|
CD #94
|
|
|
1
|
Snow Maiden: Dance of the Tumblers
|
|
3:20
|
2
|
Eugene Onegin, op. 24: Waltz
|
|
7:04
|
3
|
Lieutenant Kijé, Suite, op. 60: Kijé's Wedding
|
|
2:54
|
4
|
Eugene Onegin, op. 24: Act III. Polonaise
|
|
4:48
|
5
|
The Love for Three Oranges, Suite, op. 33a: March
|
|
1:52
|
6
|
Caucasian Sketches, op. 10: Procession of the Sardar
|
|
3:45
|
7
|
Prince Igor: Act II. Dance of the Polovtsian Maidens
|
|
2:13
|
8
|
The Age of Gold, Suite, op. 22a: Polka
|
|
2:47
|
9
|
The Sleeping Beauty, op. 66: Act I. Valse
|
|
4:55
|
10
|
Lieutenant Kijé, Suite, op. 60: Troika
|
|
2:48
|
11
|
In the Steppes of Central Asia
|
|
7:23
|
12
|
The Red Poppy, Suite, op. 70: Russian Sailors' Dance
|
|
3:31
|
13
|
Hamlet, op. 67
|
|
19:01
|
CD #95
|
|
|
1
|
4 Sea Interludes from “Peter Grimes”, op. 33a: I. Dawn
|
|
3:41
|
2
|
4 Sea Interludes from “Peter Grimes”, op. 33a: II. Sunday Morning
|
|
3:48
|
3
|
4 Sea Interludes from “Peter Grimes”, op. 33a: III. Moonlight
|
|
5:07
|
4
|
4 Sea Interludes from “Peter Grimes”, op. 33a: IV. Storm
|
|
4:21
|
5
|
Peter Grimes, op. 33b: Passacaglia
|
|
8:29
|
6
|
Suite on English Folk Tunes “A Time There Was...”, op. 90: I. “Cakes and Ale”. Fast and Rough
|
|
2:25
|
7
|
Suite on English Folk Tunes “A Time There Was...”, op. 90: II. “The Bitter Withy”. Allegretto
|
|
2:49
|
8
|
Suite on English Folk Tunes “A Time There Was...”, op. 90: III. “Hankin Booby”. Heavily
|
|
2:19
|
9
|
Suite on English Folk Tunes “A Time There Was...”, op. 90: IV. “Hunt the Squirrel”. Fast and Gay
|
|
1:20
|
10
|
Suite on English Folk Tunes “A Time There Was...”, op. 90: V. “Lord Melbourne”. Slow and Languid
|
|
5:43
|
CD #96
|
|
|
1
|
Gloria, FP 177: I. Gloria. Maestoso
|
|
2:58
|
2
|
Gloria, FP 177: II. Laudamus te. Très vite et joyeaux
|
|
3:00
|
3
|
Gloria, FP 177: III. Domine Deus. Très lent et calme
|
|
4:17
|
4
|
Gloria, FP 177: IV. Domine Fili unigenite. Très vite et joyeaux
|
|
1:18
|
5
|
Gloria, FP 177: V. Domine Deus, Agnus Dei. Bien lent
|
|
6:16
|
6
|
Gloria, FP 177: VI. Qui sedes ad dexteram Patris. Maestoso - Allegretto - Très calme - Extraordinairement calme
|
|
6:20
|
7
|
Symphony of Psalms (1948 version): I. Exaudi orationem meam, Domine (Psalm 38, 13/14 (Vulgata))
|
|
3:37
|
8
|
Symphony of Psalms (1948 version): II. Expectans expectavi Dominum (Psalm 39, 2-4 (Vulgata))
|
|
8:12
|
9
|
Symphony of Psalms (1948 version): III. Alleluia. Laudate Dominum (Psalm 150 (Vulgata))
|
|
12:32
|
CD #97
|
|
|
1
|
Symphony no. 3 in C minor “Organ”, op. 78: I. Adagio -
|
|
1:07
|
2
|
Symphony no. 3 in C minor “Organ”, op. 78: I. Allegro moderato -
|
|
10:47
|
3
|
Symphony no. 3 in C minor “Organ”, op. 78: I. Poco adagio
|
|
10:30
|
4
|
Symphony no. 3 in C minor “Organ”, op. 78: II. Allegro moderato -
|
|
1:43
|
5
|
Symphony no. 3 in C minor “Organ”, op. 78: II. Presto -
|
|
5:43
|
6
|
Symphony no. 3 in C minor “Organ”, op. 78: II. Maestoso -
|
|
1:58
|
7
|
Symphony no. 3 in C minor “Organ”, op. 78: II. Allegro
|
|
7:01
|
8
|
Concerto for Piano and Orchestra no. 4 in C minor, op. 44: I. Allegro moderato - Andante
|
|
11:37
|
9
|
Concerto for Piano and Orchestra no. 4 in C minor, op. 44: II. Allegro vivace - Andante - Allegro
|
|
13:44
|
10
|
Ballade for Piano and Orchestra in F-sharp major, op. 19
|
|
12:30
|
CD #98
|
|
|
1
|
West Side Story: Act I. Prologue (The Jets, The Sharks)
|
|
3:52
|
2
|
West Side Story: Act I. Jet Song (Riff, The Jets)
|
|
2:07
|
3
|
West Side Story: Act I. Something's Coming (Tony, The Jets)
|
|
2:38
|
4
|
West Side Story: Act I. The Dance at the Gym (The Jets, The Sharks)
|
|
3:04
|
5
|
West Side Story: Act I. Maria (Tony)
|
|
2:39
|
6
|
West Side Story: Act I. Tonight (Balcony Scene) (Maria, Tony)
|
|
3:53
|
7
|
West Side Story: Act I. America (Rosalia, Anita, Consuelo, Shark Girls)
|
|
4:34
|
8
|
West Side Story: Act I. Cool (Riff, The Jets)
|
|
4:00
|
9
|
West Side Story: Act I. One Hand, One Heart (Marriage Scene) (Tony, Maria)
|
|
3:02
|
10
|
West Side Story: Act I. Tonight (Quintet and Chorus) (Riff, Bernardo, The Sharks, The Jets, Anita, Tony, Maria)
|
|
3:38
|
11
|
West Side Story: Act I. The Rumble (The Jets, The Sharks)
|
|
2:44
|
12
|
West Side Story: Act II. I Feel Pretty (Maria, Francisca, Rosalia, Consuelo)
|
|
2:47
|
13
|
West Side Story: Act II. Somewhere (Dream Ballet) (a girl)
|
|
7:33
|
14
|
West Side Story: Act II. Gee, Officer Krupke (Action, Snowboy, Diesel, A-rab, Baby John, The Jets)
|
|
4:05
|
15
|
West Side Story: Act II. A Boy Like That / I Have a Love (Anita, Maria)
|
|
4:18
|
16
|
West Side Story: Act II. Finale (ensemble)
|
|
2:01
|
CD #99
|
|
|
1
|
Candide: Act I. Overture
|
|
4:04
|
2
|
Candide: Act I. The Best of All Possible Worlds (Pangloss, Cunegonde, Candide, ensemble)
|
|
3:24
|
3
|
Candide: Act I. Oh, Happy We (Candide, Cunegonde)
|
|
1:51
|
4
|
Candide: Act I. It Must Be So (Candide)
|
|
1:52
|
5
|
Candide: Act I. Mazurka. The Paris Waltz
|
|
1:38
|
6
|
Candide: Act I. Glitter and Be Gay (Cunegonde)
|
|
5:43
|
7
|
Candide: Act I. You Were Dead, You Know (Candide, Cunegonde)
|
|
2:29
|
8
|
Candide: Act I. My Love (Governor, Cunegonde, Old Lady)
|
|
2:02
|
9
|
Candide: Act I. I Am Easily Assimilated (Old Lady, Spanish Dons, Cunegonde)
|
|
3:32
|
10
|
Candide: Act I. Quartet Finale (Candide, Cunegonde, Governor, Old Lady)
|
|
2:46
|
11
|
Candide: Act II. Quiet (Cunegonde, Governor, Old Lady)
|
|
3:48
|
12
|
Candide: Act II. Eldorado (Candide, ensemble)
|
|
3:15
|
13
|
Candide: Act II. Bon Voyage (Governor, ensemble)
|
|
2:36
|
14
|
Candide: Act II. What's the Use? (Madame Sofronia, Ferone, Prefect of Police, Prince Ivan)
|
|
3:40
|
15
|
Candide: Act II. The Venie Gavotte (Madame Sofronia, Candide, Pangloss, Cunegonde)
|
|
3:58
|
16
|
Candide: Act II. Finale. Make Our Garden Grow (Candide, Cunegonde, Pangloss, Old Lady, ensemble)
|
|
4:18
|
CD #100
|
|
|
1
|
Peter Pan: The Darling Family at Home
|
|
8:12
|
2
|
Peter Pan: Who Am I?
|
|
2:27
|
3
|
Peter Pan: Peter and Wendy in the Nursery
|
|
8:38
|
4
|
Peter Pan: The Lost Boys
|
|
1:44
|
5
|
Peter Pan: The Pirate Song
|
|
2:23
|
6
|
Peter Pan: Captain Hook's Plan
|
|
4:47
|
7
|
Peter Pan: Build My House
|
|
1:21
|
8
|
Peter Pan: Wendy Plays Mother
|
|
1:38
|
9
|
Peter Pan: The Cake
|
|
1:29
|
10
|
Peter Pan: Peter, Peter
|
|
4:50
|
11
|
Peter Pan: The Pirate Ship
|
|
0:54
|
12
|
Peter Pan: The Plank
|
|
0:42
|
13
|
Peter Pan: The Battle
|
|
6:12
|
14
|
Peter Pan: The Children Fly Home
|
|
5:22
|
Other Releases in Group (5)
Pseudo-Release
-
Leonard Bernstein: The Remastered Edition I,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD ([Multiple languages])
-
Leonard Bernstein: The Remastered Edition II,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD ([Multiple languages])
-
Leonard Bernstein: The Remastered Edition III,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD ([Multiple languages])
-
Leonard Bernstein: The Remastered Edition IV,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD ([Multiple languages])
-
Leonard Bernstein: The Remastered Edition V,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD ([Multiple languages])
Links (4)
Discography Entry
-
https://www.sonyclassical.com/releases/releases-details/leonard-bernstein-remastered-1
ASIN
-
https://www.amazon.ca/gp/product/B072M4GVVB
-
https://www.amazon.com/gp/product/B072M4GVVB
Purchase For Mail-Order
-
https://www.prestomusic.com/classical/products/8345984--leonard-bernstein-remastered