Release: 2013 ,
Language: [Multiple languages],
Status: Official
Format: CD + CD + CD + CD + CD + CD + CD + CD + CD + CD,
Tracks: 129,
Length: 8:47:00,
Barcode: 887654434326
Release type: Album - Compilation
Contents
CD #1
|
|
|
1
|
1. Brandenburgisches Konzert in F-dur, BWV 1046: I. Allegro
|
|
3:53
|
2
|
1. Brandenburgisches Konzert in F-dur, BWV 1046: II. Adagio
|
|
3:51
|
3
|
1. Brandenburgisches Konzert in F-dur, BWV 1046: III. Allegro
|
|
4:12
|
4
|
1. Brandenburgisches Konzert in F-dur, BWV 1046: IV. Menuetto, 2 Trios & Polacca
|
|
8:20
|
5
|
2. Brandenburgisches Konzert in F-dur, BWV 1047: I. Allegro
|
|
4:54
|
6
|
2. Brandenburgisches Konzert in F-dur, BWV 1047: II. Andante
|
|
3:47
|
7
|
3. Brandenburgisches Konzert in F-dur, BWV 1047: III. Allegro assai
|
|
2:55
|
8
|
3. Brandenburgisches Konzert in G-dur, BWV 1048: I. Allegro - Adagio
|
|
6:15
|
9
|
3. Brandenburgisches Konzert in G-dur, BWV 1048: II. Allegro
|
|
4:13
|
CD #2
|
|
|
1
|
4. Brandenburgisches Konzert in G-dur, BWV 1049: I. Allegro
|
|
7:00
|
2
|
4. Brandenburgisches Konzert in G-dur, BWV 1049: II. Andante
|
|
3:52
|
3
|
4. Brandenburgisches Konzert in G-dur, BWV 1049: III. Presto
|
|
4:53
|
4
|
5. Brandenburgisches Konzert in D-dur, BWV 1050: I. Allegro
|
|
9:39
|
5
|
5. Brandenburgisches Konzert in D-dur, BWV 1050: II. Affettuoso
|
|
5:51
|
6
|
5. Brandenburgisches Konzert in D-dur, BWV 1050: III. Allegro
|
|
5:22
|
7
|
6. Brandenburgisches Konzert in B-dur, BWV 1051: I. Allegro
|
|
6:54
|
8
|
6. Brandenburgisches Konzert in B-dur, BWV 1051: II. Adagio ma non tanto
|
|
5:05
|
9
|
6. Brandenburgisches Konzert in B-dur, BWV 1051: III. Allegro
|
|
5:37
|
CD #3
|
|
|
1
|
Die Kunst der Fuge, BWV 1080: Contrapunctus I a 4
|
|
3:12
|
2
|
Die Kunst der Fuge, BWV 1080: Contrapunctus II a 4
|
|
3:08
|
3
|
Die Kunst der Fuge, BWV 1080: Contrapunctus III a 4
|
|
2:51
|
4
|
Die Kunst der Fuge, BWV 1080: Contrapunctus IV a 4
|
|
5:14
|
5
|
Die Kunst der Fuge, BWV 1080: Contrapunctus V a 4
|
|
3:32
|
6
|
Die Kunst der Fuge, BWV 1080: Contrapunctus VI a 4
|
|
5:01
|
7
|
Die Kunst der Fuge, BWV 1080: Contrapunctus VII a 4
|
|
4:04
|
8
|
Die Kunst der Fuge, BWV 1080: Contrapunctus VIII a 3
|
|
7:07
|
9
|
Die Kunst der Fuge, BWV 1080: Contrapunctus IX a 4
|
|
2:40
|
10
|
Die Kunst der Fuge, BWV 1080: Contrapunctus X a 4
|
|
3:56
|
CD #4
|
|
|
1
|
Die Kunst der Fuge, BWV 1080, Contrapunctus XI a 4
|
|
7:05
|
2
|
Die Kunst der Fuge, BWV 1080, Contrapunctus XII a 4
|
|
4:07
|
3
|
Die Kunst der Fuge, BWV 1080, Contrapunctus XIII a 3
|
|
5:04
|
4
|
Die Kunst der Fuge, BWV 1080, Contrapunctus XIII a 2
|
|
5:19
|
5
|
Die Kunst der Fuge, BWV 1080, Contrapunctus XIV
|
|
5:36
|
6
|
Die Kunst der Fuge, BWV 1080, Contrapunctus XV
|
|
3:07
|
7
|
Die Kunst der Fuge, BWV 1080, Contrapunctus XVI
|
|
6:13
|
8
|
Die Kunst der Fuge, BWV 1080, Contrapunctus XVII
|
|
2:21
|
9
|
Die Kunst der Fuge, BWV 1080, Contrapunctus XVIII
|
|
9:14
|
CD #5
|
|
|
1
|
Messe h-moll, BWV 232: Teil I. Kyrie: Chor "Kyrie eleison"
|
|
9:20
|
2
|
Messe h-moll, BWV 232: Teil I. Kyrie: Duetto "Christe eleison"
|
|
5:15
|
3
|
Messe h-moll, BWV 232: Teil I. Kyrie: Chor "Kyrie eleison" (2)
|
|
4:12
|
4
|
Messe h-moll, BWV 232: Teil I. Gloria: Chor "Gloria in excelsis Deo"
|
|
1:42
|
5
|
Messe h-moll, BWV 232: Teil I. Gloria: Chor "Et in terra pax"
|
|
4:36
|
6
|
Messe h-moll, BWV 232: Teil I. Gloria: Arie "Laudamus te"
|
|
4:21
|
7
|
Messe h-moll, BWV 232: Teil I. Gloria: Chor "Gratias agimus tibi"
|
|
2:57
|
8
|
Messe h-moll, BWV 232: Teil I. Gloria: Duetto "Domine Deus"
|
|
5:52
|
9
|
Messe h-moll, BWV 232: Teil I. Gloria: Chor "Qui tollis peccata mundi"
|
|
3:03
|
10
|
Messe h-moll, BWV 232: Teil I. Gloria: Arie "Qui sedes ad dextram patris"
|
|
4:55
|
11
|
Messe h-moll, BWV 232: Teil I. Gloria: Arie "Quoniam tu solus Sanctus"
|
|
4:43
|
12
|
Messe h-moll, BWV 232: Teil I. Gloria: Chor "Cum Sancto Spiritu"
|
|
4:07
|
CD #6
|
|
|
1
|
Messe h-moll, BWV 232: Teil II. Credo. Chor "Credo unum Deum"
|
|
2:27
|
2
|
Messe h-moll, BWV 232: Teil II. Credo. Chor "Patrem omnipotentem"
|
|
2:04
|
3
|
Messe h-moll, BWV 232: Teil II. Credo. Duetto "Et in unum Dominum"
|
|
4:56
|
4
|
Messe h-moll, BWV 232: Teil II. Credo. Chor "Et incarnatus est"
|
|
3:16
|
5
|
Messe h-moll, BWV 232: Teil II. Credo. Chor "Crucifixus"
|
|
2:52
|
6
|
Messe h-moll, BWV 232: Teil II. Credo. Chor "Et resurrexit"
|
|
4:05
|
7
|
Messe h-moll, BWV 232: Teil II. Credo. Arie "Et in Spiritum Sanctum"
|
|
5:34
|
8
|
Messe h-moll, BWV 232: Teil II. Credo. Chor "Confiteor"
|
|
5:09
|
9
|
Messe h-moll, BWV 232: Teil II. Credo. Chor "Et expecto"
|
|
2:11
|
10
|
Messe h-moll, BWV 232: Teil II. Sanctus. Chor "Sanctus"
|
|
5:20
|
11
|
Messe h-moll, BWV 232: Teil II. Sanctus. Doppelchor "Osanna" (1)
|
|
2:48
|
12
|
Messe h-moll, BWV 232: Teil II. Sanctus. Arie "Benedictus"
|
|
4:11
|
13
|
Messe h-moll, BWV 232: Teil II. Sanctus. Doppelchor: Osanna" (2)
|
|
2:48
|
14
|
Messe h-moll, BWV 232: Teil II. Agnus dei. Arie "Agnus Dei"
|
|
5:39
|
15
|
Messe h-moll, BWV 232: Teil II. Agnus dei. Chor "Dona nobis pacem"
|
|
3:04
|
CD #7
|
|
|
1
|
Sonata I g-moll, BWV 1001: I. Adagio
|
|
3:33
|
2
|
Sonata I g-moll, BWV 1001: II. Fuga. Allegro
|
|
5:41
|
3
|
Sonata I g-moll, BWV 1001: III. Siciliana
|
|
3:20
|
4
|
Sonata I g-moll, BWV 1001: IV. Presto
|
|
4:10
|
5
|
Partita I h-moll, BWV 1002: I. Allemanda
|
|
4:53
|
6
|
Partita I h-moll, BWV 1002: II. Double
|
|
3:00
|
7
|
Partita I h-moll, BWV 1002: III. Correnta
|
|
3:07
|
8
|
Partita I h-moll, BWV 1002: IV. Double. Presto
|
|
3:50
|
9
|
Partita I h-moll, BWV 1002: V. Sarabande
|
|
3:44
|
10
|
Partita I h-moll, BWV 1002: VI. Double
|
|
2:40
|
11
|
Partita I h-moll, BWV 1002: VII. Tempo di Borea
|
|
3:10
|
12
|
Partita I h-moll, BWV 1002: VIII. Double
|
|
3:13
|
13
|
Sonata II a-moll, BWV 1003: I. Grave
|
|
3:29
|
14
|
Sonata II a-moll, BWV 1003: II. Fuga
|
|
8:30
|
15
|
Sonata II a-moll, BWV 1003: III. Andante
|
|
5:50
|
16
|
Sonata II a-moll, BWV 1003: IV. Allegro
|
|
5:46
|
CD #8
|
|
|
1
|
Partita II d-moll, BWV 1004: I. Allemanda
|
|
4:29
|
2
|
Partita II d-moll, BWV 1004: II. Corrente
|
|
2:40
|
3
|
Partita II d-moll, BWV 1004: III. Sarabanda
|
|
3:57
|
4
|
Partita II d-moll, BWV 1004: IV. Giga
|
|
4:21
|
5
|
Partita II d-moll, BWV 1004: V. Ciaccona
|
|
12:09
|
6
|
Sonata III C-dur, BWV 1005: I. Adagio
|
|
3:35
|
7
|
Sonata III C-dur, BWV 1005: II. Fuga
|
|
10:52
|
8
|
Sonata III C-dur, BWV 1005: III. Largo
|
|
3:07
|
9
|
Sonata III C-dur, BWV 1005: IV. Allegro assai
|
|
5:18
|
10
|
Partita III E-dur, BWV 1006: I. Preludio
|
|
3:50
|
11
|
Partita III E-dur, BWV 1006: II. Loure
|
|
4:06
|
12
|
Partita III E-dur, BWV 1006: III. Gavotte en Rondeaux
|
|
2:55
|
13
|
Partita III E-dur, BWV 1006: IV. Menuet I & Menuett II
|
|
2:57
|
14
|
Partita III E-dur, BWV 1006: VI. Bourée
|
|
1:30
|
15
|
Partita III E-dur, BWV 1006: VII. Gigue
|
|
1:55
|
CD #9
|
|
|
1
|
Musicalisches Opfer, BWV 1079: Ricercar a 3
|
|
6:28
|
2
|
Musicalisches Opfer, BWV 1079: Canon perpetuus super Thema Regium
|
|
1:06
|
3
|
Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, cancrizans
|
|
1:16
|
4
|
Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, Violin: in Unisono
|
|
0:49
|
5
|
Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, per Motum contrarium
|
|
1:02
|
6
|
Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, per Augmentationem, contrario Motu
|
|
1:46
|
7
|
Musicalisches Opfer, BWV 1079: Canones diversi sopra Thema Regium: Canon a 2, per Tonos
|
|
3:07
|
8
|
Musicalisches Opfer, BWV 1079: Fuga canonica in Epidiapente
|
|
2:32
|
9
|
Musicalisches Opfer, BWV 1079: Ricercar a 6
|
|
6:49
|
10
|
Musicalisches Opfer, BWV 1079: Quaerendo invenietis: Canon a 2
|
|
1:25
|
11
|
Musicalisches Opfer, BWV 1079: Quaerendo invenietis: Canon a 4
|
|
2:13
|
12
|
Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Largo
|
|
6:11
|
13
|
Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Allegro
|
|
5:27
|
14
|
Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Andante
|
|
3:20
|
15
|
Musicalisches Opfer, BWV 1079: Sonata sopr' il Sogetto Reale a Traversa, Violino e Continuo: Allegro
|
|
2:51
|
16
|
Musicalisches Opfer, BWV 1079: Canon perpetuus (a Traversa, Violino e Continuo)
|
|
2:47
|
CD #10
|
|
|
1
|
Polonaise g-moll, BWV Anh. 119
|
|
0:54
|
2
|
Marche Es-dur, BWV Anh.127
|
|
1:35
|
3
|
Menuet G-dur & g-moll, BWV 114/115
|
|
2:40
|
4
|
„Willst du dein Herz mir schenken“, BWV 518
|
|
2:27
|
5
|
Rondeau B-dur, BWV Anh. 183
|
|
4:40
|
6
|
„Bist du bei mir“, BWV 508
|
|
2:21
|
7
|
Aria fur Clavier G-dur, BWV 988, 1
|
|
2:16
|
8
|
„So oft ich meine Tobackspfeife“, BWV 515a
|
|
3:47
|
9
|
Marche G-dur, BWV Anh.124
|
|
1:27
|
10
|
Allemande d-moll, BWV 812, 1
|
|
4:08
|
11
|
„Dir, dir, Jehova, will ich singen“, BWV 299
|
|
2:29
|
12
|
Praeludium C-dur, BWV 846, 1
|
|
1:53
|
13
|
Menuet G-dur, BWV Anh.116
|
|
1:22
|
14
|
Marche D-dur, BWV Anh. 122
|
|
0:54
|
15
|
Musette D-dur, BWV Anh.126
|
|
0:48
|
16
|
Rezitativo & Aria „Ich hab genug und Arie: Schlummert ein ihr matten Augen“, BWV 82, 2&3
|
|
8:13
|
17
|
Chorealbeabeitung Er nur den lieben Gott lasst walten, BWV 691
|
|
1:39
|
18
|
„O Ewigkeit du Donnerwort“, BWV 513
|
|
1:19
|
Links (2)
ASIN
-
https://www.amazon.com/gp/product/B00AC4D5VK
Discogs
-
https://www.discogs.com/release/8178027