The Leonard Bernstein Collection, Volume 2
Leonard Bernstein
Release: 16 Mar 2016 [Worldwide],
Language: [Multiple languages],
Status: Official
Format: CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD,
Tracks: 583,
Length: 15:0:44,
Barcode: 028947955535
Release type: Album - Compilation
Contents
CD #1
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1
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Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich
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16:30
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2
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Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich
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9:01
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3
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Symphony no. 1 in D major: III. Feierlich und gemeßsen, ohne zu schleppen
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10:27
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4
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Symphony no. 1 in D major: IV. Stürmisch bewegt
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20:32
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CD #2
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1
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Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Mit durchaus ernstem und feierlichem Ausdruck
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7:00
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2
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Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Sehr mäßig und zurückhaltend
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5:50
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3
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Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Schnell
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3:45
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4
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Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Tempo I
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4:45
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5
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Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Tempo sostenuto
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3:33
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6
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Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Sehr gemächlich
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1:44
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7
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Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Nicht eilen. Sehr gemächlich
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1:48
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8
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Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. In Tempo I zurückkehren
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2:04
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9
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Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Energisch bewegt
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2:26
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10
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Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Wieder ins Tempo zurückgehen. Tempo I
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4:02
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CD #3
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1
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Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. In ruhig fließender Bewegung
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5:00
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2
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Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. Sehr getragen und gesangvoll
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1:30
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3
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Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. Zum Tempo I zurückkehren – attacca:
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4:54
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4
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Symphony no. 2 in C minor, "Resurrection": IV. »Urlicht«. Sehr feierlich, aber schlicht · »O Röschen rot« (Alt‐Solo) – attaca:
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6:18
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5
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Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzos. Wildherausfahrend
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1:46
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6
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Symphony no. 2 in C minor, "Resurrection": V. Langsam
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3:59
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7
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Symphony no. 2 in C minor, "Resurrection": V. Im Anfang sehr zurückgehalten
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1:19
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8
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Symphony no. 2 in C minor, "Resurrection": V. Wieder sehr breit
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3:42
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9
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Symphony no. 2 in C minor, "Resurrection": V. Molto ritenuto. Maestoso
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4:16
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10
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Symphony no. 2 in C minor, "Resurrection": V. Wieder zurückhaltend
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3:58
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11
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Symphony no. 2 in C minor, "Resurrection": V. Sehr langsam und gedehnt
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2:48
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12
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Symphony no. 2 in C minor, "Resurrection": V. Langsam. Misterioso »Auferstehn, ja auferstehn wirst du (Sopran‐Solo, Chor)
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4:10
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13
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Symphony no. 2 in C minor, "Resurrection": V. Langsam ppp. Nicht schleppen »Weider aufzublühn wirst du gesät« (Sopran‐Solo, Chor)
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3:57
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14
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Symphony no. 2 in C minor, "Resurrection": V. Etwas bewegter »O glaube, mein Herz, o glaube« (Alt‐Solo, Sopran‐Solo, Chor)
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3:34
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15
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Symphony no. 2 in C minor, "Resurrection": V. Mit Aufschwung, aber nicht eilen »O Schmerz, du Alldurchdringer« (Alt‐Solo, Sopran‐Solo, Chor)
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5:09
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CD #4
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1
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Symphony no. 3 in D minor: Ia. Kräftig. Entschieden
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5:41
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2
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Symphony no. 3 in D minor: Ib. Immer das gleiche Tempo
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4:11
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3
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Symphony no. 3 in D minor: Ic.Tempo I
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4:45
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4
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Symphony no. 3 in D minor: Id. Zeit lassen
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2:15
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5
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Symphony no. 3 in D minor: Ie. Zeit lassen
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4:08
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6
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Symphony no. 3 in D minor: If. Immer dasselbe Tempo (Marsch). Nicht eilen
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3:11
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7
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Symphony no. 3 in D minor: Ig. Im alten Marschtempo (Allegro Moderato)
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5:35
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8
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Symphony no. 3 in D minor: Ih. Tempo I
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5:05
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9
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Symphony no. 3 in D minor: IIa. Tempo di Menuetto. Sehr mässig
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2:13
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10
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Symphony no. 3 in D minor: IIb. L'istesso tempo
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1:03
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11
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Symphony no. 3 in D minor: IIc. A tempo (Wie im Anfang)
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3:42
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12
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Symphony no. 3 in D minor: IId. Ganz plötzlich gemächlich. Tempo di Menuetto
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3:43
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13
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Symphony no. 3 in D minor: IIIa. Comodo. Scherzando. Ohne Hast
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2:42
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14
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Symphony no. 3 in D minor: IIIb. Wieder sehr gemächlich, wir zu Anfang
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2:57
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15
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Symphony no. 3 in D minor: IIIc. Etwas zurückhaltend
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5:33
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16
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Symphony no. 3 in D minor: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast
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2:47
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17
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Symphony no. 3 in D minor: IIIe. Wieder sehr gemächlich, beinahe langsam
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4:32
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CD #5
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1
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Symphony no. 3 in D minor: IVa. Sehr langsam. Misterioso. Durchaus ppp: "O Mensch! Gib acht!"
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4:48
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2
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Symphony no. 3 in D minor: IVb. Più mosso subito
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4:44
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3
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Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm bamm / Es sungen drei Engel"
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4:06
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4
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Symphony no. 3 in D minor: VIa. Langsam. Ruhevoll. Empfunden
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5:03
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5
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Symphony no. 3 in D minor: VIb. Nicht mehr so breit
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3:36
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6
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Symphony no. 3 in D minor: VIc. Tempo I. Ruhevoll
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3:44
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7
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Symphony no. 3 in D minor: VId. Nicht mehr so breit
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4:35
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8
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Symphony no. 3 in D minor: VIe. Tempo I
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3:17
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9
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Symphony no. 3 in D minor: VIf. Langsam. Tempo I
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7:41
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CD #6
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1
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Symphony no. 4 in G major: I. Bedächtig, nicht eilen
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17:39
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2
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Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
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10:12
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3
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Symphony no. 4 in G major: III. Ruhevoll
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20:31
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4
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Symphony no. 4 in G major: IV. Sehr behaglich
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8:43
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CD #7
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1
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Symphony no. 5 in C-Sharp minor, Pt. 1: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt: Plötzlich schneller. Leidenschaftlich. Wild - Tempo I)
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14:32
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2
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Symphony no. 5 in C-Sharp minor, Pt. 1: II. Stürmisch bewegt (Mit größter Vehemenz: Bedeutend langsamer - Tempo I subito)
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14:59
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3
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Symphony no. 5 in C-Sharp minor, Pt. 2: III. Scherzo (Kräftig, nicht zu schnell)
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19:01
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4
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Symphony no. 5 in C-Sharp minor, Pt. 3: IV. Adagietto (Sehr langsam)
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11:13
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5
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Symphony no. 5 in C-Sharp minor, Pt. 3: V. Rondo-Finale (Allegro)
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15:00
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CD #8
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1
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Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig
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23:17
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2
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Symphony No. 6 in A minor: II. Scherzo. Wuchtig
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14:16
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3
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Symphony No. 6 in A minor: III. Andante moderato
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16:19
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CD #9
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1
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Symphony No. 6 in A minor: IV. Finale: Allegro moderato - Allegro energico
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33:29
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CD #10
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1
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Symphony no. 7 in E minor: Ia. Langsam (Adagio)
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2:16
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2
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Symphony no. 7 in E minor: Ib. Nicht schleppen
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1:23
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3
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Symphony no. 7 in E minor: Ic. Allegro risoluto, ma non troppo
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1:24
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4
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Symphony no. 7 in E minor: Id. A tempo (sempre l'istesso)
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2:23
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5
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Symphony no. 7 in E minor: Ie(i). Moderato
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1:39
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6
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Symphony no. 7 in E minor: Ie(ii). Moderato
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4:29
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7
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Symphony no. 7 in E minor: If. Adagio (Tempo der Einleitung)
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2:26
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8
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Symphony no. 7 in E minor: Ig. Allegro come prima
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1:51
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9
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Symphony no. 7 in E minor: Ih. Poco ritenuto --- a tempo
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1:39
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10
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Symphony no. 7 in E minor: Ii. Nicht eilen
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2:10
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11
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Symphony no. 7 in E minor: IIa. Nachtmusik. Allegro moderato
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3:59
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12
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Symphony no. 7 in E minor: IIb. Sempre l'istesso tempo
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3:52
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13
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Symphony no. 7 in E minor: IIc. Poco meno mosso
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3:14
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14
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Symphony no. 7 in E minor: IId(i). Tempo
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1:52
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15
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Symphony no. 7 in E minor: IId(ii). Tempo
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1:29
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16
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Symphony no. 7 in E minor: IIe. Sehr gemessen
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2:45
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CD #11
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1
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Symphony no. 7 in E minor: IIIa. Scherzo. Schattenhaft
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3:20
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2
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Symphony no. 7 in E minor: IIIb. Trio
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2:38
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3
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Symphony no. 7 in E minor: IIIc. Wieder wie zu Anfang
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4:35
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4
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Symphony no. 7 in E minor: IVa(i). Nachtmusik. Andante amoroso
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6:33
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5
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Symphony no. 7 in E minor: IVa(ii). Nachtmusik. Andante amoroso
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2:59
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6
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Symphony no. 7 in E minor: IVb. Tempo I. poco rit.
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5:08
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7
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Symphony no. 7 in E minor: Va. Rondo-Finale. Tempo I (Allegro ordinario)
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1:45
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8
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Symphony no. 7 in E minor: Vb. Sempre l'istesso tempo
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1:12
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9
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Symphony no. 7 in E minor: Vc. Tempo II (Allegro moderato ma energico)
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2:56
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10
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Symphony no. 7 in E minor: Vd(i). Tempo I
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2:41
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11
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Symphony no. 7 in E minor: Vd(ii). Tempo I
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2:40
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12
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Symphony no. 7 in E minor: Ve. Tempo I subito
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1:11
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13
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Symphony no. 7 in E minor: Vf. Meno mosso (Tempo II)
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3:51
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14
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Symphony no. 7 in E minor: Vg. Accelerando
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2:02
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CD #12
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1
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Symphony no. 10 in F-sharp minor: Ia. Adagio. Andante
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3:47
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2
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Symphony no. 10 in F-sharp minor: Ib. Adagio. Andante come prima
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6:11
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3
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Symphony no. 10 in F-sharp minor: Ic. Adagio. [ ]
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6:05
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4
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Symphony no. 10 in F-sharp minor: Id. Adagio. [ ]
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3:19
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5
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Symphony no. 10 in F-sharp minor: Ie. Adagio. Andante
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6:42
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6
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" I. Allegro Impetuoso
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1:26
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7
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" II. "Imple superna gratia"
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3:16
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8
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" III. "Infirma nostri corporis"
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2:45
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9
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" IV. Tempo I. Allegro, etwas hastig
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1:12
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10
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" V. "Infirma nostri corporis"
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3:15
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11
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VI. "Accende lumen sensibus"
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4:23
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12
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VII. "Qui Paraclitus diceris"
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4:27
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13
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Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VIII. "Gloria Partri Domino"
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3:18
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CD #13
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1
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" I. Poco adagio
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6:23
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2
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" II. Più mosso. Allegro moderato
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3:05
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3
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" III. (Chor und Echo) "Waldung, sie schwankt heran"
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4:31
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4
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" IV. (Pater ecstaticus) "Ewiger Wonnebrand"
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1:35
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5
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" V. (Pater profundus) "Wie Felsenabgrund mir zu Füßen"
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4:29
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6
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VI. (Chor der Engel) "Gerettet ist das edle Glied"
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1:05
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7
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VII. (Chor der jüngeren Engel) "Jene Rosen aus den Händen"
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1:49
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8
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VIII. (Die vollendeteren Engel) "Uns bleibt ein Erdenrest"
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2:22
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9
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" IX. (Die jüngeren Engel) "Ich spür'soeben, nebelnd um Felsenhöh"
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1:22
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10
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" X. (Doctor Marianus) "Höchste Herrscherin der Welt"
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4:24
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11
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XI. (Chor der BuBerinnen und Una poenitentium) "Dir, der Unberührbaren"
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3:55
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12
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XII. (Maria Aegyptiaca) "Bei der Liebe, die den Füßen"
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4:50
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13
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XIII. (Una poenitentium) "Neige, du Ohnegleiche"
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1:18
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14
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XIV. (Selige Knaben) "Er überwächst uns schon"
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3:51
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15
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XV. (Mater gloriosa) "Komm! hebe dich zu höhern Sphären"
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7:23
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16
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Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XVI. (Chorus mysticus) "Alles Vergängliche ist nur ein G"
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6:24
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CD #14
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1
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Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 1]
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15:02
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2
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Symphony no. 9 in D major: I. Satz. Andante comodo: (Horneinsatz)
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3:03
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3
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Symphony no. 9 in D major: I. Satz. Andante comodo: Bewegter
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1:31
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4
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Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 317]
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1:44
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5
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Symphony no. 9 in D major: I. Satz. Andante comodo: Wie von Anfang
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2:01
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6
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Symphony no. 9 in D major: I. Satz. Andante comodo: Plötzlich bedeutend langsamer (Lento) und leise
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6:39
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7
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: [Takt 1]
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2:37
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8
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Poco più mosso subito (Tempo II.)
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2:50
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9
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo III.
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1:58
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10
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: A tempo II.
|
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3:32
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11
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I.
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1:22
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12
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo II.
|
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1:44
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13
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Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. subito
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3:20
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CD #15
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1
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 1]
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1:45
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2
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo
|
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1:06
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3
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Sempre l’istesso tempo
|
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1:17
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4
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo
|
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1:20
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5
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 347]
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2:25
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6
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: (Klarinetteneinsatz)
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1:37
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7
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Tempo I. subito
|
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1:28
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8
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Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Più stretto
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0:57
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9
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Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: [Takt 1]
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4:59
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10
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Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd
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2:34
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11
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Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Molto adagio subito
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2:33
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12
|
Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: A tempo (Molto adagio)
|
|
4:08
|
13
|
Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Stets sehr gehalten
|
|
1:46
|
14
|
Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Fließender, doch durchaus nicht eilend
|
|
2:08
|
15
|
Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Tempo I. Molto adagio
|
|
6:01
|
16
|
Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Adagissimo
|
|
5:32
|
CD #16
|
|
|
1
|
Symphony no. 9 in D major: I. Andante comodo
|
|
27:37
|
2
|
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
|
|
15:54
|
3
|
Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig
|
|
12:05
|
4
|
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
|
|
26:11
|
CD #17
|
|
|
1
|
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
|
|
8:29
|
2
|
Das Lied von der Erde: II. Der Einsame im Herbst
|
|
11:21
|
3
|
Das Lied von der Erde: III. Von der Jugend
|
|
3:09
|
4
|
Das Lied von der Erde: IV. Von der Schönheit
|
|
8:09
|
5
|
Das Lied von der Erde: V. Der Trunkene im Frühling
|
|
4:40
|
6
|
Das Lied von der Erde: VI. Der Abschied
|
|
31:00
|
CD #18
|
|
|
1
|
Des Knaben Wunderhorn: I. Der Schildwache Nachtlied
|
|
6:02
|
2
|
Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?
|
|
2:16
|
3
|
Des Knaben Wunderhorn: III. Der Tamboursg'sell
|
|
5:16
|
4
|
Des Knaben Wunderhorn: IV. Das irdische Leben
|
|
2:57
|
5
|
Des Knaben Wunderhorn: V. Verlor'ne Müh'
|
|
3:03
|
6
|
Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt
|
|
3:43
|
7
|
Des Knaben Wunderhorn: VII. Revelge
|
|
6:48
|
8
|
Des Knaben Wunderhorn: VIII. Rheinlegendchen
|
|
3:33
|
9
|
Des Knaben Wunderhorn: IX. Lob des hohen Verstandes
|
|
2:37
|
10
|
Des Knaben Wunderhorn: X. Wo die schönen Trompeten blasen
|
|
8:29
|
11
|
Des Knaben Wunderhorn: XI. Lied des Verfolgten im Turm
|
|
4:35
|
12
|
Des Knaben Wunderhorn: XII. Trost im Unglück
|
|
2:34
|
13
|
Des Knaben Wunderhorn: XIII. Urlicht
|
|
5:42
|
CD #19
|
|
|
1
|
Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht
|
|
4:25
|
2
|
Lieder eines fahrenden Gesellen: II. Ging heut' morgen übers Feld
|
|
4:07
|
3
|
Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer
|
|
3:20
|
4
|
Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen
|
|
5:42
|
5
|
Kindertotenlieder: I. Nun will die Sonn' so hell aufgehn
|
|
5:58
|
6
|
Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen
|
|
5:11
|
7
|
Kindertotenlieder: III. Wenn dein Mütterlein
|
|
6:03
|
8
|
Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen
|
|
3:31
|
9
|
Kindertotenlieder: V. In diesem Wetter, in diesem Braus
|
|
7:32
|
10
|
Rückert Lieder: V. Liebst du um Schönheit
|
|
2:44
|
11
|
Rückert Lieder: I. Blicke mir nicht in die Lieder
|
|
1:30
|
12
|
Rückert Lieder: II. Ich atmet' einen linden Duft
|
|
3:00
|
13
|
Rückert Lieder: IV. Um Mitternacht
|
|
7:23
|
14
|
Rückert Lieder: III. Ich bin der Welt abhanden gekommen
|
|
7:47
|
CD #20
|
|
|
1
|
Ouvertüre “Die Hebriden” (“Die Fingalshöhle”), op. 26, MWV P 7: Allegro moderato - Animato in tempo
|
|
10:01
|
2
|
Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
|
|
13:55
|
3
|
Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": II. Vivace non troppo
|
|
4:09
|
4
|
Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": III. Adagio
|
|
11:16
|
5
|
Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
|
|
10:06
|
CD #21
|
|
|
1
|
Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": I. Allegro vivace
|
|
10:45
|
2
|
Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": II. Andante con moto
|
|
6:46
|
3
|
Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": III. Con moto moderato
|
|
6:54
|
4
|
Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": IV. Saltarello (Presto)
|
|
5:52
|
5
|
Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco
|
|
11:37
|
6
|
Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": II. Allegro vivace
|
|
6:26
|
7
|
Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": III. Andante
|
|
3:48
|
8
|
Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco)
|
|
9:02
|
CD #22
|
|
|
1
|
Symphony no. 29 in A major, K. 201: I. Allegro moderato
|
|
8:09
|
2
|
Symphony no. 29 in A major, K. 201: II. Andante
|
|
6:53
|
3
|
Symphony no. 29 in A major, K. 201: III. Minuetto & Trio
|
|
3:25
|
4
|
Symphony no. 29 in A major, K. 201: IV. Allegro con spirito
|
|
5:17
|
5
|
Symphony no. 25 in G minor, K. 183: I. Allegro con brio
|
|
8:10
|
6
|
Symphony no. 25 in G minor, K. 183: II. Andante
|
|
4:11
|
7
|
Symphony no. 25 in G minor, K. 183: III. Minuetto & Trio
|
|
3:49
|
8
|
Symphony no. 25 in G minor, K. 183: IV. Allegro
|
|
6:04
|
9
|
Concerto for Clarinet in A major, K. 622: I. Allegro
|
|
12:40
|
10
|
Concerto for Clarinet in A major, K. 622: II. Adagio
|
|
8:16
|
11
|
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro
|
|
8:54
|
CD #23
|
|
|
1
|
Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito
|
|
5:44
|
2
|
Symphony no. 35 in D major, K. 385 "Haffner": II. Andante
|
|
7:10
|
3
|
Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto
|
|
3:14
|
4
|
Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto
|
|
3:45
|
5
|
Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace
|
|
11:59
|
6
|
Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile
|
|
9:12
|
7
|
Symphony no. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio
|
|
5:14
|
8
|
Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto
|
|
11:38
|
CD #24
|
|
|
1
|
Symphony no. 36 in C major, K. 425 "Linz" : I. Adagio - Allegro spiritoso
|
|
11:12
|
2
|
Symphony no. 36 in C major, K. 425 "Linz" : II. Andante
|
|
7:57
|
3
|
Symphony no. 36 in C major, K. 425 "Linz" : III. Menuetto
|
|
3:45
|
4
|
Symphony no. 36 in C major, K. 425 "Linz" : IV. Presto
|
|
7:28
|
5
|
Symphony no. 38 in D major, K. 504 "Prague" : I. Adagio - Allegro
|
|
13:30
|
6
|
Symphony no. 38 in D major, K. 504 "Prague" : II. Andante
|
|
9:10
|
7
|
Symphony no. 38 in D major, K. 504 "Prague" : III. (Finale) Presto
|
|
8:38
|
CD #25
|
|
|
1
|
Symphony no. 39 in E-flat major, K. 543: I. Adagio — Allegro
|
|
11:24
|
2
|
Symphony no. 39 in E-flat major, K. 543: II. Andante con moto
|
|
9:21
|
3
|
Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto
|
|
4:05
|
4
|
Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro
|
|
8:08
|
5
|
Symphony no. 40 in G minor, K. 550: I. Molto allegro
|
|
8:32
|
6
|
Symphony no. 40 in G minor, K. 550: II. Andante
|
|
8:17
|
7
|
Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto
|
|
4:50
|
8
|
Symphony no. 40 in G minor, K. 550: IV. Allegro assai
|
|
9:13
|
CD #26
|
|
|
1
|
Concerto for Piano and Orchestra no. 15, K. 453: I. Allegro
|
|
11:23
|
2
|
Concerto for Piano and Orchestra no. 15, K. 453: II. Andante
|
|
7:35
|
3
|
Concerto for Piano and Orchestra no. 15, K. 453: III. Allegro
|
|
8:17
|
4
|
Symphony no. 36, K. 425 “Linz”: I. Adagio - Allegro spiritoso
|
|
11:07
|
5
|
Symphony no. 36, K. 425 “Linz”: II. Andante
|
|
7:58
|
6
|
Symphony no. 36, K. 425 “Linz”: III. Menuetto
|
|
3:43
|
7
|
Symphony no. 36, K. 425 “Linz”: IV. Presto
|
|
8:00
|
CD #27
|
|
|
1
|
Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro
|
|
12:50
|
2
|
Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante
|
|
12:32
|
3
|
Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto - Finale: Presto
|
|
8:05
|
4
|
Concerto for Piano and Orchestra in G major, M. 83: I. Allegramente
|
|
8:36
|
5
|
Concerto for Piano and Orchestra in G major, M. 83: II. Adagio assai
|
|
10:48
|
6
|
Concerto for Piano and Orchestra in G major, M. 83: III. Presto
|
|
4:38
|
CD #28
|
|
|
1
|
Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus"
|
|
4:06
|
2
|
Exsultate, jubilate, K. 165
|
|
14:34
|
3
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie"
|
|
7:39
|
4
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis"
|
|
2:08
|
5
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te"
|
|
4:59
|
6
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi"
|
|
1:36
|
7
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus"
|
|
2:47
|
8
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis"
|
|
5:16
|
9
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus"
|
|
4:03
|
10
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe"
|
|
0:51
|
11
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu"
|
|
3:46
|
12
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus"
|
|
3:58
|
13
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est"
|
|
7:50
|
14
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna"
|
|
3:21
|
15
|
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus
|
|
4:55
|
CD #29
|
|
|
1
|
Requiem in D minor, K. 626: I. Introitus: "Requiem aeternam"
|
|
6:38
|
2
|
Requiem in D minor, K. 626: II. "Kyrie eleison"
|
|
2:44
|
3
|
Requiem in D minor, K. 626: IIIa. Sequenz: "Dies irae"
|
|
1:43
|
4
|
Requiem in D minor, K. 626: IIIb. Sequenz: "Tuba mirum"
|
|
4:30
|
5
|
Requiem in D minor, K. 626: IIIc. Sequenz: "Rex tremendae"
|
|
2:42
|
6
|
Requiem in D minor, K. 626: IIId. Sequenz: "Recordare"
|
|
5:43
|
7
|
Requiem in D minor, K. 626: IIIe. Sequenz: "Confutatis"
|
|
2:21
|
8
|
Requiem in D minor, K. 626: IIIf. Sequenz: "Lacrimosa"
|
|
5:49
|
9
|
Requiem in D minor, K. 626: IVa. Offertorium: "Domine Jesu"
|
|
3:29
|
10
|
Requiem in D minor, K. 626: IVb. Offertorium: "Hostias"
|
|
4:04
|
11
|
Requiem in D minor, K. 626: V. "Sanctus"
|
|
1:51
|
12
|
Requiem in D minor, K. 626: VI. "Benedictus"
|
|
5:21
|
13
|
Requiem in D minor, K. 626: VII. "Agnus Dei"
|
|
4:54
|
14
|
Requiem in D minor, K. 626: VIII. Communio: "Lux aeterna"
|
|
6:51
|
CD #30
|
|
|
1
|
La bohème: Atto I. "Questo mar rosso mi ammolisce e assidera" (Marcello, Rodolfo, Colline)
|
|
4:45
|
2
|
La bohème: Atto I. "Pensier profondo" (Colline, Marcello, Rodolfo)
|
|
1:09
|
3
|
La bohème: Atto I. "Abbasso, abbasso l'autor!" (Marcello, Colline, Rodolfo, Schaunard)
|
|
4:01
|
4
|
La bohème: Atto I. "Si può?" (Benoit, Marcello, Schaunard, Colline, Rodolfo)
|
|
5:39
|
5
|
La bohème: Atto I. "Io resto" (Rodolfo, Marcello, Colline, Schaunard)
|
|
0:57
|
6
|
La bohème: Atto I. "Non sono in vena" (Rodolfo, Mimì)
|
|
1:42
|
7
|
La bohème: Atto I. "Si sente meglio" (Rodolfo, Mimì)
|
|
2:49
|
8
|
La bohème: Atto I. "Che gelida manina" (Rodolfo)
|
|
5:13
|
9
|
La bohème: Atto I. "Sì. Mi chiamano Mimì" (Mimì, Rodolfo)
|
|
5:22
|
10
|
La bohème: Atto I. "Ehi! Rodolfo!" (Schaunard, Colline, Marcello, Mimì)
|
|
0:46
|
11
|
La bohème: Atto I. "O soave fanciulla" (Rodolfo, Marcello, Mimì)
|
|
4:33
|
12
|
La bohème: Atto II. "Aranci, datteri! Caldi i marroni!" (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello)
|
|
3:09
|
13
|
La bohème: Atto II. "Chi guardi?" (Rodolfo, Colline, Mimì, Schaunard, Marcello, Coro, Parpignol, Ragazzi)
|
|
0:50
|
14
|
La bohème: Atto II. "Questa è Mimì" (Rodolfo, Marcello, Schaunard, Colline, Parpignol, Ragazzi, Bambine, Mamme, Mimì)
|
|
2:26
|
15
|
La bohème: Atto II. "Viva Parpignol!" (Coro, Marcello, Mimì, Schaunard, Colline, Rodolfo)
|
|
2:00
|
16
|
La bohème: Atto II. "Allegri e un toast!" (Schaunard, Colline, Marcello, Mimì, Rodolfo, Coro, Alcindoro, Musetta)
|
|
3:39
|
17
|
La bohème: Atto II. "Quando men vo soletta per la via" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline)
|
|
5:50
|
18
|
La bohème: Atto II. "Il conto?!" (Rodolfo, Schaunard, Colline, Coro, Musetta, Marcello, Mimì)
|
|
2:34
|
CD #31
|
|
|
1
|
La bohème: Atto III. "Ohè, là, le guardie!" (Spazzini, Musetta, Doganiere, Voci, Lattivendole, Contadine)
|
|
3:33
|
2
|
La bohème: Atto III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì, Sergente, Donganiere)
|
|
1:44
|
3
|
La bohème: Atto III. "Mimì! - Speravo di trovarvi qui" (Marcello, Mimì)
|
|
4:56
|
4
|
La bohème: Atto III. "Marcello. Finalmente!" (Rodolfo, Marcello, Mimì)
|
|
1:52
|
5
|
La bohème: Atto III. "Mimì è una civetta" (Rodolfo, Marcello, Mimì)
|
|
1:24
|
6
|
La bohème: Atto III. "Mimì è tanto malata" (Rodolfo, Mimì, Marcello)
|
|
1:53
|
7
|
La bohème: Atto III. "Mimì di serra è fiore" (Rodolfo, Mimì, Marcello)
|
|
1:38
|
8
|
La bohème: Atto III. "Donde lieta usci" (Mimì)
|
|
3:14
|
9
|
La bohème: Atto III. "Dunque è proprio finita!" (Rodolfo, Mimì, Marcello, Musetta)
|
|
6:12
|
10
|
La bohème: Atto IV. "In un coupé? - Con pariglia e livree" (Marcello, Rodolfo)
|
|
1:32
|
11
|
La bohème: Atto IV. "O Mimì, tu più non torni" (Rodolfo, Marcello)
|
|
3:13
|
12
|
La bohème: Atto IV. "Che ora sia?" (Rodolfo, Marcello, Schaunard, Colline)
|
|
2:35
|
13
|
La bohème: Atto IV. "Gavotta! - Minuetto!" (Colline, Marcello, Rodolfo, Schaunard)
|
|
1:39
|
14
|
La bohème: Atto IV. "C'è Mimì" (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline)
|
|
6:19
|
15
|
La bohème: Atto IV. "Vecchia zimarra, senti" (Colline, Schaunard)
|
|
2:39
|
16
|
La bohème: Atto IV. "Sono andati? Fingevo di dormire" (Mimì, Rodolfo)
|
|
6:21
|
17
|
La bohème: Atto IV. "Oh Dio! Mimì!" (Rodolfo, Schaunard, Mimì, Musetta, Marcello)
|
|
2:58
|
18
|
La bohème: Atto IV. "Che ha detto il medico?" (Rodolfo, Marcello, Musetta, Schaunard, Colline)
|
|
3:02
|
CD #32
|
|
|
1
|
Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato
|
|
13:51
|
2
|
Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto
|
|
13:03
|
3
|
Symphony no. 5 in B-flat major, D. 485: I. Allegro
|
|
7:17
|
4
|
Symphony no. 5 in B-flat major, D. 485: II. Andante con moto
|
|
11:15
|
5
|
Symphony no. 5 in B-flat major, D. 485: III. Menuetto. Allegro molto - Trio
|
|
5:38
|
6
|
Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace
|
|
5:36
|
CD #33
|
|
|
1
|
Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
|
|
11:29
|
2
|
Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca
|
|
7:46
|
3
|
Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo. Molto vivace
|
|
5:44
|
4
|
Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso
|
|
8:10
|
5
|
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:)
|
|
11:48
|
6
|
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam - (attacca:)
|
|
5:13
|
7
|
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Trio - (attacca:)
|
|
5:54
|
8
|
Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft
|
|
9:29
|
CD #34
|
|
|
1
|
Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo
|
|
13:31
|
2
|
Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto
|
|
14:41
|
3
|
Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio
|
|
10:39
|
4
|
Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace
|
|
11:28
|
CD #35
|
|
|
1
|
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
|
|
13:05
|
2
|
Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace
|
|
7:05
|
3
|
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
|
|
13:47
|
4
|
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
|
|
8:52
|
5
|
Concerto for Cello and Orchestra in A minor, op. 129: I. Nicht zu schnell
|
|
11:47
|
6
|
Concerto for Cello and Orchestra in A minor, op. 129: II. Langsam
|
|
4:41
|
7
|
Concerto for Cello and Orchestra in A minor, op. 129: III. Sehr lebhaft
|
|
7:53
|
CD #36
|
|
|
1
|
Symphony no. 3 in E-flat, op. 97 "Rhenish": I. Lebhaft
|
|
9:42
|
2
|
Symphony no. 3 in E-flat, op. 97 "Rhenish": II. Scherzo (Sehr mäßig)
|
|
6:26
|
3
|
Symphony no. 3 in E-flat, op. 97 "Rhenish": III. Nicht schnell
|
|
6:09
|
4
|
Symphony no. 3 in E-flat, op. 97 "Rhenish": IV. Feierlich
|
|
6:57
|
5
|
Symphony no. 3 in E-flat, op. 97 "Rhenish": V. Lebhaft
|
|
5:27
|
6
|
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso
|
|
15:07
|
7
|
Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo (Andantino grazioso)
|
|
5:50
|
8
|
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace
|
|
10:27
|
CD #37
|
|
|
1
|
Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo
|
|
8:58
|
2
|
Symphony no. 1 in F minor, op. 10: II. Allegro
|
|
4:52
|
3
|
Symphony no. 1 in F minor, op. 10: III. Lento - Largo
|
|
10:19
|
4
|
Symphony no. 1 in F minor, op. 10: IV. Lento - Allegro molto - Largo
|
|
10:50
|
5
|
Symphony no. 7 in C major, op. 60 "Leningrad": I. Allegretto
|
|
31:43
|
CD #38
|
|
|
1
|
Symphony no. 7 in C major, op. 60 "Leningrad": II. Moderato (poco allegretto)
|
|
14:54
|
2
|
Symphony no. 7 in C major, op. 60 "Leningrad": III. Adagio
|
|
19:25
|
3
|
Symphony no. 7 in C major, op. 60 "Leningrad": IV. Allegro non troppo
|
|
18:51
|
CD #39
|
|
|
1
|
Symphony no. 6 in B minor, op. 54: I. Largo
|
|
22:29
|
2
|
Symphony no. 6 in B minor, op. 54: II. Allegro
|
|
7:53
|
3
|
Symphony no. 6 in B minor, op. 54: III. Presto
|
|
7:32
|
4
|
Symphony no. 9 E-flat major, op. 70: I. Allegro
|
|
5:21
|
5
|
Symphony no. 9 E-flat major, op. 70: II. Moderato
|
|
9:19
|
6
|
Symphony no. 9 E-flat major, op. 70: III. Presto
|
|
3:25
|
7
|
Symphony no. 9 E-flat major, op. 70: IV. Largo
|
|
3:15
|
8
|
Symphony no. 9 E-flat major, op. 70: V. Allegretto
|
|
5:49
|
CD #40
|
|
|
1
|
Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico
|
|
11:56
|
2
|
Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento)
|
|
11:05
|
3
|
Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro
|
|
5:31
|
4
|
Symphony no. 1 in E minor, op. 39: IV. Finale. Quasi una Fantasia
|
|
12:46
|
CD #41
|
|
|
1
|
Symphony no. 2 in D major, op. 43: I. Allegretto
|
|
10:57
|
2
|
Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato
|
|
18:11
|
3
|
Symphony no. 2 in D major, op. 43: III. Vivacissimo -
|
|
6:23
|
4
|
Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato
|
|
15:57
|
CD #42
|
|
|
1
|
Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente
|
|
9:39
|
2
|
Symphony no. 5 in E-flat, op. 82: II. Allegro moderato - Presto
|
|
5:39
|
3
|
Symphony no. 5 in E-flat, op. 82: III. Andante mosso, quasi allegretto
|
|
10:04
|
4
|
Symphony no. 5 in E-flat, op. 82: IV. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
|
|
10:15
|
5
|
Symphony no. 7 in C, op. 105: Adagio
|
|
8:19
|
6
|
Symphony no. 7 in C, op. 105: Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo
|
|
3:13
|
7
|
Symphony no. 7 in C, op. 105: 5 bars before: Poco rallentando all' Adagio - Poco a poco meno lento all'
|
|
2:27
|
8
|
Symphony no. 7 in C, op. 105: Allegro molto moderato - Poco a poco meno moderato -
|
|
4:37
|
9
|
Symphony no. 7 in C, op. 105: 2 bars before: Vivace - Presto - Poco a poco rallentando all' Adagio - Largamente molto - Affettuoso - Tempo I
|
|
6:19
|
CD #43
|
|
|
1
|
Salome, op. 54, TrV 215: Letzte Szene “Es ist kein Laut zu vernehmen” - “Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan”
|
|
17:19
|
2
|
Salome, op. 54, TrV 215: Tanz der sieben Schleier
|
|
?:??
|
3
|
Songs for Voice and Orchestra: Cäcilie, op. 27, TrV 170 no. 2
|
|
2:00
|
4
|
Songs for Voice and Orchestra: Wiegenlied, op. 41, TrV 195 no. 1
|
|
4:20
|
5
|
Songs for Voice and Orchestra: Ich liebe dich, op. 37, TrV 187 no. 2
|
|
2:14
|
6
|
Songs for Voice and Orchestra: Morgen, op. 27, TrV 170 no. 4
|
|
3:48
|
7
|
Songs for Voice and Orchestra: Zueignung, op. 10, TrV 141 no. 1
|
|
1:39
|
CD #44
|
|
|
1
|
Firebird Suite: I. Introduction
|
|
3:34
|
2
|
Firebird Suite: II. L’oiseau de feu et sa danse
|
|
0:15
|
3
|
Firebird Suite: III. Variation de l’oiseau de feu
|
|
1:18
|
4
|
Firebird Suite: IV. Rondes des princesses
|
|
5:33
|
5
|
Firebird Suite: V. Danse infernale du roi Kastcheï
|
|
4:18
|
6
|
Firebird Suite: VI. Berceuse
|
|
3:54
|
7
|
Firebird Suite: VII. Final
|
|
3:39
|
8
|
Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato
|
|
2:14
|
9
|
Pulcinella Suite: II. Serenata: Larghetto
|
|
2:56
|
10
|
Pulcinella Suite: III. Scherzino / Allegro / Andantino
|
|
4:42
|
11
|
Pulcinella Suite: IV. Tarantella (88 bpm)
|
|
1:58
|
12
|
Pulcinella Suite: V. Toccata: Allegro
|
|
0:58
|
13
|
Pulcinella Suite: VI. Gavotta: Allegro moderato / Variazione Ia. Allegretto / Variazione IIa. Allegro piú tosto moderato
|
|
4:06
|
14
|
Pulcinella Suite: VII. Vivo
|
|
1:27
|
15
|
Pulcinella Suite: VIII. Minuetto. Molto moderato / Finale. Allegro assai
|
|
4:17
|
CD #45
|
|
|
1
|
Pétrouchka: Tableau 1. Fete Populaire de la Semaine Grasse
|
|
7:09
|
2
|
Pétrouchka: Tableau 1. Le Tour de Passe-passe
|
|
2:45
|
3
|
Pétrouchka: Tableau 2. Chez Petrouchka
|
|
4:17
|
4
|
Pétrouchka: Tableau 3. Chez le Maure - Danse de la Ballerine
|
|
3:26
|
5
|
Pétrouchka: Tableau 3. Valse: La Ballerine et le Maure
|
|
3:18
|
6
|
Pétrouchka: Tableau 4. Fete Populaire de la Semaine grasse
|
|
1:04
|
7
|
Pétrouchka: Tableau 4. Danse des nounous
|
|
2:39
|
8
|
Pétrouchka: Tableau 4. Le Paysan et L'ours
|
|
1:27
|
9
|
Pétrouchka: Tableau 4. Un marchand fetard avec deux tziganes
|
|
1:09
|
10
|
Pétrouchka: Tableau 4. Danse des Cochers et des palefreniers
|
|
2:06
|
11
|
Pétrouchka: Tableau 4. Les Deguises
|
|
1:28
|
12
|
Pétrouchka: Tableau 4. Le Rixe: Le Maure et Petrouchka
|
|
0:45
|
13
|
Pétrouchka: Tableau 4. Mort de Petrouchka
|
|
0:44
|
14
|
Pétrouchka: Tableau 4. La Police et le charlatan
|
|
1:14
|
15
|
Pétrouchka: Tableau 4. Apparition du double de Petrouchka
|
|
0:55
|
16
|
Scènes de ballet: Introduction
|
|
0:59
|
17
|
Scènes de ballet: Danses (Corps de Ballet). Moderato
|
|
3:37
|
18
|
Scènes de ballet: Variation (Ballerine). Con moto
|
|
1:07
|
19
|
Scènes de ballet: Pantomime. Lento
|
|
2:20
|
20
|
Scènes de ballet: Pas de deux. Adagio
|
|
3:02
|
21
|
Scènes de ballet: Pantomime. Agitato ma temp giusto
|
|
0:43
|
22
|
Scènes de ballet: Variation (Danseur). Risoluto
|
|
1:24
|
23
|
Scènes de ballet: Variation (Ballerine). Andantino
|
|
1:15
|
24
|
Scènes de ballet: Pantomime. Andantino
|
|
0:33
|
25
|
Scènes de ballet: Danses (Corps de ballet). Con moto
|
|
1:12
|
26
|
Scènes de ballet: Apothéose. Poco meno mosso
|
|
2:18
|
CD #46
|
|
|
1
|
Le Sacre du printemps: Partie I. Introduction
|
|
3:28
|
2
|
Le Sacre du printemps: Partie I. Les Augures printaniers (Danses des adolescentes)
|
|
3:15
|
3
|
Le Sacre du printemps: Partie I. Jeu du rapt
|
|
1:21
|
4
|
Le Sacre du printemps: Partie I. Rondes printanières
|
|
3:47
|
5
|
Le Sacre du printemps: Partie I. Jeux des cités rivales
|
|
1:55
|
6
|
Le Sacre du printemps: Partie I. Cortège du Sage
|
|
0:41
|
7
|
Le Sacre du printemps: Partie I. Adoration de la Terre (Le Sage)
|
|
0:22
|
8
|
Le Sacre du printemps: Partie I. Danse de la Terre
|
|
1:16
|
9
|
Le Sacre du printemps: Partie II. Introduction
|
|
5:28
|
10
|
Le Sacre du printemps: Partie II. Cercles mystérieux des adolescentes
|
|
3:49
|
11
|
Le Sacre du printemps: Partie II. Glorification de l'élue
|
|
1:40
|
12
|
Le Sacre du printemps: Partie II. Évocation des ancêtres
|
|
0:54
|
13
|
Le Sacre du printemps: Partie II. Action rituelle des ancêtres
|
|
4:14
|
14
|
Le Sacre du printemps: Partie II. Danse sacrale (L'élue)
|
|
4:53
|
CD #47
|
|
|
1
|
Symphony in C: I. Moderato alla breve
|
|
9:31
|
2
|
Symphony in C: II. Larghetto concertante
|
|
6:15
|
3
|
Symphony in C: III. Allegretto
|
|
5:06
|
4
|
Symphony in C: IV. Largo - Tempo giusto, alla breve
|
|
7:37
|
5
|
Symphony in Three Movements: I. Allegro
|
|
10:05
|
6
|
Symphony in Three Movements: II. Andante
|
|
6:13
|
7
|
Symphony in Three Movements: Interlude (L'istesso tempo)
|
|
0:24
|
8
|
Symphony in Three Movements: III. Con moto
|
|
6:06
|
CD #48
|
|
|
1
|
The Wedding: Part I, Scene 1. The Tresses
|
|
5:18
|
2
|
The Wedding: Part I, Scene 2. At the Bridegroom's House
|
|
5:38
|
3
|
The Wedding: Part I, Scene 3. The Departure of the Bride
|
|
2:57
|
4
|
The Wedding: Part II, Scene 4. The Wedding Feast
|
|
10:05
|
5
|
Mass: Kyrie
|
|
3:14
|
6
|
Mass: Gloria
|
|
4:21
|
7
|
Mass: Credo
|
|
5:28
|
8
|
Mass: Sanctus
|
|
4:00
|
9
|
Mass: Agnus Dei
|
|
3:26
|
CD #49
|
|
|
1
|
Symphony no. 4 in F minor, op. 36, TH 27: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo
|
|
21:20
|
2
|
Symphony no. 4 in F minor, op. 36, TH 27: II. Andantino in modo di canzone
|
|
12:05
|
3
|
Symphony no. 4 in F minor, op. 36, TH 27: III. Scherzo. Pizzicato ostinato - Allegro
|
|
5:39
|
4
|
Symphony no. 4 in F minor, op. 36, TH 27: IV. Finale. Allegro con fuoco
|
|
9:44
|
5
|
Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo
|
|
27:39
|
CD #50
|
|
|
1
|
Symphony no. 5 in E minor, op. 64, TH 29: I. Andante - Allegro con anima
|
|
16:24
|
2
|
Symphony no. 5 in E minor, op. 64, TH 29: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo
|
|
16:34
|
3
|
Symphony no. 5 in E minor, op. 64, TH 29: III. Valse. Allegro moderato
|
|
6:20
|
4
|
Symphony no. 5 in E minor, op. 64, TH 29: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto
|
|
13:36
|
5
|
Romeo and Juliet, Fantasy-Overture in B minor, TH 42
|
|
22:40
|
CD #51
|
|
|
1
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso
|
|
22:44
|
2
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": II. Allegro con grazia
|
|
8:36
|
3
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": III. Allegro molto vivace
|
|
9:59
|
4
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso – Andante
|
|
17:10
|
CD #52
|
|
|
1
|
Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo
|
|
23:41
|
2
|
Romeo and Juliet, Fantasy-Overture in B minor, TH 42
|
|
20:14
|
CD #53
|
|
|
1
|
Hamlet, op. 67, TH 53
|
|
18:46
|
2
|
Marche slave, op. 31, TH 45
|
|
9:25
|
3
|
Capiccio italien, op. 45, TH 47
|
|
16:00
|
4
|
Ouverture solennelle "1812", op. 49, TH 49
|
|
15:35
|
CD #54
|
|
|
1
|
Concerto for Cello and Orchestra in B minor, op. 104, B. 191: I. Allegro
|
|
16:38
|
2
|
Concerto for Cello and Orchestra in B minor, op. 104, B. 191: II. Adagio, ma no troppo
|
|
13:21
|
3
|
Concerto for Cello and Orchestra in B minor, op. 104, B. 191: III. Finale. Allegro moderato
|
|
13:43
|
4
|
Schelomo, B. 39
|
|
24:37
|
CD #55
|
|
|
1
|
Tristan und Isolde, WWV 90: Vorspiel
|
|
14:13
|
2
|
Tristan und Isolde, WWV 90: Akt I. Szene I. "Westwarts schweift der Blick" (Junge Seeman, Isolde, Brangäne)
|
|
7:10
|
3
|
Tristan und Isolde, WWV 90: Akt I. Szene II. "Frisch weht der Wind der Heimat zu" (Junge Seeman, Isolde, Brangäne)
|
|
4:33
|
4
|
Tristan und Isolde, WWV 90: Akt I. Szene II. "Hab acht, Tristan!" (Kurwenal, Tristan, Brangäne, Schiffsvolk)
|
|
6:08
|
5
|
Tristan und Isolde, WWV 90: Akt I. Szene III. "Weh, ach wehe!" (Brangäne, Isolde)
|
|
2:08
|
6
|
Tristan und Isolde, WWV 90: Akt I. Szene III. "Wie lachend sie mir" (Isolde, Brangäne, Chor)
|
|
20:07
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7
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Tristan und Isolde, WWV 90: Akt I. Szene IV. "Auf! Auf! Ihr Frauen!" (Kurwenal, Isolde, Brangäne)
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8:00
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CD #56
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|
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1
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Tristan und Isolde, WWV 90: Akt I. Szene IV. "Herr Tristan nah!" (Isolde, Tristan, Chor)
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10:27
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2
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Tristan und Isolde, WWV 90: Akt I. Szene V. "War Morold dir so wert" (Tristan, Isolde, Chor)
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11:25
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3
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Tristan und Isolde, WWV 90: Akt I. Szene V. "Tristan! - Isolde!" (Isolde, Tristan, Chor, Brangäne, Kurwenal)
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8:18
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4
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Tristan und Isolde, WWV 90: Akt II. Vorspiel
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2:07
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5
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Tristan und Isolde, WWV 90: Akt II. Szene I. "Horst du sie noch?" (Isolde, Brangäne)
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15:00
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6
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Tristan und Isolde, WWV 90: Akt II. Szene II. "Isolde! Geliebte!" (Tristan, Isolde)
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18:26
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CD #57
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|
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1
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Tristan und Isolde, WWV 90: Akt II. Szene II. "O sik hernieder, Nactht der Liebe" (Tristan, Isolde, Brangäne)
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10:14
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2
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Tristan und Isolde, WWV 90: Akt II. Szene II. "Lausch, Geliebter" (Isolde, Tristan)
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8:49
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3
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Tristan und Isolde, WWV 90: Akt II. Szene II. "So sturben wir, um ungetrennt" (Tristan, Isolde, Brangäne)
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10:02
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4
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Tristan und Isolde, WWV 90: Akt II. Szene III. "Rette dich, Tristan" (Kurwenal, Tristan, Melot)
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2:02
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5
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Tristan und Isolde, WWV 90: Akt II. Szene III. "Tatest du's wirklich?" (Marke, Tristan)
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13:16
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6
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Tristan und Isolde, WWV 90: Akt II. Szene III. "O, Konig, das kann ich dir nicht sagen" (Tristan, Isolde, Melot)
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23:41
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7
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Tristan und Isolde, WWV 90: Akt III. Vorspiel
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8:06
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8
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Tristan und Isolde, WWV 90: Akt III. Szene I. "Kurwenal! He! Sag, Kurwenal!" (Hirt, Kurwenal, Tristan)
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10:58
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CD #58
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|
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1
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Tristan und Isolde, WWV 90: Akt III. Szene I. "Wo ich erwacht, weilt ich nicht" (Tristan, Kurwenal)
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7:38
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2
|
Tristan und Isolde, WWV 90: Akt III. Szene I. "Der einst ich trotzt aus Treu" (Tristan, Kurwenal)
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|
19:11
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3
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Tristan und Isolde, WWV 90: Akt III. Szene I. "Bist du nun tot?" (Kurwenal, Tristan)
|
|
19:11
|
4
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Tristan und Isolde, WWV 90: Akt III. Szene I. "O Wonne! Freunde!" (Kurwenal, Tristan)
|
|
19:11
|
5
|
Tristan und Isolde, WWV 90: Akt III. Szene II. "O diese Sonne" (Tristan, Isolde)
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|
3:50
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6
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Tristan und Isolde, WWV 90: Akt III. Szene II. "Ich bin's, ich bin's" (Isolde)
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|
6:29
|
7
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Tristan und Isolde, WWV 90: Akt III. Szene III. "Kurwenal! Hor!" (Hirt, Kurwenal, Steuermann, Brangäne, Melot, Marke)
|
|
8:39
|
8
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Tristan und Isolde, WWV 90: Akt III. Szene III. "Mild unde leise wie er lachelt" (Isolde)
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|
8:29
|
CD #59
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|
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1
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Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
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14:38
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2
|
Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai
|
|
17:47
|
3
|
Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace
|
|
5:38
|
4
|
Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto
|
|
12:21
|
5
|
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement)
|
|
13:24
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6
|
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement)
|
|
6:07
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7
|
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement)
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|
5:25
|
CD #60
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|
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1
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Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement)
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|
9:12
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2
|
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..."
|
|
1:11
|
3
|
Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto
|
|
8:51
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4
|
Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo
|
|
13:32
|
5
|
Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace
|
|
7:16
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6
|
Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco
|
|
11:33
|
7
|
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement)
|
|
9:51
|
8
|
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement)
|
|
3:22
|
9
|
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement)
|
|
1:40
|
10
|
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement)
|
|
5:00
|
11
|
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued)
|
|
1:01
|
CD #61
|
|
|
1
|
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
|
|
12:27
|
2
|
Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace
|
|
6:58
|
3
|
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
|
|
11:53
|
4
|
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
|
|
8:14
|
5
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme)
|
|
4:22
|
6
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..."
|
|
1:48
|
7
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement)
|
|
8:39
|
8
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued)
|
|
6:51
|
9
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement)
|
|
4:49
|
10
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement)
|
|
7:31
|
11
|
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement)
|
|
5:15
|
CD #62
|
|
|
1
|
Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
|
|
11:50
|
2
|
Symphony no. 4 in E minor, op. 98: II. Andante moderato
|
|
11:53
|
3
|
Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
|
|
6:07
|
4
|
Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro
|
|
11:01
|
5
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme)
|
|
4:44
|
6
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement)
|
|
5:15
|
7
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement)
|
|
3:23
|
8
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement)
|
|
5:47
|
9
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement)
|
|
2:41
|
10
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement)
|
|
9:34
|
11
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement)
|
|
2:16
|
12
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement)
|
|
3:18
|
13
|
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement)
|
|
2:11
|
CD #63
|
|
|
1
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso
|
|
18:43
|
2
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": II. Allegro con grazia
|
|
8:14
|
3
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": III. Allegro molto vivace
|
|
9:08
|
4
|
Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso – Andante
|
|
11:26
|
5
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement)
|
|
9:18
|
6
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued)
|
|
1:58
|
7
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement)
|
|
1:56
|
8
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement)
|
|
1:50
|
9
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement)
|
|
3:40
|
10
|
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work"
|
|
6:01
|
CD #64
|
|
|
1
|
Fancy Free: Big Stuff (Prologue)
|
|
2:31
|
2
|
Fancy Free: I. Opening Dance
|
|
2:50
|
3
|
Fancy Free: II. Scene at the Bar
|
|
2:55
|
4
|
Fancy Free: IV. Pas de deux
|
|
3:03
|
5
|
Fancy Free: V. Competition Scene
|
|
3:00
|
8
|
Fancy Free: VIa. Three Dance Variations: 2. Waltz
|
|
2:16
|
7
|
Fancy Free: VIb. Three Dance Variations: 3. Danzon
|
|
2:33
|
8
|
Fancy Free: VIc. Three Dance Variations: 1. Galop / VII. Finale
|
|
3:15
|
9
|
On the Town: Opening
|
|
3:11
|
10
|
On the Town: I Get Carried Away
|
|
3:03
|
11
|
On the Town: Lucky to Be Me
|
|
2:32
|
12
|
On the Town: Lonely Town
|
|
3:16
|
13
|
On the Town: I Can Cook Too
|
|
2:25
|
14
|
On the Town: Ya Got Me
|
|
2:45
|
15
|
On the Town: Opening (extended version)
|
|
3:45
|
Links (2)
Discography Entry
-
https://www.deutschegrammophon.com/en/catalogue/products/leonard-bernstein-collection-vol-2-4998
Discogs
-
https://www.discogs.com/release/8607374