Release: 07 Oct 2016 [Worldwide],
Language: [Multiple languages],
Status: Official
Format: CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + DVD-Video + DVD-Video + DVD-Video,
Tracks: 939,
Length: 18:47:10,
Barcode: 888751737525
Release type: Album - Compilation
Contents
CD #1
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1
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“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 1 Chorus: “Schwingt freudig euch empor”
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3:59
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2
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“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 2 Chorale (Duet): “Nun komm, der Heiden Heiland” (soprano, alto)
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4:48
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3
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“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 3 Aria: “Die Liebe zeiht mit sanften Schritten” (tenor)
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5:54
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4
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“Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 4 Chorale: “Zwingt die Saiten in Cythara”
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1:30
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5
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“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 5 Aria: “Willkommen, werter Schatz!” (bass)
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3:24
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6
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“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 6 Chorale: “Der du bist dem Vater gleich” (tenor)
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1:57
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7
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“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 7 Aria: "Auch mit gedämpften, schwachen Stimmen” (soprano)
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7:25
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8
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“Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 8 Chorale: “Lob sei Gott, dem Vater”
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0:44
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9
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“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 1 Chorus: “Ach wie flüchtig, ach wie nichtig”
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3:05
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10
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“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 2 Aria: “So schnell ein rauschend Wasser schießt” (tenor)
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7:01
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11
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“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 3 Recitative: “Die Freude wird zur Traurigkeit” (alto)
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0:53
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12
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“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 4 Aria: “An irdische Schätze das Herze zu hängen” (bass)
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3:30
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13
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“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 5 Recitative: “Die höchste Herrlichkeit und Pracht” (soprano)
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0:46
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14
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“Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 6 Chorale: “Ach wie flüchtig, ach wie nichtig”
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0:48
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CD #2
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1
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“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 1 Chorus: “Wachet auf, ruft uns die Stimme”
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6:55
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2
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“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 2 Recitative: “Er kommt, er kommt” (tenor)
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0:58
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3
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“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 3 Aria (Duet): “Wenn kömmst du, mein Heil?” (soprano, bass)
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5:52
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4
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“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 4 Chorale: “Zion hört due Wächter singen”
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3:57
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5
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“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 5 Recitative: “So geh herein zu mir” (bass)
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1:29
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6
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“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 6 Aria (Duet): “Mein Freund ist mein” (soprano, bass)
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6:33
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7
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“Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 7 Chorale: “Gloria sei dir gesungen”
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1:56
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8
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“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 1 Overture: “Nun kommt, der Heiden Heiland” (chorus)
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3:23
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9
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“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 2 Recitative: “Der Heiland ist gekommen” (tenor)
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1:25
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10
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“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 3 Aria: “Komm, Jesu, komm zu deiner Kirche” (tenor)
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3:45
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11
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“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 4 Recitative: “Siehe, ich stehe vor der Tür” (bass)
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1:00
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12
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“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 5 Aria: “Offne dich, mein ganzes Herze” (soprano)
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3:48
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13
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“Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 6 Chorale: “Amen, amen!”
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0:54
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14
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“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 1 Sinfonia
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3:37
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15
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“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 2 Chorus: “Wir danken dir, Gott, wir danken dir”
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2:20
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16
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“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 3 Aria: “Halleluja, Stärk und Macht” (tenor)
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5:36
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17
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“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 4 Recitative: “Gottlob! es geht uns wohl!” (baritone)
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0:48
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18
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“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 5 Aria: “Gedenk an uns mit deiner Liebe” (soprano)
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5:14
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19
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“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 6 Recitative: “Vergiss es ferner nicht” (alto, chorus)
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0:25
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20
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“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 7 Aria: “Halleluja, Stärk und Macht” (alto)
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1:41
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21
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“Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 8 Chorale: “Sei Lob und Preis mit Ehren”
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2:02
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CD #3
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1
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 1 Chorus: “Jauchzet, frohlocket!”
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7:58
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2
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 2 Recitative: “Es begab sich aber zu der Zeit” (tenor)
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1:20
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3
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 3 Arioso: “Nun wird mein liebster Bräutigam” (alto)
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0:47
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4
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 4 Aria: “Bereite dich, Zion” (alto)
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5:39
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5
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 5 Chorale: “Wie soll ich dich empfangen”
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1:10
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6
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 6 Recitative: “Und sie gebar ihren ersten Sohn” (tenor)
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0:26
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7
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 7 Chorale: “Er ist auf Erden kommen arm” / Recitative: “Wer will die Liebe recht erhöhen” (bass)
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3:00
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8
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 8 Aria: “Großer Herr, o starker König” (bass)
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5:07
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9
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Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 9 Chorale: “Ach mein herzliebes Jesulein”
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1:07
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10
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 10 Sinfonia
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5:17
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11
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 11 Recitative: “Und es waren Hirten in deselben Gegend” (tenor)
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0:36
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12
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 12 Chorale: “Brich an, o schönes Morgenlicht”
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1:14
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13
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 13 Recitative: “Und der Engel sprach zu ihnen” (tenor, soprano)
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0:44
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14
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 14 Recitative “Was Gott dem Abraham weheißen” (bass)
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0:42
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15
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 15 Aria: “Frohe Hirten, eilt, ach eilet” (tenor)
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3:40
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16
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 16 Recitative: “Und das habt zum Zeichen” (tenor)
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0:19
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17
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 17 Chorale: “Schaut hin, dort liegt im finstern Stall”
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0:38
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18
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 18 Recitative & Arioso: “So geht denn hin, ihr Hirten, geht” (bass)
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0:55
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19
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 19 Aria: “Schlafe, mein Liebster, genieße der Ruh” (alto)
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9:02
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20
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 20 Recitative: “Und alsobald war da bei dem Engel” (tenor)
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0:13
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21
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 21 Chorus: “Ehre sei Gott in der Höhe”
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2:59
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22
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 22 Recitative: “So recht, ihr Engel, jauchzt und singet” (bass)
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0:20
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23
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Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 23 Chorale: “Wir singen dir in deinem Heer”
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1:23
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24
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 24 Chorus: “Herrscher des Himmels. erhöre das Lallen”
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1:58
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25
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 25 Recitative: “Und da die Engel” (tenor)
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0:08
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26
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 26 Chorus: “Lasset uns nun gehen”
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0:49
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27
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 27 Recitative: “Er hat sein Volk getröst” (bass)
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0:42
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28
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 28 Chorale: “Dies hat er alles uns getan”
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0:45
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29
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 29 Duet: “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)
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7:03
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30
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 30 Recitative: “Und sie kamen eilend” (tenor)
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1:10
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31
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 31 Aria: “Schließe, mein Herze, mein Herze, dies selige Wunder” (alto)
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4:55
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32
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 32 Recitative: “Ja, ja, mein Herz soll es bewahren” (alto)
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0:25
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33
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 33 Chorale: “Ich will dich mit Fleiß bewahren”
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0:55
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34
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 34 Recitative: “Und die Hirten kehrten wieder um” (tenor)
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0:20
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35
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 35 Chorale: “Seid froh dieweil”
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0:54
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36
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Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 36 Chorus da capo: “Herrscher des Himmels, erhöre das Lallen”
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2:11
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CD #4
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1
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 36 Chorus: “Fallt mit Danken”
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6:07
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2
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 37 Recitative: “Und da acht Tage um waren” (tenor)
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0:25
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3
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 38 Recitative: “Immanuel, o süßes Wort!” (bass) / & Chorale: “Jesu, du mein liebstes Leben”
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2:29
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4
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 39 Aria: “Flößt, mein Heiland, flößt dein Namen” (soprano)
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6:00
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5
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 40 Recitative: “Wohlan, dein Name soll allein” (bass) / & Chorale: “Jesu, meine Freud und Wonne”
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1:28
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6
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 41 Aria: “Ich will nur dir zu Ehren leben” (tenor)
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4:52
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7
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Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 42 Chorale: “Jesus richte mein Beginnen”
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2:03
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8
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 43 Chorus: “Ehre sei dir, Gott, gesungen”
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7:29
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9
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 44 Recitative: “Da Jesus geboren war zu Bethlehem” (tenor)
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0:22
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10
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 45 Chorus: “Wo ist der neugeborne König der Jüden?” / & Recitative: “Sucht ihn in meiner Brust” (alto)
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1:43
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11
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 46 Chorale: “Dein Glanz all Finsternis verzehrt”
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0:56
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12
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 47 Aria: “Erleucht auch meine finstre Sinnen” (bass)
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4:23
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13
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 48 Recitative: “Da das der König Herodes hörte” (tenor)
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0:11
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14
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 49 Recitative: “Warum wollt ihr erschrecken?” (alto)
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0:32
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15
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 50 Recitative: “Und ließ versammlen alle Hohepriester” (tenor)
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1:14
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16
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 51 Trio: “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)
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5:26
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17
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 52 Recitative: “Mein Liebster herrschet schon” (alto)
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0:25
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18
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Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 53 Chorale: “Zwar ist solche Herzensstube”
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1:07
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19
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 54 Chorus: “Herr, wenn die stolzen Feinde schnauben”
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5:23
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20
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 55 Recitative: “Da bereif Herodes die Weisen” (tenor, bass)
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0:40
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21
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 56 Recitative: “Du Falscher, suche nur den Herrn zu fällen” (soprano)
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0:52
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22
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 57 Aria: “Nur ein Wink von seinen Händen” (soprano)
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4:31
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23
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 58 Recitative: “Als sie nun den König gehöret hatten” (tenor)
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1:09
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24
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 59 Chorale: “Ich steh an deiner Krippen hier”
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1:10
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25
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 60 Recitative: “Und Gott befahl ihnen im Traum” (tenor)
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0:20
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26
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 61 Recitative: “So geht! Genug, mein Schatz geht nicht von hier” (tenor)
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1:52
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27
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 62 Aria: “Nun mögt ihr stolzen Feinde schrecken” (tenor)
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4:41
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28
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 63 Recitative: “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)
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0:34
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29
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Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 64 Chorale: “Nun seid ihr wohl gerochen”
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3:23
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CD #5
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1
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Timotheus oder Die Gewalt der Musik: Part I. No. 1 Overture
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7:01
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2
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Timotheus oder Die Gewalt der Musik: Part I. No. 2 Recitative: “Am königlichen Feste” (tenor)
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1:04
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3
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Timotheus oder Die Gewalt der Musik: Part I. No. 3 Aria & Chorus: “Selig, selig, selig Paar!” (tenor)
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5:53
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4
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Timotheus oder Die Gewalt der Musik: Part I. No. 4 Recitative: “Der Sänger ragt hervor” (tenor)
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0:27
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5
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Timotheus oder Die Gewalt der Musik: Part I. No. 5 Accompagnato: “Das Lied begann vom Zeus” (soprano)
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1:00
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6
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Timotheus oder Die Gewalt der Musik: Part I. No. 6 Chorus: “Den stillen Trupp entzückt das hohe Lied”
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2:32
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7
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Timotheus oder Die Gewalt der Musik: Part I. No. 7 Aria: “Der König horcht mit stolzem Ohr” (soprano)
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3:55
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8
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Timotheus oder Die Gewalt der Musik: Part I. No. 8 Recitative: “Des Bacchus Lob stimmt nun der süße Künstler an” (bass)
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0:47
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9
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Timotheus oder Die Gewalt der Musik: Part I. No. 9 Aria & Chorus: “Bacchus, ewig jung und schön” (bass)
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4:52
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10
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Timotheus oder Die Gewalt der Musik: Part I. No. 10 Recitative: “Siegprangend fühlt der Held das Lied!” (tenor)
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0:48
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11
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Timotheus oder Die Gewalt der Musik: Part I. No. 11 Accompagnato: “Nun flößt sein Tauerton” (soprano)
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1:21
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12
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Timotheus oder Die Gewalt der Musik: Part I. No. 12 Aria: “Er sang den Perser groß und gut” (soprano)
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3:10
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13
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Timotheus oder Die Gewalt der Musik: Part I. No. 13 Accompagnato: “Gesenkt das Haupt, sitzt traurig da der Held” (soprano)
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1:19
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14
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Timotheus oder Die Gewalt der Musik: Part I. No. 14 Chorus: “Seht an den Perser, groß und gut”
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2:51
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15
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Timotheus oder Die Gewalt der Musik: Part I. No. 15 Recitative: “Der Meister lächelt, weil er sieht” (soprano)
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0:34
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16
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Timotheus oder Die Gewalt der Musik: Part I. No. 16 Arioso: “Töne sanft, du lydisch Brautlied!” (soprano)
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3:31
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17
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Timotheus oder Die Gewalt der Musik: Part I. No. 17 Aria: “Krieg, o Held, ist Sort und Arbeit” (tenor)
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5:05
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18
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Timotheus oder Die Gewalt der Musik: Part I. No. 18 Chorus: “Die ganze Schar erhebt ein Lobgeschrei”
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4:33
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19
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Timotheus oder Die Gewalt der Musik: Part I. No. 19 Aria: “Der Held, der seine Glut umsonst verhehlt” (soprano)
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6:42
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20
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Timotheus oder Die Gewalt der Musik: Part I. No. 20 Chorus da capo: “Die ganze Schar erhebt ein Lobgeschrei”
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5:02
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CD #6
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1
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Timotheus oder Die Gewalt der Musik: Part II. Speech by Nikolaus Harnoncourt / Audience singalong
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5:59
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2
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Timotheus oder Die Gewalt der Musik: Part II. No. 20 Accompagnato: “Erschalle, goldnes Saitenspiel” (tenor) / Chorus: “Brich die Bande seines Schlummers” / Accompagnato: “Sieh da! Der Donneschlag hat ihn aufgeschreckt” (tenor)
|
|
4:58
|
3
|
Timotheus oder Die Gewalt der Musik: Part II. No. 21 Aria: “Gib Rach'!” (bass)
|
|
8:26
|
4
|
Timotheus oder Die Gewalt der Musik: Part II. No. 22 Accompagnato: “Rache, Rache gib deinem wackren Heer!” (tenor)
|
|
1:43
|
5
|
Timotheus oder Die Gewalt der Musik: Part II. No. 23 Aria: “Es jauchzen die Krieger” (tenor)
|
|
2:15
|
6
|
Timotheus oder Die Gewalt der Musik: Part II. No. 24 Aria: “Thais führt ihn an” (soprano) / Chorus: “Die Krieger, sie jauchzen”
|
|
5:24
|
7
|
Timotheus oder Die Gewalt der Musik: Part II. No. 25 Accompagnato: “So stimmte vor” (tenor) / Chorus: “Vom Himmel kam Caecilia”
|
|
6:31
|
8
|
Timotheus oder Die Gewalt der Musik: Part II. No. 26 Recitative: “Timotheus, entsag dem Preis!” (tenor, bass)
|
|
0:25
|
9
|
Timotheus oder Die Gewalt der Musik: Part II. No. 27 Soloists & Chorus: “Timotheus, entsag dem Preis!”
|
|
5:05
|
CD #7
|
|
|
1
|
Messiah: Part I. No. 1 Sinfonia: Grave - Allegro moderato
|
|
3:19
|
2
|
Messiah: Part I. No. 2 Accompagnato: “Comfort ye my people” (tenor)
|
|
3:03
|
3
|
Messiah: Part I. No. 3 Air: “Ev'ry valley shall be exalted” (tenor)
|
|
3:48
|
4
|
Messiah: Part I. No. 4 Chorus “And the glory of the Lord”
|
|
2:32
|
5
|
Messiah: Part I. No. 5 Accompagnato: “Thus saith the Lord” (bass)
|
|
1:33
|
6
|
Messiah: Part I. No. 6 Air: “But who may abide the day of His coming” (alto)
|
|
4:08
|
7
|
Messiah: Part I. No. 7 Chorus “And He shall purify” / Recitative: “Behold, a virgin shall conceive” (alto)
|
|
3:18
|
8
|
Messiah: Part I. No. 8 Air: “O thou that tellest good tidings to Zion” (alto, chorus)
|
|
5:48
|
9
|
Messiah: Part I. No. 9 Accompagnato: “For behold, darkness shall cover the earth” (bass)
|
|
1:53
|
10
|
Messiah: Part I. No. 10 Air: “The people that walked in darkness” (bass)
|
|
3:24
|
11
|
Messiah: Part I. No. 11 Chorus: “For unto us a Child is born”
|
|
4:53
|
12
|
Messiah: Part I. No. 12 Pifa - Recitative: “There were shepherds” (soprano)
|
|
1:04
|
13
|
Messiah: Part I. No. 13 Accompagnato: “And lo! the angel of the Lord came upon them” (soprano) / Recitative: “And the angel said unto them” (soprano)
|
|
1:03
|
14
|
Messiah: Part I. No. 14 Accompagnato: “And suddenly there was with the angel” (soprano)
|
|
0:15
|
15
|
Messiah: Part I. No. 15 Chorus: “Glory to God in the highest”
|
|
2:12
|
16
|
Messiah: Part I. No. 16 Air: “Rejoice greatly, O daughter of Zion” (soprano) / Recitative: “Then shall the eyes of the blind” (alto)
|
|
5:16
|
17
|
Messiah: Part I. No. 17 Duet: “He shall feed His flock” (alto, soprano)
|
|
5:33
|
18
|
Messiah: Part I. No. 18 Chorus: “His yoke is easy”
|
|
2:59
|
19
|
Messiah: Part II. No. 19 Chorus: “Behold the Lamb of God”
|
|
2:47
|
20
|
Messiah: Part II. No. 20 Air: “He was despised” (alto)
|
|
10:43
|
CD #8
|
|
|
1
|
Messiah: Part II. No. 21 Chorus: “Surely He hath borne our griefs”
|
|
2:02
|
2
|
Messiah: Part II. No. 22 Chorus: “And with His stripes we are healed”
|
|
1:49
|
3
|
Messiah: Part II. No. 23 Chorus: “All we like sheep have gone astray”
|
|
3:39
|
4
|
Messiah: Part II. No. 24 Accompagnato: “All they that see Him, laugh Him to scorn” (tenor)
|
|
0:43
|
5
|
Messiah: Part II. No. 25 Chorus: “He trusted in God”
|
|
2:20
|
6
|
Messiah: Part II. No. 26 Accompagnato: “Thy rebuke hath broken His heart” (soprano)
|
|
1:38
|
7
|
Messiah: Part II. No. 27 Arioso: “Behold, and see if there be any sorrow” (soprano)
|
|
1:18
|
8
|
Messiah: Part II. No. 28 Accompagnato: “He was cut off out of the land of the living” (tenor)
|
|
0:22
|
9
|
Messiah: Part II. No. 29 Air: “But Thou didst not leave” (tenor)
|
|
2:17
|
10
|
Messiah: Part II. No. 30 Chorus: “Lift up your heads, O ye gates” / Recitative: “Unto which of the angels” (tenor)
|
|
3:21
|
11
|
Messiah: Part II. No. 31 Chorus: “Let all the angels of God worship Him”
|
|
1:36
|
12
|
Messiah: Part II. No. 32 Air: “Thou art gone up on high” (alto)
|
|
3:09
|
13
|
Messiah: Part II. No. 33 Chorus: “The Lord gave the word”
|
|
1:16
|
14
|
Messiah: Part II. No. 34a Air: “How beautiful are the feet” (soprano)
|
|
2:00
|
15
|
Messiah: Part II. No. 35a Chorus: “Their sound is gone out”
|
|
1:19
|
16
|
Messiah: Part II. No. 36 Air: “Why do the nations so furiously rage together?” (bass)
|
|
2:56
|
17
|
Messiah: Part II. No. 37 Chorus: “Let us break their bonds asunder” / Recitative: “He that dwelleth in Heaven” (tenor)
|
|
1:58
|
18
|
Messiah: Part II. No. 38 Air: “Thou shalt break them” (tenor)
|
|
2:04
|
19
|
Messiah: Part II. No. 39 Chorus: “Hallelujah!”
|
|
4:05
|
20
|
Messiah: Part III. No. 40 Air: “I know that my Redeemer liveth” (soprano)
|
|
5:57
|
21
|
Messiah: Part III. No. 41 Chorus: “Since by man came death”
|
|
1:46
|
22
|
Messiah: Part III. No. 42 Accompagnato: “Behold, I tell you a mystery” (bass)
|
|
0:41
|
23
|
Messiah: Part III. No. 43 Air: “The trumpet shall sound” (bass)
|
|
8:36
|
24
|
Messiah: Part III. No. 43 Recitative: “Then shall be brought to pass” (alto) / No. 44 Duet: “O death, where is they sting?” (alto, tenor)
|
|
0:58
|
25
|
Messiah: Part III. No. 45 Chorus: “But thanks be to God”
|
|
2:08
|
26
|
Messiah: Part III. No. 46 Air: “If God be for us” (soprano)
|
|
4:46
|
27
|
Messiah: Part III. No. 47 Chorus: “Worthy is the Lamb”
|
|
6:40
|
CD #9
|
|
|
1
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 1 Sinfonia
|
|
3:43
|
2
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 2 Introduction: “Il lavorar l'è pur la brutta cosa” (Eurilla, Licone, Rodomonte)
|
|
3:04
|
3
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 3 Recitative: “Presto rispondi, indegno” (Eurilla, Rodomonte, Licone)
|
|
1:10
|
4
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 4 Aria: “Ah se dire io vi potessi” (Eurilla)
|
|
3:19
|
5
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 5 Recitative: “Non perdiamo più tempo” (Rodomonte, Licone)
|
|
0:18
|
6
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 6 Aria: “Temerario! Senti e trema” (Rodomonte)
|
|
3:21
|
7
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 7 Cavatina: “Palpita ad ogni istante il povero mio cor” (Angelica)
|
|
4:44
|
8
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 8 Recitative: “Poco di me mi cal, ma per Medoro” (Angelica)
|
|
0:34
|
9
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 9 Sinfonia
|
|
0:27
|
10
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 10 Recitative: “Che fami dalla fata?” (Alcina, Angelica)
|
|
0:41
|
11
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 11 Aria: “Ad un guardo” (Alcina)
|
|
4:02
|
12
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 12 Recitative: “D'Alcina i detti mi consolano il cuore” (Angelica, Medoro)
|
|
0:43
|
13
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 13 Aria: “Parto. Ma, oh dio, non posso” (Medoro)
|
|
6:11
|
14
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 14 Recitative: “Col mio Medoro accanto” (Angelica)
|
|
0:16
|
15
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 15 Cavatina: “La mia bella m'ha detto di no” (Pasquale)
|
|
1:21
|
16
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 16 Recitative: “Pasquale disgraziato” (Pasquale, Rodomonte, Eurilla)
|
|
1:44
|
17
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 17 Aria: “Ho viaggiato in Francia, in Spagna” (Pasquale)
|
|
3:23
|
18
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 18 Recitative: “Si, regina, ho deciso” (Medoro, Angelica)
|
|
0:47
|
19
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 19 Aria: “Non partir, mia bella face” (Angelica)
|
|
5:20
|
20
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 20 Recitative: “In odio al mio bel nume” (Medoro)
|
|
0:17
|
21
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 21 Accompanied Recitative: “Angelica, mio ben” (Orlando)
|
|
4:35
|
22
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 22 Aria: “D'Angelica il nome!” (Orlando)
|
|
3:44
|
23
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 23 Recitative: “Ove si cela il furibondo Orlando?” (Rodomonte, Pasquale, Orlando, Eurilla)
|
|
0:44
|
24
|
Orlando Paladino, Hob. XXVIII:11: Act I. No. 24 Finale I: “Presto rispondi, indegna” (Orlando)
|
|
1:43
|
25
|
Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Sento nel seno, oh dio” (Angelica, tutti)
|
|
3:41
|
26
|
Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Chi mi salva o tien nascoso” (Medoro, Angelica, tutti)
|
|
8:15
|
CD #10
|
|
|
1
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 25 Recitative: “Stringi tosto quel brando” (Rodomonte, Orlando)
|
|
0:18
|
2
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 26 Aria: “Mille lampi d'accese faville” (Rodomonte)
|
|
2:13
|
3
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 27 Recitative: “In questo solitario orrido luogo” (Medoro, Eurilla)
|
|
0:48
|
4
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 28 Aria: “Dille che un infelice” (Medoro)
|
|
5:01
|
5
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 29 Recitative: “Sembra costui Pasquale” (Eurilla)
|
|
0:18
|
6
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 30 Cavatina: “Vittoria, vittoria!” (Pasquale)
|
|
1:50
|
7
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 31 Recitative: “Vuo' divertirmi” - “Aiuto, per pietà!” (Eurilla, Pasquale)
|
|
1:22
|
8
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 32 Duet: “Quel tuo visetto amabile” (Eurilla, Pasquale)
|
|
3:29
|
9
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 33 Aria: “Aure chete, verdi allori” (Angelica)
|
|
5:31
|
10
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 34 Recitative: “Inutili saran del paladino” (Alcina)
|
|
0:34
|
11
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 35 Recitative accompagnato: “Fra queste selve invan” (Angelica, Medoro)
|
|
5:18
|
12
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 36 Duet: “Qual contento io provo in seno” (Medoro, Angelica)
|
|
3:48
|
13
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 37 Recitative: “Partiam, giacché n'arride” (Angelica, Medoro, Orlando, Alcina)
|
|
3:11
|
14
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 38 Accompanied Recitative: “Oimè, qual tetro oggetto!” - Aria: “Cosa vedo! Cosa sento” (Orlando)
|
|
3:16
|
15
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 39 Recitative: “Madama, al vostro bello di quel grugno” (Pasquale, Eurilla)
|
|
0:57
|
16
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 40 Aria: “Ecco spiano. Ecco il mio trillo” (Pasquale)
|
|
4:12
|
17
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 41 Recitative: “Angelica dov'è?” (Rodomonte, Alcina)
|
|
1:11
|
18
|
Orlando Paladino, Hob. XXVIII:11: Act II. No. 42 Finale II: “Nel solitario speco” (tutti)
|
|
11:51
|
19
|
Orlando Paladino, Hob. XXVIII:11: Act III. No. 43 Aria: “Ombre insepolte, di qua partite” (Caronte)
|
|
2:17
|
20
|
Orlando Paladino, Hob. XXVIII:11: Act III. No. 44 Recitative: “Con l'oblivione ti comando” (Alcina, Caronte)
|
|
0:34
|
21
|
Orlando Paladino, Hob. XXVIII:11: Act III. No. 45 Accompanied Recitative: “Sogno? Veglio?” (Orlando)
|
|
3:06
|
22
|
Orlando Paladino, Hob. XXVIII:11: Act III. No. 46 Aria: “Miei pensieri, dove siete?” (Orlando)
|
|
3:14
|
23
|
Orlando Paladino, Hob. XXVIII:11: Act III. No. 47 Accompanied Recitative: “L'irremeabil onda” (Caronte, Orlando)
|
|
0:29
|
24
|
Orlando Paladino, Hob. XXVIII:11: Act III. No. 48 Recitative: “Oimè. Già il sangue” (Medoro, Angelica, Orlando, Rodomonte)
|
|
0:42
|
25
|
Orlando Paladino, Hob. XXVIII:11: Act III. No. 49 Combattimento
|
|
1:03
|
26
|
Orlando Paladino, Hob. XXVIII:11: Act III. No. 50 Accompanied Recitative: “Implacabili numil” (Angelica)
|
|
4:29
|
27
|
Orlando Paladino, Hob. XXVIII:11: Act III. No. 51 Aria: “Dell'estreme sue voci dolenti”
|
|
2:46
|
28
|
Orlando Paladino, Hob. XXVIII:11: Act III. No. 52 Recitative: “Il tuo Medoro fu già risanato” (Alcina, tutti)
|
|
1:27
|
29
|
Orlando Paladino, Hob. XXVIII:11: Act III. No. 53 Chorus: “Son confuso e stupefatto” (Orlando, tutti)
|
|
2:54
|
CD #11
|
|
|
1
|
Symphony no. 82 in C major “The Bear”, Hob. I:82: I. Vivace (assai)
|
|
12:06
|
2
|
Symphony no. 82 in C major “The Bear”, Hob. I:82: II. Allegretto
|
|
7:45
|
3
|
Symphony no. 82 in C major “The Bear”, Hob. I:82: III. Menuetto - Trio
|
|
4:52
|
4
|
Symphony no. 82 in C major “The Bear”, Hob. I:82: IV. Finale. Vivace (assai)
|
|
8:11
|
5
|
Symphony no. 83 in G minor “The Hen”, Hob. I:83: I. Allegro spiritoso
|
|
10:44
|
6
|
Symphony no. 83 in G minor “The Hen”, Hob. I:83: II. Andante
|
|
11:00
|
7
|
Symphony no. 83 in G minor “The Hen”, Hob. I:83: III. Menuetto. Allegretto - Trio
|
|
3:53
|
8
|
Symphony no. 83 in G minor “The Hen”, Hob. I:83: IV. Finale. Vivace
|
|
5:41
|
CD #12
|
|
|
1
|
Symphony no. 84 in E-flat major, Hob. I:84: I. Largo - Allegro
|
|
12:44
|
2
|
Symphony no. 84 in E-flat major, Hob. I:84: II. Andante
|
|
6:32
|
3
|
Symphony no. 84 in E-flat major, Hob. I:84: III. Menuetto. Allegretto - Trio
|
|
3:50
|
4
|
Symphony no. 84 in E-flat major, Hob. I:84: IV. Finale. Vivace
|
|
9:23
|
5
|
Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: I. Adagio - Vivace
|
|
12:47
|
6
|
Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: II. Romance. Allegretto
|
|
6:46
|
7
|
Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: III. Menuetto. Allegretto - Trio
|
|
4:31
|
8
|
Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: IV. Finale. Presto
|
|
3:11
|
CD #13
|
|
|
1
|
Symphony no. 86 in D major, Hob. I:86 (1786): I. Adagio - Allegro spiritoso
|
|
12:35
|
2
|
Symphony no. 86 in D major, Hob. I:86 (1786): II. Capriccio. Largo
|
|
6:46
|
3
|
Symphony no. 86 in D major, Hob. I:86 (1786): III. Menuet. Allegretto - Trio
|
|
5:39
|
4
|
Symphony no. 86 in D major, Hob. I:86 (1786): IV. Finale. Allegro con spirito
|
|
6:35
|
5
|
Symphony no. 87 in A major, Hob. I:87 (1785): I. Vivace
|
|
11:16
|
6
|
Symphony no. 87 in A major, Hob. I:87 (1785): II. Adagio
|
|
7:18
|
7
|
Symphony no. 87 in A major, Hob. I:87 (1785): III. Menuet - Trio
|
|
4:55
|
8
|
Symphony no. 87 in A major, Hob. I:87 (1785): IV. Finale. Vivace
|
|
6:30
|
CD #14
|
|
|
1
|
Die Schöpfung, Hob. XXI:2: Part I. The Representation of Chaos
|
|
5:40
|
2
|
Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Im Anfange schuf Gott Himmel und Erde” (Raphael) - Chorus: “Und der Geist Gottes”
|
|
2:31
|
3
|
Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun Schwanden vor dem heiligen Strahle” (Uriel) / Chorus: “Verzweiflung, Wut und Schrecken”
|
|
4:05
|
4
|
Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott machte das Firmament” (Raphael)
|
|
2:12
|
5
|
Die Schöpfung, Hob. XXI:2: Part I. Soprano solo: “Mit Staunen sieht das Wunderwerk” (Gabriel) / Chorus: “Und laut ertönt aus ihren Kehlen...”
|
|
2:16
|
6
|
Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael)
|
|
0:42
|
7
|
Die Schöpfung, Hob. XXI:2: Part I. Aria: “Rollend in schäumenden Wellen” (Raphael)
|
|
4:02
|
8
|
Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)
|
|
0:36
|
9
|
Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun beut die Flur das frische Grün” (Gabriel)
|
|
5:18
|
10
|
Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und die himmlischen Heerscharen verkündigten den dritten Tag” (Uriel)
|
|
0:14
|
11
|
Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Stimmt an die Saiten, ergreift die Leyer!”
|
|
2:17
|
12
|
Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel)
|
|
0:48
|
13
|
Die Schöpfung, Hob. XXI:2: Part I. Recitative: “In vollem Glanze steiget jetzt die Sonne strahlend auf” (Uriel)
|
|
3:16
|
14
|
Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Die Himmel erzählen die Ehre Gottes” / Trio: “Dem kommenden Tage sagt es der Tag” (Gabriel, Uriel, Raphael)
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|
4:24
|
CD #15
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|
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1
|
Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel)
|
|
0:30
|
2
|
Die Schöpfung, Hob. XXI:2: Part II. Aria: “Auf starkem Fittige schwinget sich der Adler stolz” (Gabriel)
|
|
7:47
|
3
|
Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf große Walfische” (Raphael)
|
|
2:11
|
4
|
Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und die Engel rührten ihr' unsterblichen Harrfen” (Raphael)
|
|
0:18
|
5
|
Die Schöpfung, Hob. XXI:2: Part II. Trio: “In holder Anmut stehn, mit jungem Grün geschmückt” (Gabriel, Uriel, Raphael) / Chorus: “Der Herr ist groß in siner Macht”
|
|
7:02
|
6
|
Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe die Erde hervor” (Raphael)
|
|
0:25
|
7
|
Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Gleich öffnet sich der Erde Schoß” (Raphael)
|
|
3:10
|
8
|
Die Schöpfung, Hob. XXI:2: Part II. Aria: “Nun scheint in vollem Glanze der Himmel” (Raphael)
|
|
3:20
|
9
|
Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf den Menschen nach seinem Ebenbilde” (Uriel)
|
|
0:47
|
10
|
Die Schöpfung, Hob. XXI:2: Part II. Aria: “Mit Würd' und Hoheit angetan” (Uriel)
|
|
3:58
|
11
|
Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sah jedes Ding, was er gemacht hatte” (Raphael)
|
|
0:20
|
12
|
Die Schöpfung, Hob. XXI:2: Part II. Chorus: “Vollendet ist das große Werk” / Trio: “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael)
|
|
9:17
|
13
|
Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Aus Rosenwolken bricht, geweckt durch süßen Klang” (Uriel)
|
|
3:55
|
14
|
Die Schöpfung, Hob. XXI:2: Part III. Duet: “Von deiner Güt', o Herr und Gott” (Adam, Eva) / Chorus: “Gesegnet sei des Herren Macht”
|
|
10:20
|
15
|
Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Nun ist die erste Pflicht erfüllt” (Adam, Eva)
|
|
2:12
|
16
|
Die Schöpfung, Hob. XXI:2: Part III. Duet: “Holde Gattin! Dir zur Seite” (Adam, Eva)
|
|
7:57
|
17
|
Die Schöpfung, Hob. XXI:2: Part III. Recitative: “O glücklich Paar, und glücklich immerfort” (Uriel)
|
|
0:24
|
18
|
Die Schöpfung, Hob. XXI:2: Part III. Final Chorus & Soloists: “Singt dem Herren alle Stimmen!”
|
|
3:37
|
CD #16
|
|
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1
|
Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 1 Introduction - Recitative: “Seht, wie der strenge Winter flieht!” (Simon, Lukas, Hanne)
|
|
6:06
|
2
|
Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 2 Chorus of Country People: “Komm, holder Lenz!”
|
|
3:53
|
3
|
Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 3 Recitative: “Vom Widder strahlet jetzt” (Simon)
|
|
0:30
|
4
|
Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 4 Aria: “Schon eilet froh der Ackermann” (Simon)
|
|
3:51
|
5
|
Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 5 Recitative: “Der Landmann hat sein Werk vollbracht” (Lukas)
|
|
0:33
|
6
|
Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 6 Prayer of Supplication: Trio & Chorus: “Sei mir/uns nun gnädig, milder Himmel!”
|
|
5:42
|
7
|
Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 7 Recitative: “Erhört ist unser Flehn” (Hanne)
|
|
1:08
|
8
|
Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 8 Song of Joy: “O wie lieblich ist der Anblick” (Hanne, Lukas, chorus, Simon)
|
|
10:47
|
9
|
Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 9 Introduction - Recitative: “In grauem Schleier rückt heran” (Lukas, Simon)
|
|
3:26
|
10
|
Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 10 Aria: “Der munt're Hirt versammelt nun” (Simon) / Recitative: “Die Morgenröte bricht hervor” (Hanne)
|
|
3:16
|
11
|
Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 11 Trio & Chorus: “Sie steigt herauf, die Sonne”
|
|
4:40
|
12
|
Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12 Recitative: “Nun regt und bewegt sich alles umher” (Simon, Lukas)
|
|
1:48
|
13
|
Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 13 Cavatina: “Dem Druck erlieget die Natur” (Lukas)
|
|
3:58
|
14
|
Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 14 Recitative: “Willkommen jetzt, o dunkler Hain” (Hanne)
|
|
3:47
|
15
|
Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 15 Aria: “Welche Labung für die Sinne!” (Hanne)
|
|
4:53
|
16
|
Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 16 Recitative: “O seht! Es steiget in der schwülen Luft” (Simon, Lukas, Hanne)
|
|
2:20
|
17
|
Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 17 Chorus: “Ach! das Ungewitter naht!”
|
|
4:09
|
18
|
Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 18 Trio & Chorus: “Die düstren Wolken trennen sich”
|
|
4:20
|
CD #17
|
|
|
1
|
Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 19 Introduction: “Was durch deine Blüte” (Hanne, Lukas, Simon)
|
|
2:20
|
2
|
Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 20 Trio & Chorus: “So lohnet die Natur den Fleiß”
|
|
6:39
|
3
|
Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 21 Recitative: “Seht, wie zum Haselbusche dort” (Hanne, Simon, Lukas)
|
|
1:00
|
4
|
Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 22 Duet: “Ihr Schönen aus der Stadt, kommt her” (Lukas, Hanne)
|
|
8:29
|
5
|
Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 23 Recitative: “Nun zeiget das entblößte Feld” (Simon)
|
|
0:50
|
6
|
Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 24 Aria: “Seht auf die breiten Wiesen hin!”
|
|
3:14
|
7
|
Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 25 Recitative: “Hier treibt ein dichter Kreis” (Lukas)
|
|
0:43
|
8
|
Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 26 Chorus of Country People and Hunters: “Hört! hört das laute Getön”
|
|
4:17
|
9
|
Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 27 Recitative: “Am Rebenstocke blinket jetzt” (Hanne, Simon, Lukas)
|
|
0:57
|
10
|
Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28 Chorus: “Juhe! Juhe! Der Wein ist da”
|
|
6:23
|
11
|
Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29 Introduction - Recitative: “Nun senket sich das blasse Jahr” (Simon, Hanne)
|
|
5:22
|
12
|
Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 30 Cavatina: “Licht und Leben sind geschwächet” (Hanne)
|
|
2:02
|
13
|
Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 31 Recitative: “Gefesselt steht der breite See” (Lukas)
|
|
1:54
|
14
|
Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 32 Aria: “Hier steht der Wand'rer nun” (Lukas)
|
|
3:47
|
15
|
Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 33 Recitative: “Sowie er naht” (Lukas, Hanne, Simon)
|
|
1:07
|
16
|
Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 34 Song & Chorus: “Knurre, schnurre, knurre” (Hanne)
|
|
2:51
|
17
|
Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 35 Recitative: “Abgesponnen ist der Flachs” (Lukas)
|
|
0:21
|
18
|
Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 36 Song & Chorus: “Ein Mädchen, das auf Ehre hielt” (Hanne)
|
|
3:19
|
19
|
Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 37 Recitative: “Von dürren Oste dringt” (Simon)
|
|
0:38
|
20
|
Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 38 Aria: “Erblicke hier, betörter Mensch” (Simon)
|
|
4:52
|
21
|
Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 39 Trio & Double Chorus: “Dann bricht der große Morgen an”
|
|
6:14
|
CD #18
|
|
|
1
|
Symphony no. 1 in E-flat major, K 16: I. Molto allegro
|
|
7:12
|
2
|
Symphony no. 1 in E-flat major, K 16: II. Andante
|
|
5:08
|
3
|
Symphony no. 1 in E-flat major, K 16: III. Presto
|
|
1:27
|
4
|
Symphony no. 4 in D major, K 19: I. Allegro
|
|
2:31
|
5
|
Symphony no. 4 in D major, K 19: II. Andante
|
|
3:49
|
6
|
Symphony no. 4 in D major, K 19: III. Presto
|
|
2:54
|
7
|
Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai
|
|
5:55
|
8
|
Symphony no. 4a in F major, K Anh 223 (19a): II. Andante
|
|
4:38
|
9
|
Symphony no. 4a in F major, K Anh 223 (19a): III. Presto
|
|
2:20
|
10
|
Symphony no. 5 in B-flat major, K 22: I. Allegro
|
|
2:48
|
11
|
Symphony no. 5 in B-flat major, K 22: II. Andante
|
|
2:10
|
12
|
Symphony no. 5 in B-flat major, K 22: III. Molto allegro
|
|
1:13
|
13
|
Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso
|
|
4:53
|
14
|
Symphony no. 43 in F major, K 76 (42a): II. Andante
|
|
3:04
|
15
|
Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio
|
|
3:15
|
16
|
Symphony no. 43 in F major, K 76 (42a): IV. Allegro
|
|
3:20
|
17
|
Symphony no. 6 in F major, K 43: I. Allegro
|
|
6:23
|
18
|
Symphony no. 6 in F major, K 43: II. Andante
|
|
5:58
|
19
|
Symphony no. 6 in F major, K 43: III. Menuetto - Trio
|
|
2:15
|
20
|
Symphony no. 6 in F major, K 43: IV. Allegro
|
|
3:49
|
CD #19
|
|
|
1
|
Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): I. Allegro maestoso
|
|
5:30
|
2
|
Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): II. Andante
|
|
6:45
|
3
|
Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): III. Presto
|
|
2:20
|
4
|
Symphony no. 7 in D major, K 45: I. Molto allegro
|
|
2:35
|
5
|
Symphony no. 7 in D major, K 45: II. Andante
|
|
2:08
|
6
|
Symphony no. 7 in D major, K 45: III. Menuetto - Trio
|
|
3:51
|
7
|
Symphony no. 7 in D major, K 45: IV. Molto allegro
|
|
2:40
|
8
|
Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro
|
|
2:16
|
9
|
Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante
|
|
3:31
|
10
|
Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio
|
|
3:07
|
11
|
Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro
|
|
3:56
|
12
|
Symphony no. 8 in D major. K 48: I. Allegro
|
|
4:40
|
13
|
Symphony no. 8 in D major. K 48: II. Andante
|
|
2:25
|
14
|
Symphony no. 8 in D major. K 48: III. Menuetto - Trio
|
|
4:06
|
15
|
Symphony no. 8 in D major. K 48: IV. Molto allegro
|
|
3:27
|
16
|
Symphony no. 9 in C major, K 73 (75a): I. Allegro
|
|
3:24
|
17
|
Symphony no. 9 in C major, K 73 (75a): II. Andante
|
|
3:59
|
18
|
Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio
|
|
2:36
|
19
|
Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro
|
|
1:55
|
20
|
Symphony no. 44 in D major, K 81 (73l): I. Allegro
|
|
3:17
|
21
|
Symphony no. 44 in D major, K 81 (73l): II. Andante
|
|
4:52
|
22
|
Symphony no. 44 in D major, K 81 (73l): III. Allegro molto
|
|
2:35
|
CD #20
|
|
|
1
|
Symphony no. 47 in D major, K 97 (73m): I. Allegro
|
|
2:48
|
2
|
Symphony no. 47 in D major, K 97 (73m): II. Andante
|
|
2:34
|
3
|
Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio
|
|
2:37
|
4
|
Symphony no. 47 in D major, K 97 (73m): IV. Presto
|
|
1:31
|
5
|
Symphony no. 45 in D major, K 95 (73n): I. Allegro
|
|
1:58
|
6
|
Symphony no. 45 in D major, K 95 (73n): II. Andante
|
|
3:53
|
7
|
Symphony no. 45 in D major, K 95 (73n): III. Menuetto - Trio
|
|
2:58
|
8
|
Symphony no. 45 in D major, K 95 (73n): IV. Allegro
|
|
3:35
|
9
|
Symphony no. 11 in D major, K 84 (73q): I. Allegro
|
|
3:47
|
10
|
Symphony no. 11 in D major, K 84 (73q): II. Andante
|
|
1:38
|
11
|
Symphony no. 11 in D major, K 84 (73q): III. Allegro
|
|
4:45
|
12
|
Symphony no. 10 in G major, K 74: I. Allegro - attacca
|
|
3:16
|
13
|
Symphony no. 10 in G major, K 74: II. Andante
|
|
2:14
|
14
|
Symphony no. 10 in G major, K 74: III. Allegro
|
|
2:15
|
15
|
Symphony no. 42 in F major, K 75: I. Allegro
|
|
3:24
|
16
|
Symphony no. 42 in F major, K 75: II. Menuetto - Trio
|
|
3:32
|
17
|
Symphony no. 42 in F major, K 75: III. Andantino
|
|
4:48
|
18
|
Symphony no. 42 in F major, K 75: IV. Allegro
|
|
2:38
|
19
|
Symphony no. 12 in G major, K 110 (75b): I. Allegro
|
|
5:56
|
20
|
Symphony no. 12 in G major, K 110 (75b): II. Andante
|
|
4:06
|
21
|
Symphony no. 12 in G major, K 110 (75b): III. Menuetto - Trio
|
|
3:48
|
22
|
Symphony no. 12 in G major, K 110 (75b): IV. Allegro
|
|
2:00
|
23
|
Symphony no. 48 in D major: I. Allegro assai
|
|
3:53
|
24
|
Symphony no. 48 in D major: II. Andante grazioso
|
|
1:28
|
25
|
Symphony no. 48 in D major: III. Finale. Presto
|
|
1:10
|
CD #21
|
|
|
1
|
Symphony no. 46 in C major, K96 (111b): I. Allegro
|
|
2:05
|
2
|
Symphony no. 46 in C major, K96 (111b): II. Andante
|
|
4:21
|
3
|
Symphony no. 46 in C major, K96 (111b): III. Menuetto - Trio
|
|
3:31
|
4
|
Symphony no. 46 in C major, K96 (111b): IV. Molto allegro
|
|
3:13
|
5
|
Symphony no. 13 in F major, K 112: I. Allegro
|
|
5:39
|
6
|
Symphony no. 13 in F major, K 112: II. Andante
|
|
4:33
|
7
|
Symphony no. 13 in F major, K 112: III. Menuetto - Trio
|
|
2:28
|
8
|
Symphony no. 13 in F major, K 112: IV. Molto allegro
|
|
2:12
|
9
|
Symphony no. 14 in A major, K 114: I. Allegro moderato
|
|
7:41
|
10
|
Symphony no. 14 in A major, K 114: II. Andante
|
|
4:43
|
11
|
Symphony no. 14 in A major, K 114: III. Menuetto - Trio
|
|
3:41
|
12
|
Symphony no. 14 in A major, K 114: IV. Molto allegro
|
|
4:38
|
13
|
Symphony no. 15 in G major, K 124: I. Allegro
|
|
5:19
|
14
|
Symphony no. 15 in G major, K 124: II. Andante
|
|
4:20
|
15
|
Symphony no. 15 in G major, K 124: III. Menuetto - Trio
|
|
2:15
|
16
|
Symphony no. 15 in G major, K 124: IV. Presto
|
|
2:08
|
17
|
Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio
|
|
7:07
|
CD #22
|
|
|
1
|
Symphony no. 16 in C major, K 128: I. Allegro maestoso
|
|
5:10
|
2
|
Symphony no. 16 in C major, K 128: II. Andante grazioso
|
|
4:27
|
3
|
Symphony no. 16 in C major, K 128: III. Allegro
|
|
4:18
|
4
|
Symphony no. 17 in G major, K 129: I. Allegro
|
|
4:49
|
5
|
Symphony no. 17 in G major, K 129: II. Andante
|
|
4:04
|
6
|
Symphony no. 17 in G major, K 129: III. Allegro
|
|
3:08
|
7
|
Symphony no. 18 in F major, K 130: I. Allegro
|
|
5:44
|
8
|
Symphony no. 18 in F major, K 130: II. Andantino grazioso
|
|
6:52
|
9
|
Symphony no. 18 in F major, K 130: III. Menuetto - Trio
|
|
2:41
|
10
|
Symphony no. 18 in F major, K 130: IV. Molto allegro
|
|
7:14
|
11
|
Symphony no. 19 in E-flat major, K 132: I. Allegro
|
|
4:05
|
12
|
Symphony no. 19 in E-flat major, K 132: II. Andantino [Version 2]
|
|
10:25
|
13
|
Symphony no. 19 in E-flat major, K 132: III. Menuetto - Trio
|
|
3:50
|
14
|
Symphony no. 19 in E-flat major, K 132: IV. Allegro
|
|
4:02
|
15
|
Symphony no. 19 in E-flat major, K 132: II. Andantino grazioso [Version 1]
|
|
2:42
|
CD #23
|
|
|
1
|
Symphony no. 20 in D major, K 133: I. Allegro
|
|
10:43
|
2
|
Symphony no. 20 in D major, K 133: II. Andante
|
|
7:43
|
3
|
Symphony no. 20 in D major, K 133: III. Menuetto - Trio
|
|
4:23
|
4
|
Symphony no. 20 in D major, K 133: IV. Allegro
|
|
5:35
|
5
|
Symphony no. 21 in A major, K 134: I. Allegro
|
|
5:29
|
6
|
Symphony no. 21 in A major, K 134: II. Andante
|
|
5:10
|
7
|
Symphony no. 21 in A major, K 134: III. Menuetto - Trio
|
|
3:47
|
8
|
Symphony no. 21 in A major, K 134: IV. Allegro
|
|
4:34
|
9
|
Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato
|
|
3:27
|
10
|
Symphony no. 50 in D major, K 161 (141a): II. Andante
|
|
1:51
|
11
|
Symphony no. 50 in D major, K 161 (141a): III. Presto
|
|
1:51
|
12
|
Symphony no. 22 in C major, K 162: I. Allegro assai
|
|
3:55
|
13
|
Symphony no. 22 in C major, K 162: II. Andantino grazioso
|
|
2:47
|
14
|
Symphony no. 22 in C major, K 162: III. Presto assai
|
|
1:58
|
15
|
Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto
|
|
2:53
|
16
|
Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca
|
|
3:05
|
17
|
Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro
|
|
2:15
|
CD #24
|
|
|
1
|
Symphony no. 27 in G major, K 199 (161b): I. Allegro
|
|
6:42
|
2
|
Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso
|
|
10:05
|
3
|
Symphony no. 27 in G major, K 199 (161b): III. Presto
|
|
5:24
|
4
|
Symphony no. 23 in D major, K 181 (162b): I. Allegro spiritoso - attacca
|
|
4:57
|
5
|
Symphony no. 23 in D major, K 181 (162b): II. Andantino grazioso - attacca
|
|
2:36
|
6
|
Symphony no. 23 in D major, K 181 (162b): III. Presto assai
|
|
2:03
|
7
|
Symphony no. 24 in B-flat major, K 182 (173dA): I. Allegro spiritoso
|
|
4:12
|
8
|
Symphony no. 24 in B-flat major, K 182 (173dA): II. Andantino grazioso
|
|
3:28
|
9
|
Symphony no. 24 in B-flat major, K 182 (173dA): III. Allegro
|
|
3:09
|
10
|
Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio
|
|
10:45
|
11
|
Symphony no. 25 in G minor, K 183 (173dB): II. Andante
|
|
6:06
|
12
|
Symphony no. 25 in G minor, K 183 (173dB): III. Menuetto - Trio
|
|
3:34
|
13
|
Symphony no. 25 in G minor, K 183 (173dB): IV. Allegro
|
|
7:03
|
14
|
Symphony no. 51 in D major: I. Allegro molto
|
|
2:32
|
15
|
Symphony no. 51 in D major: II. Andantino grazioso
|
|
2:12
|
16
|
Symphony no. 51 in D major: III. Allegro
|
|
2:29
|
CD #25
|
|
|
1
|
“Mein Herz ist völlig entzücket” (Wolfgang Amadeus Mozart)
|
|
0:22
|
2
|
Symphony no. 1 in E-flat major, K 16: I. Molto allegro
|
|
7:10
|
3
|
Symphony no. 1 in E-flat major, K 16: II. Andante
|
|
5:09
|
4
|
Symphony no. 1 in E-flat major, K 16: III. Presto
|
|
1:21
|
5
|
“Wie kostbar die Zeit für die Jugend ist” (Leopold Mozart)
|
|
0:28
|
6
|
Symphony no. 4 in D major, K 19: I. Allegro
|
|
2:30
|
7
|
Symphony no. 4 in D major, K 19: II. Andante
|
|
3:49
|
8
|
Symphony no. 4 in D major, K 19: III. Presto
|
|
2:49
|
9
|
“Das heist auf der Schneckenpost gereiset!" (Leopold Mozart)
|
|
0:57
|
10
|
Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai
|
|
5:55
|
11
|
Symphony no. 4a in F major, K Anh 223 (19a): II. Andante
|
|
4:38
|
12
|
Symphony no. 4a in F major, K Anh 223 (19a): III. Presto
|
|
2:15
|
13
|
“Meine Kinder haben ganz Schwetzingen in Bewegung gesetzet” (Leopold Mozart & Maria Anna (“Nannerl”) Mozart)
|
|
0:59
|
14
|
Symphony no. 5 in B-flat major, K 22: I. Allegro
|
|
2:48
|
15
|
Symphony no. 5 in B-flat major, K 22: II. Andante
|
|
2:10
|
16
|
Symphony no. 5 in B-flat major, K 22: III. Molto allegro
|
|
1:06
|
17
|
“Bei Erblickung meiner Kinder stille gehalten” (Leopold Mozart)
|
|
1:13
|
18
|
Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: I. Allegro maestoso
|
|
5:29
|
19
|
Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: II. Andante
|
|
6:45
|
20
|
Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: III. Presto
|
|
2:16
|
21
|
“Wir sind, Gott Lob, glücklich über den Maxlaner-Bach gekommen” (Leopold Mozart)
|
|
1:12
|
22
|
Symphony no. 6 in F major, K 43: I. Allegro
|
|
6:23
|
23
|
Symphony no. 6 in F major, K 43: II. Andante
|
|
5:58
|
24
|
Symphony no. 6 in F major, K 43: III. Menuetto - Trio
|
|
2:15
|
25
|
Symphony no. 6 in F major, K 43: IV. Allegro
|
|
3:48
|
CD #26
|
|
|
1
|
Symphony no. 7 in D major, K 45: I. Molto allegro
|
|
2:37
|
2
|
Symphony no. 7 in D major, K 45: II. Andante
|
|
2:08
|
3
|
Symphony no. 7 in D major, K 45: III. Menuetto - Trio
|
|
3:51
|
4
|
Symphony no. 7 in D major, K 45: IV. Molto allegro
|
|
2:35
|
5
|
“Te Deum laudmaus!” (Leopold Mozart)
|
|
1:51
|
6
|
Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso
|
|
4:53
|
7
|
Symphony no. 43 in F major, K 76 (42a): II. Andante
|
|
3:04
|
8
|
Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio
|
|
3:15
|
9
|
Symphony no. 43 in F major, K 76 (42a): IV. Allegro
|
|
3:12
|
10
|
“Ich erfuhr, dass alle Clavieristen und Componisten in Wien” (Leopold Mozart)
|
|
1:38
|
11
|
Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro
|
|
2:16
|
12
|
Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante
|
|
3:31
|
13
|
Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio
|
|
3:07
|
14
|
Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro
|
|
3:48
|
15
|
“Was die Rettung der Ehre meines Kindes erheischet” (Leopold Mozart)
|
|
1:01
|
16
|
Symphony no. 8 in D major, K 48: I. Allegro
|
|
4:40
|
17
|
Symphony no. 8 in D major, K 48: II. Andante
|
|
2:25
|
18
|
Symphony no. 8 in D major, K 48: III. Menuetto - Trio
|
|
4:06
|
19
|
Symphony no. 8 in D major, K 48: IV. Allegro
|
|
3:19
|
20
|
“Freundin! Ich bitte um Verzeihung” (Wolfgang Amadeus Mozart)
|
|
0:42
|
21
|
Symphony no. 9 in C major, K 73 (75a): I. Allegro
|
|
3:24
|
22
|
Symphony no. 9 in C major, K 73 (75a): II. Andante
|
|
3:59
|
23
|
Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio
|
|
2:36
|
24
|
Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro
|
|
1:50
|
CD #27
|
|
|
1
|
First travels, 1762/63 (Leopold & Nannerl Mozart) - Symphony no. 1 in E-flat major, K 16: I. Molto allegro
|
|
8:30
|
2
|
Travels through Germany, July - November 1763 (Leopold Mozart) - Symphony no. 1 in E-flat major, K 16: II. Andante
|
|
5:10
|
3
|
First travel to Paris, 1763/64 (Leopold & Nannerl Mozart)
|
|
4:42
|
4
|
Travel to London, 1764/66 (Leopold & Nannerl Mozart) - Symphony no. 5 in B-flat major, K22: III. Molto allegro
|
|
8:18
|
5
|
Munich, November 10, 1766 (Leopold Mozart) - Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso
|
|
2:10
|
6
|
Olomouc (Olmütz), November 10, 1767 (Leopold Mozart) - Symphony no. 6 in F major, K 43: III. Menuetto - Trio
|
|
5:07
|
7
|
Vienna, January & September 1768 (Leopold Mozart) - Symphony no. 8 in D major, K 48: II. Andante
|
|
8:59
|
8
|
First letter, Salzburg, ca. 1769 (Wolfgang Amadeus Mozart) - Symphony no. 8 in D major, K 48: II. Andante
|
|
1:08
|
9
|
First travel to Italy, 1769/70 (Leopold & Wolfgang Amadeus Mozart)
|
|
5:25
|
10
|
Milan, February / March 1770 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 9 in C major, K 73 (75a): I. Allegro
|
|
5:05
|
11
|
First travel to Rome, April / May 1770 (Leopold & Wolfgang Amadeus Mozart)
|
|
5:16
|
12
|
Naples, May / June 1770 (Leopold & Wolfgang Amadeus Mozart)
|
|
2:56
|
13
|
Second stay in Rome, July / August 1770 (Leopold & Wolfgang Amadeus Mozartq) - Symphony no. 47 in D major, K 97 (73m): IV. Presto
|
|
4:27
|
14
|
Milan II, 1770/71 (Leopold & Wolfgang Amadeus Mozart)
|
|
6:28
|
15
|
Milan III, 1771/72 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio
|
|
6:07
|
CD #28
|
|
|
1
|
“Was mich vergnügt...” (Leopold Mozart, Bologna, March 27, 1770) / “Wenn man die Sau nennt, so kommt sie gerent” (Wolfgang Amadeus Mozart, MIlan, February 10, 1770)
|
|
0:57
|
2
|
Symphony no. 47 in D major, K 97 (73m): I. Allegro
|
|
2:47
|
3
|
Symphony no. 47 in D major, K 97 (73m): II. Andante
|
|
2:34
|
4
|
Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio
|
|
2:36
|
5
|
Symphony no. 47 in D major, K 97 (73m): IV. Presto
|
|
1:25
|
6
|
“Dieser Monat ist in der grösten Geschwindickeit hingeflossen” (Leopold Mozart, Milan September 28, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Milan, February 10, 1770)
|
|
1:12
|
7
|
Symphony no. 48 in D major: I. Allegro assai
|
|
3:53
|
8
|
Symphony no. 48 in D major: II. Andante grazioso
|
|
1:28
|
9
|
Symphony no. 48 in D major: III. Finale. Presto
|
|
1:01
|
10
|
“Von unsern Sachen mag ich dir nichts schreiben” (Leopold Mozart, Rome, April 21, 1770) / “Ich bin got lob und danck samt meiner miserablen feder gesund” (Wolfgang Amadeus Mozart, Rome, April 14, 1770)
|
|
1:13
|
11
|
Symphony no. 15 in G major, K 124: I. Allegro
|
|
5:18
|
12
|
Symphony no. 15 in G major, K 124: II. Andante
|
|
4:20
|
13
|
Symphony no. 15 in G major, K 124: III. Menuetto - Trio
|
|
2:15
|
14
|
Symphony no. 15 in G major, K 124: IV. Presto
|
|
2:00
|
15
|
“Dies ist der 3te Brief den ich dir von Neapl schreibe” (Leopold Mozart, Naples, May 26, 1770) / “Cara sorella mia” (Wolfgang Amadeus Mozart, Naples, July 5, 1770)
|
|
1:15
|
16
|
Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato
|
|
3:27
|
17
|
Symphony no. 50 in D major, K 161 (141a): II. Andante
|
|
1:51
|
18
|
Symphony no. 50 in D major, K 161 (141a): III. Presto
|
|
1:44
|
19
|
“Wir sollen morgen eine Neuigkeit erfahren” (Leopold Mozart) / “p:s: an alle gute freund” (Wolfgang Amadeus Mozart, Rome, July 4/7, 1770)
|
|
1:09
|
20
|
Symphony no. 22 in C major, K 162: I. Allegro assai
|
|
3:55
|
21
|
Symphony no. 22 in C major, K 162: II. Andantino
|
|
2:47
|
22
|
Symphony no. 22 in C major, K 162: III. Presto assai
|
|
1:48
|
23
|
“Ich kann ohnmöglich schöner schreiben” (Wolfgang Amadeus Mozart, Bologna, August 4, 1770)
|
|
0:28
|
24
|
Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto
|
|
2:53
|
25
|
Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca
|
|
3:05
|
26
|
Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro
|
|
2:15
|
CD #29
|
|
|
1
|
Symphony no. 27 in G major, K 199 (161b): I. Allegro
|
|
6:41
|
2
|
Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso
|
|
10:05
|
3
|
Symphony no. 27 in G major, K 199 (161b): III. Presto
|
|
5:20
|
4
|
“Ich denke hin und her” (Leopold Mozart, Bologna, August 11, 1770)
|
|
1:16
|
5
|
Symphony no. 25 in G minor, K 183 (173 dB): I. Allegro con brio
|
|
10:45
|
6
|
Symphony no. 25 in G minor, K 183 (173 dB): II. Andante
|
|
6:06
|
7
|
Symphony no. 25 in G minor, K 183 (173 dB): III. Menuetto - Trio
|
|
3:34
|
8
|
Symphony no. 25 in G minor, K 183 (173 dB): IV. Allegro
|
|
6:59
|
9
|
“Nun will ich dir ausführkicher schreiben” (Leopold Mozart, Verona, August 18, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Verona, August 24, 1771)
|
|
1:33
|
10
|
Symphony no. 51 in D major: I. Allergro molto
|
|
2:32
|
11
|
Symphony no. 51 in D major: II. Andantino grazioso
|
|
2:12
|
12
|
Symphony no. 51 in D major: III. Allegro
|
|
2:21
|
13
|
“Vielleicht wird von dem grossen Beyfahl” (Leopold Mozart, Milan, October 26, 1771)
|
|
0:49
|
14
|
Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio
|
|
7:05
|
15
|
“Allerliebste schwester! Ich bin auch gott lob und danck gesund” (Wolfgang Amadeus Mozart, Milan, October 26, 1771)
|
|
0:38
|
CD #30
|
|
|
1
|
Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto / II. Andante / III. Allegro
|
|
8:10
|
2
|
Zaide, K 344 (336b): Act I. Introduction: “Jetzt hören Sie doch auft...” (narrator)
|
|
5:12
|
3
|
Zaide, K 344 (336b): Act I. No. 1 Chorus of the 4 slaves: “Brüder, lasst uns lustig sein”
|
|
0:58
|
4
|
Zaide, K 344 (336b): Act I. No. 2 Melologue: “Was für ein Schicksall” (Gomatz)
|
|
6:46
|
5
|
Zaide, K 344 (336b): Act I. Intermediate Text: “Dieser ohnmächtige, kraftlose, matte Gomatz” (narrator)
|
|
2:20
|
6
|
Zaide, K 344 (336b): Act I. No. 3 Aria: “Ruhe sanft, mein holdes Leben” (Zaide)
|
|
7:15
|
7
|
Zaide, K 344 (336b): Act I. No. 4 Aria: “Rase, Schicksal, wüte immer” (Gomatz)
|
|
4:20
|
8
|
Zaide, K 344 (336b): Act I. Intermediate Text: “Zaide hat ihn natürlich heimlich beobachtet” (narrator)
|
|
0:51
|
9
|
Zaide, K 344 (336b): Act I. No. 5 Duet: “Meine Seele hüpft vor Freuden” (Zaide, Gomatz)
|
|
2:35
|
10
|
Zaide, K 344 (336b): Act I. Intermediate Text: “Ach, die beiden haben ein Glück” (narrator)
|
|
1:05
|
11
|
Zaide, K 344 (336b): Act I. No. 6 Aria: “Herr und Freund, wie dank' ich dir!” (Gomatz)
|
|
3:43
|
12
|
Zaide, K 344 (336b): Act I. Intermediate Text: “Und in Allazim entbrennt nun auch ein Kampf” (narrator)
|
|
0:23
|
13
|
Zaide, K 344 (336b): Act I. No. 7 Aria: “Nur mutig, mein Herze” (Allazim)
|
|
4:29
|
14
|
Zaide, K 344 (336b): Act I. Intermediate Text: “Und Zaide ist jetzt weider dazugekommen” (narrator)
|
|
0:42
|
15
|
Zaide, K 344 (336b): Act I. No. 8 Trio: “O selige Wonne” (Zaide, Gomatz, Allazim)
|
|
6:10
|
CD #31
|
|
|
1
|
Zaide, K 344 (336b): Act II. Intermediate Text: “Ja, und wie's der Teufel halt so will” (narrator)
|
|
1:52
|
2
|
Zaide, K 344 (336b): Act II. No. 9 Melologue & Aria: “Zaide geflohen!” (Soliman, narrator)
|
|
7:58
|
3
|
Zaide, K 344 (336b): Act II. Intermediate Text: “Natürlich ist auch Soliman, wie alle Reichen” (narrator)
|
|
1:14
|
4
|
Zaide, K 344 (336b): Act II. No. 10 Aria: “Wer hungrig bei der Tafel sitzt” (Osmin)
|
|
3:43
|
5
|
Zaide, K 344 (336b): Act II. Intermediate Text: “Für Soliman ist der Fall klar” (narrator)
|
|
0:52
|
6
|
Zaide, K 344 (336b): Act II. No. 11 Aria: “Ich bin so bös als gut” (Soliman)
|
|
5:43
|
7
|
Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt wird's eng für Zaide” (narrator)
|
|
0:55
|
8
|
Zaide, K 344 (336b): Act II. No. 12 Aria: “Treulos schluchzet Philomele” (Zaide)
|
|
7:03
|
9
|
Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt dreht sich's um Zaide weint, schluchzt, klagt” (narrator)
|
|
1:04
|
10
|
Zaide, K 344 (336b): Act II. No. 13 Aria: “Tiger! Wetze nur die Klauen” (Zaide)
|
|
4:37
|
11
|
Zaide, K 344 (336b): Act II. Intermediate Text: “Allazim stößt ins gleiche Horn” (narrator)
|
|
0:38
|
12
|
Zaide, K 344 (336b): Act II. No. 14 Aria: “Ihr Mächtigen seht ungerührt” (Allazim)
|
|
4:31
|
13
|
Zaide, K 344 (336b): Act II. Intermediate Text: “Das letzte Quartett!” (narrator)
|
|
1:10
|
14
|
Zaide, K 344 (336b): Act II. No. 15 Quartet: “Freundin, stille deine Tränen” (Gomatz, Allazim, Soliman, Zaide)
|
|
7:07
|
15
|
Zaide, K 344 (336b): Act II. Finale: “Und hier, am tiefsten Punkt des Konflikts” (narrator)
|
|
3:19
|
CD #32
|
|
|
1
|
March in D major, K 335/1 (K 320a/1)
|
|
4:00
|
2
|
Serenade in D major “Posthorn-Serenade”, K 320: I. Adagio Maestoso - Allegro con spirito
|
|
8:45
|
3
|
Serenade in D major “Posthorn-Serenade”, K 320: II. Menuetto. Allegro - Trio
|
|
5:25
|
4
|
Serenade in D major “Posthorn-Serenade”, K 320: III. Concertante. Andante grazioso
|
|
8:36
|
5
|
Serenade in D major “Posthorn-Serenade”, K 320: IV. Rondeau. Allegro ma non troppo
|
|
6:29
|
6
|
Serenade in D major “Posthorn-Serenade”, K 320: V. Andantino
|
|
6:27
|
7
|
Serenade in D major “Posthorn-Serenade”, K 320: VI. Menuetto - Trio I - Trio II
|
|
5:10
|
8
|
Serenade in D major “Posthorn-Serenade”, K 320: VII. Finale. Presto
|
|
4:24
|
9
|
Symphony no. 35 in D major “Haffner”, K 385: I. Allegro con spirito
|
|
6:07
|
10
|
Symphony no. 35 in D major “Haffner”, K 385: II. Andante
|
|
8:07
|
11
|
Symphony no. 35 in D major “Haffner”, K 385: III. Menuetto - Trio
|
|
3:38
|
12
|
Symphony no. 35 in D major “Haffner”, K 385: IV. Presto
|
|
4:10
|
CD #33
|
|
|
1
|
Concerto for Piano and Orchestra no. 25 in C major, K 503: I. Allegro maestoso
|
|
15:04
|
2
|
Concerto for Piano and Orchestra no. 25 in C major, K 503: II. Andante
|
|
6:48
|
3
|
Concerto for Piano and Orchestra no. 25 in C major, K 503: III. [Allegretto]
|
|
8:40
|
4
|
Concerto for Piano and Orchestra no. 23 in A major, K 488: I. Allegro
|
|
11:00
|
5
|
Concerto for Piano and Orchestra no. 23 in A major, K 488: II. Adagio
|
|
6:14
|
6
|
Concerto for Piano and Orchestra no. 23 in A major, K 488: III. Allegro assai
|
|
8:16
|
CD #34
|
|
|
1
|
Concerto for Piano and Orchestra no. 24 in C minor, K 491: I. Allegro
|
|
15:28
|
2
|
Concerto for Piano and Orchestra no. 24 in C minor, K 491: II. [Larghetto]
|
|
7:47
|
3
|
Concerto for Piano and Orchestra no. 24 in C minor, K 491: III. [Allegretto]
|
|
9:52
|
4
|
Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro
|
|
13:10
|
5
|
Concerto for Piano and Orchestra no. 17 in G major, K 453: II. Andante
|
|
11:57
|
6
|
Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto
|
|
8:18
|
CD #35
|
|
|
1
|
Symphony no. 39 in E-flat major, K 543: I. Adagio - Allegro
|
|
10:42
|
2
|
Symphony no. 39 in E-flat major, K 543: II. Andante con moto
|
|
7:35
|
3
|
Symphony no. 39 in E-flat major, K 543: III. Menuetto. Allegretto - Trio
|
|
3:50
|
4
|
Symphony no. 39 in E-flat major, K 543: IV. Finale. Allegro
|
|
8:20
|
5
|
Symphony no. 40 in G minor, K 550: I. Molto allegro
|
|
7:27
|
6
|
Symphony no. 40 in G minor, K 550: II. Andante
|
|
12:08
|
7
|
Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto - Trio
|
|
4:19
|
8
|
Symphony no. 40 in G minor, K 550: IV. Allegro assai
|
|
10:36
|
CD #36
|
|
|
1
|
Symphony no. 41 in C major “Jupiter”, K 551: I. Allegro vivace
|
|
12:59
|
2
|
Symphony no. 41 in C major “Jupiter”, K 551: II. Andante cantabile
|
|
9:29
|
3
|
Symphony no. 41 in C major “Jupiter”, K 551: III. Menuetto. Allegretto - Trio
|
|
5:14
|
4
|
Symphony no. 41 in C major “Jupiter”, K 551: IV. Molto allegro
|
|
11:39
|
CD #37
|
|
|
1
|
Requiem in D minor, K 626 (unfinished): I. Introitus: Requiem (chorus, soprano)
|
|
4:57
|
2
|
Requiem in D minor, K 626 (unfinished): II. Kyrie: Kyrie (chorus)
|
|
2:56
|
3
|
Requiem in D minor, K 626 (unfinished): III. Sequentia: Dies irae (chorus)
|
|
1:50
|
4
|
Requiem in D minor, K 626 (unfinished): III. Sequentia: Tuba mirum (soprano, alto, tenor, bass)
|
|
3:52
|
5
|
Requiem in D minor, K 626 (unfinished): III. Sequentia: Rex tremendae (chorus)
|
|
1:58
|
6
|
Requiem in D minor, K 626 (unfinished): III. Sequentia: Recordare (soprano, alto, tenor, bass)
|
|
6:19
|
7
|
Requiem in D minor, K 626 (unfinished): III. Sequentia: Confutatis (chorus)
|
|
2:35
|
8
|
Requiem in D minor, K 626 (unfinished): III. Sequentia: Lacrimosa (chorus)
|
|
3:07
|
9
|
Requiem in D minor, K 626 (unfinished): IV. Offertorium: Domine Jesu Christe (chorus, soprano, alto, tenor, bass)
|
|
3:50
|
10
|
Requiem in D minor, K 626 (unfinished): IV. Offertorium: Hostias (chorus)
|
|
3:02
|
11
|
Requiem in D minor, K 626 (unfinished): V. Sanctus: Sanctus (chorus)
|
|
1:19
|
12
|
Requiem in D minor, K 626 (unfinished): VI. Benedictus: Benedictus (chorus, soprano, alto, tenor, bass)
|
|
5:20
|
13
|
Requiem in D minor, K 626 (unfinished): VII. Agnus Dei: Agnus Dei (chorus)
|
|
3:24
|
14
|
Requiem in D minor, K 626 (unfinished): VIII. Communio: Lex aeterna (chorus, soprano)
|
|
5:45
|
CD #38
|
|
|
1
|
Christus am Ölberge, op. 85: No. 1 Introduction
|
|
5:41
|
2
|
Christus am Ölberge, op. 85: No. 1 Recitative: “Jehovah, du mein Vater!” (Jesus)
|
|
3:35
|
3
|
Christus am Ölberge, op. 85: No. 1 Aria: “Meine Seele ist erschüttert” (Jesus)
|
|
5:04
|
4
|
Christus am Ölberge, op. 85: No. 2 “Erzittre, Erde!” (Seraph)
|
|
1:32
|
5
|
Christus am Ölberge, op. 85: No. 2 Aria: “Preist des Erlösers Güte” (Seraph) / Chorus: “O Heil euch, ihr Erlösten!” (Seraph & angels)
|
|
8:32
|
6
|
Christus am Ölberge, op. 85: No. 3 Recitative: “Verkündet, Seraph” (Jesus, Seraph)
|
|
1:02
|
7
|
Christus am Ölberge, op. 85: No. 3 Duet: “So ruhe denn mit ganzer Schwere” (Jesus, Seraph)
|
|
5:24
|
8
|
Christus am Ölberge, op. 85: No. 4 Recitative: “Willkommen, Tod!” (Jesus)
|
|
1:09
|
9
|
Christus am Ölberge, op. 85: No. 4 Chorus: “Wir haben ihn gesehen” (warriors)
|
|
1:54
|
10
|
Christus am Ölberge, op. 85: No. 5 “Die mich zu fangen ausgezogen sind” (Jesus)
|
|
1:31
|
11
|
Christus am Ölberge, op. 85: No. 5 Chorus: “Hier ist er” (warriors & disciples)
|
|
2:04
|
12
|
Christus am Ölberge, op. 85: No. 6 “Nicht ungestraft soll der Verweg'nen Schar” (Peter, Jesus)
|
|
1:16
|
13
|
Christus am Ölberge, op. 85: No. 6 Trio: “In meinen Adern wühlen” (Peter, Jesus, Seraph)
|
|
4:25
|
14
|
Christus am Ölberge, op. 85: No. 6 Chorus: “Auf, auf! ergreifet den Verräter” (warriors, disciples, Jesus)
|
|
3:10
|
15
|
Christus am Ölberge, op. 85: No. 6 Final Chorus: “Welten singen” (angels)
|
|
1:08
|
16
|
Christus am Ölberge, op. 85: No. 6 “Preiset, ihn, ihr Engelschöre!” (angels)
|
|
3:03
|
CD #39
|
|
|
1
|
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace
|
|
12:29
|
2
|
Symphony no. 4 in B-flat major, op. 60: II. Adagio
|
|
9:28
|
3
|
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio. Un poco meno allegro
|
|
6:01
|
4
|
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
|
|
7:02
|
5
|
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
|
|
7:23
|
6
|
Symphony no. 5 in C minor, op. 67: II. Andante con moto
|
|
9:05
|
7
|
Symphony no. 5 in C minor, op. 67: III. Allegro - attacca
|
|
8:17
|
8
|
Symphony no. 5 in C minor, op. 67: IV. Allegro
|
|
10:56
|
CD #40
|
|
|
1
|
Missa solemnis, op. 123: I. Kyrie: “Kyrie”. Assai sostenuto. Mit Andacht [𝄵] - Andante assai ben marcato [3/2] - Tempo I [𝄵]
|
|
9:56
|
2
|
Missa solemnis, op. 123: II. Gloria: “Gloria”. Allegro vivace [3/4] - Meno Allegro - Tempo I - attacca
|
|
5:47
|
3
|
Missa solemnis, op. 123: II. Gloria: “Qui tollis”. Larghetto [2/4] - attacca
|
|
4:55
|
4
|
Missa solemnis, op. 123: II. Gloria: “Quoniam”. Allegro maestoso [3/4] - Allegro, ma non troppo e ben marcato [𝄴] - Poco più Allegro [𝄵] - Presto [3/4]
|
|
7:03
|
5
|
Missa solemnis, op. 123: III. Credo: “Credo”. Allegro ma non troppo [𝄴] - attacca
|
|
4:13
|
6
|
Missa solemnis, op. 123: III. Credo: “Et incarnatus”. Adagio [𝄴] - Andante [3/4] Adagio espressivo [3/4] - attacca
|
|
5:01
|
7
|
Missa solemnis, op. 123: III. Credo: “Et resurrexit”. Allegro [𝄴] - Allegro molto [𝄵] - Allegro ma non troppo un poco maestoso. Tempo I - Allegretto ma non troppo [3/2] 0 Allegro con moto [3/2] - Grave [3/2]
|
|
10:40
|
8
|
Missa solemnis, op. 123: IV. Sanctus: “Pleni sunt coeli - Osanna”. Adagio. Mit Andacht [2/4] - Allegro pesante [𝄴] - Presto [3/4] - Preso [3/4] - attacca
|
|
3:44
|
9
|
Missa solemnis, op. 123: IV. Benedictus: Praeludium - “Benedictus”. Sostenuto ma non troppo [3/4] - Andante molto cantabile e non troppo mosso [12/8]
|
|
13:07
|
10
|
Missa solemnis, op. 123: V. Agnus Dei: “Agnus Dei”. Adagio [𝄴] - attacca
|
|
7:05
|
11
|
Missa solemnis, op. 123: V. Agnus Dei “Dona nobis pacem”. Bitte um innern und äußern Frieden. Allegretto vivace [6/8] - Allegro assai [𝄴] - Recitativo - Tempo I - Presto [𝄵] - Tempo I
|
|
9:56
|
CD #41
|
|
|
1
|
Das Paradies und die Peri, op. 50: Part I. No. 1 “Vor Edens Tor im Morgen prangen” (alto)
|
|
3:12
|
2
|
Das Paradies und die Peri, op. 50: Part I. No. 2 “Wie glücklich sie wanderln” (Peri)
|
|
2:43
|
3
|
Das Paradies und die Peri, op. 50: Part I. No. 3 “Der hehre Engel, der die Pforte” (tenor, Angel)
|
|
1:58
|
4
|
Das Paradies und die Peri, op. 50: Part I. No. 4 “Wo find ich sie?” (Peri)
|
|
2:38
|
5
|
Das Paradies und die Peri, op. 50: Part I. No. 5 “So sann sie nach” (tenor) / “O süßes Land!” (quartet)
|
|
1:24
|
6
|
Das Paradies und die Peri, op. 50: Part I. No. 6 “Doch seine Ströme sind jetzt rot” (chorus)
|
|
3:24
|
7
|
Das Paradies und die Peri, op. 50: Part I. No. 7 “Und einsam steht ein Jüngling noch”
|
|
2:52
|
8
|
Das Paradies und die Peri, op. 50: Part I. No. 8 “Weh, weh, weh, er fehlte das Ziel” (chorus)
|
|
2:12
|
9
|
Das Paradies und die Peri, op. 50: Part I. No. 9 “Die Peri sah das Mal der Wunde” (tenor, Peri, quartet, chorus)
|
|
6:41
|
10
|
Das Paradies und die Peri, op. 50: Part II. No. 10 “Die Peri tritt mit schüchterner Gebärde” (tenor, Angel)
|
|
3:16
|
11
|
Das Paradies und die Peri, op. 50: Part II. No. 11 “Ihn erstes Himmelshoffen schwand” (tenor, chorus, Peri)
|
|
3:49
|
12
|
Das Paradies und die Peri, op. 50: Part II. No. 12 “Fort streift von hier das Kind der Lüfte” (tenor, Peri)
|
|
3:30
|
13
|
Das Paradies und die Peri, op. 50: Part II. No. 13 “Die Peri weint, von ihrer Tränen scheint” (tenor, quartet)
|
|
2:42
|
14
|
Das Paradies und die Peri, op. 50: Part II. No. 14 “Im Waldesgrün am stillen See” (alto, Young Man)
|
|
3:02
|
15
|
Das Paradies und die Peri, op. 50: Part II. No. 15 “Verlassener Jüngling, nur das eine” (mezzo-soprano, tenor, Young Man)
|
|
4:35
|
16
|
Das Paradies und die Peri, op. 50: Part II. No. 16 “O lass mich von der Luft durchdringen” (Maiden, tenor)
|
|
4:51
|
17
|
Das Paradies und die Peri, op. 50: Part II. No. 17 “Schlaf nunn und ruhe in Träumen voll Duft” (Peri, chorus)
|
|
3:48
|
CD #42
|
|
|
1
|
Das Paradies und die Peri, op. 50: Part III. No. 18 “Schmücket die Stufen zu Allahs Thron” (chorus, soloists, soprano)
|
|
3:09
|
2
|
Das Paradies und die Peri, op. 50: Part III. No. 19 “Dem Sang von ferne lauschend” (tenor, Angel)
|
|
3:03
|
3
|
Das Paradies und die Peri, op. 50: Part III. No. 20 “Verstoßen! Verschlossen aufs Neu das Goldportal!” (Peri)
|
|
4:26
|
4
|
Das Paradies und die Peri, op. 50: Part III. No. 21 “Jetzt sank des Abends goldner Schein” (baritone)
|
|
4:25
|
5
|
Das Paradies und die Peri, op. 50: Part III. No. 22 “Und wie sie niederwärts sich schwingt” (tenor, quartet, baritone)
|
|
3:59
|
6
|
Das Paradies und die Peri, op. 50: Part III. No. 23 “Hinab zu jenem Sonnentempel!” (Peri, tenor, mezzo-soprano, Man)
|
|
6:53
|
7
|
Das Paradies und die Peri, op. 50: Part III. No. 24 “O heil'ge Tränen inn'ger Reue” (quartet, chorus)
|
|
4:11
|
8
|
Das Paradies und die Peri, op. 50: Part III. No. 25 “Es fällt ein Tropfen aufs Land” (Peri, tenor, chorus)
|
|
7:19
|
9
|
Das Paradies und die Peri, op. 50: Part III. No. 26 “Freud', ew'ge Freude, main Werk ist getan!” (Peri, chorus)
|
|
6:54
|
CD #43
|
|
|
1
|
Messa da Requiem: I. Requiem & Kyrie (chorus, soloists)
|
|
8:36
|
2
|
Messa da Requiem: II. Sequence: Dies irae: “Dies irae” (chorus)
|
|
2:33
|
3
|
Messa da Requiem: II. Sequence: Dies irae: “Tuba mirum” (chorus, bass)
|
|
3:32
|
4
|
Messa da Requiem: II. Sequence: Dies irae: “Liber scriptus” (mezzo-soprano, chorus)
|
|
5:19
|
5
|
Messa da Requiem: II. Sequence: Dies irae: “Quid sum miser” (soprano, mezzo-soprano, tenor)
|
|
3:51
|
6
|
Messa da Requiem: II. Sequence: Dies irae: “Rex tremendae” (chorus, soloists)
|
|
3:37
|
7
|
Messa da Requiem: II. Sequence: Dies irae: “Recordare” (soprano, mezzo-soprano)
|
|
4:17
|
8
|
Messa da Requiem: II. Sequence: Dies irae: “Ingemisco” (tenor)
|
|
3:42
|
9
|
Messa da Requiem: II. Sequence: Dies irae: “Confutatis” (bass, chorus)
|
|
5:56
|
10
|
Messa da Requiem: II. Sequence: Dies irae: “Lacrymosa” (soloists, chorus)
|
|
5:45
|
CD #44
|
|
|
1
|
Messa da Requiem: III. Offertorio: “Domine Jesu” (soloists)
|
|
4:52
|
2
|
Messa da Requiem: III. Offertorio: “Hostias” (soloists)
|
|
5:58
|
3
|
Messa da Requiem: IV. Sanctus (chorus)
|
|
3:01
|
4
|
Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chorus)
|
|
4:55
|
5
|
Messa da Requiem: VI. Lux Aeterna (mezzo-soprano, tenor, bass)
|
|
6:29
|
6
|
Messa da Requiem: VII. Libera me (soprano, chorus)
|
|
2:39
|
7
|
Messa da Requiem: VII. Libera me: “Dies irae” (chorus)
|
|
5:40
|
8
|
Messa da Requiem: VII. Libera me: “Libera me” (soprano, chorus)
|
|
6:49
|
CD #45
|
|
|
1
|
Symphony no. 5 in B-flat major, WAB 105: I. Introduction. Adagio - Allegro
|
|
20:34
|
2
|
Symphony no. 5 in B-flat major, WAB 105: II. Adagio. Sehr langsam
|
|
14:57
|
3
|
Symphony no. 5 in B-flat major, WAB 105: III. Scherzo. Molto vivace (Schnell) - Trio. Im gleichen Tempo
|
|
13:35
|
4
|
Symphony no. 5 in B-flat major, WAB 105: IV. Finale. Adagio - Allegro moderato
|
|
23:59
|
CD #46
|
|
|
1
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 1-22 “Vor den Sechzehnteln bitte wegfedern!”
|
|
2:46
|
2
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 161-224 “Die Synopken so, als würden wir mit Ellenbogen”
|
|
4:37
|
3
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 315-319, 325-327, 381-398 “Kann ich einmal nur diesen kleinen, ganz schnellen Holz-Kanon haben?”
|
|
1:57
|
4
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 31-38, 107-124 “Gehen wir bitte gleich zum zweiten Satz, und zwar wo er eigentlich anfängtm Takt 31...”
|
|
4:11
|
5
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 163-196, 203-211 “Von 169 bis 170, diese Harmoniefolge, die kommt aus dem Mozart-Requiem: 'Qua resurget ex favilla homo reus'...”
|
|
8:57
|
6
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 1-18, 39-70 “So, jetzt gehen wir zu dem Anfang von dem Satz...”
|
|
3:24
|
7
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 71-84, 101-144, 195-202 “Geben Sie mir bitte einmal nur die Triolen, nur Steicher von 'D'...”
|
|
4:43
|
8
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 1-39, 133-187 “Ich hätte gern wirklich so einen magischen Schnelltanz...”
|
|
6:25
|
9
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 341-382; Trio, mm. 1-55 “Können Sie ein bisschen so eine oberösterrechische Melancholie hineinbringen?”
|
|
2:36
|
10
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Trio, mm. 56-1479; Scherzo da capo, mm. 1-132 “Jetzt spielen Sie bitte wirklich 'Um-Pa'!”
|
|
6:28
|
11
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 1-22, 29-36, 67-82 “Es muss die Eins immer sehr energisch sein und die Zwei etwas weniger...”
|
|
7:00
|
12
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 83-136, 137-165 “Tutti von 'Etwas mehr langsam'...”
|
|
5:41
|
13
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 175-210, 223-231 “Stellen Sie sich zu dem Choral einen Text vor: 'Was Gott tut, das ist wohl getan...'”
|
|
3:34
|
14
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 310-340 “Jeder von diesen Einsätzen muss klingen, als, wäre er eine Eins...”
|
|
2:59
|
15
|
Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 362-373, 450-499, 500-635 “Schön wäre es, wenn man eine totale Erschöpfung hört auf diesem Des...”
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|
9:23
|
CD #47
|
|
|
1
|
Symphony no. 9 in D minor, WAB 109 (unfinished): I. Feierlich, misterioso
|
|
24:17
|
2
|
Symphony no. 9 in D minor, WAB 109 (unfinished): II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo da capo
|
|
10:39
|
3
|
Symphony no. 9 in D minor, WAB 109 (unfinished): III. Adagio. Langsam, feierlich
|
|
23:55
|
CD #48
|
|
|
1
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Warum hat man eigentlich 100 Jahre lang gedacht, es gäbe nichts von diesem 4. Satz?”
|
|
11:12
|
2
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 1-278
|
|
9:14
|
3
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Gegen Ende eine extreme Dissonanz in den Trompeten”
|
|
2:21
|
4
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Nach dem Ende der Durchfährung folgt eine wilde Fuge”
|
|
0:51
|
5
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 279-342
|
|
2:25
|
6
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Quasi ein Schreckensbild des Todes”
|
|
1:52
|
7
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 343-478
|
|
4:45
|
8
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Danach fehlen 16 Takte; dazu ist nichts zu erklären; wir spielen einfach nicht”
|
|
1:48
|
9
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation T. 479-510 - Lücke / fehlender Partiturbogen - T. 511-526
|
|
1:42
|
10
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Wy did we think for over a hundred years that nothing of this finale existed?”
|
|
10:51
|
11
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 1-278
|
|
9:15
|
12
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Extreme dissonances in the trumpets towards the end of the block”
|
|
2:24
|
13
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “At the end of the development a wild fugue begins”
|
|
0:40
|
14
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 279-342
|
|
2:24
|
15
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “A sudden vision of death”
|
|
1:46
|
16
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 343-478
|
|
4:43
|
17
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Then there are sixteen bars missing; we will just leave them out”
|
|
1:39
|
18
|
Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation mm. 479-510 - gap/missing score bifolio - mm. 511-526
|
|
1:36
|
CD #49
|
|
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1
|
Má vlast: Vyšehrad. Lento - Largo maestoso - Grandioso poco largamente - Allegro vivo ma non agitato - Lento ma non troppo
|
|
15:54
|
2
|
Má vlast: Vltava. Allegro comodo non agitato - L'istesso temp ma moderato - L'istesso tempo - Tempo I - Più moto
|
|
12:54
|
3
|
Má vlast: Šárka. Allegro con fuoco ma non agitato - Più moderato assai - Moderato ma con calore - Moderato - Molto vivo - Più vivo
|
|
10:41
|
CD #50
|
|
|
1
|
Má vlast: Zčesk ých luhů a hájů. Molto moderato - Allegro poco vivo, ma non troppo - Allegro (Quasi Polka) - Tempo I - Allegro - Presto
|
|
13:52
|
2
|
Má vlast: Tábor. Lento - Grandioso - Molto vivace - Lento - Molto vivace - Lento maestoso - Più animato
|
|
14:24
|
3
|
Má vlast: Blanik. Allegro moderato - Andante non troppo - Più allegro ma non molto - Tempo di marcia - Grandioso - Tempo I - Largamente maestoso - Grandioso, meno Allegro - Vivace
|
|
15:27
|
CD #51
|
|
|
1
|
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”. Ziemlich langsam und mit Ausdruck (chorus)
|
|
9:58
|
2
|
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”. Langsam, marschmäßig (chorus)
|
|
16:02
|
3
|
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss”. Andante bewegt (baritone, chorus)
|
|
10:47
|
4
|
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen”. Mäßig bewegt (chorus)
|
|
5:54
|
5
|
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”. Langsam (soprano, chorus)
|
|
7:00
|
6
|
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”. Andante - Allegro (baritone, chorus)
|
|
12:35
|
7
|
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”. Feierlich (chorus)
|
|
9:45
|
CD #52
|
|
|
1
|
Stabat Mater, op. 58: No. 1 Quartet & Chorus: “Stabat Mater dolorosa”. Andante con moto
|
|
20:38
|
2
|
Stabat Mater, op. 58: No. 2 Quartet: “Quis est homo qui non fieret”. Andante sostenuto
|
|
11:35
|
3
|
Stabat Mater, op. 58: No. 3 Chorus: “Eia, Mater, fons, amoris”. Andante con moto
|
|
7:11
|
4
|
Stabat Mater, op. 58: No. 4 Bass & Chorus: “Fac ut ardeat cor meum”. Largo
|
|
9:14
|
CD #53
|
|
|
1
|
Stabat Mater, op. 58: No. 5 Chorus: “Tui nati vulnerati”. Andante con moto, quasi allegretto
|
|
5:14
|
2
|
Stabat Mater, op. 58: No. 6 Tenor & Chorus: “Fac me vere tecum flere”. Andante con moto
|
|
6:58
|
3
|
Stabat Mater, op. 58: No. 7 Chorus: “Virgo virginum praeclara”. Largo
|
|
6:50
|
4
|
Stabat Mater, op. 58: No. 8 Soprano & Tenor Duet: “Fac ut portem Christi mortem”. Larghetto
|
|
5:26
|
5
|
Stabat Mater, op. 58: No. 9 Alto: “Inflammatus et accesnsus”. Andante maestoso
|
|
6:09
|
6
|
Stabat Mater, op. 58: No. 10 Quartet & Chorus: “Quando corpus morietur”. Andante con moto
|
|
7:39
|
CD #54
|
|
|
1
|
Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo
|
|
9:09
|
2
|
Music for Strings, Percussion and Celesta, Sz 106: II. Allegro
|
|
7:49
|
3
|
Music for Strings, Percussion and Celesta, Sz 106: III. Adagio
|
|
8:05
|
4
|
Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto
|
|
8:07
|
5
|
Divertimento for String Orchestra, Sz 113: I. Allegro non troppo
|
|
9:16
|
6
|
Divertimento for String Orchestra, Sz 113: II. Molto adagio
|
|
10:11
|
7
|
Divertimento for String Orchestra, Sz 113: III. Allegro assai
|
|
7:52
|
CD #55
|
|
|
1
|
Porgy & Bess: Act I, Scene 1. Introduction
|
|
1:45
|
2
|
Porgy & Bess: Act I, Scene 1. “Summertime and the livin' is easy” (Clara)
|
|
2:14
|
3
|
Porgy & Bess: Act I, Scene 1. “Seems like these bones don't give me nothin' but boxcars tonight” (Jake, Sportin' Life, Mingo, Serena, Robbins, chorus, Jim, Clara, crap shooters)
|
|
4:28
|
4
|
Porgy & Bess: Act I, Scene 1. “Lissen to yo' daddy warn you” - “Oh, a woman is a sometime thing” (Jake, Mingo, Sportin' Life, chorus, Peter, Lily, Maria)
|
|
3:04
|
5
|
Porgy & Bess: Act I, Scene 1. “Here's the ol' crap shark!” ... “No, no, brudder” (Jake, Mingo, Porgy, Sportin' Life, Robbins, Jim, Maria, Serena)
|
|
4:31
|
6
|
Porgy & Bess: Act I, Scene 1. “Here comes the Big Boy!” (Mingo, Jake, Jim, Crown, Sportin' Life, Serena, Bess, Robbins, Porgy, chorus)
|
|
4:53
|
7
|
Porgy & Bess: Act I, Scene 1. “Six to make!” (Sportin' Life, Jim, Mingo, Jake, Porgy, Crown, Robbins, Maria, Serena, Bess, chorus)
|
|
4:00
|
8
|
Porgy & Bess: Act I, Scene 1. “Jesus, he's killed him!” ... “That you, Sportin' Life?” (Mingo, Bess, Crown, Sportin' Life, Maria)
|
|
5:03
|
9
|
Porgy & Bess: Act I, Scene 2. “Where is brudder Robbins?” (woman, chorus, Man, Serena, Maria, Bess)
|
|
3:38
|
10
|
Porgy & Bess: Act I, Scene 2. “Come on, sister” ... “Overflow, overflow” (soprano, chorus, Jake, Peter, Serena, Maria, Porgy, Clara)
|
|
3:17
|
11
|
Porgy & Bess: Act I, Scene 2. “Um! A saucer-buryin' set-up, I see” (detective, Serena, Jake, Porgy, chorus)
|
|
3:43
|
12
|
Porgy & Bess: Act I, Scene 2. “My man's gone now” (Serena, chorus)
|
|
4:16
|
13
|
Porgy & Bess: Act I, Scene 2. “How de saucer stan' now, my sister?” (undertaker, Serena, Jake, Porgy, chorus)
|
|
2:06
|
14
|
Porgy & Bess: Act I, Scene 2. “Oh, the train is at the station” (Bess, chorus)
|
|
3:07
|
15
|
Porgy & Bess: Act II, Scene 1. “Oh, I'm a-goin' out to the Blackfish banks” (Jake, chorus)
|
|
3:37
|
16
|
Porgy & Bess: Act II, Scene 1. “Mus' be you mens forgot about de picnic” - “Oh, I got plenty o' nuttin'” (Annie, Jake, Clara, Porgy, chorus, Serena, Maria)
|
|
2:13
|
17
|
Porgy & Bess: Act II, Scene 1. “I got plenty o' nuttin'” (Porgy, chorus)
|
|
1:18
|
18
|
Porgy & Bess: Act II, Scene 1. “Listen there what I tells you” (Maria, Serena, Sportin' Life)
|
|
1:23
|
19
|
Porgy & Bess: Act II, Scene 1. “I hates yo' struttin' style” (Maria)
|
|
1:17
|
20
|
Porgy & Bess: Act II, Scene 1. “Mornin', Lawyer, lookin' for somebody?” (Maria, Frazier, Porgy, Bess, chorus, Lily, Man, Scipio, Annie, Serena)
|
|
5:22
|
21
|
Porgy & Bess: Act II, Scene 1. “Boy! Come here, boy!” (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, chorus)
|
|
2:51
|
22
|
Porgy & Bess: Act II, Scene 1. “Buzzard keep on flyin' over” (Porgy, chorus)
|
|
3:22
|
CD #56
|
|
|
1
|
Porgy & Bess: Act II, Scene 1. “Lo, Bess, goin' to de picnic?” (Sportin' Life, Bess, Porgy)
|
|
3:17
|
2
|
Porgy & Bess: Act II, Scene 1. “Honey, we sure goin' strut our stuff today!” (Jake, Porgy, Bess)
|
|
0:43
|
3
|
Porgy & Bess: Act II, Scene 1. “Bess, you is my woman now” (Porgy, Bess)
|
|
5:09
|
4
|
Porgy & Bess: Act II, Scene 1. “Oh, I can't sit down” (chorus, Maria, Bess, Porgy)
|
|
4:12
|
5
|
Porgy & Bess: Act II, Scene 2. “I ain't got no shame doin' what I like to do” (chorus)
|
|
3:08
|
6
|
Porgy & Bess: Act II, Scene 2. “It ain't necessarily so” (Sportin' Life, chorus)
|
|
4:29
|
7
|
Porgy & Bess: Act II, Scene 2. “Shame on all you sinners” (Serena, Maria)
|
|
1:53
|
8
|
Porgy & Bess: Act II, Scene 2. “Crown!” ... “You know very well dis Crown!” (Bess, Crown)
|
|
3:23
|
9
|
Porgy & Bess: Act II, Scene 2. “Oh, what you want wid Bess?” (Bess, Crown)
|
|
4:03
|
10
|
Porgy & Bess: Act II, Scene 3. “Honey, dat's all de breakfast I got time for” (Jake, Nelson, Jim, Maria, chorus)
|
|
2:53
|
11
|
Porgy & Bess: Act II, Scene 3. “Well, if it ain' ole Peter!” (Maria, Peter, Bess, Porgy, Serena)
|
|
2:24
|
12
|
Porgy & Bess: Act II, Scene 3. “Oh Doctor Jesus” (Serena, Porgy, Peter, Lily)
|
|
2:32
|
13
|
Porgy & Bess: Act II, Scene 3. “Oh, dey's so fresh an' fine” (strawberry woman)
|
|
1:11
|
14
|
Porgy & Bess: Act II, Scene 3. “I'm talkin' about devil crabs” (crab man, Porgy, Maria)
|
|
2:27
|
15
|
Porgy & Bess: Act II, Scene 3. “Porgy, Porgy, dat you there, ain' it?” (Bess, Porgy)
|
|
3:03
|
16
|
Porgy & Bess: Act II, Scene 3. “If dere warn't no Crown, Bess” (Porgy, Bess)
|
|
2:37
|
17
|
Porgy & Bess: Act II, Scene 3. “Why you been out on that wharf so long, Clara?” (Maria, Clara)
|
|
1:40
|
18
|
Porgy & Bess: Act II, Scene 4. “Oh, de Lawd shake de Heavens an' de Lawd rock de groun'” (chorus, man, woman, Porgy, Clara, Serena, Sportin' Life)
|
|
2:34
|
19
|
Porgy & Bess: Act II, Scene 4. “One of dese mornin's you goin' to rise up singin'” (Clara, chorus)
|
|
1:10
|
20
|
Porgy & Bess: Act II, Scene 4. “Oh, dere's somebody knockin' at de do'” (chorus, Peter, Lily, Mingo, Maria, Bess)
|
|
1:30
|
21
|
Porgy & Bess: Act II, Scene 4. “You is a nice parcel of Christians” (Crown, Serena, Bess, Porgy, woman, chorus)
|
|
4:05
|
22
|
Porgy & Bess: Act II, Scene 4. “A red-headed woman make a choo-choo jump its track” (Crown, chorus)
|
|
1:35
|
23
|
Porgy & Bess: Act II, Scene 4. “Jake's boat in de river upside down!” (Bess, Clara, Crown)
|
|
1:01
|
24
|
Porgy & Bess: Act II, Scene 4. “All right, I'm goin' out to get Clara” ... “Oh Doctor Jesus” (Crown, Porgy, all)
|
|
2:18
|
CD #57
|
|
|
1
|
Porgy & Bess: Act III, Scene 1. “Clara, Clara, don't you be downhearted” ... “You low-life skunk, ain' you got no shame” (chorus, Sportin' Life, Maria)
|
|
6:23
|
2
|
Porgy & Bess: Act III, Scene 1. “Summertime an' the livin' is easy” (Bess, Porgy)
|
|
3:48
|
3
|
Porgy & Bess: Act III, Scene 2. “Wait for us at the corner, Al” (detective, Annie, Serena, other woman, coroner, 3 women, Porgy, policeman)
|
|
5:01
|
4
|
Porgy & Bess: Act III, Scene 2. “Oh Gawd! They goin' make him look on Crown's face!” (Bess, Sportin' Life)
|
|
2:09
|
5
|
Porgy & Bess: Act III, Scene 2. “There's a boat dat's leavin' soon for New York” (Sportin' Life, Bess)
|
|
4:07
|
6
|
Porgy & Bess: Act III, Scene 3. Introduction
|
|
1:17
|
7
|
Porgy & Bess: Act III, Scene 3. Symphony of Noise
|
|
4:17
|
8
|
Porgy & Bess: Act III, Scene 3. “Good mornin', sistuh!” ... “It's Porgy comin' home” (man, woman, chorus, children, Mingo, Porgy)
|
|
2:58
|
9
|
Porgy & Bess: Act III, Scene 3. “Dem white folks sure ain' put nuttin' over on this baby” (Porgy, Lily)
|
|
2:57
|
10
|
Porgy & Bess: Act III, Scene 3. “Here Mingo, what's de matter wid you all?” (Porgy)
|
|
1:39
|
11
|
Porgy & Bess: Act III, Scene 3. “Maria, Maria, where's Bess?” (Porgy, Maria, Serena)
|
|
3:18
|
12
|
Porgy & Bess: Act III, Scene 3. “Where Bess gone?” (Porgy, Mingo, Maria, Serena, chorus)
|
|
1:46
|
13
|
Porgy & Bess: Act III, Scene 3. “Oh Lawd, I'm on my way” (Porgy, chorus)
|
|
1:23
|
CD #58
|
|
|
1
|
Kaiser Franz Joseph I. Rettungs-Jubel-Marsch, op. 126
|
|
3:38
|
2
|
Schatz Walzer, op. 418
|
|
9:00
|
3
|
Niko Polka, op. 228
|
|
4:05
|
4
|
Scherz Polka, op. 72
|
|
3:44
|
5
|
Delirien, op. 212
|
|
10:19
|
6
|
Pêle-Mêle Polka, op. 161
|
|
2:20
|
7
|
Aufforderung zum Tanz, op. 65
|
|
9:44
|
8
|
Sekunden Polka, op. 258
|
|
3:31
|
9
|
Hellenen Polka, op. 203
|
|
2:19
|
CD #59
|
|
|
1
|
Kaiser Walzer, op. 437
|
|
12:01
|
2
|
Bauern Polka, op. 276
|
|
3:08
|
3
|
Lob der Frauen, op. 315
|
|
4:20
|
4
|
Chineser Galopp, op. 20
|
|
1:51
|
5
|
Ungarischer Tanz Nr. 5 g-Moll, WoO 1/5
|
|
2:44
|
6
|
Ungarischer Tanz Nr. 6 D-Dur, WoO 1/6
|
|
3:42
|
7
|
Krönungslieder, op. 184
|
|
9:29
|
8
|
Leichtes Blut, op. 319
|
|
2:42
|
9
|
Furioso Polka, op. 260
|
|
2:33
|
10
|
New Year's Address
|
|
1:05
|
11
|
An der schönen blauen Donau, op. 314
|
|
10:18
|
12
|
Radetzky-Marsch, op. 228
|
|
3:32
|
CD #60
|
|
|
1
|
Kontretanz in D major, K 603/1
|
|
1:09
|
2
|
Kontretanz in C major, K 609/1
|
|
1:14
|
3
|
Kontretanz in C major, K 609/4
|
|
2:05
|
4
|
6 deutsche Tänze, K 571: No. 1 in D major
|
|
1:29
|
5
|
6 deutsche Tänze, K 571: No. 2 in A minor
|
|
1:23
|
6
|
6 deutsche Tänze, K 571: No. 3 in C major
|
|
1:35
|
7
|
6 deutsche Tänze, K 571: No. 4 in G major
|
|
1:41
|
8
|
6 deutsche Tänze, K 571: No. 5 in B-flat major
|
|
1:32
|
9
|
6 deutsche Tänze, K 571: No. 6 in D major
|
|
3:06
|
10
|
Radetzky-Marsch, op. 228 (original version)
|
|
3:37
|
11
|
Kettenbrücke-Walzer, op. 4
|
|
6:43
|
12
|
Schäfer-Quadrille, op. 217
|
|
5:49
|
13
|
Der Karneval in Paris, op. 100 (Walzer)
|
|
2:33
|
14
|
Walzer à la Paganini, op. 11
|
|
7:56
|
CD #61
|
|
|
1
|
Pas de neuf, WoO (after Saverio Mercadante)
|
|
14:23
|
2
|
Sehnsuchts-Mazur, op. 89
|
|
9:05
|
3
|
Hans-Jörgel-Polka, op. 194
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3:44
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4
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Malapou-Galopp, op. 148a
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1:25
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5
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Hexen-Tanz, op. 203 (Walzer)
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9:36
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6
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March from the Ballet Corso Donati
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4:14
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7
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Cerrito-Polka, op. 189
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3:57
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8
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Jägers Lust, op. 82 (Jagd-Galopp)
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2:39
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9
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Die Schönbrunner, op. 200 (Walzer)
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9:08
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DVD-Video #62
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1
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Die Zauberflöte, K 620: Opening Credits
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0:59
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2
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Die Zauberflöte, K 620: Overture
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6:16
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3
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Die Zauberflöte, K 620: Act I. No. 1 Introduction: “Zu Hilfe! Zu Hilfe!” (Tamino, 3 Ladies)
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7:04
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4
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Die Zauberflöte, K 620: Act I. No. 1 Dialogue: “Wo bin ich!” (Tamino) / No. 2 Aria: “Der Vogelfänger bin ich ja” (Papageno)
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3:18
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5
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Die Zauberflöte, K 620: Act I. No. 2 Dialogue: “He da!” - “Was da!” (Tamino, Papageno, 3 Ladies)
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5:49
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6
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Die Zauberflöte, K 620: Act I. No. 3 Aria: “Dies Bildnis ist bezaubernd schön” (Tamino) / Dialogue: “Rüste dich mit Mut und Standhaftigkeit” (3 Ladies, Tamino)
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5:45
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7
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Die Zauberflöte, K 620: Act I. No. 4 Recitative & Aria: “O zittre nicht, mein lieber Sohn!” (Queen of the Night)
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4:55
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8
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Die Zauberflöte, K 620: Act I. No. 4 Dialogue: “Ist es denn auch Wirklichkeit, was ich sah” (Tamino) / No. 5 Quintet: “Hm! Hm! Hm! Hm!” (Papagenom Tamino, 3 Ladies)
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7:18
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9
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Die Zauberflöte, K 620: Act I. No. 5 Dialogue: “Was soll denn das Lachen?” (slaves, Manostatos) / No. 6 Trio: “Du feines Täubchen, nur herein!” (Manostatos, Pamina, Papageno)
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3:30
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10
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Die Zauberflöte, K 620: Act I. No. 6 Dialogue: “Mutter! Mutter! Mutter!” (Pamina, Papageno)
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5:01
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11
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Die Zauberflöte, K 620: Act I. No. 7 Duet: “Bein Männern, welche Liebe fühlen” (Pamina, Papageno)
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3:53
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12
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Die Zauberflöte, K 620: Act I. No. 8 Finale: “Zum Ziele führt dich diese Bahn” (3 Boys, Tamino)
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1:47
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13
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Die Zauberflöte, K 620: Act I. No. 8 Finale: “Die Weisheitslehre dieser Knaben” (Tamino, Speaker, chorus)
|
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9:20
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14
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Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wie stark ist nicht dein Zauberton” (Tamino)
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3:17
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15
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Die Zauberflöte, K 620: Act I. No. 8 Finale: “Schnelle Füße, rascher Mut” (Pamina, Papageno, Manostatos, slaves)
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3:39
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16
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Die Zauberflöte, K 620: Act I. No. 8 Finale: “Es lebe Sarastro, Sarastro lebe!” (chorus, Papageno, Pamina, Sarastro)
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4:45
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17
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Die Zauberflöte, K 620: Act I. No. 8 Finale: “Nun, stolzer Jüngling, nur hieher!” (Manostatos, Pamina, Tamino, Sarastro)
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2:16
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18
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Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wenn Tugend und Gerechtigkeit” (chorus)
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1:09
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DVD-Video #63
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1
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Die Zauberflöte, K 620: Act II. No. 9 March of the Priests
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2:35
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2
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Die Zauberflöte, K 620: Act II. No. 9 Dialogue: “Ihr in dem Weisheitstempel eingeweihten Diener” (Sarastro, Priests, Speaker)
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4:19
|
3
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Die Zauberflöte, K 620: Act II. No. 10 Aria & Chorus: “O Isis und Osiris” (Sarastro, chorus)
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3:23
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4
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Die Zauberflöte, K 620: Act II. No. 10 Dialogue: “Eine schreckliche Nacht!” (Tamino, Papageno, Speaker, First Priest) / No. 11 Duet: “Bewahret euch vor Weibertücken” (First Priest, Speaker) / No. 11 Dialogue: “He, Lichter her!” (Papageno, Tamino)
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5:49
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5
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Die Zauberflöte, K 620: Act II. No. 11 Dialogue: “Das ist ja wunderlich” (Papageno, Tamino) / No. 12 Quintet: “Wie? Wie? Wie? Ihr an diesem Schreckensort?” (3 Ladies, Papageno, Tamino, chorus, Speaker, First Priest) / No. 12 Dialogue: “Heil dir, Jüngling!” (3 Ladies, Papageno)
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5:37
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6
|
Die Zauberflöte, K 620: Act II. No. 12 Dialogue: “Ha, da find' ich ja die spröde Schöne!" (Manostatos) / No. 13 Aria: “Alles fühlt der Liebe Freuden” (Manostatos) / No. 13 Dialogue: “Mutter!” (Pamina, Queen of the Night)
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4:55
|
7
|
Die Zauberflöte, K 620: Act II. No. 14 Aria: “Der Hölle Rache” (Queen of the Night) / No. 14 Dialogue: “Morden soll ich?” (Pamina, Manostatos, Sarastro)
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6:17
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8
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Die Zauberflöte, K 620: Act II. No. 15 Aria: “In diesen heil'gen Hallen” (Sarastro) / No. 15 Dialogue: “Prinz, lebt wohl!” (Speaker, First Priest, Papageno, Tamino, old woman)
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8:08
|
9
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Die Zauberflöte, K 620: Act II. No. 16 Trio: “Seid uns zum zweiten Mal willkommen” (3 Boys) / No. 16 Dialogue: “Tamino, wollen wir nicht speisen?” (Papageno, Pamina)
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4:21
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10
|
Die Zauberflöte, K 620: Act II. No. 17 Aria: “Ach, ich fühl's” (Pamina) / No. 17 Dialogue: “Nicht wahr Tamino, ich kann auch schweigen” (Papageno)
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5:06
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11
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Die Zauberflöte, K 620: Act II. No. 18 Chorus: “O Isis und Osiris, welche Wonne!” (Priests) / No. 18 Dialogue: “Prinz, dein Betragen war bis hieher männlich” (Sarastro, Pamina, Tamino)
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3:56
|
12
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Die Zauberflöte, K 620: Act II. No. 19 Trio: “Soll ich dich, Teurer, nicht mehr seh'n?” (Pamina, Sarastro, Tamino)
|
|
3:32
|
13
|
Die Zauberflöte, K 620: Act II. No. 19 Dialogue: “Tamino! Tamino!” (Papageno, Speaker) / No. 20 Aria: “Ein Mädchen oder Weibchen” (Papageno) / No. 20 Dialogue: “Da bin ich schon, mein Engel!” (old woman, Papageno, Speaker)
|
|
9:21
|
14
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Die Zauberflöte, K 620: Act II. No. 21 Finale: “Bald prangt, den Morgen zu verkünden” (3 Boys, Pamina)
|
|
7:09
|
15
|
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Der, welcher wandert diese Straße” (2 Men in Armour, Tamino, Pamina)
|
|
5:11
|
16
|
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Tamino mein! O welch ein Glück!” (Pamina, Tamino, 2 Men in Armour, chorus)
|
|
7:21
|
17
|
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Papagena! Papagena! Papagena!” (Papageno, 3 Boys)
|
|
6:05
|
18
|
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Pa-Pa-Papagena! - Pa-Pa-Papageno!” (Papageno, Papagena)
|
|
2:53
|
19
|
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Nur stille, stille, stille, stille!” (Manostatos, 3 Ladies, Queen of the Night) / No. 21 Finale: “Die Strahlen der Sonne” (Sarastro, chorus)
|
|
4:49
|
20
|
Die Zauberflöte, K 620: Curtain Calls and Credits
|
|
4:55
|
DVD-Video #64
|
|
|
1
|
Opening
|
|
6:25
|
2
|
First Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro
|
|
20:19
|
3
|
Second Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto
|
|
6:55
|
4
|
Third Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: I. Allegro / II. Larghetto
|
|
10:20
|
5
|
Last Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: III. Allegretto
|
|
8:00
|
6
|
Credits
|
|
0:32
|
Other Releases in Group (3)
Pseudo-Release
-
The Complete Sony Recordings I,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD ([Multiple languages])
-
The Complete Sony Recordings II,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD ([Multiple languages])
-
The Complete Sony Recordings III,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD ([Multiple languages])
Links (4)
ASIN
-
https://www.amazon.com/gp/product/B01G3LLDH8
Discogs
-
https://www.discogs.com/release/13560369
Purchase For Mail-Order
-
https://www.prestomusic.com/classical/products/8158211--harnoncourt-the-complete-sony-recordings
-
https://www.sonyclassical.com/releases/releases-details/harnoncourt-the-complete-sony-recordings