Release: ,
Language: [Multiple languages],
Status: Pseudo-Release
Format: CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD,
Tracks: 261,
Length: 23:11:08,
Barcode: [none]
Release type: Other
Contents
CD #1
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1
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Das Paradies und die Peri, op. 50: Part I. No. 1 “Vor Edens Tor im Morgen prangen” (alto)
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3:12
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2
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Das Paradies und die Peri, op. 50: Part I. No. 2 “Wie glücklich sie wanderln” (Peri)
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2:43
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3
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Das Paradies und die Peri, op. 50: Part I. No. 3 “Der hehre Engel, der die Pforte” (tenor, Angel)
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1:58
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4
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Das Paradies und die Peri, op. 50: Part I. No. 4 “Wo find ich sie?” (Peri)
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2:38
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5
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Das Paradies und die Peri, op. 50: Part I. No. 5 “So sann sie nach” (tenor) / “O süßes Land!” (quartet)
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1:24
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6
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Das Paradies und die Peri, op. 50: Part I. No. 6 “Doch seine Ströme sind jetzt rot” (chorus)
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3:24
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7
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Das Paradies und die Peri, op. 50: Part I. No. 7 “Und einsam steht ein Jüngling noch”
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2:52
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8
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Das Paradies und die Peri, op. 50: Part I. No. 8 “Weh, weh, weh, er fehlte das Ziel” (chorus)
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2:12
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9
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Das Paradies und die Peri, op. 50: Part I. No. 9 “Die Peri sah das Mal der Wunde” (tenor, Peri, quartet, chorus)
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6:41
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10
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Das Paradies und die Peri, op. 50: Part II. No. 10 “Die Peri tritt mit schüchterner Gebärde” (tenor, Angel)
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3:16
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11
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Das Paradies und die Peri, op. 50: Part II. No. 11 “Ihn erstes Himmelshoffen schwand” (tenor, chorus, Peri)
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3:49
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12
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Das Paradies und die Peri, op. 50: Part II. No. 12 “Fort streift von hier das Kind der Lüfte” (tenor, Peri)
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3:30
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13
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Das Paradies und die Peri, op. 50: Part II. No. 13 “Die Peri weint, von ihrer Tränen scheint” (tenor, quartet)
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2:42
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14
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Das Paradies und die Peri, op. 50: Part II. No. 14 “Im Waldesgrün am stillen See” (alto, Young Man)
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3:02
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15
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Das Paradies und die Peri, op. 50: Part II. No. 15 “Verlassener Jüngling, nur das eine” (mezzo-soprano, tenor, Young Man)
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4:35
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16
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Das Paradies und die Peri, op. 50: Part II. No. 16 “O lass mich von der Luft durchdringen” (Maiden, tenor)
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4:51
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17
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Das Paradies und die Peri, op. 50: Part II. No. 17 “Schlaf nunn und ruhe in Träumen voll Duft” (Peri, chorus)
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3:48
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CD #2
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1
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Das Paradies und die Peri, op. 50: Part III. No. 18 “Schmücket die Stufen zu Allahs Thron” (chorus, soloists, soprano)
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3:09
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2
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Das Paradies und die Peri, op. 50: Part III. No. 19 “Dem Sang von ferne lauschend” (tenor, Angel)
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3:03
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3
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Das Paradies und die Peri, op. 50: Part III. No. 20 “Verstoßen! Verschlossen aufs Neu das Goldportal!” (Peri)
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4:26
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4
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Das Paradies und die Peri, op. 50: Part III. No. 21 “Jetzt sank des Abends goldner Schein” (baritone)
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4:25
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5
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Das Paradies und die Peri, op. 50: Part III. No. 22 “Und wie sie niederwärts sich schwingt” (tenor, quartet, baritone)
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3:59
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6
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Das Paradies und die Peri, op. 50: Part III. No. 23 “Hinab zu jenem Sonnentempel!” (Peri, tenor, mezzo-soprano, Man)
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6:53
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7
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Das Paradies und die Peri, op. 50: Part III. No. 24 “O heil'ge Tränen inn'ger Reue” (quartet, chorus)
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4:11
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8
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Das Paradies und die Peri, op. 50: Part III. No. 25 “Es fällt ein Tropfen aufs Land” (Peri, tenor, chorus)
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7:19
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9
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Das Paradies und die Peri, op. 50: Part III. No. 26 “Freud', ew'ge Freude, main Werk ist getan!” (Peri, chorus)
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6:54
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CD #3
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1
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Messa da Requiem: I. Requiem & Kyrie (chorus, soloists)
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8:36
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2
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Messa da Requiem: II. Sequence: Dies irae: “Dies irae” (chorus)
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2:33
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3
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Messa da Requiem: II. Sequence: Dies irae: “Tuba mirum” (chorus, bass)
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3:32
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4
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Messa da Requiem: II. Sequence: Dies irae: “Liber scriptus” (mezzo-soprano, chorus)
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5:19
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5
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Messa da Requiem: II. Sequence: Dies irae: “Quid sum miser” (soprano, mezzo-soprano, tenor)
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3:51
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6
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Messa da Requiem: II. Sequence: Dies irae: “Rex tremendae” (chorus, soloists)
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3:37
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7
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Messa da Requiem: II. Sequence: Dies irae: “Recordare” (soprano, mezzo-soprano)
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4:17
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8
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Messa da Requiem: II. Sequence: Dies irae: “Ingemisco” (tenor)
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3:42
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9
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Messa da Requiem: II. Sequence: Dies irae: “Confutatis” (bass, chorus)
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5:56
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10
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Messa da Requiem: II. Sequence: Dies irae: “Lacrymosa” (soloists, chorus)
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5:45
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CD #4
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1
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Messa da Requiem: III. Offertorio: “Domine Jesu” (soloists)
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4:52
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2
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Messa da Requiem: III. Offertorio: “Hostias” (soloists)
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5:58
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3
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Messa da Requiem: IV. Sanctus (chorus)
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3:01
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4
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Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chorus)
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4:55
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5
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Messa da Requiem: VI. Lux Aeterna (mezzo-soprano, tenor, bass)
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6:29
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6
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Messa da Requiem: VII. Libera me (soprano, chorus)
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2:39
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7
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Messa da Requiem: VII. Libera me: “Dies irae” (chorus)
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5:40
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8
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Messa da Requiem: VII. Libera me: “Libera me” (soprano, chorus)
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6:49
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CD #5
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1
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Symphony no. 5 in B-flat major, WAB 105: I. Introduction. Adagio - Allegro
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20:34
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2
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Symphony no. 5 in B-flat major, WAB 105: II. Adagio. Sehr langsam
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14:57
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3
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Symphony no. 5 in B-flat major, WAB 105: III. Scherzo. Molto vivace (Schnell) - Trio. Im gleichen Tempo
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13:35
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4
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Symphony no. 5 in B-flat major, WAB 105: IV. Finale. Adagio - Allegro moderato
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23:59
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CD #6
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1
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 1-22 “Vor den Sechzehnteln bitte wegfedern!”
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2:46
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2
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 161-224 “Die Synopken so, als würden wir mit Ellenbogen”
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4:37
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3
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 315-319, 325-327, 381-398 “Kann ich einmal nur diesen kleinen, ganz schnellen Holz-Kanon haben?”
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1:57
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4
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 31-38, 107-124 “Gehen wir bitte gleich zum zweiten Satz, und zwar wo er eigentlich anfängtm Takt 31...”
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4:11
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5
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 163-196, 203-211 “Von 169 bis 170, diese Harmoniefolge, die kommt aus dem Mozart-Requiem: 'Qua resurget ex favilla homo reus'...”
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8:57
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6
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 1-18, 39-70 “So, jetzt gehen wir zu dem Anfang von dem Satz...”
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3:24
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7
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 71-84, 101-144, 195-202 “Geben Sie mir bitte einmal nur die Triolen, nur Steicher von 'D'...”
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4:43
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8
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 1-39, 133-187 “Ich hätte gern wirklich so einen magischen Schnelltanz...”
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6:25
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9
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 341-382; Trio, mm. 1-55 “Können Sie ein bisschen so eine oberösterrechische Melancholie hineinbringen?”
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2:36
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10
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Trio, mm. 56-1479; Scherzo da capo, mm. 1-132 “Jetzt spielen Sie bitte wirklich 'Um-Pa'!”
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6:28
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11
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 1-22, 29-36, 67-82 “Es muss die Eins immer sehr energisch sein und die Zwei etwas weniger...”
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7:00
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12
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 83-136, 137-165 “Tutti von 'Etwas mehr langsam'...”
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5:41
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13
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 175-210, 223-231 “Stellen Sie sich zu dem Choral einen Text vor: 'Was Gott tut, das ist wohl getan...'”
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3:34
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14
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 310-340 “Jeder von diesen Einsätzen muss klingen, als, wäre er eine Eins...”
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2:59
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15
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Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 362-373, 450-499, 500-635 “Schön wäre es, wenn man eine totale Erschöpfung hört auf diesem Des...”
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9:23
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CD #7
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1
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Symphony no. 9 in D minor, WAB 109 (unfinished): I. Feierlich, misterioso
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24:17
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2
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Symphony no. 9 in D minor, WAB 109 (unfinished): II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo da capo
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10:39
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3
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Symphony no. 9 in D minor, WAB 109 (unfinished): III. Adagio. Langsam, feierlich
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23:55
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CD #8
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1
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Warum hat man eigentlich 100 Jahre lang gedacht, es gäbe nichts von diesem 4. Satz?”
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11:12
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2
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 1-278
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9:14
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3
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Gegen Ende eine extreme Dissonanz in den Trompeten”
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2:21
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4
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Nach dem Ende der Durchfährung folgt eine wilde Fuge”
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0:51
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5
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 279-342
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2:25
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6
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Quasi ein Schreckensbild des Todes”
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1:52
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7
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 343-478
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4:45
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8
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Danach fehlen 16 Takte; dazu ist nichts zu erklären; wir spielen einfach nicht”
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1:48
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9
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation T. 479-510 - Lücke / fehlender Partiturbogen - T. 511-526
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1:42
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10
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Wy did we think for over a hundred years that nothing of this finale existed?”
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10:51
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11
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 1-278
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9:15
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12
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Extreme dissonances in the trumpets towards the end of the block”
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2:24
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13
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “At the end of the development a wild fugue begins”
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0:40
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14
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 279-342
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2:24
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15
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “A sudden vision of death”
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1:46
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16
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 343-478
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4:43
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17
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Then there are sixteen bars missing; we will just leave them out”
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1:39
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18
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Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation mm. 479-510 - gap/missing score bifolio - mm. 511-526
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1:36
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CD #9
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1
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Má vlast: Vyšehrad. Lento - Largo maestoso - Grandioso poco largamente - Allegro vivo ma non agitato - Lento ma non troppo
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15:54
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2
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Má vlast: Vltava. Allegro comodo non agitato - L'istesso temp ma moderato - L'istesso tempo - Tempo I - Più moto
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12:54
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3
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Má vlast: Šárka. Allegro con fuoco ma non agitato - Più moderato assai - Moderato ma con calore - Moderato - Molto vivo - Più vivo
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10:41
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CD #10
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1
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Má vlast: Zčesk ých luhů a hájů. Molto moderato - Allegro poco vivo, ma non troppo - Allegro (Quasi Polka) - Tempo I - Allegro - Presto
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13:52
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2
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Má vlast: Tábor. Lento - Grandioso - Molto vivace - Lento - Molto vivace - Lento maestoso - Più animato
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14:24
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3
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Má vlast: Blanik. Allegro moderato - Andante non troppo - Più allegro ma non molto - Tempo di marcia - Grandioso - Tempo I - Largamente maestoso - Grandioso, meno Allegro - Vivace
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15:27
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CD #11
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1
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Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”. Ziemlich langsam und mit Ausdruck (chorus)
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9:58
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2
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Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”. Langsam, marschmäßig (chorus)
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16:02
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3
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Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss”. Andante bewegt (baritone, chorus)
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10:47
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4
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Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen”. Mäßig bewegt (chorus)
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5:54
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5
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Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”. Langsam (soprano, chorus)
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7:00
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6
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Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”. Andante - Allegro (baritone, chorus)
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12:35
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7
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Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”. Feierlich (chorus)
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9:45
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CD #12
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1
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Stabat Mater, op. 58: No. 1 Quartet & Chorus: “Stabat Mater dolorosa”. Andante con moto
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20:38
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2
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Stabat Mater, op. 58: No. 2 Quartet: “Quis est homo qui non fieret”. Andante sostenuto
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11:35
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3
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Stabat Mater, op. 58: No. 3 Chorus: “Eia, Mater, fons, amoris”. Andante con moto
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7:11
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4
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Stabat Mater, op. 58: No. 4 Bass & Chorus: “Fac ut ardeat cor meum”. Largo
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9:14
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CD #13
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1
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Stabat Mater, op. 58: No. 5 Chorus: “Tui nati vulnerati”. Andante con moto, quasi allegretto
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5:14
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2
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Stabat Mater, op. 58: No. 6 Tenor & Chorus: “Fac me vere tecum flere”. Andante con moto
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6:58
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3
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Stabat Mater, op. 58: No. 7 Chorus: “Virgo virginum praeclara”. Largo
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6:50
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4
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Stabat Mater, op. 58: No. 8 Soprano & Tenor Duet: “Fac ut portem Christi mortem”. Larghetto
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5:26
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5
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Stabat Mater, op. 58: No. 9 Alto: “Inflammatus et accesnsus”. Andante maestoso
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6:09
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6
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Stabat Mater, op. 58: No. 10 Quartet & Chorus: “Quando corpus morietur”. Andante con moto
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7:39
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CD #14
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1
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Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo
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9:09
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2
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Music for Strings, Percussion and Celesta, Sz 106: II. Allegro
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7:49
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3
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Music for Strings, Percussion and Celesta, Sz 106: III. Adagio
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8:05
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4
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Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto
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8:07
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5
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Divertimento for String Orchestra, Sz 113: I. Allegro non troppo
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9:16
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6
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Divertimento for String Orchestra, Sz 113: II. Molto adagio
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10:11
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7
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Divertimento for String Orchestra, Sz 113: III. Allegro assai
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7:52
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CD #15
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1
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Porgy & Bess: Act I, Scene 1. Introduction
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1:45
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2
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Porgy & Bess: Act I, Scene 1. “Summertime and the livin' is easy” (Clara)
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2:14
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3
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Porgy & Bess: Act I, Scene 1. “Seems like these bones don't give me nothin' but boxcars tonight” (Jake, Sportin' Life, Mingo, Serena, Robbins, chorus, Jim, Clara, crap shooters)
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4:28
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4
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Porgy & Bess: Act I, Scene 1. “Lissen to yo' daddy warn you” - “Oh, a woman is a sometime thing” (Jake, Mingo, Sportin' Life, chorus, Peter, Lily, Maria)
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3:04
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5
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Porgy & Bess: Act I, Scene 1. “Here's the ol' crap shark!” ... “No, no, brudder” (Jake, Mingo, Porgy, Sportin' Life, Robbins, Jim, Maria, Serena)
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4:31
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6
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Porgy & Bess: Act I, Scene 1. “Here comes the Big Boy!” (Mingo, Jake, Jim, Crown, Sportin' Life, Serena, Bess, Robbins, Porgy, chorus)
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4:53
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7
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Porgy & Bess: Act I, Scene 1. “Six to make!” (Sportin' Life, Jim, Mingo, Jake, Porgy, Crown, Robbins, Maria, Serena, Bess, chorus)
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4:00
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8
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Porgy & Bess: Act I, Scene 1. “Jesus, he's killed him!” ... “That you, Sportin' Life?” (Mingo, Bess, Crown, Sportin' Life, Maria)
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5:03
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9
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Porgy & Bess: Act I, Scene 2. “Where is brudder Robbins?” (woman, chorus, Man, Serena, Maria, Bess)
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3:38
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10
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Porgy & Bess: Act I, Scene 2. “Come on, sister” ... “Overflow, overflow” (soprano, chorus, Jake, Peter, Serena, Maria, Porgy, Clara)
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3:17
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11
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Porgy & Bess: Act I, Scene 2. “Um! A saucer-buryin' set-up, I see” (detective, Serena, Jake, Porgy, chorus)
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3:43
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12
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Porgy & Bess: Act I, Scene 2. “My man's gone now” (Serena, chorus)
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4:16
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13
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Porgy & Bess: Act I, Scene 2. “How de saucer stan' now, my sister?” (undertaker, Serena, Jake, Porgy, chorus)
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2:06
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14
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Porgy & Bess: Act I, Scene 2. “Oh, the train is at the station” (Bess, chorus)
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3:07
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15
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Porgy & Bess: Act II, Scene 1. “Oh, I'm a-goin' out to the Blackfish banks” (Jake, chorus)
|
|
3:37
|
16
|
Porgy & Bess: Act II, Scene 1. “Mus' be you mens forgot about de picnic” - “Oh, I got plenty o' nuttin'” (Annie, Jake, Clara, Porgy, chorus, Serena, Maria)
|
|
2:13
|
17
|
Porgy & Bess: Act II, Scene 1. “I got plenty o' nuttin'” (Porgy, chorus)
|
|
1:18
|
18
|
Porgy & Bess: Act II, Scene 1. “Listen there what I tells you” (Maria, Serena, Sportin' Life)
|
|
1:23
|
19
|
Porgy & Bess: Act II, Scene 1. “I hates yo' struttin' style” (Maria)
|
|
1:17
|
20
|
Porgy & Bess: Act II, Scene 1. “Mornin', Lawyer, lookin' for somebody?” (Maria, Frazier, Porgy, Bess, chorus, Lily, Man, Scipio, Annie, Serena)
|
|
5:22
|
21
|
Porgy & Bess: Act II, Scene 1. “Boy! Come here, boy!” (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, chorus)
|
|
2:51
|
22
|
Porgy & Bess: Act II, Scene 1. “Buzzard keep on flyin' over” (Porgy, chorus)
|
|
3:22
|
CD #16
|
|
|
1
|
Porgy & Bess: Act II, Scene 1. “Lo, Bess, goin' to de picnic?” (Sportin' Life, Bess, Porgy)
|
|
3:17
|
2
|
Porgy & Bess: Act II, Scene 1. “Honey, we sure goin' strut our stuff today!” (Jake, Porgy, Bess)
|
|
0:43
|
3
|
Porgy & Bess: Act II, Scene 1. “Bess, you is my woman now” (Porgy, Bess)
|
|
5:09
|
4
|
Porgy & Bess: Act II, Scene 1. “Oh, I can't sit down” (chorus, Maria, Bess, Porgy)
|
|
4:12
|
5
|
Porgy & Bess: Act II, Scene 2. “I ain't got no shame doin' what I like to do” (chorus)
|
|
3:08
|
6
|
Porgy & Bess: Act II, Scene 2. “It ain't necessarily so” (Sportin' Life, chorus)
|
|
4:29
|
7
|
Porgy & Bess: Act II, Scene 2. “Shame on all you sinners” (Serena, Maria)
|
|
1:53
|
8
|
Porgy & Bess: Act II, Scene 2. “Crown!” ... “You know very well dis Crown!” (Bess, Crown)
|
|
3:23
|
9
|
Porgy & Bess: Act II, Scene 2. “Oh, what you want wid Bess?” (Bess, Crown)
|
|
4:03
|
10
|
Porgy & Bess: Act II, Scene 3. “Honey, dat's all de breakfast I got time for” (Jake, Nelson, Jim, Maria, chorus)
|
|
2:53
|
11
|
Porgy & Bess: Act II, Scene 3. “Well, if it ain' ole Peter!” (Maria, Peter, Bess, Porgy, Serena)
|
|
2:24
|
12
|
Porgy & Bess: Act II, Scene 3. “Oh Doctor Jesus” (Serena, Porgy, Peter, Lily)
|
|
2:32
|
13
|
Porgy & Bess: Act II, Scene 3. “Oh, dey's so fresh an' fine” (strawberry woman)
|
|
1:11
|
14
|
Porgy & Bess: Act II, Scene 3. “I'm talkin' about devil crabs” (crab man, Porgy, Maria)
|
|
2:27
|
15
|
Porgy & Bess: Act II, Scene 3. “Porgy, Porgy, dat you there, ain' it?” (Bess, Porgy)
|
|
3:03
|
16
|
Porgy & Bess: Act II, Scene 3. “If dere warn't no Crown, Bess” (Porgy, Bess)
|
|
2:37
|
17
|
Porgy & Bess: Act II, Scene 3. “Why you been out on that wharf so long, Clara?” (Maria, Clara)
|
|
1:40
|
18
|
Porgy & Bess: Act II, Scene 4. “Oh, de Lawd shake de Heavens an' de Lawd rock de groun'” (chorus, man, woman, Porgy, Clara, Serena, Sportin' Life)
|
|
2:34
|
19
|
Porgy & Bess: Act II, Scene 4. “One of dese mornin's you goin' to rise up singin'” (Clara, chorus)
|
|
1:10
|
20
|
Porgy & Bess: Act II, Scene 4. “Oh, dere's somebody knockin' at de do'” (chorus, Peter, Lily, Mingo, Maria, Bess)
|
|
1:30
|
21
|
Porgy & Bess: Act II, Scene 4. “You is a nice parcel of Christians” (Crown, Serena, Bess, Porgy, woman, chorus)
|
|
4:05
|
22
|
Porgy & Bess: Act II, Scene 4. “A red-headed woman make a choo-choo jump its track” (Crown, chorus)
|
|
1:35
|
23
|
Porgy & Bess: Act II, Scene 4. “Jake's boat in de river upside down!” (Bess, Clara, Crown)
|
|
1:01
|
24
|
Porgy & Bess: Act II, Scene 4. “All right, I'm goin' out to get Clara” ... “Oh Doctor Jesus” (Crown, Porgy, all)
|
|
2:18
|
CD #17
|
|
|
1
|
Porgy & Bess: Act III, Scene 1. “Clara, Clara, don't you be downhearted” ... “You low-life skunk, ain' you got no shame” (chorus, Sportin' Life, Maria)
|
|
6:23
|
2
|
Porgy & Bess: Act III, Scene 1. “Summertime an' the livin' is easy” (Bess, Porgy)
|
|
3:48
|
3
|
Porgy & Bess: Act III, Scene 2. “Wait for us at the corner, Al” (detective, Annie, Serena, other woman, coroner, 3 women, Porgy, policeman)
|
|
5:01
|
4
|
Porgy & Bess: Act III, Scene 2. “Oh Gawd! They goin' make him look on Crown's face!” (Bess, Sportin' Life)
|
|
2:09
|
5
|
Porgy & Bess: Act III, Scene 2. “There's a boat dat's leavin' soon for New York” (Sportin' Life, Bess)
|
|
4:07
|
6
|
Porgy & Bess: Act III, Scene 3. Introduction
|
|
1:17
|
7
|
Porgy & Bess: Act III, Scene 3. Symphony of Noise
|
|
4:17
|
8
|
Porgy & Bess: Act III, Scene 3. “Good mornin', sistuh!” ... “It's Porgy comin' home” (man, woman, chorus, children, Mingo, Porgy)
|
|
2:58
|
9
|
Porgy & Bess: Act III, Scene 3. “Dem white folks sure ain' put nuttin' over on this baby” (Porgy, Lily)
|
|
2:57
|
10
|
Porgy & Bess: Act III, Scene 3. “Here Mingo, what's de matter wid you all?” (Porgy)
|
|
1:39
|
11
|
Porgy & Bess: Act III, Scene 3. “Maria, Maria, where's Bess?” (Porgy, Maria, Serena)
|
|
3:18
|
12
|
Porgy & Bess: Act III, Scene 3. “Where Bess gone?” (Porgy, Mingo, Maria, Serena, chorus)
|
|
1:46
|
13
|
Porgy & Bess: Act III, Scene 3. “Oh Lawd, I'm on my way” (Porgy, chorus)
|
|
1:23
|
CD #18
|
|
|
1
|
Kaiser Franz Joseph I. Rettungs-Jubel-Marsch, op. 126
|
|
3:38
|
2
|
Schatz Walzer, op. 418
|
|
9:00
|
3
|
Niko Polka, op. 228
|
|
4:05
|
4
|
Scherz Polka, op. 72
|
|
3:44
|
5
|
Delirien, op. 212
|
|
10:19
|
6
|
Pêle-Mêle Polka, op. 161
|
|
2:20
|
7
|
Aufforderung zum Tanz, op. 65
|
|
9:44
|
8
|
Sekunden Polka, op. 258
|
|
3:31
|
9
|
Hellenen Polka, op. 203
|
|
2:19
|
CD #19
|
|
|
1
|
Kaiser Walzer, op. 437
|
|
12:01
|
2
|
Bauern Polka, op. 276
|
|
3:08
|
3
|
Lob der Frauen, op. 315
|
|
4:20
|
4
|
Chineser Galopp, op. 20
|
|
1:51
|
5
|
Ungarischer Tanz Nr. 5 g-Moll, WoO 1/5
|
|
2:44
|
6
|
Ungarischer Tanz Nr. 6 D-Dur, WoO 1/6
|
|
3:42
|
7
|
Krönungslieder, op. 184
|
|
9:29
|
8
|
Leichtes Blut, op. 319
|
|
2:42
|
9
|
Furioso Polka, op. 260
|
|
2:33
|
10
|
New Year's Address
|
|
1:05
|
11
|
An der schönen blauen Donau, op. 314
|
|
10:18
|
12
|
Radetzky-Marsch, op. 228
|
|
3:32
|
CD #20
|
|
|
1
|
Kontretanz in D major, K 603/1
|
|
1:09
|
2
|
Kontretanz in C major, K 609/1
|
|
1:14
|
3
|
Kontretanz in C major, K 609/4
|
|
2:05
|
4
|
6 deutsche Tänze, K 571: No. 1 in D major
|
|
1:29
|
5
|
6 deutsche Tänze, K 571: No. 2 in A minor
|
|
1:23
|
6
|
6 deutsche Tänze, K 571: No. 3 in C major
|
|
1:35
|
7
|
6 deutsche Tänze, K 571: No. 4 in G major
|
|
1:41
|
8
|
6 deutsche Tänze, K 571: No. 5 in B-flat major
|
|
1:32
|
9
|
6 deutsche Tänze, K 571: No. 6 in D major
|
|
3:06
|
10
|
Radetzky-Marsch, op. 228 (original version)
|
|
3:37
|
11
|
Kettenbrücke-Walzer, op. 4
|
|
6:43
|
12
|
Schäfer-Quadrille, op. 217
|
|
5:49
|
13
|
Der Karneval in Paris, op. 100 (Walzer)
|
|
2:33
|
14
|
Walzer à la Paganini, op. 11
|
|
7:56
|
CD #21
|
|
|
1
|
Pas de neuf, WoO (after Saverio Mercadante)
|
|
14:23
|
2
|
Sehnsuchts-Mazur, op. 89
|
|
9:05
|
3
|
Hans-Jörgel-Polka, op. 194
|
|
3:44
|
4
|
Malapou-Galopp, op. 148a
|
|
1:25
|
5
|
Hexen-Tanz, op. 203 (Walzer)
|
|
9:36
|
6
|
March from the Ballet Corso Donati
|
|
4:14
|
7
|
Cerrito-Polka, op. 189
|
|
3:57
|
8
|
Jägers Lust, op. 82 (Jagd-Galopp)
|
|
2:39
|
9
|
Die Schönbrunner, op. 200 (Walzer)
|
|
9:08
|
CD #22
|
|
|
1
|
Die Zauberflöte, K 620: Opening Credits
|
|
0:59
|
2
|
Die Zauberflöte, K 620: Overture
|
|
6:16
|
3
|
Die Zauberflöte, K 620: Act I. No. 1 Introduction: “Zu Hilfe! Zu Hilfe!” (Tamino, 3 Ladies)
|
|
7:04
|
4
|
Die Zauberflöte, K 620: Act I. No. 1 Dialogue: “Wo bin ich!” (Tamino) / No. 2 Aria: “Der Vogelfänger bin ich ja” (Papageno)
|
|
3:18
|
5
|
Die Zauberflöte, K 620: Act I. No. 2 Dialogue: “He da!” - “Was da!” (Tamino, Papageno, 3 Ladies)
|
|
5:49
|
6
|
Die Zauberflöte, K 620: Act I. No. 3 Aria: “Dies Bildnis ist bezaubernd schön” (Tamino) / Dialogue: “Rüste dich mit Mut und Standhaftigkeit” (3 Ladies, Tamino)
|
|
5:45
|
7
|
Die Zauberflöte, K 620: Act I. No. 4 Recitative & Aria: “O zittre nicht, mein lieber Sohn!” (Queen of the Night)
|
|
4:55
|
8
|
Die Zauberflöte, K 620: Act I. No. 4 Dialogue: “Ist es denn auch Wirklichkeit, was ich sah” (Tamino) / No. 5 Quintet: “Hm! Hm! Hm! Hm!” (Papagenom Tamino, 3 Ladies)
|
|
7:18
|
9
|
Die Zauberflöte, K 620: Act I. No. 5 Dialogue: “Was soll denn das Lachen?” (slaves, Manostatos) / No. 6 Trio: “Du feines Täubchen, nur herein!” (Manostatos, Pamina, Papageno)
|
|
3:30
|
10
|
Die Zauberflöte, K 620: Act I. No. 6 Dialogue: “Mutter! Mutter! Mutter!” (Pamina, Papageno)
|
|
5:01
|
11
|
Die Zauberflöte, K 620: Act I. No. 7 Duet: “Bein Männern, welche Liebe fühlen” (Pamina, Papageno)
|
|
3:53
|
12
|
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Zum Ziele führt dich diese Bahn” (3 Boys, Tamino)
|
|
1:47
|
13
|
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Die Weisheitslehre dieser Knaben” (Tamino, Speaker, chorus)
|
|
9:20
|
14
|
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wie stark ist nicht dein Zauberton” (Tamino)
|
|
3:17
|
15
|
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Schnelle Füße, rascher Mut” (Pamina, Papageno, Manostatos, slaves)
|
|
3:39
|
16
|
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Es lebe Sarastro, Sarastro lebe!” (chorus, Papageno, Pamina, Sarastro)
|
|
4:45
|
17
|
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Nun, stolzer Jüngling, nur hieher!” (Manostatos, Pamina, Tamino, Sarastro)
|
|
2:16
|
18
|
Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wenn Tugend und Gerechtigkeit” (chorus)
|
|
1:09
|
CD #23
|
|
|
1
|
Die Zauberflöte, K 620: Act II. No. 9 March of the Priests
|
|
2:35
|
2
|
Die Zauberflöte, K 620: Act II. No. 9 Dialogue: “Ihr in dem Weisheitstempel eingeweihten Diener” (Sarastro, Priests, Speaker)
|
|
4:19
|
3
|
Die Zauberflöte, K 620: Act II. No. 10 Aria & Chorus: “O Isis und Osiris” (Sarastro, chorus)
|
|
3:23
|
4
|
Die Zauberflöte, K 620: Act II. No. 10 Dialogue: “Eine schreckliche Nacht!” (Tamino, Papageno, Speaker, First Priest) / No. 11 Duet: “Bewahret euch vor Weibertücken” (First Priest, Speaker) / No. 11 Dialogue: “He, Lichter her!” (Papageno, Tamino)
|
|
5:49
|
5
|
Die Zauberflöte, K 620: Act II. No. 11 Dialogue: “Das ist ja wunderlich” (Papageno, Tamino) / No. 12 Quintet: “Wie? Wie? Wie? Ihr an diesem Schreckensort?” (3 Ladies, Papageno, Tamino, chorus, Speaker, First Priest) / No. 12 Dialogue: “Heil dir, Jüngling!” (3 Ladies, Papageno)
|
|
5:37
|
6
|
Die Zauberflöte, K 620: Act II. No. 12 Dialogue: “Ha, da find' ich ja die spröde Schöne!" (Manostatos) / No. 13 Aria: “Alles fühlt der Liebe Freuden” (Manostatos) / No. 13 Dialogue: “Mutter!” (Pamina, Queen of the Night)
|
|
4:55
|
7
|
Die Zauberflöte, K 620: Act II. No. 14 Aria: “Der Hölle Rache” (Queen of the Night) / No. 14 Dialogue: “Morden soll ich?” (Pamina, Manostatos, Sarastro)
|
|
6:17
|
8
|
Die Zauberflöte, K 620: Act II. No. 15 Aria: “In diesen heil'gen Hallen” (Sarastro) / No. 15 Dialogue: “Prinz, lebt wohl!” (Speaker, First Priest, Papageno, Tamino, old woman)
|
|
8:08
|
9
|
Die Zauberflöte, K 620: Act II. No. 16 Trio: “Seid uns zum zweiten Mal willkommen” (3 Boys) / No. 16 Dialogue: “Tamino, wollen wir nicht speisen?” (Papageno, Pamina)
|
|
4:21
|
10
|
Die Zauberflöte, K 620: Act II. No. 17 Aria: “Ach, ich fühl's” (Pamina) / No. 17 Dialogue: “Nicht wahr Tamino, ich kann auch schweigen” (Papageno)
|
|
5:06
|
11
|
Die Zauberflöte, K 620: Act II. No. 18 Chorus: “O Isis und Osiris, welche Wonne!” (Priests) / No. 18 Dialogue: “Prinz, dein Betragen war bis hieher männlich” (Sarastro, Pamina, Tamino)
|
|
3:56
|
12
|
Die Zauberflöte, K 620: Act II. No. 19 Trio: “Soll ich dich, Teurer, nicht mehr seh'n?” (Pamina, Sarastro, Tamino)
|
|
3:32
|
13
|
Die Zauberflöte, K 620: Act II. No. 19 Dialogue: “Tamino! Tamino!” (Papageno, Speaker) / No. 20 Aria: “Ein Mädchen oder Weibchen” (Papageno) / No. 20 Dialogue: “Da bin ich schon, mein Engel!” (old woman, Papageno, Speaker)
|
|
9:21
|
14
|
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Bald prangt, den Morgen zu verkünden” (3 Boys, Pamina)
|
|
7:09
|
15
|
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Der, welcher wandert diese Straße” (2 Men in Armour, Tamino, Pamina)
|
|
5:11
|
16
|
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Tamino mein! O welch ein Glück!” (Pamina, Tamino, 2 Men in Armour, chorus)
|
|
7:21
|
17
|
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Papagena! Papagena! Papagena!” (Papageno, 3 Boys)
|
|
6:05
|
18
|
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Pa-Pa-Papagena! - Pa-Pa-Papageno!” (Papageno, Papagena)
|
|
2:53
|
19
|
Die Zauberflöte, K 620: Act II. No. 21 Finale: “Nur stille, stille, stille, stille!” (Manostatos, 3 Ladies, Queen of the Night) / No. 21 Finale: “Die Strahlen der Sonne” (Sarastro, chorus)
|
|
4:49
|
20
|
Die Zauberflöte, K 620: Curtain Calls and Credits
|
|
4:55
|
CD #24
|
|
|
1
|
Opening
|
|
6:25
|
2
|
First Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro
|
|
20:19
|
3
|
Second Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto
|
|
6:55
|
4
|
Third Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: I. Allegro / II. Larghetto
|
|
10:20
|
5
|
Last Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: III. Allegretto
|
|
8:00
|
6
|
Credits
|
|
0:32
|
Other Releases in Group (3)
Official
-
The Complete Sony Recordings,
[Worldwide] (07 Oct 2016),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + DVD-Video + DVD-Video + DVD-Video ([Multiple languages])
Pseudo-Release
-
The Complete Sony Recordings I,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD ([Multiple languages])
-
The Complete Sony Recordings II,
(),
CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD + CD ([Multiple languages])